A SCHOLARLY BOOK REPOSITORY
The recorded use of deadly force against unarmed suspects and sustained protest from the Black Lives Matter movement, among others, have ignited a national debate about excessive violence in American policing. Missing from the debate, however, is any discussion of a factor that is almost certainly contributing to the violence—the use of anabolic steroids by police officers. Mounting evidence from a wide range of credible sources suggests that many cops are abusing testosterone and its synthetic derivatives. This drug use is illegal and encourages a “steroidal” policing style based on aggressive behaviors and hulking physiques that diminishes public trust in law enforcement.
Dopers in Uniform offers the first assessment of the dimensions and consequences of the felony use of anabolic steroids in major urban police departments. Marshalling an array of evidence, John Hoberman refutes the frequent claim that police steroid use is limited to a few “bad apples,” explains how the “Blue Wall of Silence” stymies the collection of data, and introduces readers to the broader marketplace for androgenic drugs. He then turns his attention to the people and organizations at the heart of police culture: the police chiefs who often see scandals involving steroid use as a distraction from dealing with more dramatic forms of misconduct and the police unions that fight against steroid testing by claiming an officer’s “right to privacy” is of greater importance. Hoberman’s findings clearly demonstrate the crucial need to analyze and expose the police steroid culture for the purpose of formulating a public policy to deal with its dysfunctional effects.
Why is doping a perennial problem for sports? Is this solely a contemporary phenomenon? And should doping always be regarded as cheating, or do today’s anti-doping measures go too far?
Drawing on case studies from the early twentieth century to the present day, Doping: A Sporting History explores why the current anti-doping system looks as it does, charting its origins to the founding of the modern Olympic Games. From interwar notions of sporting purity to the postwar stimulant crisis, what seemed an easily resolvable problem soon became an impossible challenge as the pharmacology improved, the policy system stuttered, and Cold War politics allowed doping to flourish. The late twentieth century saw the creation of the World Anti-Doping Agency, but has the intensity of these global measures led to unintended harms?
From the cyclist Tommy Simpson who died in 1967 on Mont Ventoux with amphetamines in his jersey to Team Russia’s expulsion from the 2018 Winter Olympics, Doping: A Sporting History is a gripping, provocative account that ultimately proposes a new approach: one for the inclusion and protection of athletes themselves.
Dorie's story begins with her childhood on an isolated mountain farm, where we see first hand how her parents combined back-breaking labor with intense personal pride to produce everything their family needed—from food and clothing to tools and toys—from the land. Lumber companies began to invade the mountains, and Dorie's family took advantage of the financial opportunities offered by the lumber industry, not realizing that in giving up their lands they were also letting go of a way of life. Along with their machinery, the lumber companies brought in many young men, one of whom, Fred Cope, became Dorie's husband. After the lumber companies stripped the mountains of their timber, outsiders set the area aside as a national park, requiring Dorie, now married with a family of her own, to move outside of her beloved mountains.
Through Dorie's eyes, we see how the mountain farmers were forced to abandon their beloved rural life-style and customs and assimilate into cities like Knoxville, Tennessee. Her experiences were shared by hundreds of Appalachians during the early twentieth century. However, Dorie's perseverance, strength of character, and deep love of the Smokies make this a unique and moving narrative.
The Author: Florence Cope Bush is a former newspaper reporter and freelance writer in Knoxville, Tennessee. She is the author of Ocona Lufte Baptist—Pioneer Church of the Smokies, and a regular contributor to Smoky Mountain Historical Society publications.
Durwood Dunn is professor history at Tennessee Wesleyan College. He is author of Cades Cove: The Life and Death of a Southern Appalachian Community, 1818-1937.
Long neglected by the academic world because of her rejection of belletristic values and resistance to convenient literary taxonomy, Doris Lessing has nonetheless built an international following of serious, dedicated readers. Acknowledging the difficulties posed by the multiple dimensions of Lessing’s work, Kaplan and Rose have gathered eleven essays that address her artistic, philosophical, political, and psychological complexity, and so provide a welcome introduction to the extraordinary depth and diversity of this important contemporary novelist.
Lessing has been described as an “alchemical” writer, in that her work is directed toward changing people’s lives and perceptions rather than simply recording experience. Accordingly, the contributors examine her various postures and tactics for the purpose of discovering how the alchemical elements inform her various personae. Frederick C. Stern discusses Lessing’s commitment to radical humanist thought, while Carey Kaplan examines how Lessing’s imperialist past has shaped her futuristic fiction. Elizabeth Abel offers a feminist interpretation of the pattern of brother-sister incest in Lessing’s work, showing how Lessing has established Antigone as a female alternative to the Oedipal myth of male incest. Particularly insightful is Eve Bertelsen’s report of her interview with Lessing, demonstrating how Lessing’s often evasive style of adversarial dialogue works in concert with her refusal to be conveniently pigeonholed by academic analysis.
For those readers new to her work, Doris Lessing: The Alchemy of Survival will serve as a useful introduction to Lessing’s concerns and techniques. Those who have long admired her writing will find in this collection new keys to understanding Lessing’s philosophical, political, and psychological complexity.
Doris Lessing has been a chronicler of our age for nearly half a century, and a study of her writing career does not yield easy generalizations. Difficult though she is to categorize, she is always concerned with change, with a search for "something new" against "the nightmare repetition" of history. The feminist quest she articulated in The Children of Violence and The Golden Notebook entered the culture with the force of a new myth: these books changed lives. The Golden Notebook--together with such works as The Second Sex and The Feminine Mystique--raised the consciousness of a generation of women readers and played a major part in making the second wave of feminism. It is the power of Lessing's novels to change people's lives, the effect she had raising the consciousness of a generation of women and the effect she continues to have on young readers, that is the subject of this book.
Gayle Greene employs an eclectic range of approaches (psychoanalytic, Marxist, biographical, historical, intertextual, formalist, feminist) to shed new light on Lessing's remarkable achievement. She sees Lessing as a feminist writer, not in offering strong female role models who climb top the top of existing social structures, but in envisioning, and indeed helping to bring about, a transformation of those structures. Lessing critiques Western values of individualism, competition, and materialism in terms similar to those developed by feminism; and, in getting us to view our culture from without, in teaching us to read cultural constructs as systems, her novels perform the deconstructing and demystifying work of feminism.
Published to accompany Salcedo’s first retrospective exhibition and the American debut of her major work Plegaria muda, Doris Salcedo is the most comprehensive survey of her sculptures and installations to date. In addition to featuring new contributions by respected scholars and curators, the book includes over one hundred color illustrations highlighting many pieces from Salcedo’s thirty-year career. Offering fresh perspectives on a vital body of work, Doris Salcedo is a testament to the power of one of today’s most important international artists.
Dorothea Dix was the most politically engaged woman of her generation, which was itself a remarkable tapestry of activists. An influential lobbyist as well as a paragon of the doctrine of female benevolence, she vividly illustrated the complexities of the "separate spheres" of politics and femininity. Her greatest legislative initiative, a campaign for federal land grants to endow state mental hospitals, assumed a central role in the public land controversies that intertwined with the slavery issues in Congress following the Mexican War. The passage of this legislation in 1854, and its subsequent veto by President Pierce, touched off the most protracted effort to override a veto that had yet taken place.
An activist who disdained the women's rights and antislavery movements, Dix, an old-line Whig, sought to promote national harmony and became the only New England social reformer to work successfully in the lower South right up to the eve of secession. When war broke out, she sought to achieve as Superintendent of Women Nurses the sort of cultural authority she had seen Florence Nightingale win in the same role during the Crimean War. The disastrous failure of one of the most widely admired heroines in the nation provides a dramatic measure of the transformations of northern values during the war.
The friendship between Dorothy Thompson and Rose Wilder Lane began in 1920 in the publicity office of the American Red Cross in Paris and continued until Thompson’s death in 1961. Although both women are today remembered primarily for their connections with others —Thompson as the wife of Sinclair Lewis, and Lane as the daughter of Laura Ingalls Wilder, author of the “Little House” books —each was remarkable in her own right.
Both women had a vital engagement with life that led them in fearless pursuit of experience. In 1939, Thompson appeared on the cover of Time, which judged her second only to Eleanor Roosevelt among influential women of the day. Typical of Lane were her travels through the mountains of Albania, the deserts of Syria, and Soviet Georgia in the 1920s and her visit as a journalist to Vietnam in 1965 at the age of seventy-eight.
The correspondence of these two talented and articulate women reveals their personal concerns, social ideas, and political/economic philosophies and how they changed over time. Their letters tell the story of the first generation of women to come of age during the twentieth century, as they tried to cope with problems that women still face today. Along with the letters themselves, Holtz has included annotations and footnotes that provide biographical information, as well as explaining personal and topical references.
Dorothy West is best known as one of the youngest writers involved in the Harlem Renaissance. Subsequently, her work is read as a product of the urban aesthetics of this artistic movement. But West was also intimately rooted in a very different milieu—Oak Bluffs, an exclusive retreat for African Americans on Martha’s Vineyard. She played an integral role in the development and preservation of that community. In the years between publishing her two novels, 1948’s The Living is Easy and the 1995 bestseller The Wedding, she worked as a columnist for the Vineyard Gazette.
Dorothy West’s Paradise captures the scope of the author’s long life and career, reading it alongside the unique cultural geography of Oak Bluffs and its history as an elite African American enclave—a place that West envisioned both as a separatist refuge and as a space for interracial contact. An essential book for both fans of West’s fiction and students of race, class, and American women’s lives, Dorothy West’s Paradise offers an intimate biography of an important author and a privileged glimpse into the society that shaped her work.
In this highly original book David Wills rethinks not only our nature before all technology but also what we understand to be technology. Rather than considering the human being as something natural that then develops technology, Wills argues, we should instead imagine an originary imbrication of nature and machine that begins with a dorsal turn-a turn that takes place behind our back, outside our field of vision.
With subtle and insightful readings, Wills pursues this sense of what lies behind our idea of the human by rescuing Heidegger’s thinking from a reductionist dismissal of technology, examining different angles on Lévinas’s face-to-face relation, and tracing a politics of friendship and sexuality in Derrida and Sade. He also analyzes versions of exile in Joyce’s rewriting of Homer and Broch’s rewriting of Virgil and discusses how Freud and Rimbaud exemplify the rhetoric of soil and blood that underlies every attempt to draw lines between nations and discriminate between peoples. In closing, Wills demonstrates the political force of rhetoric in a sophisticated analysis of Nietzsche’s oft-quoted declaration that “God is dead.”
Forward motion, Wills ultimately reveals, is an ideology through which we have favored the front-what can be seen-over the aspects of the human and technology that lie behind the back and in the spine-what can be sensed otherwise-and shows that this preference has had profound environmental, political, sexual, and ethical consequences.
David Wills is professor of French and English at the University of Albany (SUNY). He is the author of Prosthesis and Matchbook: Essays in Deconstruction as well as the translator of works by Jacques Derrida, including The Gift of Death.
Mexican Americans make up the largest minority in Idaho, yet they seemingly live in a different world from the dominant Anglo population, and because of pervasive stereotypes and exclusive policies, their participation in the community's social, economic, and political life is continually impeded.
This unique ethnographic study of a small Idaho community with a large Hispanic population examines many dimensions of the impact race relations have on everyday life for rural Mexican Americans.
An intimate biography of a great American writer.
He rose from a childhood as the illegitimate son of a financial titan to become the man Sartre called "the greatest writer of our time." A progressive writer who turned his passions into the groundbreaking U.S.A. trilogy, John Dos Passos later embraced conservative causes. At the height of his career he was considered a peer of Hemingway and Fitzgerald, yet he died in obscurity in 1970.
Award-winning biographer Virginia Spencer Carr examines the contradictions of Dos Passos's life with an in-depth study of the man. Using the writer's letters and journals, and with assistance from the Dos Passos family, Carr reconstructs an epic life, one of literary acclaim and bitter obscurity, restless wandering and happy marriage, friendship with Edmund Wilson and feuds with Hemingway. First published to acclaim in 1984, Dos Passos remains the definitive personal portrait of the author.
In most of his half century of writing, John Dos Passos consistently tried to capture and define the American character. The complete range of his work builds to Dos Passos' concept of "contemporary chronicle," his own name for his fiction. In this first study of all Dos Passos' writing, Linda W. Wagner examines his fiction, poetry, drama, travel essays, and history—a body of work that evokes a vivid image of America meant to be neither judgmental nor moralistic.
From Manhattan Transfer to U. S. A. to District of Columbia to The Thirteenth Chronicle and Mid-century, Wagner illuminates Dos Passos' work with fresh readings and new interpretations. She makes extensive use of unpublished manuscript material so that this is a casebook of Dos Passos' interest in craft and method as well as a thematic study. In addition, this volume chronicles the years during which Dos Passos wrote—the immediate post-World War I period through the twenties and thirties and well into the fifties. This is an important book both in literary criticism and in American social history.
Most readers of Louis Althusser first enter his work through his writings on ideology. In an important new essay Étienne Balibar, friend and colleague of Althusser, offers an original reading of Althusser’s idea of ideology, drawing on both recently published posthumous writing and Althusser's work on the Piccolo Teatro di Milano. Balibar’s essay uncovers the intricate workings of interpellation through Althusser’s essays on the theater. If debates on dialectical materialism belong to a distant history, Balibar suggests, the question of ideology remains crucial for thinking the present.
The issue includes commentaries on Balibar’s essay from five influential scholars who engage critically with Althusser’s philosophy: Judith Butler, Banu Bargu, Adi Ophir, Warren Montag, and Bruce Robbins. This issue reanimates Althusser’s concept of ideology as an analytic tool for contemporary cultural and political critique.
The Idiot is perhaps the most difficult and surely most enigmatic of Dostoevsky’s novels. In it the novelist developed a narrator-chronicler who uses an intricate web of alternately truthful and deceptive words to create a narrative of baffling intricacy. The reader is confronted with moral and ethical problems and is forced to make his or her own decisions about the import of what has occurred.
Robin Miller analyzes the varied narrative modes and voices, as well as the inserted narratives, and examines the effects of all these on the reader. She has derived helpful insights from current writing about the phenomenology of reading by such critics as Wayne Booth, Wolfgang Iser, and Stanley Fish. She draws extensively on Dostoevsky’s letters, notebooks, and journalistic writings in describing his ideas about his readers and about the craft of fiction. These writings also provide clues to the importance of Rousseau’s Confessions and the Gothic novels for the development of Dostoevsky’s narrative techniques. The notebooks, moreover, are an indispensable source of information concerning the genesis of The Idiot and the radical changes it underwent in the course of its composition.
Although the book is primarily a close reading of The Idiot, it throws light on the later novels, The Possessed and The Brothers Karamazov, in which Dostoevsky again makes use of a fictional narrator.
While Dostoevsky’s relation to religion is well-trod ground, there exists no comprehensive study of Dostoevsky and Catholicism. Elizabeth Blake’s ambitious and learned Dostoevsky and the Catholic Underground fills this glaring omission in the scholarship. Previous commentators have traced a wide-ranging hostility in Dostoevsky’s understanding of Catholicism to his Slavophilism. Blake depicts a far more nuanced picture. Her close reading demonstrates that he is repelled and fascinated by Catholicism in all its medieval, Reformation, and modern manifestations. Dostoevsky saw in Catholicism not just an inspirational source for the Grand Inquisitor but a political force, an ideological wellspring, a unique mode of intellectual inquiry, and a source of cultural production. Blake’s insightful textual analysis is accompanied by an equally penetrating analysis of nineteenth-century European revolutionary history, from Paris to Siberia, that undoubtedly influenced the evolution of Dostoevsky’s thought.
Dostoevsky and the Riddle of the Self charts a unifying path through Dostoevsky's artistic journey to solve the “mystery” of the human being. Starting from the unusual forms of intimacy shown by characters seeking to lose themselves within larger collective selves, Yuri Corrigan approaches the fictional works as a continuous experimental canvas on which Dostoevsky explored the problem of selfhood through recurring symbolic and narrative paradigms. Presenting new readings of such works as The Idiot, Demons, and The Brothers Karamazov, Corrigan tells the story of Dostoevsky’s career-long journey to overcome the pathology of collectivism by discovering a passage into the wounded, embattled, forbidding, revelatory landscape of the psyche.
Corrigan’s argument offers a fundamental shift in theories about Dostoevsky's work and will be of great interest to scholars of Russian literature, as well as to readers interested in the prehistory of psychoanalysis and trauma studies and in theories of selfhood and their cultural sources.
In Dostoevsky’s Dialectics and the Problem of Sin, Ksana Blank borrows from ancient Greek, Chinese, and Christian dialectical traditions to formulate a dynamic image of Dostoevsky’s dialectics—distinct from Hegelian dialectics—as a philosophy of “compatible contradictions.” Expanding on the classical triad of Goodness, Beauty, and Truth, Blank guides us through Dostoevsky’s most difficult paradoxes: goodness that begets evil, beautiful personalities that bring about grief, and criminality that brings about salvation.
Dostoevsky’s philosophy of contradictions, this book demonstrates, contributes to the development of antinomian thought in the writings of early twentieth-century Russian religious thinkers and to the development of Bakhtin’s dialogism. Dostoevsky’s Dialectics and the Problem of Sin marks an important and original intervention into the enduring debate over Dostoevsky’s spiritual philosophy.
In three chapters, French takes up in turn the narrator and narrative points of view, the author’s use of inserted narratives, and three modes of interaction French calls Monologue, Dialogue, and Dialogical Living.
Confronting Bakhtin’s formative reading of Dostoevsky to recover the ways the novelist stokes conflict and engages readers—and to explore the reasons behind his adversarial approach
Like so many other elements of his work, Fyodor Dostoevsky’s deliberate deployment of provocation was both prescient and precocious. In this book, Lynn Ellen Patyk singles out these forms of incitement as a communicative strategy that drives his paradoxical art. Challenging, revising, and expanding on Mikhail Bakhtin’s foundational analysis in Problems of Dostoevsky’s Poetics, Patyk demonstrates that provocation is the moving mover of Dostoevsky’s poetics of conflict, and she identifies the literary devices he uses to propel plot conflict and capture our attention. Yet the full scope of Dostoevsky’s provocative authorial activity can only be grasped alongside an understanding of his key themes, which both probed and exploited the most divisive conflicts of his era. The ultimate stakes of such friction are, for him, nothing less than moral responsibility and the truth of identity.
Sober and strikingly original, compassionate but not uncritical, Dostoevsky’s Provocateurs exposes the charged current in the wiring of our modern selves. In an economy of attention and its spoils, provocation is an inexhaustibly renewable and often toxic resource.
Dot is caring but hides hurtful secrets. Ralfie’s gruffness masks the physical and emotional pain she endures. Friends and relatives don’t necessarily offer appealing role models for their third act. Dot’s sister Susan is pushing them toward a stuffy “55 or better” community out in the ’burbs, populated by aging straights who mistake the butch Ralfie for a frumpy old man. Eighty-year-old Viola—Dot’s friend and sometime lover—lives alone and refuses help, even as she experiences a devastating fall. Rife with Hoffman’s characteristic wit, Dot & Ralfie takes a hard, sometimes painful look at elder care in the LGBTQ+ community, and the unique struggles that come with getting older outside of heteronormative structures.
As in the poet’s earlier collection, Stateside, the poems in Dots & Dashes are explicitly feminist, exploring the experiences of women whose husbands are deployed. But, while Stateside looked to masculine stories of war, Dots & Dashes incorporates the views and voices of female poets who have written about combat. Looking to Sappho and Emily Dickinson, the poet considers how the act of writing allows her autonomy and agency rarely granted to military spouses, even in the twenty-first century. Dubrow catalogs the domestic life of a military spouse, illustrating what it is like to live in a tightly constructed world of rules and regulations, ceremony and tradition, where “every sacrifice already / knows its place.”
Navigating the rough seas of marriage alongside questions about how civilians and those in the military can learn to communicate with one another, Dubrow argues for compassion and empathy on both sides. In this timely collection, Dubrow offers the hope that if we can break apart our preconceptions and stereotypes, we can find what connects all of us.
In 1861 at the age of eighteen, Edward Woolsey Bacon, a Yale student and son of well-known abolitionist minister Leonard Bacon, left his home in New Haven, Connecticut, to fight for the United States. Over the next four years Bacon served in both the Union navy and army, which gave him a sweeping view of the Civil War. His postings included being a captain’s clerk on the USS Iroquois, a hospital clerk in his hometown, a captain in the 29th Connecticut Infantry (Colored), and a major in the 117th U.S. Colored Infantry, and he described these experiences in vibrant letters to his friends and family. Historian George S. Burkhardt has compiled these letters, as well as Bacon’s diary in the impressive Double Duty in the Civil War: The Letters of Sailor and Soldier Edward W. Bacon.
Bacon tells of hunting Confederate commerce raiders on the high seas, enduring the tedium of blockade duty, and taking part in riverine warfare on the Mississippi. He recalls sweating in South Carolina as an infantry officer during drill and picket duty, suffering constant danger in the battlefield trenches of Virginia, marching victoriously on fallen Richmond, and tolerating the boredom of occupation duty in Texas.
His highly entertaining letters shed new light on naval affairs and reveal a close-knit family life. The narrative of his duty with black troops is especially valuable, since few first-hand accounts from white officers of the U.S. Colored Troops exist. Furthermore, his beliefs about race, slavery, and the Union cause were unconventional for the time and stand in contrast to those held by many of his contemporaries.
Double Duty in the Civil War is filled with lively descriptions of the men Bacon met and the events he experienced. With Burkhardt’s careful editing and useful annotations, Bacon’s letters and diary excerpts give rare insight into areas of the Civil War that have been neglected because of a lack of available sources. Given the scarcity of eyewitness testimonies to navy life and life in African American regiments, this book is a rarity indeed.
The 1905 Portsmouth Conference, mediated by President Theodore Roosevelt, for which he received the Nobel Peace Prize, brought to an end a war in which Japan won spectacular victories on land and sea. Although the peace settlement fell far short of public expectations in Japan, she gained supremacy in Korea and a sphere of influence in South Manchuria as a consequence of the treaty. Nevertheless, the treaty reflected the military stalemate in Manchuria. Roosevelt wanted a balance of power to emerge from the war, and his hope was realized in the peace process.
Raymond Esthus, drawing on the records of six nations, provides a detailed and panoramic account of the 1905 conference from the perspectives of both the Russians and the Japanese participants, depicting the powerful personalities of Roosevelt and the Russian Sergei Witte, as well as Tsar Nicholas II and the Foreign Minister Komura Jutaro. It is a story of verbal duels, tests of will, and moments of high personal courage. If there was no clear-cut victor at the conference, Roosevelt emerged as a worldwide hero of the cause of peace.
Double Jeopardy considers the newest data on the nature of youths' mental disorders—their relationships to delinquency, the values and limits of methods to treat them, and the common patterns of adolescent offending. That information is used to chart a rational course for fulfilling the juvenile justice system's duty—as a custodian of children in need of health care, as a legal system promoting fairness in youth adjudication, and as a protector of public safety—to respond to delinquent youths' mental disorders. Moreover, Double Jeopardy provides a scientific yet practical foundation for lawmakers, judges, attorneys, and mental health care professionals, as well as researchers who must fill the knowledge gaps that limit the juvenile justice system's abilities to meet youths' mental health needs.
Madly transfixing details—noodles, toilet paper, toothpaste, a first subway ride, a sock full of dollars—become milestones in a discovery of America. These details, combined with Federman's feel for the desperation of his characters, create a book that is simultaneously hilarious and frightening. The concrete play of its language, its use of found materials, give the viewer/reader a sense of constant and strange discovery. To turn these pages is to turn the corners of a world of words as full as any novel of literary discourse ever presented. Double or Nothing challenges the way we read fiction and the way we see words, and in the process, gives us back more of our own world and our real dilemmas than we are used to getting.
Picked for American Book Review's 100 Best First Lines from Novels
and pictorial representations, The Double Screen shows how the
collaboration and tension between material form and image gives life to
a painting. A Chinese painting is often reduced to the image it bears;
its material form is dismissed; its intimate connection with social
activities and cultural conventions neglected.
A screen occupies a space and divides it, supplies an ideal surface for
painting, and has been a favorite pictorial image in Chinese art since
antiquity. Wu Hung undertakes a comprehensive analysis of the screen,
which can be an object, an art medium, a pictorial motif, or all three
at once. With its diverse roles, the screen has provided Chinese
painters with endless opportunities to reinvent their art.
The Double Screen provides a powerful non-Western perspective on
issues from portraiture and pictorial narrative to voyeurism,
masquerade, and political rhetoric. It will be invaluable to anyone
interested in the history of art and Asian studies.
Edited by longtime Harington scholar Brian Walter, Double Toil and Trouble also includes an appendix featuring the author’s spirited correspondence with the editor who originally inspired the title novel, providing an insider’s look at the American literary scene and Harington’s own early assessment of his work. Spanning several decades of the author’s career, this volume gives readers a Harington who is at once familiar and fresh as he experiments with new formal possibilities, only to once again endear the vagaries of love, life, and folk language to us.
On April 12, 1945, the United States Army Air Force arrested 101 of its African American officers. They were charged with disobeying a direct order from a superior officer—a charge that could carry the death penalty upon conviction. They were accused of refusing to sign an order that would have placed them in segregated housing and recreational facilities. Their plight was virtually ignored by the press at the time, and books written about the subject did not detail the struggle these aviators underwent to win recognition of their civil rights.
The central theme of Double V is the promise held out to African American military personnel that service in World War II would deliver to them a double victory—a "double V"—over tyranny abroad and racial prejudice at home. The book's authors, Lawrence P. Scott and William M. Womack Sr., chronicle for the first time, in detail, one of America's most dramatic failures to deliver on that promise. In the course of their narrative, the authors demonstrate how the Tuskegee airmen suffered as second-class citizens while risking their lives to serve their country. Among the contributions made by this work is a detailed examination of how 101 Tuskegee airmen, by refusing to live in segregated quarters, triggered one of the most significant judicial proceedings in U.S. military history. Double V uses oral accounts and heretofore unused government documents to portray this little-known struggle by one of America's most celebrated flying units.
In addition to providing background material about African American aviators before World War II. the authors also demonstrate how the Tuskegee airmen's struggle foretold dilemmas faced by the civil rights movement in the second half of the 20th century. Double V is destined to become an important contribution in the rapidly growing body of civil rights literature.
A shotgun marriage of fact and fiction by one of the most highly regarded writers and teachers of our time
A writer named George Garrett, suffering from double vision as a result of a neurological disorder, is asked to review a recent, first biography of the late Peter Taylor, a renowned writer who has been his long-time friend and neighbor in Charlottesville. Reflecting on their relationship, Garrett conceives of a character—not unlike himself—a writer in his early 70s, ill and suffering from double vision, named Frank Toomer. He gives Toomer a neighbor, a distinguished short story writer named Aubrey Carver.
As the real George Garrett and Peter Taylor are replaced by two very different and imaginary writers, the story becomes a wise and insightful exploration of American literary life, the art of biography, the comical rivalries among writers and academics, notions of success, and the knotty relationship of art to life, fact to fiction, and life to death. Double Vision is a witty tour de force and an elegy for a gifted generation of writers.
A fresh take on the dopplegänger and its place in Japanese film and literature—past and present
Since its earliest known use in German Romanticism in the late 1700s, the word Doppelgänger (double-walker) can be found throughout a vast array of literature, culture, and media. This motif of doubling can also be seen traversing historical and cultural boundaries. Double Visions, Double Fictions analyzes the myriad manifestations of the doppelgänger in Japanese literary and cinematic texts at two historical junctures: the interwar period of the 1920s and 1930s and the present day.
According to author Baryon Tensor Posadas, the doppelgänger marks the intersection of the historical impact of psychoanalytic theory, the genre of detective fiction in Japan, early Japanese cinema, and the cultural production of Japanese colonialism. He examines the doppelgänger’s appearance in the works of Edogawa Rampo, Tanizaki Jun’ichiro, and Akutagawa Ryunosuke, as well as the films of Tsukamoto Shin’ya and Kurosawa Kiyoshi, not only as a recurrent motif but also as a critical practice of concepts. Following these explorations, Posadas asks: What were the social, political, and material conditions that mobilized the desire for the doppelgänger? And how does the dopplegänger capture social transformations taking place at these historical moments?
Double Visions, Double Fictions ultimately reveals how the doppelgänger motif provides a fascinating new backdrop for understanding the enmeshment of past and present.
The winner of the FC2 Catherine L. Doctorow Innovative Fiction Prize, Double-Check for Sleeping Children is the newest work by award-winning writer Kirstin Allio
This is the story of the survival, recovery, astonishing success, and controversial status of the double-crested cormorant. After surviving near extinction driven by DDT and other contaminants from the 1940s through the early 1970s, the cormorant has made an unprecedented comeback from mere dozens to a population in the millions, bringing the bird again into direct conflict with humans. Hated for its colonial nesting behavior; the changes it brings to landscapes; and especially its competition with commercial and sports fishers, fisheries, and fish farmers throughout the Great Lakes and Mississippi Delta regions, the cormorant continues to be persecuted by various means, including the shotgun.
In The Double-Crested Cormorant, Dennis Wild brings together the biological, social, legal, and international aspects of the cormorant's world to give a complete and balanced view of one of the Great Lakes' and perhaps North America's most misunderstood species. In addition to taking a detailed look at the complex natural history of the cormorant, the book explores the implications of congressional acts and international treaties, the workings and philosophies of state and federal wildlife agencies, the unrelenting efforts of aquaculture and fishing interests to "cull" cormorant numbers to "acceptable" levels, and the reactions and visions of conservation groups. Wild examines both popular preconceptions about cormorants (what kinds of fish they eat and how much) and the effectiveness of ongoing efforts to control the cormorant population. Finally, the book delves into the question of climate and terrain changes, their consequences for cormorants, the new territories to which the birds must adapt, and the conflicts this species is likely to face going forward.
The editors have included works from a wide variety of genres-poetry, short stories, drama, and essays-allowing readers to understand the true interdisciplinary quality of this cultural movement. Biographical sketches of the authors are provided and most of the pieces are included in their entirety. Double-Take also includes artwork and illustrations, many of which are from original journals and have never before been reprinted. Significantly, Double-Take is the first Harlem Renaissance title to include song lyrics to illustrate the interrelation of various art forms.
Nadine Gordimer has written of J. M. Coetzee that his ‘vision goes to the nerve-centre of being. What he finds there is more than most people will ever know about themselves, and he conveys it with a brilliant writer’s mastery of tension and elegance.’ Doubling the Point takes us to the center of that vision. These essays and interviews, documenting Coetzee’s longtime engagement with his own culture, and with modern culture in general, constitute a literary autobiography of striking intellectual, moral, and political force.
Centrally concerned with the form and content of fiction. Doubling the Point provides rigorous insight into the significance of certain writers (particularly modernists such as Kafka, Musil, and Beckett), the value of intellectual movements (from structuralism and structural linguistics on through deconstruction), and the issues of political involvement and responsibility—not only for Coetzee’s own work, but for fiction writing in general. In interviews prefacing each section of the book, Coetzee reflects on the essays to follow and relates them to his life and work. In these interviews editor David Attwell, remarkably well attuned to his subject, prompts from Coetzee answers of extraordinary depth and interest.
The result is the story of a fiction writer’s intellectual development, and of an intellectual’s literary development. It is the story of how one writer has moved through the scholarly and political trends of the last thirty years, carefully assessing their applications and limitations, and through this experience forged for himself a unique and powerful literary voice informed in equal parts by life and learning.
Doubly Chosen provides the first detailed study of a unique cultural and religious phenomenon in post-Stalinist Russia—the conversion of thousands of Russian Jewish intellectuals to Orthodox Christianity, first in the 1960s and later in the 1980s. These time periods correspond to the decades before and after the great exodus of Jews from the Soviet Union. Judith Deutsch Kornblatt contends that the choice of baptism into the Church was an act of moral courage in the face of Soviet persecution, motivated by solidarity with the values espoused by Russian Christian dissidents and intellectuals. Oddly, as Kornblatt shows, these converts to Russian Orthodoxy began to experience their Jewishness in a new and positive way.
Working primarily from oral interviews conducted in Russia, Israel, and the United States, Kornblatt underscores the conditions of Soviet life that spurred these conversions: the virtual elimination of Judaism as a viable, widely practiced religion; the transformation of Jews from a religious community to an ethnic one; a longing for spiritual values; the role of the Russian Orthodox Church as a symbol of Russian national culture; and the forging of a new Jewish identity within the context of the Soviet dissident movement.
The autocratic rule of both tsar and church in imperial Russia gave rise not only to a revolutionary movement in the nineteenth century but also to a crisis of meaning among members of the intelligentsia. Personal faith became the subject of intense scrutiny as individuals debated the existence of God and the immortality of the soul, debates reflected in the best-known novels of the day. Friendships were formed and broken in exchanges over the status of the eternal. The salvation of the entire country, not just of each individual, seemed to depend on the answers to questions about belief.
Victoria Frede looks at how and why atheism took on such importance among several generations of Russian intellectuals from the 1820s to the 1860s, drawing on meticulous and extensive research of both published and archival documents, including letters, poetry, philosophical tracts, police files, fiction, and literary criticism. She argues that young Russians were less concerned about theology and the Bible than they were about the moral, political, and social status of the individual person. They sought to maintain their integrity against the pressures exerted by an autocratic state and rigidly hierarchical society. As individuals sought to shape their own destinies and searched for truths that would give meaning to their lives, they came to question the legitimacy both of the tsar and of Russia’s highest authority, God.
According to Hoffman, modern philosophy becomes fully intelligible and coherent only when the notion of human violence is given paramount importance. After briefly pointing out some significant parallels between Hobbes and Descartes, Hoffman undertakes a careful examination of ideas about doubt and time in the works of Descartes and Hegel, and, above all, in Heidegger's Being and Time. In a chapter on doubt, Hoffman shows that the skeptical predicament into which man is placed by Descartes's "evil demon" and Heidegger's "death" is grounded in the notion of complete vulnerability to an "other," a vulnerability revealed only in violent confrontation. Hoffman then compares Hegel's and Heidegger's views on time, showing that they presuppose the possibility of viewing the present as a complete break with the past. This possibility is again grounded in the experience of violent struggle with another human being. Hoffman concludes by linking philosophical concepts of doubt and time to ordinary experience.
A lucid, intelligent, and persuasive work, firmly grounded in the texts it considers, Doubt, Time, Violence will challenge philosophers and interest all who ponder the significance of violence.
In the first half of the book, “Tribal History,” Gould ingeniously repurposes the sonnet form to preserve the stories of her mother and aunt, who grew up when “muleback was the customary mode / of transport” and the “spirit world was present”—stories of “old ways” and places claimed in memory but lost in time. Elsewhere, she remembers her mother’s “ferocious, upright anger” and her unexpected tenderness (“Like a miracle, I was still her child”), culminating in the profound expression of loss that is the poem “Our Mother’s Death.”
In the second half of the book, “It Was Raining,” Gould tells of the years of lonely self-making and “unfulfilled dreams” as she comes to terms with what she has been told are her “crazy longings” as a lesbian: “It’s been hammered into me / that I’ll be spurned / by a ‘real woman,’ / the only kind I like.” The writing here commemorates old loves and relationships in language that mingles hope and despair, doubt and devotion, veering at times into dreamlike moments of consciousness. One poem and vignette at a time, Doubters and Dreamers explores what it means to be a mixed-blood Native American who grew up urban, lesbian, and middle class in the West.
In Doubtful Harbor, Idris Anderson turns wandering into art. From large landscapes to the minutest details, she seeks with each poem to convey the world more clearly, acutely, and exquisitely. As she meditates on indelible moments with intimate others, friends, and strangers, she teases from these encounters their elusive connections and disconnections. As Sherod Santos wrote when selecting the book for the Hollis Summers Poetry Prize, “These are not the journeys of a tourist, but of a wandering solitaire whose purpose is not to maintain a travelogue, but to lose herself in the otherness of her surroundings.”
Doubt is itself a driving force here, an engine of both questing and questioning. As exact as Anderson’s eye is, her poems draw energy from ambiguity as she renders interior and exterior landscapes—foreign and domestic, lovely and littered, familiar and strange.
About the disciple known as Doubting Thomas, everyone knows at least this much: he stuck his finger into the risen Jesus’ wounds. Or did he? A fresh look at the Gospel of John reveals how little we may really understand about this most perplexing of biblical figures, and how much we might learn from the strange twists and turns Thomas’s story has taken over time.
From the New Testament, Glenn W. Most traces Thomas’s permutations through the centuries: as Gnostic saint, missionary to India, paragon of Christian orthodoxy, hero of skepticism, and negative example of doubt, blasphemy, stupidity, and violence. Rife with paradoxes and tensions, these creative transformations at the hands of storytellers, theologians, and artists tell us a great deal about the complex relations between texts and their interpretations—and about faith, love, personal identity, the body, and twins, among other matters.
Doubting Thomas begins with a close reading of chapter 20 of the Gospel of John, set against the conclusions of the other Gospels, and ends with a detailed analysis of the painting of this subject by Caravaggio, setting it within the pictorial traditions of late antiquity, the Middle Ages, and the Renaissance. Along the way, Most considers narrative reactions to John’s account by storytellers of various religious persuasions, and Christian theologians’ interpretations of John 20 from the second century ad until the Counter-Reformation. His work shows how Thomas’s story, in its many guises, touches upon central questions of religion, philosophy, hermeneutics, and, not least, life.
The Douglass Century celebrates the college’s longevity and diversity as distinctive accomplishments, and analyzes the contributions of Douglass administrators, alumnae, and students to its survival, while also investigating multiple challenges that threatened its existence. This book demonstrates how changing historical circumstances altered the possibilities for women and the content of higher education, comparing the Jazz Age, American the Great Depression, the Second World War, the post-war Civil Rights era, and the resurgence of feminism in the 1970s and 1980s. Concluding in the present day, the authors highlight the college’s ongoing commitment to Mabel Smith Douglass’ founding vision, “to bring about an intellectual quickening, a cultural broadening in connection with specific training so that women may go out into the world fitted…for leadership…in the economic, political, and intellectual life of this nation.” In addition to providing a comprehensive history of the college, the book brings its subjects to life with eighty full-color images from the Special Collections and University Archives, Rutgers University Libraries.
As valuable as these writings are in illuminating the man, the story Douglass told in 1845 has become rather too easy to tell, obscuring as much as it reveals. Less a living presence than an inspiring tale, Frederick Douglass remains relatively unknown even to many of those who celebrate his achievements. Douglass in His Own Time offers an introduction to Douglass the man by those who knew him. The book includes a broad range of writings, some intended for public viewing and some private correspondence, all of which contend with the force of Douglass’s tremendous power over the written and spoken word, his amazing presence before crowds, his ability to improvise, to entertain, to instruct, to inspire—indeed, to change lives through his eloquent appeals to righteous self-awareness and social justice. In approaching Douglass through the biographical sketches, memoirs, letters, editorials, and other articles about him, readers will encounter the complexity of a life lived on a very public stage, the story of an extraordinary black man in an insistently white world.
As a lens into contemporary life, the title sequence interrogates the vision of Pierre Teilhard de Chardin, whose sense of our increasingly interwoven cultural conversation figures now as a premonition of the internet. If his hope for the noosphere as a fulfillment of divine promise feels problematic, it nonetheless sees our globe as an organism whose long-term survival depends on the capacity of each to forge friendship across difference, to take the health and integration of the individual as emblematic of the whole.
The Uyghurs, a Turkic group, account for half the population of the Xinjiang region in northwestern China. This ethnography presents a thick description of life in the Uyghur suburbs of Yining, a city near the border with Kazakhstan, and situates that account in a broader examination of Uyghur culture. Its four sections explore topics ranging from family life to market trading, from informal socializing to forms of religious devotion. Uniting these topics are an emphasis on the role folklore and personal narrative play in helping individuals situate themselves in and create communities and social groups, and a focus on how men’s concerns to advance themselves in an agonistic world of status competition shape social life in Uyghur communities.
The narrative is framed around the terms identity, community, and masculinity. As the author shows, Yining’s Uyghurs express a set of individual and collective identities organized around place, gender, family relations, friendships, occupation, and religious practice. In virtually every aspect of their daily lives, individuals and families are drawn into dense and overlapping networks of social relationships, united by a shared engagement with the place of men’s status competition within daily life in the community.
While pursuing a race for district prosecutor in the 1970s, Glasgow had run afoul of the local political machine. The machine later decided to teach Glasgow a lesson even though he’d lost the race. Down and Dirty Down South is Glasgow’s story of how he attempted to clear his name and also track down the people who had set him up for charges of smuggling illegal drugs into the United States.
Drawing on fascinating ethnographic insights, von Mahs shows how homeless people in both cities face sociospatial exclusion-legal displacement for criminal activities, poor shelters in impoverished neighborhoods, as well as market barriers that restrict reintegration. Providing a necessary wake-up call, Down and Out in Los Angeles and Berlin addresses the critical public policy issues that can produce effective services to improve homeless people's chances for a lasting exit.
Finding a job used to be simple. Now . . . well, it’s complicated. In today’s economy, you can’t just be an employee looking to get hired—you have to market yourself as a business, one that can help another business achieve its goals.
That’s a radical transformation in how we think about work and employment, says Ilana Gershon. And with Down and Out in the New Economy, she digs deep into that change and what it means, not just for job seekers, but for businesses and our very culture. In telling this story, Gershon covers all parts of the employment spectrum: she interviews hiring managers about how they assess candidates; attends personal branding seminars; talks with managers at companies around the United States to suss out regional differences—like how Silicon Valley firms look askance at the lengthier employment tenures of applicants from the Midwest. And she finds that not everything has changed: though the technological trappings may be glitzier, in a lot of cases, who you know remains more important than what you know.
Rich in the voices of people deeply involved with all parts of the employment process, Down and Out in the New Economy offers a snapshot of the quest for work today—and a pointed analysis of its larger meaning.
In 1990, a suburban Chicago race for the Republican Party nomination for state representative unexpectedly became a national proxy battle over abortion in the United States. But the hard-fought primary also illustrated the overlooked importance of down-ballot contests in America’s culture wars. Patrick Wohl offers the dramatic account of a rollercoaster campaign that, after attracting political celebrities and a media circus, came down to thirty-one votes, a coin toss to determine the winner, and a recount fight that set a precedent for how to count dimpled chads. As the story unfolds, Wohl provides a rare nuts-and-bolts look at an election for state office from its first days through the Illinois Supreme Court decision that decided the winner--and set the stage for a decisive 1992 rematch.
A compelling political page-turner, Down Ballot takes readers behind the scenes of a legendary Illinois election.
Joyner recovers an entire lost society and way of life from the letters, diaries, and memoirs of the plantation whites and their guests, from quantitative analysis of census and probate records, and above all from the folklore and oral history of the enslaved Americans. His classic reconstruction of daily life in All Saints Parish is an inspiring testimony to the ingenuity and solidarity of a people.
This anniversary edition of Joyner's landmark study includes a new introduction in which the author recounts his process of writing the book, reflects on its critical and popular reception, and surveys the past three decades of scholarship on the history of enslaved people in the United States.
For more than a decade, Doležal taught in the Midwest throughout the school year but returned to Montana and Idaho in the summers to work as a firefighter and wilderness ranger. He reveled in the life of the body and the purifying effects of isolation and nature, believing he had found transcendence. Yet his summers tied him even more to the mountain landscape, fueling his sense of exile on the plains.
It took falling in love, marrying, and starting a family in Iowa to allow Doležal to fully examine his desire for a spiritual mountaintop from which to view the world. In doing so, he undergoes a fundamental redefinition of the nature of home and belonging. He learns to accept the plains on their own terms, moving from condemnation to acceptance and from isolation to community. Coming down from the mountaintop means opening himself to relationships, grounding himself as a husband, father, and gardener who learns that where things grow, the grower also takes root.
An interpretive bricolage that draws on an unlikely archive of 1930s detritus—office memos, scribbled manuscripts, scrapbooks, ruined photographs, newspaper clippings, glass eyes, incinerated stage sets, pulp novels, and junk washed ashore—Down in the Dumps escorts its readers through Reno’s divorce factory of the 1930s, where couples from across the United States came to quickly dissolve matrimonial bonds; Key West’s multilingual salvage economy and its status as the island that became the center of an ideological tug-of-war between the American New Deal government and a politically fraught Caribbean; post-Renaissance Harlem, in the process of memorializing, remembering, grieving, and rewriting a modernity that had already passed; and Studio-era Hollywood, Nathanael West’s “dump of dreams,” in which the introduction of sound in film and shifts in art direction began to transform how Americans understood place-making and even being itself. A coda on Alcatraz and the Pentagon brings the book into the present, exploring how American Depression comes to bear on post-9/11 America.
In Down on Mahans Creek, Benjamin Rader provides a fascinating look at a neighborhood in the Missouri Ozarks from the early nineteenth to the mid-twentieth century. He explores the many ways in which Mahans Creek, though remote, was never completely isolated or self-sufficient. The residents were deeply affected by the Civil War, and the arrival of the railroad and the timber boom in the 1890s propelled the community into modern times, creating a more fast-paced and consumer-oriented way of life and a new moral sensibility. During the Great Depression the creek’s residents returned to some of the older values for survival. After World War II, modern technology changed their lives again, causing a movement away from the countryside and to the nearby small towns.
Down on Mahans Creek tells the dynamic story of this distinctive neighborhood navigating the push and pull of the old and new ways of life.
Juliette, a woman he met during that time, has been stopped by police well over one hundred times, arrested upward of sixty times, and has given up more than a year of her life serving week-long jail sentences. Her most common crime? Simply sitting on the sidewalk—an arrestable offense in LA.
Why? What purpose did those arrests serve, for society or for Juliette? How did we reach a point where we’ve cut support for our poorest citizens, yet are spending ever more on policing and prisons? That’s the complicated, maddening story that Stuart tells in Down, Out and Under Arrest, a close-up look at the hows and whys of policing poverty in the contemporary United States. What emerges from Stuart’s years of fieldwork—not only with Skid Row residents, but with the police charged with managing them—is a tragedy built on mistakes and misplaced priorities more than on heroes and villains. He reveals a situation where a lot of people on both sides of this issue are genuinely trying to do the right thing, yet often come up short. Sometimes, in ways that do serious harm.
At a time when distrust between police and the residents of disadvantaged neighborhoods has never been higher, Stuart’s book helps us see where we’ve gone wrong, and what steps we could take to begin to change the lives of our poorest citizens—and ultimately our society itself—for the better.
Down Syndrome Culture also pushes the traditionally Anglophone borders of disability studies by examining examples in Spanish, Catalan, and Portuguese-language texts, and incorporating the work of thinkers in Iberian and Latin American studies. Through a close analysis of life writing, documentaries, and fiction films, the book emphasizes the central role of people with Down syndrome in contemporary cultural production. Chapters discuss the autobiography of Andy Trias Trueta, the social actors of the documentary Los niños [The Grown-Ups] (2016), dancers from Danza Mobile, and a variety of fiction films, challenging ableist understandings of disability in nuanced ways. Ultimately, this book reveals the lives, cultural work, and representations of people with trisomy 21 in an international context.
Summer visitors and year-round residents alike are sure to discover Jersey Shore lore that captures their fancy in this entertaining account of the people, places, and events that have shaped New Jersey’s famous shoreline.
From ghost stories and the comic misadventures of the early Miss America Pageant to the dynamics of the changing coastline and poignant portraits of traditional crafts workers, Russell Roberts and Rich Youmans have chronicled the fascinating history and heritage of the New Jersey Shore. In this book you’ll meet the luminaries who’ve frequented the Shore—from President Ulysses Grant strolling through Long Branch to Grace Kelly learning to surf at Ocean City. You’ll find out why the boardwalk was invented, and also why early ones were removable. Join the authors as they pay tribute to the Shore’s forgotten inventors, including Simon Lake, who some consider the true father of the modern submarine. Relive the Jersey Shore’s role in wartime and learn the story of the mysterious Nazi submarine sunken off of Point Pleasant Beach. Read about Lucy the Margate Elephant, as a well as her two long-gone “cousins.”
Discover all this and more as Roberts and Youmans explore the vast uncharted heritage of the New Jersey Shore.
Down to Earth presents the first comprehensive overview of the geopolitical maneuvers, financial investments, technological innovations, and ideological struggles that take place behind the scenes of the satellite industry. Satellite projects that have not received extensive coverage—microsatellites in China, WorldSpace in South Africa, SiriusXM, the failures of USA 193 and Cosmos 954, and Iridium—are explored. This collection takes readers on a voyage through a truly global industry, from the sites where satellites are launched to the corporate clean rooms where they are designed, and along the orbits and paths that satellites traverse. Combining a practical introduction to the mechanics of the satellite industry, a history of how its practices and technologies have evolved, and a sophisticated theoretical analysis of satellite cultures, Down to Earth opens up a new space for global media studies.
Dyas’s photographs present both the sweaty intensity of live performances and the more contemplative moments of individual portraits. They are complemented by Chris Offutt’s empathetic essay, which also encapsulates the experience of connecting with a new home through its music. A companion CD with eighteen tracks by Iowa’s finest singer/songwriters, including Dave Moore, Greg Brown, Bo Ramsey, David Zollo, and Pieta Brown, add up to an unmatched perspective on Iowa music and musicians.
CD Tracks
1. Iowa Crawl, Joe Price
2. Poor Back Slider, Greg Brown
3. Parnell, David Zollo
4. #807, Pieta Brown
5. Wheels of Steel, Radoslav Lorkovic
6. Down to the River, Dave Moore
7. Lucy and Andy Drive to Arkansas, Kevin Gordon
8. Chuck Brown, Mike and Amy Finders
9. Nobody But You, Joe Price
10. Earleton, BeJae Fleming
11. Ceremonial Child, High and Lonesome
12. Sidetrack Lounge, Bo Ramsey
13. On the Edge, Pieta Brown
14. One Wrong Turn, Greg Brown
15. Not in Iowa, Kelly Pardekooper
16. Living in a Cornfield, Bo Ramsey
17. ’57 Chevy, Tom Jessen’s Dimestore Outfit
18. Roll on John, the Pines
Down with the Crown seeks to fill this gap and to modify assumptions about the failure of radicals to contest monarchy effectively by looking at the issue of anti-monarchism in British politics from the French Revolution to the death of Diana, Princess of Wales. It also deals with debates about the House of Lords and with the republican movements in former colonies such as Australia. At a time when European integration, devolution in Wales and Scotland, and reform of the House of Lords are forcing Britain to take stock of its governing institutions, this book represents a significant contribution to the debates surrounding the House of Windsor.
Teamed with scientists and other volunteer naturalists, Zwinger was part of an ongoing study of change along the Colorado. In all seasons and all weathers, in almost every kind of craft that goes down the waves, she returned to the Grand Canyon again and again to explore, look, and listen. From the thrill of running the rapids to the wonder in a grain of sand, her words take the reader down 280 miles of the "ever-flowing, energetic, whooping and hollering, galloping" river.
Zwinger's book begins with a bald eagle count at Nankoweap Creek in January and ends with a subzero, snowy walk out of the canyon at winter solstice. Between are the delights of spring in side canyons, the benediction of rain on a summer beach, and the chill that comes off limestone walls in November.
Her eye for detail catches the enchantment of small things played against the immensity of the river: the gatling-gun love song of tree frogs; the fragile beauty of an evening primrose; ravens "always in close attendance, like lugubrious, sharp-eyed, nineteenth-century undertakers"; and a golden eagle chasing a trout "with wings akimbo like a cleaning lady after a cockroach."
As she travels downstream, Zwinger follows others in history who have risked—and occasionally lost—their lives on the Colorado. Hiking in narrow canyons, she finds cliff dwellings and broken pottery of prehistoric Indians. Rounding a bend or running a rapid, she remembers the triumphs and tragedies of early explorers and pioneers. She describes the changes that have come with putting a big dam on a big river and how the dam has affected the riverine flora and fauna as well as the rapids and their future.
Science in the hands of a poet, this captivating book is for armchair travelers who may never see the grandiose Colorado and for those who have run it wisely and well. Like the author, readers will find themselves bewitched by the color and flow of the river, and enticed by what's around the next bend. With her, they will find its rhythms still in the mind, long after the splash and spray and pound are gone.
The Green River, the most significant tributary of the Colorado River, runs 730 miles from the glaciers of Wyoming to the desert canyons of Utah. Over its course, it meanders through ranches, cities, national parks, endangered fish habitats, and some of the most significant natural gas fields in the country, as it provides water for 33 million people. Stopped up by dams, slaked off by irrigation, and dried up by cities, the Green is crucial, overused, and at-risk, now more than ever.
Fights over the river’s water, and what’s going to happen to it in the future, are longstanding, intractable, and only getting worse as the West gets hotter and drier and more people depend on the river with each passing year. As a former raft guide and an environmental reporter, Heather Hansman knew these fights were happening, but she felt driven to see them from a different perspective—from the river itself. So she set out on a journey, in a one-person inflatable pack raft, to paddle the river from source to confluence and see what the experience might teach her. Mixing lyrical accounts of quiet paddling through breathtaking beauty with nights spent camping solo and lively discussions with farmers, city officials, and other people met along the way, Downriver is the story of that journey, a foray into the present—and future—of water in the West.
Downtown America cuts beneath the archetypal story of downtown's rise and fall and offers a dynamic new story of urban development in the United States. Moving beyond conventional narratives, Alison Isenberg shows that downtown's trajectory was not dictated by inevitable free market forces or natural life-and-death cycles. Instead, it was the product of human actors—the contested creation of retailers, developers, government leaders, architects, and planners, as well as political activists, consumers, civic clubs, real estate appraisers, even postcard artists. Throughout the twentieth century, conflicts over downtown's mundane conditions—what it should look like and who should walk its streets—pointed to fundamental disagreements over American values.
Isenberg reveals how the innovative efforts of these participants infused Main Street with its resonant symbolism, while still accounting for pervasive uncertainty and fears of decline. Readers of this work will find anything but a story of inevitability. Even some of the downtown's darkest moments—the Great Depression's collapse in land values, the rioting and looting of the 1960s, or abandonment and vacancy during the 1970s—illuminate how core cultural values have animated and intertwined with economic investment to reinvent the physical form and social experiences of urban commerce. Downtown America—its empty stores, revitalized marketplaces, and romanticized past—will never look quite the same again.
A book that does away with our most clichéd approaches to urban studies, Downtown America will appeal to readers interested in the history of the United States and the mythology surrounding its most cherished institutions.
A Choice Oustanding Academic Title.
Winner of the 2005 Ellis W. Hawley Prize from the Organization of American Historians.
Winner of the 2005 Lewis Mumford Prize for Best Book in American
Planning History.
Winner of the 2005 Historic Preservation Book Price from the University of Mary Washington Center for Historic Preservation.
Named 2005 Honor Book from the New Jersey Council for the Humanities.
At least 200,000 people have died in Mexico’s so-called drug war, and the worst suffering has been in Ciudad Juárez, across the border from El Paso, Texas. How did it get so bad? After three decades studying that question, Howard Campbell doesn’t believe there is any one answer. Misguided policies, corruption, criminality, and the borderland economy are all factors. But none of these reasons explain how violence in downtown Juárez has become heartbreakingly “normal.”
A rigorous yet moving account, Downtown Juárez is informed by the sex workers, addicts, hustlers, bar owners, human smugglers, migrants, and down-and-out workers struggling to survive in an underworld where horrifying abuses have come to seem like the natural way of things. Even as Juárez’s elite northeast section thrives on the profits of multinational corporations, and law-abiding citizens across the city mobilize against crime and official malfeasance, downtown’s cantinas, barrios, and brothels are tyrannized by misery.
Campbell’s is a chilling perspective, suggesting that, over time, violent acts feed off each other, losing their connection to any specific cause. Downtown Juárez documents this banality of evil—and confronts it—with the stories of those most affected.
Both by-products of and participants in globalization, ICIs operate on multiple levels and, since their emergence in the 1970s, have made significant contributions to the regional, national, and global economies. Gina Ulysse carefully explores how ICIs, determined to be self-employed, struggle with government regulation and other social tensions to negotiate their autonomy. Informing this story of self-fashioning with reflections on her own experience as a young Haitian anthropologist, Ulysse combines the study of political economy with the study of individual and collective identity to reveal the uneven consequences of disrupting traditional class, color, and gender codes in individual societies and around the world.
Rómulo Gallegos is best known for being Venezuela’s first democratically elected president. But in his native land he is equally famous as a writer responsible for one of Venezuela’s literary treasures, the novel Doña Barbara. Published in 1929 and all but forgotten by Anglophone readers, Doña Barbara is one of the first examples of magical realism, laying the groundwork for later authors such as Gabriel García Márquez and Mario Vargas Llosa.
Following the epic struggle between two cousins for an estate in Venezuela, Doña Barbara is an examination of the conflict between town and country, violence and intellect, male and female. Doña Barbara is a beautiful and mysterious woman—rumored to be a witch—with a ferocious power over men. When her cousin Santos Luzardo returns to the plains in order to reclaim his land and cattle, he reluctantly faces off against Doña Barbara, and their battle becomes simultaneously one of violence and seduction. All of the action is set against the stunning backdrop of the Venezuelan prairie, described in loving detail. Gallegos’s plains are filled with dangerous ranchers, intrepid cowboys, and damsels in distress, all broadly and vividly drawn. A masterful novel with an important role in the inception of magical realism, Doña Barbara is a suspenseful tale that blends fantasy, adventure, and romance.
Hailed as “the Bovary of the llano” by Larry McMurtry in his new foreword to this book, Doña Barbarais a magnetic and memorable heroine, who has inspired numerous adaptations on the big and small screens, including a recent television show that aired on Telemundo.
Doña María’s testimony is grounded in both the local context (based on the author’s thirteen years of historical and ethnographic research in Berisso) and a broader national narrative. In this way, it differs from the dominant genre of women’s testimonial literature, and much recent ethnographic work in Latin America, which have often neglected historical and communal contextualization in order to celebrate individual agency and self-construction. James examines in particular the ways that gender influences Doña María’s representation of her story. He is careful to acknowledge that oral history challenges the historian to sort through complicated sets of motivations and desires—the historian’s own wish to uncover “the truth” of an informant’s life and the interviewee’s hope to make sense of her or his past and encode it with myths of the self. This work is thus James’s effort to present his research and his relationship with Doña María with both theoretical sophistication and recognition of their mutual affection.
While written by a historian, Doña María’s Story also engages with concerns drawn from such disciplines as anthropology, cultural studies, and literary criticism. It will be especially appreciated by those involved in oral, Latin American, and working-class history.
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