The activist tradition in American literature has long testified to the power of words to change people and the power of people to change the world, yet in recent years many professional humanists have chosen to distract themselves with a postmodern fundamentalism of indeterminacy and instability rather than engage with social and political issues. Throughout her bold and provocative call to action, Elizabeth Ammons argues that the responsibility now facing humanists is urgent: inside and outside academic settings, they need to revive the liberal arts as a progressive cultural force that offers workable ideas and inspiration in the real-world struggle to achieve social and environmental justice.
Brave New Words challenges present and future literary scholars and teachers to look beyond mere literary critique toward the concrete issue of social change and how to achieve it. Calling for a profound realignment of thought and spirit in the service of positive social change, Ammons argues for the continued importance of multiculturalism in the twenty-first century despite attacks on the concept from both right and left. Concentrating on activist U.S. writers—from ecocritics to feminists to those dedicated to exposing race and class biases, from Jim Wallis and Cornel West to Winona LaDuke and Paula Moya and many others—she calls for all humanists to link their work to the progressive literature of the last half century, to insist on activism in the service of positive change as part of their mission, and to teach the power of hope and action to their students.
As Ammons clearly demonstrates, much of American literature was written to expose injustice and motivate readers to work for social transformation. She challenges today’s academic humanists to address the issues of hope and purpose by creating a practical activist pedagogy that gives students the knowledge to connect their theoretical learning to the outside world. By relying on the transformative power of literature and replacing nihilism and powerlessness with conviction and faith, the liberal arts can offer practical, useful inspiration to everyone seeking to create a better world.
Portugal extracted wealth from its Brazilian colony. Slaves--first indigenous peoples, later Africans--mined its ore and cut its sugarcane. From the customs of the colonists and the aspirations of the enslaved rose Brazil. Bosi scrutinizes signal points in the creation of Brazilian culture--the plays and poetry, the sermons of missionaries and Jesuit priests, the Indian novels of José de Alencar and the Voices of Africa of poet Castro Alves. His portrait of the country's response to the pressures of colonial conformity offers a groundbreaking appraisal of Brazilian culture as it emerged from the tensions between imposed colonial control and the African and Amerindian cults--including the Catholic-influenced ones--that resisted it.
When the Brazilian military overthrew President João Goulart in 1964, American diplomats characterized the coup as a "100 percent Brazilian movement." It has since become apparent, largely through government documents declassified during the course of research for this book, that the United States had an invisible but pervasive part in the coup.
Relying principally on documents from the Johnson and Kennedy presidential libraries, Phyllis Parker unravels the events of the coup in fascinating detail. The evidence she presents is corroborated by interviews with key participants.
U.S. interference in the Goulart regime began when normal diplomatic pressure failed to produce the desired enthusiasm from him for the Alliance of Progress. Political and economic manipulations also proving ineffective, the United States stood ready to back a military takeover of Brazil's constitutional democracy.
U.S. operation "Brother Sam" involved shipments of petroleum, a naval task force, and tons of arms and ammunition in preparation for intervention during the 1964 coup. When the Brazilian military gained control without calling on the ready assistance, U.S. policy makers immediately accorded recognition to the new government and set in motion plans for economic support.
Between 1918 and 1961, Brazil and the USSR maintained formal diplomatic ties for only thirty-one months, at the end of World War II. Yet, despite the official distance, the USSR is the only external actor whose behavior, real or imagined, influenced the structure of the Brazilian state in the twentieth century. In Brazil and the Soviet Challenge, 1917–1947, Stanley Hilton provides the first analysis in any language of Brazilian policy toward the Soviet Union during this period.
Drawing on American, British, and German diplomatic archives and unprecedented access to official and private Brazilian records, Hilton elucidates the connection between the Brazilian elite’s perception of a communist threat and the creation of the authoritarian Estado Novo (1937–1945), the forerunner of the post-1964 national security state. He shows how the 1935 communist revolt, prepared by Comintern agents, was a pivotal event in Brazilian history, making prophets of conservative alarmists and generating irresistible pressure for an authoritarian government to contain the Soviet threat. He details the Brazilian government’s secret cooperation with the Gestapo during the 1930s and its concomitant efforts to forge an anti-Soviet front in the Southern Cone. And he uncovers an unexplored aspect of Brazil’s national security policy, namely, the attempt to build counterintelligence capabilities not only within Brazil but also in neighboring countries.
While the history of the Brazilian communist movement has been extensively studied, this is the first work to explore how images of the Soviet Union and its policies influenced the Brazilian foreign policy elite. It will be important reading for all students of twentieth-century political history.
Has the world economy shaped and defined Brazil’s economic and political history and, if so, to what extent? Is Brazil’s past to be explained principally by its insertion in a single world capitalist system? The authors of the three essays in this volume reflect critically on these questions along with the following: Should the determining factors be understood as sociological-cultural (as in a heritage of patrimonial rule) or were they based on material reality? What was the connection between the presence of slavery in the Americas and the emergence of capitalism in Europe? What accounts for Brazil’s centuries-long reliance on exports and the slow development of its industry?
The chapters in this book draw contrasting judgments on virtually every major issue in Brazilian history because they begin from divergent premises. In arguing their cause, noted scholars John R. Hall, Fernando A. Novais, and Luís Carlos Soares provide a formidable intellectual point and counterpoint whose theoretical assumptions bear heavily on all social scientists engaged in exploring colonialism, imperialism, capitalism, dependency, and relative international poverty.
Brazil and the World System provides provocative insights not only about Brazil but also about the nature of colonialism in general and its relationship to the rise of capitalism in Europe. It should appeal to Latin Americanists of all disciplinary persuasions as well as to general readers curious about great patterns of change in history. Stuart Schwartz, director of the Center for Early Modern History at the University of Minnesota, says, “ . . . an excellent collection . . . North American scholarship will find these essays an eye-opener.
The first comprehensive cultural history of Brazil to be written in English, Brazil Imagined: 1500 to the Present captures the role of the artistic imaginary in shaping Brazil's national identity. Analyzing representations of Brazil throughout the world, this ambitious survey demonstrates the ways in which life in one of the world's largest nations has been conceived and revised in visual arts, literature, film, and a variety of other media.
Beginning with the first explorations of Brazil by the Portuguese, Darlene J. Sadlier incorporates extensive source material, including paintings, historiographies, letters, poetry, novels, architecture, and mass media to trace the nation's shifting sense of its own history. Topics include the oscillating themes of Edenic and cannibal encounters, Dutch representations of Brazil, regal constructs, the literary imaginary, Modernist utopias, "good neighbor" protocols, and filmmakers' revolutionary and dystopian images of Brazil. A magnificent panoramic study of race, imperialism, natural resources, and other themes in the Brazilian experience, this landmark work is a boon to the field.
Complementing traditional views with fresh ones, The Brazil Reader’s historical selections range from early colonization to the present day, with sections on imperial and republican Brazil, the days of slavery, the Vargas years, and the more recent return to democracy. They include letters, photographs, interviews, legal documents, visual art, music, poetry, fiction, reminiscences, and scholarly analyses. They also include observations by ordinary residents, both urban and rural, as well as foreign visitors and experts on Brazil. Probing beneath the surface of Brazilian reality—past and present—The Reader looks at social behavior, women’s lives, architecture, literature, sexuality, popular culture, and strategies for coping with the travails of life in a country where the affluent live in walled compounds to separate themselves from the millions of Brazilians hard-pressed to find food and shelter. Contributing to a full geographic account—from the Amazon to the Northeast and the Central-South—of this country’s singular multiplicity, many pieces have been written expressly for this volume or were translated for it, having never previously been published in English.
This second book in The Latin America Readers series will interest students, specialists, travelers for both business and leisure, and those desiring an in-depth introduction to Brazilian life and culture.
In 1865, twenty-three-year-old William James began his studies at the Harvard Medical School. When he learned that one of his most esteemed professors, Louis Agassiz, then director of the recently established Museum of Comparative Zoology, was preparing a research expedition to Brazil, James offered his services as a voluntary collector. Over the course of a year, James kept a diary, wrote letters to his family, and sketched the plants, animals, and people he observed. During this journey, James spent time primarily in Rio de Janeiro, Belem, and Manaus, and along the rivers and tributaries of the Amazon Basin.
This volume is a critical, bilingual (English–Portuguese) edition of William James’s diaries and letters and also includes reproductions of his drawings. This original material belongs to the Houghton Archives at Harvard University and is of great interest to both William James scholars and Brazilian studies experts.
The Brazilian Communist Party was one of the largest Communist parties in Latin America until its split and dissolution in the 1990s. Although not granted legal status as a political party of Brazil until 1985, the Partido Comunista Brasileiro (PCB) has been tolerated by that country's regime.
Such governmental tolerance of the PCB was not always the case. In the past, the regime of Getúlio Vargas practiced savage forms of repression against Brazilian leftists, whose "Red extremism" was cited by both government leaders and the press as sufficient cause for Vargas' adoption of the most extreme measures.
Brazilian Communism, 1935–1945 is an objective and remarkably comprehensive account of the Brazilian Communist Party's struggle to survive those days of repression.
From his prison cell, PCB leader Luís Carlos Prestes guided the Party's quarreling factions. All who were associated with the Left shared a common enemy: the police, who used the most brutal forms of torture to extract information about leftist activities. Young Elza Fernandes, companion of the PCB's secretary general, was one whom the police interrogated. Suspecting that she had betrayed them, the Party itself arranged her murder.
Dulles' vivid account of this violent chapter in Latin American history is based on exclusive interviews with leading activists of the period and exhaustive research in the archives of both the PCB and the Brazilian police. The results make fascinating reading for Latin Americanists, historians of World War II, and students of international Communism alike.
Genevieve Naylor began her career as a photojournalist with Time, Fortune, and the Associated Press before being sent to Brazil. In 1943, upon her return, she became only the second woman to be the subject of a one-woman show at New York’s Museum of Modern Art. She served as Eleanor Roosevelt’s personal photographer and, in the 1950s and 1960s became well known for her work in Harper’s Bazaar, primarily as a fashion photographer and portraitist. She died in 1989.
Contributors. Idelber Avelar, Christopher Dunn, João Freire Filho, Goli Guerreiro, Micael Herschmann, Ari Lima, Aaron Lorenz, Shanna Lorenz, Angélica Madeira, Malcolm K. McNee, Frederick Moehn, Flávio Oliveira, Adalberto Paranhos, Derek Pardue, Marco Aurélio Paz Tella, Osmundo Pinho, Carlos Sandroni, Daniel Sharp, Hermano Vianna, Wivian Weller
Here is an illustrated guide to the rich music of Brazil—its history, styles, performers, instruments, and impact on musicians around the globe. From the boisterous rhythms of samba to the cool elegance of bossa nova to the hot percussion of Bahian axé music, The Brazilian Sound celebrates a world music phenomenon. This revised and expanded edition includes discussions of developments in samba and other key genres, the rise of female singer-songwriters in recent years, new works by established artists like Milton Nascimento and Marisa Monte, and the mixing of bossa with electronica. This clearly written and lavishly illustrated encyclopedic survey features new entries and photographs, an extensive glossary of Brazilian music terms and more.
This edition of The Brazilian Sound contains new discussions of:
· música sertaneja and música caipira
· Brazilian funk, rap/hip-hop, and electronic dance music
· important new samba and MPB artists
· Plus! An updated bibliography and glossary, and a list of Web resources
At most recent count, there are no fewer than forty-five women in Brazil directing or codirecting feature-length fiction or documentary films. In the early 1990s, women filmmakers in Brazil were credited for being at the forefront of the rebirth of filmmaking, or retomada, after the abolition of the state film agency and subsequent standstill of film production. Despite their numbers and success, films by Brazilian women directors are generally absent from discussions of Latin American film and published scholarly works.
Brazil has long been a country in search of its own meaning and mission. Early in their history Brazilians began to puzzle over their surroundings and their relation to them. The eighteenth century produced an entire school of nativistic writers who, with the advent of independence, became fiery nationalists, still pursuing introspective studies of their homeland. Throughout the nineteenth century, the intellectuals of Brazil determined to define their nation, its character, and its aspirations.
In this now well-established tradition, José Honório Rodrigues confronts the questions of who and what the Brazilian is, what Brazil stands for, where it has been, and where it is going. This study, originally published in Portuguese as Aspirações nacionais, was especially timely at a period when strong feelings of nationalism led Brazilians to seek to define their own image, and when the revolution of rising expectations disposed them to determine what goals they were seeking and how far they were on the road to achieving them.
In order to understand and explain his nation, Rodrigues poses two questions: what are the national characteristics, and what are the national aspirations? Both questions are complex, but the reader will find well-reasoned answers, with a wealth of information on growth and development and abundant statistics to substantiate these answers.
Doing business internationally requires understanding not only other languages, but even more so the business practices and cultures of other countries. In the case of Brazilians working with Americans, a fundamental difference for all parties to understand is that Brazilian business culture is based on developing personal relationships between business partners, while American businesspeople often prefer to get down to hard "facts and figures" quickly, with fewer personal preliminaries. Negotiating such differences is crucial to creating successful business relationships between the two countries, and this book is designed to help businesspeople do just that.
Brazilians Working With Americans presents ten short case studies that effectively illustrate many of the cultural factors that come into play when North American business professionals work in Brazil. The authors summarize each case and the aspects of culture it involves, and American and Brazilian executives comment on the cultural differences highlighted by that case. A list of topics and questions for discussion also help draw out the lessons of each business situation. To make the book equally useful to Brazilians and Americans (whether businesspeople or language students), the entire text is presented in both English and Portuguese. In addition, Apple QuickTime movies of the executives' comments, which allow viewers to see and hear native speakers of both languages, are available on the Internet at www.laits.utexas.edu/orkelm/casos/intro.html.
An ethnography and media analysis of LGBT+ activism in São Paulo during Brazil’s conservative turn from 2010 to 2018.
For decades, LGBT+ activists across the globe have secured victories by persuasively articulating rights to sexual autonomy. Brazilian activists, some of the world’s most energetic, have kept pace. But since 2010, a backlash has set in, as defenders of “tradition” and “family” have countered LGBT+ rights discourses using a rights-based language of their own.
To understand this shifting ground, Joseph Jay Sosa collaborated with Brazilian LGBT+ activists, who use the language of rights while knowing that rights are not what they seem. Drawing on the symbolic and affective qualities of rights, activists mobilize slogans, bodies, and media to articulate an alternative democratic sensorium. Beyond conventional notions of rights as tools for managing the obligations of states vis-à-vis citizens, activists show how rights operate aesthetically—enjoining the public to see and feel as activists do. Sosa tracks the fate of LGBT+ rights in a growing authoritarian climate that demands “human rights for the right humans.” Interpreting conflicts between advocates and opponents over LGBT+ autonomy as not just an ideological struggle but an aesthetic one, Brazil’s Sex Wars rethinks a style of politics that seems both utterly familiar and counterintuitive.
B/RDS endeavors to dismantle discourses that create an artificial distinction between nature and humanity through a subversive erasure of an iconic work of natural history: John James Audubon’s Birds of America (1827-1838). This process of erasure considers the text of Birds of America as an archival cage. The author selectively erases words from the textual cage to reveal its ambiguity and the complex relationship between humanity and the other-than-human world. As the cage disappears, leaving a space for scarce, lyrical poems, birds break free, their voices inextricably entangled with ours.
Prose poems written in the author’s own words and prompted by the erasure process are also interspersed throughout the collection. These migratory poems, like ripples, trace the link between past and present and reveal the human-nature disconnect at the root cause of environmental and social problems, including the COVID-19 pandemic.
Along its five movements, B/RDS also explores how we can reimagine our relationship to environment through language within new frameworks of interconnectedness. Thus, as the collection resists the distinction between nature and culture on which traditional nature poetry relies, it also acts as an ecopoetic manifesto. It suggests that a critical, lyrical poetry could contribute to ecological awareness by singing humanity back within nature.
When she was 54, Lisa Knopp’s weight dropped to a number on the scale that she hadn’t seen since seventh grade. The severe food restricting that left her thin and sick when she was 15 and 25 had returned. This time, she was determined to understand the causes of her malady and how she could heal from a condition that is caused by a tangle of genetic, biological, familial, psychological, cultural, and spiritual factors. This compelling memoir, at once a food and illness narrative, explores the forces that cause eating disorders and disordered eating, including the link between those conditions in women, middle-aged and older, and the fear of aging and ageism.
Winner of the 2017 Nebraska Book Award for Memoir
2017 Choice Outstanding Academic Title
Frader’s analysis moves between the everyday lives of ordinary working women and men and the actions of national policymakers, political parties, and political movements, including feminists, pro-natalists, and trade unionists. In the years following World War I, the many women and an increasing number of immigrant men in the labor force competed for employment and pay. Family policy was used not only to encourage reproduction but also to regulate wages and the size of the workforce. Policies to promote married women’s and immigrants’ departure from the labor force were more common when jobs were scarce, as they were during the Depression. Frader contends that gender and ethnicity exerted a powerful and unacknowledged influence on French social policy during the Depression era and for decades afterward.
Analyzing disjunctions between middle-class and working-class women's ideas of independence, Vapnek highlights the agendas for change advanced by leaders such as Jennie Collins, Leonora O'Reilly, and Helen Campbell and organizations such as the National Consumers' League, the Women's Educational and Industrial Union, and the Women's Trade Union League. Locating households as important sites of class conflict, Breadwinners recovers the class and gender politics behind the marginalization of domestic workers from labor reform while documenting the ways in which working-class women raised their voices on their own behalf.
How two teenage girls in Minnesota jump-started a revolution in high school athletics
Peggy Brenden, a senior, played tennis. Toni St. Pierre, a junior, was a cross country runner and skier. All these two talented teenagers wanted was a chance to compete on their high school sports teams. But in Minnesota in 1972 the only way on the field with the boys ran through a federal court—so that was where the girls went. Break Point tells the story, for the first time, of how two teenagers took on the unequal system of high school athletics, setting a legal precedent for schools nationwide before the passage of Title IX.
As Peggy’s younger sister, author Sheri Brenden is uniquely positioned to convey the human drama of the case, the stakes, and the consequences for two young women facing the legal machinery of the state, in court and in school. In an account that begins with Peggy painstakingly typing her appeal to the Minnesota Civil Liberties Union and concludes with a long view of what Brenden v. Independent School District 742 set in motion, Sheri Brenden summons the salient details of this landmark case as it makes its way through the courts. Peggy and Toni, coaches, administrators, and experts testify before Judge Miles Lord, whose decision, upheld in a precedent-setting appeal, would change these girls’ lives and open up athletic opportunities for innumerable others.
Grounded in newspaper coverage, court records, and interviews, Brenden’s deeply researched, scrupulously reported book is at heart the story of two talented teenage girls whose pluck and determination—and, often, heartache—led to a victory much greater than any high school championship.
Takes the singular eco-catastrophic “Age of Man” and redefines this epoch
We live in a new world: the Anthropocene. The Age of Man is defined in many ways, and most dramatically through climate change, mass extinction, and human marks in the geological record. Ideas of the Anthropocene spill out from the geophysical sciences into the humanities, social sciences, the arts, and mainstream debates—but it’s hard to know what the new coinage really means. Break Up the Anthropocene argues that this age should subvert imperial masculinity and industrial conquest by opening up the plural possibilities of Anthropocene debates of resilience, adaptation, and the struggle for environmental justice.
Forerunners: Ideas First
Short books of thought-in-process scholarship, where intense analysis, questioning, and speculation take the lead
Straddling the boundaries of politics and history, this discerning book allows the reader to dig through the rubble of Lebanon's wars and learn exactly what has befallen it. With its remarkable open society, its plural political system, its well-educated and sophisticated peoples, and its tolerant confessional outlook, Lebanon is only now recovering the independence it once had, albeit in the face of Syria. In view of recent Lebanese history, can an open and democratic state be recaptured by a people entangled in a largely authoritarian Arab state system?
Farid el Khazen's arresting book shows how Lebanon was led toward its fate by its neighbors, yet ultimately undid itself. The Palestine Liberation Organization's presence was of central importance to the breakdown of the state, while the porousness of the democratic system could not contain the problems and violence. The breakdown was less a civil war in the conventional sense than a series of little wars with outside interference.
Texans love the morning meal, whether it’s bacon and eggs (often eaten in a breakfast taco) or something as distinctively nontraditional as saag paneer omelets, pon haus, or goat curry. A Lone Star breakfast can be a time for eating healthy, or for indulging in decadent food and drink. And with Texas’s rich regional and cultural diversity, an amazing variety of dishes graces the state’s breakfast and brunch tables. The first Texas cookbook dedicated exclusively to the morning meal, Breakfast in Texas gathers nearly one hundred recipes that range from perfectly prepared classics to the breakfast foods of our regional cuisines (Southern, Mexican, German, Czech, Indian, and Asian among them) to stand-out dishes from the state’s established and rising chefs and restaurants.
Terry Thompson-Anderson organizes the book into sections that cover breakfast and brunch libations (with and without alcohol); simple, classic, and fancy egg presentations; pancakes, French toast, and waffles; meat lover’s dishes; seafood and shellfish; vegan dishes and sides; and pastries. The recipes reference locally sourced ingredients whenever possible, and Thompson-Anderson provides enjoyable notes about the chefs who created them or the cultural history they represent. She also offers an expert primer on cooking eggs, featuring an encounter with Julia Child, as well as a selection of theme brunches (the boozy brunch, the make-ahead brunch, New Year’s Day brunch, Mother’s Day brunch with seasonal ingredients, teenage daughter’s post-slumber party breakfast, and more). Sandy Wilson’s color photographs of many of the dishes and the chefs and restaurants who serve them provide a lovely visual counterpoint to the appetizing text.
Aubade
Those who lack a talent for love have come
to walk the long Pier 7. Here at the end
of the imagined world are three low-flying gulls
like lies on the surface; the slow red
of a pilot’s boat; the groan
of a fisherman hacking a small shark—
and our speech like the icy water, a poor
translation that will not carry us across.
What brought us west, anyway? A hunger.
But ours is no Donner Party, we who feed
only on scenery, the safest form
of obfuscation: see how the bay is a gray
deepening into gray, the color of heartbreak.
Randall Mann’s Breakfast with Thom Gunn is a work both direct and unsettling. Haunted by the afterlife of Thom Gunn (1929–2004), one of the most beloved gay literary icons of the twentieth century, the poems are moored in Florida and California, but the backdrop is “pitiless,” the trees “thin and bloodless,” the words “like the icy water” of the San Francisco Bay. Mann, fiercely intelligent, open yet elusive, draws on the “graceful erosion” of both landscape and the body, on the beauty that lies in unbeauty. With audacity, anxiety, and unbridled desire, this gifted lyric poet grapples with dilemmas of the gay self embroiled in—and aroused by—a glittering, unforgiving subculture. Breakfast with Thom Gunnis at once formal and free, forging a sublime integrity in the fire of wit, intensity, and betrayal.
Praise for Complaint in the Garden
“We have before us a skillful, witty, passionate young poet. . . . Randall Mann is both attuned to and at odds with the natural world; he articulates the passions and predicaments of a self inside a massive, arousing, but sometimes brutal culture. And he accomplishes these things with buoyant lyric sensibilities and rejuvenating skills.”—Kenyon Review
Travel in Tokugawa Japan was officially controlled by bakufu and domainal authorities via an elaborate system of barriers, or sekisho, and travel permits; commoners, however, found ways to circumvent these barriers, frequently ignoring the laws designed to control their mobility. In this study, Constantine Vaporis challenges the notion that this system of travel regulations prevented widespread travel, maintaining instead that a “culture of movement” in Japan developed in the Tokugawa era.
Using a combination of governmental documentation and travel literature, diaries, and wood-block prints, Vaporis examines the development of travel as recreation; he discusses the impact of pilgrimage and the institutionalization of alms-giving on the freedom of movement commoners enjoyed. By the end of the Tokugawa era, the popular nature of travel and a sophisticated system of roads were well established. Vaporis explores the reluctance of the bakufu to enforce its travel laws, and in doing so, beautifully evokes the character of the journey through Tokugawa Japan.
These lively essays reveal the generational continuum of women's regional literature, which has always offered a voice to women and their concerns. By exploring the multiplicity of connections between women and regional writing and the subversive potential of regional writing to put forth social criticisms and correctives, Breaking Boundaries charts some of the major ways in which this literary genre is of particular importance to today's writers.
While baseball is traditionally perceived as a game to be played, enjoyed, and reported from a masculine perspective, it has long been beloved among women—more so than any other spectator sport. Breaking into Baseball: Women and the National Pastime upends baseball’s accepted history to at last reveal just how involved women are, and have always been, in the American game.
Through provocative interviews and deft research, Jean Hastings Ardell devotes a detailed chapter to each of the seven ways women participate in the game—from the stands as fans, on the field as professionals or as amateur players, behind the plate as umpires, in the front office as executives, in the press box as sportswriters and reporters, or in the shadows as Baseball Annies. From these revelatory vantage points, Ardell invites overdue appreciation for the affinity and talent women bring to baseball at all levels and shows us our national game anew.
From its ancient origins in spring fertility rituals through contemporary marketing efforts geared toward an ever-increasing female fan base, baseball has always had a feminine side, and generations of women have sought—and been sought after—to participate in the sport, even when doing so meant challenging the cultural mores of their era. In that regard, women have been breaking into baseball from the very beginning. But recent decades have witnessed great strides in legitimizing women’s roles on the diamond as players and umpires as well as in vital management and media roles. In her thoughtfully organized and engagingly written survey, Ardell offers a chance for sports enthusiasts and historians of both genders to better appreciate the storied and complex relationship women have so long shared with the game and to glimpse the future of women in baseball.
Breaking into Baseball is augmented by twenty-four illustrations and a foreword from Ila Borders, the first woman to play more than three seasons of men’s professional baseball.
Vigorous, colorful, bold and highly personal, Breaking New Ground is the autobiography of Gifford Pinchot, founder and first chief of the Forest Service. He tells a fascinating tale of his efforts, under President Theodore Roosevelt, to wrest the forests from economic special interests and to bring them under management for multiple- and long-range use. His philosophy of "the greatest good for the greatest number over the longest time" has become the foundation upon which this country's conservation policy is based.
In a new introduction for this special commemorative edition, Char Miller of Trinity University and V. Alaric Sample of the Pinchot Institute for Conservation trace the evolution of Gifford Pinchot's career in the context of his personal life and the social and environmental issues of his time. They illuminate the courage and vision of the man whose leadership is central to the development of the profession of forestry in the United States. Breaking New Ground is essential reading for anyone interested in understanding the basis of our present national forest policy, and the origins of the conservation movement.
In its second edition, Breaking New Ground for SLIFE builds on its model for supporting students who are new to English and may have experienced a disruption in their schooling. The practices presented in this book emerge from the belief that education for students with limited or interrupted formal education, also known as SLIFE, should not be remedial but should build on the students’ prior learning experiences and existing areas of knowledge. This second edition has been significantly updated, informed by recent research in the field, feedback from teachers, and new scholarly treatments of the topic. Breaking New Ground for SLIFE, second edition, explores the MALP approach, highlights how technology can be incorporated into classroom activities, and includes actual MALP projects implemented by MALP-trained teachers of both young and adolescent learners. In addition, the authors provide a newly revised MALP Teacher Planning Checklist.
By reading Breaking New Ground for SLIFE, educators will:
Style is the material body of lyric poetry, Helen Vendler suggests. To cast off an earlier style is to do an act of violence to the self. Why might a poet do this, adopting a sharply different form? In this exploration of three kinds of break in poetic style, Vendler clarifies the essential connection between style and substance in poetry. Opening fresh perspectives on the work of three very different poets, her masterful study of changes in style yields a new view of the interplay of moral, emotional, and intellectual forces in a poet’s work.
Gerard Manley Hopkins’ invention of sprung rhythm marks a dramatic break with his early style. Rhythm, Vendler shows us, is at the heart of Hopkins’ aesthetic, and sprung rhythm is his symbol for danger, difference, and the shock of the beautiful. In Seamus Heaney’s work, she identifies clear shifts in grammatical “atmosphere” from one poem to the next—from “nounness” to the “betweenness” of an adverbial style—shifts whose moral and political implications come under scrutiny here. And finally Vendler looks at Jorie Graham’s departure from short lines to numbered lines to squared long lines of sentences, marking a move from deliberation to cinematic “freeze-framing to coverage, each with its own meaning in this poet’s career.
Throughout, Vendler reminds us that what distinguishes successful poetry is a mastery of language at all levels—including the rhythmic, the grammatical, and the graphic. A fine study of three poets and a superb exposition of the craft of poetry, The Breaking of Style revives our lapsed sense of what style means.
Many language books are boring—this one is not. Written by a native English speaker who learned Spanish the hard way—by trying to talk to Spanish-speaking people—it offers English speakers who have a basic knowledge of Spanish hundreds of tips for using the language more fluently and colloquially, with fewer obvious “gringo” errors.
Writing with humor, common sense, and a minimum of jargon, Joseph J. Keenan covers everything from pronunciation, verb usage, and common grammatical mistakes to the subtleties of addressing other people, “trickster” words that look alike in both languages, inadvertent obscenities, and intentional swearing. He guides readers through the set phrases and idiomatic expressions that pepper the native speaker’s conversation and provides a valuable introduction to the most widely used Spanish slang.
With this book, both students in school and adult learners who never want to see another classroom can rapidly improve their speaking ability. Breaking Out of Beginner’s Spanish will be an essential aid in passing the supreme language test—communicating fluently with native speakers.
Many language books are boring—this one is not. Written by a native English speaker who learned Spanish the hard way—by trying to talk to Spanish-speaking people—it offers English speakers with a basic knowledge of Spanish hundreds of tips for using the language more fluently and colloquially, with fewer obvious "gringo" errors.
Writing with humor, common sense, and a minimum of jargon, Joseph Keenan covers everything from pronunciation, verb usage, and common grammatical mistakes to the subtleties of addressing other people, "trickster" words that look alike in both languages, inadvertent obscenities, and intentional swearing. He guides readers through the set phrases and idiomatic expressions that pepper the native speaker's conversation and provides a valuable introduction to the most widely used Spanish slang.
With this book, both students in school and adult learners who never want to see another classroom can rapidly improve their speaking ability. Breaking Out of Beginner's Spanish will be an essential aid in passing the supreme language test-communicating fluently with native speakers.
Young seventeen-year-old Joelito Filártiga was taken from his family home in Asunción, Paraguay, brutally tortured, and murdered by the Paraguayan police. Breaking Silence is the inside story of the quest for justice by his father—the true target of the police—Paraguayan artist and philanthropist Dr. Joel Filártiga. That cruel death, and the subsequent uncompromising struggle by Joelito's father and family, led to an unprecedented sea change in international law and human rights. The author, Richard Alan White, first became acquainted with the Filártiga family in the mid-1970s while doing research for his dissertation on Paraguayan independence. Answering a distressed letter from Joelito's father, he returned to Paraguay and journeyed with the Filártiga family on their long and difficult road to redress. White gives the reader a compelling first-hand, participant-observer perspective, taking us into the family with him, to give witness to not only their agony and sorrow, but their resolute strength as well—strength that led to a groundbreaking $10 million legal decision in Filártiga v. Peña. (Americo Norberto Peña-Irala was the Paraguayan police officer responsible for Joelito's abduction and murder, whom the Filártigas had arrested after finding him hiding in Brooklyn.)
That landmark decision, based on the almost obscure Alien Tort Claims Act of 1789, ruled that U.S. courts could accept jurisdiction in international cases—recognizing the right of foreign human rights victims to sue—even though the alleged violation occurred in another country by a non-American and against a non-American. So fundamentally has the Filártiga precedent changed the landscape of international human rights law, that it has served as the basis for nearly 100 progeny suits, and grown to encompass not only human rights abuses, but also violations of international environmental and labor rights law. Today, there are dozens of class action suits pending against corporate defendants ranging from oil conglomerates destroying the Amazon rainforest to designer clothing companies running sweatshops abroad.
Breaking Silence is a remarkable, consuming story, documenting not only the most celebrated case in the international human rights field—but also the tragic and touchingly human story behind it that gives it life. In 2001, Dr. Filártiga was nominated for the Nobel Peace Prize and the Alien Tort Claims Act continues to be hotly debated among politicians and lawmakers.
“Martin Klein has brought together recent work on the abolition of slavery, from Ottoman Turkey to Thailand and from South India to West Africa. This anthology builds on the recent scholarship on both slavery in Asia and Africa and the end of slavery as a world-wide historical phenomenon. Whereas other anthologies have tended to focus on either Africa or Asia, this project brings together in one volume case studies and methodological approaches concerning both regions. Breaking the Chains will be an important part of the relatively sparse literature on emancipation in comparative and global context.”—Richard Roberts, Stanford University
Because the American history of slavery and emancipation tends to be foremost in Western minds, few realize that traditional forms of servitude still exist in a variety of places around the world: children are sold on the streets of Bangkok, bondage persists in India despite official efforts to abolish it, and until 1980 slavery was legal in Mauritania.
Breaking the Chains deals with emancipation in African and Asian societies which were either colonized or came under the domination of European powers in the nineteenth century. In these societies, emancipation involved the imposition on non-European societies of an explicitly European discourse on slavery, and, in most cases, a free labor ideology. Most of the slave masters described in these essays were not European and found European ideas on emancipation difficult to accept.
Against this backdrop, the essayists (many of whom contribute their own non-Western perspective) focus on the transition from slavery (or other forms of bondage) to emancipation. They show that in each case the process involved pressure from European abolition movements, the extension of capitalist relations of production, the concerns and perceptions of the colonial state, and the efforts of non-Western elites to modernize their cultures.
Martin A. Klein argues that the Asian and African experience has much in common with the American experience, particularly in efforts to control labor and family life. The struggle to control the labor of former slaves has often been intense and, he suggests, has had a continuing impact on the social order in former slave societies.
In this much-needed examination of Buddhist views of death and the afterlife, Carl B. Becker bridges the gap between books on death in the West and books on Buddhism in the East.
Other Western writers have addressed the mysteries surrounding death and the afterlife, but few have approached the topic from a Buddhist perspective. Here, Becker resolves questions that have troubled scholars since the beginning of Buddhism: How can Buddhism reconcile its belief in karma and rebirth with its denial of a permanent soul? What is reborn? And when, exactly, is the moment of death?
By systematically tracing Buddhism’s migration from India through China, Japan, and Tibet, Becker demonstrates how culture and environment affect Buddhist religious tradition.
In addition to discussing historical Buddhism, Becker shows how Buddhism resolves controversial current issues as well. In the face of modern medicine’s trend toward depersonalization, traditional Buddhist practices imbue the dying process with respect and dignity. At the same time, Buddhist tradition offers documented precedents for decision making in cases of suicide and euthanasia.
A CHOICE Outstanding Academic Title, 2019
Comics studies has reached a crossroads. Graphic novels have never received more attention and legitimation from scholars, but new canons and new critical discourses have created tensions within a field built on the populist rhetoric of cultural studies. As a result, comics studies has begun to cleave into distinct camps—based primarily in cultural or literary studies—that attempt to dictate the boundaries of the discipline or else resist disciplinarity itself. The consequence is a growing disconnect in the ways that comics scholars talk to each other—or, more frequently, do not talk to each other or even acknowledge each other’s work.
Breaking the Frames: Populism and Prestige in Comics Studies surveys the current state of comics scholarship, interrogating its dominant schools, questioning their mutual estrangement, and challenging their propensity to champion the comics they study. Marc Singer advocates for greater disciplinary diversity and methodological rigor in comics studies, making the case for a field that can embrace more critical and oppositional perspectives. Working through extended readings of some of the most acclaimed comics creators—including Marjane Satrapi, Alan Moore, Kyle Baker, and Chris Ware—Singer demonstrates how comics studies can break out of the celebratory frameworks and restrictive canons that currently define the field to produce new scholarship that expands our understanding of comics and their critics.
A history of the activism that made public spaces in American cities more accessible to women.
From the closing years of the nineteenth century, women received subtle—and not so subtle—messages that they shouldn’t be in public. Or, if they were, that they were not safe. Breaking the Gender Code tells the story of both this danger narrative and the resistance to it.
Historian Georgina Hickey investigates challenges to the code of urban gender segregation in the twentieth century, focusing on organized advocacy to make the public spaces of American cities accessible to women. She traces waves of activism from the Progressive Era, with its calls for public restrooms, safe and accessible transportation, and public accommodations, through and beyond second-wave feminism, and its focus on the creation of alternative, women-only spaces and extensive anti-violence efforts. In doing so, Hickey explores how gender segregation intertwined with other systems of social control, as well as how class, race, and sexuality shaped activists' agendas and women's experiences of urban space. Drawing connections between the vulnerability of women in public spaces, real and presumed, and contemporary debates surrounding rape culture, bathroom bills, and domestic violence, Hickey unveils both the strikingly successful and the incomplete initiatives of activists who worked to open up public space to women.
The Little Rock Central High School integration crisis did not end in1957 when President Eisenhower sent a portion of the first Airborne Division to protect nine black students. The turmoil was entering its second year in 1958 when Arkansas governor Orval Faubus invoked a hastily passed state law to close the high schools rather than obey the federal court orders that would integrate them.
A group of respectable, middle-class white women, faced with the prospect of no schools as well as the further loss of their city’s good name, turned militant. Led by Adolphine Fletcher Terry, a prominent, “old family” civic leader in her seventies, the wome n quickly put together the Women’s Emergency Committee to Open Our Schools (WEC), a highly effective organization that bombarded the city with ads, fliers, and statements challenging Faubus’s action. At peak membership, the WEC mustered two thousand to their cause. Largely inexperienced in politics when they joined the WEC, these women became articulate, confident promoters of public schools and helped others to understand that those schools must be fully integrated.
Forty years later, Sara Murphy, a key member of the WEC, recounts the rarely told sto1y of these courageous women who formed a resistance movement. With passion and sensitivity, she reconstructs the challenges and triumphs of that battle, which issued from the mutual link Southern white women shared with disfranchised African Americans in their common goal for full citizenship.
Winner, William Rockhill Nelson Award
John B. McLendon was the last living protégé of basketball’s inventor, Dr. James Naismith, and one of the “top ten basketball coaches of the century” in Billy Packer’s opinion. McLendon’s amazing records in college and pro basketball earned him a spot in the Basketball Hall of Fame (the first black coach to be inducted), and his coaching philosophy has had a huge influence on basketball coaches. Breaking Through is also a powerful and inspirational story about segregation and a champion’s struggle for equality in 1940s and 50s America.
Black Magic, ESPN’s Peabody Award–winning documentary about players and coaches who attended historically black colleges and universities, covers many of the events in McLendon’s life that Katz writes about in his book.
John McLendon was elected to the Naismith Memorial Basketball Hall of Fame in 2016.
Rhetoric and composition theory has shown a renewed interest in sophistic countertraditions, as seen in the work of such "postphilosophers" as Jacques Derrida, Michel Foucault, and Hélène Cixous, and of such rhetoricians as Susan Jarratt and Steven Mailloux. As D. Diane Davis traces today’s theoretical interest to those countertraditions, she also sets her sights beyond them.
Davis takes a “third sophistics” approach, one that focuses on the play of language that perpetually disrupts the “either/or” binary construction of dialectic. She concentrates on the nonsequential third—excess—that overflows language’s dichotomies. In this work, laughter operates as a trope for disruption or breaking up, which is, from Davis’s perspective, a joyfully destructive shattering of our confining conceptual frameworks.
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