With Colonial Memory Sarah de Mul gives her readers] a vividly conceived and theoretically astute reading of the complicated weavings between the past and the present involved in memory work and the process of nostalgic return--processes heightened when experience of colonialism casts memory adrift in space as well as in time.-Elleke Boehmer, Professor in World Literature in English, University of Oxford, "Sarah de Mul’s brilliant contribution to postcolonial studies gives us the most insightful readings of women travellers returning to the colonial past. By focusing on the return travel narratives of Aya Zikken, Marion Bloem and Doris Lessing, she demonstrates that the colonial past does not seem to pass, but, instead, instigates a compulsion to return. De Mul’s work will stand out in the literature devoted to the postcolonial literature as the first convincing feminist exploration of colonial histories and contemporary post-imperial conditions."--Ernst van Alphen, professor of Literary Studies Leiden University, "Sarah de Mul’s elegant analysis of the ‘complex architecture’ of colonial remembrance is to be welcomed not only for its lucidly and theoretically sophisticated contribution to the burgeoning field of memory studies but also for its groundbreaking comparative analysis of Dutch and British modes of imperial nostalgia." --Sam Durrant, Senior Lecturer in Postcolonial Literature at Leeds University, "Colonial Memory explores 20th century women’s travel writing in English and Dutch . Focusing on writers Aya Zikken, Marion Bloem and Doris Lessing, de Muhl explores the way that post-colonial nations such as Britain and the Netherlands seem compelled to return to their colonial past. This focus on the Dutch empire and its legacy in contemporary women’s writing is a new perspective within post-colonial studies and serves to make more complex and more particular the analysis of post-colonial writings. This interdisciplinary study explores issues of gender identity in relation to post-colonialism and constitutes an engagement with post-colonial theory."--Sarah Mills

Acknowledgements

Introduction: ‘Yesterday does not go by’
Chapter 1: A trip down memory lane. Colonial memory in women’s travel writing
Chapter 2: Women’s memory of Rhodesia, the Dutch East Indies and Dutch and British cultures of colonial remembrance
Chapter 3: Nostalgic memory in Aya Zikken’s Terug naar de atlasvlinder
Chapter 4: Indo postmemory in Marion Bloem’s Muggen Mensen Olifanten
Chapter 5: Everyday memory in Doris Lessing’s African laughter. Four visits to Zimbabwe
Conclusion

Notes
Bibliography
Index