A whimsical look at the pleasures and challenges of living in the far north-now in paperback!
A whimsical look at the pleasures and challenges of living in the far north-now in paperback!
"Sutter knows Duluth and the hinterlands to the North the way Garrison Keillor knows Lake Wobegon and the prairies. With a nimble wit and a roving eye for detail, Sutter goes beneath the veneer of the North Country to expose its attraction, its quirks, and its characters. There isn’t a clinker in the collection, and even if you’ve lived your entire life in Duluth or the North Country, you’ll see your home place with new insight after reading Cold Comfort." Duluth News-Tribune"Mostly whimsical, sometimes meditative, but most often warmhearted, these essays explore Lake Superior, its neighboring rivers and streams, duck hunting, cross-country skiing, bridges, cider-pressing parties, and camping out in the family car. Sutter’s prose is clean, straightforward, and sometimes mirthful." Chicago New City "An oddly brilliant and lovely little book. . . . Resonant, evocative, and splendidly written." Jim HarrisonTemperatures that dive to forty degrees below zero are only part of life in northern Minnesota, according to award-winning writer Barton Sutter. Cold Comfort is his temperamental tribute to the city of Duluth, Minnesota, where bears wander the streets and canoe racks are standard equipment. Winner of a 1998 Northeast Minnesota Book AwardWinner of a 1998 Minnesota Book Award for Creative NonfictionPoignant and revealing stories from one of the Midwest’s leading authors.
Poignant and revealing stories from one of the Midwest’s leading authors.
"A compelling debut. These stories offer leisurely exposition and character development. . . . Their honesty and sensitivity will resonate." Publishers Weekly"These are wonderful stories-images of personal and societal growth that are at once hopeful and skeptical, loving and shrewd." New Orleans Times-Picayune"These magnificent stories are big-hearted and loving in a way I don’t think I’ve ever encountered. With a calm and compassionate hand, Barton Sutter reveals to us the true dignity of humankind, the necessity of heroes and history, and the unerring aim of hope. My Father’s War is a beautiful book." Bret LottIn this collection of stories, Barton Sutter shows us all the ways in which we are shaped by our surroundings. With an unswerving gaze, he portrays the rituals of growing up that we all experience, no matter how old we think we are."Virginia Sutter uses an interesting technique to write the history of her people, the Northern Arapaho Indian Nation. She constructs her work as a series of conversations between herself and her paternal great-grandmother. . . . [T]hrough this device, the history of the Arapaho people is traced from the early nineteenth-century years, when the buffalo ran aplenty and the prairies were boundless, through present-day living conditions in American Indian tribal reservations."
- Moira Richards, www.WomenWriters.net
"Emblematic of the struggle of so many Native Americans of the twentieth century, who seek to reconcile modernity with tradition, and who struggle to recast, reframe, and restore what is Native, even as the majority culture has done its best to uproot, separate, and tell Natives that they can be either modern or Native, but certainly not both."
- Brian Hosmer, Studies in American Indian Literatures (SAIL)
Tell Me, Grandmother is at once the biography of Goes-in-Lodge, a traditional Arapaho woman of the nineteenth century, and the autobiography of her descendant, Virginia Sutter, a modern Arapaho woman with a Ph.D. in public administration. Sutter adeptly weaves her own story with that of Goes-in-Lodge - who, in addition to being Sutter's great-grandmother, was first wife of Sharpnose, the last chief of the Northern Arapaho nation.
Writing in a question-and-answer format between twentieth-century granddaughter and matriarchal ancestor, Sutter discusses four generations of home life, including details about child rearing, education, courtship, marriage, birthing, and burial. Sutter's portrait of Goes-in-Lodge is based on tribal history and interviews with tribal members. Goes-in-Lodge speaks of social and ceremonial gatherings, the Sun Dance, the sweat lodges, and the changes that took place on the Great Plains throughout her lifetime. Sutter details her own life as a child born in a teepee to a white mother and Indian father and the discrimination and injustice she faced struggling to make her way in an increasingly Euro-American world.
In an age when pundits constantly decry overt political bias in the media, we have naturally become skeptical of the news. But the bluntness of such critiques masks the highly sophisticated ways in which the media frame important stories. In Front Page Economics, Gerald Suttles delves deep into the archives to examine coverage of two major economic crashes—in 1929 and 1987—in order to systematically break down the way newspapers normalize crises.
Poring over the articles generated by the crashes—as well as the people in them, the writers who wrote them, and the cartoons that ran alongside them—Suttles uncovers dramatic changes between the ways the first and second crashes were reported. In the intervening half-century, an entire new economic language had arisen and the practice of business journalism had been completely altered. Both of these transformations, Suttles demonstrates, allowed journalists to describe the 1987 crash in a vocabulary that was normal and familiar to readers, rendering it routine.
A subtle and probing look at how ideologies are packaged and transmitted to the casual newspaper reader, Front Page Economics brims with important insights that shed light on our own economically tumultuous times.
Every child knows what it means to play, but the rest of us can merely speculate. Is it a kind of adaptation, teaching us skills, inducting us into certain communities? Is it power, pursued in games of prowess? Fate, deployed in games of chance? Daydreaming, enacted in art? Or is it just frivolity? Brian Sutton-Smith, a leading proponent of play theory, considers each possibility as it has been proposed, elaborated, and debated in disciplines from biology, psychology, and education to metaphysics, mathematics, and sociology.
Sutton-Smith focuses on play theories rooted in seven distinct “rhetorics”—the ancient discourses of Fate, Power, Communal Identity, and Frivolity and the modern discourses of Progress, the Imaginary, and the Self. In a sweeping analysis that moves from the question of play in child development to the implications of play for the Western work ethic, he explores the values, historical sources, and interests that have dictated the terms and forms of play put forth in each discourse’s “objective” theory.
This work reveals more distinctions and disjunctions than affinities, with one striking exception: however different their descriptions and interpretations of play, each rhetoric reveals a quirkiness, redundancy, and flexibility. In light of this, Sutton-Smith suggests that play might provide a model of the variability that allows for “natural” selection. As a form of mental feedback, play might nullify the rigidity that sets in after successful adaption, thus reinforcing animal and human variability. Further, he shows how these discourses, despite their differences, might offer the components for a new social science of play.
A collection of orginal essays by scholars from a variety of fields-- includng American studies, folklore, anthropology, pyschology, sociology, and education---Children's Folklore: A Source Book moves beyond traditional social-science views of child development. It reveals the complexity and artistry of interactions among children, challenging stereotypes of simple childhood innocence and conventional explanations of development that privilege sober and sensible adult outcomes. Instead, the play and lore of children is shown to be often disruptive, wayward, and irrational.
A philosophical investigation into the differing sensations of time in cinema and photography
Cinema and photography are both intimately associated with time—cinema with time in passing, the photograph with the lost moment. In Photography, Cinema, Memory, Damian Sutton explores time in both media to present a radical new understanding of the photographic image as always coming into being.
Drawing on Gilles Deleuze’s concept of the crystal image to move beyond the tropes of immobility, stasis, and death, Sutton’s analysis reveals the open-endedness of time expressed in the photograph, either as a potential for an abundant future or as a depth of meandering remembrance. He presents an innovative taxonomy of time in the photograph, considering particular representations of time in the work of Nan Goldin, Eugène Atget, Andy Warhol, and others. He contrasts this taxonomy with representations of time in cinema since 1895, offering fresh readings of the films of the Lumière brothers and Mitchell & Kenyon, as well as more recent works, including Eternal Sunshine of the Spotless Mind, Amélie, and A Matter of Life and Death. Throughout this work, Sutton connects and grounds cinema and photography as starting points to comprehend how we come to terms, ultimately, with time itself as pure, immanent change.Helvetia: A Swiss Village in the Hills of West Virginia explores the unique founding and development of a community nestled within the wilderness of Appalachia. Established in 1869, this tiny Swiss settlement embodies the American immigrant experience, reflecting the steadfast desire of settlers to preserve cultural traditions and values while adapting to new and extraordinary surroundings. From ramp suppers to carnivals, traditional architecture, folk music, and cheese making, this book documents a living community by exploring the ethnic customs, farming practices, community organization, and language maintenance of Helvetia residents. Drawing upon a diverse body of resources such as Swiss and American archival documents and local oral accounts, this chronicledepicts the everyday social and economic life of this village during the past two centuries. Helvetia celebrates a small community where residents and visitors alike continue to practice a Swiss American culture that binds an international history to a local heritage.
Despite Taiwan's rise as an economic force in the world, modernity has not led to a Weberian process of disenchantment or curbed religiosity. To the contrary, other factors—social, economic, political—have stimulated religion. How and why this has happened are central issues in this book.
One part of Taiwan's flourishing religious culture is the elaborate and colorful procession of local gods accompanied by troupes of musicians and dancers. Among them are performers with outlandishly painted faces portraying underworld generals who serve the gods and punish the living. Through their performances, these troupes claim to exorcise harmful forces from the community.
In conducting fieldwork among these troupes, Donald Sutton confronted their claims to a long history—when all evidence indicated that the troupes had been insignificant until the 1970s—and their assertions of devotion to tradition given the diversity of performances. Concentrating on the stylistic variations in performances, the author describes the troupes as organizations shaped by the "market forces" of supply and demand in the culture of religious festivals. By focusing on performances as the nexus of market and art, he shows how bodily performance is the site where religious statements are made and the power of the gods made visible.
Angel De Cora (c. 1870–1919) was a Native Ho-Chunk artist who received relative acclaim during her lifetime. Karen Thronson (1850–1929) was a Norwegian settler housewife who created crafts and folk art in obscurity along with the other women of her small immigrant community. The immigration of Thronson and her family literally maps over the De Cora family’s forced migration across Wisconsin, Iowa, and onto the plains of Nebraska and Kansas. Tracing the parallel lives of these two women artists at the turn of the twentieth century, art historian Elizabeth Sutton reveals how their stories intersected and diverged in the American Midwest.
By examining the creations of these two artists, Sutton shows how each woman produced art or handicrafts that linked her new home to her homeland. Both women had to navigate and negotiate between asserting their authentic self and the expectations placed on them by others in their new locations. The result is a fascinating story of two women that speaks to universal themes of Native displacement, settler conquest, and the connection between art and place.
At thirteen, George Miksch Sutton planned a school of ornithology centered around his collection of bird skins, feathers, bones, nests, eggs, and a prized stuffed crow. As an adult, he became one of the most prominent ornithologists and bird artists of the twentieth century. He describes his metamorphosis from amateur to professional in Bird Student.
Born in 1898, Sutton gives us his clearest memories of his boyhood in Nebraska, Minnesota, Oregon, Illinois, Texas, and West Virginia with his closely knit family. Recognizing birds, identifying them correctly, drawing them, and writing about them became more and more important to him. His intense admiration for Louis Agassiz Fuertes had a good deal to do with his beginning to draw birds in earnest, and his correspondence and his 1916 summer visit with the generous Fuertes taught him to look at birds with the eyes of a professional artist and to consider the possibility of making ornithology his career.
By 1918, Sutton had talked himself into a job at the Carnegie Museum of Natural History in Pittsburgh, which gave him fresh opportunities to learn and travel, and his 1920 field trip to the Labrador Peninsula stimulated his lifelong interest in arctic birds. Further expeditions to James Bay, the east coast of Hudson Bay—on leave from his job as state ornithologist of Pennsylvania—and Southampton Island at the north end of Hudson Bay, in search of the elusive blue goose and its nesting grounds, give us glimpses of field methods before the days of sophisticated equipment. Sutton ends his autobiography in 1935, with an account of his graduate days at Cornell University and his position as curator of the Fuertes Memorial Collection of Birds.
Bird Student is about raising young roadrunners and owls and prairie dogs, sailing (and being stranded) in arctic waters, preparing specimens in the hold of a ship, hunting birds and caribou and bears in almost inaccessible regions, canoeing in the Far North, camping in Florida, and delivering speeches in Pennsylvania. Sutton's gift for mixing facts and philosophy lets us see the evolution of a naturalist, as his inherent curiosity and innocent enjoyment of beauty led to a permanent desire to preserve this beauty.
Employing the trope of architecture, Jane Sutton envisions the relationship between women and rhetoric as a house: a structure erected in ancient Greece by men that, historically, has made room for women but has also denied them the authority and agency to speak from within. Sutton’s central argument is that all attempts to include women in rhetoric exclude them from meaningful authority in due course, and this exclusion has been built into the foundations of rhetoric.
Drawing on personal experience, the spatial tropes of ancient Greek architecture, and the study of women who attained significant places in the house of rhetoric, Sutton highlights a number of decisive turns where women were able to increase their rhetorical access but were not able to achieve full authority, among them the work of Frances Wright, Lucy Stone, and suffragists Mott, Anthony, and Stanton; a visit to the 1893 World’s Columbian Exposition in Chicago, where the busts that became the Portrait Monument were displayed in the Woman’s Building (a sideshow, in essence); and a study of working-class women employed as telephone operators in New York in 1919.
With all the undeniable successes—socially, politically, and financially— of modern women, it appears that women are now populating the house of rhetoric as never before. But getting in the house and having public authority once inside are not the same thing. Sutton argues that women “can only act as far as the house permits.” Sojourn calls for a fundamental change in the very foundations of rhetoric.
From the Pilgrims who settled at Plymouth Rock to Christian Coalition canvassers working for George W. Bush, Americans have long sought to integrate faith with politics. Few have been as successful as Hollywood evangelist Aimee Semple McPherson.
During the years between the two world wars, McPherson was the most flamboyant and controversial minister in the United States. She built an enormously successful and innovative megachurch, established a mass media empire, and produced spellbinding theatrical sermons that rivaled Tinseltown's spectacular shows. As McPherson's power grew, she moved beyond religion into the realm of politics, launching a national crusade to fight the teaching of evolution in the schools, defend Prohibition, and resurrect what she believed was the United States' Christian heritage. Convinced that the antichrist was working to destroy the nation's Protestant foundations, she and her allies saw themselves as a besieged minority called by God to join the "old time religion" to American patriotism.
Matthew Sutton's definitive study of Aimee Semple McPherson reveals the woman, most often remembered as the hypocritical vamp in Sinclair Lewis's Elmer Gantry, as a trail-blazing pioneer. Her life marked the beginning of Pentecostalism's advance from the margins of Protestantism to the mainstream of American culture. Indeed, from her location in Hollywood, McPherson's integration of politics with faith set precedents for the religious right, while her celebrity status, use of spectacle, and mass media savvy came to define modern evangelicalism.
A Choice Outstanding Academic Title, 2015
The first comprehensive history of modern American evangelicalism to appear in a generation, American Apocalypse shows how a group of radical Protestants, anticipating the end of the world, paradoxically transformed it.
“The history Sutton assembles is rich, and the connections are startling.”
—New Yorker
“American Apocalypse relentlessly and impressively shows how evangelicals have interpreted almost every domestic or international crisis in relation to Christ’s return and his judgment upon the wicked…Sutton sees one of the most troubling aspects of evangelical influence in the spread of the apocalyptic outlook among Republican politicians with the rise of the Religious Right…American Apocalypse clearly shows just how popular evangelical apocalypticism has been and, during the Cold War, how the combination of odd belief and political power could produce a sleepless night or two.”
—D. G. Hart, Wall Street Journal
“American Apocalypse is the best history of American evangelicalism I’ve read in some time…If you want to understand why compromise has become a dirty word in the GOP today and how cultural politics is splitting the nation apart, American Apocalypse is an excellent place to start.”
—Stephen Prothero, Bookforum
A uniquely poetic contribution to the small body of internment memoirs, Suyemoto's account includes information about policies and wartime decisions that are not widely known, and recounts in detail the way in which internees adjusted their notions of selfhood and citizenship, lending insight to the complicated and controversial questions of citizenship, accountability, and resistance of first- and second-generation Japanese Americans.
Suyemoto's poems, many written during internment, are interwoven throughout the text and serve as counterpoints to the contextualizing narrative. Suyemoto's poems, many written during internment, are interwoven throughout the text and serve as counterpoints to the contextualizing narrative. A small collection of poems written in the years following her incarceration further reveal the psychological effects of her experience.
"…important for anyone who is concerned with inter-religious dialogue and the meaning of… visionary mysticism."
--The Reader's Review
This first complete English translation of two works by Zen scholar D.T. Suzuki introduces Emanuel Swedenborg and compares Swedenborgian thought to Buddhism. The first work stresses Swedenborg's message that true spirituality demands an engagement in this world; the second compares Swedenborg's description of heaven to the paradise of Pure Land Buddhism.
In her pathbreaking book, Ocean Passages, Erin Suzuki explores how movement through—and travel across—the ocean mediates the construction of Asian American and Indigenous Pacific subjectivities in the wake of the colonial conflicts that shaped the modern transpacific. Ocean Passages considers how Indigenous Pacific scholars have emphasized the importance of the ocean to Indigenous activism, art, and theories of globalization and how Asian American studies might engage in a deconstructive interrogation of race in conversation with this Indigenous-centered transnationalism.
The ocean passages that Suzuki addresses include the U.S. occupation and militarization of ocean space; refugee passage and the history and experiences of peoples displaced from the Pacific Islands; migratory circuits and the labors required to cross the sea; and the different ways that oceans inform postcolonial and settler colonial nationalisms. She juxtaposes work by Indigenous Pacific and Asian American artists and authors including James George, Maxine Hong Kingston, Kathy Jetñil-Kijiner, lê thi diếm thúy, Ruth Ozeki, and Craig Santos Perez. In Ocean Passages, Suzuki explores what new ideas, alliances, and flashpoints might arise when comparing and contrasting Asian and Pacific Islander passages across a shared sea.
Kotaro Suzumura is one of the world’s foremost thinkers in social choice theory and welfare economics. Bringing together essays that have become classics in the field, Choice, Preferences, and Procedures examines foundational issues of normative economics and collective decision making.
Social choice theory seeks to critically assess and rationally design economic mechanisms for improving human life. An important part of Suzumura’s contribution over the past forty years has entailed fusion of abstract microeconomic ideas with an understanding of real-world economies in a coherent analysis. This volume of selected essays reveals the evolution of Suzumura’s thinking over his career. Groundbreaking papers explore the nature of individual and social choice and the idea of assigning value to freedom of choice, different forms of rationality, and concepts of individual rights, equity, and fairness.
Suzumura elucidates his innovative approach for recognizing interpersonal comparisons in the vein of Adam Smith’s notion of sympathy and expounds the effect of paying due attention to nonconsequential features, such as the opportunity to choose and the procedure for decision making, along with the standard consequential features. Analyzing the role of economic competition, Suzumura points out how restricting competition may, in some circumstances, improve social welfare. This is not to recommend government regulation rather than market competition but to emphasize the importance of procedural features in a competitive context. He concludes with illuminating essays on the history of economic thought, focusing on the ideas of Vilfredo Pareto, Arthur Pigou, John Hicks, and Paul Samuelson.
Now in the midst of the largest wave of immigration in history, America, mythical land of immigrants, is once again contemplating a future in which new arrivals will play a crucial role in reworking the fabric of the nation. At the center of this prospect are the children of immigrants, who make up one fifth of America's youth. This book, written by the codirectors of the largest ongoing longitudinal study of immigrant children and their families, offers a clear, broad, interdisciplinary view of who these children are and what their future might hold.
For immigrant children, the authors write, it is the best of times and the worst. These children are more likely than any previous generation of immigrants to end up in Ivy League universities--or unschooled, on parole, or in prison. Most arrive as motivated students, respectful of authority and quick to learn English. Yet, at the same time, many face huge obstacles to success, such as poverty, prejudice, the trauma of immigration itself, and exposure to the materialistic, hedonistic world of their native-born peers.
The authors vividly describe how forces within and outside the family shape these children's developing sense of identity and their ambivalent relationship with their adopted country. Their book demonstrates how "Americanization," long an immigrant ideal, has, in a nation so diverse and full of contradictions, become ever harder to define, let alone achieve.
One child in five in America is the child of immigrants, and their numbers increase each year. Very few will return to the country they barely remember. Who are they, and what America do they know?
Based on an extraordinary interdisciplinary study that followed 400 newly arrived children from the Caribbean, China, Central America, and Mexico for five years, this book provides a compelling account of the lives, dreams, and frustrations of these youngest immigrants. Richly told portraits of high and low achievers are packed with unexpected ironies. When they arrive, most children are full of optimism and a respect for education. But poor neighborhoods and dull--often dangerous--schools can corrode hopes. The vast majority learn English--but it is the English of video games and the neighborhood, not that of standardized tests.
For some of these children, those heading off to college, America promises to be a land of dreams. These lucky ones have often benefited from caring mentors, supportive teachers, or savvy parents. For others, the first five years are marked by disappointments, frustrations, and disenchantment. How can we explain their varied academic journeys?
The children of immigrants, here to stay, are the future--and how they adapt will determine the nature of America in the twenty-first century.
In the United States immigration is both history and destiny. It is the driving force behind a most significant social transformation taking place in American society at the end of our millennium. Arguably few other social phenomena are likely to impact the future character of American culture and society as much as the ongoing wave of “new immigration.”
Who are the new immigrants? What do they want? How are they changing American society? This cross-disciplinary book brings together twelve essays by the leading scholars of the most significant aspect of the new immigration: Mexican immigration to the United States. Crossings theorizes aspects of recent Mexican immigration that are new and that demarcate this wave of immigration from earlier experiences in this century.
At a time when gimmicky, action-driven blockbusters ruled Hollywood, Jim Jarmusch spearheaded a boom in independent cinema by making now-classic low-budget films like Stranger than Paradise, Down by Law, and Mystery Train. Jarmusch's films focused on intimacy, character, and new takes on classical narratives. His minimal form, peculiar pacing, wry humor, and blank affect have since been adopted by directors like Sofia Coppola, Hal Hartley, Richard Linklater, and Tsai Ming-liang.
Juan A. Suárez identifies and describes an abundance of aesthetic influences on Jarmusch, delving into the director's links to punk, Structural film, classic street photography, hip-hop, beat literature and art, and the New York pop vanguard of the late 1970s. At the same time, he analyzes Jarmusch's work from three mutually implicated perspectives: in relation to independent filmmaking from the 1980s to the present; as a form of cultural production that appropriates existing icons, genres, and motifs; and as an instance of postmodern politics.
A volume in the series Contemporary Film Directors, edited by James R. Naremore
Different forms of city government are in widespread use across the United States. The two most common structures are the mayor-council form and the council-manager form. In many large U.S. cities, there have been passionate movements to change the structure of city governments and equally intense efforts to defend an existing structure. Charter change (or preservation) is supported to solve problems such as legislative gridlock, corruption, weak executive leadership, short-range policies, or ineffective delivery of services. Some of these cities changed their form of government through referendum while other cities chose to retain the form in use.
More than Mayor or Manager offers in-depth case studies of fourteen large U.S. cities that have considered changing their form of government over the past two decades: St. Petersburg, Florida; Spokane, Washington; Hartford, Connecticut; Richmond, Virginia; San Diego, California; Oakland, California; Kansas City, Missouri; Grand Rapids, Michigan; Dallas, Texas; Cincinnati, Ohio; El Paso, Texas; Topeka, Kansas; St. Louis, Missouri; and Portland, Oregon. The case studies shed light on what these constitutional contests teach us about different forms of government—the causes that support movements for change, what the advocates of change promised, what is at stake for the nature of elected and professional leadership and the relationship between leaders, and why some referendums succeeded while others failed. This insightful volume will be of special interest to leaders and interest groups currently considering or facing efforts to change the form of government as well as scholars in the field of urban studies.
The first English translation of the oldest extant work in Apabhramsha, a literary language from medieval India, recounting the story of the Ramayana.
The Life of Padma, or the Paümacariu, is a richly expressive Jain retelling in the Apabhramsha language of the famous Ramayana tale. It was written by the poet and scholar Svayambhudeva, who lived in south India around the beginning of the tenth century. Like the epic tradition on which it is based, The Life of Padma narrates Prince Rama’s exile, his search for his wife Sita after her abduction by King Ravana of Lanka, and the restoration of his kingship.
The second volume recounts Rama’s exile with Sita and his brother Lakshmana. The three visit various cities—rather than ashrams, as in most versions; celebrate Lakshmana’s marriages; and come upon a new city built in Rama’s honor. In Dandaka Forest, they encounter sages who are masters of Jain doctrine. Then, the discovery of Sita’s disappearance sets the stage for war with Ravana.
This is the first direct translation into English of the oldest extant Apabhramsha work, accompanied by a corrected text, in the Devanagari script, of Harivallabh C. Bhayani’s critical edition.
The first English translation of the oldest extant work in Apabhramsha, a literary language from medieval India, recounting the story of the Ramayana.
The Life of Padma, or the Paümacariu, is a richly expressive Jain retelling in the Apabhramsha language of the famous Ramayana tale. The work was written by the poet and scholar Svayambhudeva, who lived in south India around the beginning of the tenth century. Like the epic tradition on which it is based, The Life of Padma narrates Prince Rama’s exile, his search for his wife Sita after her abduction by King Ravana of Lanka, and the restoration of his kingship.
The first volume of The Life of Padma begins by recounting the histories and noteworthy ancestors of Rama’s allies and enemies, focusing on his antagonist, Ravana. Svayambhudeva connects central characters from the Ramayana tradition to one another and to Rishabha, the founding prophet of Jainism, in a complex web of family relations dating back generations.
This is the first direct translation into English of the oldest extant work in Apabhramsha, accompanied by a corrected reprint in the Devanagari script of Harivallabh C. Bhayani’s critical edition.
Fashion is at once a familiar yet mysteriously elite world that we all experience, whether we’re buying a new pair of jeans, reading Vogue, or watching the latest episode of Project Runway. Lars Svendsen dives into that world in Fashion, exploring the myths, ideas, and history that make up haute couture, the must-have trends over the centuries, and the very concept of fashion itself.
Fashion opens with an exploration of all the possible meanings encompassed by the word “fashion,” as Svendsen probes its elusive place in art, politics, and history. Ultimately, however, he focuses on the most common use of the term: clothing. With his trademark dry wit, he deftly dismantles many of the axioms of the industry and its supporters. For example, he points out that some of the latest fashions shown on runways aren’t actually “fashionable” in any sense of the word, arguing that they’re more akin to modern art works, and he argues against the increasingly prevalent idea that plastic surgery and body modification are part of a new wave of consumerism. Svendsen draws upon the writings of thinkers from Adam Smith to Roland Barthes to analyze fashion as both a historical phenomenon and a philosophy of aesthetics. He also traces the connections between the concepts of fashion and modernity and ultimately considers the importance of evolving fashions to such fields as art, politics, and philosophy.
Whether critiquing a relentless media culture that promotes perfect bodies or parsing the never-ending debate over the merits of conformity versus individual style, Lars Svendsen offers an engaging and intriguing analysis of fashion and the motivations behind its constant pursuit of the new.
The Lisbon Earthquake of 1755. The South Asian Tsunami of 2004. The San Francisco Earthquake of 1906. Hurricane Katrina in 2005. All of these are natural disasters that not only caused massive devastation but actually changed the course of history, and have influenced our reactions to and perspectives on disasters ever since.
Spanning two millennia, The End is Nigh provides a detailed history of natural disasters around the world and how they have shaped our cultural beliefs and our practical planning. Henrik Svensen draws from many eyewitness accounts to reveal the personal stories of the victims of natural disasters. Through them, we are reminded that while the disasters are natural phenomena, victims often react in similar ways seeking to explain the disaster within the context of an omen or a divine warning. A geologist, Svensen also explores the science behind the occurrence of specific disasters, and he examines whether climate change is creating an environment where natural disasters are more frequent and more deadly.
The End is Nigh is as instructive as it is insightful and will appeal to fans of history and science, as well as policy makers and all those seeking to better prepare for future calamities.
“The End is Nigh is a great example of storytelling across scientific disciplines, and in gripping prose it spans geology, geography and history, anthropology, sociology, and the history of religion.”—Apollon
In this volume, an international and interdisciplinary team of scholars—Czech and American archaeologists, paleoanthropologists, geologists, and biologists—report on the results of the investigations from 1980 through the 1990s at Stránská skála, a complex of open-air loess sites on the outskirts of the Brno Basin in the Czech Republic.
The volume presents in-depth studies of the geology, paleopedology, frost processes, vegetation, fauna, and archaeological features of Stránská skála that break new ground in our understanding of early modern humans in central Europe.
There is a large intelligence present in Terese Svoboda's poetry and not a shred of sentimentality. From the dramatic coming-of-age in the title poem to the question posed in the last section, "What will I say to my child as it snows / that last winter's papery afterglow?" she continually searches for a responsible, compassionate world, one in which the only illusion is art.
The mythological central poem, "The Ranchhand's Daughter," shows the gods of isolation and incest warring against each other, destroying a triangle of love and cut into the granite-faced Badlands. It is only in the sensuous landscape of the domestic that possible redemption occurs: the father who dreams of running for president, the mother who signs in the mirror, the couple in the shower with "confidence rising between them." Faced with the inevitable losses, Svoboda strives for meaning and beauty.
A runaway circus lion haunts a small town where two lovers risk more than their respective marriages. A junket to Cuba and an ambassador’s dalliance with a niece hide dark secrets and political revolution. “I’ve always had a knife,” says the unstable stepson to his parents. Inventive, dark, and absurd, the stories in The Long Swim capture Terese Svoboda’s clear-eyed, wry angle on the world: a place of violence and uncertainty but also wild beauty, adventure, and love both lasting and ephemeral. Her characters strive for escape—through romance, travel, or more self-destructive pursuits—and collide with the constraints of family and home, their longing for freedom and autonomy often at odds with the desire for safety and harmony.
Cynical, irreverent, and formally daring, Svoboda’s stories in The Long Swim are a deft exploration of womanhood and humanity. Waves of provocation and wonder toss the reader and leave them wanting more.
Deaf Americans have identified healthcare as the most difficult setting in which to obtain a qualified interpreter. Yet, relatively little attention has been given to developing evidence-based resources and a standardized body of knowledge to educate healthcare interpreters. In Our Hands: Educating Healthcare Interpreters addresses these concerns by delineating the best practices for preparing interpreters to facilitate full access for deaf people in healthcare settings.
The first section of this volume begins with developing domains and competencies toward a teaching methodology for medical and mental health interpreters. The next chapter describes a discourse approach that relies on analyzing actual transcripts and recordings to train healthcare interpreters. Other chapters feature a model mental health interpreter training program in Alabama; using a Demand-Control Schema for experiential learning; the risk of vicarious trauma to interpreters; online educational opportunities; and interpreting for deaf health care professionals. The second section offers four perspectives on education, including healthcare literacy of the clients; the education of Deaf interpreters; the development of standards for spoken-language healthcare interpreters; and the perspectives of healthcare interpreter educators in Europe. The range and depth of In Our Hands takes significant strides in presenting educational opportunities that can enhance the critical services provided by healthcare interpreters to deaf clients.
Discover the Far North hand-in-hand with two leading authorities on the Arctic.
This travel guide offers a unique eight-day tour of the Canadian Arctic, starting at Iqaluit near the head of Frobisher Bay (2,000 kilometers north of Ottawa), flying across the line of the Arctic Circle to Resolute, and onward to Ward Hunt Island, the northernmost airstrip in North America. Whether you make the journey in person or as an armchair traveler, this eye-opening book will tell you just what makes this region so extraordinary. Stager and Swain comment on everything that's likely to catch your attention from the air, on the ground, or in the frigid waters--from the lay of the land to the cost of the food, from frost polygons to sea smoke, from narwhals to snow geese, from kayaks to icebreakers, from soapstone sculptures to satellite dishes.
Canada North: Journey to the High Arctic makes the best of traveling companions: compact, informed, and lively. You'll want to read and reread it as you plan the journey of a lifetime.
Aspects of Article Introductions has bee reissued to make it more easily available than it has ever been, particularly for the use of university libraries and for younger and newer practitioners and researchers in the rapidly expanding and increasingly global field of EAP.
The original Aspects of Article Introductions appeared in fall 1981 as a ring-bound 90-page monograph. The “publisher” was the Language Studies Unit at the University of Aston in Birmingham. Although essentially an “underground” work, it has remained a relevant part of the short intellectual history of English for Academic Purposes, particularly as genre-based or genre-driven approaches to EAP research and pedagogical practice have become more popular. Its longevity is also a testament to the genre analysis work of John Swales, but in addition, the research article has become the most influential genre in most areas of scholarship, and introductions are at least supposed to be read first and to be designed in such a way as to attract as large readership as possible.
“If I were asked to list the most influential texts in applied linguistics over the last 30 years, John Swales' Aspects of Article Introductions would be in the top three or four. This was a seminal work which not only presented a novel way of analysing texts and a commentary on academic discourse, but one which helped to establish a foundation for the massive interest we see today in describing the structure and features of academic articles. This is not just a text which offers us a glimpse of an intellectual history, but it remains full of fascinating insights and observations about texts and the workings of academic discourse. While the ideas may have evolved and the genre it describes moved on, both the style of writing and the methodology it describes are as fresh and as revealing as anything written on the topic since.” ---Ken Hyland, Hong Kong University
Today's research world demands a variety of different abstracts to serve different purposes. As a result, writing abstracts can be a difficult task for graduate and international students, researchers, and even practiced authors. Abstracts and the Writing of Abstracts is designed to demystify the construction of this essential writing form and to equip scholars with the skills to summarize their work in clear and compelling ways.
This volume represents a revision and expansion of the material on writing abstracts that appeared in English in Today's Research World.
The Abstracts volume focuses on abstracts for research articles before addressing abstracts for short communications, conferences, and PhD dissertations. It also covers keywords, titles, and author names. Wherever appropriate within the text, Language Focus sections discuss options and provide tips for meeting specific linguistic challenges posed by the writing of different types of abstracts.
The Commentary for the third edition of this successful guide to writing has been revised and expanded in many ways to provide more support for instructors; this includes additional tasks for Units Two and Four to supplement the main text. However, the collegial tone established in previous Commentaries between Swales & Feak and instructors has been retained.
This volume contains commentaries on each of the eight units plus the two appendixes. The format for each unit includes
Navigating Academia is a bit different from the other volumes in the series because it focuses on the supporting genres that facilitate the more public genres that form the building blocks of an academic and/or research career. Included are statements of purpose for graduate school applications, letters of recommendation, and responses to journal reviewers.
One feature that these genres have in common is that they are largely hidden from public view; it is difficult to find examples of them in university libraries. Although guidance about these genres can increasingly be found on the Internet, this guidance is often too general to be helpful in an individual particular situation. This is unfortunate because in almost all cases, the individual needs to be seen as both a serious scholar, researcher, or instructor (whether beginning or getting established) and as a collegial but objective person. As a result, many of these academic communications need to be carefully considered, particularly with regard to the likely effect this communication will have on its intended recipients, who, more often than not, are established figures in the field (as with a job application letter). Because of the roles of these genres, this volume also differs somewhat from the others in that it is as much concerned with social academic practice as it is with more formal academic texts.
This volume represents a revision and expansion of the material on academic correspondence that appeared in English in Today's Research World.
Telling a Research Story: Writing a Literature Review is concerned with the writing of a literature review and is not designed to address any of the preliminary processes leading up to the actual writing of the literature review.
This volume represents a revision and expansion of the material on writing literature reviews that appeared in English in Today's Research World.
This volume progresses from general to specific issues in the writing of literature reviews. It opens with some orientations that raise awareness of the issues that surround the telling of a research story. Issues of structure and matters of language, style, and rhetoric are then discussed. Sections on metadiscourse, citation, and paraphrasing and summarizing are included.
Fresh Water: Women Writing on the Great Lakes is a collection of nonfiction works by women writers. These works focus on the Midwest: living with the five interconnected freshwater seas that we know as the Great Lakes. Contributing to this collection are renowned poets, essayists, and fiction writers, all of whom write about their own creative streams of consciousness, the fresh waters of the Great Lakes, and the region's many rivers: Loraine Anderson, Judith Arcana, Rachel Azima, Mary Blocksma, Gayle Boss, Sharon Dilworth, Beth Ann Fennelly, Linda Nemec Foster, Gail Griffin, Rasma Haidri, Aleta Karstad, Laura Kasischke, Janet Kauffman, Jacqueline Kolosov, Susan Laidlaw, Lisa Lenzo, Linda Loomis, Anna Mills, Stephanie Mills, Judith Minty, Anne-Marie Oomen, Rachael Perry, Susan Power, Donna Seaman, Heather Sellers, Gail Louise Siegel, Sue William Silverman,Claudia Skutar, Annick Smith, Leslie Stainton, Kathleen Stocking, Judith Strasser, Alison Swan, Elizabeth A.Trembley, Jane Urquhart, Diane Wakoski, and Leigh Allison Wilson.
Extensively documented and richly detailed, Chicago’s Irish Legion tells the compelling story of Chicago’s 90th Illinois Volunteer Infantry, the only Irish regiment in Major General William Tecumseh Sherman’s XV Army Corps. Swan’s sweeping history of this singular regiment and its pivotal role in the Western Theater of the Civil War draws heavily from primary documents and first-person observations, giving readers an intimate glimpse into the trials and triumphs of ethnic soldiers during one of the most destructive wars in American history.
At the onset of the bitter conflict between the North and the South, Irish immigrants faced a wall of distrust and discrimination in the United States. Many Americans were deeply suspicious of Irish religion and politics, while others openly doubted the dedication of the Irish to the Union cause. Responding to these criticisms with a firm show of patriotism, the Catholic clergy and Irish politicians in northern Illinois—along with the Chicago press and community—joined forces to recruit the Irish Legion. Composed mainly of foreign-born recruits, the Legion rapidly dispelled any rumors of disloyalty with its heroic endeavors for the Union. The volunteers proved to be instrumental in various battles and sieges, as well as the marches to the sea and through the Carolinas, suffering severe casualties and providing indispensable support for the Union. Swan meticulously traces the remarkable journey of these unique soldiers from their regiment’s inception and first military engagement in 1862 to their disbandment and participation in the Grand Review of General Sherman’s army in 1865.
Enhancing the volume are firsthand accounts from the soldiers who endured the misery of frigid winters and brutal environments, struggling against the ravages of disease and hunger as they marched more than twenty-six hundred miles over the course of the war. Also revealed are personal insights into some of the war’s most harrowing events, including the battle at Chattanooga and Sherman’s famous campaign for Atlanta. In addition, Swan exposes the racial issues that affected the soldiers of the 90th Illinois, including their reactions to the Emancipation Proclamation and the formations of the first African American fighting units. Swan rounds out the volume with stories of survivors’ lives after the war, adding an even deeper personal dimension to this absorbing chronicle.
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