Early in the year 1854 Frederick Law Olmsted, a young New England journalist, crossed the Louisiana border and set off on horseback into the teeth of the Texas winter. In A Journey through Texas he recounts his travels along the Old San Antonio Road through East Texas' piney woods, the dry prairies further west, the chaparral of South Texas, the coastal prairies, and the rich bottomlands around Houston and Galveston.
Olmsted does not romanticize the discomforts of his trip—the monotonous food, crude housing, wet and dry northers, rough companions—yet his book reflects a sense of limitless possibility for this new and open country. The cultured Easterner remembers in relentless detail the squalor and brutality met with in parts of East Texas, but he writes fondly of the civility and cleanliness of the German settlements around New Braunfels.
In his introductory "A Letter to a Southern Friend," omitted in earlier reprints, Olmsted sets forth his views opposing the extension of slavery into the West and promoting free-soil agriculture for frontier states.
The remarkably versatile Olmsted is best known as the founder of landscape architecture in America and for works including Central Park and Stanford University.
In his Foreword, Larry McMurtry calls A Journey through Texas an "intelligent, lively, readable book, packed with keen observation and lightened by a delicate strain of humor."
In A Journey through the West, Thomas Rodney writes vividly about flea-infested taverns, bad roads, drunken crew members, squatters, Indians sodden berths, food from the wild and treacherous waters. His is one of the most detailed early-nineteenth-century travel accounts.
Rodney, a Revolutionary War patriot and veteran, had been active in Delaware politics and had served in the Continental Congress. In 1803, President Thomas Jefferson appointed him as a land commissioner and a territorial judge in the newly formed Mississippi Territory. To assume his duties, Rodney and a small party traveled overland from Delaware across the length of southern Pennsylvania to Wheeling, (West) Virginia. From there, they boarded their newly constructed boat on the Ohio River and rowed, sailed, and drifted along the borders of (West) Virginia, Ohio, Indiana, Illinois, and Kentucky.
Finally they left the clear rapids of the Ohio and entered the muddy yet majestic Mississippi. They traveled southwesterly into a vast, exotic wilderness valley. The western shore of the Mississippi was still owned by Spain, and foreign soldiers were spotted. Under pressure to meet Rodney’s deadline for arrival in Mississippi Territory, the travelers were grateful for the Mississippi’s fast current. Yet in the journey’s last days they were faced with adventures and with near disaster when their boat struck a snag and partially sank.
Rodney kept a precise journal and sent letters to President Jefferson documenting his trek from the settled East through the barely chartered paths of the western wilderness. He hobnobbed with Meriwether Lewis, enjoyed the hospitality of Harman Blennerhassett, and received a tour of Cincinnati from Arthur St. Clair.
Dwight Smith and Ray Swick have compiled, edited and annotated Rodney’s story to present it in complete form for the first time. A Journey through the West is both a travel adventure and a colorful glimpse into the life of his day.
In 1834, a German immigrant to Texas, D. T. F. (Detlef Thomas Friedrich) Jordt, aka Detlef Dunt, published Reise nach Texas, a delightful little book that praised Texas as “a land which puts riches in [the immigrant’s] lap, which can bring happiness to thousands and to their descendants.” Dunt’s volume was the first one written by an on-the-ground observer to encourage German immigration to Texas, and it provides an unparalleled portrait of Austin’s Colony from the lower Brazos region and San Felipe to the Industry and Frelsburg areas, where Dunt resided with Friedrich Ernst and his family.
Journey to Texas, 1833 offers the first English translation of Reise nach Texas. It brings to vivid life the personalities, scenic landscapes, and customs that Dunt encountered in colonial Texas on the eve of revolution, along with his many practical suggestions for Germans who intended to emigrate. The editors’ introduction describes the social, political, and economic conditions that prompted Europeans to emigrate to Texas and provides biographical background on Dunt and his connection with Friedrich Ernst. Also included in the volume are a bibliography of German works about Texas and an interpretive essay discussing all of the early German literature about Texas and Dunt’s place within it. Expanding our knowledge of German immigration to Texas beyond the more fully documented Hill Country communities, Journey to Texas, 1833 also adds an important chapter to the story of pre-Revolutionary Texas by a sophisticated commentator.
Charles Desnoyers is Associate Professor and Chair in the Department of History and Director of Asian Studies at La Salle University.
It was one of the great encounters of world history: highly educated European priests confronting Chinese culture for the first time in the modern era. This “journey to the East” is explored by Liam Brockey as he retraces the path of the Jesuit missionaries who sailed from Portugal to China, believing that, with little more than firm conviction and divine assistance, they could convert the Chinese to Christianity. Moving beyond the image of Jesuits as cultural emissaries, his book shows how these priests, in the first concerted European effort to engage with Chinese language and thought, translated Roman Catholicism into the Chinese cultural frame and eventually claimed two hundred thousand converts.
The first narrative history of the Jesuits’ mission from 1579 until the proscription of Christianity in China in 1724, this study is also the first to use extensive documentation of the enterprise found in Lisbon and Rome. The peril of travel in the premodern world, the danger of entering a foreign land alone and unarmed, and the challenge of understanding a radically different culture result in episodes of high drama set against such backdrops as the imperial court of Peking, the villages of Shanxi Province, and the bustling cities of the Yangzi Delta region. Further scenes show how the Jesuits claimed conversions and molded their Christian communities into outposts of Baroque Catholicism in the vastness of China. In the retelling, this story reaches across continents and centuries to reveal the deep political, cultural, scientific, linguistic, and religious complexities of a true early engagement between East and West.
Journeys beyond the Pale is the first book to examine how Yiddish writers, from Mendele Moycher Sforim to Der Nister to the famed Sholem Aleichem, used motifs of travel to express their complicated relationship with modernization. The story of the Jews of the Pale of settlement encompasses current-day Russia, the Ukraine, Belarus, and Poland.
Four early American women tell their own stories: Mary Rowlandson on her capture by Indians in 1676, Boston businesswoman Sarah Kemble Knight on her travels in New England, Elizabeth Ashbridge on her personal odyssey from indentured servant to Quaker preacher, and Elizabeth House Trist, correspondent of Thomas Jefferson, on her travels from Philadelphia to Natchez. Accompanied by introductions and extensive notes.
"The writings of four hearty women who braved considerable privation and suffering in a wild, uncultivated 17th- and 18th-century America. Although confined by Old World patriarchy, these women, through their narratives, have endowed the frontier experience with a feminine identity that is generally absent from early American literature."—Publishers Weekly
For most sociologists, their life’s work does not end with retirement. Many professors and practitioners continue to teach, publish, or explore related activities after leaving academia. They also connect with others in the field to lessen the isolation they sometimes feel outside the ivory tower or an applied work setting.
The editors and twenty contributors to the essential anthology Journeys in Sociology use a life-course perspective to address the role of sociology in their lives. The power of their personal experiences—during the Great Depression, World War II, or the student protests and social movements in the 1960s and ‘70s—magnify how and why social change prompted these men and women to study sociology. Moreover, all of the contributors include a discussion of their activities in retirement.
From Bob Perrucci, Tuck Green, and Wendell Bell, who write about issues of class, to Debra Kaufman and Elinore Lurie, who explain how gender played a role in their careers, the diverse entries in Journeys in Sociology provide a fascinating look at both the influence of their lives on the discipline and the discipline on these sociologists’ lives.
Contributors include: David J. Armor, Wendell Bell, Glen H. Elder, Jr., Henry W. Fischer, Janet Zollinger Giele, Charles S. (Tuck) Green, Peter Mandel Hall, Elizabeth Higginbotham, Debra Renee Kaufman, Corinne Kirchner, Elinore E. Lurie, Gary T. Marx, Robert Perrucci, Fred Pincus, Thomas Scheff, Arthur Shostak, David Simon, Natalie J. Sokoloff, Edward Tiryakian, Joyce E. Williams, and the editors.
Published in collaboration with the American Sociological Association Opportunities in Retirement Network.
Renowned poet Richard Tillinghast’s wanderlust and restless spirit are nearly as well known as his verses. This book of essays captures that penchant to wander, yet Journeys into the Mind of the World is not merely a compilation of travel stories—it is a book of places. It explores these chosen locations—Ireland, England, India, the Middle East, Tennessee, Hawaii—in a deeper way than would be typical of travel literature, attempting to enter not just the world, but “the mind of the world”—the roots and history of places, their political and cultural history, spiritual, artistic, architectural, and ethnic dimensions.
Behind each essay is the presence, curiosity, and intelligence of the author himself, who uses his experience of the places he visits as a way of bringing the reader into the equation. Tillinghast illuminates his travels with a brilliant eye, a friendly soul, and eclectic knowledge of a variety of disparate areas—Civil War history, Venetian architecture, Asian cultures, Irish music, and the ways of out-of-the-way people. This attention to history and cultural embeddedness lends unique perspectives to each essay.
At the heart of his journeys are his deep roots in the South, tracing back to his hometown in Tennessee. The book explores not only Tillinghast’s childhood home in Memphis, but even the time before his birth when his mother lived in Paris. Readers will feel a sense of being everywhere at once, in a strange simultaneity, a time and place beyond any map or guidebook.
Renowned poet Richard Tillinghast’s wanderlust and restless spirit are nearly as well known as his verses. This book of essays captures that penchant to wander, yet Journeys into the Mind of the World is not merely a compilation of travel stories—it is a book of places. It explores these chosen locations—Ireland, England, India, the Middle East, Tennessee, Hawaii—in a deeper way than would be typical of travel literature, attempting to enter not just the world, but “the mind of the world”—the roots and history of places, their political and cultural history, spiritual, artistic, architectural, and ethnic dimensions.
Behind each essay is the presence, curiosity, and intelligence of the author himself, who uses his experience of the places he visits as a way of bringing the reader into the equation. Tillinghast illuminates his travels with a brilliant eye, a friendly soul, and eclectic knowledge of a variety of disparate areas—Civil War history, Venetian architecture, Asian cultures, Irish music, and the ways of out-of-the-way people. This attention to history and cultural embeddedness lends unique perspectives to each essay.
At the heart of his journeys are his deep roots in the South, tracing back to his hometown in Tennessee. The book explores not only Tillinghast’s childhood home in Memphis, but even the time before his birth when his mother lived in Paris. Readers will feel a sense of being everywhere at once, in a strange simultaneity, a time and place beyond any map or
guidebook.
RICHARD TILLINGHAST is the author of three recent books of poetry: Sewanee Poems (Evergreen, 2009; second edition, 2012), Selected Poems (Dedalus, Dublin, 2009), and Wayfaring Stranger (Word Palace, 2012). Among his nonfiction books are Finding Ireland (University of Notre Dame, 2008) and An Armchair Traveller’s History of Istanbul (Haus Publishing, London, 2012).
For thousands of young women in the 1950s and 1960s, involvement with the student Christian movement (SCM) changed their worldviews. Religious organizations fostered women’s leadership at a time when secular groups like Students for a Democratic Society, and the Left in general, relegated most female participants to stereotypical roles.
The SCM introduced young women to activism in other parts of the country and around the world. As leaders, thinkers, and organizers, they encountered the social realities of poverty and racial prejudice and worked to combat them. The SCM took women to Selma and Montgomery, to Africa and Latin America, and to a lifelong commitment to work for social justice.
“From the bedroom to the classroom to the courtroom, ‘consent’ is a key term in our contemporary sexual ethics. In this timely reexamination, Manon Garcia deftly reveals the hidden complexities of consent and proposes how to reconceptualize it as a tool of liberation.”
—Amia Srinivasan, author of The Right to Sex
A feminist philosopher argues that consent is not only a highly imperfect legal threshold but also an underappreciated complement of good sex.
In the age of #MeToo, consent has become the ultimate answer to problems of sexual harassment and violence: as long as all parties agree to sex, the act is legitimate. Critics argue that consent, and the awkwardness of confirming it, rob sex of its sexiness. But that objection is answered with the charge that opposing the consent regime means defending a masculine erotics of silence and mystery, a pillar of patriarchy.
In The Joy of Consent, French philosopher Manon Garcia upends the assumptions that underlie this very American debate, reframing consent as an ally of pleasure rather than a legalistic killjoy. In doing so, she rejects conventional wisdom on all sides. As a legal norm, consent can prove rickety: consent alone doesn’t make sex licit—adults engaged in BDSM are morally and legally suspect even when they consent. And nonconsensual sex is not, as many activists insist, always rape. People often agree to sex because it is easier than the alternative, Garcia argues, challenging the simplistic equation between consent and noncoercion.
Drawing on sources rarely considered together—from Kantian ethics to kink practices—Garcia offers an alternative framework grounded in commitments to autonomy and dignity. While consent, she argues, should not be a definitive legal test, it is essential to realizing intimate desire, free from patriarchal domination. Cultivating consent makes sex sexy. By appreciating consent as the way toward an ethical sexual flourishing rather than a legal litmus test, Garcia adds a fresh voice to the struggle for freedom, equality, and security from sexist violence.
Brilliant, practical, and humorous conversations with one of the twentieth-century’s greatest musicologists on art, culture, and the physical pain of playing a difficult passage until one attains its rewards.
Throughout his life, Charles Rosen combined formidable intelligence with immense skill as a concert pianist. He began studying at Juilliard at age seven and went on to inspire a generation of scholars to combine history, aesthetics, and score analysis in what became known as “new musicology.”
The Joy of Playing, the Joy of Thinking presents a master class for music lovers. In interviews originally conducted and published in French, Rosen’s friend Catherine Temerson asks carefully crafted questions to elicit his insights on the evolution of music—not to mention painting, theater, science, and modernism. Rosen touches on the usefulness of aesthetic reflection, the pleasure of overcoming stage fright, and the drama of conquering a technically difficult passage. He tells vivid stories about composers from Chopin and Wagner to Stravinsky and Elliott Carter. In Temerson’s questions and Rosen’s responses arise conundrums both practical and metaphysical. Is it possible to understand a work without analyzing it? Does music exist if it isn’t played?
Throughout, Rosen returns to the theme of sensuality, arguing that if one does not possess a physical craving to play an instrument, then one should choose another pursuit. Rosen takes readers to the heart of the musical matter. “Music is a way of instructing the soul, making it more sensitive,” he says, “but it is useful only insofar as it is pleasurable. This pleasure is manifest to anyone who experiences music as an inexorable need of body and mind.”
Frank Rose and Bob Maginel provide people seeking spiritual growth and recovery a practical handbook for accomplishing their goals. Recognizing that spiritual growth can be stymied by materialism and external preoccupations, the authors offer tasks and exercises that can be used repeatedly to help tame the "wild beasts," the negative emotions that can control our lives and destroy our relationships with others.
A special feature of the book is the "Reporting on the Task" section at the end of each of the twelve tasks, in which participants who were enrolled in a real-life twelve-week seminar share their struggles in their own words. Their successes and setbacks in applying the tasks to daily life underscore the ongoing nature of the recovery process and remind us that the joy of spiritual growth is linked to enjoying the journey.
Uniting Catholic Ireland and Protestant Ireland was a central idea of the "Irish Revival," a literary and cultural manifestation of Irish nationalism that began in the 1890s and continued into the early twentieth century. Yet many of the Revival's Protestant leaders, including W. B. Yeats, Lady Gregory, and John Synge, failed to address the profound cultural differences that made uniting the two Irelands so problematic, while Catholic leaders of the Revival, particularly the journalist D. P. Moran, turned the movement into a struggle for greater Catholic power.
This book fully explores James Joyce's complex response to the Irish Revival and his extensive treatment of the relationship between the "two Irelands" in his letters, essays, book reviews, and fiction up to Finnegans Wake. Willard Potts skillfully demonstrates that, despite his pretense of being an aloof onlooker, Joyce was very much a part of the Revival. He shows how deeply Joyce was steeped in his whole Catholic culture and how, regardless of the harsh way he treats the Catholic characters in his works, he almost always portrays them as superior to any Protestants with whom they appear. This research recovers the historical and cultural roots of a writer who is too often studied in isolation from the Irish world that formed him.
Joyce Westerman grew up on a farm in Pleasant Prairie, Wisconsin. As a kid, she cleaned the barn, picked vegetables, and helped her father cut down trees. But what she really loved to do was play baseball. Joyce played ball at recess and with friends whenever she could. She even joined her aunt’s adult softball team when she was only twelve.
As Joyce got older, she went to work at a factory in Kenosha. But when World War II broke out, she got a chance to try out for the All American Girls Professional Baseball League. Women from all over the country signed up to show off their skills. Only a few were good enough, and Joyce was one of them. For eight years, Joyce travelled around the United Stated playing ball, winning the league championship in her last season.
This addition to the Badger Biographies series for young readers tells the story of a woman who lived her dream of becoming a professional athlete. In a time when women had few opportunities for careers, and next to none in professional sports, Joyce and her teammates showed that women have what it takes.
Wolfgang Streit is Lecturer, Ludwig Maximilians University, Munich.
“Joyce’s Book of the Dark gives us such a blend of exciting intelligence and impressive erudition that it will surely become established as one of the most fascinating and readable Finnegans Wake studies now available.”—Margot Norris, James Joyce Literary Supplement
James Joyce has long been viewed as a literary modernist who helped define and uphold modernism's fundamental concepts of the artist as martyr to bourgeois sensibilities and of an idealistic faith in artistic freedom. In this revolutionary work, however, Margot Norris proposes that Joyce's art actually critiques these modernist tenets by revealing an awareness of the artist's connections to and constraints within bourgeois society.
In sections organized around three mythologized and aestheticized figures in Joyce's works—artist, woman, and child—Norris' readings "unravel the web" of Joyce's early and late stories, novels, and experimental texts. She shows how Joyce's texts employ multiple mechanisms to expose their own distortions, silences, and lies and reveal connections between art and politics, and art and society.
This ambitious new reading not only repositions Joyce within contemporary debates about the ideological assumptions behind modernism and postmodernism, but also urges reconsideration of the phenomenon of modernism itself. It will be of interest and importance to all literary scholars.
Through poems of witness, species and habitat extinction, war, pandemic, technology, history, and race, Mark Irwin’s elegant collection of poetry explores the collision between metropolis and wilderness, and engages with forms of spirit that cannot be bound. With the incursion of electronic communication, our connections with one another have been radically distorted. Irwin’s poems confront what it means to be human, and how conflict, along with the interface between technology and humanity, can cause us to become orphaned in many different ways. But it is our decision to be joyful.
Excerpt from “Letter”
Times when we touch hope like the hem of a cloud
just as when we touch a body or door, or think
of the dead come back, romancing
us through the warp of memory, lighting a way
by luring . . .
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