A SCHOLARLY BOOK REPOSITORY
This bilingual collection of both Maragall’s poetry and prose has been edited and translated by Ronald Puppo, a research fellow and translator at the University of Vic. His keen eye and expertise on Maragall comes across in droves as he takes what are arguably Catalan literature’s finest moments and turns them into eminently readable and enjoyable English language poems. Also included in this collection are some of Maragall’s pieces of prose work and personal letters that shed light onto the man himself. Accompanying all this are Puppo’s own in-depth comments and insights.
Moving from E. B. Taylor all the way through the development of modern fieldwork, Barth reveals the repressive tendencies that prevented Britain from developing a variety of anthropological practices until the late 1960s. Gingrich, meanwhile, articulates the development of German anthropology, paying particular attention to the Nazi period, of which surprisingly little analysis has been offered until now. Parkin then assesses the French tradition and, in particular, its separation of theory and ethnographic practice. Finally, Silverman traces the formative influence of Franz Boas, the expansion of the discipline after World War II, and the "fault lines" and promises of contemporary anthropology in the United States.
In this award-winning debut collection, Molly McNett couples laugh-out-loud dialogue and wry observation reminiscent of Flannery O’Connor with disquieting strains of dashed hope, troubled sexuality, and disillusionment.
The adults in these stories can seem as hapless and helpless as the younger characters. Two neglected daughters use the language of clothes to cope with their parents’ divorce and their father’s mail-order bride. A young girl’s bizarre sexual fantasies help her gain control over the chaos of her family life. A gang of teenagers accuse a farmer of bestiality. A divorced father tries to create a pony-filled world that might appeal to his daughters. In the title story, Mr. Bob, the minister’s housesitter, loses a dog but finds someone to believe in. And in “Helping,” the darkest story in this amazing collection, Ruthie’s anger conquers her religious faith when she takes care of a severely disabled child.
We meet McNett’s endearing, often foolish characters at a point when their minds are open to manipulation by the people and events around them, and the conclusions they draw are heartbreaking: I am not allowed weakness; life treats people unequally; perhaps there is no God. Yet throughout they find quiet moments of possibility, courage, and a return to faith and comfort.
While female religious have grown to possess a sense of personal authority in issues impacting the laity, and have come to engage in social-issue-oriented activities, religious institutions have traditionally viewed men as the decision-makers. One Faith, Two Authorities examines the tensions of policy and authority within the gendered nature of the Catholic Church.
Jeanine Kraybilllooks at the influence of Catholic elites—specifically within the U.S. Conference of Catholic Bishops and the Leadership Conference of Women Religious—and their opinions on public policy and relevant gender dynamics with regard to healthcare, homosexuality, immigration, and other issues. She considers the female religious’ inclusive positions as well as their opposition to ACA for bills that would be rooted in institutional positions on procreation, contraception, or abortion. Kraybill also systematically examines the claims of the 2012 Doctrinal Assessment against the Leadership Conference of Women Religious.
One Faith, Two Authorities considerswhether the sisters and the male clergy are in fact in disagreement about social justice and healthcare issues and/or if women religious have influence.
We usually think of women as the victims of pornography rather than its consumers. Whether appearing in films, peering provocatively from the pages of magazines, or posing on explicit Web-sites, women are considered the dehumanized objects of unseen lascivious male viewers. But in her controversial new book One for the Girls!, Clarissa Smith debunks this myth and challenges women to read, watch, and enjoy pornography on their own terms. Focusing on the British magazine For Women, Smith looks at its readers’ responses to male pinups and erotica and explores the intricacies of women’s unique reactions to pornography.
On February 5, 2006, the Pittsburgh Steelers joined the ranks of the elite teams in National Football League history, celebrating their fifth Super Bowl victory. From an unspectacular 7-5 start, to completing the greatest playoff run ever, to the fairy tale ending of Jerome Bettis's Hall of Fame career and the vindication of Bill Cowher's coaching tenure, the 2005 season was not only one for the thumb, but “truly one for the ages.”
One for the Thumb is a collection of the best writing about the fabled franchise by local and national sportswriters, and former players. It covers the team's history from Art Rooney Sr.'s purchase of the NFL franchise in 1933 for $2,500 to their Super Bowl XL victory. From their frustrating early days as the Pirates, Steagles, and Card-Pitts, through their four Super Bowl wins in the 1970s, to the fateful day in 2004 when they selected Ben Roethlisberger as the eleventh overall pick in the draft, One for the Thumb captures the essence of the team whose identity is forever linked with the spirit of the hardworking, blue-collar city it represents.
From immortals Bobby Layne, Ernie Stautner, and John Henry Johnson, to Chuck Noll, Terry Bradshaw, Mean Joe Greene, Rocky Bleier, and Neil O'Donnell, to current greats Troy Polamalu, Jerome Bettis, Ben Roethlisberger, and Bill Cowher, One for the Thumb is the definitive anthology of the Pittsburgh Steelers--a must-read for all fans of the team and the game of football.
Southerners have a reputation as storytellers, as a people fond of telling about family, community, and the southern way of life. A compelling book about some of those stories and their consequences, One Homogeneous People examines the forging and the embracing of southern “pan-whiteness” as an ideal during the volatile years surrounding the turn of the twentieth century.
Trent Watts argues that despite real and signifcant divisions within the South along lines of religion, class, and ethnicity, white southerners—especially in moments of perceived danger—asserted that they were one people bound by a shared history, a love of family, home, and community, and an uncompromising belief in white supremacy. Watts explores how these southerners explained their region and its people to themselves and other Americans through narratives found in a variety of forms and contexts: political oratory, fiction, historiography, journalism, correspondence, literary criticism, and the built environment.
Watts examines the assertions of an ordered, homogeneous white South (and the threats to it) in the unsettling years following the end of Reconstruction through the early 1900s. In three extended essays on related themes of race and power, the book demonstrates the remarkable similarity of discourses of pan-whiteness across formal and generic lines. In an insightful concluding essay that focuses on an important but largely unexamined institution, Mississippi’s Neshoba County Fair, Watts shows how narratives of pan-white identity initiated in the late nineteenth century have persisted to the present day.
Written in a lively style, One Homogeneous People is a valuable addition to the scholarship on southern culture and post-Reconstruction southern history.
At once deeply intimate and terrifyingly universal, One Hour in Paris weaves together Freedman’s personal experience with the latest philosophical, neuroscientific, and psychological insights on what it means to live in a body that has been traumatized. Using her background as a philosopher, she looks at the history of psychological trauma and draws on recent theories of posttraumatic stress disorder and neuroplasticity to show how recovery from horrific experiences is possible. Through frank discussions of sex and intimacy, she explores the consequences of sexual violence for love and relationships, and she illustrates the steep personal cost of sexual violence and the obstacles faced by individual survivors in its aftermath. Freedman’s book is an urgent call to face this fundamental social problem head-on, arguing that we cannot continue to ignore the fact that sexual violence against women is rooted in gender inequalities that exist worldwide—and must be addressed.
One Hour in Paris is essential reading for survivors of sexual violence as well as an invaluable resource for therapists, mental health professionals, and family members and friends of victims.
"Shapiro's skillfully rhymed formal translations are outstanding." —St. Louis Post-Dispatch "Best Book of 1999"
"Paul Verlaine's rich, stylized, widely-variable oeuvre can now be traced through his thirty years of published volumes, from 1866 to 1896, in a set of luminous new translations by Norman Shapiro. . . . [His] unique translations of this whimsical, agonized music are more than adequate to bring the multifarious Verlaine to a new generation of English speakers." —Genevieve Abravanel, Harvard Review
"Shapiro demonstrates his phenomenal ability to find new rhymes and always follows Verlaine's rhyme schemes." —Carrol F. Coates, ATA Chronicle
One Hundred Bottles, with its intersecting characters and unresolved whodunits, can be read as a murder mystery. But it's really a survivor's story. In a voice that blends gossip, storytelling, and literature, Z—the vivacious heroine of Portela's award-winning novel—relates her rum-soaked encounters with the lesbian underground, the characters carving up her home, and the terrifying-but-irresistible Moisés. As entertaining as any detective drama, One Hundred Bottles is ultimately made real by very rough love, intense friendship, and something small that decides to live.
“How I wept at your hymns and songs, keenly moved by the sweet-sounding voices of your church!” wrote the recently converted Augustine in his Confessions. Christians from the earliest period consecrated the hours of the day and the sacred calendar, liturgical seasons and festivals of saints. This volume collects one hundred of the most important and beloved Late Antique and Medieval Latin hymns from Western Europe.
These religious voices span a geographical range that stretches from Ireland through France to Spain and Italy. They meditate on the ineffable, from Passion to Paradise, in love and trembling and praise. The authors represented here range from Ambrose in the late fourth century ce down to Bonaventure in the thirteenth. The texts cover a broad gamut in their poetic forms and meters. Although often the music has not survived, most of them would have been sung. Some of them have continued to inspire composers, such as the great thirteenth-century hymns, the Stabat mater and Dies irae.
The pioneering surgeon Dr. Denton Cooley performed his first human heart transplant in 1968 and astounded the world in 1969 by conducting the first successful implantation of a totally artificial heart in a human being. Over the course of his career, Cooley and his associates performed thousands of open-heart operations and pioneered the use of new surgical procedures. Of all his achievements, however, Cooley was most proud of the Texas Heart Institute, which he founded in 1962 with a mission to use education, research, and improved patient care to decrease the devastating effects of cardiovascular disease.
In 100,000 Hearts, Cooley tells about his childhood in Houston, his education at the University of Texas, his medical-school training at the University of Texas Medical Branch in Galveston and Johns Hopkins, and his service in the Army Medical Corps. While at Johns Hopkins, Cooley assisted in a groundbreaking operation to correct an infant’s congenital heart defect, which inspired him to specialize in heart surgery.
Cooley’s detailed descriptions of working in the operating room at crucial points in medical history offer a fascinating perspective on the distance medical science traveled in just a few decades.
For nearly thirty years, from the late 1920s to the late 1950s, the keystone of the entire Soviet collective farm system was the network of MTS (machine-tractor stations) which owned, housed, operated, and repaired heavy farm machinery for the surrounding farms. The MTS played fundamental roles in the development of the political, administrative, and ideological, as well as the economic, foundations of Soviet agriculture. Now, years after the demise of the MTS system, its influence can still be discerned in the structural and operational patterns of the agricultural organization. The story of the MTS, of considerable historical interest in its own right, offers numerous vantage points for studying the evolution of Soviet rule in the countryside. In this exhaustive work Robert Miller analyzes the history of the MTS and relates his findings to the development of Soviet administrative policies.
Using data obtained from provincial Party newspapers, official Soviet documents, fictional literature on village life, and interviews with Soviet agricultural specialists familiar with the MTS, Miller explores the combination of economic and political pressures embodied in the MTS system and traces the growth of a characteristically Soviet approach to the problems of administration. In addition to these broad questions of the interaction of the economics and politics, the author examines several specific problem areas, including the function of ideology in the Soviet domestic decision-making process, the principles and practices of Soviet public administration as applied to agriculture, and the development of patterns of Party control in the countryside.
Miller’s study of the MTS reveals the method of Soviet policy-making and policy-implementation to be highly influenced by the leadership style of such men as Stalin and Khrushchev, though practical economic considerations certainly took precedence in important cases. The author observes that ideologically correct procedure was not always felt to be sufficiently effective in times of crises. Two basic modes of administrative control thus became apparent—one for critical periods and another for relatively “normal” periods. An exceptionally thorough work, One Hundred Thousand Tractors will interest students of comparative politics and comparative public administration as well as Soviet specialists.
This collection relies on the language of literary aesthetics to examine Du Bois’s political agenda and, conversely, on varying accounts of that political agenda to assess his aesthetic choices. It also helps us understand why Souls became a literary and political classic and has played such a decisive role in the formation of twentieth-century African American literature and political thought. The essays explore a variety of topics, including the possibility that Souls was modeled on Richard Wagner’s idea of a total artwork, Du Bois’s thinking about the political significance of homosociality, and the interplay of racialism, nationalism, and globalism in Souls.
Contributors. Anne E. Carroll, Vilashini Cooppan, Robert Gooding-Williams, Sheila Lloyd, Dwight A. McBride, Charles I. Nero, Cheryl A. Wall, Alexander G. Weheliye
King Lear exists in two different texts: the Quarto (1608) and the Folio (1623). Because each supplies passages missing in the other, for over 200 years editors combined the two to form a single text, the basis for all modern productions. Then in the 1980s a group of influential scholars argued that the two texts represent different versions of King Lear, that Shakespeare revised his play in light of theatrical performance. The two-text theory has since hardened into orthodoxy. Now for the first time in a book-length argument, one of the world’s most eminent Shakespeare scholars challenges the two-text theory. At stake is the way Shakespeare’s greatest play is read and performed.
Sir Brian Vickers demonstrates that the cuts in the Quarto were in fact carried out by the printer because he had underestimated the amount of paper he would need. Paper was an expensive commodity in the early modern period, and printers counted the number of lines or words in a manuscript before ordering their supply. As for the Folio, whereas the revisionists claim that Shakespeare cut the text in order to alter the balance between characters, Vickers sees no evidence of his agency. These cuts were likely made by the theater company to speed up the action. Vickers includes responses to the revisionist theory made by leading literary scholars, who show that the Folio cuts damage the play’s moral and emotional structure and are impracticable on the stage.
From playwright Dolores Prida to author and literary critic Gustavo Pérez Firmat, these voices run the gamut of both genre and personality. In addition to the essential facts of literary accomplishment, the interviews include a wealth of insight into each writer’s history, motivations, concerns, and relationship to language. These personal details serve to humanize and illuminate the unique circumstances and realities that have shaped both the authors and their work.
What del Rio has ultimately brought together is a series of intimate sketches that will not only serve as an important reference for any discussion of the literature but will also help readers to develop for themselves a sense of what Cuban-American writing is, and what it is not.
CONTENTS
Preface
Acknowledgments
Introduction
Nilo Cruz
Roberto Fernández
Cristina García
Carolina Hospital
Eduardo Machado
Dionisio Martínez
Pablo Medina
Achy Obejas
Ricardo Pau-Llosa
Gustavo Pérez Firmat
Dolores Prida
Virgil Suárez
Epilogue
Notes
Bibliography
Index
One Kind of Everything elucidates the uses of autobiography and constructions of personhood in American poetry since World War II, with helpful reference to American literature in general since Emerson. Taking on one of the most crucial issues in American poetry of the last fifty years, celebrated poet Dan Chiasson explores what is lost or gained when real-life experiences are made part of the subject matter and source material for poetry. In five extended, scholarly essays—on Robert Lowell, Elizabeth Bishop, Frank Bidart, Frank O’Hara, and Louise Glück—Chiasson looks specifically to bridge the chasm between formal and experimental poetry in the United States. Regardless of form, Chiasson argues that recent American poetry is most thoughtful when it engages most forcefully with autobiographical material, either in an effort to embrace it or denounce it.
Of the thousands of articles, columns, and profiles he has penned over the years, Didinger has selected his finest work to be included in this book. One Last Read contains entire chapters for each of the professional Philadelphia teams -- the Phillies, the Flyers, the Sixers and of course, the Eagles. But that is only half of the story. Included here is his coverage of college sports and the Olympics as well as the ful text of the speech he delivered in Canton, Ohio when he presented his boyhood idol, Tommy McDonald, for induction into the Pro Football Hall of Fame.
There are also some strongly-worded opinion pieces -- about former Eagles owner (and legendary high-roller) Leonard Tose, the career of Woody Hayes, and much, much more.
Didinger's introduction -- engaging, warm, whitty, and insightful -- is among his finest writing. For longtime readers, this essential collection of Didinger's work was worth the wait.
Examining new archival material from the nineteenth and early twentieth centuries, One Law for All? discusses legal transfer and practice in imperial and post-imperial societies, including Russia, Latin America, Africa, and East Asia. The essays collected here analyze the legal sphere as a site of struggle, both in debate and in everyday life, from the level of universal aspirations to particular local practices. The contributors explore the ways in which both lawmakers and ordinary people talk about and actively use the law, thereby telling a story of contested European hegemony, local assertions, and multiple legal borrowings.
Although millions of people in the United States love to ride bicycles for exercise or leisure, statistics show that only 1% of the total U.S. population ride bicycles for transportation—and barely half as many use bikes to commute to work. In his original and exciting book, One Less Car, Zack Furness examines what it means historically, culturally, socioeconomically, and politically to be a bicycle transportation advocate/activist.
Presenting an underground subculture of bike enthusiasts who aggressively resist car culture, Furness maps out the cultural trajectories between mobility, technology, urban space and everyday life. He connects bicycling to radical politics, public demonstrations, alternative media production (e.g., ‘zines), as well as to the development of community programs throughout the world.
One Less Car also positions the bicycle as an object with which to analyze and critique some of the dominant cultural and political formations in the U.S.—and even breaks down barriers of race, class and gender privilege that are interconnected to mobility. For Furness, bicycles not only liberate people from technology, they also support social and environmental justice. So, he asks, Why aren’t more Americans adopting them for their transportation needs?
Evolutionary theory ranks as one of the most powerful concepts of modern civilization. Its effects on our view of life have been wide and deep. One of the most world-shaking books ever published, Charles Darwin’s On the Origin of Species, first appeared in print over 130 years ago, and it touched off a debate that rages to this day.
Every modern evolutionist turns to Darwin’s work again and again. Current controversies in the life sciences very often have as their starting point some vagueness in Darwin’s writings or some question Darwin was unable to answer owing to the insufficient biological knowledge available during his time. Despite the intense study of Darwin’s life and work, however, many of us cannot explain his theories (he had several separate ones) and the evidence and reasoning behind them, nor do we appreciate the modifications of the Darwinian paradigm that have kept it viable throughout the twentieth century.
Who could elucidate the subtleties of Darwin’s thought and that of his contemporaries and intellectual heirs—A. R. Wallace, T. H. Huxley, August Weismann, Asa Gray—better than Ernst Mayr, a man considered by many to be the greatest evolutionist of the century? In this gem of historical scholarship, Mayr has achieved a remarkable distillation of Charles Darwin’s scientific thought and his enormous legacy to twentieth-century biology. Here we have an accessible account of the revolutionary ideas that Darwin thrust upon the world. Describing his treatise as “one long argument,” Darwin definitively refuted the belief in the divine creation of each individual species, establishing in its place the concept that all of life descended from a common ancestor. He proposed the idea that humans were not the special products of creation but evolved according to principles that operate everywhere else in the living world; he upset current notions of a perfectly designed, benign natural world and substituted in their place the concept of a struggle for survival; and he introduced probability, chance, and uniqueness into scientific discourse.
This is an important book for students, biologists, and general readers interested in the history of ideas—especially ideas that have radically altered our worldview. Here is a book by a grand master that spells out in simple terms the historical issues and presents the controversies in a manner that makes them understandable from a modern perspective.
This book plumbs the virtues of the Homeric poems as scripts for solo performance. Despite academic focus on orality and on composition in performance, we have yet to fully appreciate the Iliad and Odyssey as the sophisticated scripts that they are. What is lost in the journey from the stage to the page?
Readers may be readily impressed by the vividness of the poems, but they may miss out on the strange presence or uncanniness that the performer evoked in ancient audience members such as Plato and Aristotle. This book focuses on the performer not simply as transparent mediator, but as one haunted by multiple stories and presences, who brings suppressed voices to the surface.
Performance is inextricable from all aspects of the poems, from image to structure to background story. Background stories previously neglected, even in some of the most familiar passages (such as Phoenix’s speech in Iliad 9) are brought to the surface, and passages readers tend to rush through (such as Odysseus’s encounter with Eumaeus) are shown to have some of the richest dramatic potential. Attending to performance enlivens isolated features in a given passage by showing how they work together.
"This book aims to be about the best of us as it shows us at our least. Thank goodness for Darrell Spencer, the only writer in America to be trusted on the subjects of faith, love, weal and woe."
---Lee K. Abbott
" . . . absolutely dire and dear, his best book, a novel about American life right now. . . . this book is accurate, acerbic, and heartfelt at once."
---Ron Carlson
Praise for Darrell Spencer:
"Mr. Spencer's writing crackles with freshness and lucidity, featuring characters who slide into one another in random encounters and relationships."
---New York Times Book Review
"[Spencer] possesses a remarkable ear for the cadence of everyday speech."
---Michael Chabon
From the acclaimed author of Caution: Men in Trees and A Woman Packing a Pistol comes a tale of kinship, love, and lawlessness.
One Mile Past Dangerous Curve is the story of the Dancers---a family on the verge of collapse. Glen Dancer has come to Ohio to set up another in a series of Snapper franchises. But in the midst of construction, Glen finds himself fighting a painful and futile battle with cancer.
His son Eddie, recently divorced, moves from Las Vegas to help. A sign painter by trade, Eddie finds only intermittent work in town until the day a mysterious and wealthy businessman commissions a series of twenty road signs, each different, all featuring odd, cryptic messages. It is on a back-country road, where Eddie has gone to assemble one of the signs, that some previously vague threats become concrete.
Though Eddie doesn't know it, the neighboring woods hide a secret, a secret that a gun-toting rural gang wants to keep at any cost.
"A treasure trove lies between these covers. Royko was in a class by himself. He was a true original."—Ann Landers
"The joy of One More Time is Royko in his own words."—Mary Eileen O'Connell, New York Times Book Review
"Reading a collection of Royko's columns is even more of a pleasure than encountering them one by one, and that is a large remark for he rarely wrote a piece that failed to wake you up with his hard-earned moral wit. Three cheers for Royko!"—Norman Mailer
"Powerful, punchy, amazingly contemporary."—Neil A. Grauer, Cleveland Plain Dealer
"This crackling collection of his own favorite columns as well as those beloved by his fans reminds us just how much we miss the gruff, compassionate voice of Mike Royko."—Jane Sumner, Dallas Morning News
"A marvelous road map through four decades of America."—Elizabeth Taylor, Chicago Tribune Books
"Royko was an expert at finding universal truths in parochial situations, as well as in the larger issues—war and peace, justice and injustice, wealth and poverty—he examined. Think of One More Time as one man's pungent commentary on life in these United States over the last few decades."—Booklist
"Royko was one of the most respected and admired people in the business, by readers and colleagues alike. . . . Savor [his sketches] while you can."—Jonathan Yardley, Washington Post Book World
"Book collections of columns aren't presumed to be worth reading. This one is, whether or not you care about newspapering or Chicago."—Neil Morgan, San Diego Union-Tribune
"A treasure house for journalism students, for would-be writers, for students of writing styles, for people who just like to laugh at the absurdity of the human condition or, as Studs Terkel said, for those who will later seek to learn what it was really like in the 20th century."—Georgie Anne Geyer, Washington Times
"Full of astonishments, and the greatest of these is Royko's technical mastery as a writer."—Hendrik Hertzberg, New Yorker
"A great tribute to an American original, a contrarian blessed with a sense of irony and a way with words."—Bob Minzesheimer, USA Today
"In this posthumous collection of his columns, journalist Royko displays the breezy wit that made him so beloved in the Windy City."—People
Victor Emanuel is widely considered one of America’s leading birders. He has observed more than six thousand species during travels that have taken him to every continent. He founded the largest company in the world specializing in birding tours and one of the most respected ones in ecotourism. Emanuel has received some of birding’s highest honors, including the Roger Tory Peterson Award from the American Birding Association and the Arthur A. Allen Award from the Cornell Laboratory of Ornithology. He also started the first birding camps for young people, which he considers one of his greatest achievements.
In One More Warbler, Emanuel recalls a lifetime of birding adventures—from his childhood sighting of a male Cardinal that ignited his passion for birds to a once-in-a-lifetime journey to Asia to observe all eight species of cranes of that continent. He tells fascinating stories of meeting his mentors who taught him about birds, nature, and conservation, and later, his close circle of friends—Ted Parker, Peter Matthiessen, George Plimpton, Roger Tory Peterson, and others—who he frequently birded and traveled with around the world. Emanuel writes about the sighting of an Eskimo Curlew, thought to be extinct, on Galveston Island; setting an all-time national record during the annual Audubon Christmas Bird Count; attempting to see the Imperial Woodpecker in northwestern Mexico; and birding on the far-flung island of Attu on the Aleutian chain. Over the years, Emanuel became a dedicated mentor himself, teaching hundreds of young people the joys and enrichment of birding. “Birds changed my life,” says Emanuel, and his stories make clear how a deep connection to the natural world can change everyone’s life.
The only country in the world with a line in its national anthem as desperate as “this people has already suffered for its past and its future,” Hungary is a nation defined by poverty, despair, and conflict. Its history, of course, took an even darker and more tragic turn during the Holocaust. But the story of the Jews in Hungary is also one of survival, heroism, and even humor—and that is the one acclaimed author Adam Biro sets out to recover in One Must Also Be Hungarian, an inspiring and altogether poignant look back at the lives of his family members over the past two hundred years.
A Hungarian refugee and celebrated novelist working in Paris, Biro recognizes the enormous sacrifices that his ancestors made to pave the way for his successes and the envious position he occupies as a writer in postwar Europe. Inspired, therefore, to share the story of his family members with his grandson, Biro draws some moving pictures of them here: witty and whimsical vignettes that convey not only their courageous sides, but also their inner fears, angers, jealousies, and weaknesses—traits that lend an indelible humanity to their portraiture. Spanning the turn of the nineteenth century, two destructive world wars, the dramatic rise of communism, and its equally astonishing fall, the stories here convey a particularly Jewish sense of humor and irony throughout—one that made possible their survival amid such enormous adversity possible.
Already published to much acclaim in France, One Must Also Be Hungarian is a wry and compulsively readable book that rescues from oblivion the stories of a long-suffering but likewise remarkable and deservedly proud people.
The years from 1820 to 1870 marked a crucial period in the history of this prejudice. Tales of interracial marriage recounted in fiction, real-life scandals, and legal statutes figured prominently in public discussion of both slavery and the fate of Native Americans. In Part One of this book, Weierman focuses on Indian-white marriages during the 1820s, when Indian removal became a rallying cry for New England intellectuals.
In Part Two she shifts her attention to black-white marriages from the antebellum period through the early years of Reconstruction. In both cases she finds that the combination of a highly publicized intermarriage scandal, new legislation prohibiting interracial marriage, and fictional portrayals of the ills associated with such unions served to reinforce popular prejudice, justifying the displacement of Indians from their lands and upholding the system of slavery. Even after the demise of slavery, restrictions against intermarriage remained in place in many parts of the country long into the twentieth century. Not until the 1967 Loving v. Virginia decision did the Supreme Court finally rule that such laws were unconstitutional.
Finishing on a contemporary note, Weierman suggests that the stories Americans tell about intermarriage today—stories defining family, racial identity, and citizenship—still reflect a struggle for resources and power.
How it got to be that way and how it changed the face of American popular culture are the subjects of this concise study of Berry Gordy's phenomenal creation. Author Gerald Early tells the story of the cultural and historical conditions that made Motown Records possible, including the dramatic shifts in American popular music of the time, changes in race relations and racial attitudes, and the rise of a black urban population. Early concentrates in particular on the 1960s and 70s, when Motown had its biggest impact on American musical tastes and styles.
With this revised and expanded edition, the author provides an up-to-date bibliography of the major books that have been written about Motown Records specifically, and black American music generally. Plus, new appendices feature interviews with four of the major creators of the Motown Sound: Berry Gordy, Stevie Wonder, Diana Ross, and Marvin Gaye.
Five toads hop, four brook trout swim, three elk graze, two loons call, and one beaver gnaws on a paper birch tree, all under one North Star. Through bog and marsh, along river and lake, across prairie and into the woods, children learn what lives where by counting the creatures on foot or in flight, swimming or perching in exquisite woodcut and watercolor illustrations created by Beckie Prange and Betsy Bowen in an artistic collaboration. For those looking for more about the pictured wildlife, Phyllis Root includes fascinating facts and information on the state’s ecosystems and the plants and animals that make their homes there.
In 1991, Mark Osteen and his wife, Leslie, were struggling to understand why their son, Cameron, was so different from other kids. At age one, Cam had little interest in toys and was surprisingly fixated on books. He didn’t make baby sounds; he ignored other children. As he grew older, he failed to grasp language, remaining unresponsive even when his parents called his name. When Cam started having screaming anxiety attacks, Mark and Leslie began to grasp that Cam was developmentally delayed. But when Leslie raised the possibility of an autism diagnosis, Mark balked. Autism is so rare, he thought. Might as well worry about being struck by lightning.
Since that time, awareness of autism has grown monumentally. Autism has received extensive coverage in the news media, and it has become a popular subject for film, television, and literature, but the disorder is frequently portrayed and perceived as a set of eccentricities that can be corrected with proper treatment. In reality, autism permanently wrecks many children’s chances for typical lives. Plenty of recent bestsellers have described the hardships of autism, but those memoirs usually focus on the recovery of people who overcome some or all of the challenges of the disorder. And while that plot is uplifting, it’s rare in real life, as few autistic children fully recover. The territory of severe autism—of the child who is debilitated by the condition, who will never be cured—has been largely neglected. One of Us: A Family’s Life with Autism tells that story.
In this book, Mark Osteen chronicles the experience of raising Cam, whose autism causes him aggression, insomnia, compulsions, and physical sickness. In a powerful, deeply personal narrative, Osteen recounts the struggles he and his wife endured in diagnosing, treating, and understanding Cam’s disability, following the family through the years of medical difficulties and emotional wrangling. One of Us thrusts the reader into the life of a child who exists in his own world and describes the immense hardships faced by those who love and care for him. Leslie and Mark's marriage is sorely tested by their son's condition, and the book follows their progress from denial to acceptance while they fight to save their own relationship.
By embracing the little victories of their life with Cam and by learning to love him as he is, Mark takes the reader down a road just as gratifying, and perhaps more moving, than one to recovery. One of Us is not a book about a child who overcomes autism. Instead, it’s the story of a different but equally rare sort of victory—the triumph of love over tremendous adversity.
Must children born with socially challenging anatomies have their bodies changed because others cannot be expected to change their minds? One of Us views conjoined twinning and other “abnormalities” from the point of view of people living with such anatomies, and considers these issues within the larger historical context of anatomical politics.
Anatomy matters, Alice Domurat Dreger tells us, because the senses we possess, the muscles we control, and the resources we require to keep our bodies alive limit and guide what we experience in any given context. Her deeply thought-provoking and compassionate work exposes the breadth and depth of that context—the extent of the social frame upon which we construct the “normal.” In doing so, the book calls into question assumptions about anatomy and normality, and transforms our understanding of how we are all intricately and inextricably joined.
In this book, Geoffrey Galt Harpham delves not only into Conrad's literary work and reputation but also into the concept of mastery. Outlining a psychology of composition that embraces Conrad's personal as well as historical circumstances, Harpham sheds new light on traditional issues in Conrad criticism, such as his Polish background and his preoccupation with the sea, by linking them to less frequently discussed subjects, including his elusive sexuality and his idiosyncratic relation to the English language.
One of Us represents both a methodological innovation in the practice of literary criticism and an important contribution to our understanding of how masters—and canons based on them—are made.
One-on-one encounters with writers often contribute more to the development of student writing abilities than any classroom activity because they are personalized and responsive to individual needs. For the encounters to be successful, the writing tutor, teacher, or consultant must be prepared, must be knowledgeable of what it means to write and the factors that make writing more and less effective, and must also know the students.
This guide focuses on what those who conference with second language writers need to know to respond best to students, recognize their needs, and steer conversations in productive directions. One on One with Second Language Writers provides tips about activities that can be adapted to individual contexts, student writing samples that can be analyzed for practice, a glossary, a list of useful resources, and a checklist for conferencing sessions.
The book is appropriate for use in university and secondary school writing or learning centers, teacher training programs for both general composition and ESOL instructors, and as an individual reference tool. The book uses non-technical language where possible, but terminology is introduced where it might be useful when conferencing with students.
But today, along with those Ethiopians who have been recognized as Jews by the State of Israel, many who are called "Feres Mura," the descendants of Ethiopian Jews whose families converted to Christianity but have now reasserted their Jewish identity, still await full acceptance in Israel. Since the 1990s, they have sought homecoming through Israel's "Law of Return," but have been met with reticence and suspicion on a variety of fronts. One People, One Blood expertly documents this tenuous relationship and the challenges facing the Feres Mura.
Distilling more than ten years of ethnographic research, Don Seeman depicts the rich culture of the group, as well as their social and cultural vulnerability, and addresses the problems that arise when immigration officials, religious leaders, or academic scholars try to determine the legitimacy of Jewish identity or Jewish religious experience.
Climate change represents a deep conundrum for humans. It is difficult for humans to give up the unequal and yet accelerating pursuit of a good life based on an insatiable appetite for energy sourced mainly from fossil fuel. But the same pursuit, scientists insist, damages the geobiological system that supports the existence of interrelated forms of life, including ours, on this planet. The planet, seen thus, is one. The global sway of financial and extractive capital connects humans technologically, but they remain divided along multiple axes of inequality. Their worlds are many and their politics still global rather than planetary. In the narrative presented here, Chakrabarty continues to explore the temporal and intellectual fault lines that mark the collapse of the global and the planetary in human history.
This book presents evidence about historical and contemporary Chinese population behavior that overturns much of the received wisdom about the differences between China and the West first voiced by Malthus. Malthus described a China in which early and universal marriage ensured high fertility and therefore high mortality. He contrasted this with Western Europe, where marriage occurred late and was far from universal, resulting in lower fertility and higher demographic responsiveness to economic circumstances. The result in China was thought to be mass misery as part of the population teetered on the brink of a Malthusian precipice, whereas in the West conditions were less severe.
In reality, James Lee and Wang Feng argue, there has been effective regulation of population growth in China through a variety of practices that depressed marital fertility to levels far below European standards, and through the widespread practices of infanticide and abortion. Moreover, in China, population behavior has long been primarily a consequence of collective intervention. This collective culture underlies four distinctive features of the Chinese demographic pattern—high rates of female infanticide, low rates of male marriage, low rates of marital fertility, and high rates of adoption—that Lee and Wang trace from 1700 to today. These and other distinctive features of the Chinese demographic and social system, they argue, led to a different demographic transition in China from the one that took place in the West.
When his picture appeared on the cover of Texas Monthly, Joaquin Jackson became the icon of the modern Texas Rangers. Nick Nolte modeled his character in the movie Extreme Prejudice on him. Jackson even had a speaking part of his own in The Good Old Boys with Tommy Lee Jones. But the role that Jackson has always played the best is that of the man who wears the silver badge cut from a Mexican cinco peso coin—a working Texas Ranger. Legend says that one Ranger is all it takes to put down lawlessness and restore the peace—one riot, one Ranger. In this adventure-filled memoir, Joaquin Jackson recalls what it was like to be the Ranger who responded when riots threatened, violence erupted, and criminals needed to be brought to justice across a wide swath of the Texas-Mexico border from 1966 to 1993.
Jackson has dramatic stories to tell. Defying all stereotypes, he was the one Ranger who ensured a fair election—and an overwhelming win for La Raza Unida party candidates—in Zavala County in 1972. He followed legendary Ranger Captain Alfred Y. Allee Sr. into a shootout at the Carrizo Springs jail that ended a prison revolt—and left him with nightmares. He captured "The See More Kid," an elusive horse thief and burglar who left clean dishes and swept floors in the houses he robbed. He investigated the 1988 shootings in Big Bend's Colorado Canyon and tried to understand the motives of the Mexican teenagers who terrorized three river rafters and killed one. He even helped train Afghan mujahedin warriors to fight the Soviet Union.
Jackson's tenure in the Texas Rangers began when older Rangers still believed that law need not get in the way of maintaining order, and concluded as younger Rangers were turning to computer technology to help solve crimes. Though he insists, "I am only one Ranger. There was only one story that belonged to me," his story is part of the larger story of the Texas Rangers becoming a modern law enforcement agency that serves all the people of the state. It's a story that's as interesting as any of the legends. And yet, Jackson's story confirms the legends, too. With just over a hundred Texas Rangers to cover a state with 267,399 square miles, any one may become the one Ranger who, like Joaquin Jackson in Zavala County in 1972, stops one riot.
No Texas Ranger memoir has captured the public's imagination like Joaquin Jackson's One Ranger. Readers thrilled to Jackson's stories of catching criminals and keeping the peace across a wide swath of the Texas-Mexico border—and clamored for more. Now in One Ranger Returns, Jackson reopens his case files to tell more unforgettable stories, while also giving readers a deeply personal view of what being a Texas Ranger has meant to him and his family.
Jackson recalls his five-year pursuit of two of America's most notorious serial killers, Henry Lee Lucas and Ottis Toole. He sets the record straight about the role of the Texas Rangers during the United Farm Workers strike in the Rio Grande Valley in 1966-1967. Jackson also describes the frustration of trying to solve a cold case from 1938—the brutal murder of a mother and daughter in the lonely desert east of Van Horn. He presents a rogue's gallery of cattle rustlers, drug smugglers, and a teetotaling bootlegger named Tom Bybee, a modest, likeable man who became an ax murderer. And in an eloquent concluding chapter, Jackson pays tribute to the Rangers who have gone before him, as well as those who keep the peace today.
Have you ever wondered what it was like to attend a one-room school, to be in the same classroom as your older brother or younger sister, or to have your teacher live with your family for part of the school year?
In One Room Schools, Susan Apps-Bodilly chronicles life in Wisconsin’s early country schools, detailing the experiences of the students, the role of the teacher, and examples of the curriculum, including the importance of Wisconsin School of the Air radio programs. She describes the duties children had at school besides their schoolwork, from cleaning the erasers and sweeping cobwebs out of the outhouse to carrying in wood for the stove. She also tells what led to the closing of the one room schools, which were more than just centers of learning: they also served as the gathering place for the community.
Susan Apps-Bodilly drew from the research compiled by her father Jerry Apps for his book, One-Room Country Schools: History and Recollections. Apps-Bodilly has geared her book toward young readers who will learn what students and their teacher did on cold mornings before the wood stove warmed them up. They also will find out how to play recess games like Fox and Geese and Anti-I-Over and will learn the locations of 10 former one room schools that can be toured. Apps-Bodilly also encourages readers to ask themselves what lessons can be learned from these early schools that have application for today’s schools?
One Room Schools will transport young readers back in time and make their grandparents and others of that generation nostalgic—perhaps even prompting them to share memories of their school days.
In this deeply researched biography, Glendyne R. Wergland draws on Youngs's writings to tell his story and to explore "the tension between desire and discipline" at the center of his life. She follows Youngs from childhood and adolescence to maturity, through years of demanding responsibility into his fatal decline. In each of these stages, he remained a talented and committed yet independent Shaker, one who chose to stay with the community but often struggled to abide by its stringent rules, including the vow of celibacy. Perhaps above all, he was a man who spent most of his waking hours working diligently at a succession of tasks, making clocks, sewing clothes, fixing roofs, writing poetry, chronicling his daily acts and thoughts.
In his journals, Brother Isaac writes at length of his efforts to control his lust as a young man, and he complains repeatedly about overwork as he grows older. He defines the rules of his community and identifies transgressors, while enciphering his critical entries (and those chronicling his own sexual desires) to avoid detection and uphold the demand for conformity. At times he admits doubt, but without ever relinquishing the belief that he is on the straight and narrow path to salvation. What emerges in the end is the complex portrait of an ordinary man striving to live up to the imperatives of his faith.
An account of the creation of a modern, environmentally sensitive mine as told by the people who developed and worked it.
In 1978, a geologist working for the Homestake Mining Company discovered gold in a remote corner of California’s Napa County. This discovery led to the establishment of California’s most productive gold mine in the twentieth century. Named the McLaughlin Mine, it produced about 3.4 million ounces of gold between 1985 and 2002. The mine was also one of the first attempts at creating a new full-scale mine in California after the advent of environmental regulations and the first to use autoclaves to extract gold from ore.
One Shot for Gold traces the history of the McLaughlin Mine and how it transformed a community and an industry. This lively and detailed account is based largely on oral history interviews with a wide range of people associated with the mine, including Homestake executives, geologists, and engineers as well as local neighbors of the mine, officials from county governments, townspeople, and environmental activists. Their narratives— supported by thorough research into mining company documents, public records, newspaper accounts, and other materials—chronicle the mine from its very beginning to its eventual end and transformation into a designated nature reserve as part of the University of California Natural Reserve System.
A mine created at the end of the twentieth century was vastly different from the mines of the Gold Rush. New regulations and concerns about the environmental, economic, and social impacts of a large mine in this remote and largely rural region of the state-required decisions at many levels. One Shot for Gold offers an engaging and accessible account of a modern gold mine and how it managed to exist in balance with the environment and the human community around it.
“People’s lives are written on the fields of old farms. The rows of the fields are like lines on a page, blank and white in winter, filled in with each year’s story of happiness, disappointment, drought, rain, sun, scarcity, plenty. The chapters accumulate, and people enter and leave the narrative. Only the farm goes on.”—From the Introduction
In One Small Farm, Craig Schreiner’s evocative color photographs capture one family as they maintain the rhythms and routines of small farm life near Pine Bluff, Wisconsin. “Milk in the morning and milk at night. Feed the cows and calves. Plant crops. Grind feed. Chop and bale hay. Cut wood. Clean the barn. Spread manure on the fields. Plow snow and split wood in winter. In spring, pick rocks from the fields. Cultivate corn. Pick corn. Harvest oats and barley. Help calves be born. Milk in the morning and milk at night.”
There’s much more to life on the farm than just chores, of course, and Schreiner captures the rhythms and richness of everyday life on the farm in all seasons, evoking both the challenges and the joys and providing viewers a window into a world that is quickly fading. In documenting the Lamberty family’s daily work and life, these thoughtful photos explore larger questions concerning the future of small farm agriculture, Wisconsin cultural traditions, and the rural way of life.
Through compelling personal accounts and family correspondence, One Step Ahead documents Alfred Feldman’s harrowing flight into exile as he and his family fled the pogroms that flooded across Nazi-occupied Europe. It is a memoir of horror and hope recounted by a man who survived the organized terror of Hitler’s "Final Solution" as it destroyed entire generations of European Jewish life within ten catastrophic years in the mid-twentieth century. Feldman’s memoir conveys the searing pain that has never left him, while demonstrating the triumphant humanity of a survivor.
Feldman vividly describes the impact of the escalating anti-Semitic hatred and violence in Germany during the 1930s, the impact of the notorious Nuremberg Laws in 1935, and the terrifying Kristallnacht pogrom in 1938. By age sixteen, Feldman was living with his parents and three younger sisters in Antwerp, Belgium, during the 1939 German invasions of Poland, marking the start of World War II. In the face of increasing persecution, Feldman’s extended family scattered over the globe in a desperate attempt to remain one step ahead of their Nazi pursuers.
Recalling his life on the run, Feldman describes what few survivors have chosen to write about: the Vichy raids of August 26, 1942; the French labor brigades; the Comité Dubouchage; and life in super-vised residence in France under the Italians. While in the south of France, Feldman endured food shortages and Nazi anti-Semitic measures, beginning with work camps and culminating in the deportation and ultimate death of his mother and sisters at Auschwitz.
To evade the Germans, Feldman and his father fled into the Italian Alps in September of 1943, hiding between the Allies and the Germans. Aided by local villagers, the Feldmans survived precariously for over a year and a half, along with other Jewish refugees, until that region was liberated. Only then, and only gradually, did Feldman manage to piece together the fate of his surviving family and learn at last of the death of his mother and sisters.
Now, as an adult, Alfred Feldman has retraced his escape and exile, taking his wife and children to his hometown in Germany, the mountains in Italy, and Montagnac, where a plaque commemorates his mother and sisters.
Sprawled along China's southern coast near Hong Kong, Guangdong is the fastest growing and most envied region in the country. With sixty million people in an area the size of France, the province has been a fascinating laboratory for the transformation of a static socialist economy and social system. Reforms instituted in the late 1970s by Deng Xiaoping have allowed this area to look outward once again and to move “one step ahead” of the rest of China and the socialist world in introducing new political and economic policies. Why did the new strategy come about? What happened in the various parts of Guangdong during the first reform decade?
To answer these questions Ezra Vogel—one of the most widely respected observers of Asian economic and social development—returned to Guangdong, the subject of his award-winning book Canton under Communism, for eight months of fieldwork. The first Western scholar invited by a province to make such an extended visit, Vogel traveled to every prefecture in Guangdong and conducted hundreds of interviews to get a true picture of how post-Mao reforms are working. The result is a richly detailed study of a region on the cutting edge of socialist reform.
One Step Ahead in China is a groundbreaking book, unique in its detailed coverage of Guangdong, the first socialist dragon to follow in the path of South Korea and Taiwan. Vogel paints a vivid portrait of Guangdong's accelerated development and surveys the special economic zones, the Pearl Delta, Guangzhou, and the more remote areas, including Hainan. He looks at the entrepreneurs and the role of the pervasive Chinese tradition of guanxi, in which friends and relatives of officials receive preferential treatment. He examines the problems of opening up a socialist system and places Guangdong in the context of the newly developing economies of East Asia.
That charge of summer nights, that edge, like everyone’s checking
everyone out. Lingering a moment in the crowd
gathered to watch the rush and crash and let the mist
drift upward to our faces, I’m here: the future feels
open again. Even alone tonight—still: open.
Campion’s poems introduce us to a range of people, all of whom are rendered with distinctiveness and intimacy. Their voices proliferate through the collection, with lyric folding into speech, autobiography becoming dramatic monologue, and casual storytelling taking on a ritualistic intensity. The poems in One Summer Evening at the Falls show how each character and each moment can be worthy of love and that this love both undoes us and makes us who we are. In narrative and lyric, in formal verse and free, Campion brings contemporary playfulness together with his classical talent to create this far-reaching and tender collection.
Hideko was ten years old when the atomic bomb devastated her home in Hiroshima. In this eloquent and moving narrative, Hideko recalls her life before the bomb, the explosion itself, and the influence of that trauma upon her subsequent life in Japan and the United States. Her years in America have given her unusual insights into the relationship between Japanese and American cultures and the impact of Hiroshima on our lives.
This new edition includes two expanded chapters and revisions throughout. A new epilogue brings the story up to date. This poignant story of courage and resilience remains deeply relevant today, offering a profoundly personal testament against the ongoing threat of nuclear warfare.
A Brill classic now in paperback from SBL Press
Essays in this volume describe the shift in biblical exegesis within the last several decades from the interpretation of biblical texts as the outcome of historical development, or diachronic methodology, to the exploration of the text as the result of a reading process rather than a historical process, or synchronic methodology. The methods discussed include ideology criticism, semantic and poetic analysis, cognitive linguistics, drama theory, narratology, deconstruction, and anthropology, and intertextuality. The authors of this work challenge biblical scholars not to just perform exegesis, but to explore the methods and aims underlying their interpretations.
Features:
- Essays examine texts from the Old or New Testament through the lens of one of the many modern synchronic methods used in postmodern literary interpretation
- Fifteen essays from top scholars in the field
The poems in One Unblinking Eye cast a steady and serious gaze at life outside the beltways. Whether testifying at a prayer meeting in Indiana, tramping the backwoods of northern New England, or working on an oil derrick in the Gulf, the inhabitants of these poems live on the margins of society. “They are the left-behind, odd-manneredones/Who speak in starts,” Norman Williams writes of the last residents of a West Virginia mining town. Describing the woods of central Maine, he speaks of “lives … scraped from sides/Of deer and garden plots; where double-wides,/On concrete pads abut a hard-pan road.”
It is the art of these poems to convince the reader that these lives matter. There is desperation here, and madness, but there is an equal measure of determination and faith. In one poem, Mr. Williams writes of a fisherman haunted by his daughter’s death, who “casts his line/In hopes a flash and strike will draw him back.” These words describe the poet’s method as well. The work in this collection is built on a supple metrical foundation; it is filled with glancing rhymes and wordplay; and it is touched off by striking images. It is, in other words, composed with care, and it richly rewards a careful reading.
Norman Williams writes in Burlington, Vermont, where he works as an attorney. His first book, The Unlovely Child, was published by Alfred A. Knopf to enthusiastic reviews. Anthony Hecht wrote that “the voice of these poems is marvelously modulated, low-key in its acceptances, modest in its exultations, steady and unintoxicated in its long vision. It is my fixed conviction that with his first book he has fashioned a landmark in our literature, and sounded a uniquely American note with beautiful certainty.”
With his second book, more than fifteen years in the making, Norman Williams reafirms the truth of that assessment.
“Everything was Indian then, when I was a boy. They had to explain to us about the white man's side. Now everything is in the white man's world and we teach Indian ways.”
—Clifford Duncan (from the book)
This festschrift honors the work of Stanley K. Stowers, a renowned specialist in the field of Pauline studies and early Christianity, on the occasion of his sixty-fifth birthday and retirement from Brown University. The collection includes twenty-eight essays on theory and history of interpretation, Israelite religion and ancient Judaism, the Greco-Roman world, and early Christinity, a preface honoring Stowers, and a select bibliography of his publications.
Contributors include: Adriana Destro, John T. Fitzgerald, John G. Gager, Caroline Johnson Hodge, Ross S. Kraemer, Saul M. Olyan, Mauro Pesce, Daniel Ullucci, Debra Scoggins Ballentine, William K. Gilders, David Konstan, Nathaniel B. Levtow, Jordan D. Rosenblum, Michael L. Satlow, Karen B. Stern, Emma Wasserman, Nathaniel DesRosiers, John S. Kloppenborg, Luther H. Martin, Arthur P. Urbano, L. Michael White, William Arnal, Pamela Eisenbaum, Troels Engberg-Pedersen, Karen L. King, Christopher R. Matthews, Erin Roberts, and Richard Wright.
A picture-book journey through the Boundary Waters Canoe Area Wilderness in winter, snowshoeing the frozen lakes and silent forest with family, encountering the wonders of northern wildlife in the cold season
In winter the Boundary Waters, way up north in Minnesota, is not the same place you canoed last summer—but still it beckons and welcomes you. Grab a pack, strap on snowshoes, make a path (Oh! they take some getting used to!), and venture out across the frozen lakes and through the snowy woods. The vast wintery world here is so still and quiet, you might think you’re all alone—but no! Who made these tracks? A deer? A hare? A fox? And far off there’s a musher, making tracks with his sled dogs.
It’s a magical place. The bright sun brilliant on the snow, the sparkling silence—wait, is that a wolf calling? Try to answer! And when the dark descends, the stars and pine trees holding up the night, your nose gets cold and it’s back to camp, to your warm winter tent, where Father feeds the stove with wood you gathered, Mother snuggles into her big sleeping bag, and you curl up in the fire’s glow and know that in your dreams and memories you will return again and again to this one winter up north.
A wintery adventure that unfolds in pictures, John Owens’s delightful book gives readers a chance to discover—or rediscover—another season full of wonder in the Boundary Waters Canoe Area Wilderness.
Named a Notable Book for 2005 by the American Library Association, One with Nineveh is a fresh synthesis of the major issues of our time, now brought up to date with an afterword for the paperback edition. Through lucid explanations, telling anecdotes, and incisive analysis, the book spotlights the three elephants in our global living room-rising consumption, still-growing world population, and unchecked political and economic inequity-that together are increasingly shaping today's politics and humankind's future. One with Nineveh brilliantly puts today's political and environmental debates in a larger context and offers some bold proposals for improving our future prospect.
Now available as an audio CD, in Eudora Welty's own voice, or as a book.
Eudora Welty was born in 1909 in Jackson, Mississippi. In a "continuous thread of revelation" she sketches her autobiography and tells us how her family and her surroundings contributed to the shaping not only of her personality but of her writing. Homely and commonplace sights, sounds, and objects resonate with the emotions of recollection: the striking clocks, the Victrola, her orphaned father's coverless little book saved since boyhood, the tall mountains of the West Virginia back country that become a metaphor for her mother's sturdy independence, Eudora's earliest box camera that suspended a moment forever and taught her that every feeling awaits a gesture. She has recreated this vanished world with the same subtlety and insight that mark her fiction.
Even if Eudora Welty were not a major writer, her description of growing up in the South--of the interplay between black and white, between town and countryside, between dedicated schoolteachers and the public they taught--would he notable. That she is a splendid writer of fiction gives her own experience a family likeness to others in the generation of young Southerners that produced a literary renaissance. Until publication of this book, she had discouraged biographical investigations. It undoubtedly was not easy for this shy and reticent lady to undertake her own literary biography, to relive her own memories (painful as well as pleasant), to go through letters and photographs of her parents and grandparents. But we are in her debt, for the distillation of experience she offers us is a rare pleasure for her admirers, a treat to everyone who loves good writing and anyone who is interested in the seeds of creativity.
Messing investigates different types of occupational health issues for women, notably the controversial topics of male/female differences in jobs, health, and basic biology. The pain and suffering of women workers is illustrated in vivid case studies of research into health risks for women in the workplace, including musculoskeletal disease, the hazards of office work, emotional stress, and reproductive hazards.
No longer can employers, administrators, and health professionals ignore the very real problems women encounter in their jobs. Throughout the book, Messing captures the everyday reality of workplace tasks and stress -- from lifting boxes to juggling mental tasks under pressure to the emotional labor of caring for upset or abusive people -- by combining on-site observing with listening to the workers' descriptions of their work lives.
Responding to the tough question, why are scientists so unresponsive to the needs of women workers, Messing describes long-standing difficulties in gaining attention for the occupational health of women, ranging from the structure of the grant process and the conferences crucial to the professional life of researchers to the basic assumptions of scientific practice. Messing laments the separation of even most feminist health researchers from workplace concerns and asserts that it is time to develop a science that can prevent women workers' pain and suffering.
The One-Handed Pianist was published to acclaim in the early 1990’s, with the two-part Spanish edition winning the Latino Literature Prize in 1989 and the Gamma Literature Prize in 1992. Its tales look at what it means to be Jewish in the Hispanic world—a world in which spirituality is often exercised outside the realm of orthodoxy.
Stavans constructs fables that raise questions about ethnicity and community; even Stavans’ person raises questions about ethnicity and community: what does it mean that a Jew of Eastern European lineage can call himself Latino and speak for that group?
For the first time, the traumatic removal of the Oneida Indians from New York to Wisconsin is examined in a groundbreaking collection of essays, The Oneida Indian Journey from New York to Wisconsin, 1784–1860. To shed light on this vital period of Oneida history, editors Laurence Hauptman and L. Gordon McLester, III, present a unique collaboration between an American Indian nation and the academic community. Two professional historians, a geographer, anthropologist, archivist and attorney join in with eighteen voices from the Oneida community—local historians, folklorists, genealogists, linguists, and tribal elders—discuss tribal dispossession and community; Oneida community perspectives of Oneida history; and the means of studying Oneida history.
Contributors include: Debra Anderson, Eileen Antone, Jim Antone, Abrahms Archiquette, Oscar Archiquette, Jack Campisi, Richard Chrisjohn, Amelia Cornelius, Judy Cornelius, Katie Cornelius, Melissa Cornelius, Jonas Elm, James Folts, Reginald Horsman, Elizabeth Huff, Francis Jennings, Arlinda Locklear, Jo Margaret Mano, Loretta Metoxen, Liz Obomsawin, Jessie Peters, Sarah Summers, and Rachel Swamp
Winner, Publication Award, Southeastern Chapter of the Society of Architectural Historians (SESAH), 2019
Acclaimed for his designs of the Trinity University campus, the Little Chapel in the Woods, the Texas Instruments Semiconductor Components Division Building, and numerous private houses, O’Neil Ford (1905–1982) was an important twentieth-century architect and a pioneer of modernism in Texas. Collaborating with artists, landscape architects, and engineers, Ford created diverse and enduringly rich works that embodied and informed international developments in modern architecture. His buildings, lectures, and teaching influenced a generation of Texas architects.
O’Neil Ford on Architecture brings together Ford’s major professional writings and speeches for the first time. Revealing the intellectual and theoretical underpinnings of his distinctive modernism, they illuminate his fascination with architectural history, his pioneering uses of new technologies and construction systems, his deep concerns for the landscape and environment, and his passionate commitments to education and civil rights. An interlocutor with titans of the twentieth century, including Louis Kahn and J. Robert Oppenheimer, Ford understood architecture as inseparable from the social, political, and scientific developments of his day. An introductory essay by Kathryn E. O’Rourke provides a critical assessment of Ford’s essays and lectures and repositions him in the history of US architectural modernism. As some of his most important buildings turn sixty, O’Neil Ford on Architecture demonstrates that this Texas modernist deserves to be ranked among the leading midcentury American architects.
In O'Neill's Shakespeare , Normand Berlin explores the relationship of William Shakespeare and Eugene O'Neill through detailed, often surprising, intertextual readings of the two great playwrights' work. "Of course, it would have been impossible for O'Neill not to have been influenced by Shakespeare," acknowledges Berlin. But this is an influence of an unusual and extraordinary sort, "a family romance" that transcends their obvious differences—a romance that "takes in all O'Neill's life and art."
In the first book-length study of this crucial literary and dramatic relationship, Berlin probes far beyond the usual listing of allusions and references. This is the exploration of an "essential, basic, even natural" connection, in which Shakespeare is shown to have fundamentally shaped O'Neill's creative imagination. Following O'Neill's career chronologically, Berlin divides his study into two parts. The "first career" (culminating in Mourning Becomes Electra) is explored through recurring themes that evoke Shakespeare: the sea, black and white, and the family. O'Neill's "second career" (from Ah! Wilderness until the last plays) is examined through Shakespearean genre classifications: comedy, history, tragedy, and tragicomedy. Though always grounded in close textual readings, Berlin's analysis spirals outward to encompass O'Neill's artistic and psychological development and touches on the questions of tradition, transcendence, and human nature inevitably raised when such literary connections across history are drawn.
O'Neill's Shakespeare is more than a reminder that Shakespeare continues to haunt Western culture; it is a careful and fascinating analysis of a particular legacy in American drama. The book has insights to offer to specialists in Shakespeare and O'Neill, and to any reader interested in the transmission of ideas through Western culture. Berlin's study of the unconscious and conscious uses of Shakespeare by O'Neill provide a valuable new understanding of O'Neill's artistry. It is also an eloquent, thoughtful account that blends the transcendence of Shakespeare's influence with the particular ways in which every era must refashion Shakespeare so that "the past becomes the present."
Faldet moves through the history of life along the now-polluted Upper Iowa, always focusing on the ways people depend on the river, the environment, and the resources of the region. He blends contemporary conversations, readings from the historical record, environmental research, and personal experience to show us that the health of the river is best guaranteed by maintaining the biological communities that nurture it. In return, taking care of the Upper Iowa is the best way to take care of our future.
Focusing on the concept of personal identity, Ricoeur develops a hermeneutics of the self that charts its epistemological path and ontological status.
When done well, one-shot library instruction allows you to build solid relationships with faculty while also making positive first impressions with students. Good pedagogy, collaboration with faculty, assessment, and reflection are all imminently possible in the one-shot. So is incorporating the big ideas of the ACRL Framework. This new edition of a trusted resource will guide you in active, student-centered one-shots that connect to courses’ learning outcomes. Demonstrated using vignettes that share teaching experiences drawn from librarians and instructors in the field, you’ll get succinct, hands-on advice on such topics as
- why threshold concepts are well suited to one-shot instruction;
- online instruction-specific engagement strategies and talking points;
- a one-shot version of curriculum mapping to help you prioritize;
- quick and easy activities to work into sessions;
- how to mix and match the three types of instruction best suited to one-shots;
- losing the list, ditching the script, and other strategies for student-centered teaching;
- common classroom management mishaps and what to do about them;
- talking points for the instruction interview;
- how and when to say no; and
- 5 ways to use assessment to improve your instructional style.
"A clear, trenchant book on a topic of enormous importance . . . a courageous plunge into boiling waters. If The One-State Solution helps propel forward a debate that has hardly begun in this country it will have performed a signal scholarly and political function."
---Tony Judt, New York University
". . . a pioneering text. . . . [A]s such it will take pride of place in a brewing debate."
---Gary Sussman, Tel Aviv University
"The words ‘The One-State Solution' seem to strike dread, at the least, or terror, at the most, in any established, institutional, or mainstream discourse having to do with the Israeli-Palestinian conflict. . . . It therefore takes great courage---and I use the word literally---to title explicitly a book under that infamous label. . . . Virginia Tilley is blessed with such courage and complements it with the requisite academic erudition. . . . Weaving her way through the historical progression of Zionism and through late 20th century and current international and Middle Eastern politics, she shows how the additional, pernicious state of settlement expansion (abetted by other massive human rights violations that go with the occupation) has brought us to the point where only a one-state solution can provide a just peace (and not just a state of conflict management going under the misnomer of peace)."
--- Anat Biletsky, Middle East Journal
Recent events have once more put the Israeli-Palestinian issue on the front page. After decades of failed peace initiatives, the prospect of reconciliation is in the air yet again as the principal actors maneuver to end the conflict and---the world hopes---bring peace to the region. A one-state solution is a way toward that peace and needs serious, renewed consideration.
The One-State Solution explains how Israeli settlements have encroached on the occupied territory of the West Bank and Gaza Strip to such an extent that any Palestinian state in those areas is unworkable. And it reveals the irreversible impact of Israel's settlement grid by summarizing its physical, demographic, financial, and political dimensions.
Virginia Tilley elucidates why we should assume that this grid will not be withdrawn---or its expansion reversed---by reviewing the role of the key political actors: the Israeli government, the United States, the Arab states, and the European Union.
Finally, Tilley focuses on the daunting obstacles to a one-state solution---including major revision of the Zionist dream but also Palestinian and other regional resistance---and offers some ideas about how those obstacles might be addressed.
Virginia Tilley is Chief Research Specialist in the Democracy and Governance Division of the Human Resources Council in Cape Town, South Africa.
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