A SCHOLARLY BOOK REPOSITORY
9644 scholarly books by University of Chicago Press and 462
9644 scholarly books by University of Chicago Press
462 have author last names that start with D have author last names that start with D
462 have author last names that start with D have author last names that start with D
Guitar Makers
The Endurance of Artisanal Values in North America
Kathryn Marie Dudley
University of Chicago Press, 2014
It whispers, it sings, it rocks, and it howls. It expresses the voice of the folk—the open road, freedom, protest and rebellion, youth and love. It is the acoustic guitar. And over the last five decades it has become a quintessential American icon. Because this musical instrument is significant to so many—in ways that are emotional, cultural, and economic—guitar making has experienced a renaissance in North America, both as a popular hobby and, for some, a way of life.
In Guitar Makers, Kathryn Marie Dudley introduces us to builders of artisanal guitars, their place in the art world, and the specialized knowledge they’ve developed. Drawing on in-depth interviews with members of the lutherie community, she finds that guitar making is a social movement with political implications. Guitars are not simply made—they are born. Artisans listen to their wood, respond to its liveliness, and strive to endow each instrument with an unforgettable tone. Although professional luthiers work within a market society, Dudley observes that their overriding sentiment is passion and love of the craft. Guitar makers are not aiming for quick turnover or the low-cost reproduction of commodities but the creation of singular instruments with unique qualities, and face-to-face transactions between makers, buyers, and dealers are commonplace.
In an era when technological change has pushed skilled artisanship to the margins of the global economy, and in the midst of a capitalist system that places a premium on ever faster and more efficient modes of commerce, Dudley shows us how artisanal guitar makers have carved out a unique world that operates on alternative, more humane, and ecologically sustainable terms.
In Guitar Makers, Kathryn Marie Dudley introduces us to builders of artisanal guitars, their place in the art world, and the specialized knowledge they’ve developed. Drawing on in-depth interviews with members of the lutherie community, she finds that guitar making is a social movement with political implications. Guitars are not simply made—they are born. Artisans listen to their wood, respond to its liveliness, and strive to endow each instrument with an unforgettable tone. Although professional luthiers work within a market society, Dudley observes that their overriding sentiment is passion and love of the craft. Guitar makers are not aiming for quick turnover or the low-cost reproduction of commodities but the creation of singular instruments with unique qualities, and face-to-face transactions between makers, buyers, and dealers are commonplace.
In an era when technological change has pushed skilled artisanship to the margins of the global economy, and in the midst of a capitalist system that places a premium on ever faster and more efficient modes of commerce, Dudley shows us how artisanal guitar makers have carved out a unique world that operates on alternative, more humane, and ecologically sustainable terms.
[more]
Dr. Calhoun's Mousery
The Strange Tale of a Celebrated Scientist, a Rodent Dystopia, and the Future of Humanity
Lee Alan Dugatkin
University of Chicago Press, 2024
A bizarre and compelling biography of a scientist and his work, using rodent cities to question the potential catastrophes of human overpopulation.
It was the strangest of experiments. What began as a utopian environment, where mice had sumptuous accommodations, all the food and water they could want, and were free from disease and predators, turned into a mouse hell. Science writer and animal behaviorist Lee Alan Dugatkin introduces readers to the peculiar work of rodent researcher John Bumpass Calhoun. In this enthralling tale, Dugatkin shows how an ecologist-turned-psychologist-turned-futurist became a science rock star embedded in the culture of the 1960s and 1970s. As interest grew in his rodent cities, Calhoun was courted by city planners and reflected in everything from Tom Wolfe’s hard-hitting novels to the children’s book Mrs. Frisby and the Rats of NIMH. He was invited to meetings with the Royal Society and the Pope, and taken seriously when he proposed a worldwide cybernetic brain—a decade before others made the Internet a reality.
Readers see how Calhoun’s experiments—rodent apartment complexes like “Mouse Universe 25”—led to his concept of “behavioral sinks” with real effects on public policy discussions. Overpopulation in Calhoun’s mouse complexes led to the loss of sex drive, the absence of maternal care, and a class of automatons including “the beautiful ones,” who spent their time grooming themselves while shunning socialization. Calhoun—and the others who followed his work—saw the collapse of this mouse population as a harbinger of the ill effects of an overpopulated human world.
Drawing on previously unpublished archival research and interviews with Calhoun’s family and former colleagues, Dugatkin offers a riveting account of an intriguing scientific figure. Considering Dr. Calhoun’s experiments, he explores the changing nature of scientific research and delves into what the study of animal behavior can teach us about ourselves.
It was the strangest of experiments. What began as a utopian environment, where mice had sumptuous accommodations, all the food and water they could want, and were free from disease and predators, turned into a mouse hell. Science writer and animal behaviorist Lee Alan Dugatkin introduces readers to the peculiar work of rodent researcher John Bumpass Calhoun. In this enthralling tale, Dugatkin shows how an ecologist-turned-psychologist-turned-futurist became a science rock star embedded in the culture of the 1960s and 1970s. As interest grew in his rodent cities, Calhoun was courted by city planners and reflected in everything from Tom Wolfe’s hard-hitting novels to the children’s book Mrs. Frisby and the Rats of NIMH. He was invited to meetings with the Royal Society and the Pope, and taken seriously when he proposed a worldwide cybernetic brain—a decade before others made the Internet a reality.
Readers see how Calhoun’s experiments—rodent apartment complexes like “Mouse Universe 25”—led to his concept of “behavioral sinks” with real effects on public policy discussions. Overpopulation in Calhoun’s mouse complexes led to the loss of sex drive, the absence of maternal care, and a class of automatons including “the beautiful ones,” who spent their time grooming themselves while shunning socialization. Calhoun—and the others who followed his work—saw the collapse of this mouse population as a harbinger of the ill effects of an overpopulated human world.
Drawing on previously unpublished archival research and interviews with Calhoun’s family and former colleagues, Dugatkin offers a riveting account of an intriguing scientific figure. Considering Dr. Calhoun’s experiments, he explores the changing nature of scientific research and delves into what the study of animal behavior can teach us about ourselves.
[more]
Mr. Jefferson and the Giant Moose
Natural History in Early America
Lee Alan Dugatkin
University of Chicago Press, 2009
In the years after the Revolutionary War, the fledgling republic of America was viewed by many Europeans as a degenerate backwater, populated by subspecies weak and feeble. Chief among these naysayers was the French Count and world-renowned naturalist Georges-Louis Leclerc de Buffon, who wrote that the flora and fauna of America (humans included) were inferior to European specimens.
Thomas Jefferson—author of the Declaration of Independence, U.S. president, and ardent naturalist—spent years countering the French conception of American degeneracy. His Notes on Virginia systematically and scientifically dismantled Buffon’s case through a series of tables and equally compelling writing on the nature of his home state. But the book did little to counter the arrogance of the French and hardly satisfied Jefferson’s quest to demonstrate that his young nation was every bit the equal of a well-established Europe. Enter the giant moose.
The American moose, which Jefferson claimed was so enormous a European reindeer could walk under it, became the cornerstone of his defense. Convinced that the sight of such a magnificent beast would cause Buffon to revise his claims, Jefferson had the remains of a seven-foot ungulate shipped first class from New Hampshire to Paris. Unfortunately, Buffon died before he could make any revisions to his Histoire Naturelle, but the legend of the moose makes for a fascinating tale about Jefferson’s passion to prove that American nature deserved prestige.
In Mr. Jefferson and the Giant Moose, Lee Alan Dugatkin vividly recreates the origin and evolution of the debates about natural history in America and, in so doing, returns the prize moose to its rightful place in American history.
[more]
Power in the Wild
The Subtle and Not-So-Subtle Ways Animals Strive for Control over Others
Lee Alan Dugatkin
University of Chicago Press, 2022
From the shell wars of hermit crabs to little blue penguins spying on potential rivals, power struggles in the animal kingdom are as diverse as they are fascinating, and this book illuminates their surprising range and connections.
The quest for power in animals is so much richer, so much more nuanced than who wins what knock-down, drag-out fight. Indeed, power struggles among animals often look more like an opera than a boxing match. Tracing the path to power for over thirty different species on six continents, writer and behavioral ecologist Lee Alan Dugatkin takes us on a journey around the globe, shepherded by leading researchers who have discovered that in everything from hyenas to dolphins, bonobos to field mice, cichlid fish to cuttlefish, copperhead snakes to ravens, and meerkats to mongooses, power revolves around spying, deception, manipulation, forming and breaking up alliances, complex assessments of potential opponents, building social networks, and more. Power pervades every aspect of the social life of animals: what they eat, where they eat, where they live, whom they mate with, how many offspring they produce, whom they join forces with, and whom they work to depose. In some species, power can even change an animal’s sex. Nor are humans invulnerable to this magnificently intricate melodrama: Dugatkin’s tales of the researchers studying power in animals are full of unexpected pitfalls, twists and turns, serendipity, and the pure joy of scientific discovery.
The quest for power in animals is so much richer, so much more nuanced than who wins what knock-down, drag-out fight. Indeed, power struggles among animals often look more like an opera than a boxing match. Tracing the path to power for over thirty different species on six continents, writer and behavioral ecologist Lee Alan Dugatkin takes us on a journey around the globe, shepherded by leading researchers who have discovered that in everything from hyenas to dolphins, bonobos to field mice, cichlid fish to cuttlefish, copperhead snakes to ravens, and meerkats to mongooses, power revolves around spying, deception, manipulation, forming and breaking up alliances, complex assessments of potential opponents, building social networks, and more. Power pervades every aspect of the social life of animals: what they eat, where they eat, where they live, whom they mate with, how many offspring they produce, whom they join forces with, and whom they work to depose. In some species, power can even change an animal’s sex. Nor are humans invulnerable to this magnificently intricate melodrama: Dugatkin’s tales of the researchers studying power in animals are full of unexpected pitfalls, twists and turns, serendipity, and the pure joy of scientific discovery.
[more]
Principles of Animal Behavior, 4th Edition
Lee Alan Dugatkin
University of Chicago Press, 2020
Since the last edition of this definitive textbook was published in 2013, much has happened in the field of animal behavior. In this fourth edition, Lee Alan Dugatkin draws on cutting-edge new work not only to update and expand on the studies presented, but also to reinforce the previous editions’ focus on ultimate and proximate causation, as well as the book’s unique emphasis on natural selection, learning, and cultural transmission. The result is a state-of-the-art textbook on animal behavior that explains underlying concepts in a way that is both scientifically rigorous and accessible to students. Each chapter in the book provides a sound theoretical and conceptual basis upon which the empirical studies rest. A completely new feature in this edition are the Cognitive Connection boxes in Chapters 2–17, designed to dig deep into the importance of the cognitive underpinnings to many types of behaviors. Each box focuses on a specific issue related to cognition and the particular topic covered in that chapter.
As Principles of Animal Behavior makes clear, the tapestry of animal behavior is created from weaving all of these components into a beautiful whole. With Dugatkin’s exquisitely illustrated, comprehensive, and up-to-date fourth edition, we are able to admire that beauty anew.
As Principles of Animal Behavior makes clear, the tapestry of animal behavior is created from weaving all of these components into a beautiful whole. With Dugatkin’s exquisitely illustrated, comprehensive, and up-to-date fourth edition, we are able to admire that beauty anew.
[more]
The Well-Connected Animal
Social Networks and the Wondrous Complexity of Animal Societies
Lee Alan Dugatkin
University of Chicago Press, 2024
An engaging exploration of the wondrous social webs that permeate life in animal societies around the world.
It’s all about who you know. Whether vampire bats sharing blood meals for survival, field crickets remembering champion fighters, macaque monkeys forming grooming pacts after a deadly hurricane, or great tit birds learning the best way to steal milk—it pays to be well connected.
In this tour of the animal kingdom, evolutionary biologist Lee Alan Dugatkin reveals a new field of study, uncovering social networks that existed long before the dawn of human social media. He accessibly describes the latest findings from animal behavior, evolution, computer science, psychology, anthropology, genetics, and neurobiology, and incorporates interviews and insights from researchers he finds swimming with manta rays, avoiding pigeon poop, and stopping monkeys from stealing iPads. With Dugatkin as our guide, we investigate social networks in giraffes, elephants, kangaroos, Tasmanian devils, whales, bats, and more. From animal networks in Australia and Asia to Africa, Europe, and the Americas, The Well-Connected Animal is an eye-opening exposé of wild friends, enemies, and everything in between.
It’s all about who you know. Whether vampire bats sharing blood meals for survival, field crickets remembering champion fighters, macaque monkeys forming grooming pacts after a deadly hurricane, or great tit birds learning the best way to steal milk—it pays to be well connected.
In this tour of the animal kingdom, evolutionary biologist Lee Alan Dugatkin reveals a new field of study, uncovering social networks that existed long before the dawn of human social media. He accessibly describes the latest findings from animal behavior, evolution, computer science, psychology, anthropology, genetics, and neurobiology, and incorporates interviews and insights from researchers he finds swimming with manta rays, avoiding pigeon poop, and stopping monkeys from stealing iPads. With Dugatkin as our guide, we investigate social networks in giraffes, elephants, kangaroos, Tasmanian devils, whales, bats, and more. From animal networks in Australia and Asia to Africa, Europe, and the Americas, The Well-Connected Animal is an eye-opening exposé of wild friends, enemies, and everything in between.
[more]
How to Tame a Fox (and Build a Dog)
Visionary Scientists and a Siberian Tale of Jump-Started Evolution
Lee Alan Dugatkin
University of Chicago Press, 2017
Tucked away in Siberia, there are furry, four-legged creatures with wagging tails and floppy ears that are as docile and friendly as any lapdog. But, despite appearances, these are not dogs—they are foxes. They are the result of the most astonishing experiment in breeding ever undertaken—imagine speeding up thousands of years of evolution into a few decades. In 1959, biologists Dmitri Belyaev and Lyudmila Trut set out to do just that, by starting with a few dozen silver foxes from fox farms in the USSR and attempting to recreate the evolution of wolves into dogs in real time in order to witness the process of domestication. This is the extraordinary, untold story of this remarkable undertaking.
Most accounts of the natural evolution of wolves place it over a span of about 15,000 years, but within a decade, Belyaev and Trut’s fox breeding experiments had resulted in puppy-like foxes with floppy ears, piebald spots, and curly tails. Along with these physical changes came genetic and behavioral changes, as well. The foxes were bred using selection criteria for tameness, and with each generation, they became increasingly interested in human companionship. Trut has been there the whole time, and has been the lead scientist on this work since Belyaev’s death in 1985, and with Lee Dugatkin, biologist and science writer, she tells the story of the adventure, science, politics, and love behind it all. In How to Tame a Fox, Dugatkin and Trut take us inside this path-breaking experiment in the midst of the brutal winters of Siberia to reveal how scientific history is made and continues to be made today.
To date, fifty-six generations of foxes have been domesticated, and we continue to learn significant lessons from them about the genetic and behavioral evolution of domesticated animals. How to Tame a Fox offers an incredible tale of scientists at work, while also celebrating the deep attachments that have brought humans and animals together throughout time.
Most accounts of the natural evolution of wolves place it over a span of about 15,000 years, but within a decade, Belyaev and Trut’s fox breeding experiments had resulted in puppy-like foxes with floppy ears, piebald spots, and curly tails. Along with these physical changes came genetic and behavioral changes, as well. The foxes were bred using selection criteria for tameness, and with each generation, they became increasingly interested in human companionship. Trut has been there the whole time, and has been the lead scientist on this work since Belyaev’s death in 1985, and with Lee Dugatkin, biologist and science writer, she tells the story of the adventure, science, politics, and love behind it all. In How to Tame a Fox, Dugatkin and Trut take us inside this path-breaking experiment in the midst of the brutal winters of Siberia to reveal how scientific history is made and continues to be made today.
To date, fifty-six generations of foxes have been domesticated, and we continue to learn significant lessons from them about the genetic and behavioral evolution of domesticated animals. How to Tame a Fox offers an incredible tale of scientists at work, while also celebrating the deep attachments that have brought humans and animals together throughout time.
[more]
Warrior Women and Popular Balladry, 1650-1850
Dianne Dugaw
University of Chicago Press, 1995
This interdisciplinary study uncovers a fascination with women cross dressers in the popular literature of early modern Britain, in a wide range of texts from popular ballads and chapbook life histories to the comedies and tragedies of aristocratic literature. Dugaw demonstrates the extent to which gender and sexuality are enacted as constructs of history.
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Medieval Cosmology
Theories of Infinity, Place, Time, Void, and the Plurality of Worlds
Pierre Duhem
University of Chicago Press, 1987
These selections from Le système du monde, the classic ten-volume history of the physical sciences written by the great French physicist Pierre Duhem (1861-1916), focus on cosmology, Duhem's greatest interest. By reconsidering the work of such Arab and Christian scholars as Averroes, Avicenna, Gregory of Rimini, Albert of Saxony, Nicole Oresme, Duns Scotus, and William of Occam, Duhem demonstrated the sophistication of medieval science and cosmology.
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To Save the Phenomena
An Essay on the Idea of Physical Theory from Plato to Galileo
Pierre Duhem
University of Chicago Press, 1969
Duhem's 1908 essay questions the relation between physical theory and metaphysics and, more specifically, between astronomy and physics–an issue still of importance today. He critiques the answers given by Greek thought, Arabic science, medieval Christian scholasticism, and, finally, the astronomers of the Renaissance.
[more]
Cognitive Ecology
The Evolutionary Ecology of Information Processing and Decision Making
Reuven Dukas
University of Chicago Press, 1998
How does the environment shape the ways an animal processes information and makes decisions? How do constraints imposed on nervous systems affect an animal's activities? To help answer these questions, Cognitive Ecology integrates evolutionary ecology and cognitive science, demonstrating how studies of perception, memory, and learning can deepen our understanding of animal behavior and ecology.
Individual chapters consider such issues as the evolution of learning and its influence on behavior; the effects of cognitive mechanisms on the evolution of signaling behavior; how neurobiological and evolutionary processes have shaped navigational activities; functional and mechanical explanations for altered behaviors in response to changing environments; how foragers make decisions and how these decisions are influenced by the risks of predation; and how cognitive mechanisms affect partner choice.
Cognitive Ecology will encourage biologists to consider how animal cognition affects behavior, and will also interest comparative psychologists and cognitive scientists.
Individual chapters consider such issues as the evolution of learning and its influence on behavior; the effects of cognitive mechanisms on the evolution of signaling behavior; how neurobiological and evolutionary processes have shaped navigational activities; functional and mechanical explanations for altered behaviors in response to changing environments; how foragers make decisions and how these decisions are influenced by the risks of predation; and how cognitive mechanisms affect partner choice.
Cognitive Ecology will encourage biologists to consider how animal cognition affects behavior, and will also interest comparative psychologists and cognitive scientists.
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Cognitive Ecology II
Reuven Dukas
University of Chicago Press, 2009
Merging evolutionary ecology and cognitive science, cognitive ecology investigates how animal interactions with natural habitats shape cognitive systems, and how constraints on nervous systems limit or bias animal behavior. Research in cognitive ecology has expanded rapidly in the past decade, and this second volume builds on the foundations laid out in the first, published in 1998.
Cognitive Ecology II integrates numerous scientific disciplines to analyze the ecology and evolution of animal cognition. The contributors cover the mechanisms, ecology, and evolution of learning and memory, including detailed analyses of bee neurobiology, bird song, and spatial learning. They also explore decision making, with mechanistic analyses of reproductive behavior in voles, escape hatching by frog embryos, and predation in the auditory domain of bats and eared insects. Finally, they consider social cognition, focusing on alarm calls and the factors determining social learning strategies of corvids, fish, and mammals.
With cognitive ecology ascending to its rightful place in behavioral and evolutionary research, this volume captures the promise that has been realized in the past decade and looks forward to new research prospects.
[more]
Daniel Duke
University of Chicago Press
Bas Jan Ader
Death Is Elsewhere
Alexander Dumbadze
University of Chicago Press, 2013
On July 9, 1975, Dutch-born artist Bas Jan Ader set sail from Chatham, Massachusetts, on a thirteen-foot sailboat. He was bound for Falmouth, England, on the second leg of a three-part piece titled In Search of the Miraculous. The damaged boat was found south of the western tip of Ireland nearly a year later. Ader was never seen again.
Since his untimely death, Ader has achieved mythic status in the art world as a figure literally willing to die for his art. Considering the artist’s legacy and concise oeuvre beyond the romantic and tragic associations that accompany his peculiar end, Alexander Dumbadze resituates Ader’s art and life within the conceptual art world of Los Angeles in the early 1970s and offers a nuanced argument about artistic subjectivity that explains Ader’s tremendous relevance to contemporary art.
[more]
Visayan Vignettes
Ethnographic Traces of a Philippine Island
Jean-Paul Dumont
University of Chicago Press, 1992
"To read the book is to appreciate the highly contingent, provisional, oblique, open-ended way in which people try to make "sense" of another culture."—Resil B. Mojares, Philippine Graphic
"This book is an interestingly complex ethnography that approaches the self-critical dialectical ethnography called for two decades ago....It is a welcome contribution to postmodernist theory and to the ethnography of the Visayas."—Ronald Provencher, Journal of Asian Studies
"This book is an interestingly complex ethnography that approaches the self-critical dialectical ethnography called for two decades ago....It is a welcome contribution to postmodernist theory and to the ethnography of the Visayas."—Ronald Provencher, Journal of Asian Studies
[more]
Essays on Individualism
Modern Ideology in Anthropological Perspective
Louis Dumont
University of Chicago Press, 1986
Louis Dumont's Essays on Individualism is an ambitious attempt to place the modern ideology of individualism in a broad anthropological perspective. The result of twenty years of scholarship and inquiry, the interrelated essays gathered here not only trace the genesis and growth of individualism as the dominant force in Western philosophy, but also analyze the differences between this modern system of thought and those of other, nonmodern cultures. The collection represents an important contribution to Western society's understanding of itself and its place in the world.
[more]
German Ideology
From France to Germany and Back
Louis Dumont
University of Chicago Press, 1995
In this comparative anthropological analysis, Louis Dumont illuminates German and French ideology, European culture, and cultural interaction. His analysis of texts by Troeltsch, Thomas Mann, Goethe, and others, against the background of previously gathered evidence and of French common notions, specify the differences—otherwise frequently but vaguely alluded to—between French and German cultures.
Anyone interested in the fate of national ideology and the concept of the individual will benefit from this radical reinterpretation of modern values and the place of modernity in history.
"What François Furet did for French history, Dumont did for anthropology, turning it away from engaged politics and towards the sober study of the modern age." —Mark Lilla, London Review of Books
"There are many fine things in Dumont's study. Beyond any doubt, his cultural anthropology of the modern spirit highlights some of the key energies of the of the last two centuries. . . . [An] impressive . . . detailed analysis." —Martin Swales, Times Higher Education Supplement
"[An] unsettling, rich, demanding, profound study." —Publishers Weekly
Anyone interested in the fate of national ideology and the concept of the individual will benefit from this radical reinterpretation of modern values and the place of modernity in history.
"What François Furet did for French history, Dumont did for anthropology, turning it away from engaged politics and towards the sober study of the modern age." —Mark Lilla, London Review of Books
"There are many fine things in Dumont's study. Beyond any doubt, his cultural anthropology of the modern spirit highlights some of the key energies of the of the last two centuries. . . . [An] impressive . . . detailed analysis." —Martin Swales, Times Higher Education Supplement
"[An] unsettling, rich, demanding, profound study." —Publishers Weekly
[more]
Homo Hierarchicus
The Caste System and Its Implications
Louis Dumont
University of Chicago Press, 1981
Louis Dumont's modern classic, here presented in an enlarged, revised, and corrected second edition, simultaneously supplies that reader with the most cogent statement on the Indian caste system and its organizing principles and a provocative advance in the comparison of societies on the basis of their underlying ideologies. Dumont moves gracefully from the ethnographic data to the level of the hierarchical ideology encrusted in ancient religious texts which are revealed as the governing conception of the contemporary caste structure. On yet another plane of analysis, homo hierarchicus is contrasted with his modern Western antithesis, homo aequalis.
This edition includes a lengthy new Preface in which Dumont reviews the academic discussion inspired by Homo Hierarchicus and answers his critics. A new Postface, which sketches the theoretical and comparative aspects of the concept of hierarchy, and three significant Appendixes previously omitted from the English translation complete this innovative and influential work.
This edition includes a lengthy new Preface in which Dumont reviews the academic discussion inspired by Homo Hierarchicus and answers his critics. A new Postface, which sketches the theoretical and comparative aspects of the concept of hierarchy, and three significant Appendixes previously omitted from the English translation complete this innovative and influential work.
[more]
From Myth to Fiction
The Saga of Hadingus
Georges Dumézil
University of Chicago Press, 1973
In this work the distinguished religious historian Georges Dumézil considers how the early mythology of a people can be creatively transposed into the epic of their origin or the "history" of their kings, or the source of their fiction. The Saga of Hadingus, written by a twelfth-century Danish "historian," Saxo-Grammaticus, provides an extraordinarily interesting instance of this kind of transposition. By comparing this work to a myth as it was handed down to Saxo, Professor Dumézil demonstrates how the saga can be seen as a literary structure derived from the religious structure of the myth.
As Professor Dumézil and others have shown, some Indo-European peoples, after their conversion to Christianity, have reordered an earlier mythology to constitute the epic of their origins. For instance, Celtic mythology became history in one case and a source of fiction in another; and from the two texts, Welsh and Irish, by comparison one can reconstruct the original myth.
The Scandinavian nations provide a unique case, for here the pre-Christian texts are still read and have preserved much of the area's mythology in its original form. In addition, we have the work of Saxo and other known writers who composed and signed human transpositions of this mythology purporting to be history. This permits Professor Dumézil to make observations of a rare kind, for knowing something of the author's personality facilitates an understanding of the process of transposition itself.
Professor Dumézil shows how Saxo began by wanting only to tell the story of Denmark and its rulers as nobly as he could—and then later on to extend that narrative back in time. This led him to the only extant Scandinavian literature—that centered on Iceland—that he reordered and reinterpreted to the greater glory of Denmark.
In order to provide a content for the reign of the third king of the Danish Skoldunger dynasty, Hadingus, Saxo simply reworked a Scandinavian account of the career of the god Njördr. In this light Professor Dumézil reads The Saga of Hadingus as a fascinating substitution of a psychological and completely personal narrative for a story of purely social value.
This book contains six appendixes including two that consider the relationship between myth and folklore. They complement Professor Dumézil's careful exegeses and imaginative scholarship to make this the most important, specialized work on Scandinavian mythology available in English.
As Professor Dumézil and others have shown, some Indo-European peoples, after their conversion to Christianity, have reordered an earlier mythology to constitute the epic of their origins. For instance, Celtic mythology became history in one case and a source of fiction in another; and from the two texts, Welsh and Irish, by comparison one can reconstruct the original myth.
The Scandinavian nations provide a unique case, for here the pre-Christian texts are still read and have preserved much of the area's mythology in its original form. In addition, we have the work of Saxo and other known writers who composed and signed human transpositions of this mythology purporting to be history. This permits Professor Dumézil to make observations of a rare kind, for knowing something of the author's personality facilitates an understanding of the process of transposition itself.
Professor Dumézil shows how Saxo began by wanting only to tell the story of Denmark and its rulers as nobly as he could—and then later on to extend that narrative back in time. This led him to the only extant Scandinavian literature—that centered on Iceland—that he reordered and reinterpreted to the greater glory of Denmark.
In order to provide a content for the reign of the third king of the Danish Skoldunger dynasty, Hadingus, Saxo simply reworked a Scandinavian account of the career of the god Njördr. In this light Professor Dumézil reads The Saga of Hadingus as a fascinating substitution of a psychological and completely personal narrative for a story of purely social value.
This book contains six appendixes including two that consider the relationship between myth and folklore. They complement Professor Dumézil's careful exegeses and imaginative scholarship to make this the most important, specialized work on Scandinavian mythology available in English.
[more]
The Destiny of a King
Georges Dumézil
University of Chicago Press, 1988
The preeminent scholar of comparative studies of Indo-European society, Georges Dumézil theorized that ancient and prehistoric Indo-European culture and literature revolved around three major functions: sovereignty, force, and fertility. This work treats these functions as they are articulated through "first king" legends found in Indian, Iranian, and Celtic epics, particularly the Mahabharata. Dumézil, drawing on an extraordinarily broad range of Indo-European sources from Scandinavia to India and offering an original and provocative analytic method, set a new agenda for studies in comparative oral literature, historical linguistics, comparative mythology, and history of religions.
The Destiny of a King examines one of the "little" epics within the Mahabharata—the legend of King Yayati, a distant ancestor of the Pandavas, the heroes of the larger epic. Dumézil compares Yayati's attributes and actions with those of the legendary Celtic king Eochaid Feidlech and also finds striking similarities in the stories surrounding the daughters of these two kings, the Indian Madhavi and the Celtic Medb. When he compares these two traditions with the "first king" legends from Iran, he finds such common themes as the apportionment of the earth and the "sin of the sovereign."
The Destiny of a King examines one of the "little" epics within the Mahabharata—the legend of King Yayati, a distant ancestor of the Pandavas, the heroes of the larger epic. Dumézil compares Yayati's attributes and actions with those of the legendary Celtic king Eochaid Feidlech and also finds striking similarities in the stories surrounding the daughters of these two kings, the Indian Madhavi and the Celtic Medb. When he compares these two traditions with the "first king" legends from Iran, he finds such common themes as the apportionment of the earth and the "sin of the sovereign."
[more]
Natural Visions
The Power of Images in American Environmental Reform
Finis Dunaway
University of Chicago Press, 2005
Walden Pond. The Grand Canyon.Yosemite National Park. Throughout the twentieth century, photographers and filmmakers created unforgettable images of these and other American natural treasures. Many of these images, including the work of Ansel Adams, continue to occupy a prominent place in the American imagination. Making these representations, though, was more than a purely aesthetic project. In fact, portraying majestic scenes and threatened places galvanized concern for the environment and its protection. Natural Visions documents through images the history of environmental reform from the Progressive era to the first Earth Day celebration in 1970, showing the crucial role the camera played in the development of the conservation movement.
In Natural Visions, Finis Dunaway tells the story of how visual imagery—such as wilderness photographs, New Deal documentary films, and Sierra Club coffee-table books—shaped modern perceptions of the natural world. By examining the relationship between the camera and environmental politics through detailed studies of key artists and activists, Dunaway captures the emotional and spiritual meaning that became associated with the American landscape. Throughout the book, he reveals how photographers and filmmakers adapted longstanding traditions in American culture—the Puritan jeremiad, the romantic sublime, and the frontier myth—to literally picture nature as a place of grace for the individual and the nation.
Beautifully illustrated with photographs by Ansel Adams, Eliot Porter, and a host of other artists, Natural Visions will appeal to a wide range of readers interested in American cultural history, the visual arts, and environmentalism.
In Natural Visions, Finis Dunaway tells the story of how visual imagery—such as wilderness photographs, New Deal documentary films, and Sierra Club coffee-table books—shaped modern perceptions of the natural world. By examining the relationship between the camera and environmental politics through detailed studies of key artists and activists, Dunaway captures the emotional and spiritual meaning that became associated with the American landscape. Throughout the book, he reveals how photographers and filmmakers adapted longstanding traditions in American culture—the Puritan jeremiad, the romantic sublime, and the frontier myth—to literally picture nature as a place of grace for the individual and the nation.
Beautifully illustrated with photographs by Ansel Adams, Eliot Porter, and a host of other artists, Natural Visions will appeal to a wide range of readers interested in American cultural history, the visual arts, and environmentalism.
[more]
Seeing Green
The Use and Abuse of American Environmental Images
Finis Dunaway
University of Chicago Press, 2015
American environmentalism is defined by its icons: the “Crying Indian,” who shed a tear in response to litter and pollution; the cooling towers of Three Mile Island, site of a notorious nuclear accident; the sorrowful spectacle of oil-soaked wildlife following the ExxonValdez spill; and, more recently, Al Gore delivering his global warming slide show in An Inconvenient Truth. These images, and others like them, have helped make environmental consciousness central to American public culture. Yet most historical accounts ignore the crucial role images have played in the making of popular environmentalism, let alone the ways that they have obscured other environmental truths.
Finis Dunaway closes that gap with Seeing Green. Considering a wide array of images—including pictures in popular magazines, television news, advertisements, cartoons, films, and political posters—he shows how popular environmentalism has been entwined with mass media spectacles of crisis. Beginning with radioactive fallout and pesticides during the 1960s and ending with global warming today, he focuses on key moments in which media images provoked environmental anxiety but also prescribed limited forms of action. Moreover, he shows how the media have blamed individual consumers for environmental degradation and thus deflected attention from corporate and government responsibility. Ultimately, Dunaway argues, iconic images have impeded efforts to realize—or even imagine—sustainable visions of the future.
Generously illustrated, this innovative book will appeal to anyone interested in the history of environmentalism or in the power of the media to shape our politics and public life.
Finis Dunaway closes that gap with Seeing Green. Considering a wide array of images—including pictures in popular magazines, television news, advertisements, cartoons, films, and political posters—he shows how popular environmentalism has been entwined with mass media spectacles of crisis. Beginning with radioactive fallout and pesticides during the 1960s and ending with global warming today, he focuses on key moments in which media images provoked environmental anxiety but also prescribed limited forms of action. Moreover, he shows how the media have blamed individual consumers for environmental degradation and thus deflected attention from corporate and government responsibility. Ultimately, Dunaway argues, iconic images have impeded efforts to realize—or even imagine—sustainable visions of the future.
Generously illustrated, this innovative book will appeal to anyone interested in the history of environmentalism or in the power of the media to shape our politics and public life.
[more]
Oil Beach
How Toxic Infrastructure Threatens Life in the Ports of Los Angeles and Beyond
Christina Dunbar-Hester
University of Chicago Press, 2023
Can the stories of bananas, whales, sea birds, and otters teach us to reconsider the seaport as a place of ecological violence, tied to oil, capital, and trade?
San Pedro Bay, which contains the contiguous Ports of Los Angeles and Long Beach, is a significant site for petroleum shipping and refining as well as one of the largest container shipping ports in the world—some forty percent of containerized imports to the United States pass through this so-called America’s Port. It is also ecologically rich. Built atop a land- and waterscape of vital importance to wildlife, the heavily industrialized Los Angeles Harbor contains estuarial wetlands, the LA River mouth, and a marine ecology where colder and warmer Pacific Ocean waters meet. In this compelling interdisciplinary investigation, award-winning author Christina Dunbar-Hester explores the complex relationships among commerce, empire, environment, and the nonhuman life forms of San Pedro Bay over the last fifty years—a period coinciding with the era of modern environmental regulation in the United States. The LA port complex is not simply a local site, Dunbar-Hester argues, but a node in a network that enables the continued expansion of capitalism, propelling trade as it drives the extraction of natural resources, labor violations, pollution, and other harms. Focusing specifically on cetaceans, bananas, sea birds, and otters whose lives are intertwined with the vitality of the port complex itself, Oil Beach reveals how logistics infrastructure threatens ecologies as it circulates goods and capital—and helps us to consider a future where the accumulation of life and the accumulation of capital are not in violent tension.
San Pedro Bay, which contains the contiguous Ports of Los Angeles and Long Beach, is a significant site for petroleum shipping and refining as well as one of the largest container shipping ports in the world—some forty percent of containerized imports to the United States pass through this so-called America’s Port. It is also ecologically rich. Built atop a land- and waterscape of vital importance to wildlife, the heavily industrialized Los Angeles Harbor contains estuarial wetlands, the LA River mouth, and a marine ecology where colder and warmer Pacific Ocean waters meet. In this compelling interdisciplinary investigation, award-winning author Christina Dunbar-Hester explores the complex relationships among commerce, empire, environment, and the nonhuman life forms of San Pedro Bay over the last fifty years—a period coinciding with the era of modern environmental regulation in the United States. The LA port complex is not simply a local site, Dunbar-Hester argues, but a node in a network that enables the continued expansion of capitalism, propelling trade as it drives the extraction of natural resources, labor violations, pollution, and other harms. Focusing specifically on cetaceans, bananas, sea birds, and otters whose lives are intertwined with the vitality of the port complex itself, Oil Beach reveals how logistics infrastructure threatens ecologies as it circulates goods and capital—and helps us to consider a future where the accumulation of life and the accumulation of capital are not in violent tension.
[more]
Oil Beach
How Toxic Infrastructure Threatens Life in the Ports of Los Angeles and Beyond
Christina Dunbar-Hester
University of Chicago Press, 2023
This is an auto-narrated audiobook edition of this book.
Can the stories of bananas, whales, sea birds, and otters teach us to reconsider the seaport as a place of ecological violence, tied to oil, capital, and trade?
San Pedro Bay, which contains the contiguous Ports of Los Angeles and Long Beach, is a significant site for petroleum shipping and refining as well as one of the largest container shipping ports in the world—some forty percent of containerized imports to the United States pass through this so-called America’s Port. It is also ecologically rich. Built atop a land- and waterscape of vital importance to wildlife, the heavily industrialized Los Angeles Harbor contains estuarial wetlands, the LA River mouth, and a marine ecology where colder and warmer Pacific Ocean waters meet. In this compelling interdisciplinary investigation, award-winning author Christina Dunbar-Hester explores the complex relationships among commerce, empire, environment, and the nonhuman life forms of San Pedro Bay over the last fifty years—a period coinciding with the era of modern environmental regulation in the United States. The LA port complex is not simply a local site, Dunbar-Hester argues, but a node in a network that enables the continued expansion of capitalism, propelling trade as it drives the extraction of natural resources, labor violations, pollution, and other harms. Focusing specifically on cetaceans, bananas, sea birds, and otters whose lives are intertwined with the vitality of the port complex itself, Oil Beach reveals how logistics infrastructure threatens ecologies as it circulates goods and capital—and helps us to consider a future where the accumulation of life and the accumulation of capital are not in violent tension.
Can the stories of bananas, whales, sea birds, and otters teach us to reconsider the seaport as a place of ecological violence, tied to oil, capital, and trade?
San Pedro Bay, which contains the contiguous Ports of Los Angeles and Long Beach, is a significant site for petroleum shipping and refining as well as one of the largest container shipping ports in the world—some forty percent of containerized imports to the United States pass through this so-called America’s Port. It is also ecologically rich. Built atop a land- and waterscape of vital importance to wildlife, the heavily industrialized Los Angeles Harbor contains estuarial wetlands, the LA River mouth, and a marine ecology where colder and warmer Pacific Ocean waters meet. In this compelling interdisciplinary investigation, award-winning author Christina Dunbar-Hester explores the complex relationships among commerce, empire, environment, and the nonhuman life forms of San Pedro Bay over the last fifty years—a period coinciding with the era of modern environmental regulation in the United States. The LA port complex is not simply a local site, Dunbar-Hester argues, but a node in a network that enables the continued expansion of capitalism, propelling trade as it drives the extraction of natural resources, labor violations, pollution, and other harms. Focusing specifically on cetaceans, bananas, sea birds, and otters whose lives are intertwined with the vitality of the port complex itself, Oil Beach reveals how logistics infrastructure threatens ecologies as it circulates goods and capital—and helps us to consider a future where the accumulation of life and the accumulation of capital are not in violent tension.
[more]
Slim's Table
Race, Respectability, and Masculinity
Mitchell Duneier
University of Chicago Press, 1992
At the Valois "See Your Food" cafeteria on Chicago's South Side, black and white men gather over cups of coffee and steam-table food. Mitchell Duneier, a sociologist, spent four years at the Valois writing this moving profile of the black men who congregate at "Slim's Table." Praised as "a marvelous study of those who should not be forgotten" by the Wall Street Journal,Slim's Table helps demolish the narrow sociological picture of black men and simple media-reinforced stereotypes. In between is a "respectable" citizenry, too often ignored and little understood.
"Slim's Table is an astonishment. Duneier manages to fling open windows of perception into what it means to be working-class black, how a caring community can proceed from the most ordinary transactions, all the while smashing media-induced stereotypes of the races and race relations."—Citation for Chicago Sun Times Chicago Book of the Year Award
"An instant classic of ethnography that will provoke debate and provide insight for years to come."—Michael Eric Dyson, Chicago Tribune
"Mr. Duneier sees the subjects of his study as people and he sees the scale of their lives as fully human, rather than as diminished versions of grander lives lived elsewhere by people of another color. . . . A welcome antidote to trends in both journalism and sociology."—Roger Wilkins, New York Times Book Review
"Slim's Table is an astonishment. Duneier manages to fling open windows of perception into what it means to be working-class black, how a caring community can proceed from the most ordinary transactions, all the while smashing media-induced stereotypes of the races and race relations."—Citation for Chicago Sun Times Chicago Book of the Year Award
"An instant classic of ethnography that will provoke debate and provide insight for years to come."—Michael Eric Dyson, Chicago Tribune
"Mr. Duneier sees the subjects of his study as people and he sees the scale of their lives as fully human, rather than as diminished versions of grander lives lived elsewhere by people of another color. . . . A welcome antidote to trends in both journalism and sociology."—Roger Wilkins, New York Times Book Review
[more]
Island Possessed
Katherine Dunham
University of Chicago Press, 1994
Just as surely as Haiti is "possessed" by the gods and spirits of vaudun (voodoo), the island "possessed" Katherine Dunham when she first went there in 1936 to study dance and ritual. In this book, Dunham reveals how her anthropological research, her work in dance, and her fascination for the people and cults of Haiti worked their spell, catapulting her into experiences that she was often lucky to survive. Here Dunham tells how the island came to be possessed by the demons of voodoo and other cults imported from various parts of Africa, as well as by the deep class divisions, particularly between blacks and mulattos, and the political hatred still very much in evidence today. Full of the flare and suspense of immersion in a strange and enchanting culture, Island Possessed is also a pioneering work in the anthropology of dance and a fascinating document on Haitian politics and voodoo.
[more]
A Touch of Innocence
A Memoir of Childhood
Katherine Dunham
University of Chicago Press, 1994
An internationally known dancer, choreographer, and gifted anthropologist, Katherine Dunham was born to a black American tailor and a well-to-do French Canadian woman twenty years his senior. This book is Dunham's story of the chaos and conflict that entered her childhood after her mother's early death.
In stark prose, she tells of growing up in both black and white households and of the divisions of race and class in Chicago that become the harsh realities of her young life. A riveting narrative of one girl's struggle to transcend the painful confusions of a family and culture in turmoil, Dunham's story is full of the clarity, candor, and intelligence that lifted her above her troubled beginnings.
"A Touch of Innocence is an absorbing family chronicle written with a gift for physical detail sometimes too real for comfort. In quietly graphic prose the growing girl, the slightly older brother, the ambitious father and the kind stepmother are pictured in such human terms that when their lives get tied into harder and harder knots beyond their undoing, one can only continue to read helplessly as doom closes in upon the household."—Langston Hughes, New York Herald Tribune
"A Touch of Innocence is one of the most extraordinary life stories I have ever read . . . . The content of this book is so heartbreaking that only the strongest artistic skills can keep it from leaking out into sobbing self-pity, but Katherine Dunham's art contains it, understands it and refuses to be overwhelmed by its terrors."—Elizabeth Janeway, New York Times
"The first eighteen years of the famous dancer and choreographer's life are brought vividly to the reader in this first volume of her autobiography. She writes of what it is like to be a special, gifted young woman growing up in a racially mixed family in the American Middle West. A beautiful, touching and sometimes discomforting book."—Publishers Weekly
"As writing it is honest, searing, graphic and touching, giving us a rather heartbreaking early view of the young American Negro who was later to make a name for herself as a dancer and choreographer."—Arthur Todd, Saturday Review
In stark prose, she tells of growing up in both black and white households and of the divisions of race and class in Chicago that become the harsh realities of her young life. A riveting narrative of one girl's struggle to transcend the painful confusions of a family and culture in turmoil, Dunham's story is full of the clarity, candor, and intelligence that lifted her above her troubled beginnings.
"A Touch of Innocence is an absorbing family chronicle written with a gift for physical detail sometimes too real for comfort. In quietly graphic prose the growing girl, the slightly older brother, the ambitious father and the kind stepmother are pictured in such human terms that when their lives get tied into harder and harder knots beyond their undoing, one can only continue to read helplessly as doom closes in upon the household."—Langston Hughes, New York Herald Tribune
"A Touch of Innocence is one of the most extraordinary life stories I have ever read . . . . The content of this book is so heartbreaking that only the strongest artistic skills can keep it from leaking out into sobbing self-pity, but Katherine Dunham's art contains it, understands it and refuses to be overwhelmed by its terrors."—Elizabeth Janeway, New York Times
"The first eighteen years of the famous dancer and choreographer's life are brought vividly to the reader in this first volume of her autobiography. She writes of what it is like to be a special, gifted young woman growing up in a racially mixed family in the American Middle West. A beautiful, touching and sometimes discomforting book."—Publishers Weekly
"As writing it is honest, searing, graphic and touching, giving us a rather heartbreaking early view of the young American Negro who was later to make a name for herself as a dancer and choreographer."—Arthur Todd, Saturday Review
[more]
Cartophilia
Maps and the Search for Identity in the French-German Borderland
Catherine Tatiana Dunlop
University of Chicago Press, 2015
The period between the French Revolution and World War II was a time of tremendous growth in both mapmaking and map reading throughout Europe. There is no better place to witness this rise of popular cartography than in Alsace-Lorraine, a disputed borderland that the French and Germans both claimed as their national territory. Desired for its prime geographical position and abundant natural resources, Alsace-Lorraine endured devastating wars from 1870 to 1945 that altered its borders four times, transforming its physical landscape and the political allegiances of its citizens. For the border population whose lives were turned upside down by the French-German conflict, maps became essential tools for finding a new sense of place and a new sense of identity in their changing national and regional communities.
Turning to a previously undiscovered archive of popular maps, Cartophilia reveals Alsace-Lorraine’s lively world of citizen mapmakers that included linguists, ethnographers, schoolteachers, hikers, and priests. Together, this fresh group of mapmakers invented new genres of maps that framed French and German territory in original ways through experimental surveying techniques, orientations, scales, colors, and iconography. In focusing on the power of “bottom-up” maps to transform modern European identities, Cartophilia argues that the history of cartography must expand beyond the study of elite maps and shift its emphasis to the democratization of cartography in the modern world.
Turning to a previously undiscovered archive of popular maps, Cartophilia reveals Alsace-Lorraine’s lively world of citizen mapmakers that included linguists, ethnographers, schoolteachers, hikers, and priests. Together, this fresh group of mapmakers invented new genres of maps that framed French and German territory in original ways through experimental surveying techniques, orientations, scales, colors, and iconography. In focusing on the power of “bottom-up” maps to transform modern European identities, Cartophilia argues that the history of cartography must expand beyond the study of elite maps and shift its emphasis to the democratization of cartography in the modern world.
[more]
The Mistral
A Windswept History of Modern France
Catherine Tatiana Dunlop
University of Chicago Press, 2024
An in-depth look at the hidden power of the mistral wind and its effect on modern French history.
Every year, the chilly mistral wind blows through the Rhône valley of southern France, across the Camargue wetlands, and into the Mediterranean Sea. Most forceful when winter turns to spring, the wind knocks over trees, sweeps trains off their tracks, and destroys crops. Yet the mistral turns the sky clear and blue, as it often appears in depictions of Provence. The legendary wind is central to the area’s regional identity and has inspired artists and writers near and far for centuries.
This force of nature is the focus of Catherine Dunlop’s The Mistral, a wonderfully written examination of the power of the mistral wind, and in particular, the ways it challenged central tenets of nineteenth-century European society: order, mastery, and predictability. As Dunlop shows, while the modernizing state sought liberation from environmental realities through scientific advances, land modification, and other technological solutions, the wind blew on, literally crushing attempts at control, and becoming increasingly integral to regional feelings of place and community.
Every year, the chilly mistral wind blows through the Rhône valley of southern France, across the Camargue wetlands, and into the Mediterranean Sea. Most forceful when winter turns to spring, the wind knocks over trees, sweeps trains off their tracks, and destroys crops. Yet the mistral turns the sky clear and blue, as it often appears in depictions of Provence. The legendary wind is central to the area’s regional identity and has inspired artists and writers near and far for centuries.
This force of nature is the focus of Catherine Dunlop’s The Mistral, a wonderfully written examination of the power of the mistral wind, and in particular, the ways it challenged central tenets of nineteenth-century European society: order, mastery, and predictability. As Dunlop shows, while the modernizing state sought liberation from environmental realities through scientific advances, land modification, and other technological solutions, the wind blew on, literally crushing attempts at control, and becoming increasingly integral to regional feelings of place and community.
[more]
Producer Dynamics
New Evidence from Micro Data
Timothy Dunne
University of Chicago Press, 2009
The Census Bureau has recently begun releasing official statistics that measure the movements of firms in and out of business and workers in and out of jobs. The economic analyses in Producer Dynamics exploit this newly available data on establishments, firms, and workers, to address issues in industrial organization, labor, growth, macroeconomics, and international trade.
This innovative volume brings together a group of renowned economists to probe topics such as firm dynamics across countries; patterns of employment dynamics; firm dynamics in nonmanufacturing industries such as retail, health services, and agriculture; employer-employee turnover from matched worker/firm data sets; and turnover in international markets. Producer Dynamics will serve as an invaluable reference to economists and policy makers seeking to understand the links between firms and workers, and the sources of economic dynamics, in the age of globalization.
[more]
Will Dunne
University of Chicago Press
Moss Hart once said that you never really learn how to write a play; you only learn how to write this play. Crafted with that adage in mind, The Dramatic Writer’s Companion is designed to help writers explore their own ideas in order to develop the script in front of them. No ordinary guide to plotting, this handbook starts with the principle that character is key. “The character is not something added to the scene or to the story,” writes author Will Dunne. “Rather, the character is the scene. The character is the story.”
Having spent decades working with dramatists to refine and expand their existing plays and screenplays, Dunne effortlessly blends condensed dramatic theory with specific action steps—over sixty workshop-tested exercises that can be adapted to virtually any individual writing process and dramatic script. Dunne’s in-depth method is both instinctual and intellectual, allowing writers to discover new actions for their characters and new directions for their stories.
Dunne’s own experience is a crucial element of this guide. His plays have been selected by the Eugene O’Neill Theatre Center for three U.S. National Playwrights Conferences and have earned numerous honors, including a Charles MacArthur Fellowship, four Bay Area Theatre Critics Circle Awards, and two Drama-Logue Playwriting Awards. Thousands of individuals have already benefited from his workshops, and The Dramatic Writer’s Companion promises to bring his remarkable creative method to an even wider audience.
[more]
The Architecture of Story
A Technical Guide for the Dramatic Writer
Will Dunne
University of Chicago Press, 2016
While successful plays tend to share certain storytelling elements, there is no single blueprint for how a play should be constructed. Instead, seasoned playwrights know how to select the right elements for their needs and organize them in a structure that best supports their particular story.
Through his workshops and book The Dramatic Writer’s Companion, Will Dunne has helped thousands of writers develop successful scripts. Now, in The Architecture of Story, he helps writers master the building blocks of dramatic storytelling by analyzing a trio of award-winning contemporary American plays: Doubt: A Parable by John Patrick Shanley, Topdog/Underdog by Suzan-Lori Parks, and The Clean House by Sarah Ruhl. Dismantling the stories and examining key components from a technical perspective enables writers to approach their own work with an informed understanding of dramatic architecture.
Each self-contained chapter focuses on one storytelling component, ranging from “Title” and “Main Event” to “Emotional Environment” and “Crisis Decision.” Dunne explores each component in detail, demonstrating how it has been successfully handled in each play and comparing and contrasting techniques. The chapters conclude with questions to help writers evaluate and improve their own scripts. The result is a nonlinear reference guide that lets writers work at their own pace and choose the topics that interest them as they develop new scripts. This flexible, interactive structure is designed to meet the needs of writers at all stages of writing and at all levels of experience.
Through his workshops and book The Dramatic Writer’s Companion, Will Dunne has helped thousands of writers develop successful scripts. Now, in The Architecture of Story, he helps writers master the building blocks of dramatic storytelling by analyzing a trio of award-winning contemporary American plays: Doubt: A Parable by John Patrick Shanley, Topdog/Underdog by Suzan-Lori Parks, and The Clean House by Sarah Ruhl. Dismantling the stories and examining key components from a technical perspective enables writers to approach their own work with an informed understanding of dramatic architecture.
Each self-contained chapter focuses on one storytelling component, ranging from “Title” and “Main Event” to “Emotional Environment” and “Crisis Decision.” Dunne explores each component in detail, demonstrating how it has been successfully handled in each play and comparing and contrasting techniques. The chapters conclude with questions to help writers evaluate and improve their own scripts. The result is a nonlinear reference guide that lets writers work at their own pace and choose the topics that interest them as they develop new scripts. This flexible, interactive structure is designed to meet the needs of writers at all stages of writing and at all levels of experience.
[more]
Character, Scene, and Story
New Tools from the Dramatic Writer's Companion
Will Dunne
University of Chicago Press, 2017
Will Dunne first brought the workshop experience down to the desk level with The Dramatic Writer’s Companion, offering practical exercises to help playwrights and screenwriters work through the problems that arise in developing their scripts. Now writers looking to further enhance their storytelling process can turn to Character, Scene, and Story.
Featuring forty-two new workshop-tested exercises, this sequel to The Dramatic Writer’s Companion allows writers to dig deeper into their scripts by fleshing out images, exploring characters from an emotional perspective, tapping the power of color and sense memory to trigger ideas, and trying other visceral techniques. The guide also includes a troubleshooting section to help tackle problem scenes. Writers with scripts already in progress will find they can think deeper about their characters and stories. And those who are just beginning to write will find the guidance they need to discover their best starting point. The guide is filled with hundreds of examples, many of which have been developed as both plays and films.
Character, Scene, and Story is fully aligned with the new edition of The Dramatic Writer’s Companion, with cross-references between related exercises so that writers have the option to explore a given topic in more depth. While both guides can stand alone, together they give writers more than one hundred tools to develop more vivid characters and craft stronger scripts.
Featuring forty-two new workshop-tested exercises, this sequel to The Dramatic Writer’s Companion allows writers to dig deeper into their scripts by fleshing out images, exploring characters from an emotional perspective, tapping the power of color and sense memory to trigger ideas, and trying other visceral techniques. The guide also includes a troubleshooting section to help tackle problem scenes. Writers with scripts already in progress will find they can think deeper about their characters and stories. And those who are just beginning to write will find the guidance they need to discover their best starting point. The guide is filled with hundreds of examples, many of which have been developed as both plays and films.
Character, Scene, and Story is fully aligned with the new edition of The Dramatic Writer’s Companion, with cross-references between related exercises so that writers have the option to explore a given topic in more depth. While both guides can stand alone, together they give writers more than one hundred tools to develop more vivid characters and craft stronger scripts.
[more]
The Dramatic Writer's Companion, Second Edition
Tools to Develop Characters, Cause Scenes, and Build Stories
Will Dunne
University of Chicago Press, 2017
In just eight years, The Dramatic Writer’s Companion has become a classic among playwrights and screenwriters. Thousands have used its self-contained character, scene, and story exercises to spark creativity, hone their writing, and improve their scripts.
Having spent decades working with dramatists to refine and expand their existing plays and screenplays, Dunne effortlessly blends condensed dramatic theory with specific action steps—over sixty workshop-tested exercises that can be adapted to virtually any individual writing process and dramatic script. Dunne’s in-depth method is both instinctual and intellectual, allowing writers to discover new actions for their characters and new directions for their stories. The exercises can be used by those just starting the writing process and by those who have scripts already in development. With each exercise rooted in real-life issues from Dunne’s workshops, readers of this companion will find the combined experiences of more than fifteen hundred workshops in a single guide.
This second edition is fully aligned with a brand-new companion book, Character, Scene, and Story, which offers forty-two additional activities to help writers more fully develop their scripts. The two books include cross-references between related exercises, though each volume can also stand alone.
No ordinary guide to plotting, this handbook centers on the principle that character is key. “The character is not something added to the scene or to the story,” writes Dunne. “Rather, the character is the scene. The character is the story.” With this new edition, Dunne’s remarkable creative method will continue to be the go-to source for anyone hoping to take their story to the stage.
Having spent decades working with dramatists to refine and expand their existing plays and screenplays, Dunne effortlessly blends condensed dramatic theory with specific action steps—over sixty workshop-tested exercises that can be adapted to virtually any individual writing process and dramatic script. Dunne’s in-depth method is both instinctual and intellectual, allowing writers to discover new actions for their characters and new directions for their stories. The exercises can be used by those just starting the writing process and by those who have scripts already in development. With each exercise rooted in real-life issues from Dunne’s workshops, readers of this companion will find the combined experiences of more than fifteen hundred workshops in a single guide.
This second edition is fully aligned with a brand-new companion book, Character, Scene, and Story, which offers forty-two additional activities to help writers more fully develop their scripts. The two books include cross-references between related exercises, though each volume can also stand alone.
No ordinary guide to plotting, this handbook centers on the principle that character is key. “The character is not something added to the scene or to the story,” writes Dunne. “Rather, the character is the scene. The character is the story.” With this new edition, Dunne’s remarkable creative method will continue to be the go-to source for anyone hoping to take their story to the stage.
[more]
Nonprofit Neighborhoods
An Urban History of Inequality and the American State
Claire Dunning
University of Chicago Press, 2022
An exploration of how and why American city governments delegated the responsibility for solving urban inequality to the nonprofit sector.
Nonprofits serving a range of municipal and cultural needs are now so ubiquitous in US cities, it can be difficult to envision a time when they were more limited in number, size, and influence. Turning back the clock, however, uncovers both an illuminating story of how the nonprofit sector became such a dominant force in American society, as well as a troubling one of why this growth occurred alongside persistent poverty and widening inequality. Claire Dunning’s book connects these two stories in histories of race, democracy, and capitalism, revealing how the federal government funded and deputized nonprofits to help individuals in need, and in so doing avoided addressing the structural inequities that necessitated such action in the first place.
Nonprofit Neighborhoods begins after World War II, when suburbanization, segregation, and deindustrialization inaugurated an era of urban policymaking that applied private solutions to public problems. Dunning introduces readers to the activists, corporate executives, and politicians who advocated addressing poverty and racial exclusion through local organizations, while also raising provocative questions about the politics and possibilities of social change. The lessons of Nonprofit Neighborhoods exceed the bounds of Boston, where the story unfolds, providing a timely history of the shift from urban crisis to urban renaissance for anyone concerned about American inequality—past, present, or future.
Nonprofits serving a range of municipal and cultural needs are now so ubiquitous in US cities, it can be difficult to envision a time when they were more limited in number, size, and influence. Turning back the clock, however, uncovers both an illuminating story of how the nonprofit sector became such a dominant force in American society, as well as a troubling one of why this growth occurred alongside persistent poverty and widening inequality. Claire Dunning’s book connects these two stories in histories of race, democracy, and capitalism, revealing how the federal government funded and deputized nonprofits to help individuals in need, and in so doing avoided addressing the structural inequities that necessitated such action in the first place.
Nonprofit Neighborhoods begins after World War II, when suburbanization, segregation, and deindustrialization inaugurated an era of urban policymaking that applied private solutions to public problems. Dunning introduces readers to the activists, corporate executives, and politicians who advocated addressing poverty and racial exclusion through local organizations, while also raising provocative questions about the politics and possibilities of social change. The lessons of Nonprofit Neighborhoods exceed the bounds of Boston, where the story unfolds, providing a timely history of the shift from urban crisis to urban renaissance for anyone concerned about American inequality—past, present, or future.
[more]
The Evolutionary Origins of Life and Death
Pierre M. Durand
University of Chicago Press, 2021
The question of why an individual would actively kill itself has long been an evolutionary mystery. Pierre M. Durand’s ambitious book answers this question through close inspection of life and death in the earliest cellular life. As Durand shows us, cell death is a fascinating lens through which to examine the interconnectedness, in evolutionary terms, of life and death. It is a truism to note that one does not exist without the other, but just how does this play out in evolutionary history?
These two processes have been studied from philosophical, theoretical, experimental, and genomic angles, but no one has yet integrated the information from these various disciplines. In this work, Durand synthesizes cellular studies of life and death looking at the origin of life and the evolutionary significance of programmed cellular death. The exciting and unexpected outcome of Durand’s analysis is the realization that life and death exhibit features of coevolution. The evolution of more complex cellular life depended on the coadaptation between traits that promote life and those that promote death. In an ironic twist, it becomes clear that, in many circumstances, programmed cell death is essential for sustaining life.
These two processes have been studied from philosophical, theoretical, experimental, and genomic angles, but no one has yet integrated the information from these various disciplines. In this work, Durand synthesizes cellular studies of life and death looking at the origin of life and the evolutionary significance of programmed cellular death. The exciting and unexpected outcome of Durand’s analysis is the realization that life and death exhibit features of coevolution. The evolution of more complex cellular life depended on the coadaptation between traits that promote life and those that promote death. In an ironic twist, it becomes clear that, in many circumstances, programmed cell death is essential for sustaining life.
[more]
The Chastity Plot
Lisabeth During
University of Chicago Press, 2021
In The Chastity Plot, Lisabeth During tells the story of the rise, fall, and transformation of the ideal of chastity. From its role in the practice of asceticism to its associations with sovereignty, violence, and the purity of nature, it has been loved, honored, and despised. Obsession with chastity has played a powerful and disturbing role in our moral imagination. It has enforced patriarchy’s double standards, complicated sexual relations, and imbedded in Western culture a myth of gender that has been long contested by feminists. Still not yet fully understood, the chastity plot remains with us, and the metaphysics of purity continue to haunt literature, religion, and philosophy. Idealized and unattainable, sexual renunciation has shaped social institutions, political power, ethical norms, and clerical abuses. It has led to destruction and passion, to seductive fantasies that inspired saints and provoked libertines. As During shows, it should not be underestimated.
Examining literature, religion, psychoanalysis, and cultural history from antiquity through the middle ages and into modernity, During provides a sweeping history of chastity and insight into its subversive potential. Instead of simply asking what chastity is, During considers what chastity can do, why we should care, and how it might provide a productive disruption, generating new ways of thinking about sex, integrity, and freedom.
Examining literature, religion, psychoanalysis, and cultural history from antiquity through the middle ages and into modernity, During provides a sweeping history of chastity and insight into its subversive potential. Instead of simply asking what chastity is, During considers what chastity can do, why we should care, and how it might provide a productive disruption, generating new ways of thinking about sex, integrity, and freedom.
[more]
Emile Durkheim on Morality and Society
Emile Durkheim
University of Chicago Press, 1975
Emile Durkheim is best known in this country as a great sociologist and methodologist. Yet it was Durkheim's reflections on morality and society that spoke most deeply of his vital concerns. In his informative introduction to this work, Robert N. Bellah describes Durkheim as moralist, philosopher, theologian, and prophet, as well as sociologist, and the selections in this volume are representative of these aspects of Durkheim's many-faceted scholarship.
The first two selections of the volume set the context for the development of Durkheim's sociology of morality. Section I, "The French Tradition of Social Thought," gives Durkheim's picture of how his sociology is to be situated relative to the general French tradition. Section II, "Sociology and Social Action," shows Durkheim grappling with moral and political issues in his society and indicates the immediate social context of his thinking.
The remaining selections indicate some of the major substantive areas of Durkheim's sociology of morality. Section III, taken from The Division of Labor in Society, demonstrates his basically evolutionary approach to the development of moral norms in society. Section IV, "The Learning of Morality," gives examples of Durkheim's work on socialization. Section V, "Social Creativity," deals with the important question of how new moral norms arise in society.
The first two selections of the volume set the context for the development of Durkheim's sociology of morality. Section I, "The French Tradition of Social Thought," gives Durkheim's picture of how his sociology is to be situated relative to the general French tradition. Section II, "Sociology and Social Action," shows Durkheim grappling with moral and political issues in his society and indicates the immediate social context of his thinking.
The remaining selections indicate some of the major substantive areas of Durkheim's sociology of morality. Section III, taken from The Division of Labor in Society, demonstrates his basically evolutionary approach to the development of moral norms in society. Section IV, "The Learning of Morality," gives examples of Durkheim's work on socialization. Section V, "Social Creativity," deals with the important question of how new moral norms arise in society.
[more]
Primitive Classification
Emile Durkheim
University of Chicago Press, 1967
Emile Durkheim and Marcel Mauss maintain that society is the source of the very categories of human thought. First published in the Année Sociologique in 1903, this classic essay has been translated by Rodney Needham, who also provides a critical introduction.
"[Primitive Classification] will impress the reader with its quiet elegance, its direct, logical form, its clarity of style, its spirit of careful, yet bold, exploration."—Harry Alpert, American Journal of Sociology
"Particularly instructive for anyone who wonders what social anthropology is: how, if at all, it differs from sociology and whether it has any unifying theoretical problem."—F. K. Lehman, American Sociological Review
"[Primitive Classification] will impress the reader with its quiet elegance, its direct, logical form, its clarity of style, its spirit of careful, yet bold, exploration."—Harry Alpert, American Journal of Sociology
"Particularly instructive for anyone who wonders what social anthropology is: how, if at all, it differs from sociology and whether it has any unifying theoretical problem."—F. K. Lehman, American Sociological Review
[more]
Emile Durkheim on Institutional Analysis
Emile Durkheim
University of Chicago Press, 1978
Ranging from Durkheim's original lecture in sociology to an excerpt from the work incomplete at his death, these selections illuminate his multiple approaches to the crucial concept of social solidarity and the study of institutions as diverse as the law, morality, and the family. Durkheim's focus on social solidarity convinced him that sociology must investigate the way that individual behavior itself is the product of social forces. As these writings make clear, Durkheim pursued his powerful model of sociology through many fields, eventually synthesizing both materialist and idealist viewpoints into his functionalist model of society.
[more]
Nice Guys Finish Last
Leo Durocher
University of Chicago Press, 2009
“I believe in rules. Sure I do. If there weren't any rules, how could you break them?”
The history of baseball is rife with colorful characters. But for sheer cantankerousness, fighting moxie, and will to win, very few have come close to Leo “the Lip” Durocher. Following a five-decade career as a player and manager for baseball’s most storied franchises, Durocher teamed up with veteran sportswriter Ed Linn to tell the story of his life in the game. The resulting book, Nice Guys Finish Last, is baseball at its best, brimming with personality and full of all the fights and feuds, triumphs and tricks that made Durocher such a success—and an outsized celebrity.
Durocher began his career inauspiciously, riding the bench for the powerhouse 1928 Yankees and hitting so poorly that Babe Ruth nicknamed him “the All-American Out.” But soon Durocher hit his stride: traded to St. Louis, he found his headlong play and never-say-die attitude a perfect fit with the rambunctious “Gashouse Gang” Cardinals. In 1939, he was named player-manager of the Brooklyn Dodgers—and almost instantly transformed the underachieving Bums into perennial contenders. He went on to manage the New York Giants, sharing the glory of one of the most famous moments in baseball history, Bobby Thomson’s “shot heard ’round the world,” which won the Giants the 1951 pennant. Durocher would later learn how it felt to be on the other side of such an unforgettable moment, as his 1969 Cubs, after holding first place for 105 days, blew a seemingly insurmountable 8-1/2-game lead to the Miracle Mets.
All the while, Durocher made as much noise off the field as on it. His perpetual feuds with players, owners, and league officials—not to mention his public associations with gamblers, riffraff, and Hollywood stars like George Raft and Larraine Day—kept his name in the headlines and spread his fame far beyond the confines of the diamond.
A no-holds-barred account of a singular figure, Nice Guys Finish Last brings the personalities and play-by-play of baseball’s greatest era to vivid life, earning a place on every baseball fan’s bookshelf.
[more]
History of the Surrealist Movement
Gérard Durozoi
University of Chicago Press, 2002
"With its unprecedented depth and range, this massive new history of Surrealism from veteran French philosopher and art critic Durozoi will be the one-volume standard for years to come. . . . The book discusses expertly the main surrealist artists like Jean Arp, Max Ernst, René Magritte, Yves Tanguy, Salvador Dalí and Joan Miró, but also treats with considerable understanding the surrealist writing by Louis Aragon, Paul Eluard, Robert Desnos, Julien Graçq and, of course, the so-called 'Pope of Surrealism,' André Breton. . . . This book should turn up in all serious collections on 20th century art."—Publishers Weekly, starred review
From Dada to the Automatists, and from Max Ernst to André Breton, Gérard Durozoi here provides the most comprehensive history of the Surrealist movement. Tracing the movement from its origins in the 1920s to its decline in the 1950s and 1960s, Durozoi tells the history of Surrealism through its activities, publications, and reviews, demonstrating its close ties to some of the most explosive political, as well as creative, debates of the twentieth century.
Drawing on a staggering amount of documentary and visual evidence—including 1,000 photos—Durozoi illuminates all the intellectual and artistic facets of the movement, from literature and philosophy to painting, photography, and film, thus making History of the Surrealist Movement its definitive encyclopedia.
From Dada to the Automatists, and from Max Ernst to André Breton, Gérard Durozoi here provides the most comprehensive history of the Surrealist movement. Tracing the movement from its origins in the 1920s to its decline in the 1950s and 1960s, Durozoi tells the history of Surrealism through its activities, publications, and reviews, demonstrating its close ties to some of the most explosive political, as well as creative, debates of the twentieth century.
Drawing on a staggering amount of documentary and visual evidence—including 1,000 photos—Durozoi illuminates all the intellectual and artistic facets of the movement, from literature and philosophy to painting, photography, and film, thus making History of the Surrealist Movement its definitive encyclopedia.
[more]
Beethoven for a Later Age
Living with the String Quartets
Edward Dusinberre
University of Chicago Press, 2016
Beethoven’s sixteen string quartets are some of the most extraordinary and challenging pieces of music ever written. Originally composed and performed between 1798 and 1826, they have inspired artists of all kinds—not only musicians—and have been subject to endless reinterpretation. But what is it like to personally take up the challenge of these compositions, not only as a musician, but as a member of a quartet, where each player has ideas about style and expression? To answer this question, Edward Dusinberre, first violinist of the renowned Takács Quartet, offers a rare peek inside the workings of his ensemble, while providing an insightful history of the compositions and their performance.
Founded in Hungary in 1975 and now based in Boulder, Colorado, the Takács is one of the world’s preeminent string quartets, and performances of Beethoven have been at the center of their work together for over forty years. Using the history of both the Takács Quartet and the Beethoven quartets as a foundation, Beethoven for a Later Age provides a backstage look at the daily life of a quartet, showing the necessary creative tension between individual and group and how four people can at the same time forge a lasting artistic connection and enjoy making music together over decades. The key, Dusinberre reveals, to a quartet crafting its own sound is in balancing continuity with change and experimentation—a theme that lies at the heart of Beethoven’s remarkable compositions. In an accessible style, suitable for novices and chamber music enthusiasts alike, Dusinberre illuminates the variety and contradictions of Beethoven's quartets, which were composed against the turbulent backdrop of the Napoleonic Wars and their aftermath, and he brings the technical aspects of the music to life.
Beethoven for a Later Age vividly shows that creative engagement with Beethoven’s radical and brilliant quartets continues to be as stimulating now as it was for its first performers and audiences. Musicians and music lovers will be intrigued by Dusinberre’s exploration of the close collaboration at the heart of any great performance.
Founded in Hungary in 1975 and now based in Boulder, Colorado, the Takács is one of the world’s preeminent string quartets, and performances of Beethoven have been at the center of their work together for over forty years. Using the history of both the Takács Quartet and the Beethoven quartets as a foundation, Beethoven for a Later Age provides a backstage look at the daily life of a quartet, showing the necessary creative tension between individual and group and how four people can at the same time forge a lasting artistic connection and enjoy making music together over decades. The key, Dusinberre reveals, to a quartet crafting its own sound is in balancing continuity with change and experimentation—a theme that lies at the heart of Beethoven’s remarkable compositions. In an accessible style, suitable for novices and chamber music enthusiasts alike, Dusinberre illuminates the variety and contradictions of Beethoven's quartets, which were composed against the turbulent backdrop of the Napoleonic Wars and their aftermath, and he brings the technical aspects of the music to life.
Beethoven for a Later Age vividly shows that creative engagement with Beethoven’s radical and brilliant quartets continues to be as stimulating now as it was for its first performers and audiences. Musicians and music lovers will be intrigued by Dusinberre’s exploration of the close collaboration at the heart of any great performance.
[more]
Distant Melodies
Music in Search of Home
Edward Dusinberre
University of Chicago Press, 2022
An engaging blend of memoir and music history, Distant Melodies explores the changing ideas of home, displacement, and return through the lives and chamber music of four composers.
How does music played and heard over many years inform one’s sense of home? Writing during the COVID-19 pandemic, when travel is forbidden and distance felt anew, Edward Dusinberre, first violinist of the world-renowned Takács Quartet, searches for answers in the music of composers whose relationships to home shaped the pursuit of their craft—Antonín Dvořák, Edward Elgar, Béla Bartók, and Benjamin Britten.
Dusinberre has lived abroad for three decades. At the age of 21, he left his native England to pursue music studies at the Juilliard School in New York. Three years later he moved to Boulder, Colorado. Drawn to the stories of Dvořák’s, Bartók’s, and Britten’s American sojourns as they tried to reconcile their new surroundings with nostalgia for their homelands, Dusinberre reflects on his own evolving relationship to England and the idea of home. As he visits and imagines some of the places crucial to these composers’ creative inspiration, Dusinberre also reflects on Elgar’s unusual Piano Quintet and the landscapes that inspired it.
Combining travel writing with revealing insights into the working lives of string quartet musicians, Distant Melodies is a moving and humorous meditation on the relationship between music and home.
How does music played and heard over many years inform one’s sense of home? Writing during the COVID-19 pandemic, when travel is forbidden and distance felt anew, Edward Dusinberre, first violinist of the world-renowned Takács Quartet, searches for answers in the music of composers whose relationships to home shaped the pursuit of their craft—Antonín Dvořák, Edward Elgar, Béla Bartók, and Benjamin Britten.
Dusinberre has lived abroad for three decades. At the age of 21, he left his native England to pursue music studies at the Juilliard School in New York. Three years later he moved to Boulder, Colorado. Drawn to the stories of Dvořák’s, Bartók’s, and Britten’s American sojourns as they tried to reconcile their new surroundings with nostalgia for their homelands, Dusinberre reflects on his own evolving relationship to England and the idea of home. As he visits and imagines some of the places crucial to these composers’ creative inspiration, Dusinberre also reflects on Elgar’s unusual Piano Quintet and the landscapes that inspired it.
Combining travel writing with revealing insights into the working lives of string quartet musicians, Distant Melodies is a moving and humorous meditation on the relationship between music and home.
[more]
A Dog's Head
Jean Dutourd
University of Chicago Press, 1998
Jean Dutourd's A Dog's Head is a wonderful piece of magical realism, reminiscent of Voltaire, Borges and Kafka. With biting wit, Dutourd presents the story of Edmund Du Chaillu, a boy born, to his bourgeois parents's horror, with the head of a spaniel. Edmund must endure his school-mate's teasing as well as an urge to carry a newspaper in his mouth. This is the story of his life, trials, and joys as he searches for a normal life of worth and love.
"Dutourd is a fine craftsman, whose work has the classic virtues of brevity, lucidity, and concentration. He has written a sardonic divertissement that concerns itself with fundamental problems of man's existence-a tale that is sad-eyed, witty, and often very funny."—Charles J. Rolo, New York Times Book Review
"A tiny masterpiece in the French classical tradition. . . . Stylish, elegant and witty, and told with an apparent lightheartedness that points to rather than obscures the hero's essential tragedy."—P. L. Travers, New York Herald Tribune
"Wit, a good deal of shrewd classical allusion, and a Voltarian satire are the book's assets."—Edmund Fuller, Chicago Tribune
"The work of an expert craftsman and of a careful writer of prose, ending with the rarest gift in modern letters: the comic spirit."—Henri Peyre, The Saturday Review
"Dutourd might well have dropped his story at this point, had it been his intention simply to excoriate the human race for its treatment of those who are physically afflicted. Instead, he presses on in his terse, deadpan prose to teach a lesson to the afflicted of the world as well."—Time
"A Dog's Head is one of the most curious, most beautifully conceived and written fantasies you've ever come across."—J. H. Jackson, San Francisco Chronicle
"A Dog's Head is an excellent joke in the worst possible taste, and its author, M. Jean Dutourd, is a satirist of the first rank."—New Yorker
"Dutourd is a fine craftsman, whose work has the classic virtues of brevity, lucidity, and concentration. He has written a sardonic divertissement that concerns itself with fundamental problems of man's existence-a tale that is sad-eyed, witty, and often very funny."—Charles J. Rolo, New York Times Book Review
"A tiny masterpiece in the French classical tradition. . . . Stylish, elegant and witty, and told with an apparent lightheartedness that points to rather than obscures the hero's essential tragedy."—P. L. Travers, New York Herald Tribune
"Wit, a good deal of shrewd classical allusion, and a Voltarian satire are the book's assets."—Edmund Fuller, Chicago Tribune
"The work of an expert craftsman and of a careful writer of prose, ending with the rarest gift in modern letters: the comic spirit."—Henri Peyre, The Saturday Review
"Dutourd might well have dropped his story at this point, had it been his intention simply to excoriate the human race for its treatment of those who are physically afflicted. Instead, he presses on in his terse, deadpan prose to teach a lesson to the afflicted of the world as well."—Time
"A Dog's Head is one of the most curious, most beautifully conceived and written fantasies you've ever come across."—J. H. Jackson, San Francisco Chronicle
"A Dog's Head is an excellent joke in the worst possible taste, and its author, M. Jean Dutourd, is a satirist of the first rank."—New Yorker
[more]
The Terezín Album of Mariánka Zadikow
Debórah Dwork
University of Chicago Press, 2008
“With simple means, without any ‘title,’ this book should in distant times always be in your memory.”
An imprisoned bookbinder wrote these words in a small blank book that he had secretly crafted from pilfered materials at the Terezín (Theresienstadt) concentration camp in September 1944. He presented the album to a fellow prisoner, twenty-one-year-old Marianka Zadików. Over the next several months, as the Nazis pressed forward with mass deportations from Terezín to Auschwitz, Marianka began to collect inscriptions and sketches from her fellow inmates.
Marianka Zadików’salbum, presented here in a facsimile edition, is a poignant document from the last months of the Holocaust. The words and images inscribed here—by children and grandparents, factory workers and farmhands, professionals and intellectuals, musicians and artists—reflect both joy and trepidation. They include passages of remembered verse, lovingly executed drawings, and hurried farewells on the eve of transport to Auschwitz. The great German-Jewish scholar Rabbi Leo Baeck, one of the elders of the camp, offers Marianka an inscription about Jewish self-discovery, and participants in Terezín’s now-famous musical performances fill several pages with musical annotation.
Facing-page translations render the book’s multitude of languages into English, while historical and biographical notes give details, where known, of the fates of those whose words are recorded here. An introduction by acclaimed Holocaust scholar Debórah Dwork tells the story of the Terezín camp and how Marianka and her family fared while imprisoned there.
The array of voices and the glimpses into individual lives afforded us by The Terezín Album make it an arresting reminder of the sustaining power of care, community, and hope amid darkness.
An imprisoned bookbinder wrote these words in a small blank book that he had secretly crafted from pilfered materials at the Terezín (Theresienstadt) concentration camp in September 1944. He presented the album to a fellow prisoner, twenty-one-year-old Marianka Zadików. Over the next several months, as the Nazis pressed forward with mass deportations from Terezín to Auschwitz, Marianka began to collect inscriptions and sketches from her fellow inmates.
Marianka Zadików’salbum, presented here in a facsimile edition, is a poignant document from the last months of the Holocaust. The words and images inscribed here—by children and grandparents, factory workers and farmhands, professionals and intellectuals, musicians and artists—reflect both joy and trepidation. They include passages of remembered verse, lovingly executed drawings, and hurried farewells on the eve of transport to Auschwitz. The great German-Jewish scholar Rabbi Leo Baeck, one of the elders of the camp, offers Marianka an inscription about Jewish self-discovery, and participants in Terezín’s now-famous musical performances fill several pages with musical annotation.
Facing-page translations render the book’s multitude of languages into English, while historical and biographical notes give details, where known, of the fates of those whose words are recorded here. An introduction by acclaimed Holocaust scholar Debórah Dwork tells the story of the Terezín camp and how Marianka and her family fared while imprisoned there.
The array of voices and the glimpses into individual lives afforded us by The Terezín Album make it an arresting reminder of the sustaining power of care, community, and hope amid darkness.
[more]
Learning and Physiological Regulation
Barry R. Dworkin
University of Chicago Press, 1993
Since Pavlov, physiologists have explained homeostasis—the regulation of bodily functions—as the action of fixed negative feedback networks within individual organ systems. However, these standard explanations largely ignore the mechanisms of conditioning and learning. Drawing on the work of Western, East European, and Russian physiologists, Barry R. Dworkin challenges traditional concepts and argues that learning mechanisms of the nervous system are essential to regulation. Dworkin shows how, through experience, learning mechanisms determine dynamic stability and the long-term regulation of heart rate, blood pressure, glucose, electrolytes, and temperature. He argues that "hard wired" mechanisms do not adequately account for the speed and accuracy of physiological adjustments, and supports his contention with detailed analyses and mathematical models of how conditioned and unconditioned reflexes interact. Dworkin reviews a wealth of research on interoceptive conditioning, conditioned drug responses, and visceral adjustment. Combining physiological and behavioral data with mathematical analysis and computer models, he synthesizes the work of Pavlov and W. B. Cannon in a quantitative theory of physiological regulation that will interest researchers and theorists in medicine, physiology, neuroscience, and biopsychology.
[more]
Radium of the Word
A Poetics of Materiality
Craig Dworkin
University of Chicago Press, 2020
With fresh insight and contemporary relevance, Radium of the Word argues that a study of the form of language yields meanings otherwise inaccessible through ordinary reading strategies. Attending to the forms of words rather than to their denotations, Craig Dworkin traces hidden networks across the surface of texts, examining how typography, and even individual letters and marks of punctuation, can reveal patterns that are significant without being symbolic—fully meaningful without communicating any preordained message.
Radium of the Word takes its title from Mina Loy’s poem for Gertrude Stein, which hails her as the Madame “Curie / of the laboratory / of vocabulary.” In this spirit, Dworkin considers prose as a dynamic literary form, characterized by experimentation. Dworkin draws on examples from writers as diverse as Lyn Hejinian, William Faulkner, and Joseph Roth. He takes up the status of the proper name in Modernism, with examples from Stein, Loy, and Guillaume Apollinaire, and he offers in-depth analyses of individual authors from the counter-canon of the avant-garde, including P. Inman, Russell Atkins, N. H. Pritchard, and Andy Warhol. The result is an inspiring intervention in contemporary poetics.
Radium of the Word takes its title from Mina Loy’s poem for Gertrude Stein, which hails her as the Madame “Curie / of the laboratory / of vocabulary.” In this spirit, Dworkin considers prose as a dynamic literary form, characterized by experimentation. Dworkin draws on examples from writers as diverse as Lyn Hejinian, William Faulkner, and Joseph Roth. He takes up the status of the proper name in Modernism, with examples from Stein, Loy, and Guillaume Apollinaire, and he offers in-depth analyses of individual authors from the counter-canon of the avant-garde, including P. Inman, Russell Atkins, N. H. Pritchard, and Andy Warhol. The result is an inspiring intervention in contemporary poetics.
[more]
Homeschooling
The History and Philosophy of a Controversial Practice
James G. Dwyer
University of Chicago Press, 2019
In Homeschooling: The History and Philosophy of a Controversial Practice, James G. Dwyer and Shawn F. Peters examine homeschooling’s history, its methods, and the fundamental questions at the root of the heated debate over whether and how the state should oversee and regulate it. The authors trace the evolution of homeschooling and the law relating to it from before America’s founding to the present day. In the process they analyze the many arguments made for and against it, and set them in the context of larger questions about school and education. They then tackle the question of regulation, and they do so within a rigorous moral framework, one that is constructed from a clear-eyed assessment of what rights and duties children, parents, and the state each possess. Viewing the question through that lens allows Dwyer and Peters to even-handedly evaluate the competing arguments and ultimately generate policy prescriptions. Homeschooling is the definitive study of a vexed question, one that ultimately affects all citizens, regardless of their educational background.
[more]
Homeschooling
The History and Philosophy of a Controversial Practice
James G. Dwyer
University of Chicago Press, 2019
This is an auto-narrated audiobook edition of this book.
In Homeschooling: The History and Philosophy of a Controversial Practice, James G. Dwyer and Shawn F. Peters examine homeschooling’s history, its methods, and the fundamental questions at the root of the heated debate over whether and how the state should oversee and regulate it. The authors trace the evolution of homeschooling and the law relating to it from before America’s founding to the present day. In the process they analyze the many arguments made for and against it, and set them in the context of larger questions about school and education. They then tackle the question of regulation, and they do so within a rigorous moral framework, one that is constructed from a clear-eyed assessment of what rights and duties children, parents, and the state each possess. Viewing the question through that lens allows Dwyer and Peters to even-handedly evaluate the competing arguments and ultimately generate policy prescriptions. Homeschooling is the definitive study of a vexed question, one that ultimately affects all citizens, regardless of their educational background.
[more]
Childhood and Other Neighborhoods
Stories
Stuart Dybek
University of Chicago Press, 2003
In Stuart Dybek's Chicago, wonder lurks in unexpected places—in garbage-strewn alleys, gloomy basement apartments, abandoned rooms at the top of rickety stairs periodically rumbled by passing el trains. Transformed through the wide eyes of Dybek's adolescent heroes, these grimy urban backwaters become exotic landscapes of fear-filled possibility, of dreams not yet turned to nightmares. Chronicling what happens when Old World faith meets the dark side of the American dream, Dybek's poignant stories of coming of age in Chicago alternately appall, amaze, and just simply entertain.
[more]
Mapping Latin America
A Cartographic Reader
Jordana Dym
University of Chicago Press, 2011
For many, a map is nothing more than a tool used to determine the location or distribution of something—a country, a city, or a natural resource. But maps reveal much more: to really read a map means to examine what it shows and what it doesn’t, and to ask who made it, why, and for whom. The contributors to this new volume ask these sorts of questions about maps of Latin America, and in doing so illuminate the ways cartography has helped to shape this region from the Rio Grande to Patagonia.
In Mapping Latin America,Jordana Dym and Karl Offen bring together scholars from a wide range of disciplines to examine and interpret more than five centuries of Latin American maps.Individual chapters take on maps of every size and scale and from a wide variety of mapmakers—from the hand-drawn maps of Native Americans, to those by famed explorers such as Alexander von Humboldt, to those produced in today’s newspapers and magazines for the general public. The maps collected here, and the interpretations that accompany them, provide an excellent source to help readers better understand how Latin American countries, regions, provinces, and municipalities came to be defined, measured, organized, occupied, settled, disputed, and understood—that is, how they came to have specific meanings to specific people at specific moments in time.
The first book to deal with the broad sweep of mapping activities across Latin America, this lavishly illustrated volume will be required reading for students and scholars of geography and Latin American history, and anyone interested in understanding the significance of maps in human cultures and societies.
[more]
Robert M. Hutchins
Portrait of an Educator
Mary Ann Dzuback
University of Chicago Press, 1991
As president of the University of Chicago from 1929 to 1951, Robert Maynard Hutchins came to be one of the most prominent and controversial figures in American higher education. To this day, his vision of what the university should be has given shape to twentieth-century debates over the content and function of education in the United States. In her critical biography, the first to focus on Hutchins' University of Chicago decades, Mary Ann Dzuback gives a full and fascinating account of this complex man—his development, his achievements and failures, and finally, his legacy.
[more]
Lucien Dällenbach
University of Chicago Press
The Mirror in the Text is concerned with the literary and artistic device of mise en abyme, the use of an element within a work which mirrors the work as a whole—like the 'play within a play' in Hamlet.
In this classic study, Lucien Dällenbach provides the first systematic analysis of this device and its literary and artistic applications from Van Eyck and Velasquez to Gide, Beckett and the French nouveau roman.
Alongside this wealth of examples, Dällenbach constructs his theoretical argument with elegance and clarity, assuming no previous knowledge of arcane and specialized theory, but guiding the reader helpfully through the maze of literary criticism. The result is a new conceptual field, a new grammar of the mise en abyme, and an examination of its function within the work of art and literature.
The highly original study has been acclaimed as one of the most important works of contemporary literary theory. It will be of interest to all students of English and European literature, as well as to students of the visual arts.
In this classic study, Lucien Dällenbach provides the first systematic analysis of this device and its literary and artistic applications from Van Eyck and Velasquez to Gide, Beckett and the French nouveau roman.
Alongside this wealth of examples, Dällenbach constructs his theoretical argument with elegance and clarity, assuming no previous knowledge of arcane and specialized theory, but guiding the reader helpfully through the maze of literary criticism. The result is a new conceptual field, a new grammar of the mise en abyme, and an examination of its function within the work of art and literature.
The highly original study has been acclaimed as one of the most important works of contemporary literary theory. It will be of interest to all students of English and European literature, as well as to students of the visual arts.
[more]
Sephardim
The Jews from Spain
Paloma Díaz-Mas
University of Chicago Press, 1992
Here, in a single volume, is the first comprehensive history in English of the Sephardim—descendants of the Jews expelled from Spain in 1492. Paloma Díaz-Mas recounts the journey and customs of this fascinating group as they moved across the globe. They settled initially in Mediterranean Europe, the Low Countries, North Africa, and the Turkish Empire, but in the nineteenth century, a second diaspora brought the Sephardim to the United States, South America, Israel, and Western Europe. She traces the origins and survival of their unique language and explores the literature they produced. Their relationship to Spain is also uncovered, as well as their everyday lives. Sephardim is an authoritative and completely accessible investigation of the history and legacy of this amazing people.
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The Experimenters
Chance and Design at Black Mountain College
Eva Díaz
University of Chicago Press, 2014
In the years immediately following World War II, Black Mountain College, an unaccredited school in rural Appalachia, became a vital hub of cultural innovation. Practically every major artistic figure of the mid-twentieth century spent some time there: Merce Cunningham, Ray Johnson, Franz Kline, Willem and Elaine de Kooning, Robert Motherwell, Robert Rauschenberg, Dorothea Rockburne, Aaron Siskind, Cy Twombly—the list goes on and on. Yet scholars have tended to view these artists’ time at the College as little more than prologue, a step on their way to greatness. With The Experimenters, Eva Díaz reveals the importance of Black Mountain College—and especially of three key teachers, Josef Albers, John Cage, and R. Buckminster Fuller—to be much greater than that.
Díaz’s focus is on experimentation. Albers, Cage, and Fuller, she shows, taught new models of art making that favored testing procedures rather than personal expression. These methodologies represented incipient directions for postwar art practice, elements of which would be sampled, and often wholly adopted, by Black Mountain students and subsequent practitioners. The resulting works, which interrelate art and life in a way that imbues these projects with crucial relevance, not only reconfigured the relationships among chance, order, and design—they helped redefine what artistic practice was, and could be, for future generations.
Offering a bold, compelling new angle on some of the most widely studied creative figures of modern times, The Experimenters does nothing less than rewrite the story of art in the mid-twentieth century.
Díaz’s focus is on experimentation. Albers, Cage, and Fuller, she shows, taught new models of art making that favored testing procedures rather than personal expression. These methodologies represented incipient directions for postwar art practice, elements of which would be sampled, and often wholly adopted, by Black Mountain students and subsequent practitioners. The resulting works, which interrelate art and life in a way that imbues these projects with crucial relevance, not only reconfigured the relationships among chance, order, and design—they helped redefine what artistic practice was, and could be, for future generations.
Offering a bold, compelling new angle on some of the most widely studied creative figures of modern times, The Experimenters does nothing less than rewrite the story of art in the mid-twentieth century.
[more]
The Pledge
Friedrich Dürrenmatt
University of Chicago Press, 2000
Set in a small town in Switzerland, The Pledge centers around the murder of a young girl and the detective who promises the victim’s mother he will find the perpetrator. After deciding the wrong man has been arrested for the crime, the detective lays a trap for the real killer—with all the patience of a master fisherman. But cruel turns of plot conspire to make him pay dearly for his pledge. Here Friedrich Dürrenmatt conveys his brilliant ear for dialogue and a devastating sense of timing and suspense. Joel Agee’s skilled translation effectively captures the various voices in the original, as well as its chilling conclusion.
One of Dürrenmatt’s most diabolically imagined and constructed novels, The Pledge was adapted for the screen in 2000 in a film directed by Sean Penn and starring Jack Nicholson.
One of Dürrenmatt’s most diabolically imagined and constructed novels, The Pledge was adapted for the screen in 2000 in a film directed by Sean Penn and starring Jack Nicholson.
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The Inspector Barlach Mysteries
The Judge and His Hangman and Suspicion
Friedrich Dürrenmatt
University of Chicago Press, 2006
This volume offers bracing new translations of two precursors to the modern detective novel by Friedrich Dürrenmatt, whose genre-bending mysteries recall the work of Alain Robbe-Grillet and anticipate the postmodern fictions of Paul Auster and other contemporary neo-noir novelists. Both mysteries follow Inspector Barlach as he moves through worlds in which the distinction between crime and justice seems to have vanished. In The Judge and His Hangman, Barlach forgoes the arrest of a murderer in order to manipulate him into killing another, more elusive criminal. And in Suspicion, Barlach pursues a former Nazi doctor by checking into his clinic with the hope of forcing him to reveal himself. The result is two thrillers that bring existential philosophy and the detective genre into dazzling convergence.
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Friedrich Dürrenmatt
Selected Writings, Volume 1, Plays
Friedrich Dürrenmatt
University of Chicago Press, 2006
These translations of Friedrich Dürrenmatt’s plays introduce the writer to a new generation of readers.
The Swiss writer Friedrich Dürrenmatt (1921–90) was one of the most important literary figures of the second half of the twentieth century. During the years of the Cold War, arguably only Beckett, Camus, Sartre, and Brecht rivaled him as a presence in European letters. Yet outside Europe, this prolific author is primarily known for only one work, The Visit.
Dürrenmatt’s concerns are timeless, but they are also the product of his Swiss vantage during the Cold War: his key plays, gathered in the first volume of Selected Writings, explore such themes as guilt by passivity, the refusal of responsibility, greed and political decay, and the tension between justice and freedom. In The Visit, for instance, an old lady who becomes the wealthiest person in the world returns to the village that cast her out as a young woman and offers riches to the town in exchange for the life of the man, now its mayor, who once disgraced her. Joel Agee’s crystalline translation gives a fresh lease to this play, as well as four others: The Physicists, Romulus the Great, Hercules and the Augean Stables, and The Marriage of Mr. Mississippi.
Dürrenmatt has long been considered a great writer—but one unfairly neglected in the modern world of letters. With these elegantly conceived and expertly translated volumes, a new generation of readers will rediscover his greatest works.
[more]
Friedrich Dürrenmatt
Selected Writings, Volume 3, Essays
Friedrich Dürrenmatt
University of Chicago Press, 2006
These translations of Friedrich Dürrenmatt’s essays introduce the writer to a new generation of readers.
The Swiss writer Friedrich Dürrenmatt (1921–90) was one of the most important literary figures of the second half of the twentieth century. During the years of the Cold War, arguably only Beckett, Camus, Sartre, and Brecht rivaled him as a presence in European letters. Yet outside Europe, this prolific author is primarily known for only one work, The Visit. With these long-awaited translations of his plays, fictions, and essays, Dürrenmatt becomes available again in all his brilliance to the English-speaking world.
Dürrenmatt’s essays, gathered in this third volume of Selected Writings, are among his most impressive achievements. Their range alone is astonishing: he wrote with authority and charm about art, literature, philosophy, politics, and the theater. The selections here include Dürrenmatt’s best-known essays, such as “Theater Problems” and “Monster Essay on Justice and Law,” as well as the notes he took on a 1970 journey in America (in which he finds the United States “increasingly susceptible to every kind of fascism”). This third volume of Selected Writings also includes essays that shade into fiction, such as “The Winter War in Tibet,” a fantasy of a third world war waged in a vast subterranean labyrinth—a Plato’s Cave allegory rewritten for our own troubled times.
Dürrenmatt has long been considered a great writer—but one unfairly neglected in the modern world of letters. With these elegantly conceived and expertly translated volumes, a new generation of readers will rediscover his greatest works.
[more]
The Assignment
or, On the Observing of the Observer of the Observers
Friedrich Dürrenmatt
University of Chicago Press, 1988
In Friedrich Dürrenmatt’s experimental thriller The Assignment, the wife of a psychiatrist has been raped and killed near a desert ruin in North Africa. Her husband hires a woman named F. to reconstruct the unsolved crime in a documentary film. F. is soon unwittingly thrust into a paranoid world of international espionage where everyone is watched—including the watchers. After discovering a recent photograph of the supposed murder victim happily reunited with her husband, F. becomes trapped in an apocalyptic landscape riddled with political intrigue, crimes of mistaken identity, and terrorism.
F.’s labyrinthine quest for the truth is Dürrenmatt’s fictionalized warning against the dangers of a technologically advanced society that turns everyday life into one of constant scrutiny. Joel Agee’s elegant translation will introduce a fresh generation of English-speaking readers to one of European literature’s masters of language, suspense, and dystopia.
“The narrative is accelerated from the start. . . . As the novella builds to its horripilating climax, we realize the extent to which all values have thereby been inverted. The Assignment is a parable of hell for an age consumed by images.”—New York Times Book Review
“His most ambitious book . . . dark and devious . . . almost obsessively drawn to mankind’s most fiendish crimes.”—Chicago Tribune
“A tour-de-force . . . mesmerizing.”—Village Voice
“The narrative is accelerated from the start. . . . As the novella builds to its horripilating climax, we realize the extent to which all values have thereby been inverted. The Assignment is a parable of hell for an age consumed by images.”—New York Times Book Review
“His most ambitious book . . . dark and devious . . . almost obsessively drawn to mankind’s most fiendish crimes.”—Chicago Tribune
“A tour-de-force . . . mesmerizing.”—Village Voice
[more]
Friedrich Dürrenmatt
Selected Writings, Volume 2, Fictions
Friedrich Dürrenmatt
University of Chicago Press, 2006
These translations of Friedrich Dürrenmatt’s fiction introduce the writer to a new generation of readers.
The Swiss writer Friedrich Dürrenmatt (1921–90) was one of the most important literary figures of the second half of the twentieth century. During the years of the Cold War, arguably only Beckett, Camus, Sartre, and Brecht rivaled him as a presence in European letters. Yet outside Europe, this prolific author is primarily known for only one work, The Visit.
This second volume of Selected Writings reveals a writer who may stand as Kafka’s greatest heir. Dürrenmatt’s novellas and short stories are searing, tragicomic explorations of the ironies of justice and the corruptibility of institutions. Apart from The Pledge, a requiem to the detective story that was made into a film starring Jack Nicholson, none of the works in this volume are available elsewhere in English. Among the most evocative fiction included here are two novellas: The Assignment and Traps. The Assignment tells the story of a woman filmmaker investigating a mysterious murder in an unnamed Arab country and has been hailed by Sven Birkerts as “a parable of hell for an age consumed by images.” Traps, meanwhile, is a chilling comic novella about a traveling salesman who agrees to play the role of the defendant in a mock trial among dinner companions—and then pays the ultimate penalty.
Dürrenmatt has long been considered a great writer—but one unfairly neglected in the modern world of letters. With these elegantly conceived and expertly translated volumes, a new generation of readers will rediscover his greatest works.
[more]
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