A SCHOLARLY BOOK REPOSITORY65 start with V start with V
Is the purpose of political philosophy to articulate the moral values that political regimes would realize in a virtually perfect world and show what that implies for the way we should behave toward one another? That model of political philosophy, driven by an effort to draw a picture of an ideal political society, is familiar from the approach of John Rawls and others. Or is political philosophy more useful if it takes the world as it is, acknowledging the existence of various morally non-ideal political realities, and asks how people can live together nonetheless?
The latter approach is advocated by “realist” thinkers in contemporary political philosophy. In Value, Conflict, and Order, Edward Hall builds on the work of Isaiah Berlin, Stuart Hampshire, and Bernard Williams in order to establish a political realist’s theory of politics for the twenty-first century. The realist approach, Hall argues, helps us make sense of the nature of moral and political conflict, the ethics of compromising with adversaries and opponents, and the character of political legitimacy. In an era when democratic political systems all over the world are riven by conflict over values and interests, Hall’s conception is bracing and timely.
The Value of Life is an exploration of the actual and perceived importance of biological diversity for human beings and society. Stephen R. Kellert identifies ten basic values, which he describes as biologically based, inherent human tendencies that are greatly influenced and moderated by culture, learning, and experience. Drawing on 20 years of original research, he considers:
- the universal basis for how humans value nature
- differences in those values by gender, age, ethnicity, occupation, and geographic location
- how environment-related activities affect values
- variation in values relating to different species
- how vlaues vary across cultures
- policy and management implications
Why have scientists shied away from politics, or defended their work as value free? How has the ideal of neutrality come to dominate the world of science? These are some of the central questions that Robert Proctor addresses in his study of the politics of modern science.
Value-Free Science? emphasizes the importance of understanding the political origins and impact of scientific ideas. Proctor lucidly demonstrates how value-neutrality is a reaction to larger political developments, including the use of science by government and industry, the specialization of professional disciplines, and the efforts to stifle intellectual freedoms or to politicize the world of the academy.
The first part of the book traces the origins of value-neutrality prior to the eighteenth century. Plato and Aristotle saw contemplative thought as superior to practical action, and this separation of theory and practice is still invoked today in defense of "neutral science." In the seventeenth century the Baconian search for useful knowledge allowed a new and closer tie between theory and practice, but it also isolated moral knowledge from natural philosophy. Another version of neutrality was introduced by the mechanical conception of the universe, in which the idea of a benevolent, human-centered cosmos was replaced with a "devalorized" view of nature.
The central part of the book explores the exclusion of politics and morals with the emergence of the social sciences. Proctor highlights the case of Germany, where the ideal of value-neutrality was first articulated in modern form by social scientists seeking to attack or defend Marxism, feminism, and other social movements. He traces the rise and fall of positivist ethical and economic theory, showing that arguments for value-free science often mask concrete political maneuvers. Finally, he reviews critiques of science that have been voiced in recent debates over critical issues in agricultural science, military research, health and medicine, and biological determinism.
This provocative book will interest anyone seeking ways to reconcile the ideals of scientific freedom and social responsibility.
How far apart are humans from animals—even the “vampire squid from hell”? Playing the scientist/philosopher/provocateur, Vilém Flusser uses this question as a springboard to dive into a literal and a philosophical ocean. “The abyss that separates us” from the vampire squid (or vampire octopus, perhaps, since Vampyroteuthis infernalis inhabits its own phylogenetic order somewhere between the two) “is incomparably smaller than that which separates us from extraterrestrial life, as imagined in science fiction and sought by astrobiologists,” Flusser notes at the outset of the expedition.
Part scientific treatise, part spoof, part philosophical discourse, part fable, Vampyroteuthis Infernalis gives its author ample room to ruminate on human—and nonhuman—life. Considering the human condition along with the vampire squid/octopus condition seems appropriate because “we are both products of an absurd coincidence . . . we are poorly programmed beings full of defects,” Flusser writes. Among other things, “we are both banished from much of life’s domain: it into the abyss, we onto the surfaces of the continents. We have both lost our original home, the beach, and we both live in constrained conditions.”
Thinking afresh about the life of an “other”—as different from ourselves as the vampire squid/octopus—complicates the linkages between animality and embodiment. Odd, and strangely compelling, Vampyroteuthis Infernalis offers up a unique posthumanist philosophical understanding of phenomenology and opens the way for a non-philosophy of life.
Vanishing into Things explores the concept of knowledge in Chinese thought over two millennia, from Confucius to Wang Yangming (ca. 1500 CE), and compares the different philosophical imperatives that have driven Chinese and Western thought. Challenging the hyperspecialized epistemology of modern philosophy in the West, Barry Allen urges his readers toward an ethical appreciation of why knowledge is worth pursuing.
Western philosophers have long maintained that true knowledge is the best knowledge. Chinese thinkers, by contrast, have emphasized not the essence of knowing but the purpose. Ideas of truth play no part in their understanding of what the best knowledge is: knowledge is not deduced from principles or reducible to a theory. Rather, in Chinese tradition knowledge is expressed through wu wei, literally “not doing”—a response to circumstances that is at once effortless and effective. This type of knowledge perceives the evolution of circumstances from an early point, when its course can still be changed, provided one has the wisdom to grasp the opportunity.
Allen guides readers through the major Confucian and Daoist thinkers including Kongzi, Mengzi, Xunzi, Laozi, and Zhuangzi, examining their influence on medieval Neoconfucianism and Chan (Zen) Buddhism, as well as the theme of knowledge in China’s art of war literature. The sophisticated and consistent concept of knowledge elucidated here will be of relevance to contemporary Western and Eastern philosophers alike.
World-renowned philosopher, Michel Serres writes a text in praise of the body and movement, in praise of teachers of physical education, coaches, mountain guides, athletes, dancers, mimes, clowns, artisans, and artists. This work describes the variations, the admirable metamorphoses that the body can accomplish. While animals lack such a variety of gestures, postures, and movements, the fluidity of the human body mimics the leisure of living beings and things; what’s more, it creates signs. Already here, within its movements and metamorphoses, the mind is born. The five senses are not the only source of knowledge: it emerges, in large part, from the imitations the plasticity of the body allows. In it, with it, by it knowledge begins.
The Varieties of Atheism reveals the diverse nonreligious experiences obscured by the combative intellectualism of Sam Harris, Richard Dawkins, and Christopher Hitchens. In fact, contributors contend that narrowly defining atheism as the belief that there is no god misunderstands religious and nonreligious persons altogether. The essays show that, just as religion exceeds doctrine, atheism also encompasses every dimension of human life: from imagination and feeling to community and ethics. Contributors offer new, expansive perspectives on atheism’s diverse history and possible futures. By recovering lines of affinity and tension between particular atheists and particular religious traditions, this book paves the way for fruitful conversation between religious and non-religious people in our secular age.
A reclamation of experience as the foremost concept in the work of William James, and a powerful argument for the continuing importance of his philosophy.
How does one deploy experience without succumbing to a foundationalist epistemology or an account of the subject rooted in immediately given objects of consciousness? In the wake of the so-called linguistic turn of the twentieth century, this is a question anyone thinking philosophically about experience must ask.
Alexis Dianda answers through a reading of the pragmatic tradition, culminating in a defense of the role of experience in William James’s thought. Dianda argues that by reconstructing James’s philosophical project, we can locate a model of experience that not only avoids what Wilfrid Sellars called “the myth of the given” but also enriches pragmatism broadly. First, Dianda identifies the motivations for and limitations of linguistic nominalism, insisting that critics of experience focus too narrowly on justification and epistemic practices. Then, by emphasizing how James’s concept of experience stresses the lived, affective, and nondiscursive, the argument holds that a more robust notion of experience is necessary to reflect not just how we know but how we act.
The Varieties of Experience provides a novel reconstruction of the relationship between psychology, moral thought, epistemology, and religion in James’s work, demonstrating its usefulness in tackling issues such as the relevance of perception to knowledge and the possibility of moral change. Against the tide of neopragmatic philosophers such as Richard Rorty and Robert Brandom, who argue that a return to experience must entail appeals to foundationalism or representationalism, Dianda’s intervention rethinks not only the value and role of experience but also the aims and resources of pragmatic philosophy today.
The world shows up for us—it is present in our thought and perception. But, as Alva Noë contends in his latest exploration of the problem of consciousness, it doesn’t show up for free. The world is not simply available; it is achieved rather than given. As with a painting in a gallery, the world has no meaning—no presence to be experienced—apart from our able engagement with it. We must show up, too, and bring along what knowledge and skills we’ve cultivated. This means that education, skills acquisition, and technology can expand the world’s availability to us and transform our consciousness.
Although deeply philosophical, Varieties of Presence is nurtured by collaboration with scientists and artists. Cognitive science, dance, and performance art as well as Kant and Wittgenstein inform this literary and personal work of scholarship intended no less for artists and art theorists, psychologists, cognitive scientists, and anthropologists than for philosophers.
Noë rejects the traditional representational theory of mind and its companion internalism, dismissing outright the notion that conceptual knowledge is radically distinct from other forms of practical ability or know-how. For him, perceptual presence and thought presence are species of the same genus. Both are varieties of exploration through which we achieve contact with the world. Forceful reflections on the nature of understanding, as well as substantial examination of the perceptual experience of pictures and what they depict or model are included in this far-ranging discussion.
“Varieties of Religion Today is a provocative, witty, and worthy conversation with James’s timeless work.” —Publishers Weekly
A hundred years after William James delivered the celebrated lectures that became The Varieties of Religious Experience, one of the foremost thinkers in the English-speaking world returns to the questions posed in James’s masterpiece to clarify the circumstances and conditions of religion in our day. An elegant mix of the philosophy and sociology of religion, Charles Taylor’s powerful book maintains a clear perspective on James’s work in its historical and cultural contexts, while casting a new and revealing light upon the present.
Lucid, readable, and dense with ideas that promise to transform current debates about religion and secularism, Varieties of Religion Today is much more than a revisiting of James’s classic. Rather, it places James’s analysis of religious experience and the dilemmas of doubt and belief in an unfamiliar but illuminating context, namely the social horizon in which questions of religion come to be presented to individuals in the first place.
Taylor begins with questions about the way in which James conceives his subject, and shows how these questions arise out of different ways of understanding religion that confronted one another in James’s time and continue to do so today. Evaluating James’s treatment of the ethics of belief, he goes on to develop an innovative and provocative reading of the public and cultural conditions in which questions of belief or unbelief are perceived to be individual questions. What emerges is a remarkable and penetrating view of the relation between religion and social order and, ultimately, of what “religion” means.
The Varieties of Religious Experience, first delivered as the Gifford Lectures in Edinburgh, was published in 1902 and quickly established itself as a classic. It ranks with its great predecessor, The Principles of Psychology, as one of William James's masterworks.
The book is not concerned with institutional religion. Its subtitle is "A Study in Human Nature," and James defines his subject as the feelings, acts, and experiences of individuals in relation to what they consider to be divine. His broad topics include the religion of healthy-mindedness; the sick soul; the divided self and its unification; conversion; saintliness; and mysticism. These and other phenomena are vividly documented by individual case histories--recorded in autobiographies, diaries, confessions, and similar writings--drawn from the whole range of world literature.
Constantly reprinted over the years, Varieties here appears for the first time in an edition prepared and annotated according to modern standards of textual scholarship. Manuscript material has been used to recover the form in which the last two lectures were originally delivered.
“What does it mean to say that we live in a secular age?” This apparently simple question opens into the massive, provocative, and complex A Secular Age, where Charles Taylor positions secularism as a defining feature of the modern world, not the mere absence of religion, and casts light on the experience of transcendence that scientistic explanations of the world tend to neglect.
In Varieties of Secularism in a Secular Age, a prominent and varied group of scholars chart the conversations in which A Secular Age intervenes and address wider questions of secularism and secularity. The distinguished contributors include Robert Bellah, José Casanova, Nilüfer Göle, William E. Connolly, Wendy Brown, Simon During, Colin Jager, Jon Butler, Jonathan Sheehan, Akeel Bilgrami, John Milbank, and Saba Mahmood.
Varieties of Secularism in a Secular Age succeeds in conveying to readers the complexity of secularism while serving as an invaluable guide to a landmark book.
The Varnished Truth takes us beyond philosophical speculation and clinical analysis to give us a sense of what it really means to tell the truth. As Nyberg lays out the complexities involved in leading a morally decent life, he compels us to see the spectrum of alternatives to telling the truth and telling a clear-cut lie.
On one level, Varro’s treatise presents an innovative account of the Roman farm, which rationalizes new agricultural and pastoral opportunities for contemporary elite owners of large-scale estates. But on another level, this bold agronomical vision associates the farm’s different spheres with distinct areas under Roman control, thereby allegorizing Rome’s empire on the model of a farm. Nelsestuen argues that Varro’s treatise thus provides his contemporaries with a model for governing the Roman state, anticipates Augustus’ subsequent transformation of Roman dominion into a coherent territorial state, and offers an ancient theory of imperialism.
Shedding new light on the only completely extant work of a much-celebrated but ill-understood figure, Varro the Agronomist has much to offer to those interested in Latin literature—especially, Cicero and Vergil—as well as on the political dimensions of intellectual life in first-century bce Rome, ancient imperialism, and Roman political philosophy.
The words most commonly associated with the environmental movement—save, recycle, reuse, protect, regulate, restore—describe what we can do to help the environment, but few suggest how we might transform ourselves to better navigate the sudden turns of the late Anthropocene. Which words can help us to veer conceptually along with drastic environmental flux? Jeffrey Jerome Cohen and Lowell Duckert asked thirty brilliant thinkers to each propose one verb that stresses the forceful potential of inquiry, weather, biomes, apprehensions, and desires to swerve and sheer. Each term is accompanied by a concise essay contextualizing its meaning in times of resource depletion, environmental degradation, and global climate change.
Some verbs are closely tied to natural processes: compost, saturate, seep, rain, shade, sediment, vegetate, environ. Many are vaguely unsettling: drown, unmoor, obsolesce, power down, haunt. Others are enigmatic or counterintuitive: curl, globalize, commodify, ape, whirl. And while several verbs pertain to human affect and action—love, represent, behold, wait, try, attune, play, remember, decorate, tend, hope—a primary goal of Veer Ecology is to decenter the human. Indeed, each of the essays speaks to a heightened sense of possibility, awakening our imaginations and inviting us to think the world anew from radically different perspectives. A groundbreaking guide for the twenty-first century, Veer Ecology foregrounds the risks and potentialities of living on—and with—an alarmingly dynamic planet.
Contributors: Stacy Alaimo, U of Texas at Arlington; Joseph Campana, Rice U; Holly Dugan, George Washington U; Lara Farina, West Virginia U; Cheryll Glotfelty, U of Nevada, Reno; Anne F. Harris, DePauw U; Tim Ingold, U of Aberdeen; Serenella Iovino, U of Turin; Stephanie LeMenager, U of Oregon; Scott Maisano, U of Massachusetts, Boston; Tobias Menely, U of California, Davis; Steve Mentz, St. John’s U; J. Allan Mitchell, U of Victoria; Timothy Morton, Rice U; Vin Nardizzi, U of British Columbia; Laura Ogden, Dartmouth College; Serpil Opperman, Hacettepe U, Ankara; Daniel C. Remein, U of Massachusetts, Boston; Margaret Ronda, U of California, Davis; Nicholas Royle, U of Sussex; Catriona Sandilands, York U; Christopher Schaberg, Loyola U; Rebecca R. Scott, U of Missouri; Theresa Shewry, U of California, Santa Barbara; Mick Smith, Queen’s U; Jesse Oak Taylor, U of Washington; Brian Thill, Golden West College; Coll Thrush, U of British Columbia, Vancouver; Cord J. Whitaker, Wellesley College; Julian Yates, U of Delaware.
Nearly twenty-five hundred years ago the Greek thinker Heraclitus supposedly uttered the cryptic words "Phusis kruptesthai philei." How the aphorism, usually translated as "Nature loves to hide," has haunted Western culture ever since is the subject of this engaging study by Pierre Hadot. Taking the allegorical figure of the veiled goddess Isis as a guide, and drawing on the work of both the ancients and later thinkers such as Goethe, Rilke, Wittgenstein, and Heidegger, Hadot traces successive interpretations of Heraclitus' words. Over time, Hadot finds, "Nature loves to hide" has meant that all that lives tends to die; that Nature wraps herself in myths; and (for Heidegger) that Being unveils as it veils itself. Meanwhile the pronouncement has been used to explain everything from the opacity of the natural world to our modern angst.
From these kaleidoscopic exegeses and usages emerge two contradictory approaches to nature: the Promethean, or experimental-questing, approach, which embraces technology as a means of tearing the veil from Nature and revealing her secrets; and the Orphic, or contemplative-poetic, approach, according to which such a denuding of Nature is a grave trespass. In place of these two attitudes Hadot proposes one suggested by the Romantic vision of Rousseau, Goethe, and Schelling, who saw in the veiled Isis an allegorical expression of the sublime. "Nature is art and art is nature," Hadot writes, inviting us to embrace Isis and all she represents: art makes us intensely aware of how completely we ourselves are not merely surrounded by nature but also part of nature.
The Verge of Philosophy is both an exploration of the limits of philosophy and a memorial for John Sallis’s longtime friend and interlocutor Jacques Derrida. The centerpiece of the book is an extended examination of three sites in Derrida’s thought: his interpretation of Heidegger regarding the privileging of the question; his account of the Platonic figure of the good; and his interpretation of Plato’s discourse on the crucial notion of the chora, the originating space of the universe.
Sallis’s reflections are given added weight—even poignancy—by his discussion of his many public and private philosophical conversations with Derrida over the decades of their friendship. This volume thus simultaneously serves to mourn and remember a friend and to push forward the deeply searching discussions that lie at the very heart of that friendship.
“All of John Sallis’s work is essential, but [this book] in particular is remarkable. . . . Sallis shows better than anyone I have ever read what it means to practice philosophy on the verge.”—Walter Brogan, Villanova University
Depending on who’s talking, academic freedom is an essential bulwark of democracy, an absurd fig leaf disguising liberal agendas, or, most often, some in-between muddle that both exaggerates its own importance and misunderstands its actual value to scholarship. Fish enters the fray with his typical clear-eyed, no-nonsense analysis. The crucial question, he says, is located in the phrase “academic freedom” itself: Do you emphasize “academic” or “freedom”? The former, he shows, suggests a limited, professional freedom, while the conception of freedom implied by the latter could expand almost infinitely. Guided by that distinction, Fish analyzes various arguments for the value of academic freedom: Is academic freedom a contribution to society's common good? Does it authorize professors to critique the status quo, both inside and outside the university? Does it license and even require the overturning of all received ideas and policies? Is it an engine of revolution? Are academics inherently different from other professionals? Or is academia just a job, and academic freedom merely a tool for doing that job?
No reader of Fish will be surprised by the deftness with which he dismantles weak arguments, corrects misconceptions, and clarifies muddy arguments. And while his conclusion—that academic freedom is simply a tool, an essential one, for doing a job—may surprise, it is unquestionably bracing. Stripping away the mystifications that obscure academic freedom allows its beneficiaries to concentrate on what they should be doing: following their intellectual interests and furthering scholarship.
Two profound atrocities in the history of Western culture form the subject of this moving philosophical exploration: American Slavery and the Holocaust. An African American and a Jew, Laurence Mordekhai Thomas denounces efforts to place the suffering of one group above the other. Rather, he pronounces these two defining historical experiences as profoundly evil in radically different ways and points to their logically incompatible aims.
The author begins with a discussion of the nature of evil, exploring the fragility of human beings and the phenomena of compartmentalizing, unquestioning obedience to authority, and moral drift. Citing compelling examples from history and contemporary life, he characterizes evil acts in terms of moral agency, magnitude, and intent.
With moving testimony, Thomas depicts the moral pain of African Americans and Jews during their ordeals and describes how their past as victims has affected their future. Without invidious comparison, he distinguishes between extermination and domination, death and natal alienation, physical and mental cruelty, and between being viewed as irredeemable evil and as a moral simpleton. Thomas also considers the role of blacks and Jews in the Christian narrative.
In Vessels of Evil, Thomas also considers the ways Jews and blacks have gone on to survive. He analyzes the relative flourishing of Jews and the languishing of blacks in this country and examines the implications of their dissimilar tragedies on any future relationship between these two minorities.
Volcanoes around the world have their own legends, and many have wrought terrible devastation, but none has caught the imagination like Vesuvius. We now know that immense eruptions destroyed Bronze Age settlements around Vesuvius, but the Romans knew nothing of those disasters and were lulled into complacency—much as we are today—by its long period of inactivity. None of the nearly thirty eruptions since AD 79 has matched the infamous cataclysm that destroyed Pompeii and Herculaneum within hours. Nearly two thousand years later, the allure of the volcano remains—as evidenced by its popularity as a tourist attraction, from Shelley and the Romantics to modern-day visitors.
Vesuvius has loomed large throughout history, both feared and celebrated. Gillian Darley unveils the human responses to Vesuvius from a cast of characters as far-flung as Pliny the Younger and Andy Warhol, revealing shifts over time. This cultural and scientific meditation on a powerful natural wonder touches on pagan religious beliefs, vulcanology, and travel writing. Sifting through the ashes of Vesuvius, Darley exposes how changes in our relationship to the volcano mirror changes in our understanding of our cultural and natural environments.
Bennett examines the political and theoretical implications of vital materialism through extended discussions of commonplace things and physical phenomena including stem cells, fish oils, electricity, metal, and trash. She reflects on the vital power of material formations such as landfills, which generate lively streams of chemicals, and omega-3 fatty acids, which can transform brain chemistry and mood. Along the way, she engages with the concepts and claims of Spinoza, Nietzsche, Thoreau, Darwin, Adorno, and Deleuze, disclosing a long history of thinking about vibrant matter in Western philosophy, including attempts by Kant, Bergson, and the embryologist Hans Driesch to name the “vital force” inherent in material forms. Bennett concludes by sketching the contours of a “green materialist” ecophilosophy.
Published in 1918, The View of Life is Georg Simmel’s final work. Famously deemed “the brightest man in Europe” by George Santayana, Simmel addressed diverse topics across his essayistic writings, which influenced scholars in aesthetics, epistemology, and sociology. Nevertheless, certain core issues emerged over the course of his career—the genesis, structure, and transcendence of social and cultural forms, and the nature and conditions of authentic individuality, including the role of mindfulness regarding mortality. Composed not long before his death, The View of Life was, Simmel wrote, his “testament,” a capstone work of profound metaphysical inquiry intended to formulate his conception of life in its entirety.
Now Anglophone readers can at last read in full the work that shaped the argument of Heidegger’s Being and Time and whose extraordinary impact on European intellectual life between the wars was extolled by Jürgen Habermas. Presented alongside these seminal essays are aphoristic fragments from Simmel’s last journal, providing a beguiling look into the mind of one of the twentieth century’s greatest thinkers.
An accessible and thorough introduction to Flusser’s thought, this book reveals his engagement with a wide array of disciplines, from communication studies, posthuman philosophy, media studies, and history to art and art history, migrant studies, anthropology, and film studies. The first to connect Flusser’s entire oeuvre, this volume shows how his works on media theory are just one part of a greater mosaic of writings that bring to the fore cultural and cognitive changes concerning all of us in the twenty-first century.
A theorist deeply influenced by his experiences as a privileged citizen of Prague, a Jew pursued by the Nazis, a European emigrant, a Brazilian immigrant, and a survivor keenly interested and invested in history and memory, Vilém Flusser was an outsider in a staunchly hierarchical and disciplined academic world.
A human rights lawyer travels to hot zones around the globe, before and after the September 11 attacks, to document abuses committed by warlords, terrorist groups, and government counterterrorism forces. Whether reporting on al Qaeda safe houses, the mechanics of the Pentagon’s smartest bombs, his interviews with politicians and ordinary civilians, or his own brush with death outside Kabul, John Sifton wants to help us understand violence—what it is, and how we think and speak about it.
For the human rights community, the global war on terror brought unprecedented challenges. Of special concern were the secret detention centers operated by the CIA as it expanded into a paramilitary force, and the harsh treatment of prisoners throughout Iraq and Afghanistan. In drafting legal memoranda that made domestic prosecution for these crimes impossible, Sifton argues, the United States possessed not only the detainees but the law itself. Sifton recounts his efforts to locate secret prisons and reflects on the historical development of sanctioned military or police violence—from hand-to-hand combat to the use of drones—and the likelihood that technology will soon enable completely automated killing.
Sifton is equally concerned to examine what people have meant by nonviolent social change, and he asks whether pure nonviolence is ever possible. To invoke rights is to invoke the force to uphold them, he reminds us. Ultimately, advocates for human rights can only shame the world into better behavior, and their work may involve advocating the very violence they deplore.
theory of Jacques Derrida in terms of each other--to create an interpretive strategy that he
hopes will "salvage deconstruction from the flashy sterility it favors."
“The Sacred” studies the ways death—the death of others and our own death—fascinates and energizes us. It exhibits the glory in violence and sacrilege. The book culminates in “Splendor,” a study of collective performances that create splendor. Concerning itself most immediately with philosophy, psychology, aesthetics, anthropology, and the theory of religion, Violence and Splendor bridges the discourses of continental philosophy and cross-cultural studies. Further drawing insights from both Western and non-Western traditions, it brings such diverse fields as psychology, art and aesthetics, botany, politics, history, zoology, and religious theory into a new and significant dialogue about the nature of humanity.
In his previous book, Doubt, Time, Violence, Hoffman explored the theme of violence in relation to Descartes' problematic of doubt and Heidegger's work on temporality. The pivotal notion deriving from that investigation is the notion of the other as the ultimate limit of one's powers. In effect, Hoffman argues, our practical mastery of the natural environment still leaves intact the limitation of human agents by each other. In a violent environment, the other emerges as an insurmountable obstacle to one's aims and purposes or as an inescapable danger which one is powerless to hold at bay. The other is thus the focus of an ultimate resistance to one's powers.
The special status of the other, as Hoffman articulates it, is at the root of several key notions around which modern philosophy has built its problematic. Arguing here that when the theme of violence is taken into account many conceptual tensions and puzzles receive satisfying solutions, Hoffman traces the theme through the issue of things versus properties; through Kant's treatment of causality, necessity, and freedom in the Critique of Pure Reason; and through the early parts of Hegel's Logic. The result is a complete reorientation and reinterpretation of these important texts.
Violence in Modern Philosophy offers patient and careful textual clarification in light of Hoffman's central thesis regarding the other as ultimate limit. With a high level of originality, he shows that the theme of violence is the hidden impulse behind much of modern philosophy. Hoffman's unique stress on the constitutive importance of violence also offers a challenge to the dominant "compatibilist" tradition in moral and political theory. Of great interest to all philosophers, this work will also provide fresh insights to anthropologists and all those in the social sciences and humanities who occupy themselves with the general theory of culture.
Climate change is viewed as a primarily scientific, economic, or political issue. While acknowledging the legitimacy of these perspectives, Kevin J. O’Brien argues that we should respond to climate change first and foremost as a case of systematic and structural violence. Global warming is largely caused by the carbon emissions of the affluent, emissions that harm the poor first and worst. Climate change is violence because it divides human beings from one another and from the earth.
O’Brien offers a constructive and creative response to this violence through practical examples of activism and nonviolent peacemaking, providing brief biographies of five Christians in the United States—John Woolman, Jane Addams, Dorothy Day, Martin Luther King Jr., and Cesar Chavez. These activists’ idealism, social commitment, and political savvy offer lessons of resistance applicable to the struggle against climate change and for social justice.
The emergence of the alphabet in ancient Greece, usually heralded as the first step in the inexorable march toward reason and progress, in fact signaled the introduction of a chance technology that hijacked the future, with devastating consequences for humanity. By investigating an array of cultural artifacts, ranging from Kubrick's 2001: A Space Odyssey to the Oracle at Delphi to Luther's challenge to the Church, this book demonstrates how the apparently benign emergence of writing made possible far-ranging systems of organized domination and unprecedented levels of violence. The Violence of the Letter considers how a twenty-six-letter code changed the face of the world, and not always for the better.
In this thought-provoking work, Tony D. Sampson presents a contagion theory fit for the age of networks. Unlike memes and microbial contagions, Virality does not restrict itself to biological analogies and medical metaphors. It instead points toward a theory of contagious assemblages, events, and affects. For Sampson, contagion is not necessarily a positive or negative force of encounter; it is how society comes together and relates.
Sampson argues that a biological knowledge of contagion has been universally distributed by way of the rhetoric of fear used in the antivirus industry and other popular discourses surrounding network culture. This awareness is also detectable in concerns over too much connectivity, such as problems of global financial crisis and terrorism. Sampson’s “virality” is as established as that of the biological meme and microbe but is not understood through representational thinking expressed in metaphors and analogies. Rather, Sampson interprets contagion theory through the social relationalities first established in Gabriel Tarde’s microsociology and subsequently recognized in Gilles Deleuze’s ontological worldview.
According to Sampson, the reliance on representational thinking to explain the social behavior of networking—including that engaged in by nonhumans such as computers—allows language to overcategorize and limit analysis by imposing identities, oppositions, and resemblances on contagious phenomena. It is the power of these categories that impinges on social and cultural domains. Assemblage theory, on the other hand, is all about relationality and encounter, helping us to understand the viral as a positively sociological event, building from the molecular outward, long before it becomes biological.
This book offers a clear and systematic introduction to virtue ethics, a topic which has inspired one of the most interesting contemporary debates in ethical theory—the question of whether virtues can replace duties as the primary notion in ethical theory.
The volume comprises an introduction to virtue ethics by Daniel Statman and a collection of the most important essays published on the topic in the last decade. The essays encompass a wide range of aspects: the difference between virtue ethics and traditional duty ethics; arguments for and against virtue ethics; the practical implications of virtue ethics; and Aristotelian and Kantian attitudes towards virtue ethics.
Lorraine Smith Pangle traces the argument for the primacy of virtue and the power of knowledge throughout the five dialogues that feature them most prominently—the Apology, Gorgias, Protagoras, Meno, and Laws—and reveals the truth at the core of these seemingly strange claims. She argues that Socrates was more aware of the complex causes of human action and of the power of irrational passions than a cursory reading might suggest. Pangle’s perceptive analyses reveal that many of Socrates’s teachings in fact explore the factors that make it difficult for humans to be the rational creatures that he at first seems to claim. Also critical to Pangle’s reading is her emphasis on the political dimensions of the dialogues. Underlying many of the paradoxes, she shows, is a distinction between philosophic and civic virtue that is critical to understanding them.
Ultimately, Pangle offers a radically unconventional way of reading Socrates’s views of human excellence: Virtue is not knowledge in any ordinary sense, but true virtue is nothing other than wisdom.
Virtues of Thought is an excursion through interconnecting philosophical topics in Plato and Aristotle, under the expert guidance of Aryeh Kosman. Exploring what these two foundational figures have to say about the nature of human awareness and understanding, Kosman concludes that ultimately the virtues of thought are to be found in the joys and satisfactions that come from thinking philosophically, whether we engage in it ourselves or witness others’ participation.
Kosman examines Aristotle’s complex understanding of the role that reason plays in practical choice and moral deliberation, and the specific forms of thinking that are involved in explaining the world and making it intelligible to ourselves and others. Critical issues of consciousness and the connection between thinking and acting in Aristotle’s philosophical psychology lead to a discussion of the importance of emotion in his theory of virtue. Theories of perception and cognition are highlighted in works such as Aristotle’s Posterior Analytics. When his focus turns to Plato, Kosman gives original accounts of several dialogues concerning Plato’s treatment of love, self-knowledge, justice, and the complex virtue known as sophrosyne in such texts as Charmides and the Republic.
Bringing together in a single volume previously unpublished essays along with classics in the field, Virtues of Thought makes a significant contribution to our study of ancient Greek philosophy.
Story-telling is foundational to the forms of the fine arts, but it is no less foundational to human reason. Human life in turn constitutes a specific kind of form—a story form. The ancient conception of human life as a pilgrimage to beauty itself is one that we can fully embrace only if we see the essential correlation between reason and story and the essential convertibility of truth, goodness and beauty in beauty. By turns a study in fundamental ontology, aesthetics, and political philosophy, Wilson’s book invites its readers to a renewal of the West’s intellectual tradition.
"Visions" has three meanings, each of which corresponds to a part of the book. In Part 1, Levine presents the ways previous sociologists have rendered accounts of their discipline, as a series of narratives—or "life stories"—that build upon each other, generation to generation, a succession of efforts to envisage a coherent past for the sake of a purposive present.
In Part 2, the heart of the book, Levine offers his own narrative, reconnecting centuries of voices into a richly textured dialogue among the varied strands of the sociological tradition: Hellenic, British, French, German, Marxian, Italian, and American. Here, in a tour de force of clarity and conciseness, he tracks the formation of the sociological imagination through a series of conversations across generations. From classic philosophy to pragmatism, Aristotle to W. I. Thomas, Levine maps the web of visionary statements—confrontations and oppositions—from which social science has grown.
At the same time, this is much more than an expert synthesis of social theory. Throughout each stage, Levine demonstrates social knowledge has grown in response to three recurring questions: How shall we live? What makes humans moral creatures? How do we understand the world? He anchors the creation of social knowledge to ethical foundations, and shows for the first time how differences in those foundations disposed the shapers of modern social science—among them, Marshall and Spencer, Comte and Durkheim, Simmel and Weber, Marx and Mosca, Dewey and Park—to proceed in vastly different ways.
In Part 3, Levine offers a vision of the contemporary scene, setting the crisis of fragmentation in social sciences against the fragmentation of experience and community. By reconstructing the history of social thought as a series of fundamentally moral engagements with common themes, he suggests new uses for sociology's intellectual resources: not only as insight about the nature of modernity, but also as a model of mutually respectful communication in an increasingly fractious world.
Using cinema to explore the visual aspects of alterity, Randall Halle analyzes how we become cognizant of each other and how we perceive and judge another person in a visual field. Halle draws on insights from philosophy and recent developments in cognitive and neuroscience to argue that there is no pure "natural" sight. We always see in a particular way, from a particular vantage point, and through a specific apparatus, and Halle shows how human beings have used cinema to experiment with the apparatus of seeing for over a century. Visual alterity goes beyond seeing difference to being conscious of how one sees difference. Investigating the process allows us to move from mere perception to apperception, or conscious perception.
Innovative and insightful, Visual Alterity merges film theory with philosophy and cutting-edge science to propose new ways of perceiving and knowing.
Although his contributions to philosophy are revered and his writings have been collected, Eric Voegelin’s persona will inevitably fade with the memories of those who knew him. This book preserves the human element of Voegelin by capturing those valuable personal recollections.
Barry Cooper and Jodi Bruhn conducted intensive interviews with Voegelin’s wife, his closest friends, and his first-generation students—many of whom have since passed on—in order to bring to print everything important about his life and personality. American scholars will especially appreciate the glimpses provided by Voegelin’s German colleagues into his life in Munich, as well as the thoughts of his students in Vienna. Reflections of people such as Paul Caringella, Bruno Schlesinger, and Heinz Barazon capture Voegelin’s greatness and shortcomings alike and also shed new light on his philosophical quest for truth.
By descending progressively further into the past, the book takes readers deeper into the essence of Voegelin as reminiscences become more dramatic. Ranging widely from America back to Germany—with recollections of Gestapo intimidation and eventual emigration—the accounts interweave episodes of pathos, humor, fear, rivalry, and ambition. We witness Voegelin’s persistent and partly self-imposed communication problems and impatience with administrative duties, his respect for prudent political actors and public servants, and his genuine affection not only for his colleagues and best students but also for diligent secretaries and empathetic nurses. Through these recollections, key elements of his personality repeatedly emerge: his intelligence, optimism, and integrity, combined with an acute perception of the significance of his work.
This is the most revealing and comprehensive biographical work yet available on a man known to be captivating as a thinker—and now shown to be equally fascinating as a human being. His own publications attest to his mind and methods; Voegelin Recollected provides a deeper understanding of the man himself.
For Voegelinian Readings of Modern Literature, scholar Charles R. Embry has collected essays that consider particular pieces of literature in light of the philosopher’s work. These essays supply a theoretical grounding for the reading of novels, poems, and plays and reveal how the Voegelinian perspective exposes the existential and philosophical dimensions of the literary works themselves. As a unit, this collection of essays shows how modern pieces of literature can symbolize their creators’ participation in the human search for the truth of existence—just as myths, philosophical works, and religious texts always have.
Voegelin’s primary concern as a philosopher was to expose the roots of the disturbances of the modern era—religious conflict, imperialism, war—so that the sources of order leading to meaning are revealed. The openness of Voegelinian thought and the many ways he considered the levels of reality generate intriguing themes for literary criticism. In these essays, noted Voegelin scholars focus on American and European literary artists from the 1700s through the late twentieth century, including Emily Dickinson, Henrik Ibsen, Thomas Carlyle, D. H. Lawrence, Marcel Proust, and Hermann Broch.
While the intersection of the work of Eric Voegelin and literature has been a part of Voegelin scholarship for decades, this book explores that relationship in an extended form. Through a broad collection of thoughtful essays, Voegelinian Readings of Modern Literature reveals how much Voegelin did to break down the barriers between literature and philosophy and makes an engaging contribution to Voegelin scholarship.
Only in relation to phenomenology is it possible to measure the importance of deconstruction. Only in relation to Husserl’s philosophy is it possible to understand the novelty of Derrida’s thinking. Voice and Phenomenon therefore may be the best introduction to Derrida’s thought in general. To adapt Derrida’s comment on Husserl’s Logical Investigations, it contains “the germinal structure” of Derrida’s entire thought. Lawlor’s fresh translation of Voice and Phenomenon brings new life to Derrida’s most seminal work.
Is a human being a person or a machine? Is the mind a social construction or a formal device? It is both, William Frawley tells us, and by bringing together Vygotsky's sociocultural theory of the mind and cognitive science's computational model, he shows us how this not only can but must be. To do so, Frawley focuses on language, particularly on how the computational mind uses language to mediate the internal and the external during thought. By reconciling the linguistic device and the linguistic person, he argues for a Vygotskyan cognitive science.
Frawley begins by exploding the internalist/externalist dichotomy that presently drives cognitive science and falsely pits computationalism against socioculturalism. He replaces the reigning Platonic paradigm of computational mind-science with a framework based on an unusual, unified account of Wittgenstein, thus setting the stage for a Vygotskyan cognitive science centered on three aspects of mind: subjectivity, real-time operation, and breakdown. In this context, he demonstrates how computational psychology accommodates a critical aspect of Vygotskyan theory--private speech--as the mind's metacomputational regulator. An examination of certain congenital disorders (such as Williams Syndrome, Turner Syndrome, and autism) that disrupt speech further clarifies the issue of computational and cognitive control.
No one in Czech politics or culture could match the international stature of Václav Havel at the time of his death in 2011. In the years since his passing, his legacy has only grown, as developments in the Czech Republic and elsewhere around the world continue to show the importance of his work and writing against a range of political and social ills, from autocratic brutality to messianic populism.
This book looks squarely at the heart of Havel’s legacy: the rich corpus of texts he left behind. It analyzes the meanings of key concepts in Havel’s core vocabulary: truth, power, civilsociety, home, appeal, indifference, hotspot, theatre, prison, and responsibility. Where do these concepts appear in Havel’s oeuvre? What part do they play in his larger intellectual project? How might we understand Havel’s focus on these concepts as a centerpiece of his contribution to contemporary thought? How does Havel’s particular perspective on the meaning of these concepts speak to us in the here and now? The ten contributors use a variety of methodological tools to examine the meaning of these concepts, drawing on a diversity of disciplines: political science and political philosophy, historical and cultural analysis, discourse/textual analysis, and linguistic-corpus analysis.
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