Hidden away in the canyons of a highly restricted military base on the edge of the Mojave Desert is the largest concentration of rock art in North America, possibly in the world. Images of animals, shamans, and puzzling abstract forms were pecked and painted on stone over thousands of years by a now long-gone culture. Talking Stone: Rock Art of the Cosos is a multivocal investigation of this art.
Acclaimed cinematographer Paul Goldsmith takes the reader on a visual journey through this limited access area with more than 160 stunning color photographs. The book is structured around Goldsmith’s treks into the remote desert canyons and his meetings with archaeologists, Native Americans, a psychologist, an artist, bow hunters, and the commanding officer in charge of the military base. The result is a visually striking book that gives the viewer a personal and visceral experience of this enigmatic art.
Includes 160 color photographs.
Paul Stronski tells the fascinating story of Tashkent, an ethnically diverse, primarily Muslim city that became the prototype for the Soviet-era reimagining of urban centers in Central Asia. Based on extensive research in Russian and Uzbek archives, Stronski shows us how Soviet officials, planners, and architects strived to integrate local ethnic traditions and socialist ideology into a newly constructed urban space and propaganda showcase.
The Soviets planned to transform Tashkent from a “feudal city” of the tsarist era into a “flourishing garden,” replete with fountains, a lakeside resort, modern roadways, schools, hospitals, apartment buildings, and of course, factories. The city was intended to be a shining example to the world of the successful assimilation of a distinctly non-Russian city and its citizens through the catalyst of socialism. As Stronski reveals, the physical building of this Soviet city was not an end in itself, but rather a means to change the people and their society.
Stronski analyzes how the local population of Tashkent reacted to, resisted, and eventually acquiesced to the city’s socialist transformation. He records their experiences of the Great Terror, World War II, Stalin’s death, and the developments of the Krushchev and Brezhnev eras up until the earthquake of 1966, which leveled large parts of the city. Stronski finds that the Soviets established a legitimacy that transformed Tashkent and its people into one of the more stalwart supporters of the regime through years of political and cultural changes and finally during the upheavals of glasnost.
When Daniel Webster commented that the two certainties were death and taxes, he could not have imagined all the ingenious ways governments could tax and spend, though leaving this earth has changed not at all.
The tax expenditure concept is one of the newer methods of tax policy analysis that has been reshaping fiscal and monetary plans of governments. A tax expenditure is a financial benefit provided through the tax system. Whether for obsolete machinery in a factory, payment of real estate taxes, or childcare for a working mother, a special tax break is a tax expenditure. The tax expenditure concept was introduced to the Treasury Department in 1968 under the direction of Stanley Surrey and was described in his landmark book Pathways to Tax Reform. In this new book, the authors analyze the development of the concept since 1973, during which time applications of tax expenditures have expanded rapidly and new dimensions have emerged for even wider usage.
The United States prepared special analyses of tax expenditures in 1975 and Congress made the tax expenditure budget a part of the Tax Reform Act of 1981. Other countries now use the tool for analysis and budgeting, and a tax expenditure budget seems to be a permanent fixture in government planning. Recent U.S. tax expenditure budgets have increased by as much as 179 percent, while taxes collected through direct legislation have risen only 14 percent. Surrey and McDaniel focus on the impact of the tax expenditure notion on budget policy and tax policy and administration, and on how governments can decide between tax expenditures or direct spending to implement programs.
Tea growing was a prosperous industry in Sichuan when Wang Anshi's New Policies created a Tea Market Agency to buy up Sichuanese tea and trade it to Tibetan tribesmen for cavalry horses. At first the highly autonomous Agency not only acquired the needed horses but made a profit. After the Jurchen conquest of North China, however, market realities changed and the combined Tea and Horse Agency's once successful policies ruined tea farmers, failed to meet quotas for horses, and ran a deficit. Smith details the workings of Sichuan tea farming and the tea trade, examines the geopolitical factors that forced the Song to buy horses, and graphically describes the difficulties of driving them more than a thousand miles through rugged mountains with only inexperienced conscripts as trail hands.
In this study of fiscal sociology, Smith also explains how the Tea and Horse Agency transformed the Sichuan local elite, which was notorious for its resistance to state power, into imperial civil servants eager to tax their own region. He draws on modern theories of corporate behavior to explain what made the inner workings of the Agency an extraordinary departure for the Chinese civil service; and he demonstrates how the Agency put into practice the most radical New-Policies theories of state economic activism. The Agency made entrepreneurs out of bureaucrats, but ultimately became ruinously tyrannical as the system of state rewards and punishments drove its personnel to actions that crippled key sectors of the economy.
More than sixty years ago, McCarthyism silenced Hollywood. In the pages of Tender Comrades, those who were suppressed, whose lives and careers were ruined, finally have their say. A unique collection of profiles in cinematic courage, this extraordinary oral history brings to light the voices of thirty-six blacklist survivors (including two members of the Hollywood Ten), seminal directors of film noir and other genres, starring actresses and memorable supporting players, top screenwriters, and many less known to the public, who are rescued from obscurity by the stories they offer here that, beyond politics, open a rich window into moviemaking during the Golden Age of Hollywood.
Beginning with the closing decade of European colonial rule in Southeast Asia and covering the wartime Japanese empire and its postwar disintegration, Tensions of Empire focuses on the Japanese in Southeast Asia, Indonesians in Japan, and the legacy of the war in Southeast Asia. It also examines Japanese perceptions of Southeast Asia and the lingering ambivalence toward Japanese involvement in Asia and toward the war in particular.
Drawing on extensive multilingual archival research and interviews, Ken‘ichi Goto has produced a factually rich and balanced view of this region’s historical events of the last century.
Tensions of Empire features detailed discussions of Portuguese Timor in the 1930s and 1940s, the decolonization of Malaya, and twentieth-century Indonesia. This extended inquiry yields a unique view of the complicated network within and beyond the colonial and imperial relationships between a one-time nonwestern colonial power and an entire region.
Of great interest to students of Japan-Southeast Asia relations and to specialists in the modern history of both Southeast Asia and Japan, Professor Goto’s Tensions of Empire is a fascinating account of Japan’s recent past from the inside.
More than two centuries after his birth and almost a century and a half after his death, the legendary life and legacy of John Brown go marching on. Variously deemed martyr, madman, monster, terrorist, and saint, he remains one of the most controversial figures in America’s history. Brown’s actions in Kansas and in Harpers Ferry, West Virginia, were major catalysts for the American Civil War, and continue today to evoke praise or condemnation.
Through the prisms of history, literature, psychology, criminal justice, oral history, African American studies, political science, film studies, and anthropology, Terrible Swift Sword offers insights not only into John Brown’s controversial character and motives but also into the nature of a troubled society before, during, and after the Civil War. The contributors discuss reasons why Brown’s contemporaries supported him, analyze Brown’s behavior and his depiction in literature, and examine the iconography and mythology surrounding him.
The interdisciplinary focus brought by editors Peggy A. Russo and Paul Finkelman makes this collection unique. Terrible Swift Sword: The Legacy of John Brown will appeal to a broad audience of readers interested in this turbulent moment in American history.
Texas politicians are a lively, sometimes controversial, always entertaining breed, and the ways they have chosen to put themselves and their messages before the public are equally as interesting. Anything and everything that can be printed with a candidate's name, image, and slogan—from buttons and bumper stickers to chewing gum, pocket knives, and plastic pickles—is likely to turn up in a Texas political campaign. Though many consider these items ephemeral, collectors value political memorabilia as a fascinating "sound bite" record of the candidates and issues that engaged the voting public over decades. Texas Political Memorabilia presents just such a pictorial history of Texas politics, the first ever compiled.
Drawn from the vast personal collection of Chuck Bailey and augmented with items from other private and public collections, this book presents the most exceptional, most memorable, and most informative examples of Texas political memorabilia. The featured items cover everything from the presidential campaigns of Lyndon Johnson and both George Bushes, to U.S. House and Senate elections, to statewide races for governor and the Texas House and Senate, to county and city elections. All the major figures of twentieth-century Texas politics—as well as Sam Houston and Davy Crockett—are represented in the book. To set the images in context, Chuck Bailey and Bill Crawford provide background on the candidates, races, and issues that inspired many of the pieces pictured in the book.
From LBJ's Stetson-shaped ashtrays to Jake Pickle's plastic squeaker pickles to George W. Bush's "W" buttons, Texas Political Memorabilia is a treasure trove of the nuts and bolts and buttons of Texas politics.
Essays that point to the emergence of a critical humanist geography.
Geography/ Cultural Studies
Essays that point to the emergence of a critical humanist geography.A fresh and far-ranging interpretation of the concept of place, this volume begins with a fundamental tension of our day: as communications technologies help create a truly global economy, the very political-economic processes that would seem to homogenize place actually increase the importance of individual localities, which are exposed to global flows of investment, population, goods, and pollution. Place, no less today than in the past, is fundamental to how the world works.The contributors to this volume-distinguished scholars from geography, art history, philosophy, anthropology, and American and English literature-investigate the ways in which place is embedded in everyday experience, its crucial role in the formation of group and individual identity, and its ability to reflect and reinforce power relations. Their essays draw from a wide array of methodologies and perspectives-including feminism, ethnography, poststructuralism, ecocriticism, and landscape iconography-to examine themes as diverse as morality and imagination, attention and absence, personal and group identity, social structure, home, nature, and cosmos. Contributors: Anne Buttimer, U College Dublin; Edward S. Casey, SUNY Stony Brook; Denis Cosgrove, UCLA; Tim Cresswell, U of Wales, Aberystwyth; Michael Curry, UCLA; Dydia DeLyser, Louisiana State U; James S. Duncan, U of Cambridge; Nancy G. Duncan, U of Cambridge; J. Nicholas Entrikin, UCLA; William Howarth, Princeton U; John Paul Jones III, U of Kentucky; David Ley, U of British Columbia; David Lowenthal, U College London; Karal Ann Marling, U of Minnesota; Patrick McGreevy, Clarion U; Kenneth R. Olwig, U of Trondheim, Norway; Marijane Osborn, UC Davis; Gillian R. Overing, Wake Forest U; Edward Relph, U of Toronto; Miles Richardson, Louisiana State U; Robert D. Sack, U of Wisconsin-Madison; Jonathan M. Smith, Texas A&M U; Yi-Fu Tuan, U of Wisconsin-Madison; April R. Veness, U of Delaware; and Wilbur Zelinsky, Pennsylvania State U.ISBN 0-8166-3756-3 Cloth £45.00 $64.95xxISBN 0-8166-3757-1 Paper £18.00 $25.95x576 Pages 34 black-and-white photos, 1 table 7 x 10 FebruaryTranslation Inquiries: University of Minnesota PressThe official journal of the Mid-America Theatre Conference
Contributors To Volume 20
Susan Bennett / Jane Barnette / Becky Becker / Lisa Bernd / Evan
Bridenstine / Michael Jaros / Robert I. Lublin / Paulette Marty
Taken together, these twelve essays represent a wide range of scholarly responses to the theme of “theatre and race.” The fact that there is so much to say on the topic, from so many different perspectives, is a sign of how profoundly theatre practices have been—and continue to be—shaped by racial discourses and their material manifestations.
A major reconsideration of relations between new theories and old texts.
Medieval Studies/Literary Theory
A major reconsideration of relations between new theories and old texts. The work of Paul Strohm allies the most distinguished traditions of medieval study with the most challenging and innovative of theoretical approaches. These features, working together to revise and expand our understanding of both medieval texts and contemporary critical practice, are apparent in full and compelling force in this collection of essays, most now in print for the first time. In a range of theoretical engagements with late medieval texts, dealing with social practice, time, and narrative, this volume proposes a "practical" relation between the text and the theory that illuminates it.Insisting on the imaginative multiplicity of the text, Strohm finds in theory an augmentation of interpretive possibilities-an augmentation that sometimes requires respectful disagreement with what a work says-or seems to want known-about itself. He thus defines theory as "any standpoint from which we might challenge a text’s self-understanding." Coupled with this strategic disrespect is a new and amplified form of respect-for the text as a meaning-making system, for its unruly power and its unpredictable effects in the world.In this spirit, Strohm offers new and illustrative readings of Hoccleve’s "Male Regle" and Regiment of Princes, Ricardian coronation documents, Chaucer’s "Cook’s Tale," Capgrave’s chronicle, the Gesta Henrici Quinti, records of the king’s bench, Malory’s "Knight of the Cart," and other later medieval texts. Throughout, Strohm traverses categories of "literary" and "non-literary" in the service of a more comprehensive understanding of texts and the resourcefulness with which they accomplish their social work.Medieval Cultures Series, volume 26Translation Inquiries: University of Minnesota PressAcross the world anxiety, stress and depression are on the increase, a trend which looks set to continue as austerity measures bite. The official response tells people that unhappiness is just a personal problem, rather than a social one.
Written by a practising psychologist, with nearly thirty years' experience in the fields of mental health and learning disabilities, The Therapy Industry offers a concise, accessible and critical overview of the world of psychological practice in Britain and the USA. Paul Moloney argues that much therapy is geared towards compliance and acceptance of the status quo, rather than attempting to facilitate social change.
The Therapy Industry fundamentally challenges our conceptions of happiness and wellbeing. Moloney argues that therapeutic and applied psychology have little basis in science, that their benefits are highly exaggerated and they prosper because they serve the interests of power.
"One of the finest examples of the genre of the community survey. . . The book is remarkably free of special pleading. And every chapter is paced with fascinating data and insights. The University of Alabama Prss is to be congratulated for reissuing this splendid community study; the volume fits the description of a classic. And Clarence L. Mohr's introduction alone is worth the price of the volume."
—Journal of Southwest Georgia History
Best known for his books We Have Never Been Modern, Laboratory Life, and Science in Action, Bruno Latour has inspired scholarship across many disciplines. In the past few years, the fields of rhetoric and composition have witnessed an explosion of interest in Latour’s work. Editors Paul Lynch and Nathaniel Rivers have assembled leading and emerging scholars in order to focus the debate on what Latour means for the study of persuasion and written communication.
Essays in this volume discern, rearticulate, and occasionally critique rhetoric and composition’s growing interest in Latour. These contributions include work on topics such as agency, argument, rhetorical history, pedagogy, and technology, among others. Contributors explain key terms, identify implications of Latour’s work for rhetoric and composition, and explore how his theories might inform writing pedagogies and be used to build research methodologies.
Thinking with Bruno Latour in Rhetoric and Composition shows how Latour’s groundbreaking theories on technology, agency, and networks might be taken up, enriched, and extended to challenge scholars in rhetorical studies (both English and communications), composition, and writing studies to rethink some of the field’s most basic assumptions. It is set to become the standard introduction that will appeal not only to those scholars already interested in Latour but also those approaching Latour for the first time.
In this lively and fascinating book, noted writer and Auburn alum Paul Hemphill tells the story of the progress of Auburn from that first game coached by Auburn legend George Petrie through the team’s growth and development into the national force it is today. Hemphill records the many highs and occasional lows, and the heartbreak and jubilation each caused, noting the standouts great and small on the way.
A Tiger Walk through History contains 172 photographs, many of them rare and surprising. The text and photos capture the many great players and coaches in the Auburn football experience: Auburn’s first bowl appearance in 1936; coaching eras of innovative football genius John Heisman, after whom the Heisman trophy is named; “Iron Mike” Donahue; Ralph “Shug” Jordan, who brought Auburn its first national championship in 1957; Pat Dye, Terry Bowden, and present coach Tommy Tuberville; Auburn’s two Heisman trophy winners Pat Sullivan and Bo Jackson; and victories over rivals Alabama and Georgia. The 2007-2008 season is highlighted, including the sixth straight win over Alabama and a bowl victory over Clemson. As the game has grown, Auburn and its team have grown with it, and Auburn now ranks as a perennial power both in its conference and in the nation.
Vince Dooley states in his foreword that “beyond the famous coaches and players and their heroics on behalf of the Orange and Blue, A Tiger Walk through History is also about time-honored traditions—rallying cries like ‘Sullivan-to-Beasley’ and ‘Punt Bama Punt’ and ‘Rolling Toomer’s Corner’—that echo in resounding fashion from the pages of Paul Hemphill’s remarkable book.”
No fan, whether casual or devoted, can afford to miss this riveting account of the Plainsmen’s journey from the very beginning to today, which is the record of a great university as well as the story of the development of a great football team.
Winner of the Runciman Award
Winner of the Charles J. Goodwin Award
“Tells the story of how the Seleucid Empire revolutionized chronology by picking a Year One and counting from there, rather than starting a new count, as other states did, each time a new monarch was crowned…Fascinating.”
—Harper’s
In the aftermath of Alexander the Great’s conquests, his successors, the Seleucid kings, ruled a vast territory stretching from Central Asia and Anatolia to the Persian Gulf. In 305 BCE, in a radical move to impose unity and regulate behavior, Seleucus I introduced a linear conception of time. Time would no longer restart with each new monarch. Instead, progressively numbered years—continuous and irreversible—became the de facto measure of historical duration. This new temporality, propagated throughout the empire and identical to the system we use today, changed how people did business, recorded events, and oriented themselves to the larger world.
Some rebellious subjects, eager to resurrect their pre-Hellenic past, rejected this new approach and created apocalyptic time frames, predicting the total end of history. In this magisterial work, Paul Kosmin shows how the Seleucid Empire’s invention of a new kind of time—and the rebellions against this worldview—had far reaching political and religious consequences, transforming the way we organize our thoughts about the past, present, and future.
“Without Paul Kosmin’s meticulous investigation of what Seleucus achieved in creating his calendar without end we would never have been able to comprehend the traces of it that appear in late antiquity…A magisterial contribution to this hitherto obscure but clearly important restructuring of time in the ancient Mediterranean world.”
—G. W. Bowersock, New York Review of Books
“With erudition, theoretical sophistication, and meticulous discussion of the sources, Paul Kosmin sheds new light on the meaning of time, memory, and identity in a multicultural setting.”
—Angelos Chaniotis, author of Age of Conquests
These are volatile times. Fear, suspicion, and cynicism are chronic. A mere tweet inflames the passions of millions while click-bait “hot takes” stoke the amygdalas of everyone with an Internet connection. We treat those not in our tribe as a threat and deem anyone with a different opinion as evil. Mistaking myopia for measure, we lack all sense of proportion in our judgments. We are shortsighted, mired in the present, ignorant of history, and blind to the future. We thought that technology would save us by connecting us to each other and the world’s information. Instead, it enticed our vices, encouraged our biases, and eroded the one virtue we need now more than ever: wisdom.
A Time for Wisdom is for readers who feel beleaguered by the incivility of the modern world, dispirited by its coarse rhetoric and toxic partisanship. It is an invitation to escape the shallow cacophony and restore peace and perspective to our daily lives. Written by two psychologists, the book takes the best scientific research on wisdom and integrates it with timeless concepts that have, for ages, guided troubled souls through life’s hardships. From this foundation, the authors present four steps we can follow to practice wisdom in the 21st Century:
These are profound and spiritual principles that can bring us immense satisfaction when we aspire to live by them.
In A Time for Wisdom, the authors show us how. They commend a course of action towards the Good, the True, and the Beautiful, towards calm and clear moral reasoning. They lead us out of the circus of contemporary life and show us a path beyond our petty self-centeredness. By journeying along that path, we can, like the great sages and scientists before us, rise above the immediacy of the moment and partake of the numinous and the infinite.
This work analyzes ritual practices and knowledge related to the Mesoamerican calendar with the aim of contributing to an understanding of the use and conceptualization of this calendar system in the contemporary K’iche’ community of Momostenango in the Highlands of Guatemala. The research presented here discusses the indigenous calendar system, forms of synergy between the Christian and the Highland Guatemalan calendar, the indigenous perception of history, and continuity in time-related symbolism.
Van den Akker argues that the social role of cultural anthropologists and archaeologists is to contribute to the ongoing process of cultural healing and spiritual recovery of the peoples that suffer(ed) from colonization and oppression. This study therefore places an emphasis on cultural continuity and approaches the continuation of Maya calendar practices as a possible tool for restoring breaks in social memory, which are caused by dramatic events such as colonization.
Throughout this book it is argued that time is an authority which directs human behavior in a cyclical manner through the landscape on a local and regional scale. Time is related to morality and cultural values, and a shared perception of time contributes to the cohesion of the community as it recreates and reaffirms the identity of its members by reiterating their shared social conventions and history. Finally, the conjunction of time and ritual provides a tool to overcome the rupture caused by death and to transmit messages from generation to generation over a long span of time.
This collection of interviews with British playwright Tom Stoppard, author of such well-known comedies as Travesties, Jumpers, and Rosencrantz and Guildenstern Are Dead, brings together for the first time Stoppard's most significant assessments of his own work.
A wide range of discussions are featured, from extensive conversations with the editors of Theatre Quarterly and Gambit to important interviews in lesser-known periodicals. The interviews include the playwright's unguarded comments to the daily press, from those of a dazzled young Stoppard the morning after the triumphant opening of Rosencrantz and Guildenstern to those of a veteran playwright still smarting from caustic reviews 36 hours after the opening of Hapgood. The interviews cover the full range of Stoppard's work, from his adaptations for the stage to his increasing involvement in film, and this volume makes many of them available for the first time. Also appearing for the first time in print are transcripts of radio interviews and an informal lecture by Stoppard called "The Event and the Text."
Tom Stoppard's conversations about his work shed light on questions of authorial intent and the creative process. Debates over interpretations of the plays will be enhanced by this record of Stoppard's own perceptions and insights. The collection also includes the most extensive bibliography and discography ever compiled of Stoppard's print interviews, broadcast interviews, and lectures.
Witty, illuminating, and informative, Tom Stoppard in Conversation will be of interest to scholars, students, directors, actors, and fans of Stoppard's work.
Winner, A Choice Outstanding Academic Book
From 1964 until 1985, Brazil was ruled by a military regime that sanctioned the systematic use of torture in dealing with its political opponents. The catalog of what went on during that grim period was originally published in Portuguese as Brasil: Nunca Mais (Brazil: Never Again) in 1985.
The volume was based on the official documentation kept by the very military that perpetrated the horrific acts. These extensive documents include military court proceedings of actual trials, secretly photocopied by lawyers associated with the Catholic Church and analyzed by a team of researchers. Their daring project—known as BNM for Brasil: Nunca Mais—compiled more than 2,700 pages of testimony by political prisoners documenting close to three hundred forms of torture.
The BNM project proves conclusively that torture was an essential part of the military justice system and that judicial authorities were clearly aware of the use of torture to extract confessions. Still, it took more than a decade after the publication of Brasil: Nunca Mais for the armed forces to admit publicly that such torture had ever taken place. Torture in Brazil, the English version of the book re-edited here, serves as a timely reminder of the role of Brazil's military in past repression.
Paul Shepard is one of the most profound and original thinkers of our time. He has helped define the field of human ecology, and has played a vital role in the development of what have come to be known as environmental philosophy, ecophilosophy, and deep ecology -- new ways of thinking about human-environment interactions that ultimately hold great promise for healing the bonds between humans and the natural world. Traces of an Omnivore presents a readable and accessible introduction to this seminal thinker and writer.
Throughout his long and distinguished career, Paul Shepard has addressed the most fundamental question of life: Who are we? An oft-repeated theme of his writing is what he sees as the central fact of our existence: that our genetic heritage, formed by three million years of hunting and gathering remains essentially unchanged. Shepard argues that this, "our wild Pleistocene genome," influences everything from human neurology and ontogeny to our pathologies, social structure, myths, and cosmology.
While Shepard's writings travel widely across the intellectual landscape, exploring topics as diverse as aesthetics, the bear, hunting, perception, agriculture, human ontogeny, history, animal rights, domestication, post-modern deconstruction, tourism, vegetarianism, the iconography of animals, the Hudson River school of painters, human ecology, theoretical psychology, and metaphysics, the fundamental importance of our genetic makeup is the predominant theme of this collection.
As Jack Turner states in an eloquent and enlightening introduction, the essays gathered here "address controversy with an intellectual courage uncommon in an age that exults the relativist, the skeptic, and the cynic. Perused with care they will reward the reader with a deepened appreciation of what we so casually denigrate as primitive life -- the only life we have in the only world we will ever know."
The mauve life and times of Edmund Gosse glow warmly in these letters, delightful to even the most casual reader, engrossing to one with an interest in the distinguished correspondents or in the late-Victorian and Edwardian eras.
An obscure figure today to all but literary connoisseurs, Gosse was, in his day, a near giant in both England and the United States. Max Beerbohm, that discriminating man, in a mural of prominent figures who were also his friends, sketched Edmund Gosse large among George Bernard Shaw, John Masefield, G. K. Chesterton, John Galsworthy, and Lytton Strachey.
This volume consists primarily of a selection of the letters exchanged between Gosse and a number of American writers, notably William Dean Howells, Edmund Clarence Stedman, Oliver Wendell Holmes, Richard Watson Gilder, Edith Wharton, and Henry James. The letters, most of them previously unpublished, contain much of biographical and general historical interest, but the main theme of the book is the exploration of Anglo-American literary relations during the last quarter of the nineteenth century and the early years of the twentieth.
The letters that passed between Gosse and Stedman provide valuable evidence for the study of literary taste on the two sides of the Atlantic and also show how each man sought to enhance the other's transatlantic reputation; the correspondence between Gosse and Gilder, particularly during the period when Gosse was London editor of Gilder's Century magazine, is especially revealing of cultural attitudes and antagonisms. A central thread is provided by the warm and long-sustained friendship between Gosse and Howells, the leading American man of letters of his day.
The long introduction to the book deals with such topics as Gosse's American reputation, his immensely successful visit to the United States in the winter of 1884–1885 (based on the manuscript diary that Gosse kept during the visit), and his American friendships, with particular attention to the relationship with Howells. The thoroughness and vitality of the annotation are extremely effective in familiarizing the reader with the people and events in the book.
A pathway to community, growth, and change
This collection of inclusive essays explores the role of debate in understanding and critiquing injustice and inequality. Edited by Shawn F. Briscoe, these essays closely examine multiple approaches to debate, considering their respective merits and controversies. This detailed compilation analyzes how debate methodologies are useful in everyday life and whether certain approaches have any value at all.
Briscoe provides an in-depth look into the varying styles of debate and contributes to a greater understanding of argument theory by discussing three stylistic approaches: audience-centered, technical/progressive, and nontraditional/performative. The book demonstrates that all three approaches offer students opportunity to engage in a socioemotional learning space, a discipline that prepares students for undergraduate and graduate work, a study that prepares participants for future careers, and a field that investigates current controversies and how to tackle them. Briscoe offers compelling narratives from BIPOC, LGBTQIA, and women authors that explore the personal impact of debate on social equality within this academic discipline, our educational system, and society.
The diversity in gender and race of the contributing authors allows for a multitude of perspectives on the complex styles, benefits, and issues discussed in Transcending the Game. Briscoe peels back the mystery that shrouds the benefits of academic, competitive debate from outsiders and insiders alike. A myriad of personal narratives tell stories about the role of debate in their lives; challenge the unproductive discourse in debate, education, and society; and offer diverse insight into why we debate.
Transitions: Legal Change, Legal Meanings illustrates the various intersections, crises, and shifts that continually occur within the law, and how these moments of change interact with and comment on contemporary society.
Anaïs Nin made her reputation through publication of her edited diaries and the carefully constructed persona they presented. It was not until decades later, when the diaries were published in their unexpurgated form, that the world began to learn the full details of Nin’s fascinating life and the emotional and literary high-wire acts she committed both in documenting it and in defying the mores of 1950s America. Trapeze begins where the previous volume, Mirages, left off: when Nin met Rupert Pole, the young man who became not only her lover but later her husband in a bigamous marriage.
It marks the start of what Nin came to call her “trapeze life,” swinging between her longtime husband, Hugh Guiler, in New York and her lover, Pole, in California, a perilous lifestyle she continued until her death in 1977. Today what Nin did seems impossible, and what she sought perhaps was impossible: to find harmony and completeness within a split existence. It is a story of daring and genius, love and pain, largely unknown until now.
Trees seen like never before—a world expert presents a stunning compendium, illuminating science, conservation, and art.
Trees provoke deep affection, spirituality, and creativity. They cover about a third of the world’s land and play a crucial role in our environmental systems—influencing the water, carbon, and nutrient cycles and the global climate. This puts trees at the forefront of research into mitigating our climate emergency; we cannot understate their importance in shaping our daily lives and our planet’s future.
In these lavish pages, ecologist Paul Smith celebrates all that trees have inspired across nearly every human culture throughout history. Generously illustrated with over 450 images and organized according to tree life cycle—from seeds and leaves to wood, flowers, and fruit—this book celebrates the great diversity and beauty of the 60,000 tree species that inhabit our planet. Surprising photography and infographics will inspire readers, illustrating intricate bark and leaf patterns, intertwined ecosystems, colorful flower displays, archaic wooden wheels, and timber houses. In this lavishly illustrated book, Smith presents the science, art, and culture of trees. As we discover the fundamental and fragile nature of trees and their interdependence, we more deeply understand the forest without losing sight of the magnificent trees.
Detailing for the first time the story of America's homefront during the Korean War, Truman and Korea fills an important gap in the historical scholarship of the postwar era. Paul Pierpaoli analyzes the political, economic, social, and international ramifications of America's first war of Soviet containment, never losing sight of the larger context of the cold war. He focuses on how and why the Truman administration undertook a bloody, inconclusive war on the Korean peninsula while permanently placing the nation on a war footing.
Truman and Korea illuminates the importance of the Korean conflict as a critical turning point in the cold war by examining both the immediate and the long-term domestic and foreign policy effects of the conflict. Pierpaoli addresses such important topics as presidential war powers and debates concerning the Defense Production Act; the inner workings of the many war mobilization agencies; the operations and politics of nationwide price and wage controls; questions concerning cold war tax policies and fiscal and monetary policies; and the evolution of national security policy.
Pierpaoli shows that President Truman's decision to intervene in the Korean War quickly became subsumed by larger cold war concerns. By the autumn of 1950 the Korean mobilization program had become the nation's de facto cold war preparedness program, which would come to span nearly forty years and eight presidential administrations. After 1950 the cold war not only continued to significantly shape political and ideological discourse in the United States but also began to reshape aggregate economic policy. By doing so, it altered the nation's industrial and economic contours, giving birth to the concept of an institutionalized "national security state," which in turn spawned the cold war military-industrial-scientific complex.
Based upon extensive research in the papers and official presidential files of Harry S. Truman, as well as many manuscript collections and records of wartime and government agencies, Truman and Korea offers a new perspective on the Korean War era and its inextricable ties to broader cold war decision making.
If children were little scientists who learn best through firsthand observations and mini-experiments, as conventional wisdom holds, how would a child discover that the earth is round—never mind conceive of heaven as a place someone might go after death? Overturning both cognitive and commonplace theories about how children learn, Trusting What You’re Told begins by reminding us of a basic truth: Most of what we know we learned from others.
Children recognize early on that other people are an excellent source of information. And so they ask questions. But youngsters are also remarkably discriminating as they weigh the responses they elicit. And how much they trust what they are told has a lot to do with their assessment of its source. Trusting What You’re Told opens a window into the moral reasoning of elementary school vegetarians, the preschooler’s ability to distinguish historical narrative from fiction, and the six-year-old’s nuanced stance toward magic: skeptical, while still open to miracles. Paul Harris shares striking cross-cultural findings, too, such as that children in religious communities in rural Central America resemble Bostonian children in being more confident about the existence of germs and oxygen than they are about souls and God.
We are biologically designed to learn from one another, Harris demonstrates, and this greediness for explanation marks a key difference between human beings and our primate cousins. Even Kanzi, a genius among bonobos, never uses his keyboard to ask for information: he only asks for treats.
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