Covering a variety of subjects—from the plague and the first danse macabre to the development of perspective and recipes for pigments—the poems in Cole Swensen's new collection are set in fifteenth-century France and explore the end of the medieval world and its gradual transition into the Renaissance. The collection is loosely based on the calendar illuminations from the Très Riches Heures, the well-known book of hours, and uses them to explore the ways that the arts—visual and verbal—interact with history, at times prefiguring it, at times shaping it, and at times offering wry commentary or commiseration.
A social history of death investigations in the urban Midwest
The scene of myriad grisly deaths, late nineteenth-century St. Louis was a hotbed for homicide, suicide, alcoholism, abortion, and workplace accidents. The role of the city’s Gilded Age coroners has not been fully examined, contextualized, or interrogated until now. Sarah E. Lirley investigates the process in which these outcomes were determined, finding coroners’ rulings were not uniform, but rather varied by who was conducting the inquest. These fascinating case studies explore the lives of the deceased, as well as their families, communities, press coverage of the events, and the coroners themselves.
Sudden Deaths in St. Louis is a study of 120 coroners’ inquests conducted between 1875 and 1885. Each chapter analyzes the typical versus the atypical in verdicts of death. At the time, inaccurate findings and cursory investigations fueled criticisms of coroner’s offices for employing poorly trained laymen. The coroners featured in this book had the power to shape public perception of the deceased, and they often relied on preexisting reputations to determine cause of death. For instance, women who worked as prostitutes were likely to be ruled as suicides, whether or not that was actually the case, and women who were respected members of their communities, particularly mothers, frequently received rulings of suicide caused by insanity. Verdicts also depended in part on availability of witnesses, including family members, to determine whether another person could be held liable for the death. Lirley’s book highlights the stories of ordinary men and women whose lives were tragically cut short, and the injustice they received even after death.
Anthropology is arguably one of the most diverse fields in academe. It ranges in focus from archaeology to evolution and primate studies, to linguistics, and to observation of current cultural practices. Methodologically, it may include any combination of lab work, library and archival research, and fieldwork. The materials vary significantly, including visual records such as film and photography, sound recordings, ancient artifacts, dusty notebooks, digital records, and biological materials. In practice it is highly interdisciplinary, intersecting with biology, political science, geography, art history, literature, religion, sociology, history, and more. Collection development for any subject can be a challenging task; anthropology, with its many subfields, may exceed the typical challenge. Whether you are brand new to anthropology, or well-versed in many of its facets, Sudden Selector’s Guide to Anthropology is designed to provide you with an access point to the diverse realms of the field and the resources that will allow you to build and maintain strong collections to serve your community, no matter where their research interests lie.
The Sudden Selector’s series is designed to help library workers become acquainted with the tools, resources, individuals, and organizations that can assist in developing collections in new or unfamiliar subject areas. This guide is designed to facilitate collection development processes in two ways: it is a bibliography of resources and can be used as a mini-course in anthropology librarianship.
In 1468, on the final night of Carnival in Rome, Pope Paul II sat enthroned above the boisterous crowd, when a scuffle caught his eye. His guards had intercepted a mysterious stranger trying urgently to convey a warning—conspirators were lying in wait to slay the pontiff. Twenty humanist intellectuals were quickly arrested, tortured on the rack, and imprisoned in separate cells in the damp dungeon of Castel Sant’Angelo.
Anthony D’Elia offers a compelling, surprising story that reveals a Renaissance world that witnessed the rebirth of interest in the classics, a thriving homoerotic culture, the clash of Christian and pagan values, the contest between republicanism and a papal monarchy, and tensions separating Christian Europeans and Muslim Turks. Using newly discovered sources, he shows why the pope targeted the humanists, who were seen as dangerously pagan in their Epicurean morals and their Platonic beliefs about the soul and insurrectionist in their support of a more democratic Church. Their fascination with Sultan Mehmed II connected them to the Ottoman Turks, enemies of Christendom, and the love of the classical world tied them to recent rebellious attempts to replace papal rule with a republic harking back to the glorious days of Roman antiquity.
From the cosmetic-wearing, parrot-loving pontiff to the Turkish sultan, savage in war but obsessed with Italian culture, D’Elia brings to life a Renaissance world full of pageantry, mayhem, and conspiracy and offers a fresh interpretation of humanism as a dynamic communal movement.
Finalist for the 2021 Army Historical Foundation Distinguished Writing Awards in Unit Histories
Americans Face the Horror of a Modern European War for the First Time
When America entered World War I in April 1917, state National Guard units had never planned to mobilize for this kind of war, and the men who made up the hometown companies of each regiment never imagined that they would be asked to fight in what was then the most savage war in human history—they were “innocents” being thrown into a horrendous European conflagration. Made up of companies from ten Ohio towns, the 166th Infantry Regiment became part of the famous 42nd Division, known as the “Rainbow Division.” They were the third American division to arrive in France, where they fought courageously in the trenches at Lunéville and Baccarat before being a key part of the American effort in the Second Battle of the Marne and the Saint Mihiel and Meuse-Argonne offensives. Despite their initial lack of training in modern warfare and weapons, the 166th Infantry compiled an impressive combat record. However, that record came at a terrible cost, with the regiment suffering over two thousand casualties in just nine months of fighting. While they battled the Germans, these hometown Guardsmen lived in trenches and foxholes for weeks at a time, while subsisting on canned beef and coffee amid near constant rain, deep mud, rats, and body lice that made their lives miserable. Because of poor planning and leadership from higher headquarters, they were often asked to achieve impossible objectives amid withering enemy machine-gun fire without proper logistics or artillery support. Yet, despite these challenges, they would persevere, overcome, and emerge victorious.
Using regimental histories and the letters and diaries of the soldiers who fought in France, Suddenly Soldiers: The 166th Infantry Regiment in World War I by author and historian Robert Thompson tells the compelling story of the young men—“citizen soldiers”—who have always borne the cost of America’s freedom with quiet courage.
Will southern Africa explode? Are there alternatives to violent revolution? Can other countries assist South Africa, Namibia, and Zimbabwe in achieving majority rule? Or can the problems be solved only by the peoples of each nation? And what should be done by the West to aid development, encourage racial harmony, and promote the general welfare?
For more than a generation Robert Rotberg has visited and written about southern Africa. He has not only studied the history and politics of the area but also has steeped himself in the economic, environmental, and geographic factors that have helped create conflict there. Rotberg has blended sophisticated political knowledge with personal experience to recount the past and make possible an understanding of the future. The result is a timely, wise, and lucid portrait of three nations in search of a destiny. Suffer the Future is a balanced account aimed at making general readers, as well as students of international problems, aware of the realistic alternatives for policy in and toward southern Africa.
For self-made artist and soldier Horace Pippin—who served in the 369th all-black infantry in World War I until he was wounded—war provided a formative experience that defined much of his life and work. His ability to transform combat service into canvases of emotive power, psychological depth, and realism showed not only how he viewed the world but also his mastery as a painter. In Suffering and Sunset, Celeste-Marie Bernier painstakingly traces Pippin’s life story of art as a life story of war.
Illustrated with more than sixty photographs, including works in various mediums—many in full color—this is the first intellectual history and cultural biography of Pippin. Working from newly discovered archives and unpublished materials, Bernier provides an in-depth investigation into the artist’s development of an alternative visual and textual lexicon and sheds light on his work in its aesthetic, social, and political contexts.
Suffering and Sunset illustrates Pippin’s status as a groundbreaking artist as it shows how this African American painter suffered from but also staged many artful resistances to racism in a white-dominated art world.
Moore makes a significant contribution to postcolonial theory with his conceptualization of “entangled landscapes” by articulating racialized rule, situated sovereignties, and environmental resources. Fusing Gramscian cultural politics and Foucault’s analytic of governmentality, he enlists ethnography to foreground the spatiality of power. Suffering for Territory demonstrates how emplaced micro-practices matter, how the outcomes of cultural struggles are contingent on the diverse ways land comes to be inhabited, labored upon, and suffered for.
Winner of the 2022 Douglas Southall Freeman Award!
Confederate historiography of the Civil War is rich with stories of leaders and decision makers—oft-repeated names immortalized by their association with America’s great trial of the 1860s. But while scholarship exploring the roles of Confederate generals and politicians abounds, a major part of the story remains untold: that of the ordinary people who became soldiers and turned the very pages of Civil War history.
Part of the Voices of the Civil War series, Suffering in the Army of Tennessee doesn’t just draw upon one single diary or letter collection, and it does not use brief quotations as a way to fill out a larger narrative. Rather, across eight chapters spanning the Atlanta Campaign to the Battle of Nashville in 1864, Thrasher draws upon a remarkably broad set of primary sources—newspapers, manuscripts, archives, diaries, and official documents—to tell a story that knits together accounts of senior officers, the final campaigns of the Western Theater, and the experiences of the civilians and rebel soldiers who found themselves deep in the trenches of a national reckoning. While volumes have been written on the Atlanta Campaign or the Battles of Nashville and Franklin, no previous historian has constructed what amounts to a sweeping social history of the Army of Tennessee—the daily details of soldiering and the toll it took on the men and boys who mustered into service foreseeing only a small skirmish among the states.
While this volume will appeal to Civil War buffs and military history scholars, its accessible structure and engaging narrative style will likewise captivate American history enthusiasts, students, and general readers.
The history of medicine is much more than the story of doctors, nurses, and hospitals. Seeking to understand the patient’s perspective, historians scour the archives, searching for rare personal accounts. Bringing together a trove of more than 400 family letters by Charles Dwight Willard, Suffering in the Land of Sunshine provides a unique window into the experience of sickness.
A Los Angeles civic leader at the turn of the twentieth century, Willard is well known to historians of the West, but exclusively for his public life as a booster and reformer. Willard’s evocative story offers fresh insights into several critical issues, including how concepts of gender, class, and race shape patients’ representations of their illness, how expectations of cure affect the illness experience, how different cultures constrain the coping strategies of the sick, and why robust health is such an exalted value in certain societies.
A modern translation of verses by Bullhe Shah, the iconic eighteenth-century Sufi poet, treasured by readers worldwide to this day.
The poetry of Bullhe Shah (d. 1758) is considered one of the glories of premodern Panjabi literature. Born in Uch, Panjab, in present-day Pakistan, Bullhe Shah drew profoundly upon Sufi mysticism in his writings. His lyrics, famous for their vivid style and outspoken denunciation of artificial religious divisions, have long been held in affection by Hindus, Muslims, and Sikhs, and they continue to win audiences today across national boundaries and in the global Panjabi diaspora. Indeed, many young people in South Asia are already acquainted—albeit unknowingly at times—with the iconic eighteenth-century Panjabi poet’s words through popular musical genres of the twenty-first century.
The striking new translation in English is presented alongside the Panjabi text, in the Gurmukhi script, re-edited on the basis of the best modern Pakistani and Indian editions. Bullhe Shah’s Sufi Lyrics thus offers at once the most complete and most approachable version of this great poet’s works yet available.
A modern translation of verses by Bullhe Shah, the iconic eighteenth-century Sufi poet, treasured by readers worldwide to this day.
Bullhe Shah’s work is among the glories of Panjabi literature, and the iconic eighteenth-century poet is widely regarded as a master of mystical Sufi poetry. His verses, famous for their vivid style and outspoken denunciation of artificial religious divisions, have long been beloved and continue to win audiences around the world. This striking new translation is the most authoritative and engaging introduction to an enduring South Asian classic.
This important study of Ponce, a major sugar-producing district in Puerto Rico, examines in detail the processes by which a predominantly peasant economy an society was transformed into a plantation system. Scarano’s work, one of the first full investigations into Puerto Rico’s nineteenth-century economic history, dispels the long-held belief that slavery was an inconsequential factor in this society; indeed, he finds that the new plantation system was fully dependent on African slave labor, and that the initial stimuli for economic change came from immigrants.
In this wide-ranging study, Sucheta Mazumdar offers a new answer to the fundamental question of why China, universally acknowledged as one of the most developed economies in the world through the mid-eighteenth century, paused in this development process in the nineteenth.
Focusing on cane-sugar production, domestic and international trade, technology, and the history of consumption for over a thousand years as a means of framing the larger questions, the author shows that the economy of late imperial China was not stagnant, nor was the state suppressing trade; indeed, China was integrated into the world market well before the Opium War. But clearly the trajectory of development did not transform the social organization of production or set in motion sustained economic growth.
Sugar Girls and Seamen illuminates the shadowy world of dockside prostitution in South Africa, focusing on the women of Cape Town and Durban who sell their hospitality to foreign sailors.
Dockside “sugar girls” work at one of the busiest cultural intersections in the world. Through their continual interactions with foreign seamen, they become major traffickers in culture, ideas, languages, styles, goods, currencies, genes, and diseases. Many learn the seamen’s languages, develop emotional relationships with them, have their babies, and become entangled in vast webs of connection. Henry Trotter argues that these South African women are the ultimate cosmopolitans, the unsung sirens of globalization.
Based on research at the seamen’s nightclubs, plus countless interviews with sugar girls, sailors, club owners, cabbies, bouncers, and barmaids, this book provides a comprehensive account of dockside prostitution at the southern tip of Africa. Through stories, analysis, and firsthand experiences, it reveals this gritty world in all its raw vitality and fragile humanity. Sugar Girls and Seamen is simultaneously racy and light, critical and profound.
The Sugar Hacienda of the Marqueses Del Valle was first published in 1970. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
This is a detailed history of a Mexican sugar plantation, the first such account to be published in English. The subject of the study is the Cortes plantation, which was established on the outskirts of Cuernavaca in about 1535 by Hernan Cortes, the conqueror of New Spain and the first Marques del Valle de Oaxaca. The plantation remained the property of his heirs and descendents until the twentieth century when, like most other sugar plantations in Morelos, it ceased production.
Professor Barrett bases his account largely on the records of the Cortes plantation, a remarkably continuous series of documents for an agricultural enterprise. He deals with the records in three principal ways: as representative of the history of the sugar industry in Mexico; as representative of the history, external relationships, structure, and management of Spanish colonial plantations; and as a chapter in the history of sugar technology. He presents a detailed picture of the entire operation of the plantation. He explains how water and land rights were acquired, the latter little by little, until a goodsized plantation was formed. He describes methods of irrigation, planting cycles, weeding and harvesting schedules, and, with the aid of charts and inventories, reconstructs the plan of the mill, describes its equipment, and traces the processing of the cane into sugar. Finally, he discusses the livestock and labor needed to run the plantation and mill—oxen and mules to plow, mules to carry the sugar to market, unskilled fieldworkers, both slave and hired, and highly skilled sugarmasters. The appendixes contain much useful supplementary material. The book is illustrated with drawings, maps, and reproductions of manuscripts.
While the Yucatán Peninsula of Mexico may conjure up images of vacation getaways and cocktails by the sea, these easy stereotypes hide a story filled with sweat and toil. The story of sugarcane and rum production in the Caribbean has been told many times. But few know the bittersweet story of sugar and rum in the jungles of the Yucatán Peninsula during the nineteenth century. This is much more than a history of coveted commodities. The unique story that unfolds in John R. Gust and Jennifer P. Mathews’s new history Sugarcane and Rum is told through the lens of Maya laborers who worked under brutal conditions on small haciendas to harvest sugarcane and produce rum.
Gust and Mathews weave together ethnographic interviews and historical archives with archaeological evidence to bring the daily lives of Maya workers into focus. They lived in a cycle of debt, forced to buy all of their supplies from the company store and take loans from the hacienda owners. And yet they had a certain autonomy because the owners were so dependent on their labor at harvest time. We also see how the rise of cantinas and distilled alcohol in the nineteenth century affected traditional Maya culture and that the economies of Cancún and the Mérida area are predicated on the rum-influenced local social systems of the past. Sugarcane and Rum brings this bittersweet story to the present and explains how rum continues to impact the Yucatán and the people who have lived there for millennia.
All her life, Sugar Turner has had to hustle to survive. An African American woman living in the inner city, she has been a single mother juggling welfare checks, food stamps, boyfriends and husbands, illegal jobs, and home businesses to make ends meet for herself and her five children. Her life's path has also wandered through the wilderness of crack addiction and prostitution, but her strong faith in God and her willingness to work hard for a better life pulled her through. Today, Turner is off welfare and is completing her education. She is computer literate, holds a job in the local school system, has sent three of her children to college, and is happily married.
In this engrossing book, Sugar Turner collaborates with anthropologist Tracy Bachrach Ehlers in telling her story. Through conversations with Ehlers, diary entries, and letters, Turner vividly and openly describes all aspects of her life, including motherhood, relationships with men, welfare and work, and her attachment to her friends, family, and life in the "hood." Ehlers also gives her reactions to Turner's story, discussing not only how it belies the "welfare queen" stereotype, but also how it forced her to confront her own lingering confusions about race, her own bigotry.
What emerges from this book is a fascinating story of two women from radically different backgrounds becoming equal witnesses to each other's lives. By allowing us into the real world of an inner-city African American mother, they replace with compassion and insight the stereotypes, half-truths, and scorn that too often dominate public discourse.
This poem belongs of the little-known Newari (Nepal Bhasha) language and literature, specifically to its even less known Buddhist version. It is one of the very rare cases that works in Newari language appear outside Nepal.
In nineteen long cantos, the Sugata Saurabha tells of the life of the Buddha, following the traditional accounts, but situates it in the strongly local context of Newar and Nepali Buddhism. It emulates the classical (Kavya) style of the long-standing Indian tradition, and has been inspired by the 2,000-year-old Sanskrit poem, the Buddhacarita. Consequently, the poet inserts stanzas composed in traditional classical Sanskrit meter, though written in polished Newari.
The poem was composed by the greatest modern writer in Newari language, Chittadhar Hrdaya (1906– 1982), while he was imprisoned by the autocratic strongly pro-Hindu Rana regime that governed Nepal from the mid-nineteenth to the mid-twentieth century.
The poem is the best-known work of the flowering of modern Newari literature that emerged after the restrictions of the Rana regime were lifted in 1950.
Annette White-Parks offers the first full-length biography of the woman now remembered as North America's first published Asian writer. White-Parks reveals an author who defied the in vogue style of "yellow peril" literature to show Chinatowns and their inhabitants as complex, feeling human beings. Her insider's sympathy focused in particular on Chinese American women and children. Confronted with social divisions and discrimination, Sui Sin Far experimented with trickster characters and irony, sharing the coping mechanisms used by other writers who struggled to overcome the marginalization forced on them because of their race, gender, or class.
A suicide scandal in Shanghai reveals the social fault lines of democratic visions in China’s troubled Republic in the early 1920s.
On September 8, 1922, the body of Xi Shangzhen was found hanging in the Shanghai newspaper office where she worked. Although her death occurred outside of Chinese jurisdiction, her US-educated employer, Tang Jiezhi, was kidnapped by Chinese authorities and put on trial. In the unfolding scandal, novelists, filmmakers, suffragists, reformers, and even a founding member of the Chinese Communist Party seized upon the case as emblematic of deep social problems. Xi’s family claimed that Tang had pressured her to be his concubine; his conviction instead for financial fraud only stirred further controversy.
The creation of a republic ten years earlier had inspired a vision of popular sovereignty and citizenship premised upon gender equality and legal reform. After the quick suppression of the first Chinese parliament, commercial circles took up the banner of democracy in their pursuit of wealth. But, Bryna Goodman shows, the suicide of an educated “new woman” exposed the emptiness of republican democracy after a flash of speculative finance gripped the city. In the shadow of economic crisis, Tang’s trial also exposed the frailty of legal mechanisms in a political landscape fragmented by warlords and enclaves of foreign colonial rule.
The Suicide of Miss Xi opens a window onto how urban Chinese in the early twentieth century navigated China’s early passage through democratic populism, in an ill-fated moment of possibility between empire and party dictatorship. Xi Shangzhen became a symbol of the failures of the Chinese Republic as well as the broken promises of citizen’s rights, gender equality, and financial prosperity betokened by liberal democracy and capitalism.
The death of Meriwether Lewis is one of the great mysteries of American history. Was he murdered at Grinder’s Stand or did he commit suicide? Vardis Fisher meticulously reconstructs the events and presents his own version of the case with the precision and persuasiveness of a fine trial lawyer. But Fisher was also a great novelist and it is his sense of character that serves him best here. We know Lewis’ complex sensibility as well as we know that of any man of his time—his journals are so self-revealing, so exacting in the record they make of his musings, doubts, and elations. Fisher offers us this complex Lewis and, with equal perceptiveness, sets the rough, frontier scene at Grinder’s Stand. The result is a fine mystery, well solved, that leans toward tragedy.
Appearance- and performance-enhancing drugs—specifically, anabolic steroids (APEDs)—provide a tempting competitive advantage for amateur baseball players. But this shortcut can exact a fatal cost on talented athletes. In his urgent book Suicide Squeeze, William Kashatus chronicles the experiences of Taylor Hooton and Rob Garibaldi, two promising high school baseball players who abused APEDs in the hopes of attracting professional scouts and Division I recruiters. However, as a result of their steroid abuse, they ended up taking their own lives.
In Suicide Squeeze—named for the high-risk play in baseball to steal home—Kashatus identifies the symptoms and dangers of steroid use among teens. Using archival research and interviews with the Hooton and Garibaldi families, he explores the lives and deaths of these two troubled young men, the impact of their suicides on MLB, and the ongoing fight against adolescent APED use by their parents.
A passionate appeal to prevent additional senseless deaths by athletes, Suicide Squeeze is an important contribution to debates on youth and sports and on public policy.
In Suicides and Jazzers, Hayden Carruth reveals as never before the hard experiences that have shaped his life and art. In the lead essay, entitled "Suicide," he speaks of the psychiatric illness he has lived with for most of his life and his attempted suicide in 1988. In "Fragments of Autobiography," he shares memories of a Connecticut childhood, early ruminations about death, and his coming-of-age in small-town America.
A major essay on the poetry of Paul Goodman is followed by shorter essays on Wallace Stevens, Emily Dickinson, Donald Hall, and Carolyn Kizer. In sections entitled "Elegies," "Reviews," and "Musical" Carruth celebrates fine writers and musicians who he feels have been intentionally neglected by the establishment, including authors Grace Paley and David Ignatow, tenor saxophonist Ben Webster, and, in "The Spun-Off Independent Dead-End Ten-Star Blast," white jazz musicians.
Liz Fekete is a leading authority on issues of racism, Islamophobia and national security legislation. A Suitable Enemy draws on sixteen years of research to present a comprehensive overview of EU immigration, asylum, race and security policies.
Fekete argues that at the same time as the EU introduces selective migration policies, it closes its borders against asylum seekers who were the first victims of the growth of the security state which now embraces Muslims. She explores the way in which anti-terrorist legislation has been used to evict undesirable migrants, how deportation policies commodify and de-humanise the most vulnerable and how these go hand in hand with evolving forms of racism, particularly Islamophobia.
At the heart of the book is an examination of xeno-racism -- a non-colour coded form of institutionalised racism -- where migrants who do not assimilate, or who are believed to be incapable of assimilation, are excluded.
Sumerian Economic Texts from the Third Ur Dynasty was first published in 1961. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
This is a study and catalogue of some 350 hitherto unpublished Sumerian cuneiform documents, nearly all economic in nature. The authors describe the transliterate each document and present viewpoints regarding certain important classes of the texts. The findings of the study may lead to renewed interest in the third Ur Dynasty, which scholars have long regarded as relatively unimportant because its history is the swan song of Sumerian autonomy and culture.
Next to the Socratic Method, the best method for organizing a logical debate over a controversial philosophical or theological issue is the method St. Thomas Aquinas uses in the Summa Theologiae. As the charm of the Socratic dialogue is its dramatic length, its uncertainty, and the psychological dimension of a clash between live characters, so the charm of the Summa method is the opposite: its condensation and its impersonality, objectivity, simplicity, directness, and logical clarity. Beginning philosophy students pick up both methods very quickly, and write adept imitations of them. It’s both profitable and fun to do it. Yet professionally philosophers have not followed these tried-and-true roads. Why not? Probably it is pride, the refusal to stoop to conquer, the confusion of “stooped” with “stupid.”
Peter Kreeft has written over a dozen books of Socratic dialogues, and readers like them – they like the form, or format, irrespective of the content. There is no reason that the Summa format cannot produce the same results. It is a very simple five-step procedure: (1) the formulation of the question; (2) the opponent’s leading objections to your answer or thesis, formulated as clearly and fairly and strongly as possible; (3) a short argument from some recognized past authority for your thesis; (4) your own longer, original argument; and (5) a refutation of each objection, “deconstructing” it and showing how and where it went wrong . . . all in one or two pages, severely condensed, clear and simple (and therefore usually in syllogisms, the clearest and simplest and most direct form of logical argument).
Kreeft has taken 110 of the most important and most often argued-about questions in each major division of philosophy and applied this method to it. The answers usually match common sense (and therefore Aristotle’s philosophy and Aquinas’s theology). At the very least, this is a useful philosophical reference book for arguments; not necessarily the elaborate and artificial arguments that might occur to contemporary “analytic” philosophers, but the arguments ordinary people would give, and still give on both sides of these great questions. Why no one has written such a book before is mind-boggling. We fully expect that many readers of this book will imitate it, as Kreeft has imitated Aquinas. This book is pregnant with many children.
"No eyebrows. No eyelashes. When it rains the water will run straight down into my eyes," Catherine Lord wrote before her hair fell out during chemotherapy. Propelled into an involuntary performance piece occasioned by the diagnosis of breast cancer, Lord adopted the online persona of Her Baldness—an irascible, witty, polemical presence who speaks candidly about shame and fear to her listserv audience. While Lord suffers from unwanted isolation and loss of control as her treatment progresses, Her Baldness talks back to the society that stigmatizes bald women, not to mention middle-aged lesbians with a life-threatening disease.
In this irreverent and moving memoir, Lord draws on the e-mail correspondence of Her Baldness to offer an unconventional look at life with breast cancer and the societal space occupied by the seriously ill. She photographs herself and the rooms in which she negotiates her disease. She details the clash of personalities in support groups, her ambivalence about Western medicine, her struggles to maintain her relationship with her partner, and her bemusement when she is mistaken for a "sir." She uses these experiences—common to the one-in-eight women who will be diagnosed at some point with breast cancer—to illuminate larger issues of gender signifiers, sexuality, and the construction of community.
Among the myriad books examining the Battle of Gettysburg (July 1–3, 1863), Summer Thunder is one of a kind. A terrific resource for is visitors to the national military park, it explores the clashing armies’ deployment of artillery throughout the battle—from one position to another, from one day to the next. Matt Spruill, a retired U.S. Army colonel and former licensed Gettysburg guide, carefully takes readers to every point on the battlefield where artillery was used, and combining his own commentary with excerpts from the Official Records and other primary sources, he reveals the tactical thinking of both Union and Confederate commanders.
Spruill uses a sequential series of thirty-five “stops,” complete with driving instructions and recent photographs, to guide readers around the park and orient them about where the opposing units were placed and what happened there. Detailed maps depict the battlefield as it was in 1863 and are marked with artillery positions, including the number of guns in action with each battery. Meanwhile, the passages from primary sources allow the reader to see key events as the actual participants saw them. The book also brims with information
about the various artillery pieces used by both sides, from howitzers to Parrott rifles and Napoleon field guns, and the critical role they played over the course of the battle, right up its outcome.
Summer Thunder devotes a chapter to each of the three days of the historic devotes a chapter to each of the three days of the historic Summer Thunder engagement between the Army of the Potomac and the Army of Northern Virginia. One can follow the battle chronologically in its entirety from Stop 1 to Stop 35, or concentrate on a specific day or a specific area. In fact, the maps and orientation
information are of such detail that the book can be used even without being on the battlefield, making it an invaluable reference work for expert and novice alike.
June 12, 1952—only a local sportswriter showed up at the Eau Claire airport to greet a newly signed eighteen-year-old shortstop from Alabama toting a cardboard suitcase. "I was scared as hell," said Henry Aaron, recalling his arrival as the new recruit on the city’s Class C minor league baseball team.
Forty-two years later, as Aaron approached the stadium where the Eau Claire Bears once played, an estimated five thousand people surrounded a newly raised bronze statue of a young "Hank" Aaron at bat. "I had goosebumps," he said later. "A lot of things happened to me in my twenty-three years as a ballplayer, but nothing touched me more than that day in Eau Claire." For the people of Eau Claire, Aaron’s summer two years before his Major League debut with the Milwaukee Braves symbolizes a magical time, when baseball fans in a small city in northern Wisconsin could live a part of the dream.
From an eminent scholar, a spirited introduction to one of the great polymaths in the history of Europe.
Blaise Pascal (1623–1662) is best known in the English-speaking world for his contributions to mathematics and physics, with both a triangle and a law in fluid mechanics named after him. Meanwhile, the classic film My Night at Maud’s popularized Pascal’s wager, an invitation to faith that has inspired generations of theologians. Despite the immensity of his reputation, few read him outside French schools. In A Summer with Pascal, celebrated literary critic Antoine Compagnon opens our minds to a figure somehow both towering and ignored.
Compagnon provides a bird’s-eye view of Pascal’s life and significance, making this volume an ideal introduction. Still, scholars and neophytes alike will profit greatly from his masterful readings of the Pensées—a cornerstone of Western philosophy—and the Provincial Letters, in which Pascal advanced wry theological critiques of his contemporaries. The concise, taut chapters build upon one another, easing into writings often thought to be forbidding and dour. With Compagnon as our guide, these works are not just accessible but enchanting.
A Summer with Pascal brings the early modern thinker to life in the present. In an age of profound existential doubt and assaults on truth and reason, in which religion and science are so often crudely opposed, Pascal’s sophisticated commitment to both challenges us to meet the world with true intellectual vigor.
How can a scientist or policy analyst summarize and evaluate what is already known about a particular topic? This book offers practical guidance.
The amount and diversity of information generated by academic and policy researchers in the contemporary world is staggering. How is an investigator to cope with the tens or even hundreds of studies on a particular problem? How can conflicting findings be reconciled? Richard Light and David Pillemer have developed both general guidelines and step-by-step procedures that can be used to synthesize existing data. They show how to apply quantitative methods, including the newest statistical procedures and simple graphical displays, to evaluate a mass of studies and combine separate data sets. At the same time, they insist on the value of qualitative information, of asking the right questions, and of considering the context in which research is conducted. The authors use exemplary reviews in education, psychology, health, and the policy sciences to illustrate their suggestions.
Written in nontechnical language and addressed to the beginning researcher as well as to the practicing professional, Summing Up will set a new standard for valid research reviews and is likely to become a methodological classic.
The history of mountaineering has long served as a metaphor for civilization triumphant. Once upon a time, the Alps were an inaccessible habitat of specters and dragons, until heroic men—pioneers of enlightenment—scaled their summits, classified their strata and flora, and banished the phantoms forever. A fascinating interdisciplinary study of the first ascents of the major Alpine peaks and Mount Everest, The Summits of Modern Man surveys the far-ranging significance of our encounters with the world’s most alluring and forbidding heights.
Our obsession with “who got to the top first” may have begun in 1786, the year Jacques Balmat and Michel-Gabriel Paccard climbed Mont Blanc and inaugurated an era in which Romantic notions of the sublime spurred climbers’ aspirations. In the following decades, climbing lost its revolutionary cachet as it became associated instead with bourgeois outdoor leisure. Still, the mythic stories of mountaineers, threaded through with themes of imperialism, masculinity, and ascendant Western science and culture, seized the imagination of artists and historians well into the twentieth century, providing grist for stage shows, poetry, films, and landscape paintings.
Today, we live on the threshold of a hot planet, where melting glaciers and rising sea levels create ambivalence about the conquest of nature. Long after Hillary and Tenzing’s ascent of Everest, though, the image of modern man supreme on the mountaintop retains its currency. Peter Hansen’s exploration of these persistent images indicates how difficult it is to imagine our relationship with nature in terms other than domination.
This classic compendium of ancient Indian artifacts from the entire southeastern United States remains an indispensable reference source for professionals and enthusiasts alike.
From utilitarian arrowheads to beautiful stone effigy pipes to ornately-carved shell disks, the photographs and drawings in Sun Circles and Human Hands present the archaeological record of the art and native crafts of the prehistoric southeastern Indians. Painstakingly compiled in the 1950s by two sisters who traveled the eastern United States interviewing archaeologists and collectors and visiting the major repositories, Sun Circles and Human Hands is remarkable for its breadth of illustration of Indian-made artifacts and its comprehensive documentation. Although research over the last 50 years has disproven many of the early theories reported in the text—which were not the editors' theories but those of the archaeologists of the day—the excellent illustrations of objects no longer available for examination have more than validated the lasting worth of this popular book.
Broadly acclaimed when it first appeared, this new printing has the added value of Knight's foreword, which places the work in its proper context. Useful to museums, state and national parks, school libraries, gift stores, archaeological agencies, and private collections, Sun Circles and Human Hands is a rich pictorial survey accessible to anyone interested in early American Indian culture.
The first English translation of Guy Stresser-Péan's tour-de-force presents two decades of fieldwork in the Sierra Norte de Puebla, Mexico, where native pre-Hispanic pagan beliefs blended with traditional Catholic evangelization from the sixteenth century and the more recent intrusion of modernism.
The Indians of the Sierra Norte de Puebla are deeply devoted to Christianity, but their devotion is seamlessly combined with pagan customs, resulting in a hybrid belief system that is not wholly indigenous, yet not wholly Christian. The syncretism practiced here has led the Totonac and Nahua people to identify Christ with the Sun God, a belief expressed symbolically in ritual practices such as the Dance of the Voladores.
Spanning the four centuries from the earliest systematic campaign against Nahua ritual practices - Zumárraga's idolatry trials of 1536-1540 - to the twentieth century, Stresser-Péan contextualizes Nahua and Totonac ritual practices as a series of responses to Christian evangelization and the social reproduction of traditional ritual practices. The Sun God and the Savior is a monumental work on the ethnographic and historical knowledge of the peoples of the Sierra Norte.
Between 1650 and 1750, four Catholic churches were the best solar observatories in the world. Built to fix an unquestionable date for Easter, they also housed instruments that threw light on the disputed geometry of the solar system, and so, within sight of the altar, subverted Church doctrine about the order of the universe.
A tale of politically canny astronomers and cardinals with a taste for mathematics, The Sun in the Church tells how these observatories came to be, how they worked, and what they accomplished. It describes Galileo's political overreaching, his subsequent trial for heresy, and his slow and steady rehabilitation in the eyes of the Catholic Church. And it offers an enlightening perspective on astronomy, Church history, and religious architecture, as well as an analysis of measurements testing the limits of attainable accuracy, undertaken with rudimentary means and extraordinary zeal. Above all, the book illuminates the niches protected and financed by the Catholic Church in which science and mathematics thrived.
Superbly written, The Sun in the Church provides a magnificent corrective to long-standing oversimplified accounts of the hostility between science and religion.
Winner of the 2023 Leo Gershoy Award
2023 Winner of The David H. Pinkney Prize
Honorable Mention for The Mediterranean Seminar Best Book Prize 2023
Winner of the 2022 Kenshur Prize
Shortlisted for Apollo Magazine's 2022 Book of the Year
This richly illustrated volume, the first devoted to maritime art and galley slavery in early modern France, shows how royal propagandists used the image and labor of enslaved Muslims to glorify Louis XIV.
Mediterranean maritime art and the forced labor on which it depended were fundamental to the politics and propaganda of France’s King Louis XIV (r. 1643–1715). Yet most studies of French art in this period focus on Paris and Versailles, overlooking the presence or portrayal of galley slaves on the kingdom’s coasts. By examining a wide range of artistic productions—ship design, artillery sculpture, medals, paintings, and prints—Meredith Martin and Gillian Weiss uncover a vital aspect of royal representation and unsettle a standard picture of art and power in early modern France.
With an abundant selection of startling images, many never before published, The Sun King at Sea emphasizes the role of esclaves turcs (enslaved Turks)—rowers who were captured or purchased from Islamic lands—in building and decorating ships and other art objects that circulated on land and by sea to glorify the Crown. Challenging the notion that human bondage vanished from continental France, this cross-disciplinary volume invites a reassessment of servitude as a visible condition, mode of representation, and symbol of sovereignty during Louis XIV’s reign.
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