A SCHOLARLY BOOK REPOSITORY
"This remarkably subtle and substantial book, with its nicely ordered sequences of skilled dissections and refined appraisals, is one of those rare products of profound analytic thought. . . . The author weighs each major article of the psychoanalytic canon in the scales of his sensitive understanding, then gives a superbly balanced judgement."—Henry A. Murray, American Sociological Review
"Rieff's tremendous scholarship and rich reflections fill his pages with memorable treasures."—Robert W. White, Scientific American
"Philip Rieff's book is a brilliant and beautifully reasoned example of what Freud's influence has really been: an increasing intellectual vigilance about human nature. . . . What the analyst does for the patient—present the terms for his new choices as a human being—Mr. Rieff does in respect to the cultural significance of Freudianism. His style has the same closeness, the same undertone of hypertense alertness. Again and again he makes brilliant points."—Alfred Kazin, The Reporter
The identity and role of writing has evolved in the age of digital media. But how did writing itself make digital media possible in the first place? Lydia H. Liu offers here the first rigorous study of the political history of digital writing and its fateful entanglement with the Freudian unconscious.
Liu’s innovative analysis brings the work of theorists and writers back into conversation with one another to document significant meetings of minds and disciplines. She shows how the earlier avant-garde literary experiments with alphabetical writing and the word-association games of psychoanalysis contributed to the mathematical making of digital media. Such intellectual convergence, she argues, completed the transformation of alphabetical writing into the postphonetic, ideographic system of digital media, which not only altered the threshold of sense and nonsense in communication processes but also compelled a new understanding of human-machine interplay at the level of the unconscious.
Ranging across information theory, cybernetics, modernism, literary theory, neurotic machines, and psychoanalysis, The Freudian Robot rewrites the history of digital media and the literary theory of the twentieth century.
Gossy believes that Freud's most popular statement of a theory of the unconscious is written over foreign and feminized texts, bodies, and places, by way of anecdotes that range from the Dora case to menstruation to travel phobias. Freudian Slips: Woman, Writing, the Foreign Tongue does a feminist psychoanalytic reading of Freud's book and shows how slippery- textually, erotically, and historically- the writing of theory can be, and also how much we can learn from our slips when we are willing to admit that we have made them.
Bringing together autobiography, psychoanalysis, close readings, pedagogy, and politics in provocative and innovative ways, Gossy discusses Freud's work from both textual and theoretical perspectives and asks what his writing can teach us about authority, theory, home, and the foreign. Arguing that the dominant metaphor in the Psychopathology is that of the female body as foreign text, and that this body, writing, and the foreign tongue are identified with a feminized unconscious that threatens authoritative discourse, Freudian Slips moves toward fashioning a feminist theory that is both "slippery and (para)practical" and constantly searches for ways of writing theory that free, rather than sacrifice, the bodies of women.
"The readings of individual slips are often highly productive; the argument is both hardworking and playful. Freudian Slips is a book that people will enjoy reading and from which they will learn a great deal."-- Helena Michie, Rice University
Mary S. Gossy is Associate Professor of Spanish and Comparative Literature, Rutgers University. She is the author of The Untold Story: Women and Theory in Golden Age Texts.
The Victorian era was the high point of literary tourism. Writers such as Charles Dickens, George Eliot, and Sir Walter Scott became celebrities, and readers trekked far and wide for a glimpse of the places where their heroes wrote and thought, walked and talked. Even Shakespeare was roped in, as Victorian entrepreneurs transformed quiet Stratford-upon-Avon into a combination shrine and tourist trap.
Stratford continues to lure the tourists today, as do many other sites of literary pilgrimage throughout Britain. And our modern age could have no better guide to such places than Simon Goldhill. In Freud's Couch, Scott’s Buttocks, Brontë's Grave, Goldhill makes a pilgrimage to Sir Walter Scott's baronial mansion, Wordsworth's cottage in the Lake District, the Bront ë parsonage, Shakespeare's birthplace, and Freud's office in Hampstead. Traveling, as much as possible, by methods available to Victorians—and gamely negotiating distractions ranging from broken bicycles to a flock of giggling Japanese schoolgirls—he tries to discern what our forebears were looking for at these sites, as well as what they have to say to the modern mind. What does it matter that Emily Brontë’s hidden passions burned in this specific room? What does it mean, especially now that his fame has faded, that Scott self-consciously built an extravagant castle suitable for Ivanhoe—and star-struck tourists visited it while he was still living there? Or that Freud's meticulous recreation of his Vienna office is now a meticulously preserved museum of itself? Or that Shakespeare’s birthplace features student actors declaiming snippets of his plays . . . in the garden of a house where he almost certainly never wrote a single line?
Goldhill brings to these inquiries his trademark wry humor and a lifetime's engagement with literature. The result is a travel book like no other, a reminder that even today, the writing life still has the power to inspire.
Everyone knows the characters described by Freud in his case histories: “Dora,” the “Rat Man,” the “Wolf Man.” But what do we know of the people, the lives behind these famous pseudonyms: Ida Bauer, Ernst Lanzer, Sergius Pankejeff? Do we know the circumstances that led them to Freud’s consulting room, or how they fared—how they really fared—following their treatments? And what of those patients about whom Freud wrote nothing, or very little: Pauline Silberstein, who threw herself from the fourth floor of her analyst’s building; Elfriede Hirschfeld, Freud’s “grand-patient” and “chief tormentor;” the fashionable architect Karl Mayreder; the psychotic millionaire Carl Liebmann; and so many others? In an absorbing sequence of portraits, Mikkel Borch-Jacobsen offers the stories of these men and women—some comic, many tragic, all of them deeply moving. In total, thirty-eight lives tell us as much about Freud’s clinical practice as his celebrated case studies, revealing a darker and more complex Freud than is usually portrayed: the doctor as his patients, their friends, and their families saw him.
For generations, scholars used (and misused) the Account as the sole eyewitness insight into an ancient civilization. It is credited to the sixteenth-century Spanish Franciscan, monastic inquisitor, and bishop Diego de Landa, whose legacy is complex and contested. His extensive writings on Maya culture and history were lost in the seventeenth century, save for the fragment that is the Account, discovered in the nineteenth century, and accorded near-biblical status in the twentieth as the first “ethnography” of the Maya. However, the Account is not authored by Landa alone; it is a compilation of excerpts, many from writings by other Spaniards—a significant revelation made here for the first time.
This new translation accurately reflects the style and vocabulary of the original manuscript. It is augmented by a monograph—comprising an introductory chapter, seven essays, and hundreds of notes—that describes, explains, and analyzes the life and times of Diego de Landa, the Account, and the role it has played in the development of modern Maya studies. The Friar and the Maya is an innovative presentation on an important and previously misunderstood primary source.
Kessell provides exciting accounts of the explorations of Francisco Garcés, de Anza's expeditions, and the Yuma massacre. Drawing from widely scattered archival materials, he vividly describes the epic struggle between Bishop Reyes and Father President Barbastro, the missionary scandals of 1815–18, and the bloody victory of Mexican civilian volunteers over Apaches in Arivaipa Canyon in 1832. Numerous missionaries, presidials, and bureaucrats—nameless in histories until now—emerge as living, swearing, praying, individuals.
This authoritative chronicle offers an engrossing picture of the continually threatened mission frontier. Reformers championing civil rights for mission Indians time and again challenged the friars' "tight-fisted paternalistic control" over their wards. Expansionists repeatedly saw their plans dashed by Indian raids, uncooperative military officials, or lack of financial support.
Frairs, Soldiers, and Reformers brings into sharp focus the long, blurry period between Jesuit Sonora and Territorial Arizona.
One of the most important artists of the twentieth century and an icon of courageous womanhood, Frida Kahlo lives on in the public imagination, where her popularity shows no signs of waning. She is renowned for both her paintings and her personal story, which were equally filled with pain and anguish, celebration and life. Thousands of words, including her own, have been written about Kahlo, but only one previous biography has recorded her fascinating, difficult life. Frida Kahlo by María Hesse offers a highly unique way of getting to know the artist by presenting her life in graphic novel form, with striking illustrations that reimagine many of Kahlo’s famous paintings.
Originally published in Spanish in 2016, Frida Kahlo has already found an enthusiastic audience in the Spanish-speaking world, with some 20,000 copies sold in just a few months. This translation introduces English-language readers to Kahlo’s life, from her childhood and the traumatic accident that would change her life and her artwork, to her complicated love for Diego Rivera and the fierce determination that drove her to become a major artist in her own right. María Hesse tells the story in a first-person narrative, which captures both the depths of Frida’s suffering and her passion for art and life.
Winner, 2022 Susannah DeBlack Award, Arkansas Historical Association
The delightful story of Friday, a dog who discovers that the world of art is filled with many wonderful friends.
A dog in an art museum? Maybe not most dogs, but Friday goes to the museum every Tuesday to visit his friends. One day Friday must say goodbye for the winter. Join the fun as Friday trots through the galleries, taking photos and saying goodbye to Maman the spider, Rosie the Riveter, George Washington, and many others.
Looking back on his day, Friday realizes that the works of art in a museum are more than just bronze and steel, paint and canvas, ink and paper. Instead, the art connects him—and us—to a diversity of cultures, stories, and dreams.
Through the art collection at Crystal Bridges, all of us—even a dog—become part of the American experience.
Lexile Level: 570L
This edited volume explores the dynamic relationship between the Friday mosque and the Islamic city, addressing the traditional topics through a fresh new lens and offering a critical examination of each case study in its own spatial, urban, and socio-cultural context. While these two well-known themes—concepts that once defined the field—have been widely studied by historians of Islamic architecture and urbanism, this compilation specifically addresses the functional and spatial ambiguity or liminality between these spaces.
Instead of addressing the Friday mosque as the central signifier of the Islamic city, this collection provides evidence that there was (and continues to be) variety in the way architectural borders became fluid in and around Friday mosques across the Islamic world, from Cordoba to Jerusalem and from London to Lahore. By historicizing different cases and exploring the way human agency, through ritual and politics, shaped the physical and social fabric of the city, this volume challenges the generalizing and reductionist tendencies in earlier scholarship.
Friday Night Fighter relives a lost moment in American postwar history, when boxing ruled as one of the nation's most widely televised sports. During the 1950s and 1960s, viewers tuned in weekly, sometimes even daily, to watch widely recognized fighters engage in primordial battle; the Gillette Cavalcade of Sports Friday Night Fights was the most popular fight show. Troy Rondinone follows the dual narratives of the Friday Night Fights show and the individual story of Gaspar "Indio" Ortega, a boxer who appeared on prime-time network television more than almost any other boxer in history. From humble beginnings growing up poor in Tijuana, Mexico, Ortega personified the phenomenon of postwar boxing at its greatest, appearing before audiences of millions to battle the biggest names of the time, such as Carmen Basilio, Tony DeMarco, Chico Vejar, Benny "Kid" Paret, Emile Griffith, Kid Gavilan, Florentino Fernández, and Luis Manuel Rodriguez.
Rondinone explores the factors contributing to the success of televised boxing, including the rise of television entertainment, the role of a "reality" blood sport, Cold War masculinity, changing attitudes toward race in America, and the influence of organized crime. At times evoking the drama and spectacle of the Friday Night Fights themselves, this volume is a lively examination of a time in history when Americans crowded around their sets to watch the main event.
These translations of Friedrich Dürrenmatt’s plays introduce the writer to a new generation of readers.
The Swiss writer Friedrich Dürrenmatt (1921–90) was one of the most important literary figures of the second half of the twentieth century. During the years of the Cold War, arguably only Beckett, Camus, Sartre, and Brecht rivaled him as a presence in European letters. Yet outside Europe, this prolific author is primarily known for only one work, The Visit.
Dürrenmatt’s concerns are timeless, but they are also the product of his Swiss vantage during the Cold War: his key plays, gathered in the first volume of Selected Writings, explore such themes as guilt by passivity, the refusal of responsibility, greed and political decay, and the tension between justice and freedom. In The Visit, for instance, an old lady who becomes the wealthiest person in the world returns to the village that cast her out as a young woman and offers riches to the town in exchange for the life of the man, now its mayor, who once disgraced her. Joel Agee’s crystalline translation gives a fresh lease to this play, as well as four others: The Physicists, Romulus the Great, Hercules and the Augean Stables, and The Marriage of Mr. Mississippi.
Dürrenmatt has long been considered a great writer—but one unfairly neglected in the modern world of letters. With these elegantly conceived and expertly translated volumes, a new generation of readers will rediscover his greatest works.
These translations of Friedrich Dürrenmatt’s fiction introduce the writer to a new generation of readers.
The Swiss writer Friedrich Dürrenmatt (1921–90) was one of the most important literary figures of the second half of the twentieth century. During the years of the Cold War, arguably only Beckett, Camus, Sartre, and Brecht rivaled him as a presence in European letters. Yet outside Europe, this prolific author is primarily known for only one work, The Visit.
This second volume of Selected Writings reveals a writer who may stand as Kafka’s greatest heir. Dürrenmatt’s novellas and short stories are searing, tragicomic explorations of the ironies of justice and the corruptibility of institutions. Apart from The Pledge, a requiem to the detective story that was made into a film starring Jack Nicholson, none of the works in this volume are available elsewhere in English. Among the most evocative fiction included here are two novellas: The Assignment and Traps. The Assignment tells the story of a woman filmmaker investigating a mysterious murder in an unnamed Arab country and has been hailed by Sven Birkerts as “a parable of hell for an age consumed by images.” Traps, meanwhile, is a chilling comic novella about a traveling salesman who agrees to play the role of the defendant in a mock trial among dinner companions—and then pays the ultimate penalty.
Dürrenmatt has long been considered a great writer—but one unfairly neglected in the modern world of letters. With these elegantly conceived and expertly translated volumes, a new generation of readers will rediscover his greatest works.
These translations of Friedrich Dürrenmatt’s essays introduce the writer to a new generation of readers.
The Swiss writer Friedrich Dürrenmatt (1921–90) was one of the most important literary figures of the second half of the twentieth century. During the years of the Cold War, arguably only Beckett, Camus, Sartre, and Brecht rivaled him as a presence in European letters. Yet outside Europe, this prolific author is primarily known for only one work, The Visit. With these long-awaited translations of his plays, fictions, and essays, Dürrenmatt becomes available again in all his brilliance to the English-speaking world.
Dürrenmatt’s essays, gathered in this third volume of Selected Writings, are among his most impressive achievements. Their range alone is astonishing: he wrote with authority and charm about art, literature, philosophy, politics, and the theater. The selections here include Dürrenmatt’s best-known essays, such as “Theater Problems” and “Monster Essay on Justice and Law,” as well as the notes he took on a 1970 journey in America (in which he finds the United States “increasingly susceptible to every kind of fascism”). This third volume of Selected Writings also includes essays that shade into fiction, such as “The Winter War in Tibet,” a fantasy of a third world war waged in a vast subterranean labyrinth—a Plato’s Cave allegory rewritten for our own troubled times.
Dürrenmatt has long been considered a great writer—but one unfairly neglected in the modern world of letters. With these elegantly conceived and expertly translated volumes, a new generation of readers will rediscover his greatest works.
In this concise yet comprehensive critical biography, Ritchie Robertson examines the work of Friedrich Nietzsche within the context of his life. The book traces Nietzsche’s development from outstanding classical scholar to cultural critic, who measured Imperial Germany by the standards of ancient Greece. It follows him on his path from a prophet (in the persona of Zarathustra) to a savage polemicist against modern liberal values, offering a “philosophy of the future.” Robertson argues that Nietzsche’s middle-period writings offer a subtle and searching analysis of his culture, more rewarding than the strident and often-controversial later works. The book also assesses Nietzsche’s claim to be continuing the Enlightenment and shows that he valued reason, evidence, and fact, without which his historical case against Christianity would make no sense.
Friedrich Schlegel's Lucinde and the Fragments was first published in 1971. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
For the last century and a half, Friedrich Schlegel (1772–1829) has enjoyed a reputation for being the critical grey eminence behind the coming to power of the Romantic Movement. It was Schlegel, in his three series of aphoristic fragments (Lyceum, Athenaeum, and Ideas), who actually first defined and employed the word "romantic" in the present sense; and it was he who in a chaotic, fragmentary, and often mysterious but forceful manner first proclaimed the doctrine that was to usher in the modern age in literature. He too was among the first to put his new program into practice in the shape of his unfinished Lucinde,a work variously denounced as pornography and heralded as a forerunner of modern novelistic experimentation, and probably the most famous novel to come out of German Romanticism.
Both the Fragments and Lucinde,along with a brilliant tour de force, the "Essay on Incomprehensibility," are available now for the first time in a complete English translation in this volume, together with a brief scholarly introduction. This translation will enable non-German readers to examine at first hand the work of a man whom Rene Wellck has called "one of the greatest critics of history." At a time when the function of criticism is coming once again under close skeptical scrutiny, Friedrich Schlegel's unorthodox, unsystematic but seminal critical mind—all of literature, philosophy, art, and history were grist to his mill—should find many sympathetic readers. The book will be of particular interest to theorists of literature and fiction, comparative literature scholars, and historians of the intellectual history of Germany, and it is appropriate for course use in German and comparative literature classes.
Nationalism was a driving, moving spirit in the nineteenth-century Germany of Friedrich Schleiermacher. Jerry F. Dawson, through his thoughtful and well-wrought study of Friedrich Schleiermacher, provides an insight into contemporary nationalistic movements and the people who have a part in them. Schleiermacher, a prominent theologian and educator, was also a leading contributor to the tide of nationalism which swept Germany during the Napoleonic era. Dawson does not present Schleiermacher as an archetype for nationalists, but rather as an example of one man who was willing to sacrifice everything for the good of the nation.
Examining the influence of Pietism, rationalism, and romanticism on Schleiermacher, the author explains the origins of his subject's nationalistic activities and traces the evolution of his patriotic point of view. Dawson depicts the development of Schleiermacher's patriotism from Prussian particularism to German nationalism—an allegiance to an idealized Germany unified in religion, language, folkways. He describes the diverse approaches utilized by Schleiermacher to achieve a patriotic awakening among his countrymen: "…he preached nationalistic sermons; he delivered scholarly lectures; he repeatedly risked his life on dangerous missions which would help free Germany from France; he used his journalistic talents to try to stimulate the national consciousness of the German people; and he even served in the government of Prussia in an attempt to reconstruct the educational system so that nationalism might be advanced."
Summerfield G. Roberts Award for a Work of Creative Writing, Sons of the Texas Republic, 2013
First published in Germany in 1867, this fascinating autobiographical novel of German immigrants on the antebellum Texas frontier provides a trove of revelations about the myriad communities that once called the Hill Country home.
Founded in 1846, Fredericksburg, Texas, was established by German noblemen who enticed thousands of their compatriots to flee their overcrowded homeland with the prospect of free land in a place that was portrayed as a new Garden of Eden. Few of the settlers, however, were prepared for the harsh realities of the Texas frontier or for confrontation with the Comanche. In his 1867 novel Friedrichsburg, Friedrich Armand Strubberg, a.k.a. Dr. Schubbert, interwove his personal story with a fictional romance to capture the flavor of Fredericksburg, Texas, during its founding years when he served as the first colonial director.
Now available in a contemporary translation, Friedrichsburg brings to life the little-known aspects of life among these determined but often ill-equipped settlers who sought to make the transition to a new home and community on the Texas frontier. Opening just as a peace treaty is being negotiated between the German newcomers and the Comanches, the novel describes the unlikely survival of these fledgling homesteads and provides evidence that support from the Delaware Indians, as well as the nearby Mormon community of Zodiac, was key to the Germans’ success. Along the way, Strubberg also depicts the laying of the cornerstone to the Vereinskirche, the blazing of an important new road to Austin, exciting hunting scenes, and an admirable spirit of cultural cohesion and determined resilience. In so doing, he resurrects a fascinating lost world.
There was a time, as made clear by this monument, when the English church not only revered such relations between men, but also blessed them. Taking this remarkable idea as its cue, The Friend explores the long and storied relationship between friendship and the traditional family of the church in England. This magisterial work extends from the year 1000, when Europe acquired a shape that became its enduring form, and pursues its account up to the eighteenth and nineteenth centuries. Spanning a vast array of fascinating examples, which range from memorial plaques and burial brasses to religious rites and theological imagery to classic works of philosophy and English literature, Bray shows how public uses of private affection were very common in premodern times. He debunks the now-familiar readings of friendship by historians of sexuality who project homoerotic desires onto their subjects when there were none. And perhaps most notably, he evaluates how the ethics of friendship have evolved over the centuries, from traditional emphases on loyalty to the Kantian idea of moral benevolence to the more private and sexualized idea of friendship that emerged during the modern era.
Finely nuanced and elegantly conceived, The Friend is a book rich in suggestive propositions as well as eye-opening details. It will be essential reading for anyone interested in the history of England and the importance of friendship in everyday life.
History Today’s Book of the Year, 2004
“Bray’s loving coupledom is something with a proper historical backbone, with substance and form, something you can trace over time, visible and archeologicable. . . . Bray made a great contribution in helping to bring this long history to light.”— James Davidson, London Review of Books
In this lively coming-of-age novel, young Danny Meyer lays bare a landscape of illness and despair but emerges triumphant, with a new awareness of the limitations of security and the lessons of eternity. Danny’s bubble-like existence in paradisal Madison is broken when his father, a concert pianist and professor, is stricken with illness and must give up his professorship. The family is forced to move to Milwaukee to live at the brink of poverty while his father gets sicker, his artistic mother struggles as bread-winner, and his brother becomes delusional. Here, Danny finds himself in the uncertain position of having to accept the responsibilities of manhood while still struggling with adolescence.
In a world that keeps shifting, Danny befriends the son of a gangster and, through his brushes with that compelling world of crime, finds his way to a new confidence. Realistically portrayed, A Friend of Kissinger, captures an authentic sense of place that is one part arty, heartland Main Street and one part shady, small-time gangsterland.
In Friending the Past, Alan Liu proposes fresh answers to these innovative questions of connection. He explores how we can learn from the relationship between past societies whose media forms fostered a communal and self-aware sense of history—such as prehistorical oral societies with robust storytelling cultures, or the great print works of nineteenth-century historicism—and our own instantaneous present. He concludes with a surprising look at how the sense of history exemplified in today’s JavaScript timelines compares to the temporality found in Romantic poetry.
Interlaced among these inquiries, Liu shows how extensive “network archaeologies” can be constructed as novel ways of thinking about our affiliations with time and with each other. These conceptual architectures of period and age are also always media structures, scaffolded with the outlines of what we mean by history. Thinking about our own time, Liu wonders if the digital, networked future can sustain a similar sense of history.
A comprehensive study of “one of the most elusive and subtle” of all the Platonic dialogues.
The Gorgias begins with a discussion of the nature and value of rhetoric and develops into an impassioned argument for the primacy of absolute right (as expressed by conscience) in the regulation of both public and private life. Plochmann and Robinson closely analyze this great dialogue in the first two-thirds of their book, turning in the final four chapters to a broader discussion of its unity, sweep, and philosophic implications.
Friendly Fallout 1953 is a hybrid work of literature that combines the actual history of aboveground atomic testing in the Nevada desert in 1953 with fictional vignettes that explore the impact of the tests on the people who participated in them and on civilian "downwinders." The book brings to life a turbulent era when Cold War fears, patriotic enthusiasm, scientific progress, and unacknowledged political agendas often collided with the welfare of ordinary citizens and the environment.
In Friends Disappear Barr goes back to her old neighborhood and pieces together a history of Evanston with a particular emphasis on its neighborhoods, its schools, and its work life. She finds that there is a detrimental myth of integration surrounding Evanston despite bountiful evidence of actual segregation, both in the archives and from the life stories of her subjects. Curiously, the city’s own desegregation plan is partly to blame. The initiative called for the redistribution of students from an all-black elementary school to institutions situated in white neighborhoods. That, however, required busing, and between the tensions it generated and obvious markers of class difference, the racial divide, far from being closed, was widened. Friends Disappear highlights how racial divides limited the life chances of blacks while providing opportunities for whites, and offers an insider’s perspective on the social practices that doled out benefits and penalties based on race—despite attempts to integrate.
A strikingly original work, Friends of Interpretable Objects re-anchors aesthetics in the object of attention even as it redefines the practice, processes, meaning, and uses of interpretation.
Miguel Tamen's concern is to show how inanimate objects take on life through their interpretation--notably, in our own culture, as they are collected and housed in museums. It is his claim that an object becomes interpretable only in the context of a "society of friends." Thus, Tamen suggests, our inveterate tendency as human beings to interpret the phenomenal world gives objects not only a life but also a society. As his work unfolds, "friends" also takes on a legal sense, as advocates, introduced to advance the argument that the social life of interpreted and interpretable objects engenders a related web of social obligations.
Focusing on those who, through interpretation, make objects "speak" in settings as different as churches, museums, forests, and distant galaxies--those who know the best interests of corporations, endangered species, and works of art--Tamen exposes the common ground shared by art criticism, political science, tort law, and science. Learned and witty, with much to teach art historians, environmentalists, anthropologists, curators, and literary critics, his book utterly reorients our understanding of how we make sense of our world.
This book is the first comprehensive study tracing the origins and growth of English radicalism from the time of John Wilkes’s defiant fight for the rights of parliamentary electors to the final suppression of radical societies in 1799. It spans the age of revolution in England as the revolution absorbed reverberations from the American colonies and France, and was sometimes diverted by happenings in Scotland and Ireland.
“The Friends of Liberty” was the name English reformers took under George Ill's reign as they fought aristocratic rule and imperial domination within the English empire and abroad. They supported universal manhood suffrage, annual parliaments, social justice, the right of association, and they fought government suppression. At the height of their activity they were attacked as Jacobins, but the unfair denigration only hastened the beginnings of working class political consciousness and the formation of English conservatism.
Albert Goodwin contributes greatly to a profound understanding of the origins of popular radicalism in three ways. He reifies radicalism in urban areas beyond London—in the provincial cities of Manchester, Sheffield, Norwich, Birmingham, Derby, and Leicester. He places radicalism into a continental context. Finally, he traces radical thought from its seventeenth-century origins, through metropolitan Wilkite radicalism, Painite republicanism, and to Godwinian and Spencerian utopianism.
Drawing on diverse primary sources, Davenport identifies three distinct Christian responses to market capitalism: assurance from clerical economists who believed in the righteousness of economic development; opposition from contrarians who resisted the changes around them; and adaptation by the pastoral moralists who modified their faith to meet the ethical challenges of the changing economy. Delving into the minds of antebellum Christians as they considered themselves, their God, and their developing American economy, Friends of the Unrighteous Mammon is an ambitious intellectual history of an important development in American religious and economic life.
Now available from SBL Press
Employing social description, social scientific models, and rhetorical analysis, Alicia J. Batten argues that the letter of James is conversant with the topic of friendship within Greek and Roman literature, as well as within various texts of early Christianity. She illustrates how James drew upon some of the language and concepts related to friendship with an intriguing density to advocate resistance to wealth, avoidance of rich patrons, and reliance upon God.
Features:
- Use of friendship, benefaction, and patronage as lenses through which James and related texts can be viewed
- A strong case for how the letter appels to the language and ideas of friendship with regard to God's relationships with humans
- Exploration of the relationship between the book of James and the teachings of Jesus
Recent scholarship in different disciplinary fields as well as activist literature have brought attention to the political possibilities within friendship. The essays, memoirs, poems, and artwork in Friendship as Social Justice Activism address these political possibilities within the context of gender, sexuality, and economic justice movements.
A criticism often leveled at liberal democratic culture is its emphasis on the individual over community and private life over civic participation. However, liberal democratic culture has a more complicated relationship to notions of citizenship. As Michael Kaplan shows, citizenship comprises a major theme of popular entertainment, especially Hollywood film, and often takes the form of friendship narratives; and this is no accident. Examining the representations of citizenship-as-friendship in four Hollywood films (The Big Chill, Thelma & Louise, Lost in Translation, and Smoke), Kaplan argues that critics have misunderstood some of liberal democracy’s most significant features: its resilience, its capacity for self-revision, and the cultural resonance of its model of citizenship.
Based on a decade of direct diplomatic engagement with the United Nations, a decade of teaching on international relations, and another decade of research and teaching on Islamic and comparative peace studies, this book offers a friendship-related academic framework that examines shared moral concepts, philosophical paradigms, and political experiences that can develop and expand multidisciplinary conversations between the Christian West and the Muslim East. By advancing multicultural and interreligious discourses on friendship, this book helps promote actual friendships among diverse cultures and peoples.
This is not a monologue. It provides a model of conversations among scholars and political actors who come from diverse international and interreligious backgrounds. The word “Islamic” should not mislead the reader to suspect that this edited volume delves only into religious discourses. Rather, it provides a forum for conversations within and between religious and philosophical perspectives. It sparks friendship conversations thematically and through disciplinary and cultural diversity. The result of the work of many prominent international scholars and diplomats over many years, it conveys at least one message clearly: friendship matters for not only our happiness but also for our survival.
The question of whether true friendship could exist in an era of patronage occupied Renaissance Florentines as it had the ancient Greeks and Romans whose culture they admired and emulated. Rather than attempting to measure Renaissance friendship against a universal ideal defined by essentially modern notions of disinterestedness, intimacy, and sincerity, in this book Dale Kent explores the meaning of love and friendship as they were represented in the fifteenth century, particularly the relationship between heavenly and human friendship.
She documents the elements of shared experience in friendships between Florentines of various occupations and ranks, observing how these were shaped and played out in the physical spaces of the city: the streets, street corners, outdoor benches and loggias, family palaces, churches, confraternal meeting places, workshops of artisans and artists, taverns, dinner tables, and the baptismal font.
Finally, Kent examines the betrayal of trust, focusing on friends at moments of crisis or trial in which friendships were tested, and failed or endured. The exile of Cosimo de’ Medici in 1433 and his recall in 1434, the attempt in 1466 of the Medici family’s closest friends to take over their patronage network, and the Pazzi conspiracy to assassinate Lorenzo and Giuliano de’ Medici in 1478 expose the complexity and ambivalence of Florentine friendship, a combination of patronage with mutual intellectual passion and love—erotic, platonic, and Christian—sublimely expressed in the poetry and art of Michelangelo.
While friendship was often discussed by the ancients, moderns have had much less to say on the topic. Leading us into a dialogue with the ancients, the contributors offer a series of far-reaching encounters. Nietzsche debates the meaning of friendship with Socrates; Horatio fulfills the ancient desideratum of the “true friend” in telling Hamlet’s story; and philia becomes the core of a radical ethic through a reconstruction of Marx’s Epicurean ideals. Friendship is also analyzed as the model of a non-narcissistic psychology, on the one hand, and of a “mafia of idealists”—the French Resistance—on the other. Moreover, milieus of friendship are revealed as a unique crucible of creativity for the Benjamin-Bloch cohort in 1920s southern Italy, for Wittgenstein and his Cambridge followers in the 1930s, and for American jazz musicians of the 1950s.
Contributors. Dwight Allman, Fabio Ciaramelli, Marios Constantinou, John Ely, Agnes Heller, Clara Gibson Maxwell (with Ornette Coleman), Peter Murphy, Louis Ruprecht Jr., Jean-Pierre Vernant
A Frieze of Girls speaks with a fresh voice from an American era long past. This is more than Allan Seager's story of what happened; it is also about how "the feel of truth is very like the feel of fiction, especially when either is at all strange."
Seager gives us his coming-of-age story, from a high-school summer as a sometime cowboy in the Big Horn mountains to a first job at seventeen managing an antiquated factory in Memphis to a hard-drinking scholarship year in Oxford, cut short by tuberculosis. At once funny with an undercurrent of pain, the stories in A Frieze of Girls remind us of the realities we create to face the world and the past, and in turn of the realities of the world we must inevitably also confront. "Time makes fiction out of our memories," writes Seager. "We all have to have a self we can live with and the operation of memory is artistic---selecting, suppressing, bending, touching up, turning our actions inside out so that we can have not necessarily a likable, merely a plausible identity." A Frieze of Girls is Allan Seager at the top of his form, and a reminder that great writing always transcends mere fashion.
Allan Seager was Professor of English at the University of Michigan and author of many highly praised short stories and novels, including Amos Berry. He died in Tecumseh, Michigan, in 1968. Novelist Charles Baxter is the author of Saul and Patsy.
Brown provides a description, general distributional information, time of flowering, and habitat requirements for each species as well as a complete list of hybrids and the many different growth and color forms that can make identifying orchids so challenging. For the fringed-lipped orchids, which make up some of the most intriguing and richly colored of all wild orchids, he includes information on fourteen species and thirteen hybrids.
The genus Platanthera is the largest genus of orchids to be found in North America north of Mexico; the fringe-lipped group is found primarily in the eastern U.S. and Canada, extending west to the prairies and Great Plains. The fringed orchids, so-called because of the delicately fringed petals and lips on many of the species, comprise some of the largest and showiest native orchids found in our region. Most of these species are easy to identify based upon their general appearance, range, and time of flowering. Answering three simple questions—when, where, and how does it grow?—and comparing the living plants with the striking photos in the backpack-friendly laminated guide and the information in the simple key should enable both professional and amateur naturalists to achieve the satisfaction of identifying a specific orchid.
This award-winning book, now available in paperback, is the first solid appraisal of the legendary career of the eminent Hungarian-born conductor Fritz Reiner (1888-1963). Personally enigmatic and often described as difficult to work with, he was nevertheless renowned for the dynamic galvanization of the orchestras he led, a nearly unrivaled technical ability, and high professional standards. Reiner's influence in the United States began in the early 1920s and lasted until his death. Reiner was also deeply committed to serious music in American life, especially through the promotion of new scores. In Fritz Reiner, Maestro and Martinet, Kenneth Morgan paints a very real portrait of a man who was both his own worst enemy and one of the true titans of his profession.
Frivolous Women invites us to visit the darker and lighter sides of laughter and love and feel the tenderness of recovered memories as we cross the bridges of relationships and stroll down the mysterious streets of childhood. Alicia Borinsky reminds us that the revelations of poetry are always intimate and dangerous. Cola Franzen’s agile and insightful translation, crafted in close collaboration with the poet, is faithful to the letter and spirit of the original Spanish in this bilingual edition.
As Kermit the Frog taught us—it’s not easy being green. With good reason, since you’ll likely be dissected in biology class or have your legs gobbled up by a hungry Frenchman. And yet, these slimy creatures have captured our imagination, appearing in everything from fairytales about frog princes to Beatrix Potter’s The Tale of Jeremy Fisher and Arnold Lebel’s Frog and Toad. They even appear as a tasty chocolate snack in the Harry Potter series. Examining the significant role played by this slippery amphibian in art, literature, and popular culture, Charlotte Sleigh gives us an entertaining—and sometimes shocking—account of this both loved and misunderstood animal.
In this short book, celebrated biologist Marty Crump leads readers on a worldwide field trip in search of frogs. Each chapter of Frog Day covers a single frog during a single hour, highlighting how twenty-four different species spend their time. Our day begins at midnight in Indonesia, with the rustle of leaves above. It’s not a bird, but Wallace’s flying frog, using its webbed feet and emerald-green skin flaps to glide through the forest canopy. In the early hours of the morning, we hear a horned marsupial frog “bopping” and a wood frog “quacking” to attract mates. At six o’clock in the morning, beneath a streetlight in Honolulu, we meet a corpulent, invasive cane toad slurping insects—and sometimes snakes, lizards, turtles, birds, and mice. At noon, we watch parenting in action as an African bullfrog bulldozes a path through the mud to free his tadpoles from a drying pond. At dusk, in a Peruvian rain forest, we observe “the ultimate odd couple”—a hairy tarantula and what looks like a tiny amphibian pet taking shelter in the spider’s burrow. Other frogs make a tasty meal for this tarantula, but the dotted humming frog is a friend, eating the ants that might otherwise make a meal of the tarantula’s eggs.
For each hour in our Frog Day, award-winning artist Tony Angell has depicted these scenes with his signature pen and ink illustrations. Working closely together to narrate and illustrate these unique moments in time, Crump and Angell have created an engaging read that is a perfect way to spend an hour or two—and a true gift for readers, amateur scientists, and all frog fans.
When it was first published in 1987, Frog Mountain Blues documented the creeping sprawl of new development up the Catalinas’ foothills. Today, that development is fully visible, but Charles Bowden’s prescience of the urgency to preserve and protect a sacred recreational space remains as vivid as ever. Accompanied by Jack W. Dykinga’s photographs from the original work, this book continues to convey the natural beauty of the Catalinas and warns readers that this unique wilderness could easily be lost.
As Alison Hawthorne Deming writes in the new foreword, “Frog Mountain Blues continues to be an important book for learning to read this place through the eyes of experience and history, and Bowden remains a sobering voice for facing our failures in protecting what we love in this time of global destruction, for taking seriously the power of language to set ourselves right again with the enormous task of living with purpose and presence and care on the land.”
Frogs and Toads of Alabama is the most comprehensive taxonomy of the anuran fauna gathered since Robert H. Mount’s 1975 volume on the reptiles and amphibians of Alabama. This richly illustrated guide provides an up-to-date summary of the taxonomy and life history of both native frogs and toads and those introduced to the state.
Alabama possesses one of the most species-rich biotas of North America, and this richness is reflected in its frogs and toads. The authors examine all known species within the state and describe important regional variations in each species, including changes within species across the state’s many habitats. Significant field studies, pertaining especially to species conservation, inform each account.
The life history entry for each species consists of scientific and common names, full-color photographs, a morphological description, discussion of habits and life cycle, and a distribution map depicting areas in which the species is located throughout the state, as well as notes on conservation and management practices. The illustrated taxonomic keys provided for families, genera, species, and subspecies will be an invaluable resource to herpetologists.
This extensive guide will serve as a single resource for understanding the rich natural history of Alabama by shedding light on this important aspect of its biodiversity, especially in light of ongoing changes in the habitats of many of Alabama’s herpetofauna. Accessible to all, this volume is valuable for both the professional herpetologist and the general reader interested in frogs and toads.
The master of Old Comedy.
Aristophanes of Athens, one of the world’s greatest comic dramatists, has been admired since antiquity for his iridescent wit and beguiling fantasy, exuberant language, and brilliant satire of the social, intellectual, and political life of Athens at its height. The Loeb Classical Library edition of his plays is in four volumes.
The Introduction to the edition is in Volume I. Also in the first volume is Acharnians, in which a small landowner, tired of the Peloponnesian War, magically arranges a personal peace treaty; and Knights, perhaps the most biting satire of a political figure (Cleon) ever written.
Three plays are in Volume II. Socrates’ “Thinkery” is at the center of Clouds, which spoofs untraditional techniques for educating young men. Wasps satirizes Athenian enthusiasm for jury service. In Peace, a rollicking attack on war-makers, the hero travels to heaven on a dung beetle to discuss the issues with Zeus.
The enterprising protagonists of Birds create a utopian counter-Athens ruled by birds. Also in Volume III is Lysistrata, in which our first comic heroine organizes a conjugal strike of young wives until their husbands end the war between Athens and Sparta. Women again take center stage in Women at the Thesmophoria, this time to punish Euripides for portraying them as wicked.
Frogs, in Volume IV, features a contest between the traditional Aeschylus and the modern Euripides, yielding both sparkling comedy and insight on ancient literary taste. In Assemblywomen Athenian women plot to save Athens from male misgovernance—with raucously comical results. Here too is Wealth, whose gentle humor and straightforward morality made it the most popular of Aristophanes’ plays from classical times to the Renaissance.
Only a few of us seek immortality, and fewer still by writing. But Arthur Inman challenged the odds. He calculated that if he kept a diary and spared no thoughts or actions, was entirely honest and open, and did not care about damage or harm to himself or others, he would succeed in gaining attention beyond the grave that he could not attain in life.
The diary became a many-layered and strikingly animated work of a gifted writer, by turns charming, repellent, shocking, cruel, and comical. But the diary is also an uninhibited history of his times, of his eccentricities and fantasies, of his bizarre marriage arrangements and sexual adventures. Inman’s explorations of his own troubled nature made him excessively curious about the secret lives of others. Like some ghostly doctor-priest, he chronicled their outpourings of head and heart as vividly as he did his own. The diary reads like a nonfiction novel as it moves inexorably toward disaster.
This is an abridged version of the celebrated two-volume work published by Harvard as The Inman Diary: A Public and Private Confession.
Foreword by Bill Wittliff
Illustrations by Glenn Wolff
“Another fine, reflective, anecdotal look at rural Texas.” —New Yorker
“Graves writes eloquently about a countryman’s concerns. There's not a false note in the book.” —Boston Globe
“Like the unmortared stone fences of Graves’s native hill country, From a Limestone Ledge is constructed of bits and pieces never designed to fit together, yet made to achieve a unity that is more enduring than the sum of its individual parts by the hands of a master craftsman.” —Southwestern Historical Quarterly
“The beauty of his work endures, and there is a greater pride in Texans’ hearts for their home, I think, than there would be if he hadn’t written the books he did.” —Rick Bass, Garden & Gun
“In describing the particulars of his surroundings, Graves often was describing the world in microcosm and the place and plight of humankind in it.” —Bryan Woolley, Dallas Morning News
Among a growing number of ethnographies of eastern Indonesia that deal with cosmology, exchange, and kinship, From a Shattered Sun is the first to address squarely issues originally broached by Edmund Leach and Claude Lévi-Strauss concerning the relation between hierarchy and equality in asymmetric systems of marriage.
On the basis of extensive fieldwork in the Tamimbar islands, Susan McKinnon analyzes the simultaneous presence of both closed, asymmetric cycles and open, asymmetric pathways of alliance—of both egalitarian and hierarchical configurations. In addition, Tamimbarese society is marked by the existence of multiple, differentially valued forms of marriage, affiliation, and residence. Rather than seeing these various forms as analytically separable types, McKinnon demonstrates that it is only by viewing them as integrally related—in terms of culturally specific understandings of "houses," gender, and exchange—that one can perceive the processes through which hierarchy and equality are created.
We, as a nation, have become desensitized to the shock and pain in the wake of mass shootings. In the bottomless silence between gunshots, as political stalemate ensures inaction, the killing continues; the dying continues. From a Taller Tower attends to the silence that has left us empty in the aftermath of these atrocities. Veteran journalist Seamus McGraw chronicles the rise of the mass shooter to dismantle the myths we have constructed around the murderers and ourselves.
In 1966, America’s first mass shooter, from atop the University of Texas tower, unleashed a new reality: the fear that any of us may be targeted by a killer, and the complicity we bear in granting these murderers the fame or infamy they crave. Addressing individual cases in the epidemic that began in Austin, From a Taller Tower bluntly confronts our obsession with the shooters—and explores the isolation, narcissism, and sense of victimhood that fan their obsessions. Drawing on the experiences of survivors and first responders as well as the knowledge of mental health experts, McGraw challenges the notion of the “good guy with a gun,” the idolization of guns (including his own), and the reliability of traumatized memory. Yet in this terrible history, McGraw reminds us of the humanity that can stop the killing and the dying.
From A to investigates the relationship between media and culture by articulating questions regarding the role of markup. How do the codes of HTML, CSS, PHP, and other markup languages affect the Web's everyday uses? How do these languages shape the Web's communicative functions? This novel inquiry positions markup as the basis of our cultural, rhetorical, and communicative understanding of the Web.
Contributors: Sarah J. Arroyo, CSU Long Beach; Jennifer L. Bay, Purdue U; Helen J. Burgess, U of Maryland, Baltimore County; Michelle Glaros, Centenary College of Louisiana; Matthew K. Gold, NYCC of Technology; Cynthia Haynes, Clemson U; Rudy McDaniel, U of Central Florida; Colleen A. Reilly, UNC, Wilmington; Thomas Rickert, Purdue U; Brendan Riley, Columbia College Chicago; Sae Lynne Schatz, U of Central Florida; Bob Whipple, Creighton U; Brian Willems, U of Split, Croatia.
From a View to a Death takes us to a dilapidated country estate where an ambitious artist of questionable talent, a family of landed aristocrats wondering where the money has gone, and a secretly cross-dressing squire all commingle among the ruins.
Written from a vantage point both high and necessarily narrow, Powell’s early novels nevertheless deal in the universal themes that would become a substantial part of his oeuvre: pride, greed, and what makes people behave as they do. Filled with eccentric characters and piercing insights, Powell’s work is achingly hilarious, human, and true.
In this book, the reader is privileged to take a leisurely and thoroughly enjoyable trip through the Greece of the mid-twentieth century, led by a poet-narrator who is a comfortable and engaging guide and complemented by the artwork of John Guerin.
Frederic Will recounts his odyssey: from Austria through Yugoslavia, across the northern Greek border, from Salonika to Athens and the Aegean Sea, to the site of remnants of Old Greece in Smyrna, Pergamum, and Ephesus, and finally to the monasteries on Mount Athos.
The author not only presents vivid descriptions of the towns and people in contemporary Greece but also conveys the still-present aura of the ancient Greek deities, in both the ruins and the modern cities. Witness the following passage written at Salonika, in Northern Greece, Will’s first stop of importance:
The sense-binding, sense-shaping ocean is omnipresent there. It is visible from nearly any point in the city. You only need to go up to your second story—if you have one. There is that pure, rhythmic, bounded but boundless element, spread somewhere at the bottom of the street. The same vision glimmers or stirs at the end of nearly every east-west-running street. Many townsmen spend much of their time promenading along the harbor. They seem to be subliminally magnetized to the sea.
I spent several weeks there. During that time I would often go up to the crowning Venetian walls, and look down onto Salonika and its harbor. From there Salonika’s deep dependence on the ocean became a fact proved by eyesight. The city is built on the half-moon-shaped plain of the Axios River. Two images came to me repeatedly: that Salonika is an amphitheater facing the ocean; or that she is a lover, reaching to embrace the ocean. Here are the hot, white (or cream-colored) buildings of the city; there is the element they thirst for.
Will gives a great deal of fascinating information but gives it gracefully and without excess. Above all, the narrative is suffused with the atmosphere, the emotions, and the beauty of Greece. The author has said he intends for this work to dramatize, not to instruct. Actually, it does both.
From Abortion to Pederasty: Addressing Difficult Topics in the Classics Classroom, edited by Nancy Sorkin Rabinowitz and Fiona McHardy, is committed to the proposition that it is important to continue to teach texts that raise these issues, not to avoid them. In this volume, classicists and ancient historians from around the world address how to teach such topics as rape, pederasty, and slavery in the classics classroom. The contributors present the concrete ways in which they themselves have approached such issues in their course planning and in their responses to students’ needs.
A main objective of From Abortion to Pederasty is to combat arguments, from both the left and the right, that the classics are elitist and irrelevant. Indeed, they are so relevant, and so challenging, as to be painful at times. Another objective is to show how Greco-Roman culture and history can provide a way into a discussion that might have been difficult or even traumatic in other settings. Thus it will provide teaching tools for dealing with uncomfortable topics in the classroom, including homophobia and racism.
The management of coastal and ocean fisheries is highly contentious. Industry interests focus on maximizing catches while conservationists and marine scientists have become increasingly concerned about dramatic declines in fish stocks and the health of ecosystems. Besides attempting to mediate among these interests, government agencies have pursued their own agendas, which have often lagged behind shifts in scientific understanding and public attitudes about the productivity of the oceans and uses of marine wildlife.
From Abundance to Scarcity examines the historical evolution of U.S. fisheries policy and institutions from the late 19th century to the present day, with an emphasis on changes since World War II. Based on archival research and interviews with dozens of key players in marine policymaking, it traces the thinking, legislation, mandates, and people that have shaped the various agencies governing fisheries in the United States. The book:
- discusses the development of federal programs in marine biological sciences and the evolution of scientific understanding about marine wildlife populations
- describes the work of federal fisheries programs in promoting the interests of the fishing industry
- considers the response of agencies to factors such as dam-building and coastal development that have led to increased pollution and habitat loss
- examines the shifts in understanding and values that underlie major legislation including the Marine Mammal Protection Act, the Endangered Species Act, the Magnuson-Stevens Act, and the Sustainable Fisheries Act
- examines the evolving relationship between federal agencies, the fishing industry, communities, and nongovernmental conservation organizations, with an eye toward future management practice
By examining the connection between authors and trends in child psychology, author Holly Blackford explains why many modern novels began to focus on child cognition as a site for intellectual and artistic exploration. In each chapter of this book, select novels of the late-nineteenth or twentieth century are paired with a specific moment or movement from the history of developmental psychology. Novels such as Mark Twain’s Huckleberry Finn and Henry James’s What Maisie Knew, or Radclyffe Hall’s less-canonical The Well of Loneliness and even Mark Haddon’s The Curious Incident of the Dog in the Night-Time, showcase major questions about human epistemology through their child characters. From Lewis Carroll’s Alice and her looking-glass to Richard Wright’s Bigger Thomas and the murder of Mary Dalton to the chaotic Neverland—symbolizing the unmappable child’s brain—a literary tradition of child consciousness has emerged as an experimental site for the unstable concepts of evolution, civilization, and development.
By situating literature about children within concurrent psychological discourses, Blackford demonstrates how the modern novel contributed to the world’s understanding of the boundless wonders and discernible limits of child consciousness.
In a stunningly original work about the impact of cultural perceptions in international relations, Simei Qing offers a new perspective on relations between the United States and China after World War II.
From debates over Taiwan in the Truman administration to military confrontation in Korea to relations with the Soviet Union, Qing explores how policies on both sides became persistently counterproductive. Implicit moral and cultural values became woven into policy rationales for both China and the United States. Cultural visions of modernity and understandings of identity played a critical role in each nation's evaluation of the other's intentions and in defining interests and principles in their diplomatic relationship.
Based on American, Russian, and newly declassified Chinese sources, this book reveals rarely examined assumptions that were entrenched in mainstream policy debates on both sides, and sheds light on the origins and development of U.S.-China confrontations that continue to resonate today. Simei Qing also provides a compelling look at the vital role of deeply anchored visions in the origins of human military conflicts.
An international team of specialists in classical scholarship and Mesoamerican studies engage in an interdisciplinary discussion involving ideas from history, anthropology, archaeology, art history, iconography, and philology. Key themes include the role of religion in processes of imperial domination; religion’s use as an instrument of resistance or the imposition, appropriation, incorporation, and adaptation of various elements of religious systems by hegemonic groups and subaltern peoples; the creative misunderstandings that can arise on the “middle ground”; and Christianity’s rejection of ritual violence and its use of this rejection as a pretext for inflicting other kinds of violence against peoples classified as “barbarian,” “pagan,” or “diabolical.”
From Ancient Rome to Colonial Mexico presents a sympathetic vantage point for discussing and attempting to decipher past processes of social communication in multicultural contexts of present-day realities. It will be significant for scholars and specialists in the history of religions, ethnohistory, classical antiquity, and Mesoamerican studies.
Publication supported, in part, by Spain’s Ministry of Economy and Competitiveness.
Contributors: Sergio Botta,Maria Celia Fontana Calvo, Martin Devecka, György Németh, Guilhem Olivier, Francisco Marco Simón, Paolo Taviani, Greg Woolf, David Charles Wright-Carr, Lorenzo Pérez Yarza
Translators: Emma Chesterman, Benjamin Adam Jerue, Layla Wright-Contreras
Androboros was not just the first of its kind, it was also ahead of its time in many ways, preceding the harsh political satires and farces of the later eighteenth century by some fifty years. Such plays served a small but essential role in promoting political thought among the colonists. Written by anonymous authors and passed from hand to hand, these short, crude, and often bawdy plays and dialogues were rarely acted due to their inflammatory lampoonery. Nevertheless, they provided an opportunity for disgruntled colonists to vent their grievances and promote their ideas to fellow citizens. The farces of the late eighteenth century drove home the meaning and message of the American Revolution.
Equally significant is that Androboros may have influenced a few of the key political discourses published in the 1730s, and these works in turn may well have shaped the future of the American political landscape for the next several decades and even into the modern era. But as a closet drama intended only to be read by close friends and political supporters, this play has languished as a minor footnote in American intellectual history. Scholarly research published to date has been, for the most part, inadequate and occasionally inaccurate. This study remedies that oversight, providing a full analysis as well as an annotated typescript and facsimiles of the original printing.
The American Civil War and the Paris Commune of 1871, Philip Katz argues, were part of the broader sweep of transatlantic development in the mid-nineteenth century--an age of democratic civil wars. Katz shows how American political culture in the period that followed the Paris Commune was shaped by that event.
The telegraph, the new Atlantic cable, and the news-gathering experience gained in the Civil War transformed the Paris Commune into an American national event. News from Europe arrived in fragments, however, and was rarely cohesive and often contradictory. Americans were forced to assimilate the foreign events into familiar domestic patterns, most notably the Civil War. Two ways of Americanizing the Commune emerged: descriptive (recasting events in American terms in order to better understand them) and predictive (preoccupation with whether Parisian unrest might reproduce itself in the United States).
By 1877, the Commune became a symbol for the domestic labor unrest that culminated in the Great Railroad Strike of that year. As more powerful local models of social unrest emerged, however, the Commune slowly disappeared as an active force in American culture.
The Other Voice in Early Modern Europe: The Toronto Series, Volume 67
In this book, Edelman continues his quest to understand the influence of perception on the political process by turning to the role of art. He argues that political ideas, language, and actions cannot help but be based upon the images and narratives we take from literature, paintings, film, television, and other genres. Edelman believes art provides us with models, scenarios, narratives, and images we draw upon in order to make sense of political events, and he explores the different ways art can shape political perceptions and actions to both promote and inhibit diversity and democracy.
"Elegantly written. . . . He brilliantly contends that art helps create the images from which opinion-molders and citizens construct the social realities of politics."—Choice
"It is perhaps the freshness with which he puts his case that is what makes From Art to Politics, as well as his other works, so challenging and invigorating."—Philip Abbott, Review of Politics
What does history mean today? What is its relevance to the modern world? In contemplating fundamental questions about history and the Western legacy, the noted classical historian Christian Meier offers a new interpretation on how we view the world.
Meier sees an “absence” of history in contemporary Europe and throughout the West—an absence he attributes to the way modern historians have written about history and, more important, to the dramatic transformations of the twentieth century. He argues for the central legacy of Western civilization. He tackles the difficulty of reconciling a historical perspective with our era of extreme acceleration, when experience is shaped less by inheritance and legacy than by the novelty of changes wrought by science and globalization. Finally, Meier contemplates the enormity of the Holocaust, which he sees as a test of “understanding” history. If it is part of the whole arc of the Western legacy, how do we fit it with the rest?
This engaging and thought-provoking meditation challenges us to rethink the role of history in Western culture and a changing world.
Through a historical examination of key events and players, prevailing management philosophies, public policy, and institutional factors, Daowei Zhang searches for an economic explanation and assesses the impact of these ownership revolutions with a three-pronged approach. First, he explains why industrial firms were able to profit from owning forestlands, and how the shift to institutional ownership came about. Second, he compares private timberland investments and public equity investments with respect to risk-adjusted returns and other dimensions of interest to investors and forest managers, including alignment of interests, capacity to exploit market inefficiencies, and their forest management and conservation records. Finally, he provides thoughtful commentary on the future of institutional timberland investments and global forest sustainability.
From Backwoods to Boardrooms is essential reading for forest managers, investors, and anyone interested in understanding the workings of the modern forest sector and the future of forest sustainability.
Over several decades, many U.S. states abandoned the practice of selecting their judges by direct popular election and adopted the Missouri Plan of judicial selection. In From Ballot to Bench, Philip L. Dubois subjects the various criticisms raised against judicial elections to a more searching scrutiny than previously has been attempted.
Dubois carefully reviews the three central counts on which judicial elections have been faulted: for lowering the quality of the bench, for impairing judicial independence, and for failing to secure judicial accountability. After concluding that the potential for judicial elections to hold judges popularly accountable is what might commend them over alternative selection methods, Dubois concentrates on the analysis of empirical evidence to evaluate judicial elections as mechanisms of accountability.
The study examines all the statewide partisan and nonpartisan elections for state supreme court justices in non-southern states from 1948 to 1974. Included is a detailed examination of voter participation, electoral competition, the behavior of judicial electorates, and the patterns of gubernatorial vacancy appointments. An analysis of decision making on eight state supreme courts also tests the relationship between different selection systems and judicial behavior.
Dubois finds that partisan elections maximize voter participation, meaningfully structure voter choices, minimize accession to the bench by appointment, and allow popular control over gubernatorial appointments. Additional evidence on the extent of partisan voting by judges selected under different methods leads Dubois to conclude that partisan elections are superior to both nonpartisan elections and nonelective selection methods as instruments of accountability.
The importance of the questions addressed, the breadth of the data collected, and the unorthodox conclusions offered make this a significant book for political scientists, judges, lawyers, and public officials.
From the exuberant excesses of Carmen Miranda in the "tutti frutti hat" to the curvaceous posterior of Jennifer Lopez, the Latina body has long been a signifier of Latina/o identity in U.S. popular culture. But how does this stereotype of the exotic, erotic Latina "bombshell" relate, if at all, to real Latina women who represent a wide spectrum of ethnicities, national origins, cultures, and physical appearances? How are ideas about "Latinidad" imagined, challenged, and inscribed on Latina bodies? What racial, class, and other markers of identity do representations of the Latina body signal or reject?
In this broadly interdisciplinary book, experts from the fields of Latina/o studies, media studies, communication, comparative literature, women's studies, and sociology come together to offer the first wide-ranging look at the construction and representation of Latina identity in U.S. popular culture. The authors consider such popular figures as actresses Lupe Vélez, Salma Hayek, and Jennifer Lopez; singers Shakira and Celia Cruz; and even the Hispanic Barbie doll in her many guises. They investigate the media discourses surrounding controversial Latinas such as Lorena Bobbitt and Marisleysis González. And they discuss Latina representations in Lupe Solano's series of mystery books and in the popular TV shows El Show de Cristina and Laura en América. This extensive treatment of Latina representation in popular culture not only sheds new light on how meaning is produced through images of the Latina body, but also on how these representations of Latinas are received, revised, and challenged.
On October 10, 2002, Congressman John J. Duncan Jr. cast a vote in the U.S. House that he thought might end his political career. Going against his own party, he was one of only six House Republicans who voted against the Iraq War resolution. Constituents in his district were shocked, but over time Duncan felt his least popular vote became his most popular one—and probably the most significant in his thirty-year political career.
Congressman Duncan served as U.S. Representative for Tennessee’s Second Congressional district from 1988 to 2019. While he could have written a dense political memoir, in From Batboy to Congressman, Duncan employs a journalistic flair to provide just the right insight into a series of anecdotes from his storied life. Duncan’s family, early life, and time as a lawyer and judge all figure into the generous narrative, shared with both warmth and a self-deprecating sense of humor. He details unique experiences meeting celebrities, presidents, and sports stars; and, of course, he shares insights into the decisions that charted his Congressional career on issues such as Iraq, NAFTA, and concern for fiscal responsibility. Over his decades-long career, Duncan was known for his commitment to constituent service—even among constituents who disagreed with his views—so he offers a refreshing perspective on bipartisanship and connections across the aisle; indeed, he names conservatives, moderates, and liberals alike among his closest friends.
While this book contains timely reflections on issues of war and poverty, of leadership and the lack of it, of the proper relationship between citizens and government, its intention is to highlight moments in a singular career. “As you will read in this book,” writes Congressman Duncan, “every job gave me strange, funny, unusual stories.”
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