While basketball didn’t take up residence in the White House in January 2009, the game nonetheless played an outsized role in forming the man who did. In The Audacity of Hoop, celebrated sportswriter Alexander Wolff examines Barack Obama, the person and president, by the light of basketball. This game helped Obama explore his identity, keep a cool head, impress his future wife, and define himself as a candidate. 

Wolff chronicles Obama’s love of the game from age 10, on the campaign trail—where it eventually took on talismanic meaning—and throughout his two terms in office. More than 125 photographs illustrate Obama dribbling, shooting free throws, playing pickup games, cooling off with George Clooney, challenging his special assistant Reggie Love for a rebound, and taking basketball to political meetings. There is also an assessment of Obama’s influence on the NBA, including a dawning political consciousness in the league’s locker rooms. 

Sidebars reveal the evolution of the president’s playing style, “Baracketology”—a not-entirely-scientific art of filling out the commander in chief’s NCAA tournament bracket—and a timeline charts Obama’s personal and professional highlights.

Equal parts biographical sketch, political narrative, and cultural history, The Audacity of Hoop shows how the game became a touchstone in Obama’s exercise of the power of the presidency.  

Audible Punctuation focuses on the pause in Homer’s Iliad and Odyssey, both as a compositional feature and as a performative aspect of delivery, arguing for the possibilities and limits of expressing phrases in performance. Ronald Blankenborg’s analysis of metrical, rhythmical, syntactical, and phonological phrasing shows that the text of the Homeric epic allows for different options for performative pause—a phonetic phenomenon evidenced by phonology.

From the ubiquitous compositional pauses in sense and metrical surface structure, Audible Punctuation selects the pauses that, under specific phonetic circumstances, double as rests of some duration during a performance. In this way, Blankenborg identifies those places in the verses that a performer of Homeric poetry was most likely to have used as opportunities to pause. The distribution of pauses over Homer’s hexameters proves to be irregular and unpredictable because phonological phrases and grammatical clauses differ considerably in the way they terminate. The mismatch of prosodic and other levels of phrasing draws attention to the need to reassess stylistic issues, notably enjambment.

The term Neo-Dada surfaced in New York in the late 1950s and was used to characterize young artists like Robert Rauschenberg and Jasper Johns whose art appeared at odds with the serious emotional and painterly interests of the then-dominant movement, Abstract Expressionism. Neo-Dada quickly became the word of choice in the early 1960s to designate experimental art, including assemblage, performance, Pop art, and nascent forms of minimal and conceptual art.

In 1805, Jean Jacques Audubon was a twenty-year-old itinerant Frenchman of ignoble birth and indifferent education who had fled revolutionary violence in Haiti and then France to take refuge in frontier America. Ten years later, John James Audubon was an American citizen, entrepreneur, and family man whose fervent desire to “become acquainted with nature” had led him to reinvent himself as a naturalist and artist whose study of birds would soon earn him international acclaim. The drawings he made during this crucial decade—sold to Audubon’s friend and patron Edward Harris to help fund his masterwork The Birds of America, and now held by Harvard’s Houghton Library and Museum of Comparative Zoology—are published together here for the first time in large format and full color. In these 116 portraits of species collected in America and in Europe we see Audubon inventing his ingenious methods of posing and depicting his subjects, and we trace his development into a scientist and an artist who could proudly sign his artworks “drawn from Nature.” The drawings also serve as a record of the birds found in Europe and the Eastern United States in the early nineteenth century, some now rare or extinct.

The drawings are enhanced by an essay on the sources of Audubon’s art by his biographer, Richard Rhodes; transcription of Audubon’s own annotations to the drawings, including information on when and where the specimens were collected; ornithological commentary by Scott V. Edwards, along with reflections on Audubon as scientist; and an account of the history of the Harris collection by Leslie A. Morris.

Splendid in their own right, these drawings also illuminate the self-invention of one of the most important figures in American natural history. They will delight all those interested in American art, nature, birds, and the life and times of John James Audubon.

The first account of the August Trials, in which postwar Poland confronted the betrayal of Jewish citizens under Nazi rule but ended up fashioning an alibi for the past.

When six years of ferocious resistance to Nazi occupation came to an end in 1945, a devastated Poland could agree with its new Soviet rulers on little else beyond the need to punish German war criminals and their collaborators. Determined to root out the “many Cains among us,” as a Poznań newspaper editorial put it, Poland’s judicial reckoning spawned 32,000 trials and spanned more than a decade before being largely forgotten.

Andrew Kornbluth reconstructs the story of the August Trials, long dismissed as a Stalinist travesty, and discovers that they were in fact a scrupulous search for the truth. But as the process of retribution began to unearth evidence of enthusiastic local participation in the Holocaust, the hated government, traumatized populace, and fiercely independent judiciary all struggled to salvage a purely heroic vision of the past that could unify a nation recovering from massive upheaval. The trials became the crucible in which the Communist state and an unyielding society forged a foundational myth of modern Poland but left a lasting open wound in Polish-Jewish relations.

The August Trials draws striking parallels with incomplete postwar reckonings on both sides of the Iron Curtain, suggesting the extent to which ethnic cleansing and its abortive judicial accounting are part of a common European heritage. From Paris and The Hague to Warsaw and Kyiv, the law was made to serve many different purposes, even as it failed to secure the goal with which it is most closely associated: justice.

The evolutionist Ernst Mayr considered August Weismann “one of the great biologists of all time.” Yet the man who formulated the germ plasm theory—that inheritance is transmitted solely through the nuclei of the egg and sperm cells—has not received an in-depth historical examination. August Weismann reintroduces readers to a towering figure in the life sciences. In this first full-length biography, Frederick Churchill situates Weismann in the swirling intellectual currents of his era and demonstrates how his work paved the way for the modern synthesis of genetics and evolution in the twentieth century.

In 1859 Darwin’s tantalizing new idea stirred up a great deal of activity and turmoil in the scientific world, to a large extent because the underlying biological mechanisms of evolution through natural selection had not yet been worked out. Weismann’s achievement was to unite natural history, embryology, and cell biology under the capacious dome of evolutionary theory. In his major work on the germ plasm (1892), which established the material basis of heredity in the “germ cells,” Weismann delivered a crushing blow to Lamarck’s concept of the inheritance of acquired traits.

In this deeply researched biography, Churchill explains the development of Weismann’s pioneering work based on cytology and embryology and opens up an expanded history of biology from 1859 to 1914. August Weismann is sure to become the definitive account of an extraordinary life and career.

Election and grace are two key concepts that not only have shaped the relations between Judaism and Christianity, but also have formed a cornerstone of the Western philosophical discourse on the evolution and progress of humanity. Though Augustine and Spinoza can be shown to share a methodological approach to these concepts, their conclusions remain radically different. For the Church Father Augustine, grace defines human nature by the potential availability of divine intervention, thus setting the stage for the institutional and political legitimacy of the Church, the Christian state, and its justice. For Spinoza, on the other hand, election represents a unique but local form of divine intervention, marked by geography and historical context.

Milad Doueihi maps out the consequences of such an encounter between these two thinkers in terms of their philosophical heritage and its continued relevance for contemporary discussions of religious diversity and autonomy.

Augustine asserts a theological foundation for the political, whereas Spinoza radically separates philosophy, and thus authority, from theology in order to solicit a political democracy. In this sharply argued and deeply learned book, Milad Doueihi shows us how interconnections between the two thinkers have come to shape Western philosophy.

Augustine of Hippo, a central figure in the history of Western thought, is also the author of a theory of reading that has had a profound influence on Western letters from the ages of Petrarch, Montaigne, Luther, and Rousseau to those of Freud and our own time. Brian Stock provides the first full account of this theory within the evolution of Augustine’s early dialogues, his Confessions, and his systematic treatises.

Augustine was convinced that words and images play a mediating role in our perceptions of reality. In the union of philosophy, psychology, and literary insights that forms the basis of his theory of reading, the reader emerges as the dominant model of the reflective self. Meditative reading, indeed the meditative act that constitutes reading itself, becomes the portal to inner being. At the same time, Augustine argues that the self-knowledge reading brings is, of necessity, limited, since it is faith rather than interpretive reason that can translate reading into forms of understanding.

In making his theory of reading a central concern, Augustine rethinks ancient doctrines about images, memory, emotion, and cognition. In judging what readers gain and do not gain from the sensory and mental understanding of texts, he takes up questions that have reappeared in contemporary thinking. He prefigures, and in a way he teaches us to recognize, our own preoccupations with the phenomenology of reading, the hermeneutics of tradition, and the ethics of interpretation.

A new edition featuring Saint Augustine’s dialogue on immortality from a tenth-century Latin manuscript, accompanied by an Old English vernacular adaptation translated into modern English for the first time in a hundred years.

Around the turn of the tenth century, an anonymous scholar crafted an Old English version of Saint Augustine of Hippo’s Soliloquia, a dialogue exploring the nature of truth and the immortality of the soul. The Old English Soliloquies was, perhaps, inspired by King Alfred the Great’s mandate to translate important Latin works. It retains Augustine’s focus on the soul, but it also explores loyalty—to friends, to one’s temporal lord, and to the Lord God—and it presses toward a deeper understanding of the afterlife. Will we endure a state of impersonal and static forgetfulness, or will we retain our memories, our accrued wisdom, and our sense of individuated consciousness?

This volume presents the first English translation of the complete Old English Soliloquies to appear in more than a century. It is accompanied by a unique edition of Augustine’s Latin Soliloquia, based on a tenth-century English manuscript similar to the one used by the translator, that provides insight into the adaptation process. Both the Latin and Old English texts are newly edited.

Aunt Bird is an astonishing, hybrid poetry of witness that observes and testifies to social, political, and historical realities through the recovery of one life silenced by the past. Within these pages, poet Yerra Sugarman confronts the Holocaust as it was experienced by a young Jewish woman: the author’s twenty-three-year-old aunt, Feiga Maler, whom Sugarman never knew, and who died in the Kraków Ghetto in German-occupied Poland in 1942. In lyric poems, prose poems, and lyric essays, Aunt Bird combines documentary poetics with surrealism: sourcing from the testimonials of her kin who survived, as well as official Nazi documents about Feiga Maler, these poems imagine Sugarman’s relationship with her deceased aunt and thus recreate her life. Braiding speculation, primary sources, and the cultural knowledge-base of postmemory, Aunt Bird seeks what Eavan Boland calls “a habitable grief,” elegizing the particular loss of one woman while honoring who Feiga was, or might have been, and recognizing the time we have now.

A master of the jeweled style.

Ausonius (Decimus Magnus), ca. AD 310–ca. 395, a doctor’s son, was born at Burdigala (Bordeaux). After a good education in grammar and rhetoric and a short period during which he was an advocate, he took to teaching rhetoric in a school that he began in the University of Bordeaux in 334. Among his students was Paulinus, who was afterwards Bishop of Nola; and he seems to have become some sort of Christian himself. Thirty years later Ausonius was called by Emperor Valentinian to be tutor to Gratian, who subsequently as emperor conferred on him honors including a consulship in 379. In 383, after Gratian’s murder, Ausonius retired to Bordeaux.

Ausonius’ surviving works, some with deep feeling, some composed it seems for fun, some didactic, include much poetry: poems about himself and family, notably “The Daily Round”; epitaphs on heroes in the Trojan War, memorials on Roman emperors, and epigrams on various subjects; poems about famous cities and about friends and colleagues. “The Moselle,” a description of that river, is among the most admired of his poems. There is also an address of thanks to Gratian for the consulship.

The Loeb Classical Library edition of Ausonius is in two volumes; the second includes Eucharisticus (“Thanksgiving”) by Paulinus Pellaeus.

A master of the jeweled style.

Ausonius (Decimus Magnus), ca. AD 310–ca. 395, a doctor’s son, was born at Burdigala (Bordeaux). After a good education in grammar and rhetoric and a short period during which he was an advocate, he took to teaching rhetoric in a school that he began in the University of Bordeaux in 334. Among his students was Paulinus, who was afterwards Bishop of Nola; and he seems to have become some sort of Christian himself. Thirty years later Ausonius was called by Emperor Valentinian to be tutor to Gratian, who subsequently as emperor conferred on him honors including a consulship in 379. In 383, after Gratian’s murder, Ausonius retired to Bordeaux.

Ausonius’ surviving works, some with deep feeling, some composed it seems for fun, some didactic, include much poetry: poems about himself and family, notably “The Daily Round”; epitaphs on heroes in the Trojan War, memorials on Roman emperors, and epigrams on various subjects; poems about famous cities and about friends and colleagues. “The Moselle,” a description of that river, is among the most admired of his poems. There is also an address of thanks to Gratian for the consulship.

The Loeb Classical Library edition of Ausonius is in two volumes; the second includes Eucharisticus (“Thanksgiving”) by Paulinus Pellaeus.

Austin, Texas, entered the aviation age on October 29, 1911, when Calbraith Perry Rodgers landed his Wright EX Flyer in a vacant field near the present-day intersection of Duval and 45th Streets. Some 3,000 excited people rushed out to see the pilot and his plane, much like the hundreds of thousands who mobbed Charles A. Lindbergh and The Spirit of St. Louis in Paris sixteen years later. Though no one that day in Austin could foresee all the changes that would result from manned flight, people here—as in cities and towns across the United States—realized that a new era was opening, and they greeted it with all-out enthusiasm.

This popularly written history tells the story of aviation in Austin from 1911 to the opening of Austin-Bergstrom International Airport in 1999. Kenneth Ragsdale covers all the significant developments, beginning with military aviation activities during World War I and continuing through the barnstorming era of the 1920s, the inauguration of airmail service in 1928 and airline service in 1929, and the dedication of the first municipal airport in 1930. He also looks at the University of Texas's role in training pilots during World War II, the growth of commercial and military aviation in the postwar period, and the struggle over airport expansion that occupied the last decades of the twentieth century. Throughout, he shows how aviation and the city grew together and supported each other, which makes the Austin aviation experience a case study of the impact of aviation on urban communities nationwide.

Three forces—dwindling British power, rising American influence, and nationalism in a variety of forms—have transformed Australia, New Zealand, and the adjacent islands since 1919. In this volume, some of the most distinguished scholars of the Pacific region assess these significant historical changes.

These essays deal with international relations, politics, changing social structures, and literature since World War I. The themes of the volume as a whole are social and humanistic; they concern the evolution of both a regional identity and separate national identities in the Southwest Pacific. The unique areal and thematic concentration of this book makes it essential reading for all those interested in the history, politics, and culture of the Pacific.

From August 1965 to February 1968, during his period of service in Australia, Ambassador Edward Clark traveled in that country as no other American and probably few Australians ever have. His wife, Anne Clark, traveled with him, then wrote her observations and impressions to friends and family in the United States.

Her letters, published for the first time in this volume, reveal the isolations and involvements as well as the opportunities and the pleasures of embassy life. The etiquette of official functions at times posed problems, as in the Clarks' first black-tie dinner with the Acting Governor General, where Mrs. Clark was supposed to curtsy. "Some Ambassadors feel strongly that the representative of the President of the United States should never bend his knee (or rather his wife's) to any man. Mrs. Battle, wife of our predecessor ... put the question directly to President Kennedy. His answer to her was, 'Curtsy you must, but keep a stiff upper knee.'"

Soon, Anne Clark realized that the routine of appearances and entertainments was constant: "I do not know when I will make peace with the schedule. I am a slave to the little black book that is my calendar."

In addition to the intricacies of embassy life, the Clarks encountered much that was unfamiliar—new people, almost a new language, new flowers, new animals—even a sky with its new moon upside down. But their warm hospitality and genuine interest in things Australian attracted friends throughout the continent. Figures from the government, the church, the diplomatic circle, and everyday life, plus well-known guests from home, all become known to the reader in this perceptive account of official life from the inside.

Contemporary Australian fiction is attracting a world audience, particularly in the United States, where a growing readership eagerly awaits new works. In Australian Voices, Ray Willbanks goes beyond the books to their authors, using sixteen interviews to reveal the state of fiction writing in Australia—what nags from the past, what engages the imagination for the future.

Willbanks engages the writers in lively discussions of their own work, as well as topics of collective interest such as the past, including convict times; the nature of the land; the treatment of Aborigines; national identity and national flaws; Australian-British antipathy; sexuality and feminism; drama and film; writing, publishing, and criticism in Australia; and the continuous and pervasive influence of the United States on Australia.

The interviews in Australian Voices are gossipy, often funny, and always informative, as Willbanks builds a structured conversation that reveals biography, personality, and significant insight into the works of each writer. They will be important for both scholars and the reading public.

In 1921 Austria became the first interwar European country to experience hyperinflation. The League of Nations, among other actors, stepped in to help reconstruct the economy, but a decade later Austria’s largest bank, Credit-Anstalt, collapsed. Historians have correlated these events with the banking and currency crisis that destabilized interwar Europe—a narrative that relies on the claim that Austria and the global monetary system were the victims of financial interlopers. In this corrective history, Nathan Marcus deemphasizes the destructive role of external players in Austria’s reconstruction and points to the greater impact of domestic malfeasance and predatory speculation on the nation’s financial and political decline.

Consulting sources ranging from diplomatic dossiers to bank statements and financial analyses, Marcus shows how the League of Nations’ efforts to curb Austrian hyperinflation in 1922 were politically constrained. The League left Austria in 1926 but foreign interests intervened in 1931 to contain the fallout from the Credit-Anstalt collapse. Not until later, when problems in the German and British economies became acute, did Austrians and speculators exploit the country’s currency and compromise its value. Although some statesmen and historians have pinned Austria’s—and the world’s—economic implosion on financial colonialism, Marcus’s research offers a more accurate appraisal of early multilateral financial supervision and intervention.

Illuminating new facets of the interwar political economy, Austrian Reconstruction and the Collapse of Global Finance reckons with the true consequences of international involvement in the Austrian economy during a key decade of renewal and crisis.

Winner, Southwest Book Award, Border Regional Library Association, 2015

The Texas of vast open spaces inhabited by independent, self-reliant men and women may be more of a dream than a reality for the state’s largely urban population, but it still exists in the Big Bend. One of the most sparsely settled areas of the United States, the Big Bend attracts people who are willing to forego many modern conveniences for a lifestyle that proclaims “don’t fence me in.” Marcia Hatfield Daudistel and Bill Wright believe that the character traits exemplified by folks in the Big Bend—including self-sufficiency, friendliness, and neighborliness—go back to the founding of the state. In this book, they introduce us to several dozen Big Bend residents—old and young, long-settled and recently arrived, racially diverse—who show us what it means to be an authentic Texan.

Interviewing people in Marathon, Big Bend National Park, Terlingua, Redford, Presidio, Alpine, Marfa, Valentine, Balmorhea, Limpia Crossing, and Fort Davis, Daudistel and Wright discover the reasons why residents of the Big Bend make this remote area of Texas their permanent home. In talking to ranchers and writers, entrepreneurs and artists, people living off the grid and urban refugees, they find a common willingness to overcome difficulties through individual skill and initiative. As one interviewee remarks, you have to have a lot of “try” in you to make a life in the Big Bend. Bill Wright’s photographs of the people and landscapes are a perfect complement to the stories of these authentic Texans. Together, these voices and images offer the most complete, contemporary portrait of the Texas Big Bend.

This comprehensive study of the Russian literary travelogue, a genre that blossomed in the early nineteenth century, sheds new light on Russian literature and culture of the period.

In the decades before and during the rise of the Russian novel, a new form of prose writing took hold in Russia: travel accounts, often fictional, marked by a fully developed narrator's voice, interpretive impressions, scenic descriptions, and extended narrative. Prompted in part by the growth of leisure travel and in part by publication of Western European examples of travel writing, the genre attracted the talents of numerous writers, including Radishchev, Karamzin, and Pushkin. In illuminating analyses of major texts as well as lesser known but influential works, Andreas Schönle surveys the literary travelogue from its emergence in Russia to the end of the Romantic era. His study offers new insight on the construction of the authorial persona and on the emergence of fiction in a culture that valued nonfiction writing.

The Prometheus Bound has proved to be both the most problematic and the most influential of extant Greek tragedies. Especially during the past two hundred years the character here created has transcended the boundaries of nationality, ideology, and race: Goethe, Shelley, Marx, and—to judge by other published translations—modern Russia and China have in turn been fascinated by this being who is tortured by the gods for furthering the progress of humanity. Yet the interpretation of the play itself and its relation to the group of now-lost plays with which it was originally produced continue to arouse violent controversy. At the center of the controversy stand the questions, raised with increasing urgency during the twentieth century, whether the play is by Aeschylus at all and when it was written.

This monograph attempts a systematic answer to these questions. It first surveys the general conditions of the authenticity problem as they appeared after the redating of Aeschylus’ Supplices. Next, it catalogues in detail the stylistic, metrical, and thematic features of the Prometheus that have been supposed to tell against Aeschylus’ authorship. Finally, it suggests that these phenomena will not make sense on the assumption that the play was written by anyone other than Aeschylus, and that the date of composition must fall after the Oresteia, in the last two years of Aeschylus’ life. Given this definite context and date, many of the apparent problems of the Prometheus Bound either fall away or at least can be more precisely formulated by reference to the other extant tragedies of Aeschylus’ latest phase.

An exploration of the darker corners of ancient Rome to spotlight the strange sorcery of anonymous literature.

From Banksy to Elena Ferrante to the unattributed parchments of ancient Rome, art without clear authorship fascinates and even offends us. Classical scholarship tends to treat this anonymity as a problem or game—a defect to be repaired or mystery to be solved. Author Unknown is the first book to consider anonymity as a site of literary interest rather than a gap that needs filling. We can tether each work to an identity, or we can stand back and ask how the absence of a name affects the meaning and experience of literature.

Tom Geue turns to antiquity to show what the suppression or loss of a name can do for literature. Anonymity supported the illusion of Augustus’s sprawling puppet mastery (Res Gestae), controlled and destroyed the victims of a curse (Ovid’s Ibis), and created out of whole cloth a poetic persona and career (Phaedrus’s Fables). To assume these texts are missing something is to dismiss a source of their power and presume that ancient authors were as hungry for fame as today’s.

In this original look at Latin literature, Geue asks us to work with anonymity rather than against it and to appreciate the continuing power of anonymity in our own time.