A SCHOLARLY BOOK REPOSITORY
This collection of articles relates to a research area currently developing in the Humanities, which calls for philosophical and historical approaches to questions of sustainable development and waste management. The title of the issue reflects the central questions raised by all contributors: how are waste and abundance represented, how may we conceptualize these representations, and what ethical problems do they raise?
Particular attention is paid to the cultural and moral factors that condition our attitudes to waste and the ways in which literature addresses the problematic relationship that binds production, consumption and waste to social and political systems.
Since the 1960s, evangelical Christian denominations have made converts throughout much of Roman Catholic Latin America, causing clashes of faith that sometimes escalate to violence. Yet in one Mexican town, Tzintzuntzan, the appearance of new churches has provoked only harmony. Catholics and evangelicals alike profess that "all religions are good," a sentiment not far removed from "here we are all equal," which was commonly spoken in the community before evangelicals arrived.
In this paradigm-challenging study, Peter Cahn investigates why the coming of evangelical churches to Tzintzuntzan has produced neither the interfaith clashes nor the economic prosperity that evangelical conversion has brought to other communities in Mexico and Latin America. Drawing on extensive ethnographic fieldwork, he demonstrates that the evangelicals' energetic brand of faith has not erupted into violence because converts continue to participate in communal life, while Catholics, in turn, participate in evangelical practices. He also underscores how Tzintzuntzan's integration into global economic networks strongly motivates the preservation of community identity and encourages this mutual borrowing. At the same time, however, Cahn concludes that the suppression of religious difference undermines the revolutionary potential of religion.
Moral Problems in Higher Education brings together key essays that explore ethical issues in academia. The editor and contributors-all noted philosophers and educators-consider such topics as academic freedom and tenure, free speech on campus, sexual harassment, preferential student admissions, affirmative action in faculty appointments, and the ideal of a politically neutral university. Chapters address possible restrictions on research because of moral concerns, the structure of peer review, telling the truth to colleagues and students, and concerns raised by intercollegiate athletics.
Cahn selects two key readings in each area to offer a readable introductory guide to these critical subjects for students studying academic ethics and higher education policy. In addition to the selections and a general introduction, Cahn provides study questions for use in the classroom.
Contributors include Scott F. Aikin, Derek Bok, William G. Bowen, Myles Brand, Richard T. DeGeorge, Paul D. Eisenberg, Leslie Pickering Francis, Martin P. Golding, Philip Kitcher, Charles R. Lawrence III, David Lewis, Paul J. Olscamp, Nancy Tuana, David Shatz, George Sher, Robert L. Simon, Robert B. Talisse, Stephan Thernstrom, Abigail Thernstrom, Laurence Thomas, Robert Paul Wolff, and the editor.
Inside Academia uses real cases to illustrate how faculty members, deans, and provosts often do not serve the best interests of schools or students. Yet the book also highlights efforts of those who have committed themselves and their institutions to the pursuit of academic excellence.
Today, there are women athletes who are media celebrities and a source of inspiration for many. But not long ago, being serious about sport was considered appropriate only for men and boys. Throughout the twentieth century, women's increasing participation in sport has challenged our conception of womanhood. Some celebrated the female athlete as the embodiment of modern womanhood, but others branded her "mannish" or lesbian. Ultimately, she altered the perception of sport as an exclusively male domain.
Susan Cahn's story of how sport has changed women's lives and women have transformed sport is an important chapter in the wider history of women's struggles to define their role in the twentieth century. For the women who dared to compete, participation in sport enabled them to expand the boundaries of women's activities and to claim that strength, skill, physicality, and competitiveness could be authentic attributes of womanhood. This is the legacy they passed on to the new generation of women for whom athleticism is becoming a way of life.
Sexual Reckonings is the fascinating tale of adolescent girls coming of age in the South during the most explosive decades for the region. Focusing on the period from 1920 to 1960, Susan Cahn reveals how both the life of the South and the meaning of adolescence underwent enormous political, economic, and social shifts. Those years witnessed the birth of a modern awareness of adolescence and female sexuality that clashed mightily with the white supremacist and patriarchal legacies of the old South. As youth staked its claim, the bodies and beliefs of southern girls became the battlefield for a transformed South, which was, like them, experiencing growing pains.
Cahn reveals how young women, both white and black, were seen as the South's greatest hope and its greatest threat. Viewed as critical actors in every regional crisis, from the economic recession and urban migrations of the 1920s to the racial conflicts precipitated by school desegregation in the 1950s, female teenagers became the conspicuous subjects of social policy and regional imagination. All the while, these adolescents pursued their own desires and discovered their own meanings, creating cracks in the twin pillars of the Jim Crow South--"racial purity" and white male dominance--that would soon be toppled by the student-led civil rights movement.
Sexual Reckonings is an amazingly intimate look at a time of deep personal exploration and profound cultural change for southern girls and for the society they inhabited, a powerful account of the clash between a society's fears and the daily lives and aspirations of its most prized, and unpredictable, population.
Horsefly Dress is a meditation on the experience and beauty of suffering, questioning its triggers and ultimate purpose through the lens of historical and contemporary interactions and complications of Séliš, Qĺispé, and Christian beliefs. Heather Cahoon’s collection explores dark truths about the world through first-person experiences, as well as the experiences of her family and larger tribal community. As a member of the Confederated Salish and Kootenai Tribes, Cahoon crafts poems that recount traditional stories and confront Coyote’s transformation of the world, including his decision to leave certain evils present, such as cruelty, greed, hunger, and death.
By weaving together stories of Cahoon’s family and tribal community with those of Coyote and his family, especially Coyote’s daughter, Horsefly Dress, the interactions and shared experiences show the continued relevance of traditional Séliš and Qĺispé culture to contemporary life. Rich in the imagery of autumnal foliage, migrating birds, and frozen landscapes, Horsefly Dress calls forth the sensory experience of grief and transformation. As the stories and poems reveal, the transformative powers associated with the human experience of loss belong to the past, present, and future, as do the traditional Salish-Pend d’Oreille stories that create the backbone of this intricate collection.
Drawing on a diverse array of ethnographic contexts, including the sexual rituals of the Ba-Thong of South Africa and evidence drawn from aboriginal Australian, Eskimo, and traditional Chinese social systems, Caillois analyzes the role of the forbidden in the social cohesion of the group. He examines the character of the sacred in the light of specific instances of taboos and transgressions, exploring wide differences in attitudes toward diet and sex and extreme behaviors associated with the sacred, such as rapture and paroxysm. He also discusses the festival--an exuberant explosion following a period of strict repression--and compares its functions with those of modern war.
A classic study of one of the most fundamental aspects of human social and spiritual life, Man and the Sacred--presented here in Meyer Barash's superb English translation--is a companion volume to Caillois's Man, Play and Games.
In this classic study, Caillois defines play as a free and voluntary activity that occurs in a pure space, isolated and protected from the rest of life. Play is uncertain, since the outcome may not be foreseen, and it is governed by rules that provide a level playing field for all participants. In its most basic form, play consists of finding a response to the opponent's action--or to the play situation--that is free within the limits set by the rules.
Caillois qualifies types of games-- according to whether competition, chance, simulation, or vertigo (being physically out of control) is dominant--and ways of playing, ranging from the unrestricted improvisation characteristic of children's play to the disciplined pursuit of solutions to gratuitously difficult puzzles. Caillois also examines the means by which games become part of daily life and ultimately contribute to various cultures their most characteristic customs and institutions.
Presented here in Meyer Barash's superb English translation, Man, Play and Games is a companion volume to Caillois's Man and the Sacred.
These thirty-two essays with commentaries strike a balance between Caillois’s political and theoretical writings and between his better known works, such as the popular essays on the praying mantis, myth, and mimicry, and his lesser-known pieces. Presenting several new pieces and drawing on interviews and unpublished correspondence, this book reveals Caillois’s consistent effort to reconcile intellectual rigor and imaginative adventure. Perhaps most importantly, The Edge of Surrealism provides an overdue look at how Caillois’s intellectual project intersected with the work of Georges Bataille and others including Breton, Bachelard, Benjamin, Lacan, and Lévi-Strauss.
Modern legislators are increasingly motivated to serve their constituents in personal ways. Representatives act like ultimate ombudsmen: they keep in close touch with their constituents and try to cultivate a relationship with them based on service and accessibility. The Personal Vote describes the behavior of representatives in the United States and Great Britain and the response of their constituents as well. It shows how congressmen and members of Parliament earn personalized support and how this attenuates their ties to national leaders and parties.
The larger significance of this empirical work arises from its implications for the structure of legislative institutions and the nature of legislative action. Personalized electoral support correlates with decentralized governing institutions and special-interest policy making. Such systems tend to inconsistency and stalemate. The United States illustrates a mature case of this development, and Britain is showing the first movements in this direction with the decline of an established two-party system, the rise of a centrist third party, greater volatility in the vote, growing backbench independence and increasing backbench pressure for committees and staff.
This book is essential for specialists in American national government, British politics, and comparative legislatures and comparative parties.
As Mary Ann Cain's South Side Venus: The Legacy of Margaret Burroughs reveals, the primary motivations for these efforts were love and hope. Burroughs was spurred by her love for Chicago's African American community—largely ill served by mainstream arts organizations—and by her hope that these new, black-run cultural centers would welcome many generations of aspiring artists and art lovers.
This first, long–awaited biography of Burroughs draws on interviews with peers, colleagues, friends, and family, and extensive archival research at the DuSable Museum, the Art Institute of Chicago, and the Chicago Public Library. Cain traces Burroughs's multifaceted career, details her work and residency on Chicago's South Side, and highlights her relationships with other artists and culture makers. Here, we see Burroughs as teacher and mentor as well as institution builder.
Anchored by the author's talks with Burroughs as they stroll through her beloved Bronzeville, and featuring portraits of Burroughs with family and friends, South Side Venus will enlighten anyone interested in Chicago, African American history, social justice, and the arts.
Despite recent technological changes that have digitized many forms of artistic creation, the practice of drawing, in the traditional sense, has remained constant. However, many publications about this subject rely on discipline-dependent distinctions to discuss the activity’s function. Drawing: The Enactive Evolution of the Practitioner redefines drawing more holistically as an enactive phenomenon, one reliant on motor responses, and makes connections between a variety of disciplines in order to find out what happens when we draw. Instead of the finite event of producing an artifact, drawing is a process and an end in itself. By synthesizing enactive thinking and the practice of drawing, this volume provides valuable insights into the creative mind, and will appeal to scholars and practitioners alike.
Winner of the 2011 Drue Heinz Literature Prize
Shannon Cain’s stories chart the treacherous territory of the illicit. They expose the absurdity of our rituals, our definitions of sexuality, and above all, our expectations of happiness and self-fulfillment.
Cain’s protagonists are destined to suffer—and sometimes enjoy—the consequences of their own restless discontent. In the title story, Lisa, a city dweller, is dissatisfied with her life and relationships. Her attempt at self-rejuvenation takes her on a hiking excursion through a foreign land. Lisa discovers a remote village where the ritualized and generous bisexual love of its inhabitants entrances her. She begins to abandon thoughts of home.
In “Cultivation,” Frances, a divorced mother strapped with massive credit card debt, has become an expert at growing pot. When she packs her three children and twelve pounds of homegrown into the minivan and travels cross-country to sell the stash, their journey becomes one of anguish, revelation, and ultimately transformation. “Cultivation,” like many of the stories in The Necessity of Certain Behaviors, follows a trail of broken relationships and the unfulfilled promises of modern American life.
Told in precise, evocative prose, these memorable stories illuminate the human condition from a compelling, funny, and entirely original perspective.
All along the river, from the front porches of Hannibal to the neighborhoods of St. Louis to the cotton fields of the Bootheel and west to Kansas City, stories are being told.
This collection of family stories and traditional tales brings to print down-home stories about all walks of African American life. Passed down from grandparents and great-grandparents, they have been lovingly gathered by Gladys Caines Coggswell as she visited Missouri communities and participated in storytelling events over the last two decades. These stories bring to life characters with uncommon courage, strength, will, and wit as they offer insight into African American experiences throughout the state’s history.
Often profound, always entertaining, some of these stories hark back to times barely remembered. Many tell of ordinary folks who achieved victories in the face of overwhelming odds. They range from recollections of KKK activities—recalling a Klan leader who owned property on which a black family lived as “the man who was always so nice to us”—to remembered differences between country and city schools and black schoolchildren introduced to Dick and Jane and Little Black Sambo. Stories from the Bootheel shed light on family life, sharecropping, and the mechanization of cotton culture, which in one instance led to a massive migration of rats as the first mechanical cotton pickers came in.
As memorable as the stories are the people who tell them, such as the author’s own “Uncle Pete” reporting on a duck epidemic or Evelyn Pulliam of Kennett telling of her resourceful neighbors in North Lilburn. Loretta Washington remembers sitting on her little wooden stool beside her great-grandmother’s rocking chair on the front porch in Wardell, mesmerized by stories—and the time when rocking chair and little wooden stool were moved inside and the stories stopped. Marlene Rhodes writes of her mother’s hero, Odie, St. Louis “Entrepreneur and English gentleman.”
Whether sharing previously unknown stories from St. Louis or betraying the secret of “Why Dogs Chase Cats,” this book is a rich repository of African American life. And if some of these tales seem unusual, the people remembering them will be the first to tell you: that’s the way it was. Coggswell preserves them for posterity and along with them an important slice of Missouri history.
This book explores how the city has grown and evolved from the Tenochtitlan city-state of the Aztecs to the capital of the Spanish empire’s “New Spain,” French intervention, revolution, and the newly branded CDMX. Nick Caistor leads us through centuries of history and into the material city of today: from recently constructed museums and shopping malls, to neighborhoods where age-old traditions still appear to be the norm. Whether sampling ice cream at Xochimilco, watching freestyle wrestling at the Arena Mexico, or savoring long Mexican breakfasts, Nick Caistor reveals why Mexico City continues to fascinate and beguile us.
In Octavio Paz, Nicholas Caistor takes a fresh look at Paz’s exquisite poetry and fascinating life. Born during the Mexican Revolution, Paz spent his youth fighting to free Mexico from the ideologies of both the left and right. He traveled to the United States, then to Spain, where he fought with the Republicans against Franco's Nationalists. He eventually served as a diplomat in India before returning to his homeland in 1968, where he again became a vocal opponent of the government. As Caistor demonstrates, Paz’s personal journey in those years was as exciting as his public life. He details here the multiple marriages and passionate friendships that inevitably made their way into Paz’s poetry.
Both concise and insightful, Octavio Paz reveals the life that informs a poetry that is deeply expressive—and distinctly political.
Focusing on the Bororo people of west-central Brazil, this book addresses the construction of self-identity through interethnic interaction. By presenting the images the Bororo have of themselves as well as the images of others who have interacted with them, Brazilian anthropologist Sylvia Caiuby Novaes argues convincingly that Bororo self-images are constructed with the aid of a peculiar looking-glass—it is in the images of others that they see themselves.
Incorporating contributions from psychology, psychoanalysis, linguistics, and semiotics, Play of Mirrors focuses on symbols, images, discourse, and meanings rather than solely on the problem of acculturation. It thus reflects the thinking of a new generation of Brazilian anthropologists who have shifted their focus from native communities as isolated entities to an examination of their embeddedness within broader national and international arenas.
In this moving collection of individual testimonies, Calais refugees speak directly in powerful and vivid stories, offering their memories up with stunning honesty. They tell of their childhood dreams and struggles for education; the genocides, wars, and persecution that drove them from home; the simultaneous terror and strength that filled their extraordinary journeys; the realities of living in the Calais refugee camp; and their deepest hopes for the future.
Through their stories, these refugees paint a picture of a different kind of Jungle—a powerful sense of community that has grown despite evictions and attacks and a solidarity that crosses national and religious boundaries. Interspersed with photos taken by the camp's inhabitants, taught by award-winning photographers Gideon Mendel and Crispin Hughes, original artwork by inhabitants, and powerful poems, Voices from the “Jungle” must be read by anyone seeking to understand the human consequences of our current world crisis.
The Three Ethologies offers a fresh, affirmative vision for rebuilding human-animal relations. Venturing beyond the usual scholarly and activist emphasis on restricting harm, Matthew Calarco develops a new philosophy for understanding animal behavior—a practice known as ethology—through three distinct but interrelated lenses: mental ethology, which rebuilds individual subjectivity; social ethology, which rethinks our communal relations; and environmental ethology, which reconfigures our relationship to the land we co-inhabit with our animal kin. Drawing on developments in philosophy, (eco)feminist theory, critical geography, Indigenous studies, and the environmental humanities, Calarco casts an inspiring vision of how ethological living can help us to reimagine our ideas about goodness, truth, and beauty.
Law and Society is a rapidly-growing interdisciplinary field that turns on its head the conventional, idealized view of the “Law” as a magisterial abstraction. Kitty Calavita’s Invitation to Law and Society brilliantly brings to life the ways in which law shapes and manifests itself in the institutions and interactions of human society, while inviting the reader into conversations that introduce the field’s dominant themes and most lively disagreements.
Deftly interweaving scholarship with familiar personal examples, Calavita shows how scholars in the discipline are collectively engaged in a subversive exposé of law’s public mythology. While surveying prominent issues and distinctive approaches to the use of the law in everyday life, as well as its potential as a tool for social change, this volume provides a view of law that is more real but just as compelling as its mythic counterpart. In a field of inquiry that has long lacked a sophisticated yet accessible introduction to its ways of thinking, Invitation to Law and Society will serve as an engaging and indispensible guide.
With this second edition of Invitation to Law and Society, Calavita brings up to date what is arguably the leading introduction to this exciting, evolving field of inquiry and adds a new chapter on the growing law and cultural studies movement.
Nuanced and eye-opening, Union Renegades challenges popular notions of workers attitudes during the Gilded Age.
This study of the famous author explores the relationship between literature and film, what is involved in adaptation, and how best to judge films based on celebrated books. Robert Calder, the world’s leading scholar of Maugham’s work, offers fascinating production histories, insight into both fortunate and misguided casting decisions, shrewd analyses of performances and film techniques, and summaries of public and critical responses. Maugham’s characters were often conflicted, iconoclastic, and morally out of step with their times, which may have accounted for the popularity of his fiction. Most of Maugham’s works could be adapted to satisfy the tastes of moviegoers and the demands of the Hays Office censors, if not the expectations of their author.
Through state-backed Catholicism, monolingualism, militarism, and dictatorship, Spain’s fascists earned their reputation for intolerance. It may therefore come as a surprise that 80,000 Moroccans fought at General Franco’s side in the 1930s. What brought these strange bedfellows together, Eric Calderwood argues, was a highly effective propaganda weapon: the legacy of medieval Muslim Iberia, known as al-Andalus. This legacy served to justify Spain’s colonization of Morocco and also to define the Moroccan national culture that supplanted colonial rule.
Writers of many political stripes have celebrated convivencia, the fabled “coexistence” of Christians, Muslims, and Jews in medieval Iberia. According to this widely-held view, modern Spain and Morocco are joined through their shared Andalusi past. Colonial al-Andalus traces this supposedly timeless narrative to the mid-1800s, when Spanish politicians and intellectuals first used it to press for Morocco’s colonization. Franco later harnessed convivencia to the benefit of Spain’s colonial program in Morocco. This shift precipitated an eloquent historical irony. As Moroccans embraced the Spanish insistence on Morocco’s Andalusi heritage, a Spanish idea about Morocco gradually became a Moroccan idea about Morocco.
Drawing on a rich archive of Spanish, Arabic, French, and Catalan sources—including literature, historiography, journalism, political speeches, schoolbooks, tourist brochures, and visual arts—Calderwood reconstructs the varied political career of convivencia and al-Andalus, showing how shared pasts become raw material for divergent contemporary ideologies, including Spanish fascism and Moroccan nationalism. Colonial al-Andalus exposes the limits of simplistic oppositions between European and Arab, Christian and Muslim, that shape current debates about European colonialism.
Finalist, Sheikh Zayed Book Award
“With extraordinary linguistic range, Calderwood brings us the voices of Arabs and Muslims who have turned to the distant past of Spain to imagine their future.”
—Hussein Fancy, Yale University
How the memory of Muslim Iberia shapes art and politics from New York and Cordoba to Cairo and the West Bank.
During the Middle Ages, the Iberian Peninsula was home not to Spain and Portugal but rather to al-Andalus. Ruled by a succession of Islamic dynasties, al-Andalus came to be a shorthand for a legendary place where people from the Middle East, North Africa, and Europe; Jews, Christians, and Muslims lived together in peace. That reputation is not entirely deserved, yet, as On Earth or in Poems shows, it has had an enduring hold on the imagination, especially for Arab and Muslim artists and thinkers in Europe, the Middle East, and North Africa.
From the vast and complex story behind the name al-Andalus, Syrians and North Africans draw their own connections to history’s ruling dynasties. Palestinians can imagine themselves as “Moriscos,” descended from Spanish Muslims forced to hide their identities. A Palestinian flamenco musician in Chicago, no less than a Saudi women’s rights activist, can take inspiration from al-Andalus. These diverse relationships to the same past may be imagined, but the present-day communities and future visions those relationships foster are real.
Where do these notions of al-Andalus come from? How do they translate into aspiration and action? Eric Calderwood traces the role of al-Andalus in music and in debates about Arab and Berber identities, Arab and Muslim feminisms, the politics of Palestine and Israel, and immigration and multiculturalism in Europe. The Palestinian poet Mahmud Darwish once asked, “Was al-Andalus / Here or there? On earth … or in poems?” The artists and activists showcased in this book answer: it was there, it is here, and it will be.
Shakespearean Metadrama was first published in 1971. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
In a new approach to Shakespeare criticism, the author interprets five of Shakespeare's early plays as metadramas, dramas that are not only about the various moral, social, political, and other thematic issues with which critics have so long been concerned but also about the plays themselves. Professor Calderwood demonstrates that in these five plays Shakespeare writes about his dramatic art -- its nature, its media of language and theater, its generic forms and conventions, its relationship to truth and the social order.
In an introductory chapter the author explains his theory of metadrama, placing it in a general critical context as well as in the specific framework of Shakespeare's plays. He distinguishes between the meaning of metadrama and the similar terms "metaplay" and "metatheare." He points out that the dominant metadramatic aspect of the five plays under study is the interplay of language and action in drama. A separate chapter is devoted to the interpretation of each of the plays.
Professor Calderwood is aware that in presenting his critical theory and interpretations he may be met with skepticism by other scholars and critics. He anticipates such a situation in the introduction: "To the critic trying on introductory styles for a book on Shakespearean metadrama," he writes, "the plight of Falstaff at the Boar's Head Tavern comes all to readily to mind. 'What trick," he must ask himself, 'what device, what starting-hole, canst thou now find out to hide thee from this open and apparent shame?'"
Once relegated to the borders of literature—neither Mexican nor truly American—Chicana/o writers have always been in the vanguard of change, articulating the multicultural ethnicities, shifting identities, border realities, and even postmodern anxieties and hostilities that already characterize the twenty-first century. Indeed, it is Chicana/o writers' very in-between-ness that makes them authentic spokespersons for an America that is becoming increasingly Mexican/Latin American and for a Mexico that is ever more Americanized.
In this pioneering study, Héctor Calderón looks at seven Chicana and Chicano writers whose narratives constitute what he terms an American Mexican literature. Drawing on the concept of "Greater Mexican" culture first articulated by Américo Paredes, Calderón explores how the works of Paredes, Rudolfo Anaya, Tomás Rivera, Oscar Zeta Acosta, Cherríe Moraga, Rolando Hinojosa, and Sandra Cisneros derive from Mexican literary traditions and genres that reach all the way back to the colonial era. His readings cover a wide span of time (1892-2001), from the invention of the Spanish Southwest in the nineteenth century to the América Mexicana that is currently emerging on both sides of the border. In addition to his own readings of the works, Calderón also includes the writers' perspectives on their place in American/Mexican literature through excerpts from their personal papers and interviews, correspondence, and e-mail exchanges he conducted with most of them.
The editors have organized essays around four board themes: the situation of Chicano literary studies within American literary history and debates about the “canon”; representations of the Chicana/o subject; genre, ideology, and history; and the aesthetics of Chicano literature. The volume as a whole aims at generating new ways of understanding what counts as culture and “theory” and who counts as a theorist. A selected and annotated bibliography of contemporary Chicano literary criticism is also included.
By recovering neglected authors and texts and introducing readers to an emergent Chicano canon, by introducing new perspectives on American literary history, ethnicity, gender, culture, and the literary process itself, Criticism in the Borderlands is an agenda-setting collection that moves beyond previous scholarship to open up the field of Chicano literary studies and to define anew what is American literature.
Contributors. Norma Alarcón, Héctor Calderón, Angie Chabram, Barbara Harlow, Rolando Hinojosa, Luis Leal, José E. Limón, Terese McKenna, Elizabeth J. Ordóñez, Genero Padilla, Alvina E. Quintana, Renato Rosaldo, José David Saldívar, Sonia Saldívar-Hull, Rosaura Sánchez, Roberto Trujillo
Indifference rests quietly alone in the universe while love, hate, and hurt rage tightly together elsewhere across safely defined demarcations. Some Love secretly yearns for rest but plunges deeply into the scramble of human emotions:
One Day a hurt hits
with a fact and a sorrow.
It makes me want to
write. It makes me want
to go away, to cry
in the arms of a lover,
past words said and actions
you cant take back not even in
a next life—on that day you
choose the one who comes to you.
From his childhood in Sicily as a Catholic altar boy through his latter days as a Mormon “saint,” Caldiero recalls in verse his emerging passion for performance and for the sensual liturgical marriage of physical space—the church or temple proper—with bodily space. This ritualized confluence of architectural structure, human bodies, images, movements, smells, and sounds affects him as much today as it did in the past. It is this memory of the religious ritual that keeps him striving for a poetic creation and richness that achieves a depth of symbolic meaning.
Field Manual 3-07, Stability Operations, represents a milestone in Army doctrine.
With a focus on transforming conflict, managing violence when it does occur and maintaining stable peace, The U.S. Army Stability Operations Field Manual (otherwise known as FM 3-07) signals a stark departure from traditional military doctrine. The Army officially acknowledges the complex continuum from conflict to peace, outlines the military's responsibility to provide stability and security, and recognizes the necessity of collaboration, coordination, and cooperation among military, state, commercial, and non-government organizations in nation-building efforts.
The manual reflects a truly unique collaboration between the Army and a wide array of experts from hundreds of groups across the United States Government, the intergovernmental and non-governmental communities, America's allies around the world, and the private sector. All branches of the armed forces, U.S. agencies ranging from the State Department to Homeland Security to Health and Human Services, international agencies from the United Nations to the Red Cross to the World Bank, countries from the United Kingdom to India to South Africa, private think tanks from RAND to the United States Institute of Peace to the Center for New American Security, all took part in the shaping of this document.
The U.S. Army Stability Operations FieldManual, marks just the second time in modern history that the U.S. Army has worked with a private publisher to produce a military doctrinal document.
Lieutenant General William B. Caldwell, IV is Commander of the Combined Arms Center at Fort Leavenworth, Kansas.
Michèle Flournoy, Under Secretary of Defense for Policy
Shawn Brimley, Fellow, Center for a New American Security
Janine Davidson, Deputy Assistant Secretary of Defense for Plans
"It is a roadmap from conflict to peace, a practical guidebook for adaptive, creative leadership at a critical time in our history. It institutionalizes the hard-won lessons of the past while charting a path for tomorrow. This manual postures our military forces for the challenges of an uncertain future, an era of persistent conflict where the unflagging bravery of our Soldiers will continue to carry the banner of freedom, hope, and opportunity to the people of the world."
—From the foreword by Lieutenant General William B. Caldwell, IV, Commander of the Combined Arms Center at Fort Leavenworth, Kansas
Caldwell begins by providing the necessary background for understanding Hayek's thought, tracing the emergence, in fin-de-siècle Vienna, of the Austrian school of economics—a distinctive analysis forged in the midst of contending schools of thought. In the second part of the book, Caldwell follows the path by which Hayek, beginning from the standard Austrian assumptions, gradually developed his unique perspective on not only economics but a broad range of social phenomena. In the third part, Caldwell offers both an assessment of Hayek's arguments and, in an epilogue, an insightful estimation of how Hayek's insights can help us to clarify and reexamine changes in the field of economics during the twentieth century.
As Hayek's ideas matured, he became increasingly critical of developments within mainstream economics: his works grew increasingly contrarian and evolved in striking—and sometimes seemingly contradictory—ways. Caldwell is ideally suited to explain the complex evolution of Hayek's thought, and his analysis here is nothing short of brilliant, impressively situating Hayek in a broader intellectual context, unpacking the often difficult turns in his thinking, and showing how his economic ideas came to inform his ideas on the other social sciences.
Hayek's Challenge will be received as one of the most important works published on this thinker in recent decades.
The definitive account of the distinguished economist’s formative years.
Few twentieth-century figures have been lionized and vilified in such equal measure as Friedrich Hayek—economist, social theorist, leader of the Austrian school of economics, and champion of classical liberalism. Hayek’s erudite arguments in support of individualism and the market economy have attracted a devout following, including many at the levers of power in business and government. Critics, meanwhile, cast Hayek as the intellectual forefather of “neoliberalism” and of all the evils they associate with that pernicious doctrine.
In Hayek: A Life, historians of economics Bruce Caldwell and Hansjörg Klausinger draw on never-before-seen archival and family material to produce an authoritative account of the influential economist’s first five decades. This includes portrayals of his early career in Vienna; his relationships in London and Cambridge; his family disputes; and definitive accounts of the creation of The Road to Serfdom and of the founding meeting of the Mont Pèlerin Society.
A landmark work of history and biography, Hayek: A Life is a major contribution both to our cultural accounting of a towering figure and to intellectual history itself.
Electronic Media and Technoculture anchors contemporary discussion of the digital future within a critical tradition about the media arts, society, and culture. The collection examines a range of phenomena, from boutique cyber-practices to the growing ubiquity of e-commerce and the internet. The essays chart a critical field in media studies, providing a historical perspective on theories of new media. The contributors place discussions of producing technologies in dialogue with consuming technologies, new media in relation to old media, and argue that digital media should not be restricted to the constraining public discourses of either the computer, broadcast, motion-picture, or internet industries. The collection charts a range of theoretical positions to assist readers interested in new media and to enable them to weather the cycles of hardware obsolescence and theoretical volatility that characterize the present rush toward digital technologies.
Contributors include Ien Ang, John Caldwell, Cynthia Cockburn, Helen Cunningham, Hans Magnus Enzensberger, Guillermo Gómez-Peña, Arthur Kroker, Bill Nichols, Andrew Ross, Ellen Seiter, Vivian Sobchack, Allucquère Rosanne Stone, Ravi Sundaram, Michael A. Weinstein, Raymond Williams, and Brian Winston.
John Thornton Caldwell is chair of the film and television department at the University of California at Los Angeles. He is a filmmaker and media artist and author of Televisuality: Style, Crisis, and Authority in American Television (also from Rutgers University Press).
“Holling is tormented by Koyaanisqatsi dreams until he goes out and does the wild thing with a young stag . . . . ”––Synopsis from production company “Bible,” Northern Exposure, March 30, 1992
The collision of auteurism and rap––couched by primetime producers in the Northern Exposure script––was actually rather commonplace by the early 1990s. Series, and even news broadcasts, regularly engineered their narratives around highly coded aesthetic and cultural fragments, with a kind of ensemble iconography. Televisuality interrogates the nature of such performances as an historical phenomenon, an aesthetic and industrial practice, and as a socially symbolic act. This book suggests that postmodernism does not fully explain television's stylistic exhibitionism and that a reexamination of “high theory” is in order. Caldwell’s unique approach successfully integrates production practice with theory in a way that will enlighten both critical theory and cultural studies.
Drawing on interviews, observations of sets and workplaces, and analyses of TV shows, industry documents, economic data, and promotional materials, Caldwell shows how film and video workers function in a transformed, post-network industry. He chronicles how workers have responded to changes including media convergence, labor outsourcing, increasingly unstable labor and business relations, new production technologies, corporate conglomeration, and the proliferation of user-generated content. He explores new struggles over “authorship” within collective creative endeavors, the way that branding and syndication have become central business strategies for networks, and the “viral” use of industrial self-reflexivity to motivate consumers through DVD bonus tracks, behind-the-scenes documentaries, and “making-ofs.” A significant, on-the-ground analysis of an industry in flux, Production Culture offers new ways of thinking about media production as a cultural activity.
In Negras in Brazil, Kia Lilly Caldwell examines the life experiences of Afro-Brazilian women whose stories have until now been largely untold. This pathbreaking study analyzes the links between race and gender and broader processes of social, economic, and political exclusion. Drawing on ethnographic research with social movement organizations and thirty-five life history interviews, Caldwell explores the everyday struggles Afro-Brazilian women face in their efforts to achieve equal rights and full citizenship. She also shows how the black women's movement, which has emerged in recent decades, has sought to challenge racial and gender discrimination in Brazil. While proposing a broader view of citizenship that includes domains such as popular culture and the body, Negras in Brazil highlights the continuing relevance of identity politics for members of racially marginalized communities. Providing new insights into black women's social activism and a gendered perspective on Brazilian racial dynamics, this book will be of interest to students and scholars of Latin American Studies, African diaspora studies, women's studies, politics, and cultural anthropology.
By all accounts, Jovan Mosley was a good kid. He was working on a way out of his tough Chicago neighborhood and had been accepted at Ohio State University when he was forced to confess to a murder he did not commit. He then spent five years and ten months in jail without a trial. His efforts to exonerate himself got him nowhere until he happened to meet a successful criminal defense lawyer, Catharine O’Daniel. She became convinced of his innocence and took him on as her first pro bono client. Along with Laura Caldwell, she decided to fight to free Jovan. Against enormous odds, they finally won some measure of justice. In this affecting memoir, Caldwell tells the unforgettable story of a breakdown in the criminal justice system and what it took to free an innocent man.
Caldwell makes accessible the rich literature in German constitutional thought of the Weimar period, most of which has been unavailable in English until now. On the liberal left, Hugo Preuss and Hans Kelsen defended a concept of democracy that made the constitution sovereign and, in a way, created the "Volk" through constitutional procedure. On the right, Carl Schmitt argued for a substantial notion of the "Volk" that could overrule constitutional procedure in a state of emergency. Rudolf Smend and Heinrich Triepel located in the constitution a set of inviolable values of the political community, while Hermann Heller saw in it a guarantee of substantial social equality. Drawing on the work of these major players from the 1920s, Caldwell reveals the various facets of the impassioned constitutional struggles that permeated German legal and political culture during the Weimar Republic.
Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.
Though not all people are religious believers, religion has played important historic roles in developing political systems, parties, and policies—affecting believers and nonbelievers alike. This is particularly true in the United States, where scholars have devoted considerable attention to a variety of political phenomena at the intersection of religious belief and identity, including social movements, voting behavior, public opinion, and public policy. These outcomes are motivated by “identity boundary-making” among the religiously affiliated. The contributors to this volume examine two main factors that influence religious identity: the communication of religious ideas and the perceptions of people (including elites) in communicating said ideas.
Exploring the Public Effects of Religious Communication on Politics examines an array of religious communication phenomena. These include the media’s role in furthering religious narratives about minority groups, religious strategies that interest groups use to advance their appeal, the variable strength of Islamophobia in cross-national contexts, what qualifies as an “evangelical” identity, and clergy representation of religious and institutional teachings. The volume also provides ways for readers to think about developing new insights into the influence religious communication has on political outcomes.
“Muslim Americans are at a political crossroads,” write editors Brian Calfano and Nazita Lajevardi. Whereas Muslims are now widely incorporated in American public life, there are increasing social and political pressures that disenfranchise them or prevent them from realizing the American Dream. Understanding Muslim Political Life in America brings clarity to the social, religious, and political dynamics that this diverse religious community faces.
In this timely volume, leading scholars cover a variety of topics assessing the Muslim American experience in the post-9/11 and pre-Trump era, including law enforcement; identity labels used in Muslim surveys; the role of gender relations; recognition; and how discrimination, tolerance, and politics impact American Muslims.
Understanding Muslim Political Life in America offers an update and reappraisal of what we know about Muslims in American political life. The editors and contributors also consider future directions and important methodological questions for research in Muslim American scholarship.
Contributors include Matt A. Barreto, Alejandro Beutel, Tony Carey, Youssef Chouhoud, Karam Dana, Oz Dincer, Rachel Gillum, Kerem Ozan Kalkan, Anwar Manje, Valerie Martinez-Ebers, Dani McLaughlan, Melissa R. Michelson, Yusuf Sarfati, Ahmet Tekelioglu, Marianne Marar Yacobian, and the editors.
2023 Peter C. Rollins Book Award, Northeast Texas Popular Culture and American Culture Associations (NEPCA)
In the postwar era, the police procedural series Dragnet informed Americans on the workings of the criminal justice system and instructed them in their responsibilities as citizens.
Among shifting politics, tastes, and technology in television history, one genre has been remarkably persistent: the cop show. Claudia Calhoun returns to Dragnet, the pioneering police procedural and an early transmedia franchise, appearing on radio in 1949, on TV and in film in the 1950s, and in later revivals. More than a popular entertainment, Dragnet was a signifier of America’s postwar confidence in government institutions—and a publicity vehicle for the Los Angeles Police Department.
Only the Names Have Been Changed shows how Dragnet’s “realistic” storytelling resonated across postwar culture. Calhoun traces Dragnet’s “semi-documentary” predecessors, and shows how Jack Webb, Dragnet’s creator, worked directly with the LAPD as he produced a series that would likewise inspire public trust by presenting day-to-day procedural justice, rather than shootouts and wild capers. Yet this realism also set aside the seething racial tensions of Los Angeles as it was. Dragnet emerges as a foundational text, one that taught audiences to see police as everyday heroes not only on TV but also in daily life, a lesson that has come under scrutiny as Americans increasingly seek to redefine the relationship between policing and public safety.
Though the word “sociology” was coined in Europe, the field of sociology grew most dramatically in America. Despite that disproportionate influence, American sociology has never been the subject of an extended historical examination. To remedy that situation—and to celebrate the centennial of the American Sociological Association—Craig Calhoun assembled a team of leading sociologists to produce Sociology in America.
Rather than a story of great sociologists or departments, Sociology in America is a true history of an often disparate field—and a deeply considered look at the ways sociology developed intellectually and institutionally. It explores the growth of American sociology as it addressed changes and challenges throughout the twentieth century, covering topics ranging from the discipline’s intellectual roots to understandings (and misunderstandings) of race and gender to the impact of the Depression and the 1960s.
Sociology in America will stand as the definitive treatment of the contribution of twentieth-century American sociology and will be required reading for all sociologists.
Contributors:
Andrew Abbott, Daniel Breslau, Craig Calhoun, Charles Camic, Miguel A. Centeno, Patricia Hill Collins, Marjorie L. DeVault, Myra Marx Ferree, Neil Gross, Lorine A. Hughes, Michael D. Kennedy, Shamus Khan, Barbara Laslett, Patricia Lengermann, Doug McAdam, Shauna A. Morimoto, Aldon Morris, Gillian Niebrugge, Alton Phillips, James F. Short Jr., Alan Sica, James T. Sparrow, George Steinmetz, Stephen Turner, Jonathan VanAntwerpen, Immanuel Wallerstein, Pamela Barnhouse Walters, Howard Winant
Three leading thinkers analyze the erosion of democracy’s social foundations and call for a movement to reduce inequality, strengthen inclusive solidarity, empower citizens, and reclaim pursuit of the public good.
Democracy is in trouble. Populism is a common scapegoat but not the root cause. More basic are social and economic transformations eroding the foundations of democracy, ruling elites trying to lock in their own privilege, and cultural perversions like making individualistic freedom the enemy of democracy’s other crucial ideals of equality and solidarity. In Degenerations of Democracy three of our most prominent intellectuals investigate democracy gone awry, locate our points of fracture, and suggest paths to democratic renewal.
In Charles Taylor’s phrase, democracy is a process, not an end state. Taylor documents creeping disempowerment of citizens, failures of inclusion, and widespread efforts to suppress democratic participation, and he calls for renewing community. Craig Calhoun explores the impact of disruption, inequality, and transformation in democracy’s social foundations. He reminds us that democracies depend on republican constitutions as well as popular will, and that solidarity and voice must be achieved at large scales as well as locally.
Taylor and Calhoun together examine how ideals like meritocracy and authenticity have become problems for equality and solidarity, the need for stronger articulation of the idea of public good, and the challenges of thinking big without always thinking centralization.
Dilip Parameshwar Gaonkar points out that even well-designed institutions will not integrate everyone, and inequality and precarity make matters worse. He calls for democracies to be prepared for violence and disorder at their margins—and to treat them with justice, not oppression.
The authors call for bold action building on projects like Black Lives Matter and the Green New Deal. Policy is not enough to save democracy; it will take movements.
American reception of his works, however, has lacked a full understanding of their place within the broad context of French human science. His individual works separated by distinct boundaries between social science fields in American academia, Bourdieu's cohesive thought has come to this country in fragments.
Bourdieu: Critical Perspectives provides a unified and balanced appraisal of Bourdieu's varied works by both proponents and skeptics. The essays are written from the varied viewpoints of cultural anthropology, ethnomethodology and other varieties of sociology, existential and Wittgensteinian philosophies, linguistics, media studies, and feminism. They work around three main themes: Bourdieu's effort to transcend gaps between practical knowledge and universal structures, his central concept of "reflexivity," and the relations between social structure, systems of classification, and language.
Ultimately, the contributors raise a variety of crucial theoretical questions and address problems that are important not only to understanding Bourdieu but to advancing empirical work of the kind he has pioneered. In an essay written especially for this volume, Bourdieu describes his own "mode of intellectual production" and the reasons he sees for its common misunderstanding.
The contributors are Hubert Dreyfus, Paul Rabinow, Charles Taylor, Aaron Cicourel, James Collins, William Hanks, Beate Krais, Nicholas Garnham, Scott Lash, Roger Brubaker, and Loic Wacquant, and the editors.
This volume provides the most economical and textually accurate version of Calhoun’s Disquisition available today. As a treatise, the Disquisition is one of the greatest and most enduring works of American politial thought, and a text of seminal importance to all students of American politics, history, philosophy, and law. In the Disquisition, Calhoun believed he had laid a “solid foundation for political science” through revitalizing popular rule. To complete his theoretical and practical mission, Calhoun attempts to explain the best example of the diffusion of authority and cultivation of liberty: the American Constitution. The fundamental law of the American republic provided, after all, the “interior structure” for regulating the shape and scope of government. As a guide for the states and the general government, the Constitution was also part of the “organism” that limited the centralization of authority and allowed for genuine popular rule; and it was Calhoun’s exposition of the connection between the moral demands of a properly constituted concept of popular rule and the need for practical ordering principles that is articulated in this book.
Calhoun presents a theory of politics that is both original and in accord with the mainstream of the American political tradition. More than any other thinker of his period, Calhoun sought to explain the enduring qualities of American political thought in light of the troubled world of the mid-nineteenth century. Unlike other theorists who had preceded and would follow Calhoun, both American and European, he did not seek to invent a new mode of philosophical speculation or a “grand theory” for the human sciences. Instead, he attempted to offer a refinement of classical, medieval, and modern notions regarding the relationship between government and the social order. As an effort in philosophical retrenchment, the Disquisition strengthened many pre-existing conceptions regarding political liberty and popular rule within the American regime, while offering such insight with a view toward the future that awaited America. Calhoun’s attempt in the Disquisition to reconcile the good of popular rule with ethical requirements have singular relevance to the many nations in the twenty-first century now engaged, despite the ethnic animosities threatening their destruction, in building post-ideological, civilized political and social orders, especially the peoples of Central and Eastern Europe, Russia, and Africa.
A sweeping history of southeastern Europe from antiquity to the present that reveals it to be a vibrant crossroads of trade, ideas, and religions.
We often think of the Balkans as a region beset by turmoil and backwardness, but from late antiquity to the present it has been a dynamic meeting place of cultures and religions. Combining deep insight with narrative flair, The Great Cauldron invites us to reconsider the history of this intriguing, diverse region as essential to the story of global Europe.
Marie-Janine Calic reveals the many ways in which southeastern Europe’s position at the crossroads of East and West shaped continental and global developments. The nascent merchant capitalism of the Mediterranean world helped the Balkan knights fight the Ottomans in the fifteenth century. The deep pull of nationalism led a young Serbian bookworm to spark the conflagration of World War I. The late twentieth century saw political Islam spread like wildfire in a region where Christians and Muslims had long lived side by side. Along with vivid snapshots of revealing moments in time, including Krujë in 1450 and Sarajevo in 1984, Calic introduces fascinating figures rarely found in standard European histories. We meet the Greek merchant and poet Rhigas Velestinlis, whose revolutionary pamphlet called for a general uprising against Ottoman tyranny in 1797. And the Croatian bishop Ivan Dominik Stratiko, who argued passionately for equality of the sexes and whose success with women astonished even his friend Casanova.
Calic’s ambitious reappraisal expands and deepens our understanding of the ever-changing mixture of peoples, faiths, and civilizations in this much-neglected nexus of empire.
Five Faces of Modernity attempts to do for the foundations of the modernist critical lexicon what earlier terminological studies have done for such complex categories as classicism, baroque, romanticism, realism, or symbolism and thereby fill a gap in literary scholarship. On another, more ambitious level, Calinescu deals at length with the larger issues, dilemmas, ideological tensions, and perplexities brought about by the assertion of modernity.
Fifteen years in the making, Hyperpolitics is an interactive dictionary offering a wholly original approach for understanding and working with the most central concepts in political science. Designed and authored by two of the discipline’s most distinguished scholars, its purpose is to provide its readers with fresh critical insights about what informs these political concepts, as well as a method by which readers—and especially students—can unpack and reconstruct them on their own.
International in scope, Hyperpolitics draws upon a global vocabulary in order to turn complex ideas into an innovative teaching aid. Its companion open access website (www.hyperpolitics.net) has already been widely acknowledged in the fields of education and political science and will continue to serve as a formidable hub for the book’s audience. Much more than a dictionary and enhanced by dynamic graphics, Hyperpolitics introduces an ingenious means of understanding complicated concepts that will be an invaluable tool for scholars and students alike.
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