A SCHOLARLY BOOK REPOSITORY
With admirable lucidity and scrupulous attention to detail, Silas Wu recreates the conflict and intrigue that marked the struggle for succession to the throne of China during the reign of Emperor K’ang-hsi. This crisis, as Wu portrays it, stemmed from irreconcilable familial commitments and imperial responsibilities. K’ang-hsi, frequently compared to his contemporaries Louis XIV and Peter the Great, is depicted here as a psychologically complex individual with bewildering inconsistencies in his behavior. His fears and doubts persistently confounded his ministers, impeding the effectiveness of his rule. Yin-jeng, his talented and promising son, had been hand-picked to succeed from infancy, but steadily degenerated into cruelty, immorality, and madness, becoming totally unfit to be the heir to the throne of the Chinese empire.
The story is told against the complex background of the K’ang-hsi era with specific delineations of the chief personalities concerned. This multifaceted approach enables Wu to link political events of the time to the conflicting desires and passions of father and son. His careful investigation of the cultural concept of filial piety and its profound influence on K’ang-hsi enables him to unravel the latter’s paradoxical behavior, both private and public. Even the subtle effects of contemporary social changes on the court at Peking come to light through Wu’s comprehensive analysis.
Wu has utilized nearly every document available on the subject including letters, diaries, intelligence reports, and K’ang-hsi’s secret correspondence with court officials. The result is an unusual book that unites history and psychology.
Play to Submission shows how Behemoth’s games undermined and manipulated workers. They lost their work-life balance and the constant competition made labor organizing difficult. Nonetheless, many workers embraced management’s games as a chance to show off their “gamer” identities and create a workplace culture with privileged insiders and exiled outsiders, with female and migrant workers usually in the latter group. Moreover, Wu indicates this may be the future of work for high- and low-skilled and, creative workers in an environment where capitalists have heightened demands for technology and creativity.
Drawing from 13 months of ethnographic work, Wu presents a persistent reality in which the company reaps the reward of surplus productivity, leaving employees themselves in a highly competitive and sometimes precarious work position.
Drawing from literary, historical, dramatic, and anecdotal sources, Yenna Wu conducts a rich exploration of an unusually prominent theme in premodern Chinese prose fiction and drama: that of jealous and belligerent wives, or viragos, who dominate their husbands and abuse other women. Focusing on Chinese literary works from the sixteenth to the eighteenth centuries, she presents many colorful perspectives on this type of aggression, reviewing early literary and historical examples of the phenomenon.
Wu argues that although the various portraits of the virago often reveal the writers' insecurities about strong-willed women in general, the authors also satirize the kind of man whose behavioral patterns have been catalysts for female aggression. She shows that various elements of these portraits constitute a subversive form of parody that casts a revealing light on the patriarchal hierarchy of premodern China.
Mao Zedong envisioned a great struggle to "wreak havoc under the heaven" when he launched the Cultural Revolution in 1966. But as radicalized Chinese youth rose up against Party officials, events quickly slipped from the government's grasp, and rebellion took on a life of its own. Turmoil became a reality in a way the Great Leader had not foreseen. The Cultural Revolution at the Margins recaptures these formative moments from the perspective of the disenfranchised and disobedient rebels Mao unleashed and later betrayed.
The Cultural Revolution began as a "revolution from above," and Mao had only a tenuous relationship with the Red Guard students and workers who responded to his call. Yet it was these young rebels at the grassroots who advanced the Cultural Revolution's more radical possibilities, Yiching Wu argues, and who not only acted for themselves but also transgressed Maoism by critically reflecting on broader issues concerning Chinese socialism. As China's state machinery broke down and the institutional foundations of the PRC were threatened, Mao resolved to suppress the crisis. Leaving out in the cold the very activists who had taken its transformative promise seriously, the Cultural Revolution devoured its children and exhausted its political energy.
The mass demobilizations of 1968-69, Wu shows, were the starting point of a series of crisis-coping maneuvers to contain and neutralize dissent, producing immense changes in Chinese society a decade later.
Taiwan is a classic case of export-led industrialization. But unlike South Korea and Japan, where large firms have been the major exporters, before the late 1980s Taiwan's successful exporters were overwhelmingly small- and medium-sized enterprises (SMEs). The SMEs became the engine of the entire economy, yet for many years the state virtually ignored the SMEs and their role as exporters.
What factors account for the success of the SMEs and their benign neglect by the state? The key was a strict division of labor: state and large private enterprises jointly monopolized the domestic market. This gave the SMEs a free run in export markets. How did this industrial structure come into being? The author argues that it was an unintended consequence of the state's policy toward the private sector and its political strategies for managing societal forces. Indeed, Taiwan's unique industrial structure was shaped by both the witting and the unwitting interactions of the state and the private sector. Moreover, as the author shows, this industrial policy was a product of the internal politics of the economic bureaucracy, and the formulation and implementation of economic policy hinged on mechanisms for solving differences within the state.
The significant archive of writing that came out of the women’s liberation movement in the United States, from 1965 to 1980, speaks to the value activists placed on reading as an act that is at once personal and yet also about the collective good. Yung-Hsing Wu examines the importance of reading—personal, professional, vocational, aesthetic, and always political—and how the act itself brought a host of women, each with their own history with the movement, into relation, and into a belief in that relation. The value given to reading can be seen in the ways feminists pursued media representation; in consciousness-raising (CR) groups including shared reading in their meetings; in women opening bookstores, developing newsletters, establishing journals, and starting presses; and in corporate publishers pursuing feminist fiction.
Closely and Consciously crisscrosses distinct print spheres, including newsletters and periodicals produced by feminist cells and consciousness-raising groups, feminist presses seeking to articulate their visions for women’s writing, the emergence of feminist literary criticism in first-time monographs and newly established journals, personal and editorial correspondence, press records, and the publishing histories of bestsellers that testified to the increasingly broad popularity of women’s writing. Uniting all these disparate activists and media outlets, and providing crucial relationality, was reading. With a mix of close readings and archival research, Wu unpacks and interprets this central act of reading and why it matters during a crucial moment of feminist history.
In Keeping the Wild, a group of prominent scientists, writers, and conservation activists responds to the Anthropocene-boosters who claim that wild nature is no more (or in any case not much worth caring about), that human-caused extinction is acceptable, and that “novel ecosystems” are an adequate replacement for natural landscapes. With rhetorical fists swinging, the book’s contributors argue that these “new environmentalists” embody the hubris of the managerial mindset and offer a conservation strategy that will fail to protect life in all its buzzing, blossoming diversity.
With essays from Eileen Crist, David Ehrenfeld, Dave Foreman, Lisi Krall, Harvey Locke, Curt Meine, Kathleen Dean Moore, Michael Soulé, Terry Tempest Williams and other leading thinkers, Keeping the Wild provides an introduction to this important debate, a critique of the Anthropocene boosters’ attack on traditional conservation, and unapologetic advocacy for wild nature.
Protecting the Wild offers a spirited argument for the robust protection of the natural world. In it, experts from five continents reaffirm that parks, wilderness areas, and other reserves are an indispensable—albeit insufficient—means to sustain species, subspecies, key habitats, ecological processes, and evolutionary potential. Using case studies from around the globe, they present evidence that terrestrial and marine protected areas are crucial for biodiversity and human well-being alike, vital to countering anthropogenic extinctions and climate change.
A companion volume to Keeping the Wild: Against the Domestication of Earth, Protecting the Wild provides a necessary addition to the conversation about the future of conservation in the so-called Anthropocene, one that will be useful for academics, policymakers, and conservation practitioners at all levels, from local land trusts to international NGOs.
The story of how a biologically driven understanding of gender and sexuality became central to US LGBTQ+ political and legal advocacy.
Across protests and courtrooms, LGBTQ+ advocates argue that sexual and gender identities are innate. Oppositely, conservatives incite panic over “groomers” and a contagious “gender ideology” that corrupts susceptible children. Yet, as this debate rages on, the history of what first compelled the hunt for homosexuality’s biological origin story may hold answers for the queer rights movement’s future.
Born This Way tells the story of how a biologically based understanding of gender and sexuality became central to LGBTQ+ advocacy. Starting in the 1950s, activists sought out mental health experts to combat the pathologizing of homosexuality. As Joanna Wuest shows, these relationships were forged in subsequent decades alongside two broader, concurrent developments: the rise of an interest-group model of rights advocacy and an explosion of biogenetic and bio-based psychological research. The result is essential reading to fully understand LGBTQ+ activism today and how clashes over science remain crucial to equal rights struggles.
This is an auto-narrated audiobook version of this book.
The story of how a biologically driven understanding of gender and sexuality became central to US LGBTQ+ political and legal advocacy.
Across protests and courtrooms, LGBTQ+ advocates argue that sexual and gender identities are innate. Oppositely, conservatives incite panic over “groomers” and a contagious “gender ideology” that corrupts susceptible children. Yet, as this debate rages on, the history of what first compelled the hunt for homosexuality’s biological origin story may hold answers for the queer rights movement’s future.
Born This Way tells the story of how a biologically based understanding of gender and sexuality became central to LGBTQ+ advocacy. Starting in the 1950s, activists sought out mental health experts to combat the pathologizing of homosexuality. As Joanna Wuest shows, these relationships were forged in subsequent decades alongside two broader, concurrent developments: the rise of an interest-group model of rights advocacy and an explosion of biogenetic and bio-based psychological research. The result is essential reading to fully understand LGBTQ+ activism today and how clashes over science remain crucial to equal rights struggles.
Drawing on letters, diaries, and other original sources (many never before translated from the Danish), Wullschlager shows in this compelling, extensively researched biography how Andersen's writings—darker and more diverse than previously recognized—reflected the complexities of his life, a far cry from the "happily ever after" of a fairy tale. As we follow in his footsteps from Golden Age Copenhagen to the princely courts of Germany and the villas of southern Italy, Andersen becomes a figure every bit as fascinating as a character from one of his stories—a gawky, self-pitying, and desperate man, but also one of the most gifted storytellers the world has ever known.
Renowned German social historian Heide Wunder refers to the cosmic image contained in the 1578 Book of Marital Discipline that characterizes the relationship between husband and wife. Today, "He is the sun, she is the moon" might be interpreted as a hierarchy of dominance and subordination. At the time it was used, however, sun and moon reflected the different but equal status of husband and wife.
Wunder shows how the history of women and the history of gender relations can provide crucial insights into how societies organize themselves and provide resources for political action. She observes actual circumstances as well as the normative rules that were supposed to guide women's lives. We learn what skills were necessary to take charge of households, what people ate, how they furnished their homes, what birth control measures were available, what role women played in peasant protest. Wunder finds that, in addition to the history of losses and setbacks for women observed by so many current interpreters, there is a history of gains as well. The regency of noble women was normal, as was the shared responsibility of wife and husband in a peasant household, an artisan's workshop, or a merchant's business.
Using sources as diverse as memoirs, wedding and funeral sermons, novels, and chronicles, and including a wealth of demographic information, Wunder reveals a surprising new image of early modern women and provides a richer interpretation of early modern Europe.
Dale E. Luffman, Association for Mormon Letters
Brooke shares vignettes of her early life—California in the Great Depression, college at Stanford, law school in Colorado during World War II, and the 1946 opening of her Cheyenne law office, a precedent for women in law. She vividly describes memorable and amusing experiences with clients, witnesses, lawyers, juries, and judges and explains some significant cases. She recounts important and dynamic events from her twelve years as Denver’s chief appellate deputy district attorney, an era during which she was an inestimable mentor to many young lawyers who became prominent in the private and public sectors.
Brooke passionately believed “the law has been and will continue to be civilization’s hope.” In her book’s final part, she demystifies many legal terms and procedures and describes the parts of a civil jury trial—including information for jurors and witnesses—and provides an enthusiastic and clear refresher on the US Constitution and Bill of Rights.
Brooke at the Bar is a unique and historically important contribution that will be of interest to general readers, scholars, and students interested in US law, political science, government, women’s history, twentieth-century western history, civil rights, and legal communities, including those in Wyoming and Colorado, where Brooke was “at the Bar.”
The characters in Happy Like This are smart girls and professional women—social scientists, linguists, speech therapists, plant physiologists, dancers—who search for happiness in roles and relationships that are often unscripted or unconventional. In the midst of their ambivalence about marriage, monogamy, and motherhood and their struggles to accept and love their bodies, they look to other women for solidarity, stability, and validation. Sometimes they find it; sometimes they don’t. Spanning a wide range of distinct perspectives, voices, styles, and settings, the ten shimmering stories in Happy Like This offer deeply felt, often humorous meditations on the complexity of choice and the ambiguity of happiness.
Mark Twain, American Humorist examines the ways that Mark Twain’s reputation developed at home and abroad in the period between 1865 and 1882, years in which he went from a regional humorist to national and international fame. In the late 1860s, Mark Twain became the exemplar of a school of humor that was thought to be uniquely American. As he moved into more respectable venues in the 1870s, especially through the promotion of William Dean Howells in the Atlantic Monthly, Mark Twain muddied the hierarchical distinctions between class-appropriate leisure and burgeoning forms of mass entertainment, between uplifting humor and debased laughter, and between the literature of high culture and the passing whim of the merely popular.
It has become common to lament Americans' tendency to pursue individual interests apart from any institutional association. But to those who charge that Americans are at home watching television rather than getting involved in their communities, Robert Wuthnow answers that while certain kinds of civic engagement may be declining, innovative new forms are taking their place.
Acknowledging that there has been a significant change in group affiliations--away from traditional civic organizations--Wuthnow shows that there has been a corresponding movement toward affiliations that respond to individual needs and collective concerns. Many Americans are finding new and original ways to help one another through short-term task-oriented networks. Some are combining occupational skills with community interests in nonprofit and voluntary associations. Others use communication technologies, such as the World Wide Web, to connect with like-minded people in distant locations. And people are joining less formal associations, such as support groups and lobbying efforts, within their home communities.
People are still connected, but because of the realities of daily life, they form "loose connections." These more fluid groups are better suited to dealing with today's needs than the fraternal orders and ladies' auxiliaries of the past. Wuthnow looks at the challenges that must be faced if these innovative forms of civic involvement are to flourish, and calls for resources to be made available to strengthen the more constructive and civic dimensions of these organizations. This book helps us to understand and encourage the community spirit of today.
Wuthnow uses as a guiding assumption the idea that cultural expressions, religious or otherwise, do not simply happen but are produced. He considers the major kinds of organizations that produce public religion--congregations, hierarchies, special interests, academies, and public rituals--showing how these organizational vehicles shape public religion's messages and how specific types of religious organization draw resources from their environments. He also reveals the implicit and unintended ways in which sacredness is expressed in modern society.
A volume in the series Public Expressions of Religion in America
Explore a tale of two sisters
Beyond Mary or Martha: Reclaiming Ancient Models of Discipleship dives into the complicated reception history of Mary and Martha of Bethany, who have been at the center of many debates for almost two thousand years. Jennifer S. Wyant begins her study with a close reading of the sisters’ first encounter with Jesus in Luke 10:38-42, then moves on to patristic, medieval, and modern interpretations of that narrative. Wyant tracks how Mary and Martha both became paradigms of discipleship, revealing the inherent tension within Christianity between contemplative practices and acts of service. By placing ancient debates alongside more modern ones, she argues that, contrary to discussions today within academic and religious circles, gender is not the most important aspect of their story.
Features:
- A thorough examination of the textual variants in the passage to show how variants affected interpretation throughout history
- Interpretations from medieval women and their contributions to interpretation of Mary and Martha
- A visual exegesis of the art representing the passage throughout history
With all the drama and complexity of a symphony, Listening to Mozart traces forty years in the life of flutist James Baxter. Many of the stories in this collection—actually a novel in stories—center on or revolve around James' relationship with Anna, a potter and artist. Each story is a separate movement, yet they combine to create a deeply textured whole work. The stories chronicle James' inward journey, as well as his life and loves, with a voice repeatedly transformed through the years.
“Bach Suite” serves as a prologue and deals with the split in consciousness that often accompanies musical performance. The story imitates the musical form it describes and tunes the reader's ear to the innermost thoughts of a musician. Each succeeding story introduces another episode in James' life—his music school days in Philadelphia with his first love, Zoe, his stint in the U.S. Marine Band during the Vietnam War when he meets Anna, his adventures with his friend Franklin, his experiences with the mysterious Dalawa, a trip with Anna to Toronto to immerse themselves in the culture and music of South India. James' friendships, affairs, experiences, and occasional angst resound in each story.
In all the stories, in all his relationships, James finds himself experiencing his life in much the way he experiences music. There is a moment for which he is waiting, yet for which he is never fully prepared, a moment which passes inexorably. Sometimes, in the rare musical experience, he is able to penetrate that moment and allow time to fall away. These moments are the signposts of his life, like the movements of the Bach suite, but unbidden, and they give him his only perspective and vision.
"Wyatt makes the Diem period in Saigon come to life—the primitive communications, the police crackdowns, the quarrels within the news organizations between the pessimists in Saigon and the optimists in Washington and New York."—Peter Braestrup, Washington Times
"An important, readable study of the Vietnam press corps—the most maligned group of journalists in modern American history. Clarence Wyatt's insights and assessments are particularly valuable now that the media is rapidly growing in its influence on domestic and international affairs."—Peter Arnett, CNN foreign correspondent
Wyatt explores these questions as he retraces the decisive moments of 1968—the Tet Offensive, the McCarthy campaign, the assassinations of Martin Luther King Jr. and Robert Kennedy, the student revolt at Columbia, the "police riot" at the Democratic Convention in Chicago, Lyndon Johnson's capitulation, and Richard Nixon's ascendency to power. Seeking to recover the emotions surrounding these events as well as analyze their significance, Wyatt draws on the insights of what Michael Herr has called "straight" and "secret" histories. The first category consists of work by professional historians, traditional journalists, public figures, and political operatives, while the second includes the writings of novelists, poets, New Journalists, and memoirists.
The aim of this parallel approach is to uncover two kinds of truth: a "scholarly truth" grounded in the documented past and an "imaginative truth" that occupies the more ambiguous realm of meaning. Only by reckoning with both, Wyatt believes, can Americans come to understand the true legacy of the 1960s.
A study of the largely hidden world of primary media market research and the different methods used to understand how the viewer is pictured in the industry.
The first book on the intersection between market research and media, Creating the Viewer takes a critical look at media companies’ studies of television viewers, the assumptions behind these studies, and the images of the viewer that are constructed through them. Justin Wyatt examines various types of market research, including talent testing, pilot testing, series maintenance, brand studies, and new show “ideation,” providing examples from a range of programming including news, sitcoms, reality shows, and dramas. He looks at brand studies for networks such as E!, and examines how the brands of individuals such as showrunner Ryan Murphy can be tested. Both an analytical and practical work, the book includes sample questionnaires and paths for study moderators and research analysts to follow. Drawn from over fifteen years of experience in research departments at various media companies, Creating the Viewer looks toward the future of media viewership, discussing how the concept of the viewer has changed in the age of streaming, how services such as Netflix view market research, and how viewers themselves can shift the industry through their media choices, behaviors, and activities.
Steven Spielberg once said, "I like ideas, especially movie ideas, that you can hold in your hand. If a person can tell me the idea in twenty-five words or less, it's going to make a pretty good movie." Spielberg's comment embodies the essence of the high concept film, which can be condensed into one simple sentence that inspires marketing campaigns, lures audiences, and separates success from failure at the box office.
This pioneering study explores the development and dominance of the high concept movie within commercial Hollywood filmmaking since the late 1970s. Justin Wyatt describes how box office success, always important in Hollywood, became paramount in the era in which major film studios passed into the hands of media conglomerates concerned more with the economics of filmmaking than aesthetics. In particular, he shows how high concept films became fully integrated with their marketing, so that a single phrase ("Just when you thought it was safe to go back in the water...") could sell the movie to studio executives and provide copy for massive advertising campaigns; a single image or a theme song could instantly remind potential audience members of the movie, and tie-in merchandise could generate millions of dollars in additional income.
The image of the elephant can be found throughout world cultures as a symbol of intelligence, strength, and loyalty. Wylie draws on a rich array of examples to document that symbolic power, ranging from symbols of the Hindu god of wisdom, Ganesh, to the beloved children’s works Dumbo and Babar the Elephant.
Turning to the elephant’s biological history, Wylie describes the three remaining species—the African Bush Elephant, African Forest Elephant, and the Asian Elephant—and the controversial efforts for elephant conservation. With ivory poaching and human encroachment into the animal’s natural habitats, Wylie argues that we face a uniquely poignant conservation crisis in which elephants and humans both unsustainably consume limited natural resources.
A compelling new entry in the Animal series, Elephant will be necessary for every animal lover’s bookshelf.
Meanwhile the public image, sometimes monstrous, sometimes heroic, juggernauts on—truly a “myth of iron” that is so intriguing, so dramatic, so archetypal, and sometimes so politically useful that few have subjected it to proper scrutiny.
Myth of Iron: Shaka in History is the first book-length scholarly study of Shaka to be published. It lays out, as far as possible, all the available evidence—mainly hitherto underutilized Zulu oral testimonies, supported by other documentary sources—and decides, item by item, legend by legend, what exactly is known about Shaka’s reign. The picture that emerges in this meticulously researched and absorbing antibiography is very different from the popular narrative.
"This book is about the ramifications of raw corporate power going unchecked." -- John Conyers, Michigan congressman
"Racial class is a fundamental problem in America. But Poletown demonstrates that economic class is even more fundamental." -- Rev. Jesse Jackson
Best known for his deeply controversial 1955 novel, Lolita, Vladimir Nabokov (1899-1977) is celebrated as one of the most distinctive literary stylists of the twentieth century. In Vladimir Nabokov, Barbara Wyllie presents a comprehensive account of the life and works of the writer, from his childhood and earliest stories in pre-revolutionary Russia, to The Original of Laura—a novel written almost entirely on index cards published for the first time in 2009, perhaps against Nabokov’s wishes.
This literary biography investigates the author’s poetry and prose, in both Russian and English, and examines the relationship between Nabokov’s extraordinary erudition and the themes that recur throughout his works. His expertise as a specialist in butterflies complemented his wide knowledge of Russian and Western European culture, philosophy, and history, and informed the themes of transformation and transcendence that dominate his work. Wyllie traces his lifelong preoccupations with time, memory, and mortality across both his Russian and English works, and she illuminates his distinctive through detailed analysis of his major novels. Wyllie assesses his poetry and prose style alongside Nabokov’s own autobiography, letters, and critical writings—as well as the only recently-published The Original of Laura—in order to create a complete and updated picture of the writer in the context of his works.
Vladimir Nabokov presents a fascinating portrait of one of the twentieth century’s most eclectic, prolific, and controversial authors. It is an essential read for fans of Nabokov and scholars of twentieth century English and Russian literature.
Do you have a smartphone? Billions of people on the planet now navigate their daily lives with the kind of advanced Global Positioning System capabilities once reserved for the most secretive elements of America’s military-industrial complex. But when so many people have access to the most powerful technologies humanity has ever devised for the precise determination of geographical coordinates, do we still need a specialized field of knowledge called geography?
Just as big data and artificial intelligence promise to automate occupations ranging from customer service and truck driving to stock trading and financial analysis, our age of algorithmic efficiency seems to eliminate the need for humans who call themselves geographers—at the precise moment when engaging with information about the peoples, places, and environments of a diverse world is more popular than ever before. How did we get here? This book traces the recent history of geography, information, and technology through the biography of Edward A. Ackerman, an important but forgotten figure in geography’s “quantitative revolution.” It argues that Ackerman’s work helped encode the hidden logics of a distorted philosophical heritage—a dangerous, cybernetic form of thought known as militant neo-Kantianism—into the network architectures of today’s pervasive worlds of surveillance capitalism.
Jeffries Wyman (1814–74), a pioneer anthropologist of nineteenth-century America and one of its great comparative anatomists, was the Hersey Professor of Anatomy at Harvard University and, later, a trustee of the Peabody Museum and professor of American Archaeology and Ethnology.
Wyman wrote the 59 letters in this volume to his only son Jeffie. Dating from 1866, when Jeffie was two, until Wyman’s death in 1874, when Jeffie was ten, the letters reveal a great scientist trying to instill in his son the concepts of acute observation and wonder. Wyman’s charming, quizzical drawings embellish the text, which will be appreciated by children and adults alike.
Published by University of Delaware Press. Distributed worldwide by Rutgers University Press.
James Wynn’s timely investigation highlights scientific studies grounded in publicly gathered data and probes the rhetoric these studies employ. Many of these endeavors, such as the widely used SETI@home project, simply draw on the processing power of participants’ home computers; others, like the protein-folding game FoldIt, ask users to take a more active role in solving scientific problems. In Citizen Science in the Digital Age: Rhetoric, Science, and Public Engagement, Wynn analyzes the discourse that enables these scientific ventures, as well as the difficulties that arise in communication between scientists and lay people and the potential for misuse of publicly gathered data.
Wynn puzzles out the intricacies of these exciting new research developments by focusing on various case studies. He explores the Safecast project, which originated from crowd-sourced mapping for Fukushima radiation dispersal, arguing that evolving technologies enable public volunteers to make concrete, sound, science-based arguments. Additionally, he considers the potential use of citizen science as a method of increasing the public’s identification with the scientific community, and contemplates how more collaborative rhetoric might deepen these opportunities for interaction and alignment. Furthermore, he examines ways in which the lived experience of volunteers may be integrated with expert scientific knowledge, and also how this same personal involvement can be used to further policy agendas.
Precious few texts explore the intersection of rhetoric, science, and the Internet. Citizen Science in the Digital Age fills this gap, offering a clear, intelligent overview of the topic intended for rhetoric and communication scholars as well as practitioners and administrators in a number of science-based disciplines. With the expanded availability of once inaccessible technologies and computing power to laypeople, the practice of citizen science will only continue to grow. This study offers insight into how—given prudent application and the clear articulation of common goals—citizen science might strengthen the relationships between scientists and laypeople.
Wynn tracks the history of festivals in Newport, Nashville, and Austin, taking readers on-site to consider different festival agendas and styles of organization. It’s all here: from the musician looking to build her career to the mayor who wants to exploit a local cultural scene, from a resident’s frustration over corporate branding of his city to the music executive hoping to sell records. Music/City offers a sharp perspective on cities and cultural institutions in action and analyzes how governments mobilize massive organizational resources to become promotional machines. Wynn’s analysis culminates with an impassioned argument for temporary events, claiming that when done right, temporary occasions like festivals can serve as responsive, flexible, and adaptable products attuned to local places and communities.
Everyone wants to visit New York at least once. The Big Apple is a global tourist destination with a dizzying array of attractions throughout the five boroughs. The only problem is figuring out where to start—and that’s where the city’s tour guides come in.
These guides are a vital part of New York’s raucous sidewalk culture, and, as The Tour Guide reveals, the tours they offer are as fascinatingly diverse—and eccentric—as the city itself. Visitors can take tours that cover Manhattan before the arrival of European settlers, the nineteenth-century Irish gangs of Five Points, the culinary traditions of Queens, the culture of Harlem, or even the surveillance cameras of Chelsea—in short, there are tours to satisfy anyone’s curiosity about the city’s past or present. And the guides are as intriguing as the subjects, we learn, as Jonathan R. Wynn explores the lives of the people behind the tours, introducing us to office workers looking for a diversion from their desk jobs, unemployed actors honing their vocal skills, and struggling retirees searching for a second calling. Matching years of research with his own experiences as a guide, Wynn also lays bare the grueling process of acquiring an official license and offers a how-to guide to designing and leading a tour.
Touching on the long history of tour-giving across the globe as well as the ups and downs of New York’s tour guide industry in the wake of 9/11, The Tour Guide is as informative and insightful as the chatty, charming, and colorful characters at its heart.
Cairo is a city obsessed with honor and respectability—and love affairs. Sara, a working-class woman, has an affair with a married man and becomes pregnant, only to be abandoned by him; Ayah and Zeid, a respectably engaged couple, argue over whether Ayah’s friend is a prostitute or a virgin; Malak, a European belly dancer who sometimes gets paid for sex, wants to be loved by a man who won’t treat her like a whore just because she’s a dancer; and Alia, a Christian banker who left her abusive husband, is the mistress of a wealthy Muslim man, Haroun, who encourages business by hosting risqué parties for other men and their mistresses.
Set in transnational Cairo over two decades, Love, Sex, and Desire in Modern Egypt is an ethnography that explores female respectability, male honor, and Western theories and fantasies about Arab society. L. L. Wynn uses stories of love affairs to interrogate three areas of classic anthropological theory: mimesis, kinship, and gift. She develops a broad picture of how individuals love and desire within a cultural and political system that structures the possibilities of, and penalties for, going against sexual and gender norms. Wynn demonstrates that love is at once a moral horizon, an attribute that “naturally” inheres in particular social relations, a social phenomenon strengthened through cultural concepts of gift and kinship, and an emotion deeply felt and desired by individuals.
2008 — Leeds Honor Book in Urban Anthropology – Society for Urban, National, and Transnational/Global Anthropology
Living in Egypt at the turn of the millennium, cultural anthropologist L. L. Wynn was struck by the juxtapositions of Western, Gulf Arab, and Egyptian viewpoints she encountered. For some, Egypt is the land of mummies and pharaohs. For others, it is a vortex of decadence, where nightlife promises a chance to salivate over belly dancers and maybe even glimpse a movie star. Offering a new approach to ethnography, Pyramids and Nightclubs examines cross-cultural encounters to bring to light the counterintuitive ways in which Egypt is defined.
Guiding readers on an armchair journey that introduces us to Russian and Australian belly dancers on Nile cruise ships, Egyptian rumors about an Arab prince and his royal entourage, Saudi girls looking for a less restrictive dating scene, and other visitors to this "antique" land, Wynn uses the lens of travel and tourism to depict a fascinating and often surprising version of Egypt, while exploring the concept of stereotype itself. Tracing the history of Western and Arab fascination with Egypt through spurious hunts for lost civilizations and the new economic disparities brought about by the oil industry, Pyramids and Nightclubs ultimately describes the ways in which moments of cultural contact, driven by tourism and labor migration, become eye-opening opportunities for defining self and other.
The prosperous, comfortable, and homogeneous American suburb is a relatively recent institution in American history. Edward Wynne was one of the first to take a serious look at the quality of suburban childhood, where, he contends, we have ignored the developments affecting the largest pool of children and parents in America. This provocative volume argues that the total environment of the suburban youth—the school, the community, the family, and the workplace—is in need of drastic reform.
Wynne advances a forthright argument for the preservation of traditional moral values and criticizes excessive individualism in fragmented modern society. Focusing on the schools and extending his discussion to the larger community, he pleads for more attention to such goals as honesty, persistence, patriotism, and loyalty.
Post-industrial suburban environments, Wynne argues, do not provide the diversity of experience children must have to become successful adults. Strong community ties to the schools are basic to Wynne's thesis. Within the schools, he recommends changes in grading systems, student responsibilities and assignments, selection and training of teachers and administrators, structuring and evaluation of programs, and the socioeconomic and age mix of pupils. A feeling of cooperation and unity within the school itself is a major goal. Wynne also suggests steps for moving toward more heterogeneous, close-knit communities, where citizens have greater local control. For example, community members could restrict movement into the community and should aim for a mix of blue- and white-collar residents.
Wynne's arguments clearly run counter to fashion and are sure to provoke a high level of debate among educators of differing philosophic persuasions. Civil libertarians, feminists, civil rights advocates, and others are bound to make spirited replies to many of Wynne's contentions. Growing Up Suburban will be of interest to educators, public school administrators, parents, and suburban dwellers.
Weaving in artifacts like advice columns, advertisements, theatrical reviews, and even the lived experiences of the actors who brought O’Neill’s wife characters to life, Beth Wynstra points to new ways of seeing and empathizing with those who are betrothed and new possibilities for reading marriage in literary and dramatic works. She suggests that the various ways women were, and still are, expected to divert from their true ambitions, desires, and selves in the service of appropriate wifely behavior is a detrimental performance and one at the crux of O’Neill’s marital tragedies. This book invites more inclusive and nuanced ways of thinking about the choices married characters must make and the roles they play, both on and off the stage.
The Ascension of Authorship traces the history of the idea of the author in the ancient world, beginning with the attribution practices of Second Temple and Rabbinic Judaism. Jed Wyrick explores the testimony of Josephus on the succession of prophetic scribes and their superiority to Greek historiographers, and interprets the formation of the biblical canon in this light.
The Ascension of Authorship also examines the Greek scholarly methodology that questioned traditional connections between names and texts, a methodology perfected by Hellenistic grammarians and inherited by early Christian scholars. Wyrick argues that the fusion of Jewish and Hellenistic approaches toward attribution helped lead to St. Augustine’s reinvention of the writer of scripture as an author whose texts were governed by both divine will and human intent.
Edith Wyschogrod animates such questions through the passionate figure of the "heterological historian." Realizing the philosophical impossibility of ever recovering "what really happened," this historian nevertheless acknowledges a moral imperative to speak for those who have been rendered voiceless, to give countenance to those who have become faceless, and hope to the desolate. Wyschogrod also weighs the impact of modern archival methods, such as photographs, film, and the Internet, which bring with them new constraints on the writing of history and which mandate a new vision of community. Drawing on the works of continental philosophers, historiographers, cognitive scientists, and filmmakers, Wyschogrod creates a powerful new framework for the understanding of history and the ethical duties of the historian.
"A 'must' for readers interested in the borderlands between philosophy, hagiography, and ethics."—Mark I. Wallace, Religious Studies Review
Ecospatiality explores modern and contemporary American prose literature through the lens of place, showing how authors like William Least Heat-Moon, Willa Cather, Richard Wright, and Leslie Marmon Silko represent and reimagine real places in the world and the human-environment relationships therein. Building on the work of scholars in geography, sociology, ecocriticism, and geocriticism, this book articulates the theory of ecospatiality: an understanding of place as simultaneously spatial, ecological, and historical.
In our current historical moment, which is characterized by ongoing ecological collapse and a not-unrelated increase in social disorder, few issues are more urgent than the human relationship with our environments. Whether we characterize this new epoch as the climate change era or the Anthropocene, we can no longer ignore the fact that the places we live are rapidly changing in response to economic and environmental pressures. Rather than thinking of place as a neutral site for social interaction, we should recognize how it underpins and intertwines with human experience.
Fortunately, literature can help us think through how place operates. Lowell Wyse shows that texts can be understood as works of literary cartography. Focusing on works of nonfiction and fiction whose primary settings are on the North American continent, Ecospatiality demonstrates how these narratives rely on realistic literary geography to invoke, and sometimes retell, important aspects of environmental history within particular communities and bioregions.
As new media mature, the changes they bring to writing in college are many and suggest implications not only for the tools of writing, but also for the contexts, personae, and conventions of writing. An especially visible change has been the increase of visual elements-from typographic flexibility to the easy use and manipulation of color and images. Another would be in the scenes of writing-web sites, presentation "slides," email, online conferencing and coursework, even help files, all reflect non-traditional venues that new media have brought to writing. By one logic, we must reconsider traditional views even of what counts as writing; a database, for example, could be a new form of written work.
The authors of Writing New Media bring these ideas and the changes they imply for writing instruction to the audience of rhetoric/composition scholars. Their aim is to expand the college writing teacher's understanding of new media and to help teachers prepare students to write effectively with new media beyond the classroom. Each chapter in the volume includes a lengthy discussion of rhetorical and technological background, and then follows with classroom-tested assignments from the authors' own teaching.
If every story is born of a question—How did we get here? How do you make your arm do that?—the stories in Geoff Wyss’s How search for answers to the mysteries of an astonishing range of characters. The narrator of “How I Come to Be Here at the GasFast” explains why he hasn’t left a truck stop in the two days since he scratched a winning lottery ticket. In “How to Be a Winner,” a sports consultant browbeats a high school football team with his theory of history and a justification of his failed coaching career. Lost in the mazes they’ve made of themselves, Wyss’s characters search for exits on ground that shifts dizzyingly from humor to pathos, from cynicism to earnestness, from comedy to tragedy, often within the same sentence. Although propelled by a razor-sharp, contemporary voice, Wyss’s stories—many set in a New Orleans unknown to television and tourists—have more in common with Chekhov and O’Connor than with “Treme.”
Winner of the Yad Vashem International Book Prize for Holocaust Research
Auschwitz—the largest and most notorious of Hitler’s concentration camps—was founded in 1940, but the Nazis had been detaining Jews in camps ever since they came to power in 1933. Before Auschwitz unearths the little-known origins of the concentration camp system in the years before World War II and reveals the instrumental role of these extralegal detention sites in the development of Nazi policies toward Jews and in plans to create a racially pure Third Reich.
Investigating more than a dozen camps, from the infamous Dachau, Buchenwald, and Sachsenhausen to less familiar sites, Kim Wünschmann uncovers a process of terror meant to identify and isolate German Jews in the period from 1933 to 1939. The concentration camp system was essential to a regime then testing the limits of its power and seeking to capture the hearts and minds of the German public. Propagandized by the Nazis as enemies of the state, Jews were often targeted for arbitrary arrest and then routinely subjected to the harshest treatment and most punishing labor assignments in the camps. Some of them were murdered. Over time, shocking accounts of camp life filtered into the German population, sending a message that Jews were different from true Germans: they were portrayed as dangerous to associate with and fair game for acts of intimidation and violence.
Drawing on a wide range of previously unexplored archives, Before Auschwitz explains how the concentration camps evolved into a universally recognized symbol of Nazi terror and Jewish persecution during the Holocaust.
A roster of experts on countries from Japan to Indonesia explores the complicated relationship between the gramophone industry and music genres in East and Southeast Asia. Extending the boundaries of their research across multiple disciplines, the contributors connect the gramophone industry to theories surrounding phonography and modernity. Their focus on phonography combines an interest in discs with an interest in the sounds contributing to the recent sonic-auditory turn in sound studies.
Ambitious and expansive, Phonographic Modernity examines the bloc of East and Southeast Asia within the larger global history of sound recording.
The last fifteen years have seen a tremendous growth in the number of health rights cases focusing on issues such as access to health services and essential medications. This volume examines the potential of litigation as a strategy to advance the right to health by holding governments accountable for these obligations. It includes case studies from Costa Rica, South Africa, India, Brazil, Argentina and Colombia, as well as chapters that address cross-cutting themes.
The authors analyze what types of services and interventions have been the subject of successful litigation and what remedies have been ordered by courts. Different chapters address the systemic impact of health litigation efforts, taking into account who benefits both directly and indirectly—and what the overall impacts on health equity are.
That the poet John Gower was a major literary figure in England at the close of the fourteenth century is no longer in question. Scholarly attention paid to him and to his work over the past twenty- five years has redeemed him from an undeserved obscurity imposed by the preceding two hundred. The facts of his life and career are now documented, and recent critical assessment has placed his achievement most accurately alongside Chaucer's, Langland's, and the Gawain- poet's.
Unique among his contemporaries, all of whom undoubtedly read and used French in some measure, Gower alone has left us a significant body of verse and prose in Anglo-Norman; chiefly, the twelve-stanza poem Mirour de l-Omme, the Cinkante Balades, and the Traitié pour les amantz marietz. We are offered in this concordance of his Anglo- Norman work a unique opportunity to view a poetic language as it was written and read in England until Gower's death in 1408 and beyond.
Contemplating the contradictions of individual identity from within a human body adapting to and living within a collective national culture, Yingling delves into such issues as canon formation, poetic theory, and the rhetoric of the body in American popular culture. In addition to Wiegman’s illuminating introduction, the conversation is joined by four other scholars—Michael Awkward, Robert L. Caserio, Stephen Melville, and David Román—whose critical and personal responses to Yingling’s writing weigh in throughout the volume. What emerges is a collection that embodies the particular difficulties of living with AIDS, of outliving someone who has died of AIDS, and of losing prematurely an important thinker.
Throughout the Middle Ages, Christians wrote about Islam and the life of Muhammad. These stories, ranging from the humorous to the vitriolic, both informed and warned audiences about what was regarded as a schismatic form of Christianity. Medieval Latin Lives of Muhammad covers nearly five centuries of Christian writings on the prophet, including accounts from the farthest-flung reaches of medieval Europe, the Iberian Peninsula, and the Byzantine Empire. Over time, authors portrayed Muhammad in many guises, among them: Theophanes’s influential ninth-century chronicle describing the prophet as the heretical leader of a Jewish conspiracy; Embrico of Mainz’s eleventh-century depiction of Muhammad as a former slave who is manipulated by a magician into performing unholy deeds; and Walter of Compiègne’s twelfth-century presentation of the founder of Islam as a likable but tricky serf ambitiously seeking upward social mobility.
The prose, verse, and epistolary texts in Medieval Latin Lives of Muhammad help trace the persistence of old clichés as well as the evolution of new attitudes toward Islam and its prophet in Western culture. This volume brings together a highly varied and fascinating set of Latin narratives and polemics never before translated into English.
A “second nuclear age” has begun in the post-Cold War world. Created by the expansion of nuclear arsenals and new proliferation in Asia, it has changed the familiar nuclear geometry of the Cold War. Increasing potency of nuclear arsenals in China, India, and Pakistan, the nuclear breakout in North Korea, and the potential for more states to cross the nuclear-weapons threshold from Iran to Japan suggest that the second nuclear age of many competing nuclear powers has the potential to be even less stable than the first.
Strategy in the Second Nuclear Age assembles a group of distinguished scholars to grapple with the matter of how the United States, its allies, and its friends must size up the strategies, doctrines, and force structures currently taking shape if they are to design responses that reinforce deterrence amid vastly more complex strategic circumstances. By focusing sharply on strategy—that is, on how states use doomsday weaponry for political gain—the book distinguishes itself from familiar net assessments emphasizing quantifiable factors like hardware, technical characteristics, and manpower. While the emphasis varies from chapter to chapter, contributors pay special heed to the logistical, technological, and social dimensions of strategy alongside the specifics of force structure and operations. They never lose sight of the human factor—the pivotal factor in diplomacy, strategy, and war.
Pakistan, which since 9/11 has come to be seen as one of the world’s most dangerous places and has been referred to as “the epicenter of international terrorism,” faces an acute counterterrorism (CT) challenge. The book focuses on violence being perpetrated against the Pakistani state by Islamist groups and how Pakistan can address these challenges, concentrating not only on military aspects but on the often-ignored political, legal, law enforcement, financial, and technological facets of the challenge.
Edited by Moeed Yusuf of the US Institute of Peace, and featuring the contributions and insights of Pakistani policy practitioners and scholars as well as international specialists with deep expertise in the region, the volume explores the current debate surrounding Pakistan’s ability—and incentives—to crack down on Islamist terrorism and provides an in-depth examination of the multiple facets of this existential threat confronting the Pakistani state and people.
The book pays special attention to the non-traditional functions of force that are central to Pakistan’s ability to subdue militancy but which have not received the deserved attention from the Pakistani state nor from western experts. In particular, this path-breaking volume, the first to explore these various facets holistically, focuses on the weakness of political institutions, the role of policing, criminal justice systems, choking financing for militancy, and regulating the use of media and technology by militants. Military force alone, also examined in this volume, will not solve Pakistan’s Islamist challenge. With original insights and attention to detail, the authors provide a roadmap for Western and Pakistani policymakers alike to address the weaknesses in Pakistan’s CT strategy.
Since Neobaroque reconstitutions necessarily reference the European Baroque, this volume begins with the reevaluation of the Baroque that evolved in Europe during the late nineteenth century and the early twentieth. Foundational essays by Friedrich Nietzsche, Heinrich Wölfflin, Walter Benjamin, Eugenio d’Ors, René Wellek, and Mario Praz recuperate and redefine the historical Baroque. Their essays lay the groundwork for the revisionist Latin American essays, many of which have not been translated into English until now. Authors including Alejo Carpentier, José Lezama Lima, Severo Sarduy, Édouard Glissant, Haroldo de Campos, and Carlos Fuentes understand the New World Baroque and Neobaroque as decolonizing strategies in Latin America and other postcolonial contexts. This collection moves between art history and literary criticism to provide a rich interdisciplinary discussion of the transcultural forms and functions of the Baroque.
Contributors. Dorothy Z. Baker, Walter Benjamin, Christine Buci-Glucksmann, José Pascual Buxó, Leo Cabranes-Grant, Haroldo de Campos, Alejo Carpentier, Irlemar Chiampi, William Childers, Gonzalo Celorio, Eugenio d’Ors, Jorge Ruedas de la Serna, Carlos Fuentes, Édouard Glissant, Roberto González Echevarría, Ángel Guido, Monika Kaup, José Lezama Lima, Friedrich Nietzsche, Mario Praz, Timothy J. Reiss, Alfonso Reyes, Severo Sarduy, Pedro Henríquez Ureña, Maarten van Delden, René Wellek, Christopher Winks, Heinrich Wölfflin, Lois Parkinson Zamora
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