The past two decades have seen a growing influx of biracial discourse in fiction, memoir, and theory, and since the 2008 election of Barack Obama to the presidency, debates over whether America has entered a “post-racial” phase have set the media abuzz. In this penetrating and provocative study, Sika A. Dagbovie-Mullins adds a new dimension to this dialogue as she investigates the ways in which various mixed-race writers and public figures have redefined both “blackness” and “whiteness” by invoking multiple racial identities.
    Focusing on several key novels—Nella Larsen’s Quicksand (1928), Lucinda Roy’s Lady Moses (1998), and Danzy Senna’s Caucasia (1998)—as well as memoirs by Obama, James McBride, and Rebecca Walker and the personae of singer Mariah Carey and actress Halle Berry, Dagbovie-Mullins challenges conventional claims about biracial identification with a concept she calls “black-sentient mixed-race identity.” Whereas some multiracial organizations can diminish blackness by, for example, championing the inclusion of multiple-race options on census forms and similar documents, a black-sentient consciousness stresses a perception rooted in blackness—“a connection to a black consciousness,” writes the author, “that does not overdetermine but still plays a large role in one’s racial identification.” By examining the nuances of this concept through close readings of fiction, memoir, and the public images of mixed-race celebrities, Dagbovie-Mullins demonstrates how a “black-sentient mixed-race identity reconciles the widening separation between black/white mixed race and blackness that has been encouraged by contemporary mixed-race politics and popular culture.”
    A book that promises to spark new debate and thoughtful reconsiderations of an especially timely topic, Crossing B(l)ack recognizes and investigates assertions of a black-centered mixed-race identity that does not divorce a premodern racial identity from a postmodern racial fluidity.

SIKA A. DAGBOVIE-MULLINS is associate professor in the Department of English at Florida Atlantic University. Her articles have appeared in African American Review, the Journal of Popular Culture, and other publications.

In 1775, renowned pioneer Daniel Boone was commissioned to blaze a road through the Appalachian and Cumberland Plateau regions as a fledgling American nation steadily pushed westward. What would come to be known as the Wilderness Road was the first major route into the West, and it allowed settlers to migrate northwest into Kentucky and later settle parts of Ohio, Indiana, and Illinois. In 2012, Jim Dahlman stopped to stretch his legs on a brief hike into the Cumberland Gap and stumbled upon an adventure. After months of preparation, Dahlman grabbed a pack and set out to hike as accurately as possible Daniel Boone’s original trace.

In A Familiar Wilderness, Dahlman illustrates that the Wilderness Road is more than an old track through Appalachia. Many of the towns grew up along Boone’s original footpath, and people in these areas can draw direct connections to Boone himself or to other early settlers who traversed this trans-Appalachian route. Dahlman uses these and other encounters to uncover the history of the Wilderness Road and show how we are all a product of our past.

The hospitality of strangers becomes especially instrumental in making Dahlman’s hike come alive. Robert, one such stranger, offers to personally guide Dahlman over Powell Mountain. As they make their ascent, Robert provides a splendid view of the mountain, blending careful observation of their surroundings with deep knowledge of the place. A finale to Dahlman’s almost 300-mile hike occurs on Hackberry Ridge overlooking Fort Boonesborough State Park—a fitting tribute to Boone’s own arrival on the ridge famously overlooking a herd of buffalo.

A Familiar Wilderness takes readers on a winding path where geography, history, and local memory intersect with daily life, and Dahlman’s lively writing, sensitive to every detail, will bring readers into thrilling touch with a past that still shapes and challenges the present.

“This book will serve as a valuable resource for  other scholars in their attempts to better understand how Latino newcomers are transforming their new homes in this country.” —Melvin Delgado, author of Social Work with Latinos: A Cultural Assets Paradigm

The Dalton-Whit?eld County area of Georgia has one of the highest concentrations of Latino residents in the southeastern United States. In 2006, a Washington Post article referred to the carpet-manufacturing city of Dalton as a “U.S. border town,” even though the community lies more than twelve hundred miles from Mexico. Voices from the Nueva Frontera explores this phenomenon, providing an in-depth picture of Latino immigration and dispersal in rural America along with a framework for understanding the economic integration of the South with Latin America.

Voices from the Nueva Frontera sheds new light on the often invisible changes that have transformed this north Georgia town over the last thirty years. The book's contributors explore the changes to labor markets and educational, religious, and social organizations and show that Dalton provides a largely successful example of a community that has provided a home to a newly arriving immigrant work force. While debates about immigration have raged in the public spotlight in recent years, some of the most important voices-those of the immigrants themselves-have been nearly unheard. In this pathbreaking book, therefore, each chapter opens with an interview of a worker, student, teacher, or other professional involved in the immigrant experience. These narratives add human faces to the realities of dramatic change occurring in rural industrial towns.

Sure to spark lively discussion in the classroom and beyond, Voices from the Nueva Frontera gives readers a look at individual human stories and provides much-needed documentation for what might be the most important social change in recent southern history.

Donald E. Davis, Thomas M. Deaton, and David Boyle are on the faculty at Dalton State College. Jo-Anne Schick is the former director of the Georgia Project.

Now in its third edition, Hiking the Big South Fork  is packed with up-to-date information on the trails of the Big South Fork National River and Recreation Area in Tennessee and Kentucky. The book combines numerous details about the natural history of the area with fascinating tidbits of folklore and legend to provide an interpretive guide to the trails. The authors have walked, measured, and rated every hiking trail, and, for this edition, they include information about trails in the adjoining Pickett State Park and Forest.

The book features detailed maps; checklists of mammals, birds, and wildflowers; and valuable advice on safety, park rules and regulations, and accommodations. The trail descriptions include difficulty ratings, distance and time information, notes on accommodations and special considerations, and detailed mileage indicators to keep hikers informed of their progress and to clarify points of confusion. Also included is a handy chart designed for backpackers who wish to combine trails for longer excursions.

Strollers, hikers, and backpackers looking for a less-crowded alternative to the Great Smoky Mountains National Park will enjoy discovering this beautiful, rugged National Park service area. Only a ninety-minute drive northwest of Knoxville, the Big South Fork National River and Recreation Area is easily reached in half a day or less from Louisville, Nashville, Chattanooga, and Atlanta.

The Authors: Brenda G. Deaver is a park ranger at the Big South Fork National River and Recreation Area. Jo Anna Smith, a former ranger-historian with the National Park Service, now lives in Idaho with her husband, Steve. Howard Ray Duncan, a native of the Big South Fork area, has spent many years exploring the region. A former school teacher and principal, he has been a ranger at Big South Fork since 1985.

The long history of slavery in the Americas has left a wealth of archaeological evidence from excavations of southern and Caribbean plantations. These excavations have largely informed our ideas of African slavery, but, more recently, scholars have also focused on northern slave sites and the various degrees of slavery pertaining not only to Africans but to Native Americans and even European immigrants as well. The Limits of Tyranny brings together nine essays that illuminate the struggles of slaves against the structure of inequality found throughout the Americas in the eighteenth and nineteenth centuries.
            These essays use the concept of struggle to explore the archaeological dimensions of various sites in the Caribbean and the American South and Northeast. The actions of the enslaved, both collectively and as individuals, altered or eliminated the social forces that oppressed them. The contributors discuss the physical struggle through slave uprisings and organized rebellions and the moral struggle through historic laws and ethical behavior common in the eighteenth and nineteenth centuries. They also define the limits of oppression and use the material evidence associated with each site to determine the lengths to which slaves would go to fight their enslavement.
            The Limits of Tyranny advances the study of the African diaspora and reconsiders the African American experience in terms of dominance and resistance. This volume will appeal to any archaeologist looking to move beyond the common discourse on slavery and assess more closely the African struggle against tyranny.
 
James A. Delle is a professor in the Anthropology and Sociology Department at Kutztown University in Pennsylvania. He is coauthor, with Mark Leone, of An Archaeology of Social Space and coeditor, with Stephen Mrozowski and Robert Paynter, of Lines That Divide: Historical Archaeologies of Race, Class, and Gender.

"A truly creative, rigorous, and novel interdisciplinary collection that rethinks some of historical archaeology’s most fundamental questions."—Paul Mullins, Indiana University–Purdue University

The division of human society by race, class, and gender has been addressed by scholars in many of the social sciences. Now historical archaeologists are demonstrating how material culture can be used to examine the processes that have erected boundaries between people.
    Drawing on case studies from around the world, the essays in this volume highlight diverse moments in the rise of capitalist civilization both in Western Europe and its colonies. In the first section, the contributors address the dynamics of the racial system that emerged from European colonialism. They show how archaeological remains shed light on the institution of slavery in the American Southeast, on the treatment of Native Americans by Mormon settlers, and on the color line in colonial southern Africa. The next group of articles considers how gender was negotiated in nineteenth-century New York City, in colonial Ecuador, and on Jamaican coffee plantations. A final section focuses on the issue of class division by examining the built environment of eighteenth-century Catalonia and material remains and housing from early industrial Massachusetts.
    These essays constitute an archaeology of capitalism and clearly demonstrate the importance of history in shaping cultural consciousness. Arguing that material culture is itself an active agent in the negotiation of social difference, they reveal the ways in which historical archaeologists can contribute to both the definition and dismantling of the lines that divide.
    The Editors: James A. Delle is an assistant professor of anthropology at Franklin and Marshall College and the author of An Archaeology of Social Space: Analyzing Coffee Plantations in Jamaica's Blue Mountains.
    Stephen A. Mrozowski is an associate professor of anthropology at the University of Massachusetts–Boston, director of the Andrew Fiske Memorial Center for Archaeological Research, and co-author of Living on the Boott: Historical Archaeology of the Boott Cotton Mills, Lowell, Massachusetts.
    Robert Paynter is a professor of anthropology at the University of Massachusetts–Amherst, author of Models of Spatial Inequality, and co-editor of The Archaeology of Inequality.
    The Contributors: Marjorie R. Abel, Mark Bograd, James A. Delle, Terrence W. Epperson, William B. Fawcett, Ross W. Jamieson, David L. Larsen, Walter Robert Lewelling, Patricia Hart Mangan, Stephen A. Mrozowski, Michael S. Nassaney, Thomas C. Patterson, Robert Paynter, Warren Perry, Paul A. Shackel, Theresa A. Singleton, Diana diZerega Wall.

From his earliest recordings to his posthumously released albums, the haunting baritone of Waylon Jennings marked him as an extraordinarily individualistic country music artist. This biography by the late R. Serge Denisoff, first published in 1983, recounts Waylon’s west Texas upbringing, his introduction to music as a radio announcer at thirteen years old, his tutelage by rock star Buddy Holly, and his eventual stellar yet stormy music career. Where the original 1983 biography ends, music scholar Travis Stimeling picks up with the waning years of Waylon’s recording and performing. Stimeling recounts in the new afterword Waylon’s continued musical success in the early 1980s—though his financial troubles and battle with drugs and alcohol would soon cost him both professionally and personally—his triumphant and sober return in the 1990s and collaboration with longtime recording artists in the industry, and his continued musical relevance in an evolving industry driven by Nashville’s urban popularization of country music. Additionally, series editor Ted Olson, in his foreword, touches on Waylon’s legacy and the continued influence of his outlaw style of country music. Fans of Waylon, country music, and the Nashville music scene are sure to find this second edition of R. Serge Denisoff’s classic biography a welcome addition to the publications on the father of outlaw country.
 

D-Day, the Allied invasion of northwestern France in June 1944, has remained in the forefront of American memories of the Second World War to this day. Depictions in books, news stories, documentaries, museums, monuments, memorial celebrations, speeches, games, and Hollywood spectaculars have overwhelmingly romanticized the assault as an event in which citizen-soldiers—the everyday heroes of democracy—engaged evil foes in a decisive clash fought for liberty, national redemption, and world salvation.

In D-Day Remembered, Michael R. Dolski explores the evolution of American D-Day tales over the course of the past seven decades. He shows the ways in which that particular episode came to overshadow so many others in portraying the twentieth century’s most devastating cataclysm as “the Good War.” With depth and insight, he analyzes how depictions in various media, such as the popular histories of Stephen Ambrose and films like The Longest Day and Saving Private Ryan, have time and again reaffirmed cherished American notions of democracy, fair play, moral order, and the militant, yet non-militaristic, use of power for divinely sanctioned purposes. Only during the Vietnam era, when Americans had to confront an especially stark challenge to their pietistic sense of nationhood, did memories of D-Day momentarily fade. They soon reemerged, however, as the country sought to move beyond the lamentable conflict in Southeast Asia.

Even as portrayals of D-Day have gone from sanitized early versions to more realistic acknowledgments of tactical mistakes and the horrific costs of the battle, the overarching story continues to be, for many, a powerful reminder of moral rectitude, military skill, and world mission. While the time to historicize this morality tale more fully and honestly has long since come, Dolski observes, the lingering positive connotations of D-Day indicate that the story is not yet finished.

“Murphy Station is a well-told coming-of-age story. It conveys a deep sense of place, and articulates the everyday ways in which the etiquette of Jim Crow was learned and enacted, and eventually questioned and even challenged.”
—Jason Sokol, author of There Goes My Everything: White Southerners in the Age of Civil Rights, 1945–1975

In the southern Georgia of 1950, Murphy Station is a community marked only by two country stores, two Baptist churches, and a graveyard. Farming is the way of life, and segregation is in full force. Welcome to Deep Dixie.

David Donovan is a young white boy growing up in Murphy Station where even the best farmers are cash poor, and those who work for them, usually blacks, are poorer still. In adult conversation, the main topics are weather, crops, and politics. Within the last category, it’s agreed that the main threats facing America are two: communism and integration. So far as young Dave knows, this isn’t unusual, but already there are changes afoot. In this richly detailed memoir, laced with both humor and tragedy, we see how those changes affect Dave in subtle but ultimately profound ways.
Coming of age in a world with the axiom “no boy a chicken, no man a coward,” Dave has the sorts of boyhood adventures common to the rural South: exploits with firearms, encounters with angry animals, challenges from friends, and a growing interest in girls. As he has these adventures, he also works in the field alongside black farmhands, some of whom teach him vital lessons about the realities of their lives—lessons that begin to challenge the prejudices and preconceptions of his time and place.

By the late 1950s the civil rights movement has become a major force in the South; yet, as David enters high school in 1960 the customs of segregation still hold sway, persisting even when he leaves for college. In his first year away from home, he witnesses the national trauma of the Kennedy assassination, which blunts the promises of Camelot. In Vietnam a few years later, he sees those promises collapse entirely. Returning in 1970 to a Murphy Station much changed from what it was twenty years earlier, David Donovan finds himself transformed as well.

David Donovan is the pseudonym of Terry Turner, professor emeritus of urology at the University of Virginia. He is the author of more than 120 basic science articles on male reproductive biology and of a previous book, Once a Warrior King: Memoirs of an Officer in Vietnam.

"This is a thoughtful, deeply researched, and particularly well-written book. Dotson maintains control over a significant body of research, never letting himself get overwhelmed by the details. He strikes a fine balance between discussions of social history, economic change, and local politics." —Louis Kyriakoudes, author of The Social Origins of the Urban South: Race, Gender, and Migration in Nashville and Middle Tennessee, 1890–1930

Roanoke, Virginia, 1882–1917, tells the story of a city that for a brief period was widely hailed as a regional model for industrialization as well as the ultimate success symbol for the rehabilitation of the former Confederacy.  In a region where modernization seemed to move at a glacial pace, those looking for signs of what they were triumphantly calling the “New South” pointed to Roanoke.

No southern city grew faster than Roanoke did during the 1880s.  A hardscrabble Appalachian tobacco depot originally known by the uninspiring name of Big Lick, it became a veritable boomtown by the end of the decade as a steady stream of investment and skilled manpower flowed in from north of the Mason-Dixon line.  The first scholarly treatment of Roanoke's early history, the book explains how native businessmen convinced a northern investment company to make their small town a major railroad hub.  It then describes how that venture initially paid off, as the influx of thousands of people from the North and the surrounding Virginia countryside helped make Roanoke - presumptuously christened the “Magic City” by New South proponents - the state's third-largest city by the turn of the century.

Rand Dotson recounts what life was like for Roanoke's wealthy elites, working poor, and African American inhabitants.  He also explores the social conflicts that ultimately erupted as a result of well-intended “reforms” initiated by city leaders.  Dotson illustrates how residents mediated the catastrophic Depression of 1893 and that year's infamous Roanoke Riot, which exposed the façade masking the city's racial tensions, inadequate physical infrastructure, and provincial mentality of the local populace.  Dotson then details the subsequent attempts of business boosters and progressive reformers to attract the additional investments needed to put their city back on track.  Ultimately, Dotson explains, Roanoke's early struggles stemmed from its business leaders' unwavering belief that economic development would serve as the panacea for all of the town's problems.

This insightful social history of Roanoke is a significant work, sure to attract readers with an interest in urbanization, race relations, and progressive reform.

Rand Dotson is Senior Acquisitions Editor at Louisiana State University Press and an instructor in the LSU History Department.  His articles have appeared in The Virginia Magazine of History and Biography, The Smithfield Review, and The Dictionary of Virginia Biography.

Hailing from the small river town of Moundsville, West Virginia, Davis Grubb (1919–1980) became a key figure in the canon of Appalachian literature. The author of ten novels and dozens of short stories and radio plays, Grubb’s writings, as Tom Douglass observes, “catalogued his life”—and a turbulent life it was, marked by the traumatic loss of both the family home and his father during the Great Depression, the overbearing affections of his mother, the fear of failure, painful struggles with alcohol and drug abuse, profligate spending, and a conflicted sexuality.

Grubb originally aspired to be a visual artist but, thwarted by color blindness, turned to writing instead, honing his skills in the advertising industry. Today he is best remembered for his first novel, The Night of the Hunter (1953), a gripping story of a Depression-era serial killer and his pursuit of two young children along the Ohio River. This book spent twenty-eight weeks on The New York Times best-seller list and became the basis for a classic film directed by Charles Laughton, starring Robert Mitchum, Shelley Winters, and Lillian Gish. While his subsequent work never achieved that same level of popularity, the fierce thematic oppositions he set forth in his debut novel—between love and hate, good and evil, the corrupt and the pure, the rich and the poor—would inform his entire oeuvre. Although Grubb’s career took him to the great cities of New York, Philadelphia, and Los Angeles, his work was always rooted in key emblems of his Appalachian childhood—the river, the state penitentiary, and the largest Indian mound east of the Mississippi, all in his native Moundsville.

In his works, Douglass asserts, Grubb was “an avenging angel, righting the wrongs of the past in his own life, in his own country, and putting trust in his own vision of divine love.” Off the page, he was riven by personal demons, “more than once in danger of losing his life to self-annihilation and to the self-accusation that he was a fallen angel.” This biography, the first ever written of Grubb, captures his life and work in all their intriguing complexity.

THOMAS E. DOUGLASS, an associate professor of English at East Carolina University, is the author of A Room Forever: The Life, Work, and Letters of Breece D’J Pancake. He is also the fiction editor for the University of Tennessee Press’s Appalachian Echoes series.

“Doyle demonstrates that Alcott kept up a running dialogue with her distinguished British counterpart, both contesting and adapting Brontë’s treatments of woment’s spiritual, social, and vocational lives so as to develop her own distinctively American talent.” —Elizabeth Keyser, author of Whispers in the Dark: The Fiction of Louisa May Alcott

“Doyle provides an illuminating discussion of the full range of Louise May Alcott’s writing. Comparisons with Charlotte Brontë spark keen insights into literary traditions and cultural events. General readers will enjoy this book; Alcott and Brontë scholars will need it.” —Beverly Lyon Clark, author of Regendering the School Story: Sassy Sissies and Tattling Tomboys

The work and life of British author Charlotte Brontë fascinated America’s Louisa May Alcott throughout her own literary career. As a nineteenth-century writer struggling with many of the same themes and issues as Brontë, Alcott was drawn toward her British counterpart, but cultural differences created a literary distance between them sometimes as wide as the Atlantic.

In this comparative study, Christine Doyle explores some of the intriguing parallels and differences between the two writers’ backgrounds as she traces specific references to Brontë and her work—not only in Alcott’s children’s fiction, but also in her novels for adults and “sensation fiction.” Doyle compares the treatment of three themes important to both writers—spirituality, interpersonal relations, and women’s work—showing how Alcott translated Brontë’s British reserve and gender- and class-based repression into her own American optimism and progressivism.

In her early career, Alcott was so fascinated by Brontë’s works that she patterned many of her characters on those of Brontë; she later adapted these British elements into a more recognizably American form, producing independent, strong heroines. In observing differences between the writers, Doyle notes that Alcott expresses less anti-Catholic sentiment than does Brontë. She also discusses the authors’ attitudes toward the theater, showing how for Brontë drama is associated with falseness and hypocrisy, while for Alcott it is a profession that expresses possibilities of power and revelation.

Throughout her insightful analysis, Doyle shows that Alcott responds as a uniquely American writer to the problems of American literature and life while never denying the powerful transatlantic influence exerted by Brontë. Doyle’s work reflects a wide range of scholarship, solidly grounded in an understanding of the Victorian temperament, nineteenth-century British and American literature, and recent Alcott criticism and gives fuller voice to the multiple dimensions of Alcott as a nineteenth-century writer.

The Author: Christine Doyle is an associate professor of English at Central Connecticut State University.

In the House of the Serpent Handler offers an intimate and engrossing look at the latest generation of Pentecostal believers who “take up” venomous snakes as a test of their religious faith. Focusing on several preachers and their families in six Appalachian states, journalist Julia C. Duin explores the impact that such twenty-first-century phenomena as social media and “reality television” have had on rituals long practiced in obscurity.

As Duin reveals, the mortal snakebite suffered by pastor Mack Wolford in 2012 marked the passing of the torch to younger preachers Jamie Coots and Andrew Hamblin, who were featured in the 2013 series Snake Salvation on the National Geographic Channel. Seeing their participation in the show as a way of publicizing their faith and thus winning converts, Coots and Hamblin attempted to reinvent the snake-handling tradition for a modern audience. The use of the internet, particularly Facebook, became another key part of their strategy to spread their particular brand of Christianity. However, Coots’s own death in 2014 was widely reported after the TV series was canceled, while Hamblin, who emerges as the central figure in the book, was arrested and tried after a shooting incident involving his estranged wife. His hopes of becoming a serpent-handling superstar seemingly dashed, Hamblin spent several months in prison, emerging more determined than ever to keep to the faith. By the end of the narrative, he has begun a new church where he can pass on the tradition to yet another generation.

Duin’s thorough, sympathetic reporting and lively style bring the ecstatic church services she witnessed vividly to life, and through interviews and quotations from the principals’ Facebook postings, she has allowed them to express their beliefs and reveal their everyday lives in their own words. She also gives the reader an up-close view of how a reporter pursues a story and the various difficulties encountered along the way. Together these elements frame a striking picture: the young practitioners of a century-old custom—one so often dismissed as bizarre by outsiders—adjusting to the challenges of the new millennium.

Julia C. Duin, the former religion editor for the Washington Times, has published articles in the Washington Post, the Wall Street Journal and other national publications. She is the author of five previous books, including, most recently, Days of Fire and Glory: The Rise and Fall of a Charismatic Community.

         The Limits of Literary Historicism is a collection of essays arguing that historicism, which has come to dominate the professional study of literature in recent decades, has become ossified. By drawing attention to the limits of historicism—its blind spots, overreach, and reluctance to acknowledge its commitments—this provocative new book seeks a clearer understanding of what historicism can and cannot teach us about literary narrative.
            Editors Allen Dunn and Thomas F. Haddox have gathered contributions from leading scholars that challenge the dominance of contemporary historicism. These pieces critique historicism as it is generally practiced, propose alternative historicist models that transcend mere formula, and suggest alternatives to historicism altogether. The volume begins with the editors’ extended introduction, “The Enigma of Critical Distance; or, Why Historicists Need Convictions,” and then is divided into three sections: “The Limits of Historicism,” “Engagements with History,” and “Alternatives to History.”
            Defying convention, The Limits of Literary Historicism shakes up established modes to move beyond the claustrophobic analyses of contemporary historicism and to ask larger questions that envision more fulfilling and more responsible possibilities in the practice of literary scholarship.

Winner of the Thomas Wolfe Literary Award

Drawing on a rich trove of documents never before available to scholars, the author sketches the early pioneers, their daily lives, their beliefs, and their struggles to survive and prosper in this isolated mountain community, now within the confines of the Great Smoky Mountains National Park.
In moving detail this book brings to life an isolated mountain community, its struggle to survive, and the tragedy of its demise.

"Professor Dunn provides us with a model historical investigation of a southern mountain community.  His findings on commercial farming, family, religion, and politics will challenge many standard interpretations of the Appalachian past."
--Gordon B. McKinney, Western Carolina University.  

 "This is a fine book. . . . It is mostly about community and interrelationships, and thus it refutes much of the literature that presents Southern Mountaineers as individualistic, irreligious, violent, and unlawful."
—Loyal Jones, Appalachian Heritage.  

"Dunn . . . has written one of the best books ever produced about the Southern mountains."
—Virginia Quarterly Review.  

"This study offers the first detailed analysis of a remote southern Appalachian community in the nineteenth century.  It should lay to rest older images of the region as isolated and static, but it raises new questions about the nature of that premodern community."
—Ronald D Eller, American Historical Review

Not only is his book a worthy addition to the growing body of work recognizing the complexities of southern mountain society; it is also a lively testament to the value of local history and the variety of levels at which it can provide significant enlightenment."
—John C. Inscoe,LOCUS

The Civil War in Southern Appalachian Methodism addresses a much-neglected topic in both Appalachian and Civil War history—the role of organized religion in the sectional strife and the war itself. Meticulously researched, well written, and full of fresh facts, this new book brings an original perspective to the study of the conflict and the region.
    In many important respects, the actual Civil War that began in 1861 unveiled an internal civil war within the Holston Conference of the Methodist Episcopal Church, South—comprising churches in southwestern Virginia, eastern Tennessee, western North Carolina, and a small portion of northern Georgia—that had been waged surreptitiously for the previous five decades. This work examines the split within the Methodist Church that occurred with mounting tensions over the slavery question and the rise of the Confederacy. Specifically, it looks at how the church was changing from its early roots as a reform movement grounded in a strong local pastoral ministry to a church with a more intellectual, professionalized clergy that often identified with Southern secessionists.
    The author has mined an exhaustive trove of primary sources, especially the extensive, yet often-overlooked minutes from frequent local and regional Methodist gatherings. He has also explored East Tennessee newspapers and other published works on the topic. The author’s deep research into obscure church records and other resources results not only in a surprising interpretation of the division within the Methodist Church but also new insights into the roles of African Americans, women, and especially lay people and local clergy in the decades prior to the war and through its aftermath. In addition, Dunn presents important information about what the inner Civil War was like in East Tennessee, an area deeply divided between Union and Confederate sympathizers.
    Students and scholars of religious history, southern history, and Appalachian studies will be enlightened by this volume and its bold new way of looking at the history of the Methodist Church and this part of the nation.