logo for Pluto Press
The World Bank
A Critical Primer
Eric Toussaint
Pluto Press, 2007

The World Bank is a controversial organisation. It is widely viewed with suspicion, as the international economic arm of the US, in thrall to the President who is responsible for appointing the head of the Bank.

Eric Toussaint gives a highly readable account of just why the World Bank has become so powerful. In short, clear chapters he shows how the bank operates, who funds it, and what it sets out to promote.

The Bank's main purpose is to grant loans to all the newly independent states of the developing world, to help them on their journey to recovery after colonial occupation. In reality, the conditions imposed on these states -- including enforced privatisation of all public services, and enforced neo-liberal rules on trade -- mean that the Bank has become the new colonial authority in everything but name.

This is a perfect book for anyone looking for a critical introduction to the history of the Bank and its role in world affairs.

[more]

logo for Pluto Press
The World Bank
Lending on a Global Scale
Jo Marie Griesgraber
Pluto Press, 1996

logo for University of Minnesota Press
World Bank Literature
Amitava Kumar
University of Minnesota Press, 2002

front cover of The World Bank Unveiled
The World Bank Unveiled
Inside the revolutionary struggle for transparency
David Ian Shaman
Parkhurst Brothers, Inc., 2009

Nobel Prize winning economist and former World Bank Chief Economist, Joseph Stiglitz, has repeatedly discussed the importance of transparency in policymaking at the World Bank and International Monetary Fund.  He believes a lack of transparency in the two institutions has lead to bad decisions.  Bad decisions at IMF and the World Bank mean real pain for the world’s poor.

There is a perception that “the suits” close the World Bank’s doors to deliberate the fate of earth’s poorest populations and only when the doors are unlocked do people living in poverty learn what has been decided about their future.  Meanwhile donations are down.  The bank’s critical International Development Association’s funding has dropped dramatically.  Managers are discouraged by studies examining the World Bank’s effectiveness.  How, they wonder, could such large beneficences have so little impact on poor populations? 

   Events of the past two years have only increased the stakes.  First, rising fuel prices caused a worldwide rise in the price of basic foods.  Then the deepest economic downturn since the Great Depression sapped donor nation’s coffers.  By the end of the Bush administration in 2009, giving by the USA lagged more than any other wealthy nation.  

   In 1999, two Bank researchers understood the situation was already on a precipice.  World Bank loans had ceased to make significant impact on poverty in many client nations.  Certain governments and multi-national corporations were destroying environments and desecrating indigenous cultures, all to achieve short-term gains for a fortunate few. 

 Demonstrable successes were few, and every World Bank conference became a melee of demonstrators and police.  The two researchers asked themselves whether it was possible to open up the institution by increased transparency, improve its accountability, and mute criticism.  They decided to launch an internet-based broadcast to disseminate unedited videos of internal discussions and debates.  The bank’s culture and bureaucracy, hardened over a half-century, presented them with a formidable foe.  Some powerful officials feared the transparency initiative; others withheld public support while standing on the sidelines.  The World Bank Unveiled documents this epic struggle.  It is the story of a revolution to transform the World Bank and a case study of the power of the Bank to transform people’s lives.

[more]

front cover of World Beats
World Beats
Beat Generation Writing and the Worlding of U.S. Literature
Jimmy Fazzino
Dartmouth College Press, 2016
This fascinating book explores Beat Generation writing from a transnational perspective, using the concept of worlding to place Beat literature in conversation with a far-reaching network of cultural and political formations. Countering the charge that the Beats abroad were at best naïve tourists seeking exoticism for exoticism’s sake, World Beats finds that these writers propelled a highly politicized agenda that sought to use the tools of the earlier avant-garde to undermine Cold War and postcolonial ideologies and offer a new vision of engaged literature. With fresh interpretations of central Beat authors Jack Kerouac, Allen Ginsberg, and William Burroughs—as well as usually marginalized writers like Philip Lamantia, Ted Joans, and Brion Gysin—World Beats moves beyond national, continental, or hemispheric frames to show that embedded within Beat writing is an essential universality that brought America to the world and the world to American literature. This book presents an original treatment that will attract a broad spectrum of scholars.
[more]

front cover of The World Below
The World Below
Body and Cosmos in Otomí Indian Ritual
Jacques Galinier
University Press of Colorado, 2004
In The World Below, Jacques Galinier surveys both traditional Otomí cosmology and colonial and contemporary Catholic rituals to illustrate the complexity of continuity and change in Mesoamerican religious ideology and practice. Galinier explores the problems of historical and family memory, models of space and time, the role of the human habitation in cosmology, shamanism and healing, and much more. He elucidates the way these realities are represented in a series of arresting oppositions - both Otomí oppositions and the duality of indigenous and Catholic ritual life - between the upper and lower human body.

Drawing upon both Freud and theories of the carnivalesque, Galinier argues that the "world below" (the lower half of the body) provides the foundation for an indigenous metapsychology that is at once very close to and very far away from the Freudian conceptual apparatus.

[more]

front cover of A World Between Waves
A World Between Waves
Edited by Frank Stewart
Island Press, 1992

A World Between Waves is a collection of essays on the natural history of Hawaii by some of America's most renowned writers. It is a testament to the biological and geological wealth of this unique and threatened island landscape, and a passionate call to action on behalf of what may soon be gone.

[more]

front cover of The World beyond the Windshield
The World beyond the Windshield
Roads and Landscapes in the United States and Europe
Christof Mauch
Ohio University Press, 2008

For better or worse, the view through a car’s windshield has redefined how we see the world around us. In some cases, such as the American parkway, the view from the road was the be-all and end-all of the highway; in others, such as the Italian autostrada, the view of a fast, efficient transportation machine celebrating either Fascism or its absence was the goal. These varied environments are neither necessary nor accidental but the outcomes of historical negotiations, and whether we abhor them or take delight in them, they have become part of the fabric of human existence.

The World beyond the Windshield: Roads and Landscapes in the United States and Europe is the first systematic, comparative look at these landscapes. By looking at examples from the United States and Europe, the chapters in this volume explore the relationship between the road and the landscape thatit traverses, cuts through, defines, despoils, and enhances. The authors analyze the Washington Beltway and the Blue Ridge Parkway, as well as iconic roads in Italy, Nazi Germany, East Germany, and Great Britain. This is a story of the transatlantic exchange of ideas about environment and technology and of the national and nationalistic appropriations of such landscaping.

[more]

front cover of World Building
World Building
Transmedia, Fans, Industries
Edited by Marta Boni
Amsterdam University Press, 2017
Thanks to modern technology, we are now living in an age of multiplatform fictional worlds, as television, film, the Internet, graphic novels, toys and more facilitate the creation of diverse yet compact imaginary universes, which are often recognisable as brands and exhibit well-defined identities. This volume, situated at the cutting edge of media theory, explores this phenomenon from both theoretical and practical perspectives, uncovering how the construction of these worlds influences our own determination of values and meaning in contemporary society.
[more]

front cover of World Changes
World Changes
Thomas Kuhn and the Nature of Science
Paul Horwich
University of Pittsburgh Press, 2010
Thomas Kuhn is viewed as one of the most influential (and controversial) philosophers of science, and this re-release of a classic examination of one of his seminal works reflects his continuing importance. In World Changes, the contributors examine the work of Kuhn from a broad philosophical perspective, comparing earlier logical empiricism and logical positivism with the new philosophy of science inspired by Kuhn in the early 1960s.  The nine chapters offer interpretations of his major work The Structure of Scientific Revolutions and subsequent writings. The introduction outlines the significant concepts of Kuhn's work that are examined and is followed by a brief appraisal of Kuhn by Carl Hempel. The chapters discuss topics that include: a systematic comparison of Kuhn and Carnap viewing similarities and differences; the disputation of absolute truth; rational theory evaluation and comparison; applying theory to observation and the relation of models in a new conceptualization of theory content; and interpreting Kuhn's plurality-of-worlds thesis. The volume also presents four historical papers that speak to Kuhn's views on lexical structures and concept-formation and their antecedents. The afterward, by Kuhn himself, reviews his own philosophical development, his thoughts on the dynamics of scientific growth, and his response to issues raised by the contributors and other interpreters of his work.
[more]

front cover of World Checklist and Bibliography of Campanulaceae
World Checklist and Bibliography of Campanulaceae
Thomas G. Lammers
Royal Botanic Gardens, Kew, 2007
The bellflower Family Campanulaceae is found throughout the world, and includes a large number of species important in ornamental horticulture. For the past quarter century, Dr. Thomas Lammers has devoted his professional career to a better understanding of its relationships, classification, distribution, and evolution. In this volume, he provides a thorough accounting of the family, the first to be published since 1839. Eighty-four genera are recognized, encompassing 2319 species, 391 subspecies, and 27 named hybrids; another 8135 names are treated as synonyms. For each recognized species, subspecies, or hybrid, information is provided on its geographic distribution, life-form, and chromosome number. All this is fully documented by an encyclopaedic bibliography. As such, it is the ultimate resource from which to begin any inquiry into the family and its members.
[more]

front cover of World Checklist of Cyperaceae
World Checklist of Cyperaceae
Rafael Govaerts and Simpon David
Royal Botanic Gardens, Kew, 2007
The sedge family, Cyperaceae, is the third largest family of monocotyledonous plants. They are of significant economic importance, especially among rural communities in the tropics, where sedges are intensively used. The World Checklist of Cyperaceae is a unique resource that lists all validly published names of sedges, providing the source of their publication and indication of which names are currently accepted and which are synonyms. It will be a standard nomenclatural reference for further research into this important family.
[more]

front cover of World Checklist of Dioscoreales
World Checklist of Dioscoreales
Rafael Govaerts, Paul Wilkin, and Richard M. K. Saunders
Royal Botanic Gardens, Kew, 2000
Dioscoreales are a small but systematically and economically significant order of monocotyledons. The most diverse and important member is the yam genus, Dioscorea L., a source of dietary starch at macroeconomic to rural community levels. Other species of Dioscorea provided the chemical basis of corticosteroid drugs and oral contraceptives. Ally families comprise the unusual, largely achlorophyllous (heteromycotrophic) Burmanniaceae and the relatively unspecialised Nartheciaceae.

The World Checklist of Dioscoreales lists all validly published names of yams and their allies, providing the source of their publication and indication of which names are currently accepted and which are synonyms, making it a standard nomenclatural reference for further research into this important family.
[more]

front cover of World Checklist of Myrtaceae
World Checklist of Myrtaceae
Rafael Govaerts, Marcos Sobral, Peter Ashton, and Fred Barrie
Royal Botanic Gardens, Kew, 2008
Myrtaceae is the ninth largest flowering plant family; it is economically important in the production of timber, gums, essential oils, fruits and spices, and contains many commonly cultivated ornamentals. The family is particularly rich in large genera, often found in some of the world's most threatened ecosystems, where their fruits comprise an important part of the diet of primates and birds. The similarity of Myrtaceae species is high, and its taxonomic and nomenclatural history is complex, resulting in notorious difficulties in basic identification, inventory compilation and floristic treatment.

The World Checklist of Myrtaceae is a much needed work that lists all validly published names in the family, providing the source of their publication and indicating which names are currently accepted and which are synonyms. It will be respected as the standard nomenclatural reference for further research into this important family.
[more]

front cover of World Checklist of Palms
World Checklist of Palms
Rafaël Govaerts and John Dransfield
Royal Botanic Gardens, Kew, 2005
The palm family, considered to be second only to the grasses among monocotyledonous plants of economic importance, is of immense significance to man, especially among rural communities in the tropics, where wild palms are intensively utilised. The 'World Checklist of Palms' is the unique resource that lists all validly published names of palms, providing the source of their publication and indication of which names are currently accepted and which are synonyms. Geographical distribution is also included for all accepted species.
[more]

front cover of World Class
World Class
The Making of the U.S. Women's Cross-Country Ski Team
Peggy Shinn
University Press of New England, 2018
What makes a great team? Sports journalist Peggy Shinn answers this question in her enthralling account of the dramatic rise of the U.S. women’s cross-country ski team, winners of eight medals at three world championships over the past five years. Shinn’s story—based on dozens of interviews with athletes, coaches, parents, spouses, and friends—paints a vivid picture of the obstacles that America’s female athletes must overcome not just to ski with the world’s best, but to beat them. In a sport where U.S. women have toiled for decades, mostly in the middle or the back of the pack, the development of a world-class team attests to the heady combination of a transformational leader, a coach who connects with his athletes, the super-fast individual skiers who are also conscientious teammates—and a bit of good luck. This is the story of Kikkan Randall, Liz Stephen, Holly Brooks, Jessie Diggins, Ida Sargent, Sadie Bjornsen, Sophie Caldwell, Rosie Brennan, and coach Matt Whitcomb—and how they created the perfect team.
[more]

front cover of The World Color Survey
The World Color Survey
Paul Kay, Brent Berlin, Luisa Maffi, William R. Merrifield, and Richard Cook
CSLI, 2009

The 1969 publication of Brent Berlin and Paul Kay's Basic Color Terms proved explosive and controversial. Contrary to the then-popular doctrine of random language variation, Berlin and Kay's multilingual study of color nomenclature indicated a cross-cultural and almost universal pattern in the selection of colors that received abstract names in each language. The ensuing debate helped reform the views of anthropologists, linguists, and psychologists alike. After four decades in print, Basic Color Terms now has a sequel: in this book, the authors authoritatively extend the original survey, studying 110 additional unwritten languages in detail and in situ. The results are presented with charts showing the overall palette of color terms within each language as well as the levels of agreement among speakers.

[more]

front cover of The World Computer
The World Computer
Derivative Conditions of Racial Capitalism
Jonathan Beller
Duke University Press, 2021
In The World Computer Jonathan Beller forcefully demonstrates that the history of commodification generates information itself. Out of the omnipresent calculus imposed by commodification, information emerges historically as a new money form. Investigating its subsequent financialization of daily life and colonization of semiotics, Beller situates the development of myriad systems for quantifying the value of people, objects, and affects as endemic to racial capitalism and computation. Built on oppression and genocide, capital and its technical result as computation manifest as racial formations, as do the machines and software of social mediation that feed racial capitalism and run on social difference. Algorithms, derived from for-profit management strategies, conscript all forms of expression—language, image, music, communication—into the calculus of capital such that even protest may turn a profit. Computational media function for the purpose of extraction rather than ameliorating global crises, and financialize every expressive act, converting each utterance into a wager. Repairing this ecology of exploitation, Beller contends, requires decolonizing information and money, and the scripting of futures wagered by the cultural legacies and claims of those in struggle.
[more]

front cover of A World Connecting
A World Connecting
1870–1945
Emily S. Rosenberg
Harvard University Press, 2012

Between 1870 and 1945, advances in communication and transportation simultaneously expanded and shrank the world. New technologies erased distance and accelerated the global exchange of people, products, and ideas on an unprecedented scale. A World Connecting focuses on an era when growing global interconnectedness inspired new ambitions but also stoked anxieties and rivalries that would erupt in two world wars—the most destructive conflicts in human history.

In five interpretive essays, distinguished historians Emily S. Rosenberg, Charles S. Maier, Tony Ballantyne, Antoinette Burton, Dirk Hoerder, Steven C. Topik, and Allen Wells illuminate the tensions that emerged from intensifying interconnectedness and attempts to control and shape the effects of sweeping change. Each essay provides an overview of a particular theme: modern state-building; imperial encounters; migration; commodity chains; and transnational social and cultural networks. With the emergence of modern statehood and the fluctuating fate of empires came efforts to define and police territorial borders. As people, products, capital, technologies, and affiliations flowed across uneasily bounded spaces, the world both came together and fell apart in unexpected, often horrifying, and sometimes liberating ways.

A World Connecting goes beyond nations, empires, and world wars to capture the era’s defining feature: the profound and disruptive shift toward an ever more rapidly integrating world.

[more]

logo for University of London Press
World Crisis Effects on Social Security in Latin America and the Caribbean
Lessons and Policies
Carmelo Mesa-Lago
University of London Press, 2010

Written by a top scholar on social security in Latin America and the Caribbean, this book assesses the effects of the world economic crisis on social security and welfare in the region. Drawing on the impact of and lessons from previous crises, Carmelo Mesa-Lago identifies the strengths and weakness of Latin American social security before the current global crisis. He evaluates the event's actual and potential effects on pensions, health care, and social assistance programs, based on a taxonomy of three groups of countries.

The book ends with a summary of policies adopted by some countries and the author's own recommendations on social policies to lessen the adverse outcomes of the financial crisis. Latin America's pioneering social-welfare reforms make this book important for other regions of the world, both developed and developing.

[more]

logo for Duke University Press
World Deforestation in the Twentieth Century
John F. Richards and Richard P. Tucker
Duke University Press, 1988

logo for Pluto Press
World Development
An Introduction
Prodromos Panayiotopoulos
Pluto Press, 2001
Do the structures of the world economy invariably work against the interests of the Third World? What is the impact of industrialisation? How does it affect people and their livelihoods, gender relations, the environment, movements for social justice and democracy?

World Development offers answers to these questions. A comprehensive introductory guide for students, teachers, volunteers and NGO workers in development, World Development examines the substantive issues surrounding development, industrialisation and globalization and places them within a historic context. It outlines the historical development of the world economy and assesses the current prospects for developing countries. The book contains in-depth analyses of how particular industries operate at local and global levels, drawing from case studies on textiles, tourism and copper. There are also case studies of specific countries, including South Korea, Cyprus, Mexico, China and Spain.
 
[more]

front cover of The World Doesn't Work That Way, but It Could
The World Doesn't Work That Way, but It Could
Stories
Yxta Maya Murray
University of Nevada Press, 2020
One of the Best Books of 2020, Buzzfeed News

The Millions' Most Anticipated: The Great Second-Half of 2020 Book Preview

The gripping, thought-provoking stories in Yxta Maya Murray’s latest collection find their inspiration in the headlines. Here, ordinary people negotiate tentative paths through wildfire, mass shootings, bureaucratic incompetence, and heedless government policies with vicious impacts on the innocent and helpless. A nurse volunteers to serve in catastrophe-stricken Puerto Rico after Hurricane Maria and discovers that her skill and compassion are useless in the face of stubborn governmental inertia. An Environmental Protection Agency employee, whose agricultural-worker parents died after long exposure to a deadly pesticide, finds herself forced to find justifications for reversing regulations that had earlier banned the chemical. A Department of Education employee in a dystopic future America visits a highly praised charter school and discovers the horrific consequences of academic failure. A transgender trainer of beauty pageant contestants takes on a beautiful Latina for the Miss USA pageant and brings her to perfection and the brink of victory, only to discover that she has a fatal secret.

The characters in these stories grapple with the consequences of frightening attitudes and policies pervasive in the United States today. The stories explore not only our distressing human capacity for moral numbness in the face of evil, but also reveal our surprising stores of compassion and forgiveness. These brilliantly conceived and beautifully written stories are troubling yet irresistible mirrors of our time.
[more]

front cover of The World Economy
The World Economy
History & Prospect
By W. W. Rostow
University of Texas Press, 1978

This monumental study is an account of the world economy from the eighteenth century to the twentieth, an analysis and prescription for the future, and a challenge to the neo-Keynesian theories of income determination and growth. It is based on some forty years of research and teaching.

Originally published in 1978, the volume looks back over the nineteenth and twentieth centuries. It includes an analysis of how the world's population expanded from about 1 billion in 1800 to 4 billion in 1976, with some 6.5 billion in sight for the year 2000; an account of the expansion and distribution of industrial production and trade during this period; and an analysis of price and relative price movements since the eighteenth century. Rostow gives a detailed description of the Kondratieff long cycles in the relative scarcity and abundance of food and raw materials and reasons that the world economy entered the fifth Kondratieff upswing at the close of 1972. He also examines the changing pattern of business cycles over the whole sweep of modern economic growth and the failure of the post-1945 world economy to control inflation. The volume also includes short economic histories of twenty national economies responsible for 80 percent of the world's production, based on a collection of computerized aggregate and sectoral data.

Each historical section leads naturally into one or more of the major problems dealt with in the final portion of the book, which looks to the future of the world economy: food, population, energy, raw materials, the environment, and the tasks of national and international policy. Rostow argued, counter to the Limits to Growth doctrine, that the critical period for industrial civilization lay in the last twenty-five years of the twentieth century, rather than in the twenty-first century, and that what we did or failed to do in that generation would determine the shape of the longer future.

No other economic history of this depth and breadth exists. It is a reference for economists, economic historians, and other social scientists as well as the informed lay reader.

[more]

front cover of World Elsewhere
World Elsewhere
Richard Poirier
University of Wisconsin Press, 1985
Richard Poirier’s A World Elsewhere, originally published in 1966 by the Oxford University Press, is a signal book in American literature and literary history. Widely acclaimed upon publication, it has since taken its place among a handful of books considered mandatory reading for all students and scholars in the field. Poirier’s classic work, hailed both for its original thesis and for its stylistic elegance and clarity, is once again made available in this new Wisconsin paperback edition.
[more]

front cover of A World Engraved
A World Engraved
Archaeology of the Swift Creek Culture
Edited by Mark Williams and Daniel T. Elliott
University of Alabama Press, 1998

This major summary of the current state of archaeological research on the Swift Creek culture is the first comprehensive collection ever published concerning the Swift Creek people.

The Swift Creek people, centered in Georgia and surrounding states from A.D. 100 to 700, are best known from their pottery, which was decorated before firing with beautiful paddle-stamped designs--some of the most intricate and fascinating in the world.

Comprehensive in scope, this volume details the discovery of this culture, summarizes what is known about it at the present time, and shows how continued improvements in the collection and analysis of archaeological data are advancing our knowledge of this extinct society.

Although they know nothing of Swift Creek language and little about its society, archaeologists have collected valuable information about the
economic strategies of Swift Creek inhabitants. What archaeologists know best, however, is that the Swift Creek people were some of the best wood carvers the world has seen, and their pottery will stand as their lasting legacy for all time. This book presents and preserves their legacy.



 
[more]

front cover of The World Falls Away
The World Falls Away
Wanda Coleman
University of Pittsburgh Press, 2011

The burnings from which Coleman culls her work casts a glow and unique warmth that invites the reader to sit by her metaphorical hearth, to laugh and enjoy their “conversation.” The contemplative and philosophical have entered her voice as she continues to explore the conflicts and confusions that shape the aesthetic terrain of Southern California and beyond—as she continues to grapple with cultural bias, malignant domestic neglect, poverty, and the damages of racism, yet broadening her palette of social ills to include the privacies of grief, loss and transcendence. A nominee and finalist for Poet Laureate of California, she continues to reflect the ethnic scramble of Los Angeles, where she has been honored by proclamations from the city’s elected officials, including the mayor’s office, the city council and the Department of Cultural Affairs.

[more]

logo for Intellect Books
World Film Locations
Athens
Edited by Anna Poupou, Afroditi Nikolaidou, and Eirini Sifaki
Intellect Books, 2014
A filmic guidebook of the Greek capital, World Film Locations: Athens takes readers to film locations in the central historical district, with excursions to the periphery of Athens—popular neighborhoods, poor suburbs, and slums often represented in postwar neorealist films—and then on to garden cities and upper-class suburbs, especially those preferred by the auteurs of the 1970s. Of course, no Grecian vacation would be complete without a visit to the sea, and summer resorts, hotels, and beaches near Athens are frequent backdrops for international productions. However, more recent economic strife has emptied city neighborhoods, created urban violence, and caused an increase in riots in the Mediterranean city, and representations of this on film are juxtaposed with images of the eternal and idyllic city.

Featuring both Greek and foreign productions from various genres and historical periods, the book ultimately works to establish connections between the various aesthetics of dominant representations of Athens.
[more]

logo for Intellect Books
World Film Locations
Barcelona
Edited by Helio San Miguel and Lorenzo J. Torres Hortelano
Intellect Books, 2013
Barcelona is one of the world’s most beautiful cities. A permanent showcase of the work of acclaimed architect Antoni Gaudí, it also has a long and rich cinematic legacy. Great directors from all over the world—among them Woody Allen, Pedro Almodóvar, and Michelangelo Antonioni—have set their films there. World Film Locations: Barcelona is the first book of its kind to explore the rich cinematic history of this seductive Catalonian city.
The illuminating essays collected here cover essential themes of the city’s cinematic history, including the origins of cinema in Barcelona; the role of Ciutat Vella (old quarter) as a film set; the influential Barcelona School of the 1960s; the film presence of Gaudí and his work; changing attitudes and urban renewal before and after the 1992 Olympics; and the emergence of a new generation of female filmmakers that have made Barcelona the center of their cinematic explorations. This book will be a welcome addition to the libraries of anyone enchanted by the beauty of Barcelona, whether in person on the big screen.

[more]

logo for Intellect Books
World Film Locations
Beijing
Edited by John Berra and Liu Yang
Intellect Books, 2012
The title of Li Yu’s film Lost in Beijing evokes the experience of many first-time visitors to China’s bustling capital. The city’s sprawling structure and rapid redevelopment—embodied by the high-rise apartments taking over historic districts—render Beijing’s streets hard to navigate and its culture is just as difficult to penetrate. World Film Locations: Beijing is a revealing and engrossing introduction to both.
 
In a series of spotlight essays and illustrated scene reviews, a cast of seasoned scholars and fresh new voices explore the vast range of films—encompassing drama, madcap comedy, martial arts escapism, and magical realism—that have been set in Beijing. Unveiling a city of hidden courtyards, looming skyscrapers, and traditional Hutong neighborhoods, these contributors depict a distinctive urban culture that reflects the conflict and tumult of a nation in transition. With considerations of everything from the back streets of Beijing Bicycle to the forbidden palace of The Last Emperor to the tourist park of The World, this volume is a definitive cinematic guide to an ever-changing and endlessly fascinating capital city.
[more]

logo for Intellect Books
World Film Locations
Berlin
Edited by Susan Ingram
Intellect Books, 2012
One of the most dynamic capital cities of the twenty-first century, Berlin also has one of the most tumultuous modern histories. A city that came of age, in many senses, with the cinema, it has been captured on film during periods of exuberance, devastation, division, and reconstruction. World Film Locations: Berlin offers a broad overview of these varied cinematic representations.
 
Covering an array of films that ranges from early classics to contemporary star vehicles, this volume features detailed analyses of forty-six key scenes from productions shot on location across the city, as well as spotlight essays in which contributors with expertise in German studies, urban history, and film studies focus on issues central to understanding Berlin cinema. Among the topics discussed are the roles of rubble, construction sites, and music in films set and shot in Berlin, as well as key personalities, including Marlene Dietrich and Leni Riefenstahl. With the help of full-color illustrations that include film stills and contemporary location shots, World Film Locations: Berlin cinematically maps the city’s long twentieth century, taking readers behind the scenes and shedding new light on the connections between many favorite and possibly soon to be favorite films.
[more]

logo for Intellect Books
World Film Locations
Boston
Edited by Marcelline Block
Intellect Books, 2014
Founded by the Puritans in 1630 and the site of many of the American Revolution's major precursors and events (including the Boston Massacre, the Boston Tea Party, and Paul Revere’s midnight ride, among others), Boston has played—and continues to play—an influential role in the shaping of the historic, intellectual, cultural, and political landscapes of the United States. And Boston has a significantly rich tradition of cinematic representation. While Harvard is central to many of the films set in the Greater Boston area, World Film Locations: Boston considers the full spectrum of Boston’s abundant aesthetic potential, reviewing films located within as well as far beyond Harvard’s hallowed halls and ivy-covered gates.

Many iconic American classics, blockbusters, romantic comedies, and legal thrillers, as well as films examining Boston’s criminal underside, particularly in juxtaposition to the city’s elitist high society, were filmed on location in the city’s streets and back lots. World Film Locations: Boston looks in depth into a highly select group of forty-six films such as Love StoryGood Will HuntingThe Friends of Eddy Coyle, and The Social Network, among many others, presented at the intersection of critical analysis and stunning visual critique (with material from the films themselves as well as photographs of the contemporary city locations). Featuring articles and film scene reviews written by a variety of leading contemporary film writers, critics, and scholars, this book is a multimedia resource that will find a welcome audience in movie lovers in Beantown and beyond.
[more]

logo for Intellect Books
World Film Locations
Buenos Aires
Edited by Santiago Oyarzabal and Michael Pigott
Intellect Books, 2014
World Film Locations: Buenos Aires explores this picturesque and passionate city (the second-largest in South America) as a stage for sociopolitical transformations, and a key location in the international imagination as a site of cultural export. The book uncovers the many reasons why Buenos Aires attracts not only tourists but also artists and filmmakers, who explore the city and its iconography as well as its cultural and sociopolitical turbulence. A set of six essays anchors this volume; contributors consider a range of key topics related to the city onscreen, including tango, villas miseria (shantytowns), dictatorship and democracy, and science fiction and the future of the city. The volume is rounded out with in-depth reviews of nearly fifty key films—The Hour of the Furnaces, Nine Queens, and Evita among them—each illustrated by screen shots, current location imagery, and corresponding maps for travelers and movies buffs to use as they navigate this rich cinematic city. 
[more]

logo for Intellect Books
World Film Locations
Chicago
Edited by Scott Jordan Harris
Intellect Books, 2013
While some call it the Second City, Chicago is no stranger to the silver screen. Director Christopher Nolan transformed Chicago into the darkly foreboding Gotham City for The Dark Knight. Ferris Bueller rode a parade float down Dearborn and made stops during his epic day off at a host of landmarks, from Buckingham Fountain to Wrigley Field. Everyone’s favorite foul-mouthed blues act ended their film’s climactic chase by taking the Bluesmobile through the plate-glass windows of the Richard J. Daley Center.

With World Film Locations: Chicago, critic Scott Jordan Harris takes readers on a cinematic tour of the city, featuring modern blockbusters and beloved classics. Along the way, scenes from almost fifty films made or set in the city are discussed, accompanied by full-color stills and interspersed with essays examining the city’s unique character onscreen. Among the contributors are Gordon Quinn, cofounder of Chicago’s Kartemquim Films; Elizabeth Weitzman, film critic for the New York Daily News; the BBC’s Samira Ahmed; and Steve James, director of the coming-of-age classic Hoop Dreams. For readers hoping to locate landmarks from favorite films, the book also includes detailed maps that point out key scenes.

A fun and fact-packed read, World Film Locations: Chicago will be welcomed by film fans and anyone planning a trip to the Windy City.
[more]

logo for Intellect Books
World Film Locations
Cleveland
Edited by Alberto Zambenedetti
Intellect Books, 2016
The prototypical rust belt city, Cleveland has long served as an emblem of late twentieth-century urban decay. But recent decades have brought a cultural and economic renaissance—a revival that has been reflected and aided by the growing number of films being shot on location there.
This new entry in the World Film Locations series offers the first-ever extended look at Cleveland on screen. Richly illustrated with images from dozens of productions, it reveals Cleveland to be usefully chameleonic, appealing to some filmmakers for its modern downtown’s ability to mimic more prominent (and more expensive) cities, to others for the way its shuttered factories and decaying docks signify contemporary urban distress. With entries on such classics as The Fortune Cookie, The Deer Hunter, A Christmas Story, and Marvel’s The Avengers, as well as lesser-known films, the volume reveals Cleveland to be a far more compelling, and far more varied, on-screen presence than even most film buffs would expect.
Like all the books in this series, World Film Locations: Cleveland is designed to appeal to cinephiles and scholars alike, while also serving as a silver screen souvenir for those who make the city their home as well as for those who visit it.
 
[more]

logo for Intellect Books
World Film Locations
Dublin
Edited by Jez Conolly and Caroline Whelan
Intellect Books, 2011
With its rich political and literary history, Dublin is a sought after destination for cinematographers who have made use of the city’s urban streetscapes and lush pastoral settings in many memorable films—among them Braveheart, The Italian Job, and the 2006 musical drama Once. World Film Locations: Dublin offers an engaging look at the many incarnations of the city onscreen through fifty synopses of the key scenes—either shot or set in Dublin—accompanied by a generous selection of full-color film stills.
 
Throughout the book, a series of essays by leading film scholars spotlight familiar actors, producers, and directors as well as some of the themes common to films shot in Dublin, including literature, politics, the city’s thriving music scene, and its long history of organized crime. Also included is a look at the representations of Dublin before, during, and after the Celtic Tiger era. Sophisticated yet accessible, this volume will undoubtedly take its place on the shelves of film buffs and those interested in Irish culture.
[more]

logo for Intellect Books
World Film Locations
Florence
Edited by Alberto Zambenedetti
Intellect Books, 2014
Florence, with its rich history, privileged place in the canon of Western art, and long-standing relationship with the moving image, is a cinematic city equal to Venice or Rome. This edition in the well-established World Film Locations series explores Florence as it is manifested in the minds of filmmakers and filmgoers. Contributors to the collection consider a wide range of topics, including the tourist’s perception of Florence, representations of art and artists on screen, the camera-friendly Tuscan countryside and mouthwatering local cuisine, and filmic adaptations of canonical Italian literature. Through scene reviews of films including Bobby Deerfield, A Room with a View, Tea with Mussolini, and Under the Tuscan Sun, contributors delve deeper into the makeup of the city, looking at both familiar and unfamiliar locations through the lens of such filmmakers as Roberto Rossellini, Mario Monicelli, Brian DePalma, and Ridley Scott.

From the Duomo to the Uffizi gallery, Florence is filled with history, art, and culture. For those who crave a passport to this Tuscan capital, World Film Locations: Florence will take you there without you ever having to leave your library.
[more]

logo for Intellect Books
World Film Locations
Glasgow
Edited by Nicola Balkind
Intellect Books, 2013
World Film Locations: Glasgow explores Scotland’s biggest city and the many locations in which its films are viewed, set, and shot. Taking in the important moments and movements in its rich cinematic history, this book seeks to discover the city’s culture, character, and comedy through its cinematic identity. Essays cover a variety of topics including a background of Glasgow’s cinema-goers and picture houses, the evolution of Scots comedy, and the role of the city as inspiration for grassroots and underground filmmakers, as well as big Hollywood productions. Thirty-eight films are featured, from classics like Forsyth’s Gregory’s Girl and Loach’s Carla’s Song to cult hits like Boyle’s Trainspotting. Bollywood is also represented, alongside European titles and grim Scots realism like Sweet Sixteen, My Name is Joe, and Red Road, and new titles including Fast Romance, Perfect Sense, and NEDs, making this an essential guide to Scotland in film.

[more]

logo for Intellect Books
World Film Locations
Havana
Edited by Ann Marie Stock
Intellect Books, 2014
Havana is among the world’s leading cinematic locales. In films made beyond the island as well as those created by local cineastes, Havana is depicted as a vibrant Caribbean city. The quantity and quality of the works representing this tropical cityscape attest to the prominence of this film location and underscore the need for a book dedicated to it.

World Film Locations: Havana situates Havana as a modern city in prerevolutionary times, noting the architectural and cultural shifts evident during the revolution, and comments on recent reconfigurations of the city and its inhabitants in the wake of global forces. Among the forty-six scene reviews chosen to show the city in all its multifaceted glory, films such as Our Man in Havana, I Am Cuba, Hello Hemingway, Habana Blues and Chico and Rita are bookended by seven insightful essays. The essays look at the history of revolutionary cinema in Cuba and consider documentary films, from the Latin American Newsreel to avant-garde experimental work, including the island’s documentary tradition showcasing local faces and places that have paved the way for present-day media and audiovisual art. The essays also explore the multifaceted film culture of the capital, the cine club movement, historic cinemas and film venues around the city, the abundance of film festivals such as the International Festival of New Latin American Cinema, and film-themed cafeterias, restaurants, bookstores, and markets.
[more]

logo for Intellect Books
World Film Locations
Helsinki
Edited by Pietari Kääpä and Silja Laine
Intellect Books, 2013
Part of Intellect’s World Film Locations series, World Film Locations: Helsinki explores the relationship between the city, cinema, and Finnish cultural history. Cinematic representations of Helsinki range from depictions of a northern periphery to a space of cosmopolitanism, from a touristic destination to a substitute for Moscow and St. Petersburg during the Cold War. The city also looks different depending on one’s perspective, and World Film Locations: Helsinki illustrates this complexity by providing a visual collection of cinematic views of Helsinki.
This cinematic city is a collective work where individual pieces construct a whole, and one which we, as viewers, then shape according to our perspectives. The contributors emphasize the role of the city in identity and cultural politics throughout Finnish film history and its central role as the locus for negotiating Finland’s globalization.

[more]

logo for Intellect Books
World Film Locations
Hong Kong
Edited by Linda Chiu-Han Lai and Kimburley Wing-Yee Choi
Intellect Books, 2013
The rapid development of Hong Kong has occasioned the demolition of buildings and landscapes of historic significance, but film acts as a repository for memories of lost places, vanished vistas, and material objects. Location shoots in Hong Kong have preserved many disappearing landmarks of the city, and the resulting films function as valuable and irreplaceable archives of the city’s evolution.
Far more than a simple collection of movie locations, this book delivers a rare glimpse into the history of film production practices in Hong Kong. The locations described here are often not the most iconic; rather, they are the anonymous streets and back alleys used by local film studios in the 1960s and 70. They are the garden cafes with outdoor seating near the Chinese University of Hong Kong where moments of conflict in romantic comedies erupt and dissipate. They are the old Kai Tak Airport, which channels rage and desire, and the tenement housing, which splits citizens into greedy landlords and the diligent working class and embodies old-day communal values. Modern Hong Kong horror films draw their power from the material character of home-grown convenient stores, shopping arcades, and lost mansions found under modern high rises.
As in the films of Wong Kar-wai and Johnnie To, readers will drift and dash through the streets of Central to the district’s periphery, almost recklessly, automatically, or for the sheer pleasure of roaming. The first of its kind in English, this book is more than a city guide to Hong Kong through the medium of film; it is a unique exploration of relationship between location and place and genre innovations in Hong Kong cinema. 

[more]

logo for Intellect Books
World Film Locations
Istanbul
Edited by Özlem Köksal
Intellect Books, 2012
From Head-On to Murder on the Orient Express, World Film Locations: Istanbul offers a compelling look at the many films shot on location in this multicultural metropolis on the Black Sea. Central to this volume are the film industry’s changing representations of Istanbul, which have ranged from progressive cultural center to the authoritarian police state of Alan Parker’s Midnight Express. Evident in both in films made in the West and throughout Turkey over time, these divergent accounts are analyzed with regard to their role in continually reshaping our perception of the city. Essays explore this topic and many others, including the significance of Istanbul to the works of critically-acclaimed directors, among them Nuri Bilge Ceylan.
 
Illustrated throughout with film stills as well as photographs of featured locations as they appear today, World Film Locations: Istanbul visits all of the important cinematic landmarks, including the Topkapi Palace and the Haydarpasa train station and offers a vivid picture of this historic and culturally stimulating city.
[more]

logo for Intellect Books
World Film Locations
Las Vegas
Edited by Marcelline Block
Intellect Books, 2011
Sin and redemption. The ridiculous and the sublime. The carnivalesque excess of the Strip and the barrenness of the desert surrounding the city. Visited by millions of fortune seekers—and starry-eyed lovers—each year, Las Vegas is a city with as many apparent contradictions as Elvis impersonators, and this complexity is reflected in the diversity of films that have been shot on location there. 
            A copiously illustrated retrospective of Vegas’s appearances on the big screen, this new volume in Intellect’sWorld Film Locations series presents synopses of scenes from a broad selection of films—from big-budget blockbusters like Oceans 11 to acclaimed classics Rain Man,Casino, and The Godfather to cult favorites like Showgirls and Fear and Loathing in Las Vegas. Insightful essays throughout explore a range of topics, including the Rat Pack’s Las Vegas, the cinematized Strip, Las Vegas as a frequent backdrop for science fiction, and the various film portrayals of iconic pop-cultural figures like Elvis and Frank Sinatra. Rounding out this information are film stills juxtaposed with photographs of the locations as they appear today.
            World Film Locations: Las Vegas goes beyond the clichés of Sin City to examine what Hal Rothman and Mike Davis called “the grit beneath the glitter,” thus providing an opportunity to find out more about the unique position Vegas occupies in the popular imagination.
[more]

logo for Intellect Books
World Film Locations
Liverpool
Edited by Jez Conolly and Caroline Whelan
Intellect Books, 2013
Outside of the capital London, no other British city has attracted more filmmakers than Liverpool. Sometimes standing in for London, New York, Chicago, Paris, Rome, or Moscow, and sometimes playing itself—or a version of its own past in Beatles biopics—Liverpool is an adaptable filmic backdrop that has attracted filmmakers to its ports for decades. A place of passion, humor, and pride, Liverpool evokes caverns and cathedrals, ferries and football grounds; it is a city so vivid we see it clearly even if we’ve never been there. From the earliest makers of moving images—among them the Mitchell & Kenyon film company, the Lumière brothers, and pioneering early cinematographer Claude Friese-Greene—who preserved the city, the river, the docks, the streets, and the people, Liverpool has endured as a cinematic destination. This collection celebrates that survival instinct and will be welcomed by enthusiasts of British cities, films, and culture.

[more]

logo for Intellect Books
World Film Locations
London
Edited by Neil Mitchell
Intellect Books, 2011

An exciting and visually focused tour of the diverse range of films shot on location in London, World Film Locations: London presents contributions spanning the Victorian era, the swinging ’60s, and the politically charged atmosphere following the 2005 subway bombings. Essays exploring key directors, themes, and historical periods are complemented by reviews of important scenes that offer particular insight into London's relationship to cinema. The book is illustrated throughout with full-color film stills and photographs of cinematic landmarks as they appear now—as well as city maps to aid those keen to investigate them.

From Terror on the Underground to Thames Tales to Richard Curtis's affectionate portrayal of the city in Love Actually, this user-friendly guide explores the diversity and distinctiveness of films shot in location in London.

[more]

logo for Intellect Books
World Film Locations
Los Angeles
Edited by Gabriel Solomons
Intellect Books, 2011
The heart of Hollywood’s star-studded film industry for more than a century, Los Angeles and its abundant and ever-changing locales—from the Santa Monica Pier to the infamous and now-defunct Ambassador Hotel—have set the scene for a wide variety of cinematic treasures, from Chinatown to Forrest Gump, Falling Down to the coming-of-age classic Boyz n The Hood. This volume marks an engaging citywide tour of the many films shot on location in this birthplace of cinema and the screen spectacle.
 
World Film Locations: Los Angeles pairs fifty incisive synopses of carefully chosen film scenes—both famous and lesser-known—with an accompanying array of evocative full-color film stills, demonstrating how motion pictures have contributed to the multifarious role of the city in our collective consciousness, as well as how key cinematic moments reveal aspects of its life and culture that are otherwise largely hidden from view. Insightful essays throughout turn the spotlight on the important directors, thematic elements, and historical periods that provide insight into Los Angeles and its vibrant cinematic culture. Rounding out this information are city maps with information on how to locate key features, as well as photographs showing featured locations as they appear now.
 
A guided tour of the City of Angels conducted by the likes of Robert Altman, Nicholas Ray, Michael Mann, and Roman Polanski, World Film Locations: Los Angeles is moreover a concise and user-friendly guide to how Los Angeles has captured the imaginations of both filmmakers and those of us sitting transfixed in theatres worldwide.
[more]

logo for Intellect Books
World Film Locations
Madrid
Edited by Lorenzo J. Torres Hortelano
Intellect Books, 2011
From Death of a Cyclist to Open Your Eyes to The Limits of Control, Madrid has graced the big screen countless times across a wide variety of genres enacted by a similarly eclectic array of directors, including Carlos Saura, Luis Buñuel, and Pedro Almodovar. With the aim of capturing the full range of portrayals of the city onscreen, this volume pairs short synopses of scenes from fifty films with an accompanying array of dynamic full-color film stills. These scenes are set in context through a series of incisive essays that examine significant periods from Madrid’s rich film history, as well as its key industry figures and recurring themes.
 
Packed with fun facts, World Film Locations: Madrid offers a fascinating—and often surprising—tour of the many film representations of Madrid. For jetsetters planning a jaunt to this richly cinematic city, the book also includes photographs of locations as they appear now and city maps with information on how to locate key features.
[more]

logo for Intellect Books
World Film Locations
Malta
Edited by Jean Pierre Borg and Charlie Cauchi
Intellect Books, 2015
Malta has served as a beautiful backdrop for films for nearly as long as there has been a film industry. This entry in the World Film Locations series traces the history of Malta on screen, from big-budget blockbusters to modest indie pictures. The locations Malta offers range widely, from grand fortified harbors and stunning cliffs to quaint villages and Baroque palaces. That diversity has enabled the island to double for countless locations, including ancient Troy and Alexandria, as well as Greece, Israel, and other Mediterranean and Middle Eastern regions, while its well-known water tanks have proved to be perfect for shooting ocean scenes. Packed with illustrations, World Film Locations: Malta examines a number of films made in Malta to date, and will be a must-read for tourists, film buffs, and scholars alike.
[more]

logo for Intellect Books
World Film Locations
Marseilles
Edited by Marcelline Block
Intellect Books, 2013
As France’s oldest city, Marseilles has a significant cinematic culture, dating back to the 1890s when the Lumière brothers shot many films there. Due to its prolific film industry in the 1920s, Marseilles was referred to as “the French Los Angeles.”

World Film Locations: Marseilles examines the representations of this port city in cinema, through essays and film scene reviews devoted to an exploration of its topography as depicted by Jean Epstein, Jean-Luc Godard, Jean-Pierre Melville, Jean Renoir, Jean-Jacques Beineix, and many others. This volume showcases Marseilles’s diversity as articulated onscreen: from the winding streets of the Panier to the Old Port’s noisy markets, from the bustling Canebière to the dockyards of the Grand Port Maritime, from the cliffs of Provençal encircling the city to sun-drenched calanques leading to the dazzling cerulean sea. World Film Locations: Marseilles features maps of film scenes, high-quality screengrabs, and images of movie locations as they appear today, accompanied by original texts penned by leading international film scholars and critics and an interview with Marseillais director Robert Guédiguian. Marseilles has been named a 2013–14 European Capital of Culture and this book is a fitting and timely tribute.

[more]

logo for Intellect Books
World Film Locations
Melbourne
Edited by Neil Mitchell
Intellect Books, 2012
Tracing cinematic depictions of life in Melbourne from the Victorian era to the present day, World Film Locations: Melbourne serves as an illuminating and visually rich guide to films set wholly or partially in one of Australia’s most diverse and culturally important cities.
 
In a series of short analyses of iconic scenes and longer essays focusing on key directors, recurring themes, and notable locations, the contributors examine the city’s relationship to cinema from a variety of angles. Covering everything from sporting dramas to representations of the outlaw Ned Kelly to the coming-of-age films of the 1980s and beyond, this accessible trip around the birthplace of Australian cinema validates Melbourne’s reputation as a creative hotbed and reveals the true significance of the films and filmmakers associated with the city. Illustrated throughout with full-color film stills and photographs of the locations as they are now, World Film Locations: Melbourne also contains city maps for those wishing to explore Melbourne’s cinematic streets with this volume’s expert guidance.
[more]

logo for Intellect Books
World Film Locations
Moscow
Edited by Birgit Beumers
Intellect Books, 2014
A megalopolis of more than twelve million inhabitants, Moscow is a city with a rich and varied history. In 1918, following the Revolution, Moscow became the capital of the Soviet Union, and it remained capital of the Russian Federation after 1991. Moscow’s status as capital, from 1918 to the present, more or less coincides with its life on the silver screen, since there are very few preserved filmic depictions of the city from pre-Revolutionary years. In the Soviet era, film often served propaganda purposes; therefore, the image of Moscow on celluloid echoes the political ambitions of the country, and film locations and settings reflect the cultural agenda of the times.

World Film Locations: Moscow compares and contrasts images from the past and present, giving the forty-six carefully selected scene reviews and seven spotlight essays a historical focus. With an inside look at the city’s film studio, Mosfilm, the book is essential for all armchair travelers and cinephiles alike.
[more]

logo for Intellect Books
World Film Locations
Mumbai
Edited by Helio San Miguel
Intellect Books, 2012
 
Mumbai, formerly known as Bombay, is a megalopolis of dramatic diversity and heartbreaking extremes, with wealthy areas located just steps away from the searing poverty of its huge slums. The home of Bollywood, Mumbai is also the epicenter of India’s film industry and its foremost film location. Through the lens of Mumbai’s manifold cinematic representations, World Film Locations: Mumbai explores the sheer complexity of this incomparable city.
 
This volume comprises insightful essays and beautifully illustrated scene analyses by leading scholars and film critics who explore the ways filmmakers from India and abroad have represented Mumbai’s astonishing urban and human landscape. Taken together, these contributions show how movies have created in the imaginations of billions of spectators the vivid image of a city that constantly tempts people to escape their dreary existence and offers them chances to fulfill their dreams. The first book to focus on cinematic representations of what is perhaps the world’s most-filmed city, World Film Locations: Mumbai will be necessary reading for scholars and film buffs alike.
[more]

logo for Intellect Books
World Film Locations
New Orleans
Edited by Scott Jordan Harris
Intellect Books, 2012
With more and more filmmakers taking advantage of its rich and varied settings, New Orleans has earned star-studded status as the “Hollywood of the South.” From the big-screen adaptation of the stage classic A Streetcar Named Desire to the Elvis Presley musical King Creole, many well-known films have a special connection with the Big Easy, and this user-friendly guide explores the integral role of New Orleans in American film history.
 
World Film Locations: New Orleans features essays that reflect on the city’s long-standing relationship with the film industry. Among the topics discussed are popular depictions of Hurricane Katrina on film, the prevalence of the supernatural in New Orleans cinema, and recent changes to city ordinances that have made New Orleans even more popular as a film destination. As the most frequently filmed area of New Orleans, the French Quarter is given particular attention in this volume with synopses of scenes shot or set there, including The Big Easy, Interview with the Vampire, and the much-loved Bond film Live and Let Die. Additional synopses highlight numerous other film scenes spanning the city, and all are accompanied by evocative full-color stills.
 
The historic neighborhoods and landmarks of New Orleans have provided the backdrop for some of the most memorable moments in film history, and World Film Locations: New Orleans offers fans a guided tour of the many films that made the city their home.
[more]

logo for Intellect Books
World Film Locations
New York
Edited by Scott Jordan Harris
Intellect Books, 2011

Be they period films, cult classics, or elaborate directorial love letters, New York City has played—and continues to play—a central role in the imaginations of filmmakers and moviegoers worldwide. The stomping grounds of King Kong, it is also the place where young Jakie Rabinowitz of The Jazz Singer realizes his Broadway dream. Later, it is the backdrop against which taxi driver Travis Bickle exacts a grisly revenge.

The inaugural volume in an exciting new series from Intellect, World Film Locations: New York pairs incisive profiles of quintessential New York filmmakers—among them Woody Allen, Martin Scorsese, Sidney Lumet, and Spike Lee—with essays on key features of the city’s landscape that have appeared on the big screen, from the docks to Coney Island, Times Square to the Statue of Liberty. More than forty-five location-specific scenes from films made and set in New York are separately considered and illustrated with screen shots and photographs of the locations as they appear now. For film fans keen to follow the cinematic trail either physically or in the imagination, this pocket-sized guide also includes city maps with information on how to locate key features.
 
Presenting a varied and thought-provoking collage of the city onscreen—from the silent era to the present—World Film Locations: New York provides a fascinating and historic look back at the rich diversity of locations that have provided the backdrop for some of the most memorable films.
[more]

logo for Intellect Books
World Film Locations
Paris
Edited by Marcelline Block
Intellect Books, 2011
“We’ll always have Paris,” Humphrey Bogart assures Ingrid Bergman in the oft-quoted farewell scene from Casablanca in which Bogart’s character, hard-hearted restaurateur Rick Blaine, bids former lover Ilsa Lund goodbye. The backdrop against which they first fell in love, Paris later serves as a reminder of their deep mutual longings. And with a host of different realizations by filmmakers from Philip Kaufman to Julien Leclercq to Woody Allen, there is no question that Paris has likewise endured in the memories of cinephiles worldwide.
 
World Film Locations: Paris takes readers on an unforgettable tour of the City of Lights past and present through the many films that have been set there. Along the way, we revisit iconic tourist sites from the Eiffel Tower—whose stairs and crossbars inspired more than one famous chase scene—to the Moulin Rouge overlooking the famously seedy Place Pigalle. Other films explore lesser-known quartiers usually tucked away from the tourist’s admiring gaze. Handsomely illustrated with full-color film stills and contemporary photographs, more than fifty scenes are individually considered with special attention to their use of Paris’s topography as it intersects with characters, narrative, and plot. A host of important genres and cinematic movements are featured, including poetic realism, the New Wave, cinéma-verité, the literary works of the Left Bank Group, and Luc Besson’s slickly stylized cinéma du look. Meanwhile, essays foreground contributions from Francophone African directors and émigré filmmakers.
 
For centuries, Paris has reigned over the popular imagination. For those who have visited or those who have only imagined it through art, literature, and film, World Film Locations: Paris presents a wonder-filled cinematic exploration of the mythical city that fans of French cinema—and new initiates—will appreciate.
[more]

logo for Intellect Books
World Film Locations
Prague
Edited by Marcelline Block
Intellect Books, 2013
Prague, the “Hollywood of the East,” has played an important role in the history of cinema and World Film Locations: Prague traverses the city’s topography to examine an internationally diverse range of movies made in the Czech capital: landmark early films such as Ecstasy, controversial due to the female nudity that catapulted Hedy Lamarr into stardom in the United States; Steven Soderbergh’s biopic Kafka, starring Jeremy Irons; adaptations of Kafka’s literary works such as The Trial, with a screenplay by Harold Pinter and starring Anthony Hopkins; and action blockbusters like Mission Impossible, The Bourne Identity, and Casino Royale. Exploring legendary Prague landmarks as they appear onscreen—including the Charles Bridge, Old Town, Malá Strana, Liechtenstein Palace, Wenceslas Square, and Prague Castle—the book also discusses the intersection of the capital city and its cinematic representations; Prague and the Czech New Wave; the iconic Barrandov Studios; and the impact of political events such as the Prague Spring, the Soviet Invasion of 1968, and the Velvet Revolution on the city’s film industry. 
An invaluable resource for scholars, students, and aficionados of film and cinematic psychogeography, this collection will be heralded by students of East European literary, cultural, and sociopolitical history.

[more]

logo for Intellect Books
World Film Locations
Reykjavík
Edited by Jez Conolly and Caroline Whelan
Intellect Books, 2012
Though the creative community of Reykjavík, Iceland, has earned a well-deserved reputation for its unique artistic output—most notably the popular music that has emerged from the city since the 1980s—Reykjavík’s filmmakers have received less attention than they merit. World Film Locations: Reykjavík corrects this imbalance, shedding new light on the role of cinema in a country that, partly because of its small population, produces more films per capita than any other in the world.
 
The contributors to this volume trace cinema in Iceland from the 1979 establishment of the Icelandic Film Fund—before which the country’s film industry barely existed—through today. In a series of illuminating scene reviews, they show how rapidly the city has changed over the past thirty years. In thematic spotlight articles, they go on to explore such topics as the relationship between Iceland and its capital city; youth culture and night life; the relationship between film and the local music community; cinematic representations of Scandinavian crime; and filmmakers’ response to the 2008 banking crisis. Together, these varied contributions show how films shot in Reykjavík have been shaped both by Iceland’s remoteness from the rest of the world and by Icelandic filmmakers’ sense that the city remains forever on the brink of desolate and harsh wilderness.
[more]

logo for Intellect Books
World Film Locations
Rome
Edited by Gabriel Solomons
Intellect Books, 2014
This volume of the World Film Locations series explores the city of Rome, a city rich in history and culture and imbued with a realism and romanticism that has captured the imaginations of filmmakers throughout the twentieth and twenty-first centuries. With over two and a half thousand years of continuing history, Rome has served as the setting for countless memorable films, creating a backdrop that spans all genres and emotions.

World Film Locations: Rome takes the reader on a cinematic journey through the city with stops at key locations that include the Pantheon, Piazza Navona, Via Veneto, Piazza del Popolo, Sant'Angelo Bridge and, of course, the Trevi Fountain, made famous worldwide in its appearances in Federico Fellini’s La Dolce Vita and Jean Negulesco’s Three Coins in the Fountain. A carefully selected compilation of forty-six key films set in Rome, including The Belly of an ArchitectThe Facts of MurderThe Bicycle ThiefRoman Holiday, and The Talented Mr. Ripley, is complemented by essays that further examine the relationship between the city and cinema to provide an engaging, colorful, and insightful page-turning journey for both travelers and film buffs alike.
[more]

logo for Intellect Books
World Film Locations
San Francisco
Edited by Scott Jordan Harris
Intellect Books, 2013
An extraordinarily beautiful city that has been celebrated, criticized, and studied in many films, San Francisco is both fragile and robust, at once a site of devastation caused by 1906 earthquake but also a symbol of indomitability in its effort to rebuild afterwards. Its beauty, both natural and manmade, has provided filmmakers with an iconic backdrop since the 1890s, and this guidebook offers an exciting tour through the film scenes and film locations that have made San Francisco irresistible to audiences and auteurs alike.
Gathering more than forty short pieces on specific scenes from San Franciscan films, this book includes essays on topics that dominate the history of filmmaking in the city, from depictions of the Golden Gate Bridge, to the movies Alfred Hitchcock, to the car chases that seem to be mandatory features of any thriller shot there. Some of America’s most famous movies—from Steven Spielberg’s Raiders of the Lost Ark to Hitchcock’s Vertigo to Don Siegel’s Dirty Harry —are celebrated alongside smaller movies and documentaries, such as The Wild Parrots of Telegraph Hill, to paint a complete picture of San Francisco in film. A range of expert contributors, including several members of the San Francisco Film Critics Circle, discuss a range of films from many genres and decades, from nineteenth-century silents to twentieth-century blockbusters

Audiences across the world, as well as many of the world’s greatest film directors—including Buster Keaton, Orson Welles, George Lucas, Francis Ford Coppola, David Fincher, and Steven Soderbergh—have been seduced by San Francisco. This book is the ideal escape to the city by the bay for arm chair travelers and cinephiles alike.

[more]

logo for Intellect Books
World Film Locations
Shanghai
Edited by John Berra and Wei Ju
Intellect Books, 2014
Celebrating Shanghai’s rich cinematic history, the films covered here represent a lengthy time period, from the first Golden Age of Chinese Cinema in the 1930s to the city’s status as an international production hub in 2013. Given the enduring status of Shanghai as the “Paris of the East,” World Film Locations: Shanghai emphasizes the city’s cosmopolitan glamour through locations that are steeped in cinematic exoticism, while also probing the reality behind the image by investigating its backstreets and residential zones. To facilitate this study of Shanghai’s dual identity through reference to film locations, the book includes films from both the commercial and independent sectors, with a balance between images captured by local filmmakers and the visions of Western directors who have also utilized the city for their projects.

With numerous essays that reflect Shanghai’s relationship to film and scene reviews of such iconic titles as Street AngelTemptress MoonKung Fu Hustle, and SkyfallWorld Film Locations: Shanghai is essential reading for all scholars of China’s urban culture.
[more]

logo for Intellect Books
World Film Locations
Singapore
Edited by Lorenzo Codelli
Intellect Books, 2014
A vibrant city and country nestled at the foot of the Malaysian peninsula, Singapore has long been a crossroads, a stopping point, and a cultural hub where goods, inventions, and ideas are shared and traded.

Though Singapore was home to a flourishing Chinese and Malay film industry in the 1950s and 1960s, between independence in 1965 and the early 1990s, few movies were made there. A new era for cinema in the sovereign city-state started with the international recognition of Eric Khoo’s first features, followed by a New Wave comprised of graduates from local film schools. In recent years the Singapore film industry has produced commercially successful fare, such as the horror movie The Maid, as well as more artistic films like Sandcastle, the first Singaporean film to be selected for International Critic’s Week at Cannes, and Ilo Ilo, which won the Caméra d’or at Cannes in 2013.  Covering the myths that surround Singaporean film and exploring the realities of the movies that come from this exciting city, World Film Locations: Singapore introduces armchair travelers to a rich, but less known, national cinema.
[more]

logo for Intellect Books
World Film Locations
São Paulo
Edited by Natália Pinazza and Louis Bayman
Intellect Books, 2013
São Paulo is the largest city in South America and the powerhouse of Brazil’s economy. A multi-racial metropolis with a diverse population of Asian, Arabic, and European immigrants as well as migrants from other parts of Brazil, it is a global city with international reach. Films set in São Paulo often replace the postcard images of beautiful tropical beaches and laidback lifestyles with working environments and the search for better opportunities. Bikinis and flip flops give way to urban subcultures, sport, entertainment, and artistic movements. The ability to transcend national boundaries, and its resistance to stereotypical images of an “exotic” Brazil, make São Paulo a fascinating location in which to explore Brazil’s changing economic and cultural landscapes. 
The first comprehensive guide to filmic representations of São Paulo, this book serves as an introduction to the city for film enthusiasts, visitors, and tourists while simultaneously opening scholarly debates on global concerns such as marginalization, rapid urbanization, and child poverty.

[more]

logo for Intellect Books
World Film Locations
Tokyo
Edited by Chris MaGee
Intellect Books, 2011

From Tokyo Story to Godzilla, You Only Live Twice to Enter the Void, World Film Locations: Tokyo presents a kaleidoscopic view of one of the world’s most exciting cities through the lens of cinema. Illustrated throughout with dynamic screen shots, this volume in Intellect’s World Film Locations series spotlights fifty key scenes from classic and contemporary films shot in Tokyo, accompanied by insightful essays that take us from the wooden streets of pre-nineteenth-century Edo to the sprawling “what-if” megalopolis of science fiction and fantasy anime. Important themes and players—among them Akira Kurosawa, Samuel Fuller, and Sofia Coppola—are individually considered. For the film scholar, or for all those who love Japanese cinema and want to learn more, World Film Locations: Tokyo will be an essential guide.

[more]

logo for Intellect Books
World Film Locations
Toronto
Edited by Tom Ue
Intellect Books, 2014
Toronto is a changing city that has been a source of reflection and inspiration to writers and artists whose work focuses on the conditions and prospects of human life. A city on the move, it demands policies and regulation, and it offers the pleasures and perils of the massive and the anonymous. As a site of study, the city is inherently multidisciplinary, with natural ties to history, geography, sociology, architecture, art history, literature, and many other fields.

World Film Locations: Toronto explores and reveals the relationship between the city and cinema using a predominately visual approach. The juxtaposition of the images used in combination with insightful essays helps to demonstrate the role that the city has played in a number of hit films, including Cinderella ManAmerican Psycho, and X-Men and encourages the reader to frame an understanding of Toronto and the world around us. The contributors trace Toronto’s emergence as an international city and demonstrate the narrative interests that it has continued to inspire among filmmakers, both Canadian and international.

With support from experts in Canadian studies, the book’s selection of films successfully shows the many facets of Toronto and also provides insider’s access to a number of sites that are often left out of scholarship on Toronto in films, such as the Toronto International Film Festival. The 2014 release of this attractive volume will be a particularly welcome addition to the international celebrations of the city’s 180th anniversary.
[more]

logo for Intellect Books
World Film Locations
Vancouver
Edited by Rachel Walls
Intellect Books, 2013
Vancouver, the fourth largest film and television production center in North America, has hosted Hollywood filmmakers from Robert Altman and Dennis Hopper to Jason Reitman and Brad Bird, and is home to independent talent such as Bruce Sweeney and Mina Shum. World Film Locations: Vancouver offers insight into how so-called “runaway” productions from Hollywood use Vancouver as a stand-in for other locations and it highlights the work of Canadian filmmakers who deserve more attention. Thirty-eight analyses of different film scenes reveal the cinematic city in its myriad forms, while spotlight essays provide insight into the creativity and contradictions of Vancouver’s film industry throughout the ages. The volume presents Vancouver’s rich diversity and complexity, where magnificent marine and mountain views are both showcased and masked, downtown landmarks provide the backdrop for thrilling sequences, and lesser-known neighborhoods frame intriguing characters and plotlines. This book offers new perspectives on the relationship between the movies and the metropolis.

[more]

logo for Intellect Books
World Film Locations
Venice
Edited by Michael Pigott
Intellect Books, 2013
This book explores the rich history of films that have used the floating city as evocative backdrop and integral character. Few cities are as densely packed with picturesque cinematic locations. Extensively illustrated with maps, film stills, and present-day location photos, this book provides both a colorful guide to, and an incisive examination of, Venice on film. It contains insightful film entries describing carefully chosen scenes from each film, as well as six thematic essays, written by an impressive international selection of film critics, academics, and Venice experts. The grand and familiar tourist spots take on new significances, and the book highlights less well-known spots beyond the tourist trail, including gondola repair yards and legendary, but well-hidden, restaurants. From one of the earliest mobile shots in film history—a voyage up the Grand Canal shot in 1896—to classic depictions of the city like Summertime, Death in Venice, and Don’t Look Now, as well as recent big budget productions such as The Tourist, this book spans the history of filmmaking in Venice.

[more]

logo for Intellect Books
World Film Locations
Vienna
Edited by Robert Dassanowsky
Intellect Books, 2012

Vienna appears in cinema as, among other things, a historical crossroads, a source of great music, and a site of world-famous architecture ranging from gothic cathedrals and baroque palaces to landmark modern structures. A panorama that encompasses all these perspectives, World Film Locations: Vienna sheds new light on the movies shot in the former imperial capital—and on the city itself.

The first English-language book to explore Vienna’s relationship with film beyond the waltz fantasies once shot in studios around the world, this volume shows how specific urban sites contribute to films that, in turn, play a role in our changing ideas about the city. In addition to reviews of key scenes from forty-six films from the silent era to the present, contributors explore such wide-ranging topics as the Austro-Hungarian Empire as cinematic myth; the Viennese film and Golden Age Hollywood; Jewish filmmakers and their take on lost cultural imagery; postwar nation building through film: and the startling “other Vienna” in the New Wave films of Michael Haneke, Barbara Albert, Ulrich Seidl, and Götz Spielmann. Illuminating the rich multicultural cinematic history that eventually gave rise to the new Austrian films that began to capture international attention more than a decade ago, World Film Locations: Vienna will fascinate readers interested in film, art, architecture, literature, music, Jewish studies, or Central European history.
[more]

logo for Intellect Books
World Film Locations
Washington D.C.
Edited by Katherine Larsen
Intellect Books, 2015
Freedom and democracy. Bills and laws. Bureaucracy and red tape. Washington, DC, the capital of the United States, is known for many things, mostof them related to the inner workings of the government. But it is also a city of carefully planned parks, trees exploding with cherry blossoms in spring, and bright sunshine polishing the gleaming white of stately memorials. With no shortage of iconic American landscapes, such as the vast National Mall; buildings, from the White House and the Capitol to the Watergate Hotel and the Kennedy Center for the Performing Arts; and monuments, including the Washington Monument and the Vietnam Veterans Memorial, it is at once synonymous with the country it governs and a world apart.
This friction animates and attracts filmmakers, who use the District's landmarks as a shorthand to express and investigate contemporary ideals and concerns about American society. Films set there both celebrate and castigate the grand American experiment it symbolizes. From Frank Capra’s 1939 Mr. Smith Goes to Washington to the alien invasion blockbuster Independence Day, films set in Washington depict our most ardent hopes and bring to life our darkest fears.
World Film Locations: Washington, D.C., collects essays and articles about Washington film history and locations. Featuring explorations of carefully chosen film scenes and key historical periods, the book examines themes, directors, and depictions and is illustrated with evocative movie stills, city maps, and location photographs. Taken as a whole, this is essential reading for any cinephile who has ever wondered how a bill becomes a law.
[more]

front cover of World Flutelore
World Flutelore
Folktales, Myths, and Other Stories of Magical Flute Power
Dale A. Olsen
University of Illinois Press, 2013
In many places around the world, flutes and the sounds of flutes are powerful magical forces for seduction and love, protection, vegetal and human fertility, birth and death, and other aspects of human and nonhuman behavior. This book explores the cultural significance of flutes, flute playing, and flute players from around the world as interpreted from folktales, myths, and other stories--in a word, ""flutelore."" A scholarly yet readable study, World Flutelore: Folktales, Myths, and Other Stories of Magical Flute Power draws upon a range of sources in folklore, anthropology, ethnomusicology, and literary analysis.

Describing and interpreting many examples of flutes as they are found in mythology, poetry, lyrics, and other narrative and literary sources from around the world, veteran ethnomusicologist Dale Olsen seeks to determine what is singularly distinct or unique about flutes, flute playing, and flute players in a global context. He shows how and why flutes are important for personal, communal, religious, spiritual, and secular expression and even, perhaps, existence. This is a book for students, scholars, and any reader interested in the cultural power of flutes.

[more]

logo for University of Wisconsin Press
A World for Julius
A Novel
Alfredo Bryce Echenique
University of Wisconsin Press, 2004

    Julius was born in a mansion on Salaverry Avenue, directly across from the old San Felipe Hippodrome. Life-size Disney characters and cowboy movie heroes romp across the walls of his nursery. Out in the carriage house, his great-grandfather’s ornate, moldering carriage takes him on imaginary adventures. But Julius’s father is dead, and his beautiful young mother passes through her children’s lives like an ephemeral shooting star. Despite the soft shelter of family and money, hard realities overshadow Julius’s expanding world, just as the rugged Andes loom over his home in Lima.
    This lyrical, richly textured novel, first published in 1970 as Un mundo para Julius, opens new territory in Latin American literature with its focus on the social elite of Peru. In this postmodern novel Bryce Echenique incisively charts the decline of an influential, centuries-old aristocratic family faced with the invasion of foreign capital in the 1950s.

Winner of the Outstanding Translation Award of the American Literary Translators Association and the Columbia University Translation Center Award.

[more]

logo for Georgetown University Press
A World Free from Nuclear Weapons
The Vatican Conference on Disarmament
Edited by Drew Christiansen, SJ and Carole Sargent
Georgetown University Press, 2023

On November 10, 2017, Pope Francis became the first pontiff in the nuclear era to take a complete stand against nuclear weapons, even as a form of deterrence. At a Vatican conference of leaders in the field of disarmament, he made it clear that the possession of the bomb itself was immoral. A World Free from Nuclear Weapons presents the pope’s address and original testimony from Nobel Peace Prize laureates, religious leaders, diplomats, and civil society activists.

These luminaries, which include the pope and a Hiroshima survivor, make the moral case against possessing, manufacturing, and deploying nuclear arms. Drew Christiansen, a member of the Holy See delegation to the 2017 United Nations conference that negotiated the Treaty to Prohibit Nuclear Weapons, helps readers to understand this conference in its historical context.

A World Free from Nuclear Weapons is a critical companion for scholars of modern Catholicism, moral theology, and peace studies, as well as policymakers working on effective disarmament. It shows how the Church’s revised position presents an opportunity for global leaders to connect disarmament to larger movements for peace, pointing toward future action.

[more]

front cover of The World Got Away
The World Got Away
A Memoir
Mikel Rouse. Foreward by Kyle Gann
University of Illinois Press, 2024

One of the most innovative composers of his generation, Mikel Rouse is known for a trilogy of operas that includes Dennis Cleveland and a gift for superimposing pop vernaculars onto avant-garde music. This memoir channels Rouse’s high energy personality into an exuberant account of the precarity and pleasures of artistic creation. Raconteur and starving artist, witty observer and acclaimed musician, Rouse emerged from the legendary art world of 1980s New York to build a forty-year career defined by stage and musical successes, inexhaustible creativity, and a support network of famous faces, loyal allies, and high art hustlers. Rouse guides readers through a working artists’ hardscrabble life while illuminating the unromantic truth that a project’s reception may depend on a talented cast and crew but can depend on reliable air conditioning.

Candid and hilarious, The World Got Away is a one-of-a-kind account of a creative life fueled by talent, work, and luck.

[more]

logo for Pluto Press
A World Growing Old
Jeremy Seabrook
Pluto Press, 2004
For the first time in history, the world's population is ageing. For rich countries in the west, economies rely on youthful populations to provide for those who have retired. We face a profound economic and social crisis - how do we care for the elderly when pensions and social security systems are under threat, housing is short and fewer young people are entering the workplace?

Yet this is only half the story. Populations in the poorer countries of the South are also ageing. Life-expectancy has increased due the availability of lifesaving medicine. Child mortality has decreased, so people are having smaller families. India will soon have one of the largest populations of over-sixties. The one-child policy in China will similarly lead to a severe imbalance in the age-profile of the people.

In A World Grown Old, Jeremy Seabrook examines the real implications of the ageing phenomenon and challenges our preconceptions about how it should be tackled. Arguing that the accumulated skills of the elderly should be employed to enrich society, rather than being perceived as a 'burden', he calls for a radical rethinking of our attitude to population issues, migration, social structures and employment policy.
[more]

logo for Georgetown University Press
A World Growing Old
The Coming Health Care Challenges
Daniel Callahan, Editor
Georgetown University Press

For much of the developed world, health care for a surging elderly population looms as one of the most daunting problems of the coming decade. In this book, contributors from diverse disciplinary backgrounds and countries discuss resource allocation for the elderly and debate plans for the years ahead. Essays focus on five general issues: the meaning of old age, the goals of medicine and health care for the elderly, the balance between the needs of the young and old, the pressures of other social priorities, and the role of families, especially the burden on women, in long-term care.

In consideration of the difficult moral and practical issues involved, the editors conclude the volume with a special report containing policy recommendations from representatives of eight countries (the United States, Belgium, the Czech Republic, Germany, Hungary, the Netherlands, Sweden, and the United Kingdom). This important volume will be of interest to policymakers and a broad spectrum of health care professionals, as well as to anyone interested in the fate of the elderly or in coming health care challenges.

[more]

front cover of The World Has Forgotten Us
The World Has Forgotten Us
Sinjar and the Islamic State’s Genocide of the Yezidis
Thomas Schmidinger
Pluto Press, 2022

The persecution of the Yezidis, a religious community originating in Upper Mesopotamia, has been ongoing since at least the 10th century. On 3 August 2014, Islamic State attacked the Yezidi community in Sinjar, Kurdistan. Thousands were enslaved or killed in this genocide, and 100,000 people fled to Mount Sinjar, permanently exiled from their homes.

Here, Thomas Schmidinger talks to the Yezidis in Iraq who tell the history of their people, why the genocide happened and how it affects their lives today. This is the first full account of these events, as told by the Yezidis in their own words, to be published in English.

The failure of the Kurdistan Peshmerga of the PDK in Iraq to protect the Yezidis is explored, as is the crucial support given by the Syrian-Kurdish YPG. This multi-faceted and important history brings the fight and trauma of the Yezidis back into focus, calling for the world to remember their struggle.

[more]

front cover of World Heritage and Urban Politics in Melaka, Malaysia
World Heritage and Urban Politics in Melaka, Malaysia
A Cityscape below the Winds
Pierpaolo De Giosa
Amsterdam University Press, 2021
This book presents a tale of heritage politics in the Malaysian historical city par excellence. Already celebrated as the first Malay sultanate and an important colonial trading port, Melaka has been on the UNESCO World Heritage List since 2008, on the strength of its multi-ethnic and multi-religious urban fabric. Yet, contrary to the expectations of heritage experts and aficionados, the global mission of safeguarding cultural heritage has become a tumultuous issue on the ground in Melaka. World Heritage and Urban Politics in Malaysia analyses how the World Heritage 'label' is being used by different actors- such as international organizations, nation states, and society at large- to generate new economic revenues and to attract investment for large-scale real estate development projects. In doing so, it reveals the complex and often contradictory stories behind heritage designations in urban milieus.
[more]

front cover of World History - A Genealogy
World History - A Genealogy
Private Conversations with World Historians, 1996–2016
Edited by Carolien Stolte and Alicia Schrikker
Leiden University Press, 2017
World History—A Genealogy charts the history of the discipline through twenty-five in-depth conversations with historians whose work has shaped the field of world history in fundamental ways. These conversations, which took place over a period of twenty years for the world history journal Itinerario, cover these historians’ lives, work, and views of the academy in general and the field of world history in particular. An extensive introduction distills the most important developments in the field from these conversations, and sheds light on what these historians have in common, as well as—perhaps more importantly—what separates them.
[more]

front cover of World History for International Studies
World History for International Studies
Edited by Isabelle Duyvesteyn and Anne Marieke van der Wal
Leiden University Press, 2022
Studying change in the course of human history, in different places, through the lens of a diverse set of core themes, World History for International Studies offers readers a set of windows into different debates historians have been conducting. Key themes, such as communication, trade, order, slavery, religion, war, identity, modernity, norms and ecology, are linked to specific world regions, which tell a story about how local ideas and individual contacts developed, started to overlap and became globally understood and used by ever larger groups of people. These themes are brought to life by a diverse set of key primary sources, such as a book, a letter, a medal, a temple and an epic, to showcase how historians have used sources to tell these stories and conduct debates. The book provides an introductory resource into the study of history and includes detailed suggestions for further study.
[more]

front cover of A World I Never Made
A World I Never Made
James T. Farrell, with an Introduction by Charles Fanning
University of Illinois Press, 2006
A sprawling tale of two families' struggles with harsh urban realities

The first book in Farrell's five-volume series to be republished by the University of Illinois Press, A World I Never Made introduces three generations from two families, the working-class O'Neills and the lower-middle-class O'Flahertys. The lives of the O'Neills in particular reflect the tragic consequences of poverty, as young Danny O'Neill's parents--unable to sustain their large family--send him to live with his grandmother. Seen here at the age of seven, Danny is fraught with feelings of anxiety and dislocation as he learns the ins and outs of life on the street, confronting for the first time a world he never made.

[more]

front cover of The World in a Box
The World in a Box
The Story of an Eighteenth-Century Picture Encyclopedia
Anke te Heesen
University of Chicago Press, 2002
This is a book about a box that contained the world. The box was the Picture Academy for the Young, a popular encyclopedia in pictures invented by preacher-turned-publisher Johann Siegmund Stoy in eighteenth-century Germany. Children were expected to cut out the pictures from the Academy, glue them onto cards, and arrange those cards in ordered compartments—the whole world filed in a box of images.

As Anke te Heesen demonstrates, Stoy and his world in a box epitomized the Enlightenment concern with the creation and maintenance of an appropriate moral, intellectual, and social order. The box, and its images from nature, myth, and biblical history, were intended to teach children how to collect, store, and order knowledge. te Heesen compares the Academy with other aspects of Enlightenment material culture, such as commercial warehouses and natural history cabinets, to show how the kinds of collecting and ordering practices taught by the Academy shaped both the developing middle class in Germany and Enlightenment thought. The World in a Box, illustrated with a multitude of images of and from Stoy's Academy, offers a glimpse into a time when it was believed that knowledge could be contained and controlled.
[more]

front cover of The World in a City
The World in a City
Multiethnic Radicalism in Early Twentieth-Century Los Angeles
David M. Struthers
University of Illinois Press, 2019
A massive population shift transformed Los Angeles in the first decades of the twentieth century. Americans from across the country relocated to the city even as an unprecedented transnational migration brought people from Asia, Europe, and Mexico. Together, these newcomers forged a multiethnic alliance of anarchists, labor unions, and leftists dedicated to challenging capitalism, racism, and often the state.

David M. Struthers draws on the anarchist concept of affinity to explore the radicalism of Los Angeles's interracial working class from 1900 to 1930. Uneven economic development created precarious employment and living conditions for laborers. The resulting worker mobility led to coalitions that, inevitably, remained short lived. As Struthers shows, affinity helps us understand how individual cooperative actions shaped and reshaped these alliances. It also reveals social practices of resistance that are often too unstructured or episodic for historians to capture. What emerges is an untold history of Los Angeles and a revolutionary movement that, through myriad successes and failures, produced powerful examples of racial cooperation.

[more]

front cover of The World in a Frame
The World in a Frame
What We See in Films
Leo Braudy
University of Chicago Press, 1976
"An exciting, entertaining exploration of films. . . . [Braudy] attempts to understand rather than promulgate rules and categories, and somehow to keep the criteria of enjoyment in some meaningful connection with the criteria of judgment."—Robert Kirsch, Los Angeles Times
[more]

logo for University of Chicago Press
The World in a Frame
What We See in Films, 25th Anniversary Edition
Leo Braudy
University of Chicago Press, 2002
Now a classic, The World in a Frame covers the history of popular American films from the 1930s to the 1970s. Leo Braudy, one of America's leading film critics, gives an account of the histories of visual style and film genres, as ell as techniques of characterization—all in an evolving cultural context. This twenty-fifth anniversary edition includes a new preface addressing developments in film since 1976.
[more]

front cover of A World in Flames
A World in Flames
A Concise Military History of World War II
Martha Byrd
University of Alabama Press, 2008

Who did what in World War II, and where and when did it take place?

[more]

front cover of The World in Guangzhou
The World in Guangzhou
Africans and Other Foreigners in South China’s Global Marketplace
Gordon Mathews, Linessa Dan Lin, and Yang Yang
University of Chicago Press, 2017
Only decades ago, the population of Guangzhou was almost wholly Chinese. Today, it is a truly global city, a place where people from around the world go to make new lives, find themselves, or further their careers. A large number of these migrants are small-scale traders from Africa who deal in Chinese goods—often knockoffs or copies of high-end branded items—to send back to their home countries. In The World in Guangzhou, Gordon Mathews explores the question of how the city became a center of “low-end globalization” and shows what we can learn from that experience about similar transformations elsewhere in the world.
 
Through detailed ethnographic portraits, Mathews reveals a world of globalization based on informality, reputation, and trust rather than on formal contracts. How, he asks, can such informal relationships emerge between two groups—Chinese and sub-Saharan Africans—that don't share a common language, culture, or religion? And what happens when Africans move beyond their status as temporary residents and begin to put down roots and establish families?
 
Full of unforgettable characters, The World in Guangzhou presents a compelling account of globalization at ground level and offers a look into the future of urban life as transnational connections continue to remake cities around the world. 
[more]

front cover of A World in One Cubic Foot
A World in One Cubic Foot
Portraits of Biodiversity
David Liittschwager
University of Chicago Press, 2012
Twelve inches by twelve inches by twelve inches, the cubic foot is a relatively tiny unit of measure compared to the whole world. With every step, we disturb and move through cubic foot after cubic foot. But behold the cubic foot in nature—from coral reefs to cloud forests to tidal pools—even in that finite space you can see the multitude of creatures that make up a vibrant ecosystem.

For A World in One Cubic Foot, esteemed nature photographer David Liittschwager took a bright green metal cube—measuring precisely one cubic foot—and set it in various ecosystems around the world, from Costa Rica to Central Park. Working with local scientists, he measured what moved through that small space in a period of twenty-four hours. He then photographed the cube’s setting and the plant, animal, and insect life inside it—anything visible to the naked eye. The result is a stunning portrait of the amazing diversity that can be found in ecosystems around the globe. Many organisms captured in Liittschwager’s photographs have rarely, if ever, been presented in their full splendor to the general reader, and the singular beauty of these images evocatively conveys the richness of life around us and the essential need for its conservation. The breathtaking images are accompanied by equally engaging essays that speak to both the landscapes and the worlds contained within them, from distinguished contributors such as Elizabeth Kolbert and Alan Huffman, in addition to an introduction by E. O. Wilson. After encountering this book, you will never look at the tiniest sliver of your own backyard or neighborhood park the same way; instead, you will be stunned by the unexpected variety of species found in an area so small.

 A World in One Cubic Foot puts the world accessibly in our hands and allows us to behold the magic of an ecosystem in miniature. Liittschwager’s awe-inspiring photographs take us to places both familiar and exotic and instill new awareness of the life that abounds all around.

[more]

front cover of World in the Balance
World in the Balance
Behind the Scenes of World War II
Gerhard L. Weinberg
Brandeis University Press, 1981
The purpose of Weinberg’s text is to suggest a way in which the dramatic events of World War II may be seen. Weinberg argues that the war must be seen as a whole, and that the presentation of it in discrete segments covering the European and Pacific portions separately distorts reality and obscures important aspects of the war on both sides of the world. In addition, any understanding of the great struggle requires a mental self-liberation from the certain knowledge of its outcome. In desperate struggles millions fought and died, hopeful or fearful--or both--but without awareness of the end.
[more]

front cover of The World in Which We Occur
The World in Which We Occur
John Dewey, Pragmatist Ecology, and American Ecological Writing in the Twentieth Century
Neil W. Browne
University of Alabama Press, 2007
American philosopher John Dewey considered all human endeavors to be one with the natural world. In his writings, particularly Art as Experience (1934), Dewey insists on the primacy of the environment in aesthetic experience. Dewey’s conception of environment includes both the natural and the man-made. The World in Which We Occur highlights this notion in order to define “pragmatist ecology,” a practice rooted in the interface of the cultural and the natural. Neil Browne finds this to be a significant feature of some of the most important ecological writing of the last century.
 
To fully understand human involvement in the natural world, Browne argues that disciplinary boundaries must be opened, with profound implications for the practice of democracy. The degradation of the physical environment and democratic decay, for Browne, are rooted in the same problem: our persistent belief that humans are somehow separate from their physical environment.
 
Browne probes the work of a number of major American writers through the lens of Dewey’s philosophy. Among other texts examined are John Muir’s My First Summer in the Sierra (1911); Sea of Cortez (1941) by John Steinbeck and Edward Ricketts; Rachel Carson’s three books about the sea, Under the Sea-Wind (1941), The Sea Around Us (1951), and The Edge of the Sea (1955); John Haines’s The Stars, the Snow, the Fire (1989); Barry Lopez’s Arctic Dreams (1986); and Terry Tempest Williams’s Refuge (1991). Together, these texts—with their combinations of scientific observation and personal meditation—challenge the dichotomies that we have become accustomed and affirm the principles of a pragmatist ecology, one in which ecological and democratic
values go hand in hand.
[more]

front cover of World Inequality Report 2018
World Inequality Report 2018
Facundo Alvaredo
Harvard University Press, 2018

World Inequality Report 2018 is the most authoritative and up-to-date account of global trends in inequality. Researched, compiled, and written by a team of the world’s leading economists of inequality, it presents—with unrivaled clarity and depth—information and analysis that will be vital to policy makers and scholars everywhere.

Inequality has taken center stage in public debate as the wealthiest people in most parts of the world have seen their share of the economy soar relative to that of others, many of whom, especially in the West, have experienced stagnation. The resulting political and social pressures have posed harsh new challenges for governments and created a pressing demand for reliable data. The World Inequality Lab at the Paris School of Economics and the University of California, Berkeley, has answered this call by coordinating research into the latest trends in the accumulation and distribution of income and wealth on every continent. This inaugural report analyzes the Lab’s findings, which include data from major countries where information has traditionally been difficult to acquire, such as China, India, and Brazil. Among nations, inequality has been decreasing as traditionally poor countries’ economies have caught up with the West. The report shows, however, that inequality has been steadily deepening within almost every nation, though national trajectories vary, suggesting the importance of institutional and policy frameworks in shaping inequality.

World Inequality Report 2018 will be a key document for anyone concerned about one of the most imperative and contentious subjects in contemporary politics and economics.

[more]

front cover of World Inequality Report 2022
World Inequality Report 2022
Lucas Chancel, Thomas Piketty, Emmanuel Saez, Gabriel Zucman
Harvard University Press, 2022

Produced by a team of world-leading economists, this is the benchmark account of recent and historical trends in inequality.

World Inequality Report 2022 is the most authoritative and comprehensive account available of global trends in inequality. Researched, compiled, and written by a team of world-leading economists, the report builds on the pioneering edition of 2018 to provide policy makers and scholars everywhere up-to-date information about an ever broader range of countries and about forms of inequality that researchers have previously ignored or found hard to trace.

Over the past decade, inequality has taken center stage in public debate as the wealthiest people in most parts of the world have seen their share of the economy soar relative to that of others. The resulting political and social pressures have posed harsh new challenges for governments and created a pressing demand for reliable data. The World Inequality Lab, housed at the Paris School of Economics and the University of California, Berkeley, has answered this call by coordinating research into the latest trends in the accumulation and distribution of income and wealth on every continent. This new report not only extends the lab’s international reach but provides crucial new information about the history of inequality, gender inequality, environmental inequalities, and trends in international tax reform and redistribution.

World Inequality Report 2022 will be a key document for anyone concerned about one of the most imperative and contentious subjects in contemporary politics and economics.

[more]

front cover of The World Is Always Coming to an End
The World Is Always Coming to an End
Pulling Together and Apart in a Chicago Neighborhood
Carlo Rotella
University of Chicago Press, 2019
An urban neighborhood remakes itself every day—and unmakes itself, too. Houses and stores and streets define it in one way. But it’s also people—the people who make it their home, some eagerly, others grudgingly. A neighborhood can thrive or it can decline, and neighbors move in and move out. Sometimes they stay but withdraw behind fences and burglar alarms. If a neighborhood becomes no longer a place of sociability and street life, but of privacy indoors and fearful distrust outdoors, is it still a neighborhood?
 
In the late 1960s and 1970s Carlo Rotella grew up in Chicago’s South Shore neighborhood—a place of neat bungalow blocks and desolate commercial strips, and sharp, sometimes painful social contrasts. In the decades since, the hollowing out of the middle class has left residents confronting—or avoiding—each other across an expanding gap that makes it ever harder for them to recognize each other as neighbors. Rotella tells the stories that reveal how that happened—stories of deindustrialization and street life; stories of gorgeous apartments with vistas onto Lake Michigan and of Section 8 housing vouchers held by the poor. At every turn, South Shore is a study in contrasts, shaped and reshaped over the past half-century by individual stories and larger waves of change that make it an exemplar of many American urban neighborhoods. Talking with current and former residents and looking carefully at the interactions of race and class, persistence and change, Rotella explores the tension between residents’ deep investment of feeling and resources in the physical landscape of South Shore and their hesitation to make a similar commitment to the community of neighbors living there.
 
Blending journalism, memoir, and archival research, The World Is Always Coming to an End uses the story of one American neighborhood to challenge our assumptions about what neighborhoods are, and to think anew about what they might be if we can bridge gaps and commit anew to the people who share them with us. Tomorrow is another ending.
 
[more]

front cover of The World Is Gone
The World Is Gone
Philosophy in Light of the Pandemic
Gregg Lambert
University of Minnesota Press
Exploring the existential implications of the Covid-19 crisis through meditations

Part personal memoir, part philosophical reflection and written in the midst of the pandemic in 2021, The World Is Gone employs the Robinson Crusoe fable to launch an existential investigation of the effects of extreme isolation, profound boredom, nightly insomnia, and the fear of madness associated with the loss of a world populated by others.

Forerunners: Ideas First is a thought-in-process series of breakthrough digital publications. Written between fresh ideas and finished books, Forerunners draws on scholarly work initiated in notable blogs, social media, conference plenaries, journal articles, and the synergy of academic exchange. This is gray literature publishing: where intense thinking, change, and speculation take place in scholarship.

[more]

front cover of The World Is Our Stage
The World Is Our Stage
The Global Rhetorical Presidency and the Cold War
Allison M. Prasch
University of Chicago Press, 2023
A fresh account of the US presidential rhetoric embodied in Cold War international travel.
 
Crowds swarm when US presidents travel abroad, though many never hear their voices. The presidential body, moving from one secured location to another, communicates as much or more to these audiences than the texts of their speeches. In The World is Our Stage, Allison M. Prasch considers how presidential appearances overseas broadcast American superiority during the Cold War. Drawing on extensive archival research, Prasch examines five foundational moments in the development of what she calls the “global rhetorical presidency:” Truman at Potsdam, Eisenhower’s “Goodwill Tours,” Kennedy in West Berlin, Nixon in the People’s Republic of China, and Reagan in Normandy. In each case, Prasch reveals how the president’s physical presence defined the boundaries of the “Free World” and elevated the United States as the central actor in Cold War geopolitics.
[more]

front cover of The World Is Round
The World Is Round
Poems
Nikky Finney
Northwestern University Press, 2013

The World Is Round, Nikky Finney’s third volume of poetry, collects the wisps of memory we carry with us throughout our earthly lives and weaves them into deft and nuanced poems that emphasize understanding the cycles of life. The settings offer a view into the kaleidoscope of human experience: the sweetness and shock of family life, the omnipresent wash of memory, and the ebullience of warm Southern air. The World Is Round carries with it an implicit challenge—to the author as a poet, and to the reader as a fellow human—to see the characters and details and events of our lives with clarity, fearlessness, and love. The result is poems that range the gamut of human reach and resilience, fury and frailty. The poet’s vision of community requires understanding and tolerance from every breathing soul. Finney illuminates the cruelties of the sometimes gawking, narrow-minded world and makes a plea for compassion inspired by our common humanity.

 
[more]

front cover of The World is Watching
The World is Watching
Video as Multinational Aesthetics, 1968-1995
Dennis Redmond
Southern Illinois University Press, 2003

Evolving rapidly from the movie screen to the television screen to the computer screen, video culture has blossomed from its origins as an obscure spin-off of the 1960s Anglo-American media culture into one of the leading art forms of the late twentieth century. And as such, video culture has grown from being the dominion of small but dedicated cult followings to becoming a near mainstream cinematic interest. The World Is Watching: Video as Multinational Aesthetics, 1968–1995 explores the origins and implications of this powerful visual medium which crosses national, cultural, and political boundaries to present provocative tales of the highest quality. Dennis Redmond’s probing study is rooted in close readings of three stylish and highly successful video efforts—The Prisoner (1967), The Decalogue (1988), and Neon Genesis: Evangelion (1995).

Irish director and star Patrick McGoohan’s classic science fiction vision, The Prisoner, established many of the basic conventions of video for such elements as shot selection, set design, scripting, scoring, and editing techniques. In The Prisoner, a government agent has resigned his position only to be immediately abducted and confined to an isolated town. Thus imprisoned, the agent faces the sinister and surreal efforts of his captors to break him and learn the secret cause of his resignation. Saturated with Cold War allegory, this seventeen-part series was groundbreaking in its exploration of new types of global content, ranging from gender and ethnic identity to the politics of information. Part futuristic thriller, part James Bond parody, the cult series remains hugely popular among partisans of science fiction, and has had an indelible influence on its mainstream descendants.

               

Set in a Polish housing complex, each episode of The Decalogue examines one of the ten commandments. The provocative series synthesized elements of the Eastern European auteur film with the consumerism of its Western European counterparts, establishing the new genre of Eurovideo. Paying special attention to director Krzysztof Kieslowski's micropolitics of gender, as well as his innovations in scripting, lighting, and framing, Redmond locates The Decalogue within the broader context of Polish filmmaking and as a harbinger of the subsequent Velvet Revolutions of Eastern Europe. Now available on DVD for English-speaking audiences, The Decalogue remains a stunning specimen of video artistry.

               

Aided by transcripts that are far superior to the flawed English dubbing in some video versions, Redmond’s analysis of Hideaki Anno’s acclaimed television series Neon Genesis: Evangelion explores the increasingly popular narrative form of anime. This animated series is set in the post-apocalyptic future, where young pilots in robotic battle suits combat alien invaders. In discussing this twenty-six part epic undertaking, Redmond identifies the impact of the Godzilla narratives, videogame culture, the Japanese mecha, the Hong Kong action thriller and the American sci-fi blockbuster on the formation of a uniquely East Asian identity and aesthetic sensibility. Anime is proving itself to be exceedingly apt and able at crossing national borders and is now enjoying mass popularity among global audiences, thus making it an ideal subject for Redmond’s telling assessment of the impact of video culture worldwide.

[more]

front cover of The World Machine
The World Machine
Paolo Volponi
Seagull Books, 2024
A vivid and unforgettable novelistic portrait of rural Italy, exploring the nature of reality and the human condition.
 
A small-time farmer living in central Italy in the 1960s is the keeper of a great truth: that people are machines built by other beings who are machines themselves. Our true destiny is to build ever better machines so that society can become a techno-utopia in which friendship can be established among all people on earth. These ideas bring him into conflict with everyone, especially his wife, against whom he is accused of ill-treatment. His quest takes him to Rome, where he presents his truth, hoping it will bring him worldwide recognition. Behind his poetical reveries and unfathomable scientific notions lies the disturbing fragility of a lone, paranoid, and deluded man in conflict with everyone, including himself.
 
Paolo Volponi’s unique novel The World Machine examines the relationship between rural life and the modern city, as well as the subversive idealism of a society still firmly anchored in the past, dominated by the Church, and unable to grasp the need for change.
[more]

front cover of A World More Concrete
A World More Concrete
Real Estate and the Remaking of Jim Crow South Florida
N. D. B. Connolly
University of Chicago Press, 2014
Many people characterize urban renewal projects and the power of eminent domain as two of the most widely despised and often racist tools for reshaping American cities in the postwar period. In A World More Concrete, N. D. B. Connolly uses the history of South Florida to unearth an older and far more complex story.  Connolly captures nearly eighty years of political and land transactions to reveal how real estate and redevelopment created and preserved metropolitan growth and racial peace under white supremacy.  Using a materialist approach, he offers a long view of capitalism and the color line, following much of the money that made land taking and Jim Crow segregation profitable and preferred  approaches to governing cities throughout the twentieth century.

A World More Concrete argues that black and white landlords, entrepreneurs, and even liberal community leaders used tenements and repeated land dispossession to take advantage of the poor and generate remarkable wealth.  Through a political culture built on real estate, South Florida’s landlords and homeowners advanced property rights and white property rights, especially, at the expense of more inclusive visions of equality. For black people and many of their white allies, uses of eminent domain helped to harden class and color lines.  Yet, for many reformers, confiscating certain kinds of real estate through eminent domain also promised to help improve housing conditions, to undermine the neighborhood influence of powerful slumlords, and to open new opportunities for suburban life for black Floridians.

Concerned more with winners and losers than with heroes and villains, A World More Concrete offers a sober assessment of money and power in Jim Crow America.  It shows how negotiations between powerful real estate interests on both sides of the color line gave racial segregation a remarkable capacity to evolve, revealing property owners’ power to reshape American cities in ways that can still be seen and felt today.
[more]

front cover of World Next Door
World Next Door
South Asian American Literature
Rajini Srikanth
Temple University Press, 2004
This book grows out of the question, "At this particular moment of tense geopolitics and inter-linked economies, what insights can South Asian American writing offer us about living in the world?"

South Asian American literature, with its focus on the multiple geographies and histories of the global dispersal of South Asians, pulls back from a close-up view of the United States to reveal a wider landscape of many nations and peoples.

South Asian American poets, novelists, and playwrights depict the nation as simultaneously discrete and entwined with the urgencies of places as diverse as Bangladesh, Sri Lanka, India, Burma, Pakistan, and Trinidad. Drawing on the cosmopolitan sensibility of scholars like Anthony Appiah, Vinay Dharwadker, Martha Nussbaum, Bruce Robbins, and Amartya Sen, this book exhorts North American residents to envision connectedness with inhabitants of other lands. The world out there arrives next door.
[more]

front cover of A World Not to Come
A World Not to Come
A History of Latino Writing and Print Culture
Raúl Coronado
Harvard University Press, 2013

A shift of global proportions occurred in May 1808. Napoleon Bonaparte invaded Spain and deposed the Spanish king. Overnight, the Hispanic world was transformed forever. Hispanics were forced to confront modernity, and to look beyond monarchy and religion for new sources of authority. A World Not to Come focuses on how Spanish Americans in Texas used writing as a means to establish new sources of authority, and how a Latino literary and intellectual life was born in the New World.

The geographic locale that became Texas changed sovereignty four times, from Spanish colony to Mexican republic to Texan republic and finally to a U.S. state. Following the trail of manifestos, correspondence, histories, petitions, and periodicals, Raúl Coronado goes to the writings of Texas Mexicans to explore how they began the slow process of viewing the world as no longer being a received order but a produced order. Through reconfigured publics, they debated how best to remake the social fabric even as they were caught up in a whirlwind of wars, social upheaval, and political transformations.

Yet, while imagining a new world, Texas Mexicans were undergoing a transformation from an elite community of "civilizing" conquerors to an embattled, pauperized, racialized group whose voices were annihilated by war. In the end, theirs was a world not to come. Coronado sees in this process of racialization the birth of an emergent Latino culture and literature.

[more]

logo for University of Pittsburgh Press
World Observation
Ito Chutas Architecture Histories
Matthew Mullane
University of Pittsburgh Press, 2025
A new addition to the University of Pittsburgh Press Culture Politics & the Built Environment series
[more]


Send via email Share on Facebook Share on Twitter