This remarkable biography features a white American pacifist minister whose tireless work for justice and human rights helped reshape Black civil rights in the U.S. and Africa.

George M. Houser (1916–2015) was one of the most important civil rights and antiwar activists of the twentieth century. A conscientious objector during World War II, in 1942 Houser cofounded and led the Congress of Racial Equality (CORE), whose embrace of nonviolent protest strategies and tactics characterized the modern American Civil Rights Movement. Beginning in the 1950s, Houser played a critical role in pan-Africanist anticolonial movements, and his more than thirty-year dedication to the cause of human rights and self-determination helped prepare the ground for the toppling of the South African apartheid regime.

Throughout his life, Houser shunned publicity, preferring to let his actions speak his faith. Sheila Collins’s well-researched biography recounts the events that informed Houser’s life of activism—from his childhood experiences as the son of missionaries in the Philippines to his early grounding in the Social Gospel and the teachings of Mohandas Gandhi. In light of the corruption the U.S. and the world face today, Houser’s story of faith and decisive action for human rights and social justice is one for our time.

Can the revolutionary government of Yoweri Museveni’s National Resistance Movement put Uganda back on the road from decay to development?

These informed assessments put the present situation in context. The contributors assembled as Museveni’s guerrillas were launching their final bid for power. They have finalized their contributions in the light of the Museveni government’s initial period of power.

Contributions by Ugandan academics and politicians interlock with those by scholars from across the world who have a concern for Uganda. Historians examine the period of colonialism. There are political studies of the quarter century since independence. There are detailed analyses of the economic realities for the Ugandan government in the period of international debt. The central role of education in national development is given due prominence.

Ali A. Mazrui ends the book by asking ‘Is Africa Decaying?’ The editors have put the consideration of the case of Uganda’s recent history within the context of Africa’s development crisis. Uganda has presented in an aggravated form the crisis common to many other African countries: infrastructural breakdown, mounting foreign debt, military regimes and waves of refugees.

In twentieth-century Kenya, age and gender were powerful cultural and political forces that animated household and generational relationships. They also shaped East Africans’ contact with and influence on emergent colonial and global ideas about age and masculinity. Kenyan men and boys came of age achieving their manhood through changing rites of passage and access to new outlets such as town life, crime, anticolonial violence, and nationalism. And as they did, the colonial government appropriated masculinity and maturity as means of statecraft and control.

In An Uncertain Age, Paul Ocobock positions age and gender at the heart of everyday life and state building in Kenya. He excavates in unprecedented ways how the evolving concept of “youth” motivated and energized colonial power and the movements against it, exploring the masculinities boys and young men debated and performed as they crisscrossed the colony in search of wages or took the Mau Mau oath. Yet he also considers how British officials’ own ideas about masculinity shaped not only young African men’s ideas about manhood but the very nature of colonial rule.

An Uncertain Age joins a growing number of histories that have begun to break down monolithic male identities to push the historiographies of Kenya and empire into new territory.

There are many collections of African oral traditions, but few as carefully organized as The Uncoiling Python. Harold Scheub, one of the world’s leading scholars of African oral traditions and folklore, explores the ways in which oral traditions have served to combat and subvert colonial domination in South Africa. From the time colonial forces first came to southern Africa in 1487, oral and written traditions have been a bulwark against what became 350 years of colonial rule, characterized by the racist policies of apartheid. The Uncoiling Python: South African Storytellers and Resistance is the first in-depth study of oral tradition as a means of survival.

In open insurrections and other subversive activities Africans resisted the daily humiliations of colonial rule, but perhaps the most effective and least apparent expression of subversion was through indigenous storytelling and poetic traditions. Harold Scheub has collected the stories and poetry of the Xhosa, Zulu, Swati, and Ndebele peoples to present a fascinating analysis of how the apparently harmless tellers of tales and creators of poetry acted as front-line soldiers.

In this companion volume to Parallel Worlds, Alma Gottlieb
explores ideology and social practices among the Beng people of Côte
d'Ivoire. Employing symbolic and postmodern perspectives, she highlights
the dynamically paired notions of identity and difference, symbolized by
the kapok tree planted at the center of every Beng village.

"This book merits a number of readings. . . . An experiment in
ethnography that future projects might well emulate." —Clarke K. Speed,
American Anthropologist

"[An] evocative, rich ethnography. . . . Gottlieb does anthropology a
real service." —Misty L. Bastian, American Ethnologist

"Richly detailed. . . . This book offers a nuanced descriptive analysis
which commands authority." —Elizabeth Tonkin, Man

"Exemplary. . . . Gottlieb's observations on identity and difference are
not confined to rituals or other special occasions; rather she shows
that these principles emerge with equal force during daily social life."
—Monni Adams, Journal of African Religion

"[An] excellent study." —John McCall, Journal of Folklore
Research

This long-awaited book is a considerable revision in the understanding of the history of colonial Kenya and, more widely, colonialism in Africa. There is a substantial amount of new work and this is interlocked with shared areas of concern that the authors have been exploring since 1976.

The authors investigate major themes. These include the conquest origins and subsequent development of the colonial state, the contradictory social forces that articulated African societies to European capitalism, and the creation of new political communities and changing meanings of ethnicity in Africa, in the context of social differentiation and class formation. There is substantial new work on the problems of Mau Mau and of wealth, poverty and civic virtue in Kikuyu political thought.

The authors make a fresh contribution to a deeper historical understanding of the development of contemporary Kenyan society and, in particular, of the British and Kukuyu origins of Mau Mau and the emergency of the 1950s.

They also highlight some of the shortcomings of ideas about development, explore the limitations of narrowly structuralist Marxist theory of the state, and reflect on the role of history in the future of Africa.

Book One on State and Class will be used by students of African history as well as of colonial Kenya; it is also concerned with the theory of history and of political science.

This long-awaited book is a considerable revision in the understanding of the history of colonial Kenya and, more widely, colonialism in Africa. There is a substantial amount of new work and this is interlocked with shared areas of concern that the authors have been exploring since 1976.

The authors investigate major themes. These include the conquest origins and subsequent development of the colonial state, the contradictory social forces that articulated African societies to European capitalism, and the creation of new political communities and changing meanings of ethnicity in Africa, in the context of social differentiation and class formation. There is substantial new work on the problems of Mau Mau and of wealth, poverty and civic virtue in Kikuyu political thought.

The authors make a fresh contribution to a deeper historical understanding of the development of contemporary Kenyan society and, in particular, of the British and Kukuyu origins of Mau Mau and the emergency of the 1950s.

They also highlight some of the shortcomings of ideas about development, explore the limitations of narrowly structuralist Marxist theory of the state, and reflect on the role of history in the future of Africa.

Book Two on Violence and Ethnicity gives new insights into popular consciousness, into revolutionary change and into the subtle realities of ethnicity; it will be of particular value to readers of Ngugi.

Set in western equitorial Africa on the estate of a wealthy American businessman, The Unmentionables opens with a pugnacious monologue warning the audience to get out now, while they still have a chance to do something really fun, like watch cable television. For those who choose to stay despite the allure of TV, the play follows the intersecting lives of members of the local population with the various Americans who have come to "do good in the world": a young Christian missionary who brings both food and the New Testament to the local children (and whose predecessor met with a grisly fate); a disenchanted Hollywood actress in search of meaning but finding only brutality; and the aging businessman and his wife, a woman simply desperate for conversation. Over the course of one long night their humanitarian notions of themselves are called into question as they come up against the realities of money, politics, and power. As the events escalate from calm to crisis with shocking speed, the worth of one American life is measured against the worth of their so-called American values, as they become the agents of violence against one sixteen-year-old African boy.

In 1965 the white minority government of Rhodesia (after 1980 Zimbabwe) issued a unilateral declaration of independence from Britain, rather than negotiate a transition to majority rule. In doing so, Rhodesia became the exception, if not anathema, to the policies and practices of the end of empire. In Unpopular Sovereignty, Luise White shows that the exception that was Rhodesian independence did not, in fact, make the state that different from new nations elsewhere in Africa: indeed, this history of Rhodesian political practices reveals some of the commonalities of mid-twentieth-century thinking about place and race and how much government should link the two.  

White locates Rhodesia’s independence in the era of decolonization in Africa, a time of great intellectual ferment in ideas about race, citizenship, and freedom. She shows that racists and reactionaries were just as concerned with questions of sovereignty and legitimacy as African nationalists were and took special care to design voter qualifications that could preserve their version of legal statecraft. Examining how the Rhodesian state managed its own governance and electoral politics, she casts an oblique and revealing light by which to rethink the narratives of decolonization.

In Unreasonable Histories, Christopher J. Lee unsettles the parameters and content of African studies as currently understood. At the book's core are the experiences of multiracial Africans in British Central Africa—contemporary Malawi, Zimbabwe, and Zambia—from the 1910s to the 1960s. Drawing on a spectrum of evidence—including organizational documents, court records, personal letters, commission reports, popular periodicals, photographs, and oral testimony—Lee traces the emergence of Anglo-African, Euro-African, and Eurafrican subjectivities which constituted a grassroots Afro-Britishness that defied colonial categories of native and non-native. Discriminated against and often impoverished, these subaltern communities crafted a genealogical imagination that reconfigured kinship and racial descent to make political claims and generate affective meaning. But these critical histories equally confront a postcolonial reason that has occluded these experiences, highlighting uneven imperial legacies that still remain. Based on research in five countries, Unreasonable Histories ultimately revisits foundational questions in the field, to argue for the continent's diverse heritage and to redefine the meanings of being African in the past and present—and for the future.

Original oral and ethnographic sources inform this conceptual history of power in central Africa, imagined through the lens of Kitawala religious practices. Unruly Ideas: A History of Kitawala in Congo recounts the multifaceted history of the Congolese religious movement Kitawala from its colonial beginnings in the 1920s through its continued practice in some of the most conflict-riven parts of the eastern Democratic Republic of Congo today. Drawing on a rich body of original oral, ethnographic, and archival research, Nicole Eggers uses Kitawala as a lens through which to address the complex relationship between politics, religion, healing, and violence in central African history. Kitawala, which has roots in the African Watchtower (Jehovah’s Witness) movement, has long been viewed both by scholars and by popular historians as a form of male-dominated, anticolonial insurgency. But just as Kitawalists were never exclusively male, their teachings and activities were never directed solely at the Belgian colonial state, and their yearnings for self-rule were never entirely about the secular realms of authority. A more comprehensive look at the oral and archival evidence reveals they were and are concerned with the morality of power more broadly: on state, communal, and individual levels. Moreover, Kitawalist doctrine is itself unruly, and its preachers, prophets, and practitioners have articulated innumerable interpretations—most quite different from Watchtower Christianity—across space and time. More than a case study of a particular religious movement, Unruly Ideas is a conceptual history of power that investigates how communities and individuals in the region have historically imagined power, sought to access it, wielded it, and policed the morality of its uses. By focusing on power and its intellectual and social history in Congo, Unruly Ideas creates an analytical space in which readers can understand the differing manifestations of Kitawala—from its overtly political and sometimes violent moments to those more aptly characterized as individual quests for spiritual and physical therapy—as varying themes in the same story: the pursuit of wellness in the context of malady. On a more practical level, the book raises important questions about the project of writing histories of places like eastern Congo: a region where the repercussions of decades of political neglect, upheaval, and violence force us to reconsider how we can think about and use oral and archival sources. Finally, the book investigates the embodied and gendered nature of field research and interrogates the intersubjective and reciprocal nature of knowledge production.

Unsettled History examines South African society and the construction and presentation of its public pasts, from Nelson Mandela’s release from prison in 1990 to South Africa’s hosting of the 2010 FIFA World Cup ®. Conventionally represented as a time of rectifying the silences and distortions of settler history through inclusion and recovery, the focus here instead is on the shifts in processes and locations of historicizing and the unsettled state of categories of framing history in post-apartheid South Africa. This era saw fundamental transformations in the order of knowledge: from the academy to the public; from popular history to public history; from history-as-lesson to history-as-forum.

Leslie Witz, Gary Minkley, and Ciraj Rassool take the reader to sites of historical production in which complex ideas about pasts are invoked, and navigate a path toward understanding the agencies of image-making and memory production. This volume is the outcome of the authors’ intensive collaborative research and engagement over twenty-five years on questions including the production and performance of apartheid history; the cultural politics of social history; South Africa’s Truth and Reconciliation Commission and practices of orality; tourism as an arena of image-making and historical construction; museums as sites of heritage production for a new South Africa; photographs, archival meanings, and the construction of the social documentary; and the centenary commemorations of the South African War and the making of race. The authors not only witnessed many of these instances of history-making but were also participants in their constitution.