Backward Glances reveals that the passionate love one woman feels for another occupies a position of unsuspected centrality in contemporary Chinese mass cultures. By examining representations of erotic and romantic love between women in popular films, elite and pulp fiction, and television dramas, Fran Martin shows how youthful same-sex love is often framed as a universal, even ennobling, feminine experience. She argues that a temporal logic dominates depictions of female homoeroticism, and she traces that logic across texts produced and consumed in mainland China, Hong Kong, and Taiwan during the twentieth century and the early twenty-first. Attentive to both transnational cultural flows and local particularities, Martin shows how loving relations between women in mass culture are usually represented as past experiences. Adult protagonists revel in the repeated, mournful narration of their memories. Yet these portrayals do not simply or finally consign the same-sex loving woman to the past—they also cause her to reappear ceaselessly in the present.

As Martin explains, memorial schoolgirl love stories are popular throughout contemporary Chinese cultures. The same-sex attracted young woman appears in both openly homophobic and proudly queer-affirmative narratives, as well as in stories whose ideological valence is less immediately clear. Martin demonstrates that the stories, television programs, and films she analyzes are not idiosyncratic depictions of marginal figures, but manifestations of a broader, mainstream cultural preoccupation. Her investigation of representations of same-sex love between women sheds new light on contemporary Chinese understandings of sex, love, gender, marriage, and the cultural ordering of human life.

Backward Glances is an exploration of the history of male street cruising. Too often in discussions of urban space and interpretations of urban culture, streetwalking implies a rigid model for the way we inhabit the streets. Beginning with the simple premise that we all walk the streets differently, Mark Turner suggests that male cruising operates through encounter and connection rather than alienation, and that it is the defining experience of what it means to be modern.

Backward Glances is the first gay urban history of its kind, examining these issues across a range of cultural material, including novels, poems, pornography, journalism, gay guides, paintings, the internet, and fragments of writing about the city such as Whitman's notebooks and David Hockney's graffiti. It provides a new way of understanding what it means for a man to walk the streets of the modern Western city.

Backward Glances is aimed at all those interested in the culture of the city, queer cultural history and the appropriation of public space.

The writings of William Gilmore Simms (1806–1870) provide a sweeping fictional portrait of the colonial and antebellum South in all of its regional diversity. Simms’s account of the region is more comprehensive than that of any other author of his time; he treats the major intellectual and social issues of the South and depicts the bonds and tensions among all of its inhabitants. By the mid-1840s Simms’s novels were so well known that Edgar Allan Poe could call him “the best novelist which this country has, on the whole, produced.” The twelfth volume in the ongoing Arkansas Edition of the works of William Gilmore Simms, Backwoods Tales brings together three of the best examples of his comic writing. All were written during the last decade of Simms’s life, when he had become a master of his craft. These three tales belong in the tradition of southern backwoods humor, a genre that flourished before the Civil War and produced classic tales by such authors as George Washington Harris, Johnson Jones Hooper, and Thomas Bangs Thorpe. Paddy McGann, “Sharp Snaffles,” and “Bill Bauldy” are all frame tales, told by rustic narrators in authentic dialect, with frequent pauses for libation and comment. These three pieces of writing, never before published together, stand among the best examples of American humor of the nineteenth century.

The West Virginia University Mountaineers and the University of Pittsburgh Panthers, separated by less than eighty miles of highway, have battled it out on the football field for more than one hundred years. Now, with Pitt announcing its departure from the Big East Conference to join the Atlantic Coast Conference and West Virginia becoming a member of the Big 12 Conference, this intense rivalry has come to an abrupt end. Thousands of players and dozens of coaches - some among the very best to ever play the game - have been a part of this famous series known as the “Backyard Brawl.”  With fantastic tales about this feud’s star-studded rosters, including  White, Slaton, Harris, Luck, Huff, Nehlen, and Rodriguez for West Virginia and Fitzgerald, Marino, Dorsett, Green, Majors, and Sherrill for Pitt, The Backyard Brawl celebrates the tradition, heritage, and pride of two outstanding universities. With unparalleled access, John Antonik, a 20-year West Virginia University athletic administrator and WVU alumnus, unearths the fascinating and humorous stories that make up this revered, colorful, and cherished football game-and more importantly, the great passion and pride these schools exhibit every time they take the field.

All the makings of natural wonder in your backyard

In 2003 Fred Delcomyn imagined his backyard of two and a half acres, farmed for corn and soybeans for generations, restored to tallgrass prairie. Over the next seventeen years, Delcomyn, with help from his friend James L. Ellis scored, seeded, monitored, reseeded, and burned these acres into prairie. In A Backyard Prairie, they document their journey and reveal the incredible potential of a backyard to travel back to a time before the wild prairie was put into plow rows. It has been said, “Anyone can love the mountains, but it takes a soul to love the prairie.” This book shows us how. 

The first book to celebrate a smaller, more private restoration, A Backyard Prairie offers a vivid portrait of what makes a prairie. Delcomyn and Ellis describe selecting and planting seeds, recount the management of a prescribed fire, and capture the prairie’s seasonal parades of colorful flowers in concert with an ever-growing variety of animals, from the minute eastern tailed-blue butterfly to the imperious red-winged blackbird and the reclusive coyote.

This book offers a unique account of their work and their discovery of a real backyard, an inviting island of grass and flowers uncovered and revealed. We often travel miles and miles to find nature larger than ourselves. In this rich account of small prairie restoration, Delcomyn and Ellis encourage the revival of original prairie in our backyards and the patient, beauty-seeking soul sleeping within ourselves.
 

An Important Account of the Greek State That Ruled the Hindu Kush for Centuries in the Wake of Alexander the Great
“If through the Bactrian Empire European ideas were transmitted to the Far East, through that and similar channels Asiatic ideas found their way to Europe.”—Intellectual Development of Europe
Following the Macedonian invasion of Persian in the fourth century B.C., an independent Greek-ruled empire emerged over an area encompassing modern Afghanistan, eastern Iran, and northern Pakistan. This ancient empire, called Bactria, is recorded in texts, both Asian and European, as well as through coins, inscriptions, and architectural remnants. Bactria served as a contact point between Europe, South Asia, and the Far East for more than two hundred years before disappearing under the pressure of a resurgent Persia to the west and Indian states to the east. In Bactria: The History of a Forgotten Empire, historian Hugh G. Rawlinson begins with the early history of Bactria and its subjugation by Persia, and then describes the conquest of Iran by Alexander the Great and the establishment of an independent Bactria ruled by Greeks. The Bactrians adopted Buddhism early on and helped establish the religion throughout the area. The author then follows the history of the empire through its rulers, including Menander, until Greek rule was extinguished around 135 B.C. Finally, the author discusses the effects of Greek occupation on the region. Based on meticulous research in ancient texts from Greece, Persia, and India, and using material evidence of the time, this history, which won the Hare University Prize at Cambridge in 1909, remains relevant today, providing a fascinating portrait of a little-known connection between East and West.

Bad Aboriginal Art is the extraordinary account of Eric Michaels’ period of residence and work with the Warlpiri Aborigines of western Central Australia, where he studied the impact of television on remote Aboriginal communities.

Sharp, exact, and unrelentingly honest, Michaels records with an extraordinary combination of distance and immersion the intervention of technology into a remote Aboriginal community and that community’s forays into the technology of broadcasting. Michaels’s analyses in Bad Aboriginal Art will disrupt and redirect current debates surrounding the theory and practice of anthropology, ethnography, film and video making, communications policy, and media studies - no less than his work has already disrupted and redirected the cultural technologies of both the Warlpiri and Australian technocrats.

With wit and intelligence, Leo Katz seeks to understand the basic rules and concepts underlying the moral, linguistic, and psychological puzzles that plague the criminal law.

"Bad Acts and Guilty Minds . . . revives the mind, it challenges superficial analyses, it reminds us that underlying the vast body of statutory and case law, there is a rationale founded in basic notions of fairness and reason. . . . It will help lawyers to better serve their clients and the society that permits attorneys to hang out their shingles."—Edward N. Costikyan, New York Times Book Review

In the shadow of the fallen Old Man of the Mountain, on a lonely stretch of mountain road, two men lay dead. A spasm of violence that took only a few minutes to play out leaves a community divided and searching for answers. From the author of newly released Boston Strong: A City’s Triumph Over Tragedy, about the 2013 Boston Marathon bombings, Bad Blood is the riveting account of the long-standing feud between Franconia, New Hampshire, police officer Bruce McKay, 48, and Liko Kenney, 24. In May 2007, Kenney shot and killed Officer McKay, following a dramatic chase that began with a routine traffic stop. Kenney, cousin of ski legend Bode Miller, was then shot and killed by a shadowy passerby. Almost immediately, the tragic incident revealed deep tensions within this otherwise quiet community in the White Mountains with charges that Kenney was a hell-raiser and mentally unstable and counter-charges that Officer McKay was a rogue cop who dispensed justice as a way to settle personal scores. Striving to get at the truth of the story, the author uncovers a complicated mix of personalities and motivations. Local and statewide interests clash while regional and national media— and even YouTube viewers— supply ready stereotypes to fit their agendas. Amid larger questions of the meaning of individual freedom we are, ultimately, helpless witnesses to an inevitable clash of characters.

In 1937, the Great Depression was still lingering, but at baseball parks across the country there was a sense of optimism. Major League attendance was on a sharp rise. Tickets to an Indians game at League Park on Lexington and East 66th were $1.60 for box seats, $1.35 for reserve seats, and $.55 for the bleachers. Cleveland fans were particularly upbeat—Bob Feller, the teenage phenomenon, was a farm boy with a blistering fast ball. Night games were an exciting development. Better days were ahead.

But there were mounting issues facing the Indians. For one thing, it was rumored that the team had illegally signed Feller. Baseball Commissioner Judge Kenesaw Mountain Landis was looking into that matter and one other. Issues with an alcoholic catcher, dugout fights, bats thrown into stands, injuries, and a player revolt kept things lively.

In Bad Boys, Bad Times: The Cleveland Indians and Baseball in the Prewar Years, 1937–1941—the follow-up to his No Money, No Beer, No Pennants: The Cleveland Indians and Baseball in the Great Depression—baseball historian Scott H. Longert writes about an exciting period for the team, with details and anecdotes that will please fans all over.

In Bad Colonists Nicholas Thomas and Richard Eves provide a window into the fantasies and realities of colonial life by presenting separate sets of letters by two late-nineteenth-century British colonists of the South Pacific: Vernon Lee Walker and Louis Becke. Thomas and Eves frame the letters—addressed mostly to the colonists’ mothers—with commentary that explores colonial degeneration in the South Pacific. Using critical anthropology and theories of history-making to view the letter as artifact and autobiography, they examine the process whereby men and women unraveled in the hot, violent, uncivil colonial milieu.
An obscure colonial trader, Walker wrote to his mother in England from Australia, the New Hebrides (now Vanuatu), and New Caledonia—and also from ships in between those places—during the 1870s and 1880s. Becke was a trader, too, but he was also a successful author of popular fiction that drew on his experiences in the Pacific. Written from Micronesia in the early 1880s, Becke’s letters are like Walker’s in that they report one setback after another. Both collections vividly evoke the day-to-day experiences of ordinary late-nineteenth-century colonists and open up new questions concerning the making and writing of selves on the colonial periphery.
Exposing insecurities in an epoch normally regarded as one of imperial triumph, Bad Colonists will appeal to students and scholars of anthropology, colonial history, cultural studies, and Pacific history and culture.

Vladimir Jankélévitch was one of the most distinctive voices in twentieth-century philosophy. In The Bad Conscience—published in 1933 and subsequently revised and expanded—Jankélévitch lays the foundations for his later work, Forgiveness, grappling with the conditions that give rise to the moral awareness without which forgiveness would make no sense. Remorse, or “the bad conscience,” arises from the realization that the acts one has committed become irrevocable. This realization, in turn, gives rise to an awareness of moral virtues and values, as well as freedom and the responsibilities freedom entails. Thus, while the majority of moral systems try to shield us from remorse, the remedy for the bad conscience lies not in repentance but in the experience of remorse itself.
           
To this careful and sensitive English-language translation of The Bad Conscience, translator Andrew Kelley has added a substantial introduction situating the work in historical and intellectual context. Notes throughout indicate differences between this and earlier editions. A thought-provoking critique of standard conceptions of moral philosophy, The Bad Conscience restores this work by an important philosopher who has only recently begun to receive his due from the English-speaking world.

From the beginning to the end of his philosophizing, Sartre appears to have been concerned with "bad faith"—our "natural" disposition to flee from our freedom and to lie to ourselves. Virtually no aspect of his monumental system has generated more attention. Yet bad faith has been plagued by misinterpretation and misunderstanding. At the same time, Sartre's correlative concepts of "good faith" and "authenticity" have suffered neglect or insufficient attention, or been confused and wrongly identified by Sartre scholars, even by Sartre himself.

Ronald E. Santoni takes on the challenge of distinguishing these concepts, and of showing whether either or both existential "attitudes" afford deliverance from the hell of Sartre's bad faith. He offers the first fill-scale analysis, reconstruction, and differentiation of these ways of existing as they develop in Sartre's early works (1937-1947).

Although he attempts to redeem Sartre's slighted concept of good faith, Santoni warns that it must not be viewed interchangeably with authenticity. Further, in one of the earliest and most sustained studies of Sartre's Notebooks for an Ethics available in English, Santoni shows how Sartre's posthumously published notes for an "ethics of Salvation" confirm his differentiation and argument. The way out of Sartrean hell, Santoni insists, is authenticity—living "with fidelity" to our unjustifiable freedom and assuming responsibility for it.

A daring, deep investigation into ethnographic cinema that challenges standard ways of writing film history and breaks important new ground in understanding archives 

Bad Film Histories is a vital work that unsettles the authority of the archive. Katherine Groo daringly takes readers to the margins of the film record, addressing the undertheorization of film history and offering a rigorous corrective. Taking ethnographic cinema as a crucial case study, Groo challenges standard ways of thinking and writing about film history and questions widespread assumptions about what film artifacts are and what makes them meaningful. Rather than filling holes, Groo endeavors to understand the imprecisions and absences that define film history and its archives. 

Bad Film Histories draws on numerous works of ethnographic cinema, from Edward S. Curtis’s In the Land of the Head Hunters, to a Citroën-sponsored “croisière” across Africa, to the extensive archives of the Maison Lumière and the Musée Albert-Kahn, to dozens of expedition films from the 1910s and 1920s. The project is deeply grounded in poststructural approaches to history, and throughout Groo draws on these frameworks to offer innovative and accessible readings that explain ethnographic cinema’s destabilizing energies.

As Groo describes, ethnographic works are mostly untitled, unauthored, seemingly infinite in number, and largely unrestored even in their digital afterlives. Her examination of ethnographic cinema provides necessary new thought for both film scholars and those who are thrilled by cinema’s boundless possibilities. In so doing, she boldly reexamines what early ethnographic cinema is and how these films produce meaning, challenging the foundations of film history and prevailing approaches to the archive.

Bad guys are not allowed to have birthdays, pick blueberries, or disturb the baby. So say the four-year-olds who announce life's risks and dangers as they play out the school year in Vivian Paley's classroom.

Their play is filled with warnings. They invent chaos in order to show that everything is under control. They portray fear to prove that it can be conquered. No theme is too large or too small for their intense scrutiny. Fantasy play is their ever dependable pathway to knowledge and certainty.

" It . . . takes a special teacher to value the young child's communications sufficiently, enter into a meaningful dialogue with the youngster, and thereby stimulate more productivity without overwhelming the child with her own ideas. Vivian Paley is such a teacher."—Maria W. Piers, in the American Journal of Education

"[Mrs. Paley's books] should be required reading wherever children are growing. Mrs. Paley does not presume to understand preschool children, or to theorize. Her strength lies equally in knowing that she does not know and in trying to learn. When she cannot help children—because she can neither anticipate nor follow their thinking—she strives not to hinder them. She avoids the arrogance of adult to small child; of teacher to student; or writer to reader."—Penelope Leach, author of Your Baby & Child in the New York Times Book Review

"[Paley's] stories and interpretation argue for a new type of early childhood education . . . a form of teaching that builds upon the considerable knowledge children already have and grapple with daily in fantasy play."—Alex Raskin, Los Angeles Times Book Review

"Through the 'intuitive language' of fantasy play, Paley believes, children express their deepest concerns. They act out different roles and invent imaginative scenarios to better understand the real world. Fantasy play helps them cope with uncomfortable feelings. . . . In fantasy, any device may be used to draw safe boundaries."—Ruth J. Moss, Psychology Today

At the core of this nuanced book is the question that ecocritics have been debating for decades: what is the relationship between aesthetics and activism, between art and community? By using a pastoral lens to examine ten fictional narratives that chronicle the dialogue between human culture and nonhuman nature on the Great Plains, Matthew Cella explores literary treatments of a succession of abrupt cultural transitions from the Euroamerican conquest of the “Indian wilderness” in the nineteenth century to the Buffalo Commons phenomenon in the twentieth. By charting the shifting meaning of land use and biocultural change in the region, he posits this bad land—the arid West—as a crucible for the development of the human imagination.

 Each chapter deals closely with two novels that chronicle the same crisis within the Plains community. Cella highlights, for example, how Willa Cather reconciles her persistent romanticism with a growing disillusionment about the future of rural Nebraska, how Tillie Olsen and Frederick Manfred approach the tragedy of the Dust Bowl with strikingly similar visions, and how Annie Proulx and Thomas King use the return of the buffalo as the centerpiece of a revised mythology of the Plains as a palimpsest defined by layers of change and response. By illuminating these fictional quests for wholeness on the Great Plains, Cella leads us to understand the intricate interdependency of people and the places they inhabit.

 Cella uses the term “pastoralism” in its broadest sense to mean a mode of thinking that probes the relationship between nature and culture: a discourse concerned with human engagement—material and nonmaterial—with the nonhuman community. In all ten novels discussed in this book, pastoral experience—the encounter with the Beautiful—leads to a renewed understanding of the integral connection between human and nonhuman communities. Propelling this tradition of bad land pastoralism are an underlying faith in the beauty of wholeness that comes from inhabiting a continuously changing biocultural landscape and a recognition of the inevitability of change. The power of story and language to shape the direction of that change gives literary pastoralism the potential to support an alternative series of ideals based not on escape but on stewardship: community, continuity, and commitment.

It’s 1883 in Johnson County, in the old Dakota Territory—a rugged, wide-open landscape of rolling, red earth, prairie, and cattle as far as the eye can see. But the land is closing, the “Beef Bonanza” is ending, and the free-range cattlemen are stuck watching a way of life disappear in a blaze of drought and gunfire.

An action-packed western from one of the masters of the genre, Oakley Hall’s The Bad Lands blends roundups and rustlers, whorehouses and land grabs, shoot-outs and the threat of hangings in a tale of the war between the cowboys and the cattle barons. But more than this, it is an elegy to the wild beauty of the badlands before the ranchers moved in, chased off the free-rangers, the trappers, and the tribes, and fenced it all in.

In Bad Language, Naked Ladies, and Other Threats to the Nation, Anne Rubenstein examines how comic books—which were overwhelmingly popular but extremely controversial in post-revolutionary Mexico—played an important role in the development of a stable, legitimate state. Studying the relationship of the Mexican state to its civil society from the 1930s to the 1970s through comic books and their producers, readers, and censors, Rubenstein shows how these thrilling tales of adventure—and the debates over them—reveal much about Mexico’s cultural nationalism and government attempts to direct, if not control, social change.
Since their first appearance in 1934, comic books enjoyed wide readership, often serving as a practical guide to life in booming new cities. Conservative protest against the so-called immorality of these publications, of mass media generally, and of Mexican modernity itself, however, led the Mexican government to establish a censorship office that, while having little impact on the content of comic books, succeeded in directing conservative ire away from government policies and toward the Mexican media. Bad Language, Naked Ladies, and Other Threats to the Nation examines the complex dynamics of the politics of censorship occasioned by Mexican comic books, including the conservative political campaigns against them, government and industrial responses to such campaigns, and the publishers’ championing of Mexican nationalism and their efforts to preserve their publishing empires through informal influence over government policies. Rubenstein’s analysis suggests a new Mexican history after the revolution, one in which negotiation over cultural questions replaced open conflict and mass-media narrative helped ensure political stability.
This book will engage readers with an interest in Mexican history, Latin American studies, cultural studies, and popular culture.

Modernism is hot again. At the dawn of the twenty-first century, poets and architects, designers and critics, teachers and artists are rediscovering the virtues of the previous century’s most vibrant cultural constellation. Yet this widespread embrace raises questions about modernism’s relation to its own success. Modernism’s “badness”—its emphasis on outrageous behavior, its elevation of negativity, its refusal to be condoned—seems essential to its power. But once modernism is accepted as “good” or valuable (as a great deal of modernist art now is), its status as a subversive aesthetic intervention seems undermined. The contributors to Bad Modernisms tease out the contradictions in modernism’s commitment to badness.

Bad Modernisms thus builds on and extends the “new modernist studies,” recent work marked by the application of diverse methods and attention to texts and artists not usually labeled as modernist. In this collection, these developments are exemplified by essays ranging from a reading of dandyism in 1920s Harlem as a performance of a “bad” black modernist imaginary to a consideration of Filipino American modernism in the context of anticolonialism. The contributors reconsider familiar figures—such as Virginia Woolf, D. H. Lawrence, Josef von Sternberg, Ludwig Wittgenstein, W. H. Auden, and Wyndham Lewis—and bring to light the work of lesser-known artists, including the writer Carlos Bulosan and the experimental filmmaker Len Lye. Examining cultural artifacts ranging from novels to manifestos, from philosophical treatises to movie musicals, and from anthropological essays to advertising campaigns, these essays signal the capaciousness and energy galvanizing the new modernist studies.

Contributors. Lisa Fluet, Laura Frost, Michael LeMahieu, Heather K. Love, Douglas Mao, Jesse Matz, Joshua L. Miller, Monica L. Miller, Sianne Ngai, Martin Puchner, Rebecca L. Walkowitz

Jointly written by five leading voices on the topic, this book looks at the contentious issue of antisemitism in the Labour Party today, and sets out ways of addressing the problem while maintaining the integrity of the organisation. The first part of the book includes original material on public beliefs about antisemitism in the Labour Party, and the kinds of problems this poses regarding voting intentions and demoralization of the membership. The writers then investigate the institutional problems and policy decisions that prevented a coherent and well-planned response from the party, and how Labour can rectify this today. The book progresses to explore in depth the coverage of the issue in mainstream media outlets, and the partial accounts presented to the public. The writers focus on the debates around the IHRA definition, and the accusations made against David Miller which were eventually dismissed and set an important precedent. At the end of the book, Mike Berry provides a helpful chronological account of the arguments surrounding this issue from the beginning of Corbyn's leadership to the present.

When we share or receive good or bad news, from ordinary events such as the birth of a child to public catastrophes such as 9/11, our "old" lives come to an end, and suddenly we enter a new world. In Bad News, Good News, Douglas W. Maynard explores how we tell and hear such news, and what's similar and different about our social experiences when the tidings are bad rather than good or vice versa.

Uncovering vocal and nonvocal patterns in everyday conversations, clinics, and other organizations, Maynard shows practices by which people give and receive good or bad news, how they come to realize the news and their new world, how they suppress or express their emotions, and how they construct social relationships through the sharing of news. He also reveals the implications of his study for understanding public affairs in which transmitting news may influence society at large, and he provides recommendations for professionals and others on how to deliver bad or good tidings more effectively.

For anyone who wants to understand the interactional facets of news delivery and receipt and their social implications, Bad News, Good News offers a wealth of scholarly insights and practical advice.

At the turn of the twentieth century, American journalists transmitted news across the country by telegraph. But what happened when these stories weren't true? In Bad News Travels Fast, Patrick C. File examines a series of libel cases by a handful of plaintiffs—including socialites, businessmen, and Annie Oakley—who sued newspapers across the country for republishing false newswire reports. Through these cases, File demonstrates how law and technology intertwined to influence debates about reputation, privacy, and the acceptable limits of journalism.

This largely forgotten era in the development of American libel law provides crucial historical context for contemporary debates about the news media, public discourse, and the role of a free press. File argues that the legal thinking surrounding these cases laid the groundwork for the more friendly libel standards the press now enjoys and helped to establish today's regulations of press freedom amid the promise and peril of high-speed communication technology.

Before her death in 2001, Naomi Schor was a leading scholar in feminist and critical theory and a founding coeditor of differences: A Journal of Feminist Cultural Studies. This issue takes as its starting point Schor’s book Bad Objects: Essays Popular and Unpopular (1995), in which she discussed her attraction to the “bad objects” the academy had overlooked or ignored: universalism, essentialism, and feminism. Underpinning these bad objects was her mourning of the literary, a sense that her work—and feminist theory more generally—had departed from the textual readings in which they were grounded.  

Schor’s question at the time was “Will a new feminist literary criticism arise that will take literariness seriously while maintaining its vital ideological edge?” The contributors take literariness—the “bad object” of this issue—seriously.  They do not necessarily engage in debates about reading, theorize new formalisms, or thematize language; rather, they invigorate and unsettle the reading experience, investigating the relationship between language and meaning.

Contributors. Lee Edelman, Frances Ferguson, Peggy Kamuf, Ramsey McGlazer, Thangam Ravindranathan, Denise Riley, Ellen Rooney, Elizabeth Weed

Bad objects are a contrarian’s delight. In this volume, leading French feminist theorist and literary critic Naomi Schor revisits some of feminist theory’s most widely discredited objects, essentialism and universalism, with surprising results. Bilingual and bicultural, she reveals the national character of contemporary theories that are usually received as beyond borders, while making a strong argument for feminist theory’s specific claims to universalism.
Written in a distinctive personal and self-reflective mode, this collection offers new unpublished work and brings together for the first time some of Schor’s best-known and most influential essays. These engagements with Anglo-American feminist theory, Freud and psychoanalytic theory, French poststructuralists such as Barthes, Foucault, and Irigaray, and French fiction by or about women—especially of the nineteenth century—also address such issues as bilingual identity, professional controversies, female fetishism, and literature and gender. Schor then concludes with a provocative meditation on the future of feminism.
As they read Bad Objects, Anglo-American theoreticians who have been mainly preoccupied with French feminism will find themselves drawn into French literary and cultural history, while French literary critics and historians will be placed in contact with feminist debate.

Bad Souls is an ethnographic study of responsibility among psychiatric patients and their caregivers in Thrace, the northeastern borderland of Greece. Elizabeth Anne Davis examines responsibility in this rural region through the lens of national psychiatric reform, a process designed to shift treatment from custodial hospitals to outpatient settings. Challenged to help care for themselves, patients struggled to function in communities that often seemed as much sources of mental pathology as sites of refuge. Davis documents these patients' singular experience of community, and their ambivalent aspirations to health, as they grappled with new forms of autonomy and dependency introduced by psychiatric reform. Planned, funded, and overseen largely by the European Union, this "democratic experiment," one of many reforms adopted by Greece since its accession to the EU in the early 1980s, has led Greek citizens to question the state and its administration of human rights, social welfare, and education. Exploring the therapeutic dynamics of diagnosis, persuasion, healing, and failure in Greek psychiatry, Davis traces the terrains of truth, culture, and freedom that emerge from this questioning of the state at the borders of Europe.

Winner of the Agha Shahid Ali Poetry Prize

Bad Summon explores the relationship between the majesty of nature and the quiet violence humans inflict upon themselves and others. The poems are dipped in loss, traveling between death and mountains, romance and rivers. They are addicted to the truth of experience and the energy behind regret. Bad Summon conjures its own ghost. According to David Baker, the judge who selected the winning manuscript, this is a “surprising, coherent, original collection of lyric poems. I felt peril, heartbreak, catastrophe, sorrow, genuine soulfulness. It’s also funny, yet its humor is not comic but possesses a terrible gravity.” This is a volume every poetry lover will want to explore.

[In this one we aren’t exactly drowning]
but we are falling through water.
Quieter than we expect. Churning
is how we’ll later describe it.
Our arms dig out two wet Cs,
a heart if you want to look at it
that way. Though the body is always
in between—that unoriginal arrow. 

Bad Water is a sophisticated theoretical analysis of Japanese thinkers and activists' efforts to reintegrate the natural environment into Japan's social and political thought in the late nineteenth century and early twentieth. The need to incorporate nature into politics was revealed by a series of large-scale industrial disasters in the 1890s. The Ashio Copper Mine unleashed massive amounts of copper, arsenic, mercury, and other pollutants into surrounding watersheds. Robert Stolz argues that by forcefully demonstrating the mutual penetration of humans and nature, industrial pollution biologically and politically compromised the autonomous liberal subject underlying the political philosophy of the modernizing Meiji state. In the following decades, socialism, anarchism, fascism, and Confucian benevolence and moral economy were marshaled in the search for new theories of a modern political subject and a social organization adequate to the environmental crisis. With detailed considerations of several key environmental activists, including Tanaka Shōzō, Bad Water is a nuanced account of Japan's environmental turn, a historical moment when, for the first time, Japanese thinkers and activists experienced nature as alienated from themselves and were forced to rebuild the connections.

A moving work of fiction from one of the most important writers of postwar Austrian and German literature.

Born in 1921 to a Jewish mother, Ilse Aichinger  (1921–2016)  survived World War II in Vienna, while her twin sister Helga escaped with one of the last Kindertransporte to England in 1938. Many of their relatives were deported and murdered. Those losses make themselves felt throughout Aichinger’s writing, which since her first and only novel, The Greater Hope, in 1948, has highlighted displacement, estrangement, and a sharp skepticism toward language. By 1976, when she published Bad Words in German, her writing had become powerfully poetic, dense, and experimental. This volume presents the whole of the original Bad Words in English for the first time, along with a selection of Aichinger’s other short stories of the period; together, they demonstrate her courageous effort to create and deploy a language unmarred by misleading certainties, preconceived rules, or implicit ideologies.

Fierce, menacing, and mysterious, badgers have fascinated humans as living animals, abstract symbols, or commercial resources for thousands of years—often to their detriment. With their reputation for determined self-defense, they have been brutalized by hunters and sportsmen, while their association with the mythic underworld has made them idealized symbols of earth-based wisdom and their burrowing habits have resulted in their widespread persecution as pests. In this highly illustrated book, Daniel Heath Justice provides the first global cultural history of the badger in over thirty years.
           
From the iconic European badger and its North American kin to the African honey badger and Southeast Asian hog badger, Justice considers the badger’s evolution and widespread distribution alongside its current, often-imperiled status throughout the world. He travels from natural history and life in the wild to the folklore, legends, and spiritual beliefs that badgers continue to inspire, while also exploring their representation and exploitation in industry, religion, and the arts. Tracing the complex and contradictory ways in which this fascinating animal endures, Badger will appeal to anyone interested in a deeper understanding of these much-maligned creatures.

The bodies are buried, but the stories are not. From the ornate tombs of Milwaukee beer barons to displaced Chippewa graves and miniscule family plots, Badger Boneyards: The Eternal Rest of the Story unearths the stories of Wisconsin. Football great John Heisman is buried here, as is the state's smallest man, a woman whose tombstone names her murderer, and the boy who would not tell a lie and paid the price.

 

Even in a graveyard, peace proves hard to come by: Wisconsin's Native American tribes have fought for undisturbed grounds and proper burial. A patch of Belgian graves now resides beneath a parking lot while the headstones cluster nearby, and the inhabitants of a Bayfield cemetery were unearthed by a raging flood. Sometimes the dead are recalled with only a first name, and sometimes no name at all. Following the clues in tips from readers, unusual epitaphs, and well-worn stones, Dennis McCann finds the melancholy, the humorous, the tragic, and the universal in Wisconsin's cities of the dead.

The most complete and accessible guide in any language to this key contemporary thinker

Alain Badiou is one of the most inventive and compelling philosophers working in France today—a thinker who, in these days of cynical resignation and academic specialization, is exceptional in every sense. Guided by disciplines ranging from mathematics to psychoanalysis, inspired as much by Plato and Cantor as by Mao and Mallarmé, Badiou’s work renews, in the most varied and spectacular terms, a decidedly ancient understanding of philosophy—philosophy as a practice conditioned by truths, understood as militant processes of emancipation or transformation.

This book is the first comprehensive introduction to Badiou’s thought to appear in any language. Assuming no prior knowledge of his work, it provides a thorough and searching overview of all the main components of his philosophy, from its decisive political orientation through its startling equation of ontology with mathematics to its resolute engagement with its principal competition (from Wittgenstein, Heidegger, and Deleuze, among others). The book draws on all of Badiou’s published work and a wide sampling of his unpublished work in progress, along with six years of correspondence with the author. Peter Hallward pays careful attention to the aspect of Badiou’s work most liable to intimidate readers in continental philosophy and critical theory: its crucial reliance on certain key developments in modern mathematics. Eschewing unnecessary technicalities, Hallward provides a highly readable discussion of each of the basic features of Badiou’s ontology, as well as his more recent account of appearance and “being-there.” Without evading the difficulties, Peter Hallward demonstrates in detail and in depth why Badiou’s ongoing philosophical project should be recognized as the most resourceful and inspiring of his generation.

Badiou and Politics offers a much-anticipated interpretation of the work of the influential French philosopher Alain Badiou. Countering ideas of the philosopher as a dogmatic, absolutist, or even mystical thinker enthralled by the force of the event as a radical break, Bruno Bosteels reveals Badiou’s deep and ongoing investment in the dialectic. Bosteels draws on all of Badiou’s writings, from the philosopher’s student days in the 1960s to the present, as well as on Badiou’s exchanges with other thinkers, from his avowed “masters” Louis Althusser and Jacques Lacan, to interlocutors including Gilles Deleuze, Slavoj Žižek, Daniel Bensaïd, Jacques Derrida, Ernesto Laclau, and Judith Butler. Bosteels tracks the philosopher’s political activities from the events of May 1968 through his embrace of Maoism and the work he has done since the 1980s, helping to mobilize France’s illegal immigrants or sans-papiers. Ultimately, Bosteels argues for understanding Badiou’s thought as a revival of dialectical materialism, and he illuminates the philosopher’s understanding of the task of theory: to define a conceptual space for thinking emancipatory politics in the present.

When Joseph Joffo was ten years old, his father gave him and his brother fifty francs and instructions to flee Nazi-occupied Paris and, somehow, get to the south where France was free. Previously out of print, this book is a captivating and memorable story; readers will instinctively find themselves rooting for these children caught in the whirlwind of World War II.

Iraqi poet Salah Al Hamdani has lived a remarkable life. The author of some forty books in French and Arabic, he began life as a child laborer, with little or no education. As a political prisoner under Saddam Hussein, he learned to read and write Arabic; once he was released form prison, he continued to work against the regime, ultimately, at age twenty-one, choosing exile in Paris. He now writes in French, but he remains a poet of exile, of memory, wounded by the loss of his homeland and those dear to him.
 
This landmark collection gathers thirty-five years of his writings, from his first volume in Arabic, Memory of Embers, to his latest collection, written originally in French, For You I Dream. It offers English-language readers their first substantial overview of Al Hamdani’s work, fired by the fight against injustice and shot through with longing for the home to which he can never return. 
 

"David Enders has a stunning independent streak and the courage to trust his own perceptions as he reports from outside the bubble Americans have created for themselves in Iraq."
-Joe Sacco, author of Safe Area Gorazde

"Baghdad Bulletin takes us where mainstream news accounts do not go. Disrupting the easy clichés that dominate U.S. journalism, Enders blows away the media fog of war. The result is a book that challenges Americans to see through double speak and reconsider the warfare being conducted in their names."
-Norman Solomon, author of War Made Easy: How Presidents and Pundits Keep Spinning Us to Death

"Journalism at its finest and on a shoestring to boot. David Enders shows that courage and honesty can outshine big-budget mainstream media. Wry but self-critical, Baghdad Bulletin tells a story that a few of us experienced but every journalist, nay every citizen, should read."
-Pratap Chatterjee, Managing Editor and Project Director, CorpWatch

"Young and tenacious, Dave Enders went, saw, and wrote it down. Here it is-a well-informed and detailed tale of Iraq's decline under American rule. Baghdad Bulletin offers tragic politics, wacky people, and keen insights about what really matters on the ground in Iraq."
-Christian Parenti

"I wrote my first piece for Baghdad Bulletin after visiting the mass graves at Al-Hilla in 2003. The Baghdad Bulletin was essential reading in the first few months after the end of the war. I handed that particular copy to Prime Minister Tony Blair. I am only sorry that I cannot read it anymore. David Enders and his team were brave, enterprising, and idealistic."
-Rt. Hon. Ann Clwyd, member of the British Parliament


Baghdad Bulletin is a street-level account of the war and turbulent postwar period as seen through the eyes of the young independent journalist David Enders. The book recounts Enders's story of his decision to go to Iraq, where he opened the only English-language newspaper completely written, printed, and distributed there during the war.

Young, courageous, and anti-authoritarian, Enders is the first reporter to cover the war as experienced by ordinary Iraqis. Deprived of the press credentials that gave his embedded colleagues access to press conferences and officially sanitized information, Enders tells the story of a different war, outside the Green Zone. It is a story in which the struggle of everyday life is interspersed with moments of sheer terror and bizarre absurdity: wired American troops train their guns on terrified civilians; Iraqi musicians prepare a recital for Coalition officials who never show; traveling clowns wreak havoc in a Baghdad police station.

Orphans and intellectuals, activists and insurgents: Baghdad Bulletin depicts the unseen complexity of Iraqi society and gives us a powerful glimpse of a new kind of warfare, one that coexists with-and sometimes tragically veers into-the everyday rhythms of life.

Baghdad, Mon Amour is a memoir by Salah Al Hamdani centered on his imprisonment under Saddam Hussein, his subsequent exile in France for more than thirty years, and his emotional return to Baghdad and seeing his family again after all those years with feelings of tremendous joy but also guilt for having “abandoned” them. The beauty of Al Hamdani’s prose and poetry is skillfully captured in Sonia Alland’s translation.

In the fall of 1928, thirty-five year-old Freya Stark set out on her first journey to the Middle East. She spent most of the next four years in Iraq and Persia, visiting ancient and medieval sites, and traveling alone through some of the wilder corners of the region.

After the 9/11 World Trade Center terrorist attacks, New York City's Emerald Society Bagpipe Band of firefighter-musicians took out their instruments and prepared to bury their dead--343 brothers in duty and in blood. Many firefighters alternated between playing their instruments at funerals and digging for the missing in the rubble of Ground Zero. The Irish American tradition of funeral bagpiping became the sound of mourning for an entire nation.

Bagpipe Brothers tells the unforgettable story of four firefighters in the band, who struggled to bring peace to their families and themselves while searching for the dead, coping with the endless round of funerals, and rethinking the meaning of faith. Their experiences illustrate the grief and recovery of the nation in the aftermath of the terrorist attacks.

Kerry Sheridan has written the first book to cover the ordeal of the massive number of funerals, the importance of recovering bodies in Irish American culture, and the bagpiping ritual, both traditional and modern.
 

The life of I. J. 'Izzi' Wagner mirrors the development of Salt Lake City during the twentieth century—from poverty and obscurity to affluence and prominence. Wagner was born in poverty, but through hard work, wise management, and good luck, he built a fortune. He also changed the city for the better—leading the movement to eliminate overhead signs on Main Street, opening the southwest quadrant to controlled industrial development, ridding the city center of railroad tracks, funding the Rose Wagner Center for Performing Arts, and using his substantial influence to promote tolerance.

His sense of humor was legendary. His tenacity in pursuit of goals was unwavering. His grasp of past, present, and future opportunities was profound. Bags to Riches shows the personal side of an 'outsider' who became an 'insider' through congeniality, good humor, and integrity.

 There are 100,000 Baha’is in the United States, about five million worldwide including a significant population in Iran, their country of origin. They are also the most persecuted minority in Iran, where they are accused of being heretics by the Shi’i establishment.

In fact, Baha’i draws on a diverse heritage that encompasses both East and West. Reflecting their Islamic roots, they observe daily prayers and the reading of sacred texts; a month of fast; pilgrimage to Haifa, Israel, where the religion’s relics are preserved; and abstinence from alcohol. They face toward their prophet Baha’u'llah’s resting place when praying, which is reminiscent of Muslims facing Mecca to pray.

In other ways, the Baha’i religion has dissociated itself from orthodox Shi’ism. Adherents avoid communal prayer, reject the idea of a professional clergy, promote gender equality, and devote a great deal of attention to education, health care, and environmental issues. They work actively through the United Nations system to promote their view of a new world order of peace and harmony that they feel will one day unify humankind across all nations, races, and religions.

A comic classic of world literature, Aleko Konstantinov’s 1895 novel Bai Ganyo follows the misadventures of rose-oil salesman Ganyo Balkanski (“Bai” is a Bulgarian title of intimate respect) as he travels in Europe. Unkempt but endearing, Bai Ganyo blusters his way through refined society in Vienna, Dresden, and St. Petersburg with an eye peeled for pickpockets and a free lunch. Konstantinov’s satire turns darker when Bai Ganyo returns home—bullying, bribing, and rigging elections in Bulgaria, a new country that had recently emerged piecemeal from the Ottoman Empire with the help of Czarist Russia.
    Bai Ganyo has been translated into most European languages, but now Victor Friedman and his fellow translators have finally brought this Balkan masterpiece to English-speaking readers, accompanied by a helpful introduction, glossary, and notes.

 

 

Winner, Bulgarian Studies Association Book Prize

 

Finalist, Foreword Magazine’s Multicultural Fiction Book of the Year

 

Winner, John D. Bell Book Prize, Bulgarian Studies Association

 

Best Books for Special Interests, selected by the American Association for School Libraries

 

Best Books for High Schools, selected by the American Association for School Libraries

 

Best Books for Special Interests, selected by the Public Library Association

Open this book and you are in Door County, Wisconsin, strolling down Coot Lake Road—a one-lane, dead-end gravel track just a few miles from Baileys Harbor and the Lake Michigan shore. Along the way you meet George and Helen O’Malley, who are growing old gracefully. Russell, their brave and empathetic golden retriever, wags hello and offers you a paw to shake.
    The Olsons and the Berges live just down the road. Bump Olson is the local septic tank pumper and birdwatcher extraordinaire, and Hans Berge, MD, PhD, was at one time the only Norwegian psychiatrist in Chicago—or so he says. In a cottage out by the highway, you may spot Lloyd Barnes, ex–Tennessee state trooper, hound fancier, and local man of mystery. Uncle Petter Sorenson, visiting from Grand Forks, takes the polar bear plunge at Jacksonport. Around the neighborhood you’ll meet Deputy Doug, the flirtatious cellist Debbie Dombrowski, and Italian import Rosa Zamboni.
    Dave Crehore’s sketches of life on the Door peninsula also expound on:
•    the delights of codfish pizza
•    how to insult Canadians
•    what to expect at your fiftieth high school reunion
•    how to lose a school board election
•    the prevention of creeping old-fogyism
•    Marilyn, a buxom eight-pound smallmouth bass
•    and what goes on in the winter, when no one is there.

In self-exile in Canada after the collapse of Yugoslavia and his mother's death, the narrator of Bait is listening to a series of tapes he recorded of his mother years before. As her story is told, he reflects on her life and their relationship, attempting to come to terms with his Jewishness and his own new life in a foreign culture.

Baja California is an improbably long and narrow peninsula. It thrusts out like a spear, parting the Mexican mainland from the Pacific Ocean. In his third installment on the Gulf of California’s coastal setting, expert geologist and guide Markes E. Johnson reveals a previously unexplored side to the region’s five-million-year story beyond the fossil coral reefs, clam banks, and prolific beds of coralline algae vividly described in his earlier books. Through a dozen new excursions, in Baja California’s Coastal Landscapes Revealed, Johnson returns to these yet wild shores to share his gradual recognition of another side to the region.

Johnson reveals a geologic history that is outside the temporal framework of a human lifetime and scored by violent storms. We see how hurricanes have shaped coastal landscapes all along the peninsula’s inner coast, a fascinating story only possible by disassembling the rocks that on first appraisal seem incomprehensible.

Looking closely, Johnson shows us how geology not only helps us look backward but also forward toward an uncertain future. The landscape Johnson describes may be apart from the rest of Mexico, but his expert eye reveals how it is influenced by the unfolding drama of Planet Earth’s global warming.
 

 

Ruth MacKay recalls this conspiracy, marked both by scheming and absurdity, and the legal inquest that followed, to show how stories of this kind are conceived, told, circulated, and believed. She reveals how the story of Sebastian, supposedly in hiding and planning to return to claim his crown, was lodged among other familiar stories: prophecies of returned leaders, nuns kept against their will, kidnappings by Moors, miraculous escapes, and monarchs who die for their country. As MacKay demonstrates, the conspiracy could not have succeeded without the circulation of news, the retellings of the fatal battle in well-read chronicles, and the networks of rumors and correspondents, all sharing the hope or belief that Sebastian had survived and would one day return.

 

With its royal intrigues, ambitious artisans, dissatisfied religious women, and corrupt clergy, The Baker Who Pretended to Be King of Portugal will undoubtedly captivate readers as it sheds new light on the intricate political and cultural relations between Spain and Portugal in the early modern period and the often elusive nature of historical truth.

In preindustrial Europe, dependence on grain shaped every phase of life from economic development to spiritual expression, and the problem of subsistence dominated the everyday order of things in a merciless and unremitting way. Steven Laurence Kaplan’s The Bakers of Paris and the Bread Question, 1700–1775 focuses on the production and distribution of France’s most important commodity in the sprawling urban center of eighteenth-century Paris where provisioning needs were most acutely felt and most difficult to satisfy. Kaplan shows how the relentless demand for bread constructed the pattern of daily life in Paris as decisively and subtly as elaborate protocol governed the social life at Versailles.
Despite the overpowering salience of bread in public and private life, Kaplan’s is the first inquiry into the ways bread exercised its vast and significant empire. Bread framed dreams as well as nightmares. It was the staff of life, the medium of communion, a topic of common discourse, and a mark of tradition as well as transcendence. In his exploration of bread’s materiality and cultural meaning, Kaplan looks at bread’s fashioning of identity and examines the conditions of supply and demand in the marketplace. He also sets forth a complete history of the bakers and their guild, and unmasks the methods used by the authorities in their efforts to regulate trade.
Because the bakers and their bread were central to Parisian daily life, Kaplan’s study is also a comprehensive meditation on an entire society, its government, and its capacity to endure. Long-awaited by French history scholars, The Bakers of Paris and the Bread Question, 1700–1775 is a landmark in eighteenth-century historiography, a book that deeply contextualizes, and thus enriches our understanding of one of the most important eras in European history.

Offering original research on Mikhail Bakhtin by leading scholars in the field, this special issue of SAQ both celebrates the recent centennial of Bakhtin’s birth and elaborates significant new strains in Bakhtinian thinking. The distinction between Bakhtin and “Bakhtin” is a measure of the incommensurable space between the biographically verifiable figure and the one who emerges from contemporary critical applications of his work. While the inevitability of this space must be acknowledged, so too must its implications for a politics of culture where theory is concerned. Can there be a real Bakhtin, and can this one simply be the relevant Bakhtin? Is the deified Bakhtin just a reified Bakhtin?
Exploring both the dynamism of Bakhtin versus “Bakhtin” and the dynamics of “possible Bakhtins,” the contributors tackle this theorist’s range of shifting shapes, from the carnival-messianistic and the chronotopic, through the philosophic and the ideologic, to the “applied Bakhtin” of the social sciences. Bakhtin’s texts are examined in the context of work by such disparate figures as Ernst Cassirer and Rudolph Rocker, while various aspects of the academic “Bakhtin industry” are examined, including the “will to mythology by anthology” and the inequities of a world market in ideas exemplified by the resource gap between Russian and Western scholarship. The “state of the archive” is assessed by both UK Bakhtin Centre Director David Shepherd and Russian Bakhtin Archivist Nikolai Pan’kov. Throughout the issue, which is framed by Peter Hitchcock’s introductory polemics and Michael Holquist’s afterword, author and archive are continually deconstructed and reconstructed.

Contributors. Robert Barsky, Rachel Falconer, Maroussia Hadjukowski-Ahmed, Ken Hirschkop, Peter Hitchcock, Michael Holquist, Vitaly Makhlin, Nikolai Pan’kov, Brian Poole, David Shepherd, Galin Tihanov, Anthony Wall

The Russian critic M. M. Bakhtin has recently become a major figure in contemporary theory beyond his traditional influence in Slavic literary studies. Bakhtin in Contexts explores the revolutionary impact Bakhtin's ideas have carried in contemporary discussion of language, art, culture, and social science in recent years. The contributors represent a broad range of disciplines in the humanities and social sciences, epitomizing the views of Russian and American specialists in those fields Bakhtin often referred to as "the human sciences." The diversity of perspective and flexibility of approach make this a unique contribution to Bakhtin studies and to the ongoing dialogue between Western and Russian theorists.

First patented in 1856, baking powder sparked a classic American struggle for business supremacy. For nearly a century, brands battled to win loyal consumers for the new leavening miracle, transforming American commerce and advertising even as they touched off a chemical revolution in the world's kitchens. Linda Civitello chronicles the titanic struggle that reshaped America's diet and rewrote its recipes. Presidents and robber barons, bare-knuckle litigation and bold-faced bribery, competing formulas and ruthless pricing--Civitello shows how hundreds of companies sought market control, focusing on the big four of Rumford, Calumet, Clabber Girl, and the once-popular brand Royal. She also tells the war's untold stories, from Royal's claims that its competitors sold poison, to the Ku Klux Klan's campaign against Clabber Girl and its German Catholic owners. Exhaustively researched and rich with detail, Baking Powder Wars is the forgotten story of how a dawning industry raised Cain--and cakes, cookies, muffins, pancakes, donuts, and biscuits.

Ecologists, although they acknowledge the problems involved, generally conduct their research on too few species, in too small an area, over too short a period of time. In The Balance of Nature?, a work sure to stir controversy, the distinguished theoretical ecologist Stuart L. Pimm argues that ecology therefore fails in many ways to address the enormous ecological problems now facing our planet.

Ecologists describing phenomena on larger scales often use terms like "stability," "balance of nature," and "fragility," and Pimm begins by considering the various specific meanings of these terms. He addresses five kinds of ecological stability—stability in the strict sense, resilience, variability, persistence, and resistance—and shows how they provide ways of comparing natural populations and communities as well as theories about them. Each type of stability depends on characteristics of the species studied and also on the structure of the food web in which the species is embedded and the physical features of the environment.

The Balance of Nature? provides theoretical ecology with a rich array of questions—questions that also underpin pressing problems in practical conservation biology. Pimm calls for nothing less than new approaches to ecology and a new alliance between theoretical and empirical studies.

"A wonderful compendium of everything you always wanted to know about trends in women's roles—both in and out of the home. It is a balanced and data-rich assessment of how far women have come and how far they still have to go. "—Isabelle Sawhill, Urban Institute "Based primarily on the 1990 population census, Balancing Act reports on the current situation of American women and temporal and cross-national comparisons. Meticulously and clearly presented, the information in this book highlights changing behaviors, such as the growing incidence of childbearing to older women, and unmarried women in general, and a higher ratio of women's earnings to men's. The authors' thoughtful analysis of these and other factors involved in women's fin de siècle 'balancing act' make this an indispensable reference book and valuable classroom resource." —Louise A. Tilly, Michael E. Gellert Professor of History and Sociology, The New School for Social Research In Balancing Act, authors Daphne Spain and Suzanne Bianchi draw upon multiple census and survey sources to detail the shifting conditions under which women manage their roles as mothers, wives, and breadwinners. They chronicle the progress made in education—where female college enrollment now exceeds that of males—and the workforce, where women have entered a wider variety of occupations and are staying on the job longer, even after becoming wives and mothers. But despite progress, lower-paying service and clerical positions remain predominantly female, and although the salary gap between men and women has shrunk, women are still paid less. As women continue to establish a greater presence outside the home, many have delayed marriage and motherhood. Marked jumps in divorce and out-of-wedlock childbirth have given rise to significant numbers of female-headed households. Married women who work contribute more significantly than ever to the financial well-being of their families, yet evidence shows that they continue to perform most household chores. Balancing Act focuses on how American women juggle the simultaneous demands of caregiving and wage earning, and compares their options to those of women in other countries. The United States is the only industrialized nation without policies to support working mothers and their families—most tellingly in the absence of subsidized childcare services. Many women are forced to work in less rewarding part-time or traditionally female jobs that allow easy exit and re-entry, and as a consequence poverty is the single greatest danger facing American women. As the authors show, the risk of poverty varies significantly by race and ethnicity, with African Americans—most of whose children live in mother-only families—the most adversely affected. This volume contributes to the national dialogue about family policy, welfare reform, and responsibility for children by highlighting the pivotal roles women play at the intersection of family and work.

Increasing numbers of Americans are fleeing cities and suburbs for the small towns and open spaces that surround national and state parks, wildlife refuges, historic sites, and other public lands. With their scenic beauty and high quality of life, these "gateway communities" have become a magnet for those looking to escape the congestion and fast tempo of contemporary American society.

Yet without savvy planning, gateway communities could easily meet the same fate as the suburban communities that were the promised land of an earlier generation. This volume can help prevent that from happening.

The authors offer practical and proven lessons on how residents of gateway communities can protect their community's identity while stimulating a healthy economy and safeguarding nearby natural and historic resources. They describe economic development strategies, land-use planning processes, and conservation tools that communities from all over the country have found effective. Each strategy or process is explained with specific examples, and numerous profiles and case studies clearly demonstrate how different communities have coped with the challenges of growth and development. Among the cities profiled are Boulder, Colorado; Townsend and Pittman Center Tennessee; Gettysburg, Pennsylvania; Tyrrell County, North Carolina; Jackson Hole, Wyoming; Sanibel Island, Florida; Calvert County, Maryland; Tuscon, Arizona; and Mount Desert Island, Maine.

Balancing Nature and Commerce in Gateway Communities provides important lessons in how to preserve the character and integrity of communities and landscapes without sacrificing local economic well-being. It is an important resource for planners, developers, local officials, and concerned citizens working to retain the high quality of life and natural beauty of these cities and towns.