Both film noir and the Weimar street film hold a continuing fascination for film spectators and film theorists alike. The female characters, especially the alluring femmes fatales, remain a focus for critical and popular attention. In the tradition of such attention, Dangerous Dames focuses on the femme fatale and her antithesis, the femme attrapée.

Unlike most theorists, Jans Wager examines these archetypes from the perspective of the female spectator and rejects the persistence of vision that allows a reading of these female characters only as representations of unstable postwar masculinity. Professor Wager suggests that the woman in the audience has always seen and understood these characters as representations of a complex aspect of her existence.

Dangerous Dames looks at the Weimar street films The Street, Variety, Asphalt, and M and the film noir movies The Maltese Falcon, Gun Crazy, and The Big Heat. This book opens the doors to spectators and theorists alike, suggesting cinematic pleasures outside the bounds of accepted readings and beyond the narrow categorization of film noir and the Weimar street film as masculine forms.

One of the Most Important Histories of the Greatest Battle on the Western Front in World War II

“Dark December occupies a distinguished place among war books. Every paragraph is based upon evidence, not flimsy wartime rumors. Technical enough for the professional, accurate enough for the historian (in fact, it is history of the best), it is lucid and understandable for the general reader.”—New York Herald Tribune

“If other veterans of the Army’s historical division can maintain Mr. Merriam’s high standard of stimulating, critical and painstaking work, we will be fortunate. Dark December can be heartily recommended to anyone faintly interested in the war.”—New York Times

“The book explodes a number of myths which have been winning their improper way into general belief.” —Arthur Schlesinger, Jr., Booklist

The massive German counteroffensive through Belgium’s Ardennes forest in December 1944 took the American and British armies by surprise and changed the outcome of the war. With whole divisions destroyed and decimated, the American army scrambled to contain the German threat, while also trying to determine how such an attack had gone undetected. The Americans succeeded in winning the month-long battle, commonly known as the Battle of the Bulge, through the tenacity of several pockets of troops, notably those in the Belgian town of Bastogne, and the remarkable rapid movement of Patton’s Third Army to seal the breech in the American lines. The battle stalled the British and American advances and lengthened the war with the result that the Soviet Union was able to make greater gains in Europe than previously anticipated. Dark December is a thorough and engrossing examination of the Battle of the Bulge by a historian who had the opportunity to prepare notes as the battle was occurring and consult classified American as well as German records. Notably, the book contains unique and critical information, including details gleaned from interviews conducted by the author with commanding officers on both sides, some of which are the only reports gathered from these sources. Originally published in 1947, this the first paperback edition with the complete original text and maps.

Inspired by the conference “Deaf People in Hitler’s Europe, 1933–1945,” hosted jointly by Gallaudet University and the United States Holocaust Memorial Museum in 1998, this extraordinary collection, organized into three parts, integrates key presentations and important postconference research.

Henry Friedlander begins “Part I: Racial Hygiene” by analyzing the assault on deaf people and people with disabilities as an integral element in the Nazi attempt to implement their theories of racial hygiene. Robert Proctor documents the role of medical professionals in deciding who should be sterilized or forbidden to marry, and whom the Nazi authorities would murder. In an essay written especially for this volume, Patricia Heberer details how Nazi manipulation of eugenics theory and practice facilitated the justification for the murder of those considered socially undesirable.

“Part II: The German Experience” commences with Jochen Muhs’s interviews of deaf Berliners who lived under Nazi rule, both those who suffered abuse and those who, as members of the Nazi Party, persecuted others, especially deaf Jews. John S. Schuchman describes the remarkable 1932 film Misjudged People, which so successfully portrayed the German deaf community as a vibrant contributor to society that the Nazis banned its showing when they came to power. Horst Biesold’s contribution confirms the complicity of teachers who denounced their own students, labeling them hereditarily deaf and thus exposing them to compulsory sterilization. The section also includes the reprint of a chilling 1934 article entitled “The Place of the School for the Deaf in the New Reich,” in which author Kurt Lietz rued the expense of educating deaf students, who could not become soldiers or bear “healthy children.”

In “Part III: The Jewish Deaf Experience,” John S. Schuchman discusses the plight of deaf Jews in Hungary. His historical analysis is complemented by a chapter containing excerpts from the testimony of six deaf Jewish survivors who describe their personal ordeals. Peter Black’s reflections on the need for more research conclude this vital study of a little-known chapter of the Holocaust.

Offering much more than a detached historical account of the "German miracle"—a ruined, war-torn nation evolving within a decade into the most flourishing country in Europe—Eugene Davidson delves into this intriguing story as a "participant observer." Drawing on countless interviews with Germans and Americans of various backgrounds and perspectives, from High Commissioner's office personnel to occupation troop GIs, storekeepers to housewives, Davidson insightfully conveys the atmosphere of postwar Germany and the role of the American occupation in achieving the nation's economic miracle.

The Death and Life of Germany examines the transformation of Germany, focusing on such key episodes as the unprecedented war-crimes tribunal at Nuremberg, the almost unceasing attempts of the Western Allies to cooperate with the Russians, the startling effects of the currency reform and Marshall Plan aid, the break between East and West Germany that culminated in the Berlin airlift, the heroic East German uprising of June 17, 1953, and the eventual formation of the Federal Republic of Germany and the German Democratic Republic.

Davidson traces the progress of thought among Germans and Americans alike as their conceptions of postwar Germany gradually evolved and the leaders of a new, democratic West Germany emerged from the ashes of defeat.

The strength of Davidson's research and analysis and the continuing relevance of this important volume make The Death and Life of Germany an invaluable addition to the collections of scholars and general readers interested in the evolution of postwar Germany.

Contributors. David P. Conradt, Russell J. Dalton, Kenneth Dyson, Klaus H. Goetz, Simon Green, Adrian Hyde-Price, Charlie Jeffery, Stephen Padgett, William E. Paterson, Wolfgang Rüdig, Martin Seeleib-Kaiser, Gordon Smith, Roland Sturm

Contributors. David P. Conradt, Russell J. Dalton, Kenneth Dyson, Klaus H. Goetz, Simon Green, Adrian Hyde-Price, Charlie Jeffery, Stephen Padgett, William E. Paterson, Wolfgang Rüdig, Martin Seeleib-Kaiser, Gordon Smith, Roland Sturm

From bleak expressionist works to the edgy political works of the New German Cinema to the feel-good Heimat films of the postwar era, Directory of World Cinema: Germany aims to offer a wider film and cultural context for the films that have emerged from Germany—including some of the East German films recently made available to Western audiences for the first time. With contributions by leading academics and emerging scholars in the field, this volume explores the key directors, themes, and periods in German film history, and demonstrates how genres have been adapted over time to fit historical circumstances. Rounding out this addition to the Directory of World Cinema series are fifty full-color stills, numerous reviews and recommendations, and a comprehensive filmography.

"Comprehensively researched, abundantly illustrated and written in accessible and engaging prose . . .  With great skill, Poore weaves diverse types of evidence, including historical sources, art, literature, journalism, film, philosophy, and personal narratives into a tapestry which illuminates the cultural, political, and economic processes responsible for the marginalization, stigmatization, even elimination, of disabled people---as well as their recent emancipation."
---Disability Studies Quarterly

"A major, long-awaited book. The chapter on Nazi images is brilliant---certainly the best that has been written in this arena by any scholar."
---Sander L. Gilman, Emory University

"An important and pathbreaking book . . . immensely interesting, it will appeal not only to students of twentieth-century Germany but to all those interested in the growing field of disability studies."
---Robert C. Holub, University of Tennessee

Combining impeccable scholarship and literary elegance, David Wetzel depicts the drama of machinations and passions that exploded in a war that forever changed the face of European history.