A SCHOLARLY BOOK REPOSITORY134 have author last names that start with W have author last names that start with W
Gary Winslett builds on new trade theories to explain when and why businesses are most likely to lobby governments to reduce these regulatory trade barriers. He argues that businesses prevail when they can connect with broader concerns about national economic competitiveness. He examines how activist organizations overcome collective action problems and defend regulatory differences, arguing that they succeed when they can link their desire for barriers with preventing needless death. Competitiveness and Death provides a political companion to new trade theories in economics, questioning cleavage-based explanations of trade politics, demonstrating the underappreciated importance of activists, suggesting the limits of globalization, providing in-depth examination of previously ignored trade negotiations, qualifying the California Effect (the shift toward stricter regulatory standards), and showing the relative rarity of regulations used as disguised protectionism.
Although initially intended for the innovative, if prosaic, purpose of providing waterproof and fireproof cover for earlier thatch-roofed homes, fired clay tiles, in seventh- and sixth-century Etruria and Central Italy, combined with Etruscan love of adornment to create exceptional domestic and religious building decoration. Featuring statues and figured friezes of humans, animals, and mythological figures intended to convey the status of the owner or dedicator, the surviving terracotta roofs provide important insights into the architectural history of Etruria. With Symbols of Wealth and Power, Nancy A. Winter has provided a definitive overview of the evidence for these roofing elements that will enhance our knowledge of Etruscan---and more broadly, ancient---architecture.
Nancy A. Winter is an archaeologist and former librarian of the American School of Classical Studies, Athens. She is the author of Greek Architectural Terracottas: From the Prehistoric to the End of the Archaic Period (1993).
Role Models in the Roman World: Identity and Assimilation, edited by Sinclair Bell and Inge Lyse Hansen
The Maritime World of Ancient Rome, edited by Robert L. Hohlfelder
Cosa: The Black-Glaze Pottery 2, by Ann Reynolds Scott
Leslie Witz, Gary Minkley, and Ciraj Rassool take the reader to sites of historical production in which complex ideas about pasts are invoked, and navigate a path toward understanding the agencies of image-making and memory production. This volume is the outcome of the authors’ intensive collaborative research and engagement over twenty-five years on questions including the production and performance of apartheid history; the cultural politics of social history; South Africa’s Truth and Reconciliation Commission and practices of orality; tourism as an arena of image-making and historical construction; museums as sites of heritage production for a new South Africa; photographs, archival meanings, and the construction of the social documentary; and the centenary commemorations of the South African War and the making of race. The authors not only witnessed many of these instances of history-making but were also participants in their constitution.
Geoffrey Malaterra's Deeds of Count Roger is the most important extant account of the Norman conquest of Muslim Silicy (1061-91). This volume includes a translation of the Latin original as well as an introduction, notes, and maps.
The Deeds of Count Roger fills a gap in the primary literature pertaining to the earliest phase of Latin Christian expansion at the expense of Islam, since the Norman conquests in Sicily were more or less contemporary with the First Crusade and the beginnings of the Spanish Reconquista. The account also illustrates the complexity of medieval historical writing, with Malaterra on the one hand praising the Normans for their military achievements and on the other subtly criticising the "lust for domination" that inspired them.
Kenneth Baxter Wolf is Professor of History at Pomona College.
“Myst and Riven is well-written, interesting, on-topic, insightful, and a real pleasure to read.”
—Edward Castronova, Indiana University
Video games have become a major cultural force, and within their history, Myst and its sequel Riven stand out as influential examples. Myst and Riven: The World of the D’ni is a close analysis of two of the most popular and significant video games in the history of the genre, investigating in detail their design, their functionality, and the gameplay experience they provide players. While scholarly close analysis has been applied to films for some time now, it has only rarely been applied at this level to video games. Mark J. P. Wolf uses elements such as graphics and sound, the games’ mood and atmosphere and how they are generated, the geography and design of the digital worlds, and the narrative structures of the games to examine their appeal to both critical and general audiences, their legacy, and what made them great.
Myst and Riven is the inaugural book in the Landmark Video Games series, edited by Mark J. P. Wolf and Bernard Perron, which is the first series to examine individual video games of historical significance.
Chapter by chapter, the book analyzes the stars' best-known and best-loved roles, including Martin as Nellie in South Pacific, Merman as Momma Rose in GypsyAndrews as Eliza in My Fair Lady and Guinevere in Camelot, and Streisand as Fanny Brice in Funny Girl. The final chapter scrutinizes the Broadway and film versions of The Sound of Music, illuminating its place in the hearts of lesbian spectators and the "delicious queerness" of Andrews's troublesome nun. As the first feminist and lesbian study of the American Broadway musical, A Problem Like Maria is a groundbreaking contribution to feminist studies, queer studies, and American studies and a delight for fans of musical theater.
Stacy Wolf is Associate Professor of Theatre and Dance, University of Texas, Austin.
"The question of the public intellectual is very much in the air again," writes Alan Wolfe. As one of our eminent social commentators, Wolfe should know; he's been writing, with fierce intellectual independence, about American public and private life since the 1960s.
In this new collection of essays spanning seven years of contributions to The New Republic, The New Yorker, Atlantic Monthly, and other prominent publications, Wolfe displays the courage necessary to write honestly—yet free of ideology, cant, and piety—about the things Americans take very seriously.
Wolfe thinks big; indeed, the essays in An Intellectual in Public confront many of the most controversial issues of our time: country, God, race, sex, material consumption, and left and right. Beginning and ending the book are original essays describing the public intellectual's role, and how Wolfe believes that role ought to be filled.
An Intellectual in Public is not only a demonstration of Wolfe's pointed analytical skills but a testament to his belief that "severely ideological thinking" is inappropriate for some of our most difficult problems, and that "neither the right nor the left can speak for all of America."
Alan Wolfe is the director of the Boisi Center for Religion and American Public Life and also Professor of Political Science at Boston College. He is the author of over a dozen books, including One Nation After All: What Middle Class Americans Really Think About: God, Country, Family, Racism, Welfare, Immigration, Homosexuality, Work, the Right, the Left and Each Other.
Secular Power Europe and Islam argues that secularism is not the central principle of international relations but should be considered as one belief system that influences international politics. Through an exploration of Europe’s secular identity, an identity that is seen erroneously as normative, author Sarah Wolff shows how Islam confronts the EU’s existential anxieties about its security and its secular identity. Islam disrupts Eurocentric assumptions about democracy and revolution and human rights. Through three case studies, Wolff encourages the reader to unpack secularism as a bedrock principle of IR and diplomacy. This book argues that the EU’s interest and diplomacy activities in relation to religion, and to Islam specifically, are shaped by the insistence on a European secular identity that should be reconsidered.
---William Everett, author of The Musical: A Research Guide to Musical Theatre
---Studies in Musical Theatre
Elizabeth L. Wollman is Assistant Professor of Music at Baruch College, City University of New York.
Given the massive demographic changes in the United States during the past few decades, understanding the place of immigrants in the public sphere has never been more critical. Democracy's Promise examines both the challenges and opportunities posed to American civic institutions by the presence of increasing numbers of immigrants. Author Janelle Wong argues that the low levels of political participation among contemporary immigrants are not due to apathy or preoccupation with their homeland, but to the inability of American political parties and advocacy organizations to mobilize immigrant voters. Wong's rich study of Chinese and Mexican immigrants in New York and Los Angeles complements traditional studies of political behavior and civic institutions while offering a nuanced examination of immigrants' political activity.
Democracy's Promise will appeal to a broad spectrum of social scientists and ethnic studies scholars who study or teach immigration, racial and ethnic politics, political participation, civic engagement, and American political institutions. In addition, it will appeal to community organizers and party activists who are interested in issues of race and ethnicity, immigration, political participation, and political mobilization.
Janelle Wong is Assistant Professor of Political Science and American Studies and Ethnicity at the University of Southern California.
--Jennifer L. Hochschild, Harvard University
"Wong draws on the Latino and Asian immigrant experience, with specific examples from the Chinese and Mexican communities of New York and Los Angeles, to show how the political parties have largely failed to organize these groups and why labor unions and immigrant advocacy organizations have stepped in to take their place. Far from 'disuniting' America, she clearly shows that bringing these groups into the political fray is central to the project of renewing American democracy."
--John Mollenkopf, CUNY Graduate Center
"A scathing critique of the role of parties in the mobilization of new immigrants and an invaluable analysis of alternative pathways of mobilization through community organizations."
--Michael Jones-Correa, Cornell University
"By employing multiple empirical methods, including in-depth interviews and sophisticated survey analyses, Janelle Wong provides a compelling account of the political activities and allegiances of America's Asian and Latino immigrants that challenges much conventional wisdom. Often the political parties are failing to reach out to these groups, and often immigrants remain concerned about their home countries; but they are nonetheless increasingly active in American politics, in ways that may do much to shape the course of American political development in the 21st century. Democracy's Promise is a major contribution to our understanding of this crucial dimension of American politics."
--Rogers M. Smith, University of Pennsylvania
"Democracy's Promise challenges political parties to reexamine their priorities for mobilizing new voters, and identifies the critical role civic institutions play in invigorating participation among immigrant citizens. Wong's analysis is at once precise and expansive; illuminating the contours of Latino and Asian American political incorporation and provoking thoughtful debate on inclusion in democratic theory."
--Jane Junn, Rutgers University
Castle Nowhere is Constance Woolson's collection of stories set for the most part in the Great Lakes, in particular northern Lake Michigan and Lake Huron near Detroit.
Several themes inhabit Woolson's writing: an environmental consciousness and concern with landscapes; an awareness of the complexities of race; and an abidingly careful eye for the shallowness that sometimes accompanies wealth or social pretensions. She also had a unique perspective as a woman who pioneered the use of controversial subjects---such as unrequited or misplaced passion---and methods in fiction during a time that valorized domesticity.
As Margot Livesey notes in her introduction, reading about thwarted love is only one of the pleasures to be found in Castle Nowhere. "The majority of these stories are set in remote areas on the shores of Lake Michigan, which Woolson evokes with great vividness and beauty while always remaining keenly aware that beauty in no way mitigates hardship. As a writer, she was nearly always looking over her shoulder, and many, if not all, of these stories were written at a time when she no longer visited the Lake and her beloved Mackinac Island."
Contemporary readers will find a curiously modern atmosphere in Woolson's stories, as well as a distinct regional flavor in her careful renderings of the Great Lakes landscape. As such, Castle Nowhere represents a rare woman's voice in literature of its period and setting.
Constance Fenimore Woolson (1840-1894) was born in New Hampshire and moved to Cleveland shortly thereafter. She spent time on Mackinac Island, Michigan, then traveled to Florida before moving to Europe. Much of her time there was spent in Italy. She died in Venice in 1894. Novelist Margot Livesey is the author of Eva Moves the Furniture and Homework.
Given their tendency to splinter over tactics and goals, social movements are rarely unified. Following the modern Western animal rights movement over thirty years, Corey Lee Wrennapplies the sociological theory of Bourdieu, Goffman, Weber, and contemporary social movement researchers to examine structural conditions in the animal rights movement, facilitating factionalism in today’s era of professionalized advocacy.
Modern social movements are dominated by bureaucratically oriented nonprofits, a special arrangement that creates tension between activists and movement elites who compete for success in a corporate political arena. Piecemeal Protest examines the impact of nonprofitization on factionalism and a movement’s ability to mobilize, resonate, and succeed. Wrenn’sexhaustive analysis of archival movement literature and exclusive interviews with movement leaders illustrate how entities with greater symbolic capital are positioned to monopolize claims-making, disempower competitors, and replicate hegemonic power, eroding democratic access to dialogue and decision-making essential for movement health.
Piecemeal Protest examines social movement behavior shaped by capitalist ideologies and state interests. As power concentrates to the disadvantage of marginalized factions in the modern social movement arena, Piecemeal Protest shines light on processes of factionalism and considers how, in the age of nonprofits, intra-movement inequality could stifle social progress.
This satisfying collection includes reminiscences and meditations on the details of memory and what it means to visit the past; the vices of titleism and the hydrosyllabic foot in poetry; a comparison of poems and journeys; appreciation of poets Donald Justice and John Crow Ransom; an attempt to define "image"; discussions of the current state of poetry; and various highlights from the Charles Wright Literary Festival.
Charles Wright's books of poetry include The World of the Ten Thousand Things and Country Music: Selected Early Poems. He received the 1993 Ruth Lilly Poetry Prize and the 1992 Award of Merit Medal from the American Academy of Arts and Letters. He is Souder Family Professor of English, University of Virginia.
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