Mitford (later to become the first Lord Redesdale) was an urbane aristocrat, had charm, looks and excellent manners. He was always in the right place at the right time, almost drowned, could have burned to death, was shot at, and was nearly cut down by samurai swords. But 'Bertie', as he was known, was never fazed by events. He stood face-to-face with the new, teenage Emperor when almost everybody else, including the Shogun, could only talk to him behind a screen. He became friendly with the last Shogun and witnessed a hara-kiri, his atmospheric account of which is now a classic. An accomplished linguist and writer, Mitford was the outstanding chronicler of the Meiji Restoration, complementing the writings of his contemporary Ernest Satow. This book will be of particular interest to students and readers of Japanese history, as well as readers of nineteenth-century biography in general. It will also have special appeal to those who are familiar with the Mitford family history.

Nowadays it seems there is a manual for everything. What if there was a manual for how to interact with people so that we could all function optimally and succeed in life?

This book comes closest to being the definitive manual for life. It is based on over 50 years of groundbreaking scientific research on self-determination theory which has produced a structural approach to social interaction—the ‘ABC of life’—as a concrete and actionable approach to success. For if you do not understand how people function, you will find it difficult to succeed in business, education, health, sports—or indeed almost any facet of life.

The past 50,000 years of human evolution highlight why the ABC of life is so powerful: it is grounded in our human nature! This book explores the power of the ABC of life and explains how it can transform lives and achieve lasting success for individuals, teams, communities, societies, and our human species.

Drawing on astounding examples from scientific experiments and real-world cases, Marcus B. Müller combines fascinating insights from neuroscience, social and evolutionary psychology, anthropology, biology, medicine, and his own cutting-edge research to produce this entertaining, inspiring, and revolutionary manual for life. This book is a must-read for all those seeking ultimate and lasting success in their professional as well as personal lives.

In this book - an ABC of the genre, with 26 entries - two renowned biographers and teachers take us on a tour, from A for Authorization to Z for Zigzagging to the End. In trenchant, witty entries they explore the good, the bad and the plain ugly in modern 'life writing' and the portrayal of real lives today - and how, across history and continents, we got here. This book will fascinate general readers interested in how real lives are approached by biographers today in a multitude of media. It will make a much-needed contribution in academia, as well as providing an important text for students of history, language and literature, the arts, science and media. And, not least, for biographers trying to avoid the pitfalls of ignorance or ineptitude.

In this book - an ABC of the genre, with 26 entries - two renowned biographers and teachers take us on a tour, from A for Authorization to Z for Zigzagging to the End. In trenchant, witty entries they explore the good, the bad and the plain ugly in modern 'life writing' and the portrayal of real lives today - and how, across history and continents, we got here.This book will fascinate general readers interested in how real lives are approached by biographers today in a multitude of media. It will make a much-needed contribution in academia, as well as providing an important text for students of history, language and literature, the arts, science and media. And, not least, for biographers trying to avoid the pitfalls of ignorance or ineptitude.

What are the innate and universal ingredients to stimulate employee well-being and performance? This book will help you learn more about these, based on the latest research in motivational science.

Motivation is the key to our lives. Whether at work, at home, at school or on the sports field, we constantly need to find ways to motivate ourselves and those we support. What if, instead of motivational tricks, we could rely on a positive, universal, and surprisingly simple point of view: that of Self-Determination Theory? Validated by science, this approach is based on the principle that people have a natural tendency to invest themselves, but they just need to be psychologically nourished, so they feel autonomous and competent, and belonging in the right place. No stick, carrot or other form of control has the power and quality of this source of energy that allows people to grow and make them happy.

Packed with examples and lists of questions to help us move from theory to practice, this book will change the way we are and the way we do things. Step by step, it explains the principles of Self-Determination Theory and the research that led to their discovery, and invites us to apply them for the greater well-being of ourselves and our colleagues or subordinates.

This book is one of the first to present this analysis that is valued the world over, as witnessed by the four international experts who co-authored it.

The Middle Dutch term schaec referred to abduction with marital intent. This book explores this phenomenon to understand wider attitudes towards marriage-making in the fifteenth-century Low Countries. Whilst exchanging words of consent was all that was required legally, making marriage was a social process that evoked public concern and familial scrutiny. Abductions embodied contrasting evaluations of what mattered when selecting a spouse and resulted in polarized trials in which narratives on consent, coercion, and family strategy coincided and competed. Abduction, Marriage, and Consent draws from a wide range of legal records to assess how men, women, families, and authorities used, navigated, and dealt with abductions during this period. It contributes to debates on consent, family involvement, and women’s access to justice and demonstrates that abduction should be approached as a comprehensive social phenomenon, one that is crucial in the history of marriage and women’s social and legal status.

With an author’s Foreword written on the day that the Abe cabinet decided to ‘revise the Japanese Constitution by reinterpretation’ (Tuesday, 1 July 2014), this timely examination of Japan’s post-war history by two leading historians committed to democratic politics is highly instructive and prompts serious reflection by anyone concerned with the future of Japan. Originally published in Japan by Iwanami Shinsho, The Abe Experiment and the Future of Japan, records a wide-ranging dialogue between two eminent Japanese scholars – Junji Banno, a political historian, and Jir? Yamaguchi, a political scientist – regarding Japan’s modern political history. The focus of the conversation is on what they perceive as disturbing parallels between the 1930s and the recent policy trajectory of the Abe government, in which relations with Japan’s immediate neighbours have seriously deteriorated. The translation is by the distinguished Oxford scholar and author Arthur Stockwin, formerly Director of the Nissan Institute.

Abstraction haunts medieval art, both withdrawing figuration and suggesting elusive presence. How does it make or destroy meaning in the process? Does it suggest the failure of figuration, the faltering of iconography? Does medieval abstraction function because it is imperfect, incomplete, and uncorrected-and therefore cognitively, visually demanding? Is it, conversely, precisely about perfection? To what extent is the abstract predicated on theorization of the unrepresentable and imperceptible? Does medieval abstraction pit aesthetics against metaphysics, or does it enrich it, or frame it, or both? Essays in this collection explore these and other questions that coalesce around three broad themes: medieval abstraction as the untethering of image from what it purports to represent, abstraction as a vehicle for signification, and abstraction as a form of figuration. Contributors approach the concept of medieval abstraction from a multitude of perspectives-formal, semiotic, iconographic, material, phenomenological, epistemological.

Academic skills are the tools that enable you to gain, develop and critically discuss new knowledge during and after your Bachelor's and Master's programme. This handbook offers practical instructions, tips, and tricks that help undergraduate students to develop the skills needed for an interdisciplinary curriculum.

What's a theoretical framework for? How do you effectively present your data in a figure? What's the secret to a good presentation?

As an interdisciplinary student, you delve into theories and research methods from a whole range of disciplines. Academic skills are the tools that you can use to take in, develop, integrate and question knowledge. This guide provides specific instructions, tips and examples to help students develop these skills, both during and after their studies.

As academic education focuses on research, the empirical cycle forms a key theme of the book, including when discussing the following skills:
- Searching for, critically reading and analysing scholarly texts
- Formulating research questions
- Making concepts measurable, qualitatively and quantitatively
- Organizing literature and data
- Analysing and formulating an argument
- Academic writing
- Collaborating
- Reflecting
- Presenting

This book describes how accelerators, the 'schools of startup entrepreneurship', help startups to become successful companies in Silicon Valley, the world's most successful innovation region.

In our globalized world, a unique type of intercultural encounter has emerged: that between the speaking body and the foreign language. From Vladimir Nabokov and Maxine Hong Kingston to Yoko Tawada, writers have vividly captured the tensions and possibilities of this encounter—where tongues are “murderous” and words become feasts. Accented Speech in Literature, Art, and Theory offers an analysis of speaking, writing, and performing with an accented tongue. Through an evocative blend of theoretical rigor and literary sensibility, Tingting Hui spotlights the “melodrama” of accented speech—a performance that exposes the bodily nature of language, bridging the erotic and the vulnerable, the audible and the visual. By rethinking accented voices as critical figures of resistance and creativity, this book invites readers to embrace the symphony of sounds that challenge norms and unsettle hierarchies. A richly textured journey, it celebrates the accent as a site of desire, vulnerability, and creativity.

This collection of fourteen key papers deriving from CEEJA’s second international conference exploring the Japanese history of technology, concentrates on the routes to acquiring and transmitting technical knowledge in Japan’s modern era – from the very earliest endeavours in establishing opportunities for acquiring a technical education to the translation of foreign textbooks and manuals. Published in two volumes and thematically structured in three Parts, this wide-ranging work both complements and expands on the subject-matter contained in the first volume entitled Technical Knowledge in Early Modern Japan (2020).

The most intriguing question about Indonesia’s economic development during the twentieth century is why the country’s growth performance has been so erratic and displayed such a high degree of discontinuity. This is connected with the fundamental question about the nature of long-run economic development in Indonesia.

So far the economic historiography of Indonesia has been less systematic than what the available source material would permit. Indonesia is exceptionally well endowed with rich statistical sources, which carry the potential of supporting a rigorous and systematic quantitative approach to vital questions concerning the economic growth performance in the long run.

This book takes such an approach and presents new estimates for the long-run growth of the Indonesian service sector, and analyses the role of the various service sectors in economic development. Linking empirical and theoretical analysis in a creative fashion, Daan Marks provides a rich and original contribution to our understanding of the economic history of Indonesia. He shows that the service sector has played a crucial role in Indonesia’s economic development. Or in other words, to fully understand Indonesia’s economic development path sevices need to be accounted for.

This is a translation of the only known detailed account of the building of the notorious 262-mile long Thai-Burma Railway by one of the Japanese professional engineers who was involved in its construction. The author, Yoshihiko Futamatsu, provides an invaluable new source of historical and technical reference that complements the existing large body of literature in English on this subject. Futamatsu’s memoir also includes wide-ranging reflections on the course and conduct of ‘his’ war as well as his engineering and army experiences. The Thai-Burma Railway took eighteen months to build and cost the lives of some 90,000 people (mostly British, Australian, Dutch and American POWs, as well as great numbers of local labourers) out of a total of over 200,000, including some 12-15,000 Japanese who were engaged in the enterprise. The ‘Three Pagodas Pass’ was located at the Thai-Burma frontier. Across the Three Pagodas Pass is edited and introduced by Peter N. Davies who provides the back story to the publication of this book and the key people involved. This is followed by translator Ewart Escritt’s original Introduction to his translation of Futamatsu’s memoir which also includes a detailed account of his own POW experiences as well as his reflections on the war and its outcomes. Many contemporary original drawings, maps and photographs appear in the plate section.

This collection considers new phenomena emerging in a convergence environment from the perspective of adaptation studies. The contributions take the most prominent methods within the field to offer reconsiderations of theoretical concepts and practices in participatory culture, transmedia franchises, and new media adaptations. The authors discuss phenomena ranging from mash-ups of novels and YouTube cover songs to negotiations of authorial control and interpretative authority between media producers and fan communities to perspectives on the fictional and legal framework of brands and franchises. In this fashion, the collection expands the horizons of both adaptation and transmedia studies and provides reassessments of frequently discussed (BBC’s Sherlock or the LEGO franchise) and previously largely ignored phenomena (self-censorship in transnational franchises, mash-up novels, or YouTube cover videos).

ustice and injustice were subjects of ongoing debate in medieval Europe. Received classical and biblical models both influenced how these qualities of moral and political life were perceived, discussed and acted upon. Important among these influences was the anonymous seventh-century Irish text, On The Twelve Abuses of the Age, a biblically-inspired discussion of the moral duties particular to each sector of society. This volume probes its long influence, and its interaction with the revival of classical ideas. By bringing together scholars of political thought and practice, in lay and religious contexts spanning the seventh to fourteenth centuries, this volume crosses boundaries of periodisation, discipline and approach to reflect upon the medieval evolution of concepts of injustice and means of redress. Contributions address how ideas about justice and injustice were discussed among scholars and theologians, and how those ideas were translated into action through complaint and advice throughout the medieval period.

This book explores the adversarial world of feminist activism by Muslim women within highly mediated environments (social media, screenwriting, documentary filmmaking, YouTube), focusing on agency, bodily integrity, and familial obligations. It highlights how adversarial Islamic feminism uses social media to spread intersectional feminist messages, creating virtual communities that both support and challenge these ideas. The book showcases the diversity within Islamic practices and the lived experiences of women beyond the gatekeeping authoritative interpretations of Sunni Islamic theology. It presents adversarial Islamic feminism as existing in a "borderland" between Islam and feminism, questioning and reshaping their confluence. This space allows for a vibrant dialogue that bridges Western and Islamic feminist perspectives, offering a new view on the intersection of these identities.

Advertising has played a central role in shaping the history of modern media. While often identified with American consumerism and the rise of the 'Information Society', motion picture advertising has been part of European visual culture since the late nineteenth century. With the global spread of ad agencies, moving image advertisements became a privileged cultural form to make people experience the qualities and uses of branded commodities, to articulate visions of a 'good life', and to incite social relationships. Abandoning a conventional delineation of fields by medium, country, or period, this book suggests a lateral view. It charts the audiovisual history of advertising by focussing on objects (products and services), screens (exhibition, programming, physical media), practices (production, marketing), and intermediaries (ad agencies). In this way, the book develops new historical, methodological, and theoretical perspectives.

The Aesthetics and Politics of Cinematic Pedestrianism: Walking in Films offers a rich exploration of the cinematic aesthetics that filmmakers devised to reflect the corporeal and affective experience of walking in the city. Drawing from literature in urban studies, film theory, and aesthetic philosophy, it is the first monograph to approach the history of cinema from the perspective of walking. A series of case studies providing nuanced analyses of widely referenced figures, such as the flaneur/flâneuse, vagabond, and nomad, reveal how filmmakers articulated their objection to repressive structures through depictions of walking: a common, everyday act yet transgressive, bold, and indomitable. Through the lens of Henri Lefebvre’s theory of space, Michel de Certeau’s concept of pedestrian acts, and Jacques Rancière’s treatment of the politics of aesthetics, Walking in Films traces how cinema evolved in conversation with the mobile body and the new images, styles, and techniques that emerged with it.

Tracing the recent changes to the technology of film editing, this book offers an account of the aesthetics of digital montage. It is commonly argued that the changes to the technical apparatus of editing, the emergence of new systems for digital editing, have altered the basic identity or ontology of the cinema as an art. Such claims, it is argued in this book, are based on a misunderstanding of the relation between technology and technique, and more generally between the technical and the aesthetic. Applying recent theories of art, and employing specific concepts from philosophical aesthetics, an account of cinematic art is offered that can better accommodate the kinds of technical changes that have occurred in recent decades, with the advent of computer technology in the cinema. An aesthetics of digital montage is presented as part of a more general proposal for a theory of technical change in the cinema.

This volume takes a fresh look at the various aesthetics emerging globally in the early sound film era, with a focus on the films’ fundamentally experimental and inventive character. By considering films and production contexts often neglected in film studies, it strives to counter the still dominant view of the transitional period as a time of yet-to-be-perfected forerunners of ‘classical’ sound film. Instead, authors highlight the sense of ‘fruitful uncertainty’ in this period of media change and transformation. Subjects covered include visual and auditory style; the uses of speech, music, and noises; aesthetic conceptions in sound film theory; and intermedial aesthetics. The volume’s scope is decidedly international, covering production and reception contexts in the Soviet Union, Japan, the USA, Germany, France, Italy, the UK, and Switzerland.

Gentrification is reshaping cities worldwide, resulting in seductive spaces and exclusive communities that aspire to innovation, creativity, sustainability, and technological sophistication. Gentrification is also contributing to growing social-spatial division and urban inequality and precarity. In a time of escalating housing crisis, unaffordable cities, and racial tension, scholars speak of eco-gentrification, techno-gentrification, super-gentrification, and planetary gentrification to describe the different forms and scales of involuntary displacement occurring in vulnerable communities in response to current patterns of development and the hype-driven discourses of the creative city, smart city, millennial city, and sustainable city.

In this context, how do contemporary creative practices in art, architecture, and related fields help to produce or resist gentrification? What does gentrification look and feel like in specific sites and communities around the globe, and how is that appearance or feeling implicated in promoting stylized renewal to a privileged public? In what ways do the aesthetics of gentrification express contested conditions of migration and mobility? Addressing these questions, this book examines the relationship between aesthetics and gentrification in contemporary cities from multiple, comparative, global, and transnational perspectives.

Protestors across the world use aesthetics in order to communicate their ideas and ensure their voices are heard. This book looks at protest aesthetics, which we consider to be the visual and performative elements of protest, such as images, symbols, graffiti, art, as well as the choreography of protest actions in public spaces. Through the use of social media, protestors have been able to create an alternative space for people to engage with politics that is more inclusive and participatory than traditional politics. This volume focuses on the role of visual culture in a highly mediated environment and draws on case studies from Europe, Thailand, South Africa, USA, Argentina, and the Middle East in order to demonstrate how protestors use aesthetics to communicate their demands and ideas. It examines how digital media is harnessed by protestors and argues that all protest aesthetics are performative and communicative.

This book provides a timely discussion of the creative practices in fandom and media culture. Within their participatory cultures, fans produce a wealth of content, data and materials. They write fan fiction, curate wikis and design costumes. This international collection offers a diverse exploration of contemporary fan practices through different cases, such as Yuri!!! On ICE, Harry Potter and Mass Effect.

This book reveals how expression, emotion and agency are central to fan activity. Fans are highly adept at transmedia, as well as the critical use of different media and platforms. Fandom can apply to wider concepts within new media, the humanities and design, as the authors in this collection show. They also rely on different approaches, ranging from textual analysis to different forms of ethnography. Overall, Affect in Fandom offers a deliberately diverse exploration of exactly what contemporary fans create and curate, and how.

African Media in an Age of Extraction takes a fresh, site-specific look at the relationship between moving images and the mining of natural resources, arguing that where we “place” Nollywood and other industries has important practical and conceptual consequences. Such locations are not just spatial metaphors but also tangible geographies with material connections to extractive economies. Sites of film production are often spaces of oil prospecting, timber harvesting, and mineral extraction—natural environments continuously transformed by capital. African Media in an Age of Extraction links such absolute spaces—reclaimed lands, razed forests, petroleum zones, abandoned coal mines collecting moss, vast tin fields inspiring illegal dredging by populations locked out of the licit economy—to the abstract and lived dimensions of film villages, shooting locations, and exhibition centers. The geographies of African media industries are not fixed locations cleanly separated from surrounding areas or from the wider world (including Hollywood), nor are they fully detachable from the mineral and hydrocarbon resources that also define them. Considering multiple scales—the local, the national, the regional, the continental, the planetary—this book takes stock of the physical terrain and extractive objects that Nollywood shares with other industries and that structure screen media more broadly. Topographies, political economies, national identities, and natural resources are entwined in ways that cinema makes intelligible and that carry the potential to transform the way we see the medium itself.

In recent decades, ties between Africa and Asia have greatly increased. And while most of the scholarly attention to the phenomenon has focused on China, often with an emphasis on asymmetric power relations in both politics and economics, this book takes a much broader view, looking at various small and medium-sized actors in Asia and Africa in a wide range of fields. It will be essential for scholars working on Asian-African studies and will also offer insights for policymakers working in this fast-changing field.

Agatha Christie’s work has been adapted extensively resulting in transformations that are both textual and cultural. While many adaptations are best known for being quaint murder mysteries, there are many adaptations of her work that draw on horror aesthetics. This book will look at how the growth of Agatha Christie adaptations have grown increasingly darker. Of key relevance to this study is the work of Sarah Phelps, whose Witness for the Prosecution, And Then There Were None, Ordeal by Innocence, The ABC Murders and The Pale Horse all are darker than their precedents. Born out of their contemporary screen contexts, they use entrenched literary and filmic codes of Gothic horror as central reference points for audiences. Drawing on adaptation scholarship, where adapters are interpreters as well as creators, this study will look at how Agatha Christie is closer to Gothic horror than what we realise.

Agreement Restrictions in Persian is the first comprehensive attempt to tackle the issue of verbal agreement in Persian from a cross-linguistic point of view. Persian is a field of research within theoretical linguistics that is yet to be sufficiently explored. This book adopts the Minimalist Program of Chomsky (1995-2004) which is at the forefront of recent theories of formal syntax and applies it to the Persian language. Although it is commonly believed that in Persian the verb agrees with the subject, several constructions seem to constrain this obligatory rule. Adopting the framework of Distributed Morphology, the author argues that agreement is in fact obtained with the plural inanimate subjects but a morphological rule may block the result. Unlike the previous analyses which consider the experiencer as the subject of the psychological constructions, the author argues that the psychological state is the subject of the sentence. The findings of this book not only contribute to better understanding of Persian syntax, but also have important implications for grammar theory.

Albanian cinema truly represents a terra incognita for most of the world. Decidedly Europe’s most isolated country during the Cold War era, communist Albania had already been cut off from the West for centuries as a one of the western-most outposts of the Ottoman empire. Nonetheless, and unknown to most of the world, communist Albania had a vibrant cinema tradition. Although bound by official orthodoxy, the films of the state-run Kinostudio enterprise were surprisingly innovative and, at times, daringly subversive. This book opens with examinations of moving images in Albania from the Ottoman period, through those captured under independence and the Fascist occupation. It subsequently foregrounds transformations in Kinostudio, from the early optimism of socialist realism through the brooding social angst of the 1980s, which constitute a bridge to the socioeconomic concerns of Albanian films of the postcommunist period.

Today, the literary patronage of Alfonso X 'the Learned' of Castile (1252-1284) seems extraordinary for its time in the context of Europe. His cultural programme, which promoted his royal status and imperial ambitions, was hugely ambitious, and the paucity of information about the intellectual circumstances in which it took place magnifies the scope of Alfonso's achievements still further. This book argues that rather than providing a new cultural template for his kingdoms, Alfonso did little to promote institutional learning and preferred instead to direct the literary works he commissioned to a restricted, courtly audience who would understand the complex layers of symbolism in the representations of him that accompanied the texts. Despite this careful control, this book cites codicological and paleographical evidence to show that some codices traditionally ascribed to the royal scriptorium were copied at the behest of readers beyond the king's immediate circle.

Algorithms have risen to become one, if not the central technology for producing, circulating, and evaluating knowledge in multiple societal arenas. In this book, scholars from the social sciences, humanities, and computer science argue that this shift has, and will continue to have, profound implications for how knowledge is produced and what and whose knowledge is valued and deemed valid. To attend to this fundamental change, the authors propose the concept of algorithmic regimes and demonstrate how they transform the epistemological, methodological, and political foundations of knowledge production, sensemaking, and decision-making in contemporary societies. Across sixteen chapters, the volume offers a diverse collection of contributions along three perspectives on algorithmic regimes: the methods necessary to research and design algorithmic regimes, the ways in which algorithmic regimes reconfigure sociotechnical interactions, and the politics engrained in algorithmic regimes.

American folk music has long presented a problematic conception of authenticity, but the reality of the folk scene, and its relationship to media, is far more complicated. This book draws on the fields of media archaeology, performance studies, and sound studies to explore the various modes of communication that can be uncovered from the long American folk revival. From Alan Lomax's cybernetic visions to Bob Dylan's noisy writing machines, this book retrieves a subterranean discourse on the concept of media that might help us to reimagine the potential of the networks in which we work, play, and sing.

Far more than a building of brick and mortar, the prison relies upon gruesome stories circulated as commercial media to legitimize its institutional reproduction. Perhaps no medium has done more in recent years to both produce and intervene in such stories than television. This unapologetically interdisciplinary work presents a series of investigations into some of the most influential and innovative treatments of American mass incarceration to hit our screens in recent decades. Looking beyond celebratory accolades, Lee A. Flamand argues that we cannot understand the eagerness of influential programs such as OZ, The Wire, Orange Is the New Black, 13th, and Queen Sugar to integrate the sensibilities of prison ethnography, urban sociology, identity politics activism, and even Black feminist theory into their narrative structures without understanding how such critical postures relate to the cultural aspirations and commercial goals of a quickly evolving TV industry and the most deeply ingrained continuities of American storytelling practices.

This groundbreaking volume explores the multicultural debate that has evolved in the United States and Europe since the cataclysmic events of 9/11. Instead of suggesting closure by presenting a unified narrative about cultural diversity, national identity, and social stratification, the essays in this well-balanced collection present a variety of perspectives, each highlighting the undiminished relevance of key issues such as immigration, assimilation, and citizenship, while also pointing to unresolved conflicts over universalism, religion, and tolerance. Most importantly, this volume shows that the struggle over multiculturalism is not limited to the political domain, but also has profound cultural implications. American Multiculturalism after 9/11: Transatlantic Perspectives is an invaluable, thought-provoking addition to the debate about multiculturalism as central to the study of the United States in a global context.

 

The Southern Gothic on Screen explores a body of screen texts that conform to certain generic conventions and aesthetics that, since the early twentieth century, have led to the construction of the American South as a space of ruin, decay, melancholy, loss, and haunting. The book considers the cultural significance of the Southern Gothic on screen by examining southern otherness as the primary mechanism through which the South is rendered a space of darkness and danger. This opens up a critical space for the Southern Gothic to be discussed as a screen genre with its own complex visual, thematic and narrative codes. The book establishes a perspective that synthesizes a broad understanding of Southern Gothic genericity with pre-existing cultural and political discourses on the South, resulting in an analysis that is specific to film and television while remaining heedful of the intersecting discourses that inform both the Gothic and the South as historic and mediated constructs.

A century before the Philippines came under American control, Americans were already travelling to Southeast Asia regularly. This book looks at the writings of American diplomats, adventurers, and scientists and chronicles how nineteenth-century Americans viewed and imagined Southeast Asia through their own cultural-political lenses. It argues that as Americans came to visit the region they also brought with them a train of cultural assumptions and biases that contributed to the development of American Orientalism in Southeast Asia.

In the ‘Anatomy lessons’ that were painted for the Surgeons’ Guild in Amsterdam, the surgeons portrayed, their teachers, the corpse and the dissection are described and discussed.

The familiar shape of western cities is changing dramatically. For long times the urban core was taken for granted as the focal point for international contacts and day-to-day activities in the region. Currently, the urban scope is transforming into multi centred forms at metropolitan scale. The transition is not just a matter of spatial form, it is reflecting social, economic and cultural processes. The question is what new identities may develop in such changing historical conditions of space and place.The book is a first attempt to analyse the process of urban transformation in an integral way. The focus is on the region of Amsterdam. All contributions are written by senior researchers of the Amsterdam studycentre for the Metropolitan Environment (AME). AME is the interdisciplinary urban research institute of the Universiteit van Amsterdam.As the urban research institute at the Universiteit van Amsterdam, the Amsterdam studycentre for the Metropolitan Environment (AME) analyses the economic, social and cultural aspects of this spatial transformation, usually in international comparative research. All contributions to this book are written by senior researchers of AME in an attempt to analyse in an integral way the present and future dilemmas out of the historical growth paths of this dynamic city.

This book brings together contributions from leading figures in legal studies on analogy and related forms of reasoning in the law. Analogical reasoning-which relies on the concept of two different things being in some way like each other-is hugely important not just in the practice of law, but it is nonetheless strongly contested. This volume raises key questions like: What is the logical, argumentative, rhetorical, or just heuristic force of analogy in law? Is analogy really different from extensive interpretation, reasoning by precedent and appeal to paradigm?

What does it mean to be a good citizen today? What are practices of citizenship? And what can we learn from the past about these practices to better engage in city life in the twenty-first century? Ancient and Modern Practices of Citizenship in Asia and the West: Care of the Self is a collection of papers that examine these questions. The contributors come from a variety of different disciplines, including architecture, urbanism, philosophy, and history, and their essays make comparative examinations of the practices of citizenship from the ancient world to the present day in both the East and the West. The papers’ comparative approaches, between East and West, and ancient and modern, leads to a greater understanding of the challenges facing citizens in the urbanized twenty-first century, and by looking at past examples, suggests ways of addressing them. While the book’s point of departure is philosophical, its key aim is to examine how philosophy can be applied to everyday life for the betterment of citizens in cities not just in Asia and the West but everywhere.

Andrzej Zulawski (1940–2016) was born in Lwów, Poland (now Lviv, Ukraine) and educated in Paris. From 1971 to 2015 he directed thirteen feature films. Andrzej Zulawski: Abject Cinema interprets the director’s oeuvre through the methodological lens of Julia Kristeva’s notions of the abject and the semiotic chora, with the narratives in Zulawski’s filmography amounting to an experience of the abject -being not merely the state of affairs among the films’ subjects but also of their collective regression to a semiotic non-verbal state divorced from the symbolic verbal-visual language employed by cinema as a whole. It further contextualizes this interpretation with the sociopolitical circumstances from which Zulawski emerged, specifically his Polish homeland occupied by various foreign powers, his emigre status in France, and the influence of the Polish Romantic movement.

In all of the literature on Anglo-Saxon England, rarely has the question of social class been confronted head-on. The Anglo-Saxon Elite: Northumbrian Society in the Long Eighth Century draws upon recent research into topics such as religious practice, emotions, daily life, and intellectual culture to investigate how the aristocracy of Northumbria maintained social dominance over wider society. Moreover, this monograph suggests that the crisis that brought an end to Northumbria as an independent kingdom was the product of the social contradictions produced by the ruling class as social domination developed over time. The analysis is divided into three broad parts – production, circulation, and consumption – both as a nod to Marxist historiography and also to signal a commitment to a methodology that situates the subject within a global context.

Literary scholars have traditionally understood landscapes, whether natural or manmade, as metaphors for humanity instead of concrete settings for people's actions. This book accepts the natural world as such by investigating how Anglo-Saxons interacted with and conceived of their lived environments. Examining Old English poems, such as Beowulf and Judith, as well as descriptions of natural events from the Anglo-Saxon Chronicle and other documentary texts, Heide Estes shows that Anglo-Saxon ideologies which view nature as diametrically opposed to humans, and the natural world as designed for human use, have become deeply embedded in our cultural heritage, language, and more.

We're in an era of ever increasing attention to animal rights, and activism around the issue is growing more widespread and prominent. In this volume, Jonas Lindblom and Kerstin Jacobsson use the animal rights movement in Sweden to offer the first analysis of social movements through the lens of Emile Durkheim's sociology of morality. By positing social movements as essentially a moral phenomenon-and morality itself as a social fact-the book complements more structural, cultural, or strategic action-based approaches, even as it also demonstrates the continuing value of classical sociological approaches to understanding contemporary society.

Since the early nineteenth century, numerous campaigns have denounced the mistreatment of animals. Originally published in French as La cause animale, this book compares the British and French histories of the animal-protection movement to retrace its origins and assess its impact up to the present day. As Christophe Traïni shows, the struggle for animal rights-inextricably linked to the rise of philanthropy and established long before the birth of the ecology movement-developed out of several important social and political processes, including changes in sensibilities and socially approved emotions, new definitions of what constitutes legitimate violence, and the influence of religious beliefs.

Whispering winds, speeding trains, wandering balloons, and swirling snowflakes—these are the living entities that humans find themselves enmeshed with in their ecological co-flourishing in contemporary East Asian cinema. Pao-chen Tang theorizes and analyzes this animist imagination—a new mode of filmmaking that delves into both the definition of the cinematic medium and how to live with the nonhuman. Moving images are animate beings and the animism of cinema further compels an eye-opening vision to examine East Asian history and ecological anxieties of our times. The shamanic protagonists of the animist imagination transform the worldly and medial figurations onscreen into thought experiments on human-nonhuman relationality, modelling for the viewers anti-anthropocentric forms of existence and action. The book distills this form of agency through a systematic analysis of narrative structures, stylistic devices, and cultural implications in a stunning demonstration of a world viewed and enacted otherwise.

The year is 1600. It is April and Japan’s iconic cherry trees are in full flower. A battered ship drifts on the tide into Usuki Bay in southern Japan. On board, barely able to stand, are twenty-three Dutchmen and one Englishman, the remnants of a fleet of five ships and 500 men that had set out from Rotterdam in 1598. The Englishman was William Adams, later to be known as Anjin Miura by the Japanese, whose subsequent transformation from wretched prisoner to one of the Shogun’s closest advisers is the centrepiece of this book. As a native of Japan, and a scholar of seventeenth-century Japanese history, the author delves deep into the cultural context facing Adams in what is one of the great examples of assimilation into the highest reaches of a foreign culture. Her access to Japanese sources, including contemporary accounts – some not previously seen by Western scholars researching the subject – offers us a fuller understanding of the life lived by William Adams as a high-ranking samurai and his grandstand view of the collision of cultures that led to Japan’s self-imposed isolation, lasting over two centuries. This is a highly readable account of Adams’ voyage to and twenty years in Japan and that is supported by detailed observations of Japanese culture and society at this time. New light is shed on Adams’ relations with the Dutch and his countrymen, including the disastrous relationship with Captain John Saris, the key role likely to have been played by the munitions, including cannon, removed from Adams’ ship De Liefde in the great battle of Sekigahara (September 1600), the shipbuilding skills that enabled Japan to advance its international maritime ambitions, as well as the scientific and technical support Adams was able to provide in the refining process of Japan’s gold and silver.

The Annotated Constitution of Japan: A Handbook for the first time makes the entirety of Japan’s constitution accessible in English. The book consists of a historical and contextual overview of how the constitution came into being, followed by descriptions of each of its 103 articles; the meaning of the text, interpretive disputes, academic theories and leading cases arising under them. The book also points out the many subtle distinctions between the English version and the Japanese, some of which arose from the charter’s unique provenance. With contributors representing a broad range of expertise in various areas of Japanese law, the book is written to appeal to academics, students and general readers alike. It is intended to be the first port of call for anyone needing to understand the fundamentals of Japanese constitutional law, whether from the perspective of Japanese studies, comparative law, or political science, but unable to access the text and related literature available in Japanese. Key reference documents in English and Japanese are included as appendices for ease of reference.

As a cultural form, media practice and organizational model, the anthology has represented an important editorial framework in the development, preservation and retrieval of narratives, from paper-based media to machine-generated content, all throughout a series of discontinued analog and digital technologies. Over time, anthologies became part of the “metaphors we live by” (Lakoff and Johnson 2008), figurative lenses through which we read, navigate, interpret stories and organize human thoughts for better understanding. By providing an overview on the role of the anthology on streaming platform environments, this book examines how traditional editorial practices of anthologization intersect with data-driven content classification and sorting in the context of both pre- and post-digital culture. The author ultimately proposes to insert “anthology” in a vocabulary of digital culture that accounts for new curatorial and algorithmic processes of content filtering, in the attempt to expand the critical “keywords” (Williams 1983; Striphas 2015; Thylstrup et al. 2021) for the study of culture, society, data.

Composed between the sixth and ninth centuries, penitentials were little books of penance that address a wide range of human fallibility. But they are far more than mere registers of sin and penance: rather, by revealing the multiple contexts in which their authors anticipated various sins, they reveal much about the ways those authors and, presumably, their audiences understood a variety of social phenomena. Offering new, more accurate translations of the penitentials than what has previously been available, this book delves into the potentialities addressed in these manuals for clues about less tangible aspects of early medieval history, including the innocence and vulnerability of young children and the relationship between speech and culpability; the links between puberty, autonomy, and moral accountability; early medieval efforts to regulate sexual relationships; and much more.

A Prayer Book owned by the Rothschilds, an Italian bronze casket by Antico, a lavishly illustrated Carnival chronicle from sixteenth-century Germany, an altarpiece by Pieter Brueghel the Younger - much of the artwork in this book, held by Australian collections, is essentially unknown beyond the continent. The authors of these essays showcase these extraordinary objects to their full potential,revealing a wide range of contemporary art and historical research. This collection of essays will surprise even specialists.

Anton Pannekoek (1873-1960), prominent astronomer and world-renowned socialist theorist, stood at the nexus of the revolutions in politics, science and the arts of the early twentieth century. His astronomy was uniquely visual and highly innovative, while his politics were radical. Anton Pannekoek: Ways of Viewing Science and Society collects essays on Pannekoek and his contemporaries at the crossroads of political history, the history of science and art history.

‘I think my music deserves to be considered as a whole’, Igor Stravinsky remarked at the end of a long and restless career, and that is exactly what the authors of The Apollonian Clockwork do. In 1982, convinced that there is no essential difference between ‘early’ and ‘late’ Stravinsky, Louis Andriessen and Elmer Schönberger were the first to write a monograph on the composer which radically breaks with the habit of dividing his works into ‘Russian’, ‘neoclassical’ and ‘serial’. In an essay which continually shifts in its approach, style and perspective, the authors elaborate on their insight that a single, immutable compositional attitude underlies the whole of Stravinsky’s oeuvre. By this token the book not only offers an analysis of the composer’s protean work and artistry but takes example by it as well.

From a wider disciplinary perspective, modern conflict archaeology is now a thoroughly established and mature subdiscipline. However, a significant problem conflict archaeologists in the Netherlands face is that modern eras, including both world wars, have so far not received serious attention. Although both world wars appeal strongly to the popular imagination, until recently, Dutch researchers had not approached modern conflict from an academic archaeological perspective to any great extent. This is partly the result of problematic legislation on archaeological activity in the Netherlands. When applied and interpreted appropriately, archaeology can play an important role in the preservation, contemporary experience and historical reconstruction of recent conflicts. However, as Archaeological Approaches to and Heritage Perspectives on Modern Conflict: Beyond the Battlefields argues, research methods other than excavations will be needed to conduct conflict archaeology in the Netherlands effectively. This study aims to develop a Dutch approach to conflict archaeology, integrating archaeology, heritage research and history at a landscape scale.

This book focuses on alternative definitions of landscape in archaeology, particularly those that explicitly address landscapes’ political aspects. In doing so, this volume emphasizes the non-static, dialogic nature of landscape within a community and acknowledges how a community’s composition and its relationship with the landscape can lead to tensions and even violent conflicts with other groups. It highlights the relevance of considering movement, borders, and conflict as sources for understanding how people create their own landscapes and how they reshape them in times of political conflict. For example, in contexts of colonization and war, people are forced to adapt to new politics and hierarchies as they see their personal and communal understanding of the world deeply transformed, something visible even today as political tensions constantly reshape local and global landscapes. Understanding how landscapes were created and contested in the past is essential for understanding their political, economic, and cultural manifestations in the present in order to better organize ourselves for a truly integrative future.

CAA is the foremost conference on digital archaeology, and this volume offers a comprehensive and up-to date reference to the state of the art. This volume contains a selection of the best papers presented at the 40th Annual Conference of Computer Applications and Quantitative Methods in Archaeology (CAA), held in Southampton from 26 to 29 March 2012. The papers, all written and peer-reviewed by experts in the field of digital archaeology, explore a multitude of topics to showcase ground-breaking technologies and best practice from various archaeological and informatics disciplines, with a variety of case studies from all over the world.Download the Table of Contents and a sample chapter

Synthesizing some 30 years of archaeological research in south-east Italy, this book discusses a millennium that witnessed breathtaking changes: the first millennium BC. In nine to ten centuries the Mediterranean societies changed from a great variety of mostly small entities of predominantly tribal nature into the enormous state currently indicated as the Roman Empire.
This volume is a case study discussing the pathway to complexity of one of the regions that contributed to the formation of this large state:south-east Italy. It highlights how initially small groups developed into complex societies, how and why these adapted to increasingly wide horizons, and how and why Italic groups and migrants from the eastern Mediterranean interacted and created entirely new social, economic, cultural and physical landscapes. This synthesis is based on research carried out by many Italian archaeologists and by research groups from quite a variety of other countries.
Amsterdam Archaeological Studies is a series devoted to the study of past human societies from the prehistory up into modern times, primarily based on the study of archaeological remains. The series will include excavation reports of modern fieldwork; studies of categories of material culture; and synthesising studies with broader images of past societies, thereby contributing to the theoretical and methodological debates in archaeology.

This study aims to elucidate concepts of castle in the Netherlands, England and Ireland in both past en present times. The first part of the book examines current, respectively, academic, national and personal appropriations of 'castle'; the second part moves into the past, juxtaposing elite culture and the spatial organisation of 16th and 17th century domestic architecture.

Empires stretched around the world, but also made their presence felt in architecture and urban landscapes. The Architecture of Empire in Modern Europe traces the entanglement of the European built environment with overseas imperialism in the nineteenth and twentieth centuries. As part of imperial networks between metropole and colonies, in cities as diverse as Glasgow, Hamburg, or Paris, numerous new buildings were erected such as factories, mission houses, offices, and museums. These sites developed into the physical manifestations of imperial networks. As Europeans designed, used, and portrayed them, these buildings became meaningful imperial places that conveyed the power relations of empire and Eurocentric self-images. Engaging with recent debates about colonial history and heritage, this book combines a variety of sources, an interdisciplinary approach, and an international scope to produce a cultural history of European imperial architecture across borders.

The catastrophic Sicilian earthquake of 1693 led to the rebuilding of over 60 towns in the island’s south-west. The rebuilding extended into the eighteenth century and gave opportunities for the reassertion and the transformation of power relations. Although eight of the towns are now protected by UNESCO, the remarkable architecture resulting from this rebuilding is little known outside Sicily.
This is the first book-length study in English of this interesting area of early modern architecture. Rather than seek to address all of the towns, five case studies discuss key aspects of the rebuilding by approaching the architecture from different scales, from that of a whole town to parts of a town, or single buildings, or parts of buildings and their decoration. Each case study also investigates a different theoretical assumption in architecture, including ideas of the Baroque, rational planning, and the relegation of decoration in architectural discourse.

Archival Film Curatorship is the first book-length study that investigates film archives at the intersection of institutional histories, early and silent film historiography, and archival curatorship. It examines three institutions at the forefront of experimentation with film exhibition and curatorship. The Eye Film Museum in Amsterdam, the George Eastman Museum in Rochester, NY, and the National Fairground and Circus Archive in Sheffield, UK serve as exemplary sites of historical mediation between early and silent cinema and the digital age. A range of elements, from preservation protocols to technologies of display and from museum architectures to curatorial discourses in blogs, catalogs, and interviews, shape what the author innovatively theorizes as the archive’s hermeneutic dispositif. Archival Film Curatorship offers film and preservation scholars a unique take on the shifting definitions, histories, and uses of the medium of film by those tasked with preserving and presenting it to new digital-age audiences.

This alternative study of archive and photography brings many types of image assemblages into view, always in relation to the regulated systems operating within the institutional milieu. The archive catalogue is presented as a critical tool for mapping image time, and the language of image description is seen as having a life, a worth and an aesthetic value of its own. Functioning at the intersection of text and image, the book combines media culture, archival techniques, and contemporary discourse on art and conceptual writing.

This is the first book to offer a translation into English-as well as a critical study-of a Spanish treatise written around 1650 by Rabbi Saul Levi Morteira, whose most renowned congregant was Baruch Spinoza. Aimed at encouraging the practice of halachic Judaism among the Amsterdam-based descendants of conversos, Spanish and Portuguese Sephardic Jews who had been forced to convert to Christianity, the book stages a dialogue between two conversos that ultimately leads to a vision of a Jewish homeland-an outcome that Morteira thought was only possible through his program for rejudaisation.

In 1454 the Sienese painter Francesco di Bartolomeo Alfei faced litigation from the Mercanzia in Siena for defaulting on a contract from one of the leading Franciscan confraternities in the city. Two fellow Sienese artists, Giovanni di Paolo and Sano di Pietro, had recently completed a new altarpiece for the same entity. Anabel Thomas considers how the two commissions were linked and questions why Francesco di Bartolomeo Alfei’s brief to fresco the confraternity chapel remained unfinished.
In a wide ranging analysis of mainly unpublished records, focussing on the artist’s association with key members of Sienese society, fellow artisans and government officials, Thomas concludes that Francesco di Bartolomeo Alfei might have honoured his contract had he not become immersed in the military strategy, diplomacy and visual propaganda of the Republic of Siena.

Schools of art represent one of the building blocks of art history. The notion of a school of art emerged in artistic discourse and disseminated across various countries in Europe during the early modern period. Whilst a school of art essentially denotes a group of artists or artworks, it came to be configured in multiple ways, encompassing different meanings of learning, origin, style, or nation, and mediated in various forms via academies, literature, collections, markets and galleries. Moreover, it contributed to competitive debate around the hierarchy of art and artists in Europe. The ensuing fundamental instability of the notion of a school of art helped to create a pluriform panorama of both distinct and interconnected artistic traditions within the European art world. This edited collection brings together 20 articles devoted to selected case studies from the Italian peninsula, the Low Countries, France, Spain, England, the German Empire, and Russia.

During the early modern period, objects of maritime material culture were removed from their places of origin and traded, collected and displayed worldwide. Focusing on shells and pearls exchanged within local and global networks, this monograph compares and connects Asian, in particular Chinese, and European practices of oceanic exploitation in the framework of a transcultural history of art with an understanding of maritime material culture as gendered. Perceiving the ocean as mother of all things, as womb and birthplace, Chinese and European artists and collectors exoticized and eroticized shells’ shapes and surfaces. Defining China and Europe as spaces entangled with South and Southeast Asian sites of knowledge production, source and supply between 1500 and 1700, the book understands oceanic goods and maritime networks as transcending and subverting territorial and topographical boundaries. It also links the study of globally connected port cities to local ecologies of oceanic exploitation and creative practices.

In Art and Politics, Segal explores the collision of politics and art in seven enticing essays. The book explores the position of art and artists under a number of different political regimes of the twentieth and twenty-first centuries, traveling around the world to consider how art and politics have interacted and influenced each other in different conditions. Joes Segal takes you on a journey to the Third Reich, where Emil Nolde supported the regime while being called degenerate; shows us Diego Rivera creating Marxist murals in Mexico and the United States for anti-Marxist governments and clients; ties Jackson Pollock's drip paintings in their Cold War context to both the FBI and the CIA; and considers the countless images of Mao Zedong in China as unlikely witnesses of radical political change.

The figure of the witch is familiar from the work of early modern German, Dutch, and Flemish artists, but much less so in the work of their Italian counterparts. Art and Witchcraft in Early Modern Italy seeks to explore the ways in which representations of witchcraft emerged from and coincided with the main cultural currents and artistic climate of an epoch chiefly celebrated for its humanistic and rational approaches. Through an in-depth examination of a panoply of arresting paintings, engravings, and drawings—variously portraying a hag-ridden colossal phallus, a horror-stricken necromancer dodging the devil’s scrabbling claws, and a nocturnal procession presided over by an infanticidal crone—Guy Tal offers new ways of reading witchcraft images through and beyond conventional iconography. Artists such as Parmigianino, Alessandro Allori, Leonello Spada, and Angelo Caroselli effected visual commentaries on demonological notions that engaged their audience in a tantalizing experience of interpretation.

This book exploits a trove of original documents that have survived on the auctions organized by the Orphan Chamber of Amsterdam in the first half of the 17th century. For the first time, the names of some 2000 buyers of works of art at auction in the 29 extant notebooks of the Chamber have been systematically analyzed. On the basis of archival research, data have been assembled on the occupation of these buyers (most of whom were merchants), their origin (Southern Netherlands, Holland, and other), their religion, their year of birth, their date of marriage, the taxes they paid and other indicators of their wealth. Buyers were found to cluster in groups, not only by extended family but by occupation, religion (Remonstrants, Counter-Remonstrants) and avocation (amateurs of tulips and of porcelain, members of Chambers of Rhetoricians, and so forth). The subjects of the works of art they bought and the artists to which they were attributed (only the most important were attributed) are also analyzed. In the second part of the book on “Selected Buyers”, three chapters are devoted to art dealers who bought at auction and four to buyers who had special connections with artists, including principally Rembrandt. To forge a link between the cultural milieu of Amsterdam in this period and the buying public, two chapters are given over to buyers who were either poets themselves or were connected with contemporary poets. As a whole, the book offers a penetrating insight into the culture of the Amsterdam elite in the 17th century.

The question whether or not seventeenthcentury painters such as Rembrandt and Rubens created the paintings which were later sold under their names, has caused many a heated debate. Much is still unknown about the ways in which paintings were produced, assessed, priced, and marketed. For example, did contemporary connoisseurs expect masters such as Rembrandt to paint their works entirely by their own hand? Who was credited with the ability to assess paintings? How did a painting’s price relate to its quality? And how did connoisseurship change as the art market became increasingly complex? The contributors to this essential volume trace the evolution of connoisseurship in the booming art market of the seventeenth- and eighteenth centuries. Among them are the renowned Golden Age scholars Eric Jan Sluijter, Hans Van Miegroet and Neil De Marchi. It is not to be missed by anyone with an interest in the Old Masters and the early modern art market.

The Art of Anna Dorothea Therbusch (1721–1782) is the first English-language monograph on this exceptional German artist that critically examines Therbusch’s artworks and career as a history and mythological painter, portraitist, and maker of synthetic pigments within the German and international milieu that both condemned and celebrated her accomplishments. Adding to the excellent scholarship on French, British, Italian, and Swiss eighteenth-century women painters, this book showcases the social and cultural practices of court cultures beyond France, with a focus on German-speaking Europe and how a provocative woman painter navigated within them. Meticulous archival and literary research sheds new light on the importance of the family atelier as a place of networking, collaboration, and experimentation in the eighteenth century and provides a fresh perspective on the growing Prussian intellectual and mercantilist cultures and their impact on Therbusch’s artistic production and the unavoidable fluency between painting, the minor or luxury arts, and the laboratory. Therbusch's life and art enriches our understanding of female artistic agency and the complexities of pursuing a career in the male- and academy-dominated art world of the eighteenth century.

Accountability, good government and public trust are intricately linked. Supreme Audit Institutions fulfil an exceptional role in the public domain, checking if governments spend their money properly. They are like 'watchdogs' for citizens and parliaments with the purpose of auditing public expenditure and examining the effectiveness of policies. They aim to strengthen the trustworthiness of government institutions, all the more so in fragile democracies. They do so, for instance, in striving to disclose cases of corruption, not just in the highest echelons of government, but also in everyday petty bribery. And they can be found counting houses, roads and water taps, to see if government's promises are being kept.

On the occasion of the retirement of Saskia J. Stuiveling as the president of the Netherlands Court of Audit, eight (former) heads of audit institutions talk candidly about their work and innovations in the area of public auditing, about how the financial crisis affected their profession, about the advent of open data and about the need for new skills to audit the oil industry. Each of them - Faiza Kefi (Tunisia), Josef Moser (Austria), Terence Nombembe (South Africa), Heidi Mendoza (Philippines), Alar Karis (Estonia), David Walker (USA), John Muwanga (Uganda) and Abdulbasit Turki Saeed (Iraq) - has made a difference in his or her country, often under difficult, adverse and sometimes outright dangerous circumstances.

New technologies are often implemented before their ethical consequences have been fully understood. In this volume, experts working in the sciences, arts, and philosophy of technology share novel perspectives on how we can best identify and navigate the new ethical crossroads emerging in our information society. With an eye toward the future, the contributors present an essential and unique view on the interplay between ethics and modern technology.

Every day in Brussels, countless governmental and civil society interest groups seek to influence the policies of the European Union (EU). Many groups, once they have established themselves in the EU capital, apply the insights of Public Affairs (PA) management, the modern art of lobbying. Many PA practitioners in the EU as well as academics specialised in EU and PA studies developed fresh insights on ‘how to influence the EU better’. This manual brings together the most up-to-date collection of PA expertise available to anyone desiring to enhance the success of their efforts to influence the EU. This new edition of the best-selling title is filled with new details, cases, findings and practices. This fully revised and updated fourth edition of the 2002 bestseller offers compelling new insights into the most advanced practices of influencing the decision-making in the European Union’s corridors of power. The author’s uniquely privileged position as advisor to a wide range of lobby groups from several different countries throws much-needed light on best practice and success in public affairs management.

The United States spends more on its military than the rest of the world combined. And Western nations in general spend far more than developing nations around the globe. Yet when Western nations have found themselves in conflicts in recent decades, their performance has been mixed at best. In his fully updated new edition of The Art of Military Coercion, Rob de Wijk presents a theory on the use of force. He argues that the key is a failure to use force decisively, to properly understand the dynamics of conflict and balance means and ends. Without that ability, superiority of dollars, numbers, and weaponry won't necessarily translate to victory.

For the nations on its borders, the rapid rise of China represents an opportunity-but it also brings worry, especially in areas that have long been disputed territories of contact and exchange. This book gathers contributors from a range of disciplines to look at how people in those areas are actively engaging in making relationships across the border, and how those interactions are shaping life in the region-and in the process helping to reconfigure the cultural and political landscape of post-Cold War Asia.

Politicians employ a wide range of strategies to achieve their goals - and language is one of them. What impact does their language have on us, on their opponents, on the public opinion? If language matters, then the interesting question naturally arises how politicians use language to their advantage? How do they use it to convince us of the truth of their views? These questions take us into the world of political framing, which has attracted a lot of attention in recent times and forms the subject of this book.Framing is obviously not a new phenomenon, nor is it the preserve of right-wing politicians, as is sometimes suggested. The author discusses both old and new examples of framing, as well as various left and right-wing frames. The examples presented in this book have been carefully selected, in the hope that they will not only help you understand the game of framing and reframing but also show you how much impact you can have by using the right words.

A regenerative current is rising all around us. Stories of the need to reconnect, heal and transform are becoming more urgent, challenging a dominant worldview built on competition, economic growth, extractivism, militarisation and personal gain. Our planet’s resources are stretched beyond their limits, causing widespread suffering and injustice for both humans and non-humans. Yet, each of us holds the potential to cultivate life-affirming futures.

The Art of Regenerative Educatorship offers a hands-on exploration of what it means to answer the call of the regenerative current in the field of education. Grounded in the principles of living systems thinking, this book explores the principles and practices of bringing regeneration into educational spaces. Drawing from a variety of case studies, personal stories and regenerative frameworks, it will inform and inspire your educational artistry.

You will find guidance to:
• Engage in practical exercises to help transform your educational practice
• Navigate the interwoven inner, communal, and whole-system paths of regeneration
• Develop four core capabilities to regenerate your practice
• Lead collaboratively, rooted in the core virtues of love, presence, and courage

The Art of Regenerative Educatorship is a vital resource for those seeking to breathe new life and purpose into their educational practice, in service to their community, (eco)system and society.

This book celebrates the life and works of Lee Qoede (1913–1965), who focused on art’s social purpose and representation of civilians. He believed “art must be an integral part of the struggle in reality. It cannot simply be a still-life of apples, flowers, or scenery.” Born in South Korea, he was a prisoner of war, defected to North Korea, was politically purged, and died at fifty-two. His works were banned in South Korea until 1988. This monograph explores Lee Qoede’s art within the context of Cold War politics and international leftist exchanges, including his experiences of civilian massacres, prisoner-of-war camps, and his defection to North Korea. It examines social realism, socialist realism, and Mexican mural influences on Lee’s oeuvre, reevaluating his place in South Korean art history. Highlighting the global impact of Lee’s work, the book integrates insights from international artists and movements, challenging Eurocentric modernism and offering a comprehensive understanding of his artistic journey.

Did ordinary Italians have a ‘Renaissance’? This book presents the first in-depth exploration of how artisans and small local traders experienced the material and cultural Renaissance. Drawing on a rich blend of sixteenth-century visual and archival evidence, it examines how individuals and families at artisanal levels (such as shoemakers, barbers, bakers and innkeepers) lived and worked, managed their household economies and consumption, socialised in their homes, and engaged with the arts and the markets for luxury goods. It demonstrates that although the economic and social status of local craftsmen and traders was relatively low, their material possessions show how these men and women who rarely make it into the history books were fully engaged with contemporary culture, cultural customs and the urban way of life.

The Asia-Europe Meeting (ASEM) process was designed in 1996 to bring Asia and Europe closer together. The Asia-Europe Meeting: Contributing to a New Global Governance Architecture focuses on the discussions and results of the eighth ASEM Summit that took place in October 2010 in Brussels. It gives a multifaceted picture of Asia-Europe convergences and disparities and helps to understand how these are dealt with through interregional political dialogue. Renowned academics and observers of Asia-Europe relations provide analysis and essential insights into the advantages and limitations of contemporary ASEM affairs, their most pertinent issues, and the role of ASEM as a constituent of the developing new global governance architecture. In addition, the book offers a unique insider’s perspective of the preparations and negotiations of the Brussels events. The Annex of the book furthermore includes ASEM related primary sources not available in any publicly accessible record.