This issue includes “Apostolic Geography: The Origins and Continuity of a Hagiographic Habit” (Scott Fitzgerald Johnson); “John Lydus and His Contemporaries on Identities and Cultures of Sixth-Century Byzantium” (Sviatoslav Dmitriev); “Grotesque Bodies in Hagiographical Tales: The Monstrous and the Uncanny in Byzantine Collections of Miracle Stories” (Stavroula Constantinou); “Byzantine Political Culture and Compilation Literature in the Tenth and Eleventh Centuries: Some Preliminary Inquiries” (Catherine Holmes); “Byzantine Mirrors: Self-Reflection in Medieval Greek Writing” (Stratis Papaioannou); “Transformative Narratives and Shifting Identities in the Narthex of the Boiana Church” (Rossitza B. Schroeder); “Tracing Monastic Economic Interests and Their Impact on the Rural Landscape of Late Byzantine Lemnos” (Fotini Kondyli); “The Imperial Image at the End of Exile: The Byzantine Embroidered Silk in Genoa and the Treaty of Nymphaion (1261)” (Cecily J. Hilsdale); “A Byzantine Text on the Technique of Icon Painting” (Georgi R. Parpulov, Irina V. Dolgikh, and Peter Cowe); and “New Archaeology at Ancient Scetis: Surveys and Initial Excavations at the Monastery of St. John the Little in Wādī al-Naṭrūn” (Darlene Brooks Hedstrom with Stephen J. Davis, Tomasz Herbich, Salima Ikram, Dawn McCormack, Marie-Dominique Nenna, and Gillian Pyke).

This issue includes “Bishops and Territory: The Case of Late Roman and Byzantine North Africa” (Anna Leone); “A Conflicted Heritage: The Byzantine Religious Establishment of a War Ethic” (J. A. McGuckin); “Hoards and Hoarding Patterns in the Early Byzantine Balkans” (Florin Curta and Andrei Gândilă); “Light, Color, and Visual Illusion in the Poetry of Venantius Fortunatus” (Michael Roberts); “At the Edge of Two Empires: The Economy of Cyprus between Late Antiquity and the Early Middle Ages (650s–800s CE)” (Luca Zavagno); “China, Byzantium, and the Shadow of the Steppe” (David A. Graff); “‘And So, with the Help of God’: The Byzantine Art of War in the Tenth Century” (Robert S. Nelson); “The Image of the Virgin Nursing (Galaktotrophousa) and a Unique Inscription on the Seals of Romanos, Metropolitan of Kyzikos” (John Cotsonis); “Marching across Anatolia: Medieval Logistics and Modeling the Mantzikert Campaign” (John Haldon with Vince Gaffney, Georgios Theodoropoulos, and Phil Murgatroyd); “The Moral Pieces by Theodore II Laskaris” (Dimiter G. Angelov); “Mary Magdalene between East and West: Cult and Image, Relics and Politics in the Late Thirteenth-Century Eastern Mediterranean” (Vassiliki A. Foskolou); “Byzantine Houses and Modern Fictions: Domesticating Mystras in 1930s Greece” (Kostis Kourelis); and “The White Monastery Federation Project: Survey and Mapping at the Monastery of Apa Shenoute (Dayr al-Anba Shinūda), Sohag, 2005–2007” (Darlene L. Brooks Hedstrom and Elizabeth S. Bolman with Mohammed Abdel Rahim, Saad Mohammed, Dawn McCormack, Tomasz Herbich, Gillian Pyke, Louise Blanke, Tracy Musacchio, and Mohammed Khalifa).

Founded in 1941, the annual journal Dumbarton Oaks Papers is dedicated to the publication of articles relating to late antique, early medieval, and Byzantine civilization in the fields of art and architecture, history, archaeology, literature, theology, law, and auxiliary disciplines.

This issue includes “The Canon Tables of the Psalms: An Unknown Work of Eusebius of Caesarea” by Martin Wallraff; “Histoires ‘Gothiques’ à Byzance: Le Saint, Le Soldat, et Le Miracle d’Euphémie et du Goth (BHG 739)” by Charis Messis and Stratis Papaioannou; “Reassessing the Sarcophagi of Ravenna” by Edward M. Schoolman; “Sources for the Study of Liturgy in Post-Byzantine Jerusalem (638–1187 CE)” by Daniel Galadza; “(Re)Mapping Medieval Antioch: Urban Transformations from the Early Islamic to the Middle Byzantine Periods” by A. Asa Eger; “Melkites and Icon Worship during the Iconoclastic Period” by Juan Signes Codoñer; “The Anzas Family: Members of the Byzantine Civil Establishment in the Eleventh, Twelfth, and Thirteenth Centuries” by John Nesbitt and Werner Seibt; “Viewing and Description in Hysmine and Hysminias: The Fresco of the Virtues” by Paroma Chatterjee; “The Documents of Dominicus Grimani, Notary in Candia (1356–1357)” by Nicky Tsougarakis; and “The Church of Saints Sergius and Bacchus in Kaftūn (Northern Lebanon) and Its Wall Paintings” by Tomasz Waliszewski, Krzysztof Chmielewski, Mat Immerzeel, and Nada Hélou.

This issue includes “Exiling Bishops: The Policy of Constantius II,” by Walt Stevenson; “In Search of Monotheletism,” by Jack Tannous; “The Archaeology and Reconstruction of Zuartʿnocʿ,” by Christina Maranci; “The South Vestibule of Hagia Sophia at Istanbul: The Ornamental Mosaics and the Private Door of the Patriarchate,” by Philipp Niewöhner and Natalia Teteriatnikov; “Reality and Invention: Reflections on Byzantine Historiography,” by Ralph-Johannes Lilie; “An Enigmatic Literature: Interpreting an Unedited Collection of Byzantine Riddles in a Manuscript of Cardinal Bessarion (Marcianus Graecus 512),” by Simone Beta; “Threads of Power: Clothing Symbolism, Human Salvation, and Female Identity in the Illustrated Homilies by Iakobos of Kokkinobaphos,” by Maria Evangelatou; “The Byzantino-Latin Principality of Adrianople and the Challenge of Feudalism (1204/6–ca. 1227/28): Empire, Venice, and Local Autonomy,” by Filip Van Tricht; “The Image of the Virgin on the Sinai Hexaptych and the Apse Mosaic of Hagia Sophia, Constantinople,” by Zaza Skhirtladze; “Odd Surnames Beginning with Alpha: A Selection of Examples on Byzantine Seals in the Harvard Collections,” by Werner Seibt and John Nesbitt; “The Miniatures in the Rabbula Gospels: Postscripta to a Recent Book,” by Massimo Bernabò; and “Fieldwork Report: Results of the Tophane Area GPR Surveys, Bursa, Turkey,” by Suna Çağaptay with April Kamp-Whittaker and Lawrence Conyers.

In this issue: Jeffrey Wickes, “Mapping the Literary Landscape of Ephrem’s Theology of Divine Names”; Örgü Dalgıç, “The Triumph of Dionysos in Constantinople”; Lain Wilson, “A Subaltern’s Fate”; Antony Eastmond, “The Heavenly Court, Courtly Ceremony, and the Great Byzantine Ivory Triptychs of the Tenth Century”; Timothy Greenwood, “A Corpus of Early Medieval Armenian Silver” (with an Appendix, “Carbunculus ardens: The Garnet on the Narses Cross in Context,” by Noël Adams); Stefanos Alexopoulos, “When a Column Speaks”; Floris Bernard, “Humor in Byzantine Letters of the Tenth to Twelfth Centuries”; Angelina Anne Volkoff, “Komnenian Double Surnames on Lead Seals”; Margaret Alexiou, “Of Longings and Loves”; Panagiotis A. Agapitos, “Literary Haute Cuisine and Its Dangers”; Niels Gaul, “Writing ‘with Joyful and Leaping Soul’”; Natalia Teteriatnikov, “The Last Palaiologan Mosaic Program of Hagia Sophia”; Jonathan Shea, “Longuet’s ‘Salonica Hoard’ and the Mint of Thessalonike in the Mid-Fourteenth Century”; Tera Lee Hedrick and Nina Ergin, “A Shared Culture of Heavenly Fragrance”; and Mark Jackson, “2007–2011 Excavations at Kilise Tepe.”

In this issue: Roland Betancourt, “Why Sight Is Not Touch: Reconsidering the Tactility of Vision in Byzantium”; Byron MacDougall, “Gregory Thaumaturgus: A Platonic Lawgiver”; Scott Fitzgerald Johnson, “‘The Stone the Builders Rejected’: Liturgical and Exegetical Irrelevancies in the Piacenza Pilgrim”; Nicholas Warner, “The Architecture of the Red Monastery Church (Dayr Anbā Bišūy) in Egypt: An Evolving Anatomy”; Ilene H. Forsyth with Elizabeth Sears, “George H. Forsyth and the Sacred Fortress at Sinai”; Heta Björklund, “Classical Traces of Metamorphosis in the Byzantine Hystera Formula”; Anne-Laurence Caudano, “‘These Are the Only Four Seas’: The World Map of Bologna, University Library, Codex 3632”; Charis Messis, “Les voix littéraires des eunuques: Genre et identité du soi à Byzance”; Przemysław Marciniak, “Reinventing Lucian in Byzantium”; Aglae Pizzone, “Audiences and Emotions in Eustathios of Thessalonike’s Commentaries on Homer”; Niels Gaul, “All the Emperor’s Men (and His Nephews): Paideia and Networking Strategies at the Court of Andronikos II Palaiologos, 1290–1320”; Christopher Wright, “Constantinople and the Coup d’État in Palaiologan Byzantium”; and Nadezhda Kavrus-Hoffmann, “A Newly Acquired Gospel Manuscript at Dumbarton Oaks (DO MS 5): Codicological and Paleographic Description and Analysis.”

In this issue: Maya Maskarinec, “Saints for All Christendom: Naturalizing the Alexandrian Saints Cyrus and John in Seventh- to Thirteenth-Century Rome”; Joe Glynias, “Prayerful Iconoclasts: Psalm Seals and Elite Formation in the First Iconoclast Era (726–750)”; Jordan Pickett, “Water and Empire in the De Aedificiis of Procopius”; Florin Leonte, “Visions of Empire: Gaze, Space, and Territory in Isidore’s Encomium for John VIII Palaiologos”; Anastasia Drandaki, “Piety, Politics, and Art in Fifteenth-Century Venetian Crete”; Julian Baker, Filippo Dompieri, and Turan Gökyildirim with Kelly Domoney, Tuğçe Pamuk, and Irmak Güneş Yüceil, “The Reformed Byzantine Silver-Based Currencies (ca. 1372–1379) in the Light of the Hoards from the Belgrade Gate”; Vasileios Marinis, “The Vision of Last Judgment in the Vita of Saint Niphon (BHG 1371z)”; Daniel Reynolds, “Rethinking Palestinian Iconoclasm”; Athanasios K. Vionis, “Understanding Settlements in Byzantine Greece: New Data and Approaches for Boeotia, Sixth to Thirteenth Century”; Nikos Zagklas, “Experimenting with Prose and Verse in Twelfth-Century Byzantium: A Preliminary Study”; and Christophe Erismann, “Theodore the Studite and Photius on the Humanity of Christ: A Neglected Byzantine Discussion on Universals in the Time of Iconoclasm.”

Published annually, the journal Dumbarton Oaks Papers was founded in 1941 for the publication of articles relating to Byzantine civilization.

In this issue: Audrey Becker, “Verbal and Nonverbal Diplomatic Communication at the Imperial Court of Constantinople (fifth–sixth Centuries)”; Alexandra Wassiliou-Seibt and Andreas Gkoutzioukostas, “The Origin and the Members of the Kamytzes Family: A Contribution to Byzantine Prosopography”; Michael Zellmann-Rohrer, “‘Psalms Useful for Everything’: Byzantine and Post-Byzantine Manuals for the Amuletic Use of the Psalter”; Raymond Van Dam, “Eastern Aristocracies and Imperial Courts: Constantine’s Half-Brother, Licinius’s Prefect, and Egyptian Grain”; Daniel Caner, “Not a Hospital but a Leprosarium: Basil’s Basilias and an Early Byzantine Concept of the Deserving Poor”; Paul Botley, “Greek Literature in Exile: The Books of Andronicus Callistus, 1475–1476”; Aude Busine, “The Dux and the Nun: Hagiography and the Cult of Artemios and Febronia in Constantinople”; Benjamin Garstad, “Dionysiac and Christian Elements in the Lysos Episode in the Greek Alexander Romance (β rec.).”

Published annually, the journal Dumbarton Oaks Papers was founded in 1941 for the publication of articles relating to Byzantine civilization.

In this issue: Walter E. Kaegi, “Irfan Shahîd (1926–2016)”; Daniel Galadza, “Robert F. Taft, S.J. (1932–2018)”; Sylvain Destephen, “From Mobile Center to Constantinople: The Birth of Byzantine Imperial Government”; Dina Boero, “Making a Manuscript, Making a Cult: Scribal Production of the Syriac Life of Symeon the Stylite in Late Antiquity”; Alexandre M. Roberts, “Framing a Middle Byzantine Alchemical Codex”; Lilia Campana, “Sailing into Union: The Byzantine Naval Convoy for the Council of Ferrara–Florence (1438–1439)”; Hugh G. Jeffery, “New Lead Seals from Aphrodisias”; Maria G. Parani, “Curtains in the Middle and Late Byzantine House”; Kostis Kourelis, “Wool and Rubble Walls: Domestic Archaeology in the Medieval Peloponnese”; Kathrin Colburn, “Loops, Tabs, and Reinforced Edges: Evidence for Textiles as Architectural Elements”; Eunice Dauterman Maguire, “Curtains at the Threshold: How They Hung and How They Performed”; Sabine Schrenk, “The Background of the Enthroned: Spatial Analysis of the Hanging with Hestia Polyolbos in the Dumbarton Oaks Collection”; Jennifer L. Ball, “Rich Interiors: The Remnant of a Hanging from Late Antique Egypt in the Collection of Dumbarton Oaks”; Maria Evangelatou, “Textile Mediation in Late Byzantine Visual Culture: Unveiling Layers of Meaning through the Fabrics of the Chora Monastery”; Thelma K. Thomas, “The Honorific Mantle as Furnishing for the Household Memory Theater in Late Antiquity: A Case Study from the Monastery of Apa Apollo at Bawit”; Avinoam Shalem, “‘The Nation Has Put On Garments of Blood’: An Early Islamic Red Silken Tapestry in Split”; and Elizabeth Dospěl Williams, “A Taste for Textiles: Designing Ummayad and Early ʿAbbāsid Interiors.”

Published annually, the journal Dumbarton Oaks Papers was founded in 1941 for the publication of articles relating to Byzantine civilization.

In this issue: John S. Langdon and Stephen W. Reinert, “Speros Vryonis Jr.: 1928–2019”; Abraham Terian, “Monastic Turmoil in Sixth-Century Jerusalem and the South Caucasus: The Letter of Patriarch John IV to Catholicos Abas of the Caucasian Albanians”; Coleman Connelly, “Continued Celebration of the Kalends of January in the Medieval Islamic East”; Victoria Gerhold, “The Legend of Euphratas: Some Notes on Its Origins, Development, and Significance”; Christos Simelidis, “Two Lives of the Virgin: John Geometres, Euthymios the Athonite, and Maximos the Confessor”; Georgios Makris, “Living in Turbulent Times: Monasteries, Settlements, and Laypeople in Late Byzantine Southwest Thrace”; Philipp Niewöhner, “The Significance of the Cross before, during, and after Iconoclasm: Early Christian Aniconism in Constantinople and Asia Minor”; Stefania Gerevini, “Art as Politics in the Baptistery and Chapel of Sant’Isidoro at San Marco, Venice”; Laura Pfuntner, “Between Science and Superstition: Photius, Diodorus Siculus, and ‘Hermaphrodites’”; Baukje van den Berg, “John Tzetzes as Didactic Poet and Learned Grammarian”; Matthew Kinloch, “In the Name of the Father, the Husband, or Some Other Man: The Subordination of Female Characters in Byzantine Historiography”; Levente László, “Rhetorius, Zeno’s Astrologer, and a Sixth-Century Astrological Compendium”; and Stig Simeon R. Frøyshov, “The Early History of the Hagiopolitan Daily Office in Constantinople: New Perspectives on the Formative Period of the Byzantine Rite.”

Published annually, the journal Dumbarton Oaks Papers was founded in 1941 for the publication of articles relating to Byzantine civilization.

In this issue: Margaret Mullet, “Ruth Juliana Macrides: 1949–2019”; Sihong Lin, “Justin under Justinian: The Rise of Emperor Justin II Revisited”; David Gyllenhaal, “Byzantine Melitene and the Social Milieu of the Syriac Renaissance”; Pavel Murdzhev, “The Introduction of the Moldboard Plow to Byzantine Thrace in the Eleventh Century”; Annemarie Weyl Carr, “The Lady and the Juggler: Mary East and West”; Robert S. Nelson, “A Miniature Mosaic Icon of St. Demetrios in Byzantium and the Renaissance”; Esra Akin-Kivanç, “In the Mirror of the Other: Imprints of Muslim–Christian Encounters in the Late Antique and Early Medieval Mediterranean”; Anna Chrysostomides, “John of Damascus’s Theology of Icons in the Context of Eighth-Century Palestinian Iconoclasm”; Max Ritter, “The Byzantine Afterlife of Procopius’s Buildings”; Jonathan L. Zecher, “Myths of Aerial Tollhouses and Their Tradition from George the Monk to the Life of Basil the Younger”; Nektarios Zarras, “Illness and Healing: Τhe Ministry Cycle in the Chora Monastery and the Literary Oeuvre of Theodore Metochites”; and Aleksandr Andreev, “The Order of the Hours in the Yaroslavl Horologion.”

Published annually, the journal Dumbarton Oaks Papers was founded in 1941 for the publication of articles relating to Byzantine civilization. Volume 76 includes articles on the law under Alexios I, politics under Manuel I, the economies of the major Mediterranean islands, the literature of Niketas Choniates, the trial of John bar ʿAbdun, and more.

Published annually, the journal Dumbarton Oaks Papers was founded in 1941 for the publication of articles relating to Byzantine civilization. Volume 77 includes articles on Byzantine insects, wine production and consumption in Anatolia, the Huqoq elephant mosaic, and more.

Dumbarton Oaks houses the extraordinary art collection begun by Mildred and Robert Woods Bliss. In this book the museum publishes the specialist collections in Byzantine and Pre-Columbian art, along with examples from the Blisses’ superb European collection, for the first time.

When Robert Bliss recalled handling a jade Olmec figurine in 1913, he said, “That day, the collector’s microbe took root in—it must be confessed—very fertile soil.” The Blisses’ passion for art bore fruit in a remarkably diverse collection: Flemish tapestries, Renaissance furniture, and paintings by the likes of El Greco, Renoir, and Degas. The celebrated Byzantine collection includes floor mosaics from late antique Antioch, sumptuous jewelry, carved ivory reliefs, liturgical silver, and a comprehensive coin and seals collection. The Pre-Columbian collection showcases fine jade carvings, gold jewelry, monumental sculpture, ritual weaponry, colorful ceramics, and intricately woven textiles.

The publication of this new guidebook coincides with the complete refurbishment of Dumbarton Oaks and the creative reinstallation of the galleries. The curators offer highlights of the collection, accompanied by a lucid and thought-provoking text. Dumbarton Oaks: The Collections is intended as a valuable resource and a pleasure to read for scholars and nonspecialists alike.

Striking out from his home in Jerusalem in search of a poetics of the Fertile Crescent, Levin probes the real and imaginative terrain of the Levant, a place that beckoned to him as a source of wonder and self-renewal. His footloose travels take him to the Jordan Valley; to Wadi Rumm south of Petra; to the semiarid Negev of modern-day Israel and its Bedouin villages; and, in his recounting of the origins of Arabic poetry, to the Empty Quarter of Arabia where the pre-Islamic poets once roamed. His meanderings lead to encounters with a host of literary presences: the wandering poet-prince Imru al-Qays, Byzantine empress Eudocia, British naturalist Henry Baker Tristram, Herman Melville making his way to the Dead Sea, and even New York avant-garde poet Frank O’Hara. When he is not confronting ghosts, Levin finds himself stumbling upon the traces of vanished civilizations. He discovers a ruined Umayyad palace on the outskirts of Jericho, the Greco-Roman hot springs near the Sea of Galilee, and Nabatean stick figures carved on stones in the sands of Jordan. Vividly evoking the landscape, cultures, and poetry of this ancient region, The Dune’s Twisted Edge celebrates the contested ground of the Middle East as a place of compound myths and identities.

In May of 1940, the armies of Nazi Germany were marching through France. In the face of this devastating advance, one of World War II’s greatest acts of heroism would be a retreat: the evacuation of the British Army from Dunkirk.

In Dunkirk: Fight to the Last Man, we are given an unprecedented vision of these harrowing days. Hugh Sebag-Montefiore has created a bold and powerful account of the small group of men who fended off the German army so that hundreds of thousands of their comrades could exit this doomed land. These brave troops, members of the British Expeditionary Forces and the French army, held a series of strong points inland, allowing the rest of the battered battalions to escape to the coast. Those that remained were ordered to fight to the last man.

Much has been written about the efforts of the Royal Navy in shuttling soldiers to safety, but here we are given an unparalleled look inside this massive operation and the invaluable role played by the BEF. Without the ferocity and bravery of the officers and ordinary soldiers on the ground, the German army would likely have encircled nearly half a million Allied soldiers. The loss of these battalions, Sebag-Montefiore argues, could have dramatically changed the direction of the war, and enabled Hitler to invade a weakened Britain.

This is military history at its best: a judicious analysis of the movement of the war, and a vivid feel of what it was like to be on the front line. Sebag-Montefiore brings these men—the forgotten heroes of Dunkirk—to life, and it is their valiant exploits and devotion to their brethren that form the heart of this important book.

No description available

An English translation of John Duns Scotus's The Questions on Aristotle's "De Interpretatione" including an extensive commentary on some of Scotus's more difficult ideas.

"How much history can be communicated by pressure on a guitar string?" Robert Palmer wondered in Deep Blues. Greil Marcus answers here: more than we will ever know. It is the history in the riff, in the movie or novel or photograph, in the actor's pose or critic's posturing--in short, the history in cultural happenstance--that Marcus reveals here, exposing along the way the distortions and denials that keep us oblivious if not immune to its lessons.

Whether writing about the Beat Generation or Umberto Eco, Picasso's Guernica or the massacre in Tiananmen Square, The Manchurian Candidate or John Wayne's acting, Eric Ambler's antifascist thrillers or Camille Paglia, Marcus uncovers the histories embedded in our cultural moments and acts, and shows how, through our reading of the truths our culture tells and those it twists and conceals, we situate ourselves in that history and in the world. Rarely has a history lesson been so exhilarating. With the startling insights and electric style that have made him our foremost writer on American music, Marcus brings back to life the cultural events that have defined us and our time, the social milieu in which they took place, and the individuals engaged in them. As he does so, we see that these cultural instances--as lofty as The Book of J, as humble as a TV movie about Jan and Dean, as fleeting as a few words spoken at the height of the Berkeley Free Speech Movement, as enduring as a Paleolithic painting--often have more to tell us than the master-narratives so often passed off as faultless representations of the past.

Again and again Marcus skewers the widespread assumption that history exists only in the past, that it is behind us, relegated to the dustbin. Here we see instead that history is very much with us, being made and unmade every day, and unless we recognize it our future will be as cramped and impoverished as our present sense of the past.

In an era of polarization, narrow party majorities, and increasing use of supermajority requirements in the Senate, policy entrepreneurs must find ways to reach across the aisle and build bipartisan coalitions in Congress. One such coalition-building strategy is the “politics of efficiency,” or reform that is aimed at eliminating waste from existing policies and programs. After all, reducing inefficiency promises to reduce costs without cutting benefits, which should appeal to members of both political parties, especially given tight budgetary constraints in Washington.

Dust-Up explores the most recent congressional efforts to reform asbestos litigation—a case in which the politics of efficiency played a central role and seemed likely to prevail. Yet, these efforts failed to produce a winning coalition, even though reform could have saved billions of dollars and provided quicker compensation to victims of asbestos-related diseases. Why? The answers, as Jeb Barnes deftly illustrates, defy conventional wisdom and force us to rethink the political effects of litigation and the dynamics of institutional change in our fragmented policymaking system.

Set squarely at the intersection of law, politics, and public policy, Dust-Up provides the first in-depth analysis of the political obstacles to Congress in replacing a form of litigation that nearly everyone—Supreme Court justices, members of Congress, presidents, and experts—agrees is woefully inefficient and unfair to both victims and businesses. This concise and accessible case study includes a glossary of terms and study questions, making it a perfect fit for courses in law and public policy, congressional politics, and public health.

The Dutch and English East India Companies were formidable organizations that were gifted with expansive powers that allowed them to conduct diplomacy, wage war and seize territorial possessions. But they did not move into an empty arena in which they were free to deploy these powers without resistance. Early modern Asia stood at the center of the global economy and was home to powerful states and sprawling commercial networks. The companies may have been global enterprises, but they operated in a globalized region in which they encountered a range of formidable competitors. This groundbreaking collection of essays explores the place of the Dutch and English East India Companies in Asia and the nature of their engagement with Asian rulers, officials, merchants, soldiers, and brokers. With contributions from some of the most innovative historians in the field, The Dutch and English East India Companies: Diplomacy, Trade and Violence in Early Modern Asia presents new ways to understand these organizations by focusing on their diplomatic, commercial, and military interactions with Asia.

The Dutch Atlantic interrogates the Dutch involvement in Atlantic slavery and assesses the historical consequences of this for contemporary European society.

Kwame Nimako and Glenn Willemsen show how the slave trade and slavery intertwined economic, social and cultural elements, including nation-state formation in the Netherlands and across Europe. They explore the mobilisation of European populations in the implementation of policies that facilitated Atlantic slavery and examine how European countries created and expanded laws that perpetuated colonisation.

Addressing key themes such as the incorporation of the formerly enslaved into post-slavery states and contemporary collective efforts to forget and/or remember slavery and its legacy in the Netherlands, this is an essential text for students of European history and postcolonial studies.

The seventeenth century is considered the Dutch Golden Age, a time when the Dutch were at the forefront of social change, economics, the sciences, and art. In Dutch Culture in the Golden Age, eminent historian J. L. Price goes beyond the standard descriptions of the cultural achievements of the Dutch during this time by placing these many achievements within their social context. Price’s central argument is that alongside the innovative tendencies in Dutch society and culture there were powerful conservative and reactionary forces at work—and that it was the tension between these contradictory impulses that gave the period its unique and powerful dynamic.

Dutch Culture in the Golden Age is distinctive in its broad scope, examing art, literature, religion, political ideology, theology, and scientific and intellectual trends, while also attending to the high and popular culture of the times. Price’s new interpretation of Dutch history places an emphasis on the paradox of the Dutch resistance to change as well as their general acceptance of innovation.

This comprehensive look at the Dutch Golden Age provides a fascinating new way to understand Dutch culture at the height of its historic and global influence.

In 1988–1989 the three hundredth anniversary of an important historical event, the ascension of William and Mary to the thrones of England and Scotland, was celebrated in the Netherlands, the United Kingdom, and the United States of America. The symposium on Dutch garden art held at Dumbarton Oaks in May 1988 was the only scholarly event during the anniversary year that focused wholly upon gardens.

This wide-ranging collection of essays charts the history, scope, and spread of Dutch garden art during the seventeenth century. A group of scholars, mostly Dutch, surveys what has been called the “golden age” of Dutch garden design. Essays discuss the political context of William’s building and gardening activities at his palace of Het Loo in the Netherlands; the development of a distinctively Dutch garden art during the seventeenth century; country house poetry; and specific estates and their gardens, such as those of Johan Maurits van Nassau-Siegen at Cleves or Sorgvliet, the estate of Hans Willem Bentinck, later the Earl of Portland. Other contributions concern typical Dutch planting and layouts, with a focus upon Jan van der Green’s much-circulated Den Nederlandtsen Hovenier; the designs of Daniel Marot, the Huguenot refugee from France, who worked for William III in both the Netherlands and England; and the attitudes of the English toward Dutch gardening as it was observed in practice and mythologized through the distorting lens of national cooperation and rivalries.

In the seventeenth century, the Dutch herring fisheries in the North Sea were considered the most sophisticated and demanding fishing operation in the world. This is the first study to assess the North Sea herring and herring fisheries over the span of several centuries. It contributes to the understanding of pre-modern natural resource exploitation and the role of the natural environment in long-term development of the Dutch herring fisheries.

Not only the Jews but Dutch society at large was caught up in a cultural maelstrom between 1880 and 1940. In failing to form a separate pillar in a period when various population groups were doing just that, the Jews were certainly unlike contemporary Catholics or Protestants. In fact, the Jews were not trying to gain entrance in a pre-existing culture but were involved with non-Jews in constructing a new culture. The complexity of Dutch Jewish history once again becomes evident if not new.

The Dutch National Research Agenda is a set of national priorities that are set by scientists working in conjunction with corporations, civil society organisations, and interested citizens. The agenda consolidates the questions that scientific research will be focused on in the coming year. This book covers the current status of the Dutch National Research Agenda and considers what changes and adjustments may need to be made to the process in order to keep Dutch national research at the top of the pack.

Dutch Post-war Fiction Film through a Lens of Psychoanalysis is a sequel to Humour and Irony in Dutch Post-war Fiction Film (AUP, 2016), but the two studies can be read separately. Because of the sheer variety of Fons Rademakers's oeuvre, which spans 'art' cinema and cult, genre film and historical epics, each chapter will start with one of his titles to introduce a key concept from psychoanalysis. It is an oft-voiced claim that Dutch cinema strongly adheres to realism, but psychoanalytic theories on desire and fantasy are employed to put this idea into perspective. In the vein of cinephilia, this study brings together canonical titles (ALS TWEE DRUPPELS WATER; SOLDAAT VAN ORANJE) and little gems (MONSIEUR HAWARDEN; KRACHT). It juxtaposes among others GLUCKAUF and DE VLIEGENDE HOLLANDER (on father figures); FLANAGAN and SPOORLOOS (on rabbles and heroes); DE AANSLAG and LEEDVERMAAK (on historical traumas); ANTONIA and BLUEBIRD (on aphanisis).

In the Dutch Republic, in its Baroque forms of art, two aesthetic formal modes, theatre and drama, were dynamically related to two political concepts, event and moment. The Dutch version of the Baroque is characterised by a fascination with this world regarded as one possibility out of a plurality of potential worlds. It is this fascination that explains the coincidence in the Dutch Republic, strange at first sight, of Baroque exuberance, irregularity, paradox, and vertigo with scientific rigor, regularity, mathematical logic, and rational distance. In giving a new historical perspective on the Baroque as a specifically Dutch republican one, this study also offers a new and systematic approach towards the interactions among the notions of theatricality, dramatisation, moment, and event: concepts that are currently at the centre of philosophical and political debates but the modern articulation of which can best be considered in the explorations of history and world in the Dutch Republic."Our idea of Dutch history will never recover from reading this book. As in Korsten's conception of the Baroque, reality is bifurcated, sudden possibilities are revealed and must be faced. Instead of the staid prudence and moderation that make our image of Dutch history both comforting and numbing, Korsten presents us with the harsh and theatrical reality of a Dutch Baroque. Tyranny, slavery, execution, colonialism, censorship and obscenity constitute a lurid new world view, made up of strangely familiar remnants of the old. It bears a striking resemblance to the vivid colours of the many paintings he uses to demonstrate his argument, once the thick layers of yellowed varnish have been removed from them. It is fantastic and bizarre and leaves the reader perplexed and disturbed. " - Inger Leemans, professor of Cultural History, VU Amsterdam"This is an original and innovative book that will take the study of Dutch culture to a different level. It is an excellent example of the relevance of analysing early modern literature and the visual arts through the lens of 20th century philosophy all the while remaining historically rooted." - Hanneke Grootenboer, professor of the History of Art, University of Oxford"The publication of Korsten's book is a true event in its own right. A Dutch Republican Baroque urges us to rethink some of the more comforting myths about our 'golden' seventeenth century. The book will get on the nerves and under the skin of many of its readers: I take that as a sign of its unquestionable quality.The book combines deft readings of the works of Dutch seventeenth-century painters (Hals), poets (Huygens), playwrights (Vondel) and philosophers (Spinoza), with an astute conceptual analysis of a historical moment: the very beginnings of the man-made modern age. A Dutch Republican Baroque is a unique feat, yet everything one would expect of a truly good book: Korsten's work is provocative, wide-ranging, astute and inspiring. It debunks myths and opens up new avenues of exploration. It reads the past against the grain and in doing so sheds light on our present. The book's analyses of the early-modern Dutch fascination and discomfort with issues of slavery and torture will force us to reconsider our own investment in times of exploitation and terror." - Jürgen Pieters, professor of Literature, Ghent University

Catherine Fowler chronicles a significant yet little-known program for Girl Scouts in post–WWII America. At a time when women were just beginning to enter fields traditionally dominated by men, these two-week camping caravans and archaeological excavations introduced teenage girls not only to the rich cultural and scientific heritage of the American Southwest but to new career possibilities. Dr. Bertha Dutton, curator at the Museum of New Mexico, served as trip leader.

While on the road and in camp, Dutton and other experts in anthropology, archaeology, geology, natural history, and more helped the campers appreciate what they were seeing and learning. This book details the history of the program, sharing trip itineraries and selected memories from the nearly three hundred girls who attended the camps. It also serves as a mini-biography and tribute to Bertha Dutton, who, through her knowledge, teaching, and strong persona, provided a role model for these young women, many of whom later pursued careers in anthropology and related fields.

A woman terrified by the threats of a jilted suitor is denied police protection. A workman collapses on the job and the employer is slow to help him. A bully in a bar begins to carry out threats of serious injury to a customer, after the bartender’s lackadaisical response. Springing from varied areas of human activity, such cases occupy an important area of the legal battleground called modern tort law. They also provide the basis for a fascinating legal analysis by Marshall S. Shapo.

Tort law is an important social mediator of events surrounding personal injuries. It impinges on many other areas of the law—those dealing with crime, constitutional protections against government officials and agencies, and property rights. Since litigated tort cases often involve brutal treatment or accidents inflicting severe physical harm, this area of the law generates much emotion and complex legal doctrine.

Shapo cuts through the emotion and the complexity to present a view of these problems that is both legally sound and intuitively appealing. His emphasis is on power relationships between private citizens and other individuals, as well as between private persons and governments and officials. He undertakes to define power in a meaningful way as it relates to many tort issues faced by ordinary citizens, and to make this definition precise by constant reference to concrete cases. His particular focus is on an age-old problem in tort law: the question of when a person has a duty to aid another in peril.

In analyzing a large number of cases in this category, Shapo develops an analysis that blends considerations of economic efficiency and humanitarian concern. Recognizing that economic considerations are significant in judicial analysis of these cases, he emphasizes elements that go beyond a simple concern with efficiency, especially the ability of one person to control another’s actions or exposure to risk.

These considerations of power and corresponding dependence provide the basis for Shapo’s study of the duties of both private citizens and governments to prevent injury to others. Calling on a broad range of legal precedents, he also refers to social science research dealing with the behavior of bystanders when fellow citizens are under attack.

Beyond his application of a power-based analysis to litigation traditionally based in tort doctrine, Shapo offers some speculative suggestions on the possible applicability of his views to several controversial areas of welfare law: medical care, municipal services, and educational standards.

This book was written with a view to readership by interested citizens as well as legal scholars, judges, and practicing attorneys.

The legendary filmmaker D. W. Griffith directed nearly 200 films during 1908 and 1909, his first years with the Biograph Company. While those one-reel films are a testament to Griffith's inspired genius as a director, they also reflect a fundamental shift in film style from "cheap amusements" to movie storytelling complete with characters and narrative impetus.

In this comprehensive historical investigation, drawing on films preserved by the Library of Congress and the Museum of Modern Art, Tom Gunning reveals that the remarkable cinematic changes between 1900 and 1915 were a response to the radical reorganization within the film industry and the evolving role of film in American society. The Motion Picture Patents Company, the newly formed Film Trust, had major economic aspirations. The newly emerging industry's quest for a middle-class audience triggered Griffith's early experiments in film editing and imagery. His unique solutions permanently shaped American narrative film.

Dwelling on the Future studies the design of dwellings and their numerous environments. It explores how architects can, or should, respond to the complex challenges of providing humane places in which to live for a growing, multifarious population in an increasingly divided world. The issue, Pierre D’Avoine shows, is never just housing. People—individuals, groups and societies—can and do have different goals and aspirations.
 
D’Avoine covers a wide range of examples, including proposals for luxury housing and designs for low-cost dwellings, which all address the needs and desires of their potential inhabitants. The book explores an inclusive approach to the design of settlements—and not just in cities—that recognizes difference, an approach that demands a fresh political vision to resolve humanity’s increasing inequality, for the benefit of all. Simultaneously practical and aspirational, Dwelling on The Future casts a much needed light on our thoughts and aspirations, and on our definitions of home.

From his formative years playing pure, hardcore honky-tonk for mid-’80s Los Angeles punk rockers through his subsequent surge to the top of the country charts, Dwight Yoakam has enjoyed a singular career. An electrifying live performer, superb writer, and virtuosic vocalist, he has successfully bridged two musical worlds that usually have little use for each other—commercial country and its alternative/Americana/roots-rocking counterpart. Defying the label “too country for rock, too rock for country,” Yoakam has triumphed while many of his peers have had to settle for cult acceptance. Four decades into his career, he has sold more than 25 million records and continues to tour regularly, with an extremely loyal fan base.

In Dwight Yoakam, award-winning music journalist Don McLeese offers the first musical biography of this acclaimed artist. Tracing the seemingly disparate influences in Yoakam’s music, McLeese shows how he has combined rock and roll, rockabilly, country, blues, and gospel into a seamless whole. In particular, McLeese explores the essential issue of “authenticity” and how it applies to Yoakam, as well as to country music and popular culture in general. Drawing on wide-ranging interviews with Yoakam and his management, while also benefitting from the perspectives of others closely associated with his musical success (including producer-guitarist Pete Anderson, Yoakam’s partner throughout his most popular and creative decades), Dwight Yoakam pays tribute to the musician who has established himself as a visionary beyond time, an artist who could title an album Tomorrow’s Sounds Today and deliver it.

In 1926, Harvard athletic director Bill Bingham chose former Crimson All-American Arnold Horween as coach of the university’s moribund football team. The pair instilled a fresh culture, one based on merit rather than social status, and in the virtues of honor and courage over mere winning. Yet their success challenged entrenched ideas about who belonged at Harvard and, by extension, who deserved to lay claim to the American dream.

Zev Eleff tells the story of two immigrants’ sons shaped by a vision of an America that rewarded any person of virtue. As a player, the Chicago-born Horween had led Harvard to its 1920 Rose Bowl victory. As a coach, he faced intractable opposition from powerful East Coast alumni because of his values and Midwestern, Jewish background. Eleff traces Bingham and Horween’s careers as student-athletes and their campaign to wrest control of the football program from alumni. He also looks at how Horween undermined stereotypes of Jewish masculinity and dealt with the resurgent antisemitism of the 1920s.

Marcel Proust, Virginia Woolf, and Vladimir Nabokov transformed the art of the novel in order to convey the experience of time. Nevertheless, their works have been read as expressions of a desire to transcend time—whether through an epiphany of memory, an immanent moment of being, or a transcendent afterlife. Martin Hägglund takes on these themes but gives them another reading entirely. The fear of time and death does not stem from a desire to transcend time, he argues. On the contrary, it is generated by the investment in temporal life. From this vantage point, Hägglund offers in-depth analyses of Proust’s Recherche, Woolf’s Mrs. Dalloway, and Nabokov’s Ada.

Through his readings of literary works, Hägglund also sheds new light on topics of broad concern in the humanities, including time consciousness and memory, trauma and survival, the technology of writing and the aesthetic power of art. Finally, he develops an original theory of the relation between time and desire through an engagement with Freud and Lacan, addressing mourning and melancholia, pleasure and pain, attachment and loss. Dying for Time opens a new way of reading the dramas of desire as they are staged in both philosophy and literature.

This collection of poetry by the celebrated southern Iranian poet and filmmaker Roja Chamankar (b. 1981) introduces English-speaking readers to one of the most accomplished and well-loved poets of her generation. Chamankar’s work blends surrealism and the southern coastal landscape of the poet’s upbringing with everyday experiences in rapidly urbanizing Tehran. While locating herself in the modernist tradition of Iranian poets like Forugh Farrokhzad and Ahmad Shamlu through form and imagery, Chamankar infuses this tradition with concerns unique to a generation that grew up in post-revolutionary Iran and endured the effects of the Iran-Iraq war. Seascapes, love and eroticism, the disconnection of modern life, and myths and fairytales figure prominently in these vivid, lyrical poems.

In the rich miniature worlds of Chamankar’s poetry, readers become privy to a range of experiences, from desire and pain to rage and humor. Sometimes abstract, other times surreal—Chamankar’s unique poetic voice, like the sea she returns to again and again, combines and sweeps these experiences to shore with assurance, strength, and beauty.

A deeply contemplative work devoted to thinking from one of the foremost literary figures of contemporary France.

Dying of Thinking is the ninth volume of Pascal Quignard’s Last Kingdom series. It explores three themes: how thought and death coincide, how thought is close to melancholy, and how thought takes shelter near traumatism. One who thinks, Quignard shows us, “compensates” for a very ancient abandonment. Even as a dream is a meaning whose disorderly, condensed, paradoxical images intuit something which has preceded sleep and which returns in them, thought is a meaning which uses words that are written, re-transcribed, dissected, etymologized and neologized. Throughout the Last Kingdom series, Quignard has sought to experience another way of thinking, one that has nothing to do with philosophy, a way of attaching himself “literally” to texts and of progressing by decomposing the imagery of dreams. Dying of Thinking is the heart of this quest.
 

An accessible introduction to the life and work of the inventive Welsh poet.
 
Dylan Thomas—author of some of the century’s greatest poetry, stories, and film scripts as well as one of the greatest radio features ever broadcast, Under Milk Wood—is often characterized as self-indulgent. This concise and up-to-date biography challenges this depiction with a fresh portrait of the artist as a consummate professional. John Goodby and Chris Wigginton locate the source of Thomas’s daring and inventive style in the poet’s Anglo-Welsh origins as well as his historical, cultural, and social contexts: the Great Depression and 1930s literary London, surrealism, World War II, and Cold War popular culture. The result is a revealing and fresh introduction to the life and work of this important Welsh writer.

Motivated by the exciting new application paradigm of using amalgamated technologies of the Internet and wireless, the next generation communication networks (also called 'ubiquitous', 'complex' and 'unstructured' networking) are changing the way we develop and apply our future systems and services at home and on local, national and global scales. Whatever the interconnection - a WiMAX enabled networked mobile vehicle, MEMS or nanotechnology enabled distributed sensor systems, Vehicular Ad hoc Networking (VANET) or Mobile Ad hoc Networking (MANET) - all can be classified under new networking structures which can be given the generic title of 'ad hoc' communication networking.

Presented in this book is a theory of concept formation and understanding that does not make use of a notion of an innate mental language as a means of concept representation. Instead, experimental concepts are treated semantically as stabilising structuring of growing sets of data, which are sets of experienced satisfaction situations for expressions, and theoretical concepts are based on coherent sets of general sentences held true. There are two kinds of structures to be established: general concepts by means of similarity sets under perspectives and historical concepts. This gives rise to a theory of understanding new situations and expressions by integrating new data into established sets of data salva stability, or by extending the conceptual structure in a metaphorical or metonymical way. The theory provides a way to understand what identity between propositional attitudes amounts to, especially how people can have more or less the same belief.

Mother and infant negotiate over food; two high-status males jockey for power; female kin band together to get their way. It happens among humans and it happens among our closest living relatives in the animal kingdom, the great apes of Africa. In this eye-opening book, we see precisely how such events unfold in chimpanzees, bonobos, and gorillas: through a spontaneous, mutually choreographed dance of actions, gestures, and vocalizations in which social partners create meaning and come to understand each other.

Using dynamic systems theory, an approach employed to study human communication, Barbara King is able to demonstrate the genuine complexity of apes' social communication, and the extent to which their interactions generate meaning. As King describes, apes create meaning primarily through their body movements--and go well beyond conveying messages about food, mating, or predators. Readers come to know the captive apes she has observed, and others across Africa as well, and to understand "the process of creating social meaning."

This new perspective not only acquaints us with our closest living relatives, but informs us about a possible pathway for the evolution of language in our own species. King's theory challenges the popular idea that human language is instinctive, with rules and abilities hardwired into our brains. Rather, The Dynamic Dance suggests, language has its roots in the gestural "building up of meaning" that was present in the ancestor we shared with the great apes, and that we continue to practice to this day.