A SCHOLARLY BOOK REPOSITORY
The election of the Movimiento al Socialismo (MAS, movement towards socialism) to power in Bolivia in 2006 marked a historic break from centuries of foreign domination and indigenous marginalisation. Evo Morales, leader of the MAS, became the first indigenous president of Bolivia.
Kepa Artaraz looks at the attempt to 'refound the nation' which the new government has made as its goal. He shows how the mix of Marxism, indigenous liberation politics, anti-imperialism and environmentalism has made Bolivia one of the most interesting and unique political experiments of Latin America's 'red decade'.
As the historic left-turn in Latin America reaches a crossroads, Bolivia: Refounding the Nation guides us through the politics and ideas which have animated this popular movement, drawing out important lessons for progressive politics everywhere.
Between the 1890s and the early 1920s, the boll weevil slowly ate its way across the Cotton South from Texas to the Atlantic Ocean. At the turn of the century, some Texas counties were reporting crop losses of over 70 percent, as were areas of Louisiana, Arkansas, and Mississippi. By the time the boll weevil reached the limits of the cotton belt, it had destroyed much of the region’s chief cash crop—tens of billions of pounds of cotton, worth nearly a trillion dollars.
As staggering as these numbers may seem, James C. Giesen demonstrates that it was the very idea of the boll weevil and the struggle over its meanings that most profoundly changed the South—as different groups, from policymakers to blues singers, projected onto this natural disaster the consequences they feared and the outcomes they sought. Giesen asks how the myth of the boll weevil’s lasting impact helped obscure the real problems of the region—those caused not by insects, but by landowning patterns, antiquated credit systems, white supremacist ideology, and declining soil fertility. Boll Weevil Blues brings together these cultural, environmental, and agricultural narratives in a novel and important way that allows us to reconsider the making of the modern American South.
Showing how escapism and entertainment function in Bollywood cinema, Rachel Dwyer argues that Hindi cinema’s interpretations of India over the last two decades are a reliable guide to understanding the nation’s changing hopes and dreams. She looks at the ways Bollywood has imagined and portrayed the unity and diversity of the country—what it believes and feels, as well as life at home and in public. Using Dwyer’s two decades spent working with filmmakers and discussing movies with critics and moviegoers,Bollywood’s India is an illuminating look at Hindi cinema.
Through interviews, archival research, and newly available public documents, this book presents a comprehensive and compelling portrait of the neo-evangelical pastors, military personnel, and meritocratic ideologues who are the actors behind the far-right movement. Adding to our understanding of Bolsonarismo's growth in Brazilian politics and the contributing factors behind it, the book also sheds light on the impact of Bolsonarismo on world politics. As a prominent leader of the far-right movement, Jair Bolsonaro's political views and policies have reverberated beyond Brazil's borders, influencing the discourse on issues such as climate change, democracy, and human rights around the world.
The overthrow of Spanish rule and the birth of new republican governments in northern South America at the beginning of the nineteenth century were in large part the work of one man—Simón Bolívar. Bolívar was not only the soldier who built a patriot army from a small band of exiles and led them victoriously across Venezuela and down the spine of the Andes as far as Potosí; he was also the statesman who framed the new republics that sprang to life after the defeat of the Spanish and who called the Congress of Panama in hopes of making real his dream of uniting all the South American republics in a single confederation. He was truly the Liberator.
The Narración, or narrative, of the Memorias of Daniel Florencio O’Leary has long been recognized by Spanish American scholars as one of the most important historical sources for a major part of Bolívar’s life. O’Leary took an active part in the wars for independence, first as a young officer, recruited in the British Isles to aid the patriot cause, and later as Bolívar’s chief aide, often entrusted with diplomatic missions. His firsthand knowledge of the stirring events of the period, his access to relevant documents, and his close association with the major figures in the struggle, as well as his friendship with Bolívar, made O’Leary a particularly valuable chronicler and biographer. Bolívar himself, shortly before his death, requested that O’Leary write the story of his life.
O’Leary’s meticulous attention to military and diplomatic maneuvers and his keen, sometimes acrid, comments on both men and events give the reader not only a vivid portrait of Bolívar—the man and his achievements—but also a remarkable insight into O’Leary’s own position as an autocratic-minded participant in the wars for independence. Although O’Leary’s devotion to, and admiration for, his Chief make for an occasionally partisan view, his stark account of the hardships and disappointments that Bolívar and his armies overcame against almost impossible odds does much to balance the narrative.
In his abridged translation, Robert McNerney has omitted the Apéndice, documents that O’Leary, had he lived, undoubtedly would have used as the source for completing his account of Bolívar’s life. Numerous letters and documents scattered through the original text also have been omitted, leaving a highly readable narrative.
Bombs are as old as hatred itself. But it was the twentieth century--one hundred years of incredible scientific progress and terrible war--that brought forth the Big One, the Bomb, humanity's most powerful and destructive invention. In The Bomb: A Life, Gerard DeGroot tells the story of this once unimaginable weapon that--at least since 8:16 a.m. on August 6, 1945--has haunted our dreams and threatened our existence.
The Bomb has killed hundreds of thousands outright, condemned many more to lingering deaths, and made vast tracts of land unfit for life. For decades it dominated the psyches of millions, becoming a touchstone of popular culture, celebrated or decried in mass political movements, films, songs, and books. DeGroot traces the life of the Bomb from its birth in turn-of-the-century physics labs of Europe to a childhood in the New Mexico desert of the 1940s, from adolescence and early adulthood in Nagasaki and Bikini, Australia and Kazakhstan to maturity in test sites and missile silos around the globe. His book portrays the Bomb's short but significant existence in all its scope, providing us with a portrait of the times and the people--from Oppenheimer to Sakharov, Stalin to Reagan--whose legacy still shapes our world.
George Johnstone has never received the scholarly attention he fully merits. Historians have assessed him, usually briefly, as governor of West Florida, or as naval commander, or as a member of parliament. Nevertheless, none has considered his important role in East India Company politics, nor, until Bombast and Broadsides, has one synthesized the various roles in which Johnstone was entrusted with high responsibilities.
Through research in Cardiff, Edinburgh, Kew, London, Philadelphia, and Washington in largely unpublished manuscripts, together with the use of secondary sources, the author has been able to present the first coherent picture of Johnstone, a vigorous and intelligent but turbulent and always controversial figure. Johnstone was effective as a colonial governor at a difficult time; in the navy he performed several coups de main; in parliament he was formidable in debate but an opportunist; and at East India House he was a doughty, conservative, and largely successful defender of the proprietary interest.
Contributors. Anjali Arondekar, Sarthak Bagchi, Tobias Baitsch, Sangeeta Banerji, Srimati Basu, Tarini Bedi, Amita Bhide, Lisa Björkman, Uday Chandra, Simon Chauchard, Ka-Kin Cheuk, Michael Collins, Daisy Deomampo, Maura Finkelstein, Ajay Gandhi, Rupali Gupte, Kathryn C. Hardy, Lalitha Kamath, Prasad Khanolkar, Bhushan Korgaonkar, Ratoola Kundu, Ken Kuroda, Annelies Kusters, Lisa Mitchell, Shailaja Paik, Gautam Pemmaraju, Lubaina Rangwala, Llerena Guiu Searle, Atreyee Sen, Prasad Shetty, Rohan Shivkumar, Edward Simpson, David Strohl, Rachel Sturman, R. Swaminathan, Aneri Taskar, Yaffa Truelove, Sahana Udupa, Lalit Vachani, Leilah Vevaina
In this analysis of the cinematic city, Mazumdar reveals a complex postnationalist world, convulsed by the social crisis of the 1970s and transformed by the experience of globalization in the 1990s. She argues that the upheaval of postcolonial nationalism led to Bombay cinema’s articulation of urban life in entirely new terms. Specifically, the place of the village in the imaginary constitution of anticolonial nationalism gave way to a greater acknowledgment, even centrality, of urban space. Bombay Cinema takes the reader on an inventive journey through a cinematic city of mass crowds, violence, fashion, architectural fantasies, and subcultural identities. Moving through the world of gangsters and vamps, families and drifters, and heroes and villains, Bombay Cinema explores an urban landscape marked by industrial decline, civic crisis, working-class disenchantment, and diverse street life.Combining the anecdotal with the theoretical, the philosophical with the political, and the textual with the historical, Bombay Cinema leads the reader into the heart of the urban labyrinth in India, revising and deepening our understanding of both the city and the cinema.
"A landmark study—carefully researched, well organized and offering refreshingly uncondescending and strikingly insightful discussions of mainstream films—that deserves to be read by anyone interested in India's popular cinema or its contemporary urban life." —Journal of Asian Studies
"Bombay Cinema is an exciting and important contribution to a field that has, to date, been under researched and under theorized. Lively, provocative and richly suggestive, it will also serve as a surefire incentive to watch those films all over again." —Screen
"Here, at last, is a book length study on Cinema in India that does not get locked into a dance of hermetic closure between what transpires on screen and a set of stock off screen textual and cultural references, but more importantly, walks the streets where the films are set, looks at shop windows, publicity material, costumes, fashion, architecture, telecommunications and the concrete materiality that surrounds the film object." —Seminar
"Bombay Cinema is lucid, provocative, stylish and substantial. It is an illuminating scholarly study that spares no effort to bring Bombay cinema out of the academic closet." —The Book Review India
"Departing from the obsession that Film Studies in India has displayed with the idea of cinema as a national allegory, the book convincingly argues for the need to examine the city's hidden archive as one that cannot be subsumed within the sign of the national." —Biblio
"Mazumdar has a great capacity to discuss Indian cinema, with a brilliant grasp of its political, historical, and aesthetic developments, but equally she is well attuned to the interests and ruptures in the academic discourse of film and cinema studies."—Film International
"Mazumdar's experience as a filmmaker allowed her to offer significant readings of not just the narratives and character development in the films, but of the cinematography, mise-en-scene, and other technical and performance aspects of production." —Journal of Popular Culture
"At once about Hindi films, spatial practices, urban modernity and globalization . . . the strength of Bombay Cinema lies in bringing all of them together in a productive conversation.” —Economic and Political Weekly
"Bombay Cinema is methodologically challenging in its deployment of moments rather than discursiveformations of film as text. The book also refuses to read film alone, but interprets the medium alongside the detailed insights of people involved in making them, and with the recent history of Bombay, within which the film industry is located. In Mazumdar's evocative reading of the films she engages with, the cinematic city becomes the space of critique of the nation, the site of the ruin of the modern nationalist project." —Contemporary South Asia
Bombay Modern uncovers an alternative and provincial modernism through poetry, a genre that is marginal to postcolonial studies, and through bilingual scholarship across English and Marathi texts, a methodology that is currently peripheral at best to both modernist studies and postcolonial literary criticism in India. Eschewing any attempt to define an overarching or universal modernism, Bombay Modern delimits its sphere of study to "Bombay" and to the "post-1960" (the sathottari period) in an attempt to examine at close range the specific way in which this poetry redeployed the regional, the national, and the international to create a very tangible yet transient local.
Looking at particular international sites of transition—from Indiana’s Big Oaks National Wildlife Refuge to Cold War remnants along the former Iron Curtain—Havlick argues that these new frontiers of conservation must accomplish seemingly antithetical aims: rebuilding and protecting ecosystems, or restoring life, while also commemorating the historical and cultural legacies of warfare and militarization. Developing these ideas further, he shows that despite the ecological devastation often wrought by military testing and training, these activities need not be inconsistent with environmental goals, and in some cases can even complement them—a concept he calls ecological militarization. A profound, clear explication of landscapes both fraught and fecund, marked by death but also reservoirs of life, Bombs Away shows us how “military activities, conservation goals, and ecological restoration efforts are made to work together to create new kinds of places and new conceptions of place.”
Patrice Gueniffey is the leading French historian of the Revolutionary and Napoleonic age. This book, hailed as a masterwork on its publication in France, takes up the epic narrative at the heart of this turbulent period: the life of Napoleon himself, the man who—in Madame de Staël’s words—made the rest of “the human race anonymous.” Gueniffey follows Bonaparte from his obscure boyhood in Corsica, to his meteoric rise during the Italian and Egyptian campaigns of the Revolutionary wars, to his proclamation as Consul for Life in 1802. Bonaparte is the story of how Napoleon became Napoleon. A future volume will trace his career as emperor.
Most books approach Napoleon from an angle—the Machiavellian politician, the military genius, the life without the times, the times without the life. Gueniffey paints a full, nuanced portrait. We meet both the romantic cadet and the young general burning with ambition—one minute helplessly intoxicated with Josephine, the next minute dominating men twice his age, and always at war with his own family. Gueniffey recreates the violent upheavals and global rivalries that set the stage for Napoleon’s battles and for his crucial role as state builder. His successes ushered in a new age whose legacy is felt around the world today.
Averse as we are now to martial glory, Napoleon might seem to be a hero from a bygone time. But as Gueniffey says, his life still speaks to us, the ultimate incarnation of the distinctively modern dream to will our own destiny.
Bonapartists in the Borderlands debunks the standard account of the Vine and Olive Colony, which stresses the failure of aristocratic, luxury-loving French to tame the wilderness. Rafe Blaufarb recounts how Napoleonic exiles and French refugees from Europe and the Caribbean joined forces with Latin American insurgents, Gulf pirates, and international adventurers to seek their fortune in the Gulf borderlands. The US Congress welcomed the French and granted them a capacious tract of rich Black Belt land near Demopolis, Alabama, on the condition that they would establish a Mediterranean-style Vine and Olive colony.
Blaufard shows that it was not a lack of grit that caused the enterprise to fail. Rather, the Napoleonic officers involved in the colony sold their land shares to speculators to finance an even more perilous adventure—invading the Texas borderlands contested by Spain and the US. Their departure left the Vine and Olive colony in the hands of French refugees from the Haitian slave revolt. They soon abandoned vine cultivation and fused with the neighboring communities of Anglo-American slaveholding cotton planters and speculators.
Rafe Blaufarb examines the underlying motivations and aims that inspired this endeavor and details the nitty-gritty politics, economics, and backroom bargaining that resulted in the settlement. He employs a wide variety of local, national, and international resources: from documents held by the Alabama State Archives, Marengo County court records, and French-language newspapers published in America to material from the War Ministry Archives at Vincennes, the Diplomatic Archives at the Quai d’Orasy, and the French National Archives.
Whether exploring Bresson’s efforts to reassess the limits of human reason and will, Dostoevsky’s subversions of Christian conventions, Tolstoy’s incompatible beliefs about death, or Kafka’s focus on creatures neither human nor animal, Cameron illuminates how the repeated juxtaposition of disparate, even antithetical, phenomena carves out new approaches to defining the essence of being, one where the very nature of fixed categories is brought into question. An innovative look at a classic French auteur and three giants of European literature, The Bond of the Furthest Apart will interest scholars of literature, film, ethics, aesthetics, and anyone drawn to an experimental venture in critical thought.
“No one remembers when and why I started calling my father Bondhu. It was a strange way to address a father, as the word means ‘friend’ in Bengali. . . . As I got older, I became very self-conscious about such an odd name . . . and yet I cannot explain why I could not switch to the more acceptable Baba or something similar.”
Just as Kunal Sen, son of actor Gita Sen and filmmaker Mrinal Sen, was approaching adolescence, his father’s cinematic celebrity was reaching new heights. In this memoir, Kunal reflects on growing up in a middle-class household in South Calcutta, where his father’s Marxist beliefs and unrelenting urge “to be challenged and contradicted” often collided with the practical challenges of making a living. Through it all, what emerges is a picture of a family’s unyielding commitment to the craft of cinema, the risks each of its members took, and their endearing sense of humor. Celebrating Mrinal Sen’s birth centenary in 2023, Bondhu takes us on an intimate journey of a son attempting to reconcile his father’s public and private selves.
Notions of Christian love, or charity, strongly shaped the political thought of John Winthrop, Thomas Jefferson, and Abraham Lincoln as each presided over a foundational moment in the development of American democracy. Matthew Holland examines how each figure interpreted and appropriated charity, revealing both the problems and possibilities of making it a political ideal.
Holland first looks at early American literature and seminal speeches by Winthrop to show how the Puritan theology of this famed 17th century governor of the Massachusetts Colony (he who first envisioned America as a "City upon a Hill") galvanized an impressive sense of self-rule and a community of care in the early republic, even as its harsher aspects made something like Jefferson's Enlightenment faith in liberal democracy a welcome development . Holland then shows that between Jefferson's early rough draft of the Declaration of Independence and his First Inaugural Jefferson came to see some notion of charity as a necessary complement to modern political liberty.
However, Holland argues, it was Lincoln and his ingenious blend of Puritan and democratic insights who best fulfilled the promise of this nation's "bonds of affection." With his recognition of the imperfections of both North and South, his humility in the face of God's judgment on the Civil War, and his insistence on "charity for all," including the defeated Confederacy, Lincoln personified the possibilities of religious love turned civic virtue.
Weaving a rich tapestry of insights from political science and literature and American religious history and political theory, Bonds of Affection is a major contribution to the study of American political identity. Matthew Holland makes plain that civic charity, while commonly rejected as irrelevant or even harmful to political engagement, has been integral to our national character.
The book includes the full texts of Winthrop's speech "A Model of Christian Charity"; Jefferson's rough draft of the Declaration and his First Inaugural; and Lincoln's Second Inaugural.
In this passionate and deeply researched book, Destin Jenkins shows in vivid detail how, beyond the borrowing decisions of American cities and beneath their quotidian infrastructure, there lurks a world of politics and finance that is rarely seen, let alone understood. Focusing on San Francisco, The Bonds of Inequality offers a singular view of the postwar city, one where the dynamics that drove its creation encompassed not only local politicians but also banks, credit rating firms, insurance companies, and the national municipal bond market. Moving between the local and the national, The Bonds of Inequality uncovers how racial inequalities in San Francisco were intrinsically tied to municipal finance arrangements and how these arrangements were central in determining the distribution of resources in the city. By homing in on financing and its imperatives, Jenkins boldly rewrites the history of modern American cities, revealing the hidden strings that bind debt and power, race and inequity, democracy and capitalism.
Despite popular images of priests seeking enlightenment in snow-covered mountain temples, the central concern of Japanese Buddhism is death. For that reason, Japanese Buddhism’s social and economic base has long been in mortuary services—a base now threatened by public debate over the status, treatment, and location of the dead. Bonds of the Dead explores the crisis brought on by this debate and investigates what changing burial forms reveal about the ways temple Buddhism is perceived and propagated in contemporary Japan.
When curator Diana L. Dretske discovered that the five long-gone Union soldiers in a treasured photograph in the Bess Bower Dunn Museum were not fully identified, it compelled her into a project of recovery and reinterpretation. Utilizing an impressive array of local and national archives, as well as private papers, the author’s microhistorical approach records events that often go unnoticed, such as a farmer enlisting in the middle of a crop field, a sister searching her brother’s face for signs of war, and an immigrant dying in an effort to become a good American citizen.
This book, the most intensive examination of the 96th Illinois Volunteer Infantry since the regiment’s history was published in 1887 centers on immigrants from the British Isles who wished to be citizens of a country at war with itself. Far removed from their native homelands, they found new promise in rural Illinois. These men, neighbors along the quiet Stateline Road in Lake County, decide to join the fighting at its most dangerous hour. The bonds of war become then the bonds of their new national identity.
The Bonds of War uncovers the common soldier from the cataclysm that is the American Civil War by offering a collective biography of five soldiers of the 96th in the Western Theater. The human drama of their lives unfolds before the reader on battlefields such as Chickamauga and within the high pine stockades of Andersonville. Their lives argue that those who seem to matter least in military history are the very ones who can tell us the most about the experience of war and the reasons for remembering.
"Rich in poems which enhance our awareness of the human complexity of our social and moral dilemmas." —Book Review Digest
"There is a whisper in the wind among the chapters . . . and a singing rain beyond the window." —American Indian Culture Research Journal
Born in Memphis, Tennessee in 1939, Dr. Alvin Crawford grew up and attended medical school in a segregated world. Beginning with his early life in Orange Mound—a self-contained community for freed slaves established in the 1890s—Crawford’s autobiography describes his flirtation with a music degree and time spent playing in jazz bands through the segregated South. In 1960, Crawford began his ground-breaking medical career with his entrance into the University of Tennessee College of Medicine, becoming the school’s first African American student. After completing his medical training and traveling the world as a surgeon for the Navy, Crawford found himself in Cincinnati, where he established the Comprehensive Pediatric Orthopedic Clinic at Cincinnati Children’s Hospital, the first in the region.
Underlying this story are the systemic and very personal incidents of racism Crawford experienced throughout his career. His autobiography is a personal account of segregation, integration, ambition, hard work, and taking risks.
The Bone Hunters recounts the fascinating details of a remarkable chance discovery. In his engaging firsthand account, Moore writes of the people behind the excavation of the site and how their efforts helped save valuable artifacts for ongoing study. Numerous photographs capture the excellent condition of fossils at Gray. Moore also describes the contours of what the ancient landscape may have looked like and details the governmental action that ultimately preserved this Tennessee treasure.
Harry Moore manages the Tennessee Department of Transportation’s Geotechnial Engineering office in Knoxville. His previous books are A Roadside Guide to the Geology of the Great Smoky Mountains National Park, A Geologic Trip Across Tennessee by Interstate 40, and Discovering October Roads: Fall Colors and Geology in Rural East Tennessee (co-written with Fred Brown).
A Smithsonian Book of the Year
A Nature Book of the Year
“Provides much-needed foundation of the relationship between museums and Native Americans.”
—Smithsonian
In 1864 a US Army doctor dug up the remains of a Dakota man who had been killed in Minnesota and sent the skeleton to a museum in Washington that was collecting human remains for research. In the “bone rooms” of the Smithsonian, a scientific revolution was unfolding that would change our understanding of the human body, race, and prehistory.
Seeking evidence to support new theories of racial classification, collectors embarked on a global competition to recover the best specimens of skeletons, mummies, and fossils. As the study of these discoveries discredited racial theory, new ideas emerging in the budding field of anthropology displaced race as the main motive for building bone rooms. Today, as a new generation seeks to learn about the indigenous past, momentum is building to return objects of spiritual significance to native peoples.
“A beautifully written, meticulously documented analysis of [this] little-known history.”
—Brian Fagan, Current World Archeology
“How did our museums become great storehouses of human remains? Bone Rooms chases answers…through shifting ideas about race, anatomy, anthropology, and archaeology and helps explain recent ethical standards for the collection and display of human dead.”
—Ann Fabian, author of The Skull Collectors
“Details the nascent views of racial science that evolved in U.S. natural history, anthropological, and medical museums…Redman effectively portrays the remarkable personalities behind [these debates]…pitting the prickly Aleš Hrdlička at the Smithsonian…against ally-turned-rival Franz Boas at the American Museum of Natural History.”
—David Hurst Thomas, Nature
Less than one hundred years ago, Diplodocus carnegii—named after industrialist and philanthropist Andrew Carnegie—was the most famous dinosaur on the planet. The most complete fossil skeleton unearthed to date, and one of the largest dinosaurs ever discovered, Diplodocus was displayed in a dozen museums around the world and viewed by millions of people.
Bone Wars explains how a fossil unearthed in the badlands of Wyoming in 1899 helped give birth to the public’s fascination with prehistoric beasts. Rea also traces the evolution of scientific thought regarding dinosaurs, and reveals the double-crosses and behind-the-scenes deals that marked the early years of bone hunting.
With the help of letters found in scattered archives, Tom Rea recreates a remarkable story of hubris, hope, and turn-of-the-century science. He focuses on the roles of five men: Wyoming fossil hunter Bill Reed; paleontologists Jacob Wortman—in charge of the expedition that discovered Mr. Carnegie’s dinosaur—and John Bell Hatcher; William Holland, imperious director of the recently founded Carnegie Museum; and Carnegie himself, smitten with the colossal animals after reading a newspaper story in the New York Journal and Advertiser.
What emerges is the picture of an era reminiscent of today: technology advancing by leaps and bounds; the press happy to sensationalize anything that turned up; huge amounts of capital ending up in the hands of a small number of people; and some devoted individuals placing honest research above personal gain.
With a New Foreword by Matthew C. Lamanna and a New Afterword by Tom Rea
Less than one hundred years ago, Diplodocus carnegii—named after industrialist and philanthropist Andrew Carnegie—was the most famous dinosaur on the planet. The most complete fossil skeleton unearthed to date, and one of the largest dinosaurs ever discovered, Diplodocus was displayed in a dozen museums around the world and viewed by millions of people. Bone Wars explains how a fossil unearthed in the badlands of Wyoming in 1899 helped give birth to the public’s fascination with prehistoric beasts. Rea also traces the evolution of scientific thought regarding dinosaurs and reveals the double-crosses and behind-the-scenes deals that marked the early years of bone hunting. With the help of letters found in scattered archives, Tom Rea recreates a remarkable story of hubris, hope, and turn-of-the-century science. He focuses on the roles of five men: Wyoming fossil hunter Bill Reed; paleontologists Jacob Wortman—in charge of the expedition that discovered Carnegie’s dinosaur—and John Bell Hatcher; William Holland, imperious director of the recently founded Carnegie Museum; and Carnegie himself, smitten with the colossal animals after reading a story in the New York Journal and Advertiser. What emerges is the picture of an era reminiscent of today: technology advancing by leaps and bounds; the press happy to sensationalize anything that turned up; huge amounts of capital ending up in the hands of a small number of people; and some devoted individuals placing honest research above personal gain.
Thirteen respected researchers combine their experiences in Bonebeds, providing readers with workable definitions, theoretical frameworks, and a compendium of modern techniques in bonebed data collection and analysis. By addressing the historical, theoretical, and practical aspects of bonebed research, this edited volume—the first of its kind—provides the background and methods that students and professionals need to explore and understand these fantastic records of ancient life and death.
Marianne Sommer unravels a riveting tale about a set of ancient human bones and their curious afterlife as a scientific object.
When the ochre-stained bones were unearthed in a Welsh cave in 1823, they inspired unsettling questions regarding their origin. Their discoverer, William Buckland, declared the remains to be Post-Diluvian, possibly those of a taxman murdered by smugglers. Shortly thereafter he reinterpreted the bones as those of a female fortune-teller in Roman Britain--and so began the casting and recasting of the Red Lady. Anthropologist William Sollas re-excavated Paviland Cave, applying methods and theories not available to Buckland some ninety years earlier, and concluded that the skeleton was male and Cro-Magnon. Recently, an interdisciplinary team excavated the cave and reinterpreted its contents. Despite their "definitive report" in 2000, Sommer suggests this latest project still hasn't solved the mystery of the Red Lady. Rather, the Red Lady, now a shaman and icon of Welsh ancient history, continues to be implicated in questions of scientific and political authority.
The biography of the Red Lady reflects the personal, professional, and national ambitions of those who studied her and echoes the era in which the research was conducted. In Bones and Ochre, Sommer reveals how paleoanthropology has emerged as an international, interdisciplinary, modern science.
As explorers and scientists have known for decades, the Neotropics harbor a fantastic array of our planet’s mammalian diversity, from capybaras and capuchins to maned wolves and mouse opossums to sloths and sakis. This biological bounty can be attributed partly to the striking diversity of Neotropical landscapes and climates and partly to a series of continental connections that permitted intermittent faunal exchanges with Africa, Antarctica, Australia, and North America. Thus, to comprehend the development of modern Neotropical mammal faunas requires not only mastery of the Neotropics’ substantial diversity, but also knowledge of mammalian lineages and landscapes dating back to the Mesozoic.
Bones, Clones, and Biomes offers just that—an exploration of the development and relationships of the modern mammal fauna through a series of studies that encompass the last 100 million years and both Central and South America. This work serves as a complement to more taxonomically driven works, providing for readers the long geologic and biogeographic contexts that undergird the abundance and diversity of Neotropical mammals. Rather than documenting diversity or distribution, this collection traverses the patterns that the distributions and relationships across mammal species convey, bringing together for the first time geology, paleobiology, systematics, mammalogy, and biogeography. Of critical importance is the book’s utility for current conservation and management programs, part of a rapidly rising conservation paleobiology initiative.
Bones from Awatovi contains a detailed analysis of the massive collection of both the faunal remains and the bone/antler artifacts recovered from the site of Awatovi.
Unique in its size and degree of preservation, the Awatovi faunal collection provides rich ground for analysis and interpretation. Olsen and Wheeler deliver an in-depth examination which is of interest to archaeologists and faunal analysts alike.
in many ways, remains contentious.
"[An] un-put-downable book."—John Gribbon, Times Educational Supplement
"Not just another 'stones and bones' account of human evolution. It is Lewin's thesis, amply demonstrated, that paleoanthropology is the most subjective of sciences because it engages the emotions of virtually everyone; and since the evidence is scrappy, interpretation is everything. . . . A splendid, stirring, and eye-opening account, to be devoured."—Kirkus Reviews, starred review
"[Lewin shows] 'how very unscientific the process of scientific inquiry can be.'. . . Bones of Contention is . . . serious intellectual history."—Edward Dolnick, Wall Street Journal
"[Lewin] documents his thesis in persuasive detail. . . . The reader is carried along by the power of Mr. Lewin's reporting."—Robert Wright, New York Times Book Review
New techniques in osteology have yielded findings on Maya diet and health that challenge the ecological model of collapse. This benchmark collection of essays defined the state of Mayan skeletal studies. Its coverage spans the formative through colonial periods, with a geographic focus on the Maya lowlands of northern Guatemala, Belize, and western Honduras. Bringing together for the first time a broad spectrum of bioarchaeologists and revealing remarkable data on Maya genetic relationship, demographic, and diseases, the collection covers divers topics such as osteological, dental, bone chemistry, and DNA analyses. The diet and health status of Maya populations is a major theme, especially in relation to social status, gender, and the historical problem of the "collapse."
Since he first hitched a ride out of Lubbock, Texas, at the age of sixteen, singer-songwriter and Flatlanders band member Joe Ely has been a road warrior, traveling highways and back roads across America and Europe, playing music for "2 hours of ecstasy" out of "22 hours of misery." To stay sane on the road, Ely keeps a journal, penning verses that sometimes morph into songs, and other times remain "snapshots of what was flying by, just out of reach, so to savor at a later date when the wheels stop rolling, and the gears quit grinding, and the engines shut down."
In Bonfire of Roadmaps, Ely takes readers on the road with him. Using verse passages from his road journals and his own drawings, Ely authentically re-creates the experience of a musician's life on tour, from the hard goodbyes at home, to the long hours on the road, to the exhilaration of a great live show, to the exhaustion after weeks of touring. Ely's road trips begin as he rides the rails to Manhattan in 1972 and continue up through recent concert tours with fellow Flatlanders Jimmie Dale Gilmore and Butch Hancock.
While acknowledging that "it is not the nature of a gypsy to look in the rearview mirror," Joe Ely nevertheless offers his many fans a revelatory look back over the roads he's traveled and the wisdom he's won from his experiences. And for "those who want to venture beyond the horizon just to see what is there... to those, I hope these accounts will give a glint of inspiration..."
In The Bonfire of the Decencies, Peter Hennessy and Andrew Blick use Boris Johnson’s tenure as prime minister to argue that mechanisms for the upholding of constitutional principles in the United Kingdom are deficient and require an overhaul. They show that, from the outset, Johnson’s time in office was a source of serious disruption that saw standards and integrity compromised, as well as constitutional values violated. Those problems, however, did not end with Johnson’s removal from office. Rather, they are part of longer-term tendencies in the UK, and of a worrying international trend towards the weakening of democracy. Hennessy and Blick analyze the pre-existing vulnerabilities that Johnson exposed in the UK system of government and conclude with a series of proposals to repair the damage and prevent a repetition of this anxious episode in the UK’s political history.
Sometimes the most compelling landscapes are the ones where worlds collide: where a desert meets the sea, a civilization, no-man’s land. Here in Bonfire Opera, grief and Eros grapple in the same domain. A bullet-hole through the heart, a house full of ripe persimmons, a ghost in a garden. Coyotes cry out on the hill, and lovers find themselves kissing, “bee-stung, drunk” in the middle of road. Here, the dust is holy, as is the dark, unknown. These are poems that praise the impossible, wild world, finding beauty in its wake.
In January 2002, for the first time, the Olympic Torch Relay visited Alaska on its way to the Winter Games. When the relay runner and accompanying camera cars passed Juneau-Douglas High School, senior Joseph Frederick and several friends unfurled a fourteen-foot banner reading "BONG HiTS 4 JESUS."
An in-depth look at student rights within a public high school, this book chronicles the events that followed: Frederick's suspension, the subsequent suit against the school district, and, ultimately, the escalation of a local conflict into a federal case. Brought to life through interviews with the principal figures in the case, Bong Hits 4 Jesus is a gripping tale of the boundaries of free speech in an American high school.
The Bonnet, the first work of prose by Slovak poet Katarína Kucbelová, defies easy pigeonholing: both political and personal, it is a work of literary reportage, a quest for one’s roots, a critical exploration of folk art and, not least, social commentary on the coexistence of the Slovak majority and the Roma minority, offering a nuanced and sympathetic look at the lives of Roma people in Slovakia, and raising important questions about the nature of prejudice and discrimination. Over two years, the author made regular visits to the remote village of Šumiac in Slovakia to learn the dying craft of bonnet making from one of its last practitioners, Il’ka, an elderly local woman who in the process became her mentor in more ways than one. Through the parallel stories of Il’ka and the narrator’s grandmother, The Bonnet also offers a subtly feminist reading of the position of women in rural Europe from the early twentieth century to the present day.
Something of a quest story for the picture book set, this playful horror tale sets young protagonists against “the Ghost of of Mable’s Gable.” In Jim May’s version of a story from children’s folklore, eighth grade boys swagger but fail, only to be followed by outdone by an unlikely heroine, “the Boo Baby Girl,” a toddler who will not be denied.
Praise for Boogaloo:
"From Thomas A. Dorsey and gospel to Sam Cooke and the classic age of boogaloo ('soul') to George Clinton and hip hop, this comprehensive analysis of African-American popular music is a deep and gorgeous meditation on its aesthetics and business."
---Henry Louis Gates, Jr., W.E.B. Du Bois Professor of the Humanities, Harvard
"Surpassingly sympathetic and probing. . . . a panoramic critical survey of black popular music over seventy-five years. . . .There is no book quite like it."
---New York Review of Books
". . . moving, dense, and fascinating. . . ."
---New Yorker
". . . a grand and sweeping survey of the history of soul music in America. . . . one of the best books of music journalism. . . ."
---Publisher's Weekly
". . . a fascinating and often original addition to the extensive literature. . . . an astute and witty account. . . . there is plenty in Boogaloo to set the mind and heart alight, as well as some flashes of brilliance and originality rare in music writing today."
---Times Literary Supplement
Composed at a time when Robert H. Kirven was coping with the terminal illness of his wife, A Book about Dying affirms that the universal fear of death is eased by knowing what comes after. Using the unique Swedenborgian perspective of the afterlife and his own hard-earned knowledge of the day-to-day realities of caring for a loved one, Kirven writes of the spiritual experiences of the dying and of the survivors; offers practical advice on measure that can lessen the burden on the sick and the caregiver; and convincingly asserts that "for patient and survivor alike, living really does continue after dying."
From the marginalia of their readers to the social and cultural means of their production, books bear the imprint of our humanity. Embodying the marks, traces, and scars of colonial survival, Indigenous books are contested spaces. A constellation of nontextual components surrounded Native American–authored publications of the long nineteenth century, shaping how these books were read and understood—including illustrations, typefaces, explanatory prefaces, appendices, copyright statements, author portraits, and more.
Centering Indigenous writers, Book Anatomy explores works from John Rollin Ridge, Sarah Winnemucca Hopkins, Pretty Shield, and D’Arcy McNickle published between 1854 and 1936. In examining critical moments of junction between Indigenous books and a mainstream literary marketplace, Amy Gore argues that the reprints, editions, and paratextual elements of Indigenous books matter: they embody a frontline of colonization in which Native authors battle the public perception and reception of Indigenous books, negotiate representations of Indigenous bodies, and fight for authority and ownership over their literary work.
Book and Verse is an indispensable guide to the variety and extent of biblical literature in England, exclusive of drama and the Wycliffite Bible that appeared between the twelfth and the fifteenth centuries. Entries provide detailed information on how much of what parts of the Bible appear in Middle English and where this biblical material can be found. Comprehensive indexing by name, keyword, and biblical verse allows a researcher to find, for example, all the occurrences of the Flood Story or of the encounter between Elijah and the Widow of Sarephta. An invaluable resource, Book and Verse provides the first easy access to the "popular Bible" assembled before and after John Wyclif's translation of the Vulgate into English.
Stéphane Mallarmé (1842–98) was a French Symbolist poet, theorist, and teacher whose ideas and legendary salons set the stage for twentieth-century experimentation in poetry, music, theater and art. A canonical figure in the legacy of modernism, Mallarmé was also a lifelong champion of the book as both a literary endeavor and a carefully crafted material object.
In The Book as Instrument, Anna Sigrídur Arnar explores how this object functioned for Mallarmé and his artistic circle, arguing that the book became a strategic site for encouraging a modern public to actively partake in the creative act, an idea that informed later twentieth-century developments such as conceptual and performance art. Arnar demonstrates that Mallarmé was invested in creating radically empowering reading experiences, and the diverse modalities he proposed for both reading and looking anticipate interactive media prevalent in today’s culture. In describing the world of books, visual culture, and mass media of the late nineteenth century, Arnar touches upon an array of themes that continues to preoccupy us in our own moment, including speculations on the future of the book. Enhanced by gorgeous illustrations, The Book as Instrument is sure to fascinate anyone interested in the ever-vibrant experiment between word and image that makes the page and the multi-sensory pleasures of reading.
For centuries across the world, books have been created as objects of beauty, with bookmakers lavishing great care on their paper, binding materials, illustrations, and lettering.
The Book by Design, featuring an array of books from the British Library's collection, focuses on the sensory experience of holding and reading these objects. Each selection represents a specific moment in the development of what we know today as the book—from scrolls and bound illuminated manuscripts to paperbacks and formatted digital information. These range from the seventh century to the present and include examples from China, Japan, Southeast Asia, the Middle East, Europe, and North America, in addition to a look at book traditions in Africa and Oceania. John James Audubon’s Birds of America, the works of Chaucer, Russian Futurist books, limited editions, historic copies of the Qur’an and the Bible, mass-market paperbacks, and more come together to tell the visual, tactile, artistic, and cultural history of books.
Expert curators and specialists explore these books from the perspective of design and manufacturing, original art photographs offer vivid representations of their textures and materials, and graphics detail the size and specifications of each book. Offering a wide-ranging look at the creation and use of books, illustrated with hundreds of color images, this volume is itself an object of beauty.
María wrote this book as a defense of the Discalced practice of setting aside two hours each day for conversation, music, and staging of religious plays. Casting the book in the form of a dialogue, María demonstrates through fictional conversations among a group of nuns during their hours of recreation how women could serve as very effective spiritual teachers for each other. The book includes one of the first biographical portraits of Teresa and Maria's personal account of the troubled founding of the Discalced convent at Seville, as well as her tribulations as an Inquisitional suspect. Rich in allusions to women's affective relationships in the early modern convent, Book for the Hour of Recreation also serves as an example of how a woman might write when relatively free of clerical censorship and expectations.
A detailed introduction and notes by Alison Weber provide historical and biographical context for Amanda Powell's fluid translation.
“A fiercely felt memoir about family shame and the transformative power of love even as it’s also an ongoing meditation on privilege and race in twenty-first-century America. This is a debut striking in its empathetic imagination, observational acuity, and emotional intelligence.” — Jim Shepard, author of Like You’d Understand, Anyway.
In a memoir that’s equal parts love story, investigation, and racial reckoning, Munemo unravels and interrogates her whiteness, a shocking secret, and her family’s history.
When interracial romance novels written by her long-dead father landed on Julia McKenzie Munemo’s kitchen table, she—a white woman—had been married to a black man for six years and their first son was a toddler. Out of shame about her father’s secret career as a writer of “slavery porn,” she hid the books from herself, and from her growing mixed-race family, for more than a decade. But then, with police shootings of African American men more and more in the public eye, she realized that understanding her own legacy was the only way to begin to understand her country.
“Much reading is like much eating, wholly useless without digestion.”—Robert South
“If I had read as much as other men, I should have been as ignorant as they.” —Thomas Hobbes
Can books corrupt? Do badly written books sharpen or dull the minds of their readers? Ought we to take seriously the old saw that excessive reading can damage one’s sight? The Book Lovers’ Anthology offers answers to these questions and many more with a remarkable collection of reflections on books, readers, and libraries— by writers whose books are among the world’s best known and best loved.
Throughout the centuries, books have been a source of fascination— and sometimes frustration—for writers. Between the covers of the Anthology are excerpts from the novels of Jane Austen, George Eliot, and Jonathan Swift, among many others, all of whom paused in their fiction to extol the virtues of the written page. Those who are taken with the smell of books will find a like mind in Charles Dickens, who waxed poetic about the “pleasant smell of paper freshly pressed.” Very avid readers might even nod in knowing agreement with John Donne, who declared, “I shall die reading.” Other poets whose musings on libraries or books are excerpted for the Anthology include Shakespeare, Wordsworth, Milton, and Chaucer. These writings are interspersed by the meditations of essayists and diarists of centuries past—among them, Samuel Johnson, James Boswell, John Ruskin, and Michel de Montaigne.
With contributions from major writers across ages and genres, this is an essential anthology for which any bibliophile will want to find space on the shelf.
The Book Lovers’ Miscellany is a cornucopia for bibliophiles. With customary wisdom and wit, Claire Cock-Starkey presents a brief illustrated history of paper, binding, printing, and dust jackets, with a wealth of arcane facts that even the most avid book lovers may be hard-pressed to answer: Which natural pigments were used to decorate medieval bibles? Which animal is needed for the making of vellum? Curious facts are drawn from throughout the history of books and publishing, including many more recent examples, such as a short history of the comic and the story behind the massively successful Harlequin romance imprint Mills and Boon. Readers can explore the output of the most prolific writers and marvel at the youth of the youngest published authors—or lament the decisions of the publishers who rejected books that later became colossal bestsellers. The book also includes a collection of lists, including unfinished novels, books that have faced bans, books printed with mistakes, the most influential academic books of all time, and the longest established literary families.
The perfect gift for every bibliophile, The Book Lovers’ Miscellany is equally well suited to reading straight through or dipping into here and there.
—Margaret J. M. Ezell
Distinguished Professor of English and John and Sara Lindsay Chair of Liberal Arts
Texas A&M University
These short poems reveal the hand from a hundred different perspectives. Incorporating sign language, drawing manuals, paintings from the 14th to the 20th century, shadow puppets, imagined histories, positions (the “hand as a boatless sail”), and professions (“the hand as window in which the panes infinitesimal”), Cole Swensen’s fine hand is “that which augments” our understanding and appreciation of “this freak wing,” this “wheel that comforts none” yet remains “a fruit the size and shape of the heart.”
The Book of Apollonius was first published in 1936. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
No other English translation of this famous thirteenth-century Spanish narrative poem is available, in either poetry or prose. The present translators have put it into a form that reproduces most faithfully the quaint and naïve quality of the original Libro de Apolonio, the story of which appears in Book Eight of John Gower's Confessio Amantis and in Shakespeare's Pericles.
The reader who is not a specialist in medieval or Spanish literature will find here a lush uncensored tale of mad adventure. If he will give himself up to the spell of its child-like spirit, he will find himself led on through such "faery lands forlorn" as the untrammeled imagination has immemorially loved to create. The story parades before him storms, shipwrecks, kidnappings, pirates, supposed deaths, miraculous escapes and survivals. Beginning in a theme that runs through dramatic literature from Oedipus Rex through The Cenci to The Barretts of Wimpole Street,the plot reveals the misfortunes that furiously pursue Apollonius, king of Tyre, after he tries to woo the daughter of King Antiochus away from her father. Forced to flee for his life, Apollonius plunges from adventure to adventure, until incredible reunions and transports of joy bring the tale to a conventional happy ending.
The translators' Introduction gives an account of the use of the Apollonius material in Old French, Provençal, Anglo-Saxon, German, and other literatures, as well as tracing the history of the poem from its source in a lost Greek romance.
With The Book of Barely Imagined Beings, Caspar Henderson offers readers a fascinating, beautifully produced modern-day menagerie. But whereas medieval bestiaries were often based on folklore and myth, the creatures that abound in Henderson’s book—from the axolotl to the zebrafish—are, with one exception, very much with us, albeit sometimes in depleted numbers. The Book of Barely Imagined Beings transports readers to a world of real creatures that seem as if they should be made up—that are somehow more astonishing than anything we might have imagined. The yeti crab, for example, uses its furry claws to farm the bacteria on which it feeds. The waterbear, meanwhile, is among nature’s “extreme survivors,” able to withstand a week unprotected in outer space. These and other strange and surprising species invite readers to reflect on what we value—or fail to value—and what we might change.
A powerful combination of wit, cutting-edge natural history, and philosophical meditation, The Book of Barely Imagined Beings is an infectious and inspiring celebration of the sheer ingenuity and variety of life in a time of crisis and change.
Graffiti-covered industrial concrete ruins are all that remain today to remind us of the lives, adventures, and human relationships that once animated Bauer, Utah. Located just south of Tooele, across the Oquirrh Mountains west of the Salt Lake Valley, Bauer was abandoned in 1979 and declared a toxic waste site. The Book of Bauer: Stories from a Forgotten Town brings it back to life, evoking mid-twentieth century family and community in that company town as seen through the eyes of an observant adolescent boy.
Presenting a dramatic snapshot of life in Bauer in narrative autobiographical form, the book recalls the fate of hundreds of derelict mining towns throughout the mountain and sagebrush West. With vivid prose and intimate observation, The Book of Bauer offers an unparalleled memoir of small-town life in Utah and the Great Basin.
The Book of Beetles celebrates the beauty and diversity of this marvelous insect. Six hundred significant beetle species are covered, with each entry featuring a distribution map, basic biology, conservation status, and information on cultural and economic significance. Full-color photos show the beetles both at their actual size and enlarged to show details, such as the sextet of spots that distinguish the six-spotted tiger beetle or the jagged ridges of the giant-jawed sawyer beetle. Based in the most up-to-date science and accessibly written, the descriptive text will appeal to researchers and armchair coleopterists alike.
The humble beetle continues to grow in popularity, taking center stage in biodiversity studies, sustainable agriculture programs, and even the dining rooms of adventurous and eco-conscious chefs. The Book of Beetles is certain to become the authoritative reference on these remarkably adaptable and beautiful creatures.
Three years later Casey is an educator in Boston, trying to balance finding his voice as an AIDS activist, dealing with an intolerant headmaster, and rebuilding a relationship with his daughter. As dear friends fall ill to the virus, he struggles to understand how his many identities—father, teacher, caretaker, dissident, lover, husband—can coexist. In a world that asks so much of us, what is our responsibility to others and ourselves?
The Book of Caterpillars unveils the mysteries of six hundred species from around the world, introducing readers to the complexity and beauty of these underappreciated insects. With the advent of high-quality digital macrophotography, the world of caterpillars is finally opening up. The book presents a wealth of stunning imagery that showcases the astonishing diversity of caterpillar design, structure, coloration, and patterning. Each entry also features a two-tone engraving of the adult specimen, emphasizing the wing patterns and shades, as well as a population distribution map and table of essential information that includes their habitat, typical host plants, and conservation status. Throughout the book are fascinating facts that will enthrall expert entomologists and curious collectors alike.
A visually rich and scientifically accurate guide to six hundred of the world’s most peculiar caterpillars, this volume presents readers with a rare, detailed look at these intriguing forms of insect life.
The Book of Commentary / Unquiet Garden of the Soul confronts the reader with questions of existential meaning, questions rendered all the more potent by the backdrop of the Coronavirus pandemic: How fragile are we as human beings? How fragile are our societies? What is a “self,” an “I,” a “community”? How are we to orient ourselves? And what, if any, role does commentary play? In a fashion that will be familiar to longtime admirers of Alexander Kluge, the book stretches both back in time to the medieval glossators of Bologna and forward into interstellar space with imagined travel to the moon Europa. Kluge’s characteristic brief, vignette-like prose passages are interspersed with images from his own film work and QR codes, forming a highly engaging, thoroughly contemporary read.
The question of how Islam arrived in India remains markedly contentious in South Asian politics. Standard accounts center on the Umayyad Caliphate’s incursions into Sind and littoral western India in the eighth century CE. In this telling, Muslims were a foreign presence among native Hindus, sowing the seeds of a mutual animosity that presaged the subcontinent’s partition into Pakistan and India many centuries later.
But in a compelling reexamination of the history of Islam in India, Manan Ahmed Asif directs attention to a thirteenth-century text that tells the story of Chach, the Brahmin ruler of Sind, and his kingdom’s later conquest by the Muslim general Muhammad bin Qasim in 712 CE. The Chachnama has long been a touchstone of Indian history, yet it is seldom studied in its entirety. Asif offers a close and complete analysis of this important text, untangling its various registers and genres in order to reconstruct the political vision at its heart.
Asif challenges the main tenets of the Chachnama’s interpretation: that it is a translation of an earlier Arabic text and that it presents a history of conquest. Debunking both ideas, he demonstrates that the Chachnama was originally Persian and, far from advancing a narrative of imperial aggression, is a subtle and sophisticated work of political theory, one embedded in both the Indic and Islamic ethos. This social and intellectual history of the Chachnama is an important corrective to the divisions between Muslim and Hindu that so often define Pakistani and Indian politics today.
One of the oldest surviving pieces of Turkish literature, The Book of Dede Korkut can be traced to tenth-century origins. Now considered the national epic of Turkey, it is the heritage of the ancient Oghuz Turks and was composed as they migrated westward from their homeland in Central Asia to the Middle East, eventually to settle in Anatolia. Who its primary creator was no one knows, the titular bard, Dede Korkut, being more a symbol of Turkish minstrelsy than a verifiable author. The songs and tales of countless minstrels lay behind The Book of Dede Korkut, and in its oral form the epic was undoubtedly subject to frequent improvisation by individual performers. Partly in prose, partly in verse, these legends were sung or chanted in the courts and camps of political and military leaders. Even after they had been recorded in written form, they remained part of an oral tradition.
The present edition is the first complete text in English. The translators provide an excellent introduction to the language and background of the legends as well as a history of Dede Korkut scholarship. These outstanding tales will be of interest to all students of world mythology and folklore.
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