A SCHOLARLY BOOK REPOSITORY
Brothers and Strangers traces the history of German Jewish attitudes, policies, and stereotypical images toward Eastern European Jews, demonstrating the ways in which the historic rupture between Eastern and Western Jewry developed as a function of modernism and its imperatives. By the 1880s, most German Jews had inherited and used such negative images to symbolize rejection of their own ghetto past and to emphasize the contrast between modern “enlightened” Jewry and its “half-Asian” counterpart. Moreover, stereotypes of the ghetto and the Eastern Jew figured prominently in the growth and disposition of German anti-Semitism. Not everyone shared these negative preconceptions, however, and over the years a competing post-liberal image emerged of the Ostjude as cultural hero. Brothers and Strangers examines the genesis, development, and consequences of these changing forces in their often complex cultural, political, and intellectual contexts.
The nineteenth- and twentieth-century relationship between European culture, German history, and the Jewish experience produced some of the West’s most powerful and enduring intellectual creations—and, perhaps in subtly paradoxical and interrelated ways, our century’s darkest genocidal moments. In Times of Crisis explores the flashpoints of this vexed relationship, mapping the coordinates of a complex triangular encounter of immense historical import.
In essays that range from the question of Nietzsche’s legacy to the controversy over Daniel Goldhagen’s Hitler’s Willing Executioners, the distinguished historian Steven E. Aschheim presents this encounter as an ongoing dialogue between two evolving cultural identities. He touches on past dimensions of this exchange (such as the politics of Weimar Germany) and on present dilemmas of grasping and representing it (such as the Israeli discourse on the Holocaust). His work inevitably traces the roots and ramifications of Nazism but at the same time brings into focus historical circumstances and contemporary issues often overshadowed or distorted by the Holocaust.
These essays reveal the ubiquitous charged inscriptions of Nazi genocide within our own culture and illuminate the projects of some later thinkers and historians—from Hannah Arendt to George Mosse to Saul Friedlander—who have wrestled with its problematics and sought to capture its essence. From the broadly historical to the personal, from the politics of Weimar Germany to the experience of growing up German Jewish in South Africa, the essays expand our understanding of German Jewish history in particular, but also of historical processes in general.
This volume develops from the studies published in Roy Ascott's highly successful Reframing Consciousness, documenting the very latest research from those connected with the CAiiA-STAR centre and its associated conferences. Their work embodies artistic and theoretical research in new media and telematics including aspects of artificial life, robotics, technoetics, performance, computer music and intelligent architecture, to growing international acclaim.
Loosely themed around four key elements of Mind, Body, Art and Values, the editor leads the investigation through the familiar territories of interactive media and artificial life, combining them with new and ancient ideas about creativity and authorship, the body and personal identity. This is the first book to recognise the paradigmatic changes which art, in alliance with science and technology is currently undergoing.
Winner, 2012 Witter Bynner Award and Fellowship
L. S. Asekoff's Freedom Hill is a dramatic monologue divided into three sections. The first concerns the speaker's visit with his aging parents and the death of his father. The second, set at an art party, is a meditation on women, desire, and the nature of the self. In the third, we witness the effects on the speaker of a cerebral stroke, along with his gradual recovery. As readers of Asekoff's unique body of work have come to expect, this highly allusive poem encompasses a wide range of subject matter: Heidegger, C-SPAN, modern art, aging, capitalism, religion. Also familiar will be Asekoff's great variety of tone and verbal ingenuity. Although indebted to high modernism, Freedom Hill is an ambitious, thoroughly contemporary meditation on issues very much of the present.
Recepient of 2013 Guggenheim Fellowship
Apart from two volumes published in the 1990s, the work of L. S. Asekoff has been winning admirers only among those lucky enough to encounter it in poetry journals and magazines over the last three decades. Now comes a new collection from this startlingly original poet. Astonishing in its variety of forms and subject matter, The Gate of Horn includes a series of monologues in which Asekoff conjures voices as disparate as the Marquis de Sade, an ancient Aztec warrior, an immigrant
Korean woman, a Vietnam vet, and a Holocaust historian. Above all, however, it is Asekoff’s own unmistakable voice that is on display— surreally sensual, intensely lyrical, darkly tragicomic. Through the gates of death and dreams, these wide-ranging, loosely associative poems speak with wit and erudition to the deepest mysteries of language and of life.
In Invoking the Invisible Hand Robert Asen scrutinizes contemporary debates over proposals to privatize Social Security. Asen argues that a rights-based rhetoric employed by Social Security's original supporters enabled advocates of privatization to align their proposals with the widely held belief that Social Security functions simply as a return on a worker's contributions and that it is not, in fact, a social insurance program.
By analyzing major debates over a preeminent American institution, Asen reveals the ways in which language is deployed to identify problems for public policy, craft policy solutions, and promote policies to the populace. He shows how debate participants seek to create favorable contexts for their preferred policies and how they connect these policies to idealized images of the nation.
Contributors:
Godfried Asante, Robert Asen, Charles Athanasopoulos, Paulami Banerjee, Anne Bonds, Linsay M. Cramer, Derek G. Handley, V. Jo Hsu, Kelly Jensen, Casey Ryan Kelly, Kyle R. Larson, George (Guy) F. McHendry Jr., Thomas K. Nakayama, Adedoyin Ogunfeyimi, Rico Self, Stacey K. Sowards, Corinne Mitsuye Sugino
Situated at the juncture of Latina/o studies and sexualities studies, Latina/o Sexualities provides a single resource that addresses the current state of knowledge from a multidisciplinary perspective. Contributors synthesize and critique the literature and carve a separate space where issues of Latina/o sexualities can be explored given the limitations of prevalent research models. This work compels the current wave in sexuality studies to be more inclusive of ethnic minorities and sets an agenda that policy makers and researchers will find invaluable.
In The Torture Camp on Paradise Street, Ukrainian journalist and writer Stanislav Aseyev details his experience as a prisoner from 2015 to 2017 in a modern-day concentration camp overseen by the Federal Security Bureau of the Russian Federation (FSB) in the Russian-controlled city of Donetsk. This memoir recounts an endless ordeal of psychological and physical abuse, including torture and rape, inflicted upon the author and his fellow inmates over the course of nearly three years of illegal incarceration spent largely in the prison called Izoliatsiia (Isolation). Aseyev also reflects on how a human can survive such atrocities and reenter the world to share his story.
Since February 2022, numerous cases of illegal detainment and extreme mistreatment have been reported in the Ukrainian towns and villages occupied by Russian forces during the full-scale invasion. These and other war crimes committed by Russian troops speak to the horrors wreaked upon Ukrainians forced to live in Russian-occupied zones. It is important to remember, however, that the torture and killing of Ukrainians by Russian security and military forces began long before 2022. Rendered deftly into English, Aseyev’s compelling account offers a critical insight into the operations of Russian forces in the occupied territories of Ukraine.
In this exceptional collection of dispatches from occupied Donbas, writer and journalist Stanislav Aseyev details the internal and external changes observed in the cities of Makiïvka and Donetsk in eastern Ukraine. Aseyev scrutinizes his immediate environment and questions himself in an attempt to understand the reasons behind the success of Russian propaganda among the working-class residents of the industrial region of Donbas.
In this work of documentary prose, Aseyev focuses on the early period of the Russian-sponsored military aggression in Ukraine’s east, the period of 2015–2017. The author’s testimony ends with his arrest for publishing his dispatches and his subsequent imprisonment and torture in a modern-day concentration camp on the outskirts of Donetsk run by lawless mercenaries and local militants with the tacit approval and support of Moscow. For the first time, an inside account is presented here of the toll on real human lives and civic freedoms that the citizens of Europe’s largest country continue to suffer in Russia’s hybrid war on its territory.
This newest annual edition of Osiris brings together a variety of scholars to consider a topic of increasing interest in the history of science: expertise. Focusing specifically on the role expertise has played in the support, legitimation, and growth of the state since early modern times, Expertise and the Early Modern State reveals how scientific expertise and practical knowledge were crucial to the construction of early modern empires and economies. The state, on the other hand, performed a similar function for scientists, giving them much of the status and resources they needed to further their work. A penetrating, multifaceted investigation, Osiris 25 will be required reading for historians of science and early modern political development.
The manual is a stand-alone “how to” guide to conducting assessments of the impacts on humans of ecosystem changes. In addition, assessment practitioners who are looking for guidance on particular aspects of the assessment process will find individual chapters of this manual to be useful in advancing their understanding of best practices in ecosystem assessment. The manual builds on the experiences and lessons learned from the Millennium Ecosystem Assessment global and sub-global assessment initiatives, with chapters written by well-known participants in those initiatives. It also includes insights and experiences gained from a wider range of ecosystem service-focused assessment activities since the completion of the MA in 2005.
One of the greatest living poets in English here explores the work of six writers he often finds himself reading "in order to get started" when writing, poets he turns to as "a poetic jump-start for times when the batteries have run down." Among those whom John Ashbery reads at such times are John Clare, Thomas Lovell Beddoes, Raymond Roussel, John Wheelwright, Laura Riding, and David Schubert. Less familiar than some, under Ashbery's scrutiny these poets emerge as the powerful but private and somewhat wild voices whose eccentricity has kept them from the mainstream--and whose vision merits Ashbery's efforts, and our own, to read them well.
Deeply interesting in themselves, Ashbery's reflections on these poets of "another tradition" are equally intriguing for what they tell us about Ashbery's own way of reading, writing, and thinking. With its indirect clues to his work and its generous and infectious appreciation of a remarkable group of poets, this book conveys the passion, delight, curiosity, and insight that underlie the art and craft of poetry for writer and reader alike. Even as it invites us to discover the work of poets in Ashbery's other tradition, it reminds us of Ashbery's essential place in our own.
The Genus Betula covers all known birches found in North America, Europe, and Asia, along with keys for accurate identification. Chapters include a look at the breeding, cultivation, conservation, and morphology of all species, including several little-known species wonderful for garden and landscape use. The authors present previously unpublished data on recent molecular work and fossils, providing a cytotaxonomic and phylogeographic revision of the Betula genus. The book is accompanied by exquisite specimens of botanical art, including full-color paintings by Josephine Hague, making it a valuable tool for arboriculturists as well as professional and amateur gardeners.
Many dogmas regarding Greek theatre were established by researchers who lacked experience in the mounting of theatrical productions. In his wide-ranging and provocative study, Clifford Ashby, a theatre historian trained in the practical processes of play production as well as the methods of historical research, takes advantage of his understanding of technical elements to approach his ancient subject from a new perspective. In doing so he challenges many long-held views.
Archaeological and written sources relating to Greek classical theatre are diverse, scattered, and disconnected. Ashby's own (and memorable) fieldwork led him to more than one hundred theatre sites in Greece, southern Italy, Sicily, and Albania and as far into modern Turkey as Hellenic civilization had penetrated. From this extensive research, he draws a number of novel revisionist conclusions on the nature of classical theatre architecture and production.
The original orchestra shape, for example, was a rectangle or trapezoid rather than a circle. The altar sat along the edge of the orchestra, not at its middle. The scene house was originally designed for a performance event that did not use an up center door. The crane and ekkyklema were simple devices, while the periaktoi probably did not exist before the Renaissance. Greek theatres were not built with attention to Vitruvius' injunction against a southern orientation and were probably sun-sited on the basis of seasonal touring. The Greeks arrived at the theatre around mid-morning, not in the cold light of dawn. Only the three-actor rule emerges from this eclectic examination somewhat intact, but with the division of roles reconsidered upon the basis of the actors' performance needs. Ashby also proposes methods that can be employed in future studies of Greek theatre. Final chapters examine the three-actor production of Ion, how one should not approach theatre history, and a shining example of how one should.
Ashby's lengthy hands-on training and his knowledge of theatre history provide a broad understanding of the ways that theatre has operated through the ages as well as an ability to extrapolate from production techniques of other times and places.
In this timely volume, which Nathan Glazer describes as “a fascinating account of the rise of student participation in the English universities,” Ashby and Anderson interpret contemporary student activities in the light of the history of student participation during the last 150 years. They begin their study with a description of the relation between students and universities in Britain in the 1820s and then trace the way in which Scottish students organized themselves at that time. By bringing their corporate influence to bear on members of the government, those students secured recognition by Parliament of Student Representative Councils, and thus initiated a “student estate.”
The authors then describe the rise of the student estate in England: the recognition of student organizations in the charters of civic universities, the growth of the “solidarity” of student opinion through the National Union of Students, and the development of actual student influence upon universities and upon public policies for higher education. Included are examples of sporadic student unrest in Britain over the last century and a half, a thorough and lively discussion of the present situation—including references to the American scene—and prospects for the future of the student estate in general.
Think of a platypus: They lay eggs (that hatch into so-called platypups), produce milk without nipples and venom without fangs, and can detect electricity. Or a wombat: Their teeth never stop growing, they poop cubes, and they defend themselves with reinforced rears. And what about antechinuses—tiny marsupial carnivores whose males don’t see their first birthday, as their frenzied sex lives take so much energy that their immune systems fail? Platypuses, possums, wombats, echidnas, devils, kangaroos, quolls, dibblers, dunnarts, kowaris: Australia has some truly astonishing mammals, with incredible, unfamiliar features. But how does the world regard these creatures? And what does that mean for their conservation?
In Platypus Matters, naturalist Jack Ashby shares his love for these often-misunderstood animals. Informed by his own experiences meeting living marsupials and egg-laying mammals during fieldwork in Tasmania and mainland Australia, as well as his work with thousands of zoological specimens collected for museums over the last two-hundred-plus years, Ashby’s tale not only explains historical mysteries and debunks myths (especially about the platypus), but also reveals the toll these myths can take. Ashby makes clear that calling these animals “weird” or “primitive”—or incorrectly implying that Australia is an “evolutionary backwater,” a perception that can be traced back to the country’s colonial history—has undermined conservation: Australia now has the worst mammal extinction rate of any place on Earth. Important, timely, and written with humor and wisdom by a scientist and self-described platypus nerd, this celebration of Australian wildlife will open eyes and change minds about how we contemplate and interact with the natural world—everywhere.
When it came to the Wild West, the nineteenth-century press rarely let truth get in the way of a good story. James Butler “Wild Bill” Hickok’s story was no exception. Mythologized and sensationalized, Hickok was turned into the deadliest gunfighter of all, a so-called moral killer, a national phenomenon even while he was alive.
Rather than attempt to tease truth from fiction, coauthors Paul Ashdown and Edward Caudill investigate the ways in which Hickok embodied the culture of glamorized violence Americans embraced after the Civil War and examine the process of how his story emerged, evolved, and turned into a viral multimedia sensation full of the excitement, danger, and romance of the West.
Journalists, the coauthors demonstrate, invented “Wild Bill” Hickok, glorifying him as a civilizer. They inflated his body count and constructed his legend in the midst of an emerging celebrity culture that grew up around penny newspapers. His death by treachery, at a relatively young age, made the story tragic, and dime-store novelists took over where the press left off. Reimagined as entertainment, Hickok’s legend continued to enthrall Americans in literature, on radio, on television, and in the movies, and it still draws tourists to notorious Deadwood, South Dakota.
American culture often embraces myths that later become accepted as popular history. By investigating the allure and power of Hickok’s myth, Ashdown and Caudill explain how American journalism and popular culture have shaped the way Civil War–era figures are remembered and reveal how Americans have embraced violence as entertainment.
Sarnath has long been regarded as the place where the Buddha preached his first sermon and established the Buddhist monastic order. Excavations at Sarnath have yielded the foundations of temples and monastic dwellings, two Buddhist reliquary mounds (stupas), and some of the most important sculptures in the history of Indian art. This volume offers the first critical examination of the historic site.
Frederick M. Asher provides a longue durée (long-term) analysis of Sarnath—including the plunder, excavation, and display of antiquities and the Archaeological Survey of India’s presentation—and considers what lies beyond the fenced-in excavated area. His analytical history of Sarnath’s architectural and sculptural remains contains a significant study of the site’s sculptures, their uneven production, and their global distribution. Asher also examines modern Sarnath, which is a living establishment replete with new temples and monasteries that constitute a Buddhist presence on the outskirts of Varanasi, the most sacred Hindu city.
The Art of Eastern India, 300–800 was first published in 1980. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
Though scholars have extensive knowledge of the art that flourished during Pala rule in Eastern India (ca. 800-1200), little is known about Eastern Indian art during the preceding 500 years. This half-millennium includes the period of the Gupta dynasty and the two centuries that bridge Gupta and Pala rule, when no single dynasty long maintained control of Eastern India. In this study, Frederick M. Asher challenges arthistorical assumptions about Pala art — that it is a new school virtually without links to earlier art 00 by demonstrating that sculpture during the Gupta period and the subsequent three centuries evolved along lines that connect it with Pala art. In so doing, he draws attention to important sculptures, most of them never previously studied, that tell us not only about an unexplored period in Indian art but also about broader aspects of the cultural history and geography of Eastern India.
Asher's work is based on field research in Bihar, West Bengal, and Bangladesh. There he gave special attention to the sites of once-flourishing Buddhist monasteries and to Hindu images still worshipped in village India. The author's photographs of the bronze, terra cotta, and stone sculptures, and his detailed text, provide a virtual catalogue raisonne of the known works of the period.
Asher's analyses of the images and his attributions of dates to them are based upon close attention to artistic style and iconography, and the study of dynastic and social history, contemporary travelers' reports, and religious history. Drawing together these diverse strands of information, he describes the evolution of art forms over a long period in which there was little apparent historic unity. John M. Rosenfield, professor of art history at Harvard University and author of The Art of the Kushans, says, of The Art of Eastern India,"The scholarship is scrupulously detailed and careful . . . [The book] is in the finest tradition of classical scholarship, and will be consulted or several generations."
The Pacific region had yet to be overrun by drug traffickers, guerrillas, and paramilitary forces in the early 1990s. It was better known as the largest area of black culture in the country (90 percent of the region’s population is Afro-Colombian) and as a supplier of natural resources, including timber, gold, platinum, and silver. Colombia’s Law 70, passed in 1993, promised ethnic and cultural rights, collective land ownership, and socioeconomic development to Afro-Colombian communities. At the same time that various constituencies sought to interpret and implement Law 70, the state was moving ahead with large-scale development initiatives intended to modernize the economically backward coastal lowlands. Meanwhile national and international conservation organizations were attempting to protect the region’s rich biodiversity. Asher explores this juxtaposition of black rights, economic development, and conservation—and the tensions it catalyzed. She analyzes the meanings attached to “culture,” “nature,” and “development” by the Colombian state and Afro-Colombian social movements, including women’s groups. In so doing, she shows that the appropriation of development and conservation discourses by the social movements had a paradoxical effect. It legitimized the presence of state, development, and conservation agencies in the Pacific region even as it influenced those agencies’ visions and plans.
Winner of the 2019 Agha Shahid Ali Prize in Poetry
Zachary Asher’s second collection, gone bird in the glass hours, is a play in verse, featuring seven voices. It begins with a rabbi, bewildered and bent by personal grief, guided and beguiled by elusive Blue Postman into the world of “the glass hours” and its inhabitants.
Rooted in magical realism, gone bird in the glass hours experiments with multiple forms from epistles to centos, from fractals to prayers. These poems are brave in their excavations of grief and solace, wonder and rage, collective trauma and, ultimately, transcendence.
Douglas E. Ashford joins a growing number of scholars who have questioned the behavioralist assumptions of much policy science. The essays in this volume show why policy analysis cannot be confined to prevailing methods of social science. Policy-making behavior involves historical, contextual, and philosophical factors that also raise critical questions about the concepts and theory of the discipline. Ashford asks difficult questions about the contextual, conjunctural, and unintentional circumstances that affect actual decision-making. His bridging essays summarize opposing viewpoints and conflicting interpretations to help form a new agenda for comparative policy analysis.
So begins this true story of witchcraft and friendship set against the turbulent backdrop of contemporary Soweto. Adam Ashforth, an Australian who has spent many years in the black township, finds his longtime friend Madumo in dire circumstances: his family has accused him of using witchcraft to kill his mother and has thrown him out on the street. Convinced that his life is cursed, Madumo seeks help among Soweto's bewildering array of healers and prophets. An inyanga, or traditional healer, confirms that he has indeed been bewitched. With Ashforth by his side, skeptical yet supportive, Madumo embarks upon a physically grueling treatment regimen that he follows religiously-almost to the point of death-despite his suspicion that it may be better to "Westernize my mind and not think about witchcraft."
Ashforth's beautifully written, at times poignant account of Madumo's struggle shows that the problem of witchcraft is not simply superstition, but a complex response to spiritual insecurity in a troubling time of political and economic upheaval. Post-apartheid Soweto, he discovers, is suffering from a deluge of witchcraft. Through Madumo's story, Ashforth opens up a world that few have seen, a deeply unsettling place where the question "Do you believe in witchcraft?" is not a simple one at all. The insights that emerge as Ashforth accompanies his friend on an odyssey through Soweto's supernatural perils have profound implications even for those of us who live in worlds without witches.
In The Trials of Mrs. K., Adam Ashforth studies this and similar stories of witchcraft that continue to circulate in Malawi. At the heart of the book is Ashforth’s desire to understand how claims to truth, the pursuit of justice, and demands for security work in contemporary Africa, where stories of witchcraft can be terrifying. Guiding us through the history of legal customs and their interactions with the court of public opinion, Ashforth asks challenging questions about responsibility, occult forces, and the imperfect but vital mechanisms of law. A beautifully written and provocative book, The Trials of Mrs. K. will be an essential text for understanding what justice means in a fragile and dangerous world.
In Witchcraft, Violence, and Democracy in South Africa, Adam Ashforth examines how people in Soweto and other parts of post-apartheid South Africa manage their fear of 'evil forces' such as witchcraft. Ashforth examines the dynamics of insecurity in the everyday life of Soweto at the turn of the twenty-first century. He develops a new framework for understanding occult violence as a form of spiritual insecurity and documents new patterns of interpretation attributing agency to evil forces. Finally, he analyzes the response of post-apartheid governments to issues of spiritual insecurity and suggests how these matters pose severe long-term challenges to the legitimacy of the democratic state.
Goes beyond institutional history to concentrate on commercial and social matters
The author’s findings imply that Jewish immigrants to the South in the first half of the 19th century came from particular locales with similar social, economic, and religious backgrounds, and they chose to live in the South because of those traditions. The experience of Jews with commercial capitalism, rather than landowning, in agricultural societies, gave the Jews of Louisiana a comparable niche in America, and they participated in the commercial aspects of a regional economy based on agricultural production. Commercial and family connections with other Jewish groups facilitated their development into a settled community. In growth and decline, Jewish communities in Louisiana and elsewhere became permanent features of the landscape and influenced, and were influenced, by the areas in which they lived.
Since 1955 the state of Michigan has erected historical markers throughout the state. In this revised edition of Traveling Through Time, Laura Rose Ashlee collects the histories that appear on these markers together into one handy guidebook---a great desk reference for researchers and armchair historians alike.
Some of the book's special features include:
o Location and full text of each marker
o Arranged alphabetically within county chapters
o More than 85 historic and color photographs
o Special section on Michigan historical markers placed outside Michigan
In the wake of the successful cloning of animals and the promises—or fears—of stem cell research, new discoveries in science and medicine need more than ever to be accompanied by careful moral reflection. Contending that concern over the ethical dimensions of these and other like issues are no longer just in the domain of those involved in medical practice, the third edition of Ethics of Health Care claims these are vital topics that should matter deeply to all citizens.
While stressing the Catholic tradition in health care ethics, Ethics of Health Care is ecumenical, incorporating a broader Christian tradition as well as humanistic approaches, and takes as common ground for mutual understanding the Universal Declaration of Human Rights of the United Nations. This new third edition is a response to the many developments in theology and the startlingly rapid changes in the arenas of medicine and health care over the past decade, from the dominance of managed care to increased surgery on an "outpatient" basis; from hospice care for the dying to the increasing use of drugs in the treatment of mental illness.
Revised and thoroughly up-to-date, this third edition continues with its valuable teaching aids, including case studies, study questions, chapter summaries, a bibliography, and complete index.
This fourth edition of Health Care Ethics provides a contemporary study of broad and major issues affecting health care and the ethics of health care from the perspective of Catholic teachings and theological investigation.
It aims to help Christian, and especially Catholic, health care professionals solve concrete problems in terms of principles rooted in Scripture and tested by individual experience.
Since the last edition of Health Care Ethics, there have been many changes in the fields of health care medicine and theology that have necessitated a fourth edition. Ashley and O'Rourke have revised their seminal work to address the publication of significant documents by the Church and the restructuring of the health care system.
Features of the revised fourth edition:
• Discusses significant Church documents issued since the third edition includes "The Splendor of Truth" (Veritatis Splendor), and the "Gospel of Life" (Evangelium Vitae); the "Instruction on the Vocation of Theologians"; the Catechism of the Catholic Church; and the Revised Ethical and Religious Directives for Catholic Health Services.
• Examines the implications of managed care techniques.
• Probes such changes in the practice of medicine as the new emphasis on preventive care, the involvement of individuals in their own care, greater use of pharmaceuticals in psychiatry, and the greater role of genetics in diagnosis and prognosis.
• Explores the quest for more compassionate care of the dying.
• Updates the bibliography.
Health Care Ethics is a comprehensive study of significant issues affecting health care and the ethics of health care from the perspective of Catholic theology. It aims to help Christian, and especially Catholic, health care professionals solve concrete problems in terms of principles rooted in scripture and tested by individual experience; however, its basis in real medical experience makes this book a valuable resource for anyone with a general interest in health care ethics.
This fifth edition, which includes important contributions by Jean deBlois, C.S.J., considers everyday ethical questions and dilemmas in clinical care and deals more deeply with issues of women's health, mental health, sexual orientation, artificial reproduction, and the new social issues in health care. The authors devote special attention to the various ethical theories currently in use in the United States while clearly presenting a method of ethical decision making based in the Catholic tradition. They discuss the needs of the human person, outlining what it means to be human, both as an individual and as part of a community.
This volume has been significantly updated to include new discussions of recent clinical innovations and theoretical issues that have arisen in the field:
• the Human Genome Project• efforts to control sexual selection of infants• efforts to genetically modify the human genotype and phenotype• the development of palliative care as a medical specialty• the acceptance of non-heart beating persons as organ donors• embryo development and stem cell research• reconstructive and cosmetic surgery• nutrition and obesity• medical mistakes• the negative effects of managed care on the patient-physician relationship• recent papal allocution regarding care of patients in a persistent vegetative state and palliative care for dying patients
As Ashley and Sheingorn show, differing agendas shaped the miracle stories over time. The first author, Bernard of Angers, used his narratives to critique popular religion and to establish his own literary reputation, while the monks who continued the collection tried to enhance their monastery's prestige. Because these stories were rhetorical constructions, Ashley and Sheingorn argue, we cannot use them directly as sources of historical data. Instead, they demonstrate how analyzing representations common to groups of miracle stories—such as negative portrayals of Muslims on the eve of the Crusades—can reveal the traces of history.
An antique-shop owner gets a glimpse of the Red Planet through an intriguing artifact. A Martian’s wife contemplates the possibility of life on Earth. A resident of Venus describes his travels across the two alien planets. From an arid desert to an advanced society far superior to that of Earth, portrayals of Mars have differed radically in their attempts to uncover the truth about our neighboring planet.
Since the 1880s, after an astronomer first described “channels” on the surface of Mars, writers have been fascinated with the planet, endlessly speculating on what life on Mars might look like and what might happen should we make contact with the planet's inhabitants. This wonderful collection offers ten wildly imaginative short stories from the golden age of science fiction by such classic sci-fi writers as H.G. Wells, Ray Bradbury, and J. G. Ballard, as well as hard-to-find stories by unjustly forgotten writers from the genre.
Assembled and introduced by acclaimed anthologist Mike Ashley, these stories vividly evoke a time when notions of life on other planets—from vegetation and water to space invaders and utopian societies—were new and startling. As we continue to imagine landing people on Mars, these stories are well worth revisiting as gripping and vivid dispatches from futurists past.
Renée Ashley describes Salt as an attempt, in part, to mythologize a period of the 1950s and early 1960s in the California Bay Area suburb where she grew up, “a racially rich, economically varied section of town east of El Camino Real—the major road and the ‘tracks’, so to speak, that one grew up on the right or wrong side of.” Many of the poems in the collection explore Ashley’s adjustment to the East Coast after a virtual lifetime in “that one place.” They deal with landscape, with marriage, with the insight distance seems to lend to hindsight, with amusement, with regret.
“Renée Ashley can tune our ears to the thoughts of a wounded sparrow, to the sibilance of snow on stone, even to the song rocks make as they thaw in spring. . . . She wakes us to an intricate, enthralling world behind, beneath, beyond the one we thought we knew, alive with particulars, laced with compassion, luminous with humor.”—Donald Finkel
Developing a Sense of Place offers a range of viewpoints, including those of the arts strategist, the academic, the practice-researcher, and the artist. Through its innovative models, from performing arts to architectural design, the book serves diverse interests, such as the arts and cultural policy managers, master planners, and arts workers, as well as students of human geography, cultural planning, business and the creative industries, and arts administration, at the undergraduate and postgraduate levels.
For centuries, readers of Tao Qian have felt directly addressed by his poetic voice. This theme in the reception of Tao Qian, moreover, developed alongside an assumption that Tao was fundamentally misunderstood during his own age.
This book revisits Tao’s approach to his readers by attempting to situate it within the particular poetics of address that characterized the Six Dynasties classicist tradition. How would Tao Qian have anticipated that his readers would understand him? No definitive answer is knowable, but this direction of inquiry suggests closer examination of the cultures of reading and understanding of his period. From this inquiry, two interrelated groups of problems emerge as particularly pressing both for Tao Qian and for his contemporaries: first, problems relating to understanding authoritative texts, centered on the relation between meanings and the outward “traces” of those meanings’ expression; second, problems relating to understanding human character, centered on the unworldly scholar—the emblematic figure for the set of values often termed “eremitic.”
Set in the late nineteenth century on a mythical island off the coast of Yemen, Radwa Ashour's Siraaj: An Arab Tale tells the poignant story of a mother and son as they are drawn inextricably into a revolt against their island's despotic sultan.
Amina, a baker in the sultan's palace, anxiously awaits her son's return from a long voyage at sea, fearful that the sea has claimed Saïd just as it did his father and grandfather. Saïd, left behind in Alexandria by his ship as the British navy begins an attack on the city, slowly begins to make his way home, witnessing British colonial oppression along the way.
Saïd's return brings Amina only a short-lived peace. The lessons he learned from the Egyptians' struggle against the British have radicalized him. When Saïd learns the island's slave population is planning a revolt against the sultan's tyrannical rule, both he and Amina are soon drawn in.
Beautifully rendered from Arabic into English by Barbara Romaine, Radwa Ashour's novella speaks of the unity that develops among varied peoples as they struggle against a common oppressor and illuminates the rich cultures of both the Arab and African inhabitants of the island. Sub-Saharan African culture is a subject addressed by few Arabic novelists, and Radwa Ashour's novella does much to fill that void.
In Gypsy Music, Alan Ashton-Smith explores why this music has such wide appeal, surveying the varied styles that are considered to be gypsy music and asking what links them together. The book begins in the Balkans, home to the world’s largest Romani populations and a major site of gypsy music production. But just as the traditionally nomadic Roma have traveled globally, so has their music. Gypsy music styles have roots and associations outside of the Balkans, including Russian Romani guitar music, flamenco and gypsy jazz, and the more recent forms of gypsy punk and Balkan beats.
Covering the thirteenth century to the present day, and with a geographical scope that ranges from rural Romania to New York by way of Budapest, Moscow, and Andalusia, Gypsy Music reveals the remarkable diversity of this exuberant art form.
Trees and Forests of Tropical Asia invites readers on an expedition into the leafy, humid, forested landscapes of tropical Asia—the so-called tapovan, a Sanskrit word for the forest where knowledge is attained through tapasya, or inner struggle. Peter Ashton and David Lee, two of the world’s leading scholars on Asian tropical rain forests, reveal the geology and climate that have produced these unique forests, the diversity of species that inhabit them, the means by which rain forest tree species evolve to achieve unique ecological space, and the role of humans in modifying the landscapes over centuries. Following Peter Ashton’s extensive On the Forests of Tropical Asia, the first book to describe the forests of the entire tropical Asian region from India east to New Guinea, this new book provides a more condensed and updated overview of tropical Asian forests written accessibly for students as well as tropical forest biologists, ecologists, and conservation biologists.
Not by Timber Alone presents the findings of the Harvard Institute for International Development study, commissioned by the International Tropical Timber Organization, that examined the economic value of tropical hardwood forests as productive living systems and the potential for their multiple use management.
On the Forests of Tropical Asia is the first book to describe the forests of the entire tropical Asian region, from Sind to New Guinea. It opens with chapters on physical geography and geological history and then moves on to address forest and tree structure and dynamics, floristics, and symbiotic organisms, as well as genetics, evolutionary history, species diversity, and human impact. A final chapter covers future policy and practice options for saving what remains. Hundreds of full-color illustrations serve as a lasting testimony to the diverse forests. Ashton combines existing research with his own experience and collaborations, creating a broad, comprehensive understanding of forest variation. By presenting a clear picture of where the forests stand today, he offers a framework for future research, policy, and conservation.
Replete with practical advice for anyone considering a career in federal, state, or local government, Caught between the Dog and the Fireplug, or How to Survive Public Service conveys what life is really like in a public service job. The book is written as a series of lively, entertaining letters of advice from a sympathetic uncle to a niece or nephew embarking on a government career.
Kenneth Ashworth draws on more than forty years of public sector experience to provide advice on the daily challenges that future public servants can expect to face: working with politicians, bureaucracy, and the press; dealing with unpleasant and difficult people; leading supervisors as well as subordinates; and maintaining high ethical standards. Ashworth relates anecdotes from his jobs in Texas, California, and Washington, D.C., that illustrate with humor and wit fundamental concepts of public administration.
Be prepared, says Ashworth, to encounter all sorts of unexpected situations, from the hostile to the bizarre, from the intimidating to the outrageous. He shows that in the confrontational world of public policymaking and program implementation, a successful career demands disciplined, informed thought, intellectual and personal growth, and broad reading. He demonstrates how, despite the inevitable inefficiencies of a democratic society, those working to shape policy in large organizations can nonetheless effect significant change-and even have fun along the way.
The book will interest students and teachers of public administration, public affairs, policy development, leadership, or higher education administration. Ashworth's advice will also appeal to anyone who has ever been caught in a tight spot while working in government service.
This book tells the story of how widely accepted mapping conventions originated and evolved—from map orientation, projections, typography, and scale, to the use of color, symbols, ways of representing relief, and the treatment of boundaries and place names. It charts the fascinating story of how conventions have changed in response to new technologies and ever-changing mapping requirements, how symbols can be a matter of life or death, why universal acceptance of conventions can be difficult to achieve, and how new mapping conventions are developing to meet the needs of modern cartography. Why North is Up offers an accessible and enlightening guide to the sometimes hidden techniques of map-making through the centuries.
The Trinity Circle explores the creation of knowledge in nineteenth-century England, when any notion of a recognizably modern science was still nearly a century off, religion still infused all ways of elite knowing, and even those who denied its relevance had to work extremely hard to do so. The rise of capitalism during this period—embodied by secular faith, political radicalism, science, commerce, and industry—was, according to Anglican critics, undermining this spiritual world and challenging it with a superficial material one: a human-centric rationalist society hell-bent on measurable betterment via profit, consumption, and a prevalent notion of progress. Here, William J. Ashworth places the politics of science within a far more contested context. By focusing on the Trinity College circle, spearheaded from Cambridge by the polymath William Whewell, he details an ongoing struggle between the Established Church and a quest for change to the prevailing social hierarchy. His study presents a far from unified view of science and religion at a time when new ways of thinking threatened to divide England and even the Trinity College itself.
The question of how Islam arrived in India remains markedly contentious in South Asian politics. Standard accounts center on the Umayyad Caliphate’s incursions into Sind and littoral western India in the eighth century CE. In this telling, Muslims were a foreign presence among native Hindus, sowing the seeds of a mutual animosity that presaged the subcontinent’s partition into Pakistan and India many centuries later.
But in a compelling reexamination of the history of Islam in India, Manan Ahmed Asif directs attention to a thirteenth-century text that tells the story of Chach, the Brahmin ruler of Sind, and his kingdom’s later conquest by the Muslim general Muhammad bin Qasim in 712 CE. The Chachnama has long been a touchstone of Indian history, yet it is seldom studied in its entirety. Asif offers a close and complete analysis of this important text, untangling its various registers and genres in order to reconstruct the political vision at its heart.
Asif challenges the main tenets of the Chachnama’s interpretation: that it is a translation of an earlier Arabic text and that it presents a history of conquest. Debunking both ideas, he demonstrates that the Chachnama was originally Persian and, far from advancing a narrative of imperial aggression, is a subtle and sophisticated work of political theory, one embedded in both the Indic and Islamic ethos. This social and intellectual history of the Chachnama is an important corrective to the divisions between Muslim and Hindu that so often define Pakistani and Indian politics today.
Shortlisted for the Cundill History Prize
“Remarkable and pathbreaking…A radical rethink of colonial historiography and a compelling argument for the reassessment of the historical traditions of Hindustan.”
—Mahmood Mamdani
“The brilliance of Asif’s book rests in the way he makes readers think about the name ‘Hindustan’…Asif’s focus is Indian history but it is, at the same time, a lens to look at questions far bigger.”
—Soni Wadhwa, Asian Review of Books
“Remarkable…Asif’s analysis and conclusions are powerful and poignant.”
—Rudrangshu Mukherjee, The Wire
“A tremendous contribution…This is not only a book that you must read, but also one that you must chew over and debate.”
—Audrey Truschke, Current History
Did India, Pakistan, and Bangladesh have a shared regional identity prior to the arrival of Europeans in the late fifteenth century? Manan Ahmed Asif tackles this contentious question by inviting us to reconsider the work and legacy of the influential historian Muhammad Qasim Firishta, a contemporary of the Mughal emperors Akbar and Jahangir. Inspired by his reading of Firishta and other historians, Asif seeks to rescue our understanding of the region from colonial narratives that emphasize difference and division.
Asif argues that a European understanding of India as Hindu has replaced an earlier, native understanding of India as Hindustan, a home for all faiths. Turning to the subcontinent’s medieval past, he uncovers a rich network of historians of Hindustan who imagined, studied, and shaped their kings, cities, and societies. The Loss of Hindustan reveals how multicultural Hindustan was deliberately eclipsed in favor of the religiously partitioned world of today. A magisterial work with far reaching implications, it offers a radical reinterpretation of how India came to its contemporary political identity.
The problems of capitalism have been studied from Karl Marx to Thomas Piketty. The latter has recently confirmed that the system of capital is deeply bound up in ever-growing inequality without challenging the continuance of that system. Against Capital in the Twenty-First Century presents a diversity of analyses and visions opposed to the idea that capital should have yet another century to govern human and non-human resources in the interest of profit and accumulation. The editors and contributors to this timely volume present alternatives to the whole liberal litany of administered economies, tax policy recommendations, and half-measures. They undermine and reject the logic of capital, and the foregone conclusion that the twenty-first century should be given over to capital just as the previous two centuries were.
Providing a deep critique of capitalism, based on assessment from a wide range of cultural, social, political, and ecological thinking, Against Capital in the Twenty-First Century insists that transformative, revolutionary, and abolitionist responses to capital are even more necessary in the twenty-first century than they ever were.
Cosplay, born from the fusion of “costume” and “play,” transcends mere dress-up by transforming enthusiasts of TV shows, movies, books, or video games into living embodiments of their cherished characters. This book is a close exploration of the vibrant world of cosplay, showing what makes it so captivating for so many. Vivian Asimos frames cosplay as an enactment and embodiment of mythology, revealing its inherent complexity, and in so doing, provides valuable insight into cosplayers’ experiences.
Exploring cosplay performances, the skills involved, and its community, she shows how cosplayers build a strong connection to the characters and stories they treasure, and ultimately how they are constructing their own identities.
Selected as one of baseball literature's Golden Dozen by Roger Kahn, Man on Spikes is an uncompromisingly realistic novel about a baseball player who struggles through sixteen years of personal crises and professional ordeals before finally appearing in a major league game. In a preface to this new edition, Eliot Asinof reveals the longsuffering ballplayer and friend upon which the novel is based.
With its unique perspective on Freud's work, Apprehending the Inaccessible puts readers in a better position to appreciate his contributions and evaluate the relationship between his and other philosophical world views. The authors, both of whom have extensive backgrounds in philosophy and psychology, present balanced critical analyses of crucial developments in, for example, the evolution of the Freudian notion of the unconscious, and the engagement of existential phenomenology with Freudian psychoanalysis. Askay and Farquhar then consider—often for the first time—individual thinkers' reflections on and interpretations of Freud, ranging from the primary figures in existential phenomenology to the most prominent figures in the existential psychoanalytic movement. Even as their work offers a new approach to Freudian thought, it reasserts the importance of alternative views found in existential phenomenology as those views pertain to psychoanalysis and the question of apprehending the inaccessible.
As Askew shows, the genres of ngoma (traditional dance), dansi (urban jazz), and taarab (sung Swahili poetry) have played prominent parts in official articulations of "Tanzanian National Culture" over the years. Drawing on over a decade of research, including extensive experience as a taarab and dansi performer, Askew explores the intimate relations among musical practice, political ideology, and economic change. She reveals the processes and agents involved in the creation of Tanzania's national culture, from government elites to local musicians, poets, wedding participants, and traffic police. Throughout, Askew focuses on performance itself—musical and otherwise—as key to understanding both nation-building and interpersonal power dynamics.
Aslanbeigui and Oakes demonstrate that Robinson’s professional identity was thoroughly embedded in a local scientific culture in which the Cambridge economists A. C. Pigou, John Maynard Keynes, Dennis Robertson, Piero Sraffa, Richard Kahn (Robinson’s closest friend on the Cambridge faculty), and her husband Austin Robinson were important figures. Although the economists Joan Robinson most admired—Pigou, Keynes, and their mentor Alfred Marshall—had discovered ideas of singular greatness, she was convinced that each had failed to grasp the essential theoretical significance of his own work. She made it her mission to recast their work both to illuminate their major contributions and to redefine a Cambridge tradition of economic thought. Based on the extensive correspondence of Robinson and her colleagues, The Provocative Joan Robinson is the story of a remarkable woman, the intellectual and social world of a legendary group of economists, and the interplay between ideas, ambitions, and disciplinary communities.
To open this book is to enter a world of living history, of pomp and pageantry, royal fiats and popular revolutions, naval exploits and mercantile triumphs, and soaring scientific achievements. This is the world of Greenwich, England, home of a now mysterious temple in the days of the ancient Romans and of the Millennium Dome in our own, biding its time on the Thames and, flush with the line of longitude zero, keeping the time of the world. Clive Aslet conducts us through the streets and byways of this storied city, showing us scenes from its prodigious history at every turn. His richly illustrated book is a journey through time as it has been lived, and marked, in this city like no other in the world.
Here Sir Walter Raleigh laid down his cloak for Elizabeth I. Here Elizabeth signed the death warrant for Mary, Queen of Scots. A place of royal haunts and regal courting, Greenwich was also the site of Wat Tyler's revolt in the fourteenth century. Home to the navy that supported the world's greatest maritime empire, the city saw the funeral of England's most celebrated naval hero, Admiral Horatio Nelson. Aslet revisits these events, immersing us in courtly drama and popular ferment, cosmopolitan grandeur and bustling commerce. He shows us the remarkable buildings that hold so much of Greenwich's history, from the palaces embellished by Henry VIII to the structures designed by England's renowned architects--from Christopher Wren and Inigo Jones--to the observatories that house the massive telescopes and nautical clocks that have put Greenwich at the forefront of scientific invention and discovery.
Whether recalling the literary marks that writers such as Marlowe and Dickens have left on the city, or tracking London's first railway into Greenwich, or recounting the tales of navigators and statesmen, monarchs and common and uncommon folk, this book tells the story of Greenwich for all time.
Watch an animated book trailer here: http://www.youtube.com/watch?v=GjPhTQ9zi5Q
Guided by neuroscience, animal behavior, evolution, philosophy, and psychology, Asma burrows deep into the human psyche to look right at the enigmatic but powerful engine that is our improvisational creativity—the source, he argues, of our remarkable imaginational capacity. How is it, he asks, that a story can evoke a whole world inside of us? How are we able to rehearse a skill, a speech, or even an entire scenario simply by thinking about it? How does creativity go beyond experience and help us make something completely new? And how does our moral imagination help us sculpt a better society? As he shows, we live in a world that is only partly happening in reality. Huge swaths of our cognitive experiences are made up by “what-ifs,” “almosts,” and “maybes,” an imagined terrain that churns out one of the most overlooked but necessary resources for our flourishing: possibilities. Considering everything from how imagination works in our physical bodies to the ways we make images, from the mechanics of language and our ability to tell stories to the creative composition of self-consciousness, Asma expands our personal and day-to-day forms of imagination into a grand scale: as one of the decisive evolutionary forces that has guided human development from the Paleolithic era to today. The result is an inspiring look at the rich relationships among improvisation, imagination, and culture, and a privileged glimpse into the unique nature of our evolved minds.
Tracing the leading role of emotions in the evolution of the mind, a philosopher and a psychologist pair up to reveal how thought and culture owe less to our faculty for reason than to our capacity to feel.
Many accounts of the human mind concentrate on the brain’s computational power. Yet, in evolutionary terms, rational cognition emerged only the day before yesterday. For nearly 200 million years before humans developed a capacity to reason, the emotional centers of the brain were hard at work. If we want to properly understand the evolution of the mind, we must explore this more primal capability that we share with other animals: the power to feel.
Emotions saturate every thought and perception with the weight of feelings. The Emotional Mind reveals that many of the distinctive behaviors and social structures of our species are best discerned through the lens of emotions. Even the roots of so much that makes us uniquely human—art, mythology, religion—can be traced to feelings of caring, longing, fear, loneliness, awe, rage, lust, playfulness, and more.
From prehistoric cave art to the songs of Hank Williams, Stephen T. Asma and Rami Gabriel explore how the evolution of the emotional mind stimulated our species’ cultural expression in all its rich variety. Bringing together insights and data from philosophy, biology, anthropology, neuroscience, and psychology, The Emotional Mind offers a new paradigm for understanding what it is that makes us so unique.
Operatic Geographies invites us to reconsider the opera house’s spatial production. Looking at opera through the lens of cultural geography, this anthology rethinks the opera house’s landscape, not as a static backdrop, but as an expression of territoriality. The essays in this anthology consider moments across the history of the genre, and across a range of geographical contexts—from the urban to the suburban to the rural, and from the “Old” world to the “New.” One of the book’s most novel approaches is to consider interactions between opera and its environments—that is, both in the domain of the traditional opera house and in less visible, more peripheral spaces, from girls’ schools in late seventeenth-century England, to the temporary arrangements of touring operatic troupes in nineteenth-century Calcutta, to rural, open-air theaters in early twentieth-century France. The essays throughout Operatic Geographies powerfully illustrate how opera’s spatial production informs the historical development of its social, cultural, and political functions.
At the start of the twentieth century, the first quantum revolution upset our vision of the world. New physics offered surprising realities, such as wave-particle duality, and led to major inventions: the transistor, the laser, and today’s computers. Less known is the second quantum revolution, arguably initiated in 1935 during a debate between giants Albert Einstein and Niels Bohr. This revolution is still unfolding. Its revolutionaries—including the author of this short accessible book, Nobel Prize–winning physicist Alain Aspect—explore the notion of entangled particles, able to interact at seemingly impossible distances. Aspect’s research has helped to show how entanglement may both upend existing technologies, like cryptography, and usher in entirely new ones, like quantum computing. Explaining this physics of the future, this work tells a story of how philosophical debates can shape new realities.
Climate change poses a huge threat to the West. The current mountain pine beetle epidemic with over 50 million acres of dying trees in western North America has created a powerful “teachable moment” across the region.
A primary goal of the Forests At Risk symposium was to reframe the nation’s climate change dialogue by making the issue both personal and real to many who may not appreciate its connection to the immediate world around them. While some may have difficulty relating to rising sea levels, falling water tables, imperiled polar bears and melting glaciers in far-off places, they are still shocked by the sight of vast dying forests around their homes. The Forests At Risk symposium explored the statement by Andy Jacobson, a carbon cycle scientist at the National Oceanic and Atmospheric Administration in Boulder, that “this is the kind of feedback we're all very worried about in the carbon cycle ... a warming planet leading to, in this case, an insect outbreak that increases carbon dioxide into the atmosphere, which can increase warming.”
The overwhelming scientific consensus holds that climate change is one of the most serious threats facing humankind today. We have a soberingly short time in which to reduce atmospheric greenhouse gases if we are to preserve our quality of life and environment. In addition to the global urgency, the American West is deeply dependent on the health of its forests, mountains and streams for both its quality of life and its economy. Put simply, if global warming shortens our winters, diminishes our recreation, and unleashes wildfires, diseases and insect epidemics that devastate our forests, the regional damage would be incalculable.
NOW is the perfect time to learn more in this ebook. The Forests At Risk symposium represented the first substantial public forum focused directly on the connection between climate change and forest health in the American West. In the wake of millions of acres of pine beetle devastation across our continent, this is the ideal moment to highlight the climate change connection and focus on the question of what happens when our forests transform from carbon sinks into carbon sources.
Walt Whitman is unquestionably a great poet of the joys of living. But as Harold Aspiz demonstrates in this study, concerns with death and dying define Whitman’s career as a thinker, a poet, and a person. Through a close reading of Leaves of Grass, its constituent poems, particularly “Song of Myself,” and Whitman’s prose and letters, Aspiz charts how the poet’s exuberant celebration of life—the cascade of sounds, sights, and smells that erupt in his verse—is a consequence of his central concern: the ever-presence of death and the prospect of an afterlife.
Until now no one has studied as systematically the degree to which mortality informs Whitman’s entire enterprise as a poet. So Long! devotes particular attention to Whitman’s language and rich artistry in the context of the poet’s social and intellectual milieus. We see Whitman (and his many personae) as a folk prophet announcing a gospel of democracy and immortality; pondering death in alternating moods of acceptance and terror; fantasizing his own dying and his postmortem selfhood; yearning for mates and lovers while conscious of fallible flesh; agonizing over the omnipresence of death in wartime; patiently awaiting death; and launching imaginary journeys toward immortality and godhood.
So Long! is valuable for American literature collections, students and scholars of Whitman and 19th-century literature, and general readers interested in Whitman and poetry. By exploring Whitman's faith in death as a meaningful experience, we may understand better how the poet—whether personified as representative man, victim, hero, lover, or visionary—lived so completely on the edge of life.
History and Philosophy of Modern Mathematics was first published in 1988. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
The fourteen essays in this volume build on the pioneering effort of Garrett Birkhoff, professor of mathematics at Harvard University, who in 1974 organized a conference of mathematicians and historians of modern mathematics to examine how the two disciplines approach the history of mathematics. In History and Philosophy of Modern Mathematics, William Aspray and Philip Kitcher bring together distinguished scholars from mathematics, history, and philosophy to assess the current state of the field. Their essays, which grow out of a 1985 conference at the University of Minnesota, develop the basic premise that mathematical thought needs to be studied from an interdisciplinary perspective.
The opening essays study issues arising within logic and the foundations of mathematics, a traditional area of interest to historians and philosophers. The second section examines issues in the history of mathematics within the framework of established historical periods and questions. Next come case studies that illustrate the power of an interdisciplinary approach to the study of mathematics. The collection closes with a look at mathematics from a sociohistorical perspective, including the way institutions affect what constitutes mathematical knowledge.
In 1985, police bombed the Philadelphia community occupied by members of the black counterculture group MOVE (short for “The Movement”). What began fifteen years earlier as a neighborhood squabble provoked by conflicting lifestyles ended in the destruction of sixty-one homes and the death of eleven residents - five of them children. Some 250 people were left homeless.
Was this tragedy the only solution to the conflict? Were John Africa and his morally and ecologically idealistic followers “too crazy” to negotiate with?
The authors interviewed MOVE members and their neighbors, third-party intervenors, and representatives of the Philadelpia administration in the 1970s, and draw on their own knowledge of the field of dispute resolution. More than simply describing a terrible event, they examine the dynamics of conflict, analyzing attempts at third-party mediation and the possibility of resolution without violence. Their analytical approach provides insight into other major conflicts, such as the problems of perception and misperception in U.S. - Iranian relations.
In an age when terrorism and hostage-taking are regular features on the six o’clock news, their questioning of traditional views on negotiation with “irrational” adversaries is especially important.
The people of the Nahua community of Quauhquechollan (present-day San Martín Huaquechula), in central Mexico, allied with Cortés during the Spanish-Aztec War and were assigned to the Spanish conquistador Jorge de Alvarado. De Alvarado and his allies, including the Quauhquecholteca and thousands of other indigenous warriors, set off for Guatemala in 1527 to start a campaign against the Maya. The few Quauhquecholteca who lived to tell the story recorded their travels and eventual victory on the huge cloth map, the Lienzo de Quauhquechollan.
Conquered Conquistadors, published in a European edition in 2004, overturned conventional views of the European conquest of indigenous cultures. American historians and anthropologists will relish this new edition and Asselbergs's astute analysis, which includes context, interpretation, and comparison with other pictographic accounts of the "Spanish" conquest. This heavily illustrated edition includes an insert reproduction of the Lienzo de Quauhquechollan.
Edgar Allan Poe - American Writers 89 was first published in 1970. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
Now, nearly forty years after its original translation into English, Roger Asselineau's complete and magisterial biography of Walt Whitman will remind readers of the complex weave of traditions in Whitman scholarship. It is startling to recognize how much of our current understanding of Whitman was already articulated by Asselineau nearly half a century ago. Throughout its eight hundred pages, The Evolution of Walt Whitman speaks with authority on a vast range of topics that define both Whitman the man and Whitman the mythical personage. Remarkably, most of these discussions remain fresh and relevant, and that is in part because they have been so influential.
In particular, The Evolution of Walt Whitman inaugurated the study of Leaves of Grass as a lifelong work in progress, and it marked the end of the habit of talking about Leaves as if it were a single unified book. Asselineau saw Whitman's poetry “not as a body of static data but as a constantly changing continuum whose evolution must be carefully observed.” Throughout Evolution, Asselineau placed himself in the role of the observer, analyzing Whitman's development with a kind of scientific detachment. But behind this objective persona burned the soul of a risk taker who was willing to rewrite Whitman studies by bravely proposing what was then a controversial biographical source for Whitman's art—his homosexual desires.
The Evolution of Walt Whitman is a reminder that extraordinary works of criticism never exist in and of themselves. In this expanded edition, Roger Asselineau has provided a new essay summarizing his own continuing journey with Whitman. A foreword by Ed Folsom, editor of the Walt Whitman Quarterly, regards Evolution as the genesis of contemporary Whitman studies.
Asfa-Wossen Asserate argues here that building higher fences or finding more effective methods of integration will only, in the long term, perpetuate rather than solve the problems associated with these large numbers of displaced refugees. We need to realize that we are only treating the symptoms of an oncoming catastrophe and that, if we are to respond to mass migration, we will ultimately have to understand its causes. African Exodus places its emphasis firmly on the causes of the refugee crisis, which are to be found not least in Europe itself, and charts ways in which we might deal with it effectively in the long term.
In the course of this analysis, Asserate asks why our view of Africa—a troubled continent, but rich in so many ways—is so distorted. How can we combat the corrupt, authoritarian regimes that stymie progress and development? Why are millions fleeing to Europe? How is the EU complicit in the migration crisis? And finally, in practical terms: what can be done, and what prospects does the future hold?
Written by Asfa-Wossen Asserate, Haile Selassie’s grandnephew, this is the first major biography of this final “king of kings.” Asserate, who spent his childhood and adolescence in Ethiopia before fleeing the revolution of 1974, knew Selassie personally and gained intimate insights into life at the imperial court. Introducing him as a reformer and an autocrat whose personal history—with all of its upheavals, promises, and horrors—reflects in many ways the history of the twentieth century itself, Asserate uses his own experiences and painstaking research in family and public archives to achieve a colorful and even-handed portrait of the emperor.
The MET Go! is intended for early adolescents at the middle school to lower-secondary school level who want to measure their general English language proficiency in a variety of linguistic contexts. The test results can be used for educational purposes, such as when finishing an English language course, as a motivational tool to encourage students as they progress in their English study, or as a supporting credential for youth opportunities requiring English skills. It may also be used as a bridge to a higher-level exam such as the MET.
The Official MET Go! Practice Test Book is first book to provide actual practice tests for students preparing to take the MET Go!
The Official MET Go! Practice Test Book includes:
- 4 complete practice tests (Listening, Reading, Writing)
- 4 sets of practice Speaking Test prompts
- tips for practicing the different sections of the tests
- a progress tracking log for recording practice test cores
- actual test form instructions and a sample answer sheet
More information about the MET Go! is available at www.michiganassessment.org.
The MET is intended for adults and adolescents at or above a secondary level of education who want to measure their general English language proficiency in a variety of linguistic contexts. The test results can be used for educational purposes, such as when finishing an English language course, or for employment purposes, like when applying for a job or pursuing a promotion that requires an English language qualification.
The Official MET Practice Test Book is the first book to provide specific test-preparation materials for the MET.
The Classroom Edition, designed for school use (the self-study version can be found at https://www.press.umich.edu/11390380/official_met_practice_test_book_with_answers), includes:
- 4 complete practice tests (Listening, Reading and Grammar, Writing)
- 4 sets of Speaking test prompts
- tips for preparing for the different sections of the tests
- a progress tracking log for recording practice test scores
- selected practice test vocabulary lists
- actual test form instructions and a sample answer sheet
For more information about the MET, go to www.michiganassessment.org
The MET is intended for adults and adolescents at or above a secondary level of education who want to measure their general English language proficiency in a variety of linguistic contexts. The test results can be used for educational purposes, such as when finishing an English language course, or for employment purposes, like when applying for a job or pursuing a promotion that requires an English language qualification.
The Official MET Practice Test Book is the first book to provide actual practice tests for students preparing to take the MET.
The Official MET Practice Test Book with Answers, designed for self-study (information about the Classroom Edition can be found at https://www.press.umich.edu/11390089/official_met_practice_test_book_classroom_edition), includes:
- 4 complete practice tests (Listening, Reading and Grammar, Writing)
- 4 sets of Speaking test prompts
- tips for practicing the different sections of the tests
- a progress tracking log for recording practice test scores
- selected practice test vocabulary lists
- answer keys
- audio transcripts for the Listening section
- Writing test responses with commentary for two of the tests
- Examiner scripts for the Speaking test
- actual test form instructions and a sample answer sheet
The audio for the Listening section can be accessed at www.press.umich.edu/elt/compsite/met
For more information about the MET, go to www.michiganassessment.org
The MET Go! is intended for early adolescents at the middle school to lower-secondary school level who want to measure their general English language proficiency in a variety of linguistic contexts. The test results can be used for educational purposes, such as when finishing an English language course, as a motivational tool to encourage students as they progress in their English study, or as a supporting credential for youth opportunities requiring English skills. It may also be used as a bridge to a higher-level exam such as the MET.
The Teacher’s Answer Pack for The Official MET Go! Practice Test Book includes:
- answer keys
- audio transcripts for the Listening practice tests
- Writing test responses with commentary for two of the practice tests
- examiner instructions and script for the Speaking test prompts
- selected practice test vocabulary lists
- a progress tracking log for recording practice test scores
- actual test form instructions and a sample answer sheet
Standing at the very foundation of monotheism, and so of Western culture, Moses is a figure not of history, but of memory. As such, he is the quintessential subject for the innovative historiography Jan Assmann both defines and practices in this work, the study of historical memory--a study, in this case, of the ways in which factual and fictional events and characters are stored in religious beliefs and transformed in their philosophical justification, literary reinterpretation, philological restitution (or falsification), and psychoanalytic demystification.
To account for the complexities of the foundational event through which monotheism was established, Moses the Egyptian goes back to the short-lived monotheistic revolution of the Egyptian king Akhenaten (1360-1340 B.C.E.). Assmann traces the monotheism of Moses to this source, then shows how his followers denied the Egyptians any part in the origin of their beliefs and condemned them as polytheistic idolaters. Thus began the cycle in which every "counter-religion," by establishing itself as truth, denounced all others as false. Assmann reconstructs this cycle as a pattern of historical abuse, and tracks its permutations from ancient sources, including the Bible, through Renaissance debates over the basis of religion to Sigmund Freud's Moses and Monotheism. One of the great Egyptologists of our time, and an exceptional scholar of history and literature, Assmann is uniquely equipped for this undertaking--an exemplary case study of the vicissitudes of historical memory that is also a compelling lesson in the fluidity of cultural identity and beliefs.
For thousands of years, our world has been shaped by biblical monotheism. But its hallmark—a distinction between one true God and many false gods—was once a new and radical idea. Of God and Gods explores the revolutionary newness of biblical theology against a background of the polytheism that was once so commonplace.
Jan Assmann, one of the most distinguished scholars of ancient Egypt working today, traces the concept of a true religion back to its earliest beginnings in Egypt and describes how this new idea took shape in the context of the older polytheistic world that it rejected. He offers readers a deepened understanding of Egyptian polytheism and elaborates on his concept of the “Mosaic distinction,” which conceives an exclusive and emphatic Truth that sets religion apart from beliefs shunned as superstition, paganism, or heresy.
Without a theory of polytheism, Assmann contends, any adequate understanding of monotheism is impossible.
Best Books for General Audiences, selected by the American Association of School Librarians, and Best Books for Special Interests, selected by the Public Library Association
Reviews of this book:
Magnificent' Assmann asks what meaning Egyptians obtained from their own constructions of their history. How did they incorporate the legacy of the past into the present. Using three approaches - archeological, mythic, and epigraphic or iconographic - Assmann takes us a chronological journey, starting with the formation of the unified state in about 3100 BC and going through the three great kingdoms. He ends in the late period with the final whimpers of Egyptian civilization. Assmann has looked closely into the mirror of the ancient intangible with telling effect. Every student of early civilization has something to learn from these pages, which will help cure us of intellectual myopia.
--Brian Fagan, The Los Angeles Times
Reviews of this book:
Assmann is attempting something far more ambitious than all the conventional books on Egypt. What he attempts to do is pen a psychological portrait of Egyptian culture. He asks questions that are normally avoided by ancient historians: What motivated the culture? How did it view the relationship between the individual and the universe surrounding him or her? What explanations did it provide for worldly events and reversals of fortune? The result is impressive. The Mind of Egypt marks the culmination of years of questioning about the past and the ways it can be conceptualized. Jan Assmann is close in some ways to being the Beethoven of Egyptology. The Mind of Egypt is a singular book that will provoke debate for a generation to come. It is essential reading for those who wish to call themselves Egyptologists, and it is an important intellectual contribution to the whole question of what constitutes history and historiography.
--John Ray, The American Scholar
Reviews of this book:
[This book's] aim--to examine the mainsprings of Egyptian civilisation and thereby to provide a 'psychological' portrait of Egyptian culture--is truly fascinating.
--History Today
Best AltWeekly Writing 2009 & 2010 showcases articles that won the Association of Alternative Newsweeklies’s AltWeekly Awards in 2009 and 2010. These pieces embody the in-depth investigative journalism, narrative style, and defiant viewpoints that define alternative weeklies. Interviews with the authors illuminate the methods and personalities behind the stories. Articles feature music criticism from the Village Voice and election coverage from City Pages and the Texas Observer, as well as pieces from Westword, LA Weekly, San Francisco Weekly, and LEO Weekly. Interviews include journalists Anne Schindler, Sarah Fenske, Joel Warner, Jonathan Gold, John Dickerson, Jeffrey C. Billman, Erik Wemple, David Koon and Rob Harvilla.
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