Legislation to change Korean society along Confucian lines began at the founding of the Chosŏn dynasty in 1392 and had apparently achieved its purpose by the mid seventeenth century. Until this important new study, however, the nature of Koryŏ society, the stresses induced by the new legislation, and society’s resistance to the Neo-Confucian changes imposed by the Chosŏn elite have remained largely unexplored.

To explain which aspects of life in Koryŏ came under attack and why, Martina Deuchler draws on social anthropology to examine ancestor worship, mourning, inheritance, marriage, the position of women, and the formation of descent groups. To examine how Neo-Confucian ideology could become an effective instrument for altering basic aspects of Koryŏ life, she traces shifts in political and social power as well as the cumulative effect of changes over time. What emerges is a subtle analysis of Chosŏn Korean social and ideological history.

Our future depends on what we do about energy. This stark fact, clear since the oil embargo of the 1970s, has been hammered home through crisis after crisis—and yet our government has failed to come up with a coherent energy policy. John Deutch, with his extraordinary mix of technical, scholarly, corporate, and governmental expertise in the realm of energy, is uniquely qualified to explain what has stood in the way of progress on this most pressing issue. His book is at once an eye-opening history of the muddled practices that have passed for energy policy over the past thirty years, and a cogent account of what we can and should learn from so many breakdowns of strategy and execution.

Three goals drive any comprehensive energy policy: develop an effective approach to climate change; transition from fossil fuels to renewable energy technologies; and increase the efficiency of energy use to reduce dependence on imported oil. Why has every effort in this direction eventually fallen short? Deutch identifies the sources of this failure in our popular but unrealistic goals, our competing domestic and international agendas, and our poor analysis in planning, policy-making, and administering government programs. Most significantly, The Crisis in Energy Policy clarifies the need to link domestic and global considerations, as well as the critical importance of integrating technical, economic, and political factors. Written for experts and citizens alike, this book will strengthen the hand of anyone concerned about the future of energy policy.

The best way to have it all--both a full family life and a career--is to halve it all. That's the message of Francine Deutsch's refreshing and humane book, based on extensive interviews with a wide range of couples. Deutsch casts a skeptical eye on the grim story of inequality that has been told since women found themselves working a second shift at home. She brings good news: equality based on shared parenting is possible, and it is emerging all around us. Some white-collar fathers achieve as well as talk about equality, and some blue-collar parents work alternate shifts to ensure that one parent can always be with the children.

Using vivid quotations from her interviews, Deutsch tells the story of couples who share parenting equally, and some who don't. The differences between the groups are not in politics, education, or class, but in the way they negotiate the large and small issues--from whose paid job is "important" to who applies the sunscreen. With the majority of mothers in the workforce, parents today have to find ways of sharing the work at home. Rigid ideas of "good mothers" and "good fathers," Deutsch argues, can be transformed into a more flexible reality: the good parent.

Halving It All takes the discussion beyond shrill ideological arguments about working mothers and absent fathers. Deutsch shows how, with the best of intentions, people perpetuate inequalities and injustices on the home front, but also, and more important, how they can devise more equal arrangements, out of explicit principles, or simply out of fairness and love.

At the turn of the twentieth century, over forty percent of the world’s Jews lived within the Russian Empire, almost all in the Pale of Settlement. From the Baltic to the Black Sea, the Jews of the Pale created a distinctive way of life little known beyond its borders. This led the historian Simon Dubnow to label the territory a Jewish “Dark Continent.”

Just before World War I, a socialist revolutionary and aspiring ethnographer named An-sky pledged to explore the Pale. He dreamed of leading an ethnographic expedition that would produce an archive—what he called an Oral Torah of the common people rather than the rabbinic elite—which would preserve Jewish traditions and transform them into the seeds of a modern Jewish culture. Between 1912 and 1914, An-sky and his team collected jokes, recorded songs, took thousands of photographs, and created a massive ethnographic questionnaire. Consisting of 2,087 questions in Yiddish—exploring the gamut of Jewish folk beliefs and traditions, from everyday activities to spiritual exercises to marital intimacies—the Jewish Ethnographic Program constitutes an invaluable portrait of Eastern European Jewish life on the brink of destruction.

Nathaniel Deutsch offers the first complete translation of the questionnaire, as well as the riveting story of An-sky’s almost messianic efforts to create a Jewish ethnography in an era of revolutionary change. An-sky’s project was halted by World War I, and within a few years the Pale of Settlement would no longer exist. These survey questions revive and reveal shtetl life in all its wonder and complexity.

The Impossible Indian offers a rare, fresh view of Gandhi as a hard-hitting political thinker willing to countenance the greatest violence in pursuit of a global vision that went far beyond a nationalist agenda. Revising the conventional view of the Mahatma as an isolated Indian moralist detached from the mainstream of twentieth-century politics, Faisal Devji offers a provocative new genealogy of Gandhian thought, one that is not rooted in a clichéd alternative history of spiritual India but arises from a tradition of conquest and violence in the battlefields of 1857.

Focusing on his unsentimental engagement with the hard facts of imperial domination, Fascism, and civil war, Devji recasts Gandhi as a man at the center of modern history. Rejecting Western notions of the rights of man, rights which can only be bestowed by a state, Gandhi turned instead to the idea of dharma, or ethical duty, as the true source of the self’s sovereignty, independent of the state. Devji demonstrates that Gandhi’s dealings with violence, guided by his idea of ethical duty, were more radical than those of contemporary revolutionists.

To make sense of this seemingly incongruous relationship with violence, Devji returns to Gandhi’s writings and explores his engagement with issues beyond India’s struggle for home rule. Devji reintroduces Gandhi to a global audience in search of leadership at a time of extraordinary strife as a thinker who understood how life’s quotidian reality could be revolutionized to extraordinary effect.

Pakistan, founded less than a decade after a homeland for India’s Muslims was proposed, is both the embodiment of national ambitions fulfilled and, in the eyes of many observers, a failed state. Muslim Zion cuts to the core of the geopolitical paradoxes entangling Pakistan to argue that India’s rival has never been a nation-state in the conventional sense. Pakistan is instead a distinct type of political geography, ungrounded in the historic connections of lands and peoples, whose context is provided by the settler states of the New World but whose closest ideological parallel is the state of Israel.

A year before the 1948 establishment of Israel, Pakistan was founded on a philosophy that accords with Zionism in surprising ways. Faisal Devji understands Zion as a political form rather than a holy land, one that rejects hereditary linkages between ethnicity and soil in favor of membership based on nothing but an idea of belonging. Like Israel, Pakistan came into being through the migration of a minority population, inhabiting a vast subcontinent, who abandoned old lands in which they feared persecution to settle in a new homeland. Just as Israel is the world’s sole Jewish state, Pakistan is the only country to be established in the name of Islam.

Revealing how Pakistan’s troubled present continues to be shaped by its past, Muslim Zion is a penetrating critique of what comes of founding a country on an unresolved desire both to join and reject the world of modern nation-states.

China is emerging as a truly global economic and political power. China’s impact on Latin America and the Caribbean region is mixed, however—fostering a trade market for some countries, but creating competition for others.

This pioneering volume, produced by the Inter-American Development Bank’s Integration and Regional Programs Department and Research Department, provides a comprehensive overview of China’s economic policy and performance over recent decades and contrasts them with the Latin American experience. What are the underlying factors behind China’s competitive edge? What are the strategic implications of China’s rise for growth and development in Latin America? These questions open new avenues for thinking about revitalizing development strategies in Latin America in the face of China’s successful development and reduction of poverty. This insightful report is a must-read for analysts, policymakers, and development practitioners, not only in Latin America and the Caribbean, but wherever China’s presence is being felt.

The Emergence of China is a copublication of the David Rockefeller Center for Latin American Studies and the Inter-American Development Bank.

This investigation, based on a sufficient number and variety of modern texts, conducted on sound principles and with scrupulous care, aside from its obvious utility for shorthand and for instruction in reading, is of value to phoneticians in that it affords abundant choice material for the study of the adjustment of sound to sound in the syllable. To the linguist it furnishes also a starting point for comparison of one language with another, in respect either to acoustic effect or to the characteristic operations of the vocal organs; and it provides, in its word list, a foundation for comparative estimates of current vocabulary as an index of national civilization. To one interested in the history of speech, or the history of thought, it suggests and facilitates a series of comparisons of present and past aspects of English, whether one consider the language as an aggregate of sound-patterns or as a medium of expression. Multiple are the uses to which these tables may be put. It is to be hoped that many scholars, in many fields, will avail themselves of them.

[Note accompanying the Original Edition © 1923, Graduate School of Education, Harvard University:]

The text of this investigation is speld in accord with the recommendations of the Simplified Spelling Board. In the material investigated the conventional spelling, as found, has been adhered to strictly thruout.

The fonetist and filologist has always been among the first to recognize the immense importance of the movement for reform of English spelling, which commands the united support of the leading language scolars both of England and America. He should be willing to bear his share of the prejudice which some must endure in the course of progress toward a rational orthografy.

Simpler Spelling Association, Lake Placid Club, N.Y., wil send ful information concerning this important movement on request.

This volume explores the relationship between culture and the military in Chinese society from early China to the Qing empire, with contributions by eminent scholars aiming to reexamine the relationship between military matters and law, government, historiography, art, philosophy, literature, and politics.

The book critically investigates the perception that, due to the influence of Confucianism, Chinese culture has systematically devalued military matters. There was nothing inherently pacifist about the Chinese governments’ views of war, and pragmatic approaches—even aggressive and expansionist projects—often prevailed.

Though it has changed in form, a military elite has existed in China from the beginning of its history, and military service included a large proportion of the population at any given time. Popular literature praised the martial ethos of fighting men. Civil officials attended constantly to military matters on the administrative and financial ends. The seven military classics produced in antiquity continued to be read even into the modern period.

These original essays explore the ways in which intellectual, civilian, and literary elements helped shape the nature of military institutions, theory, and the culture of war. This important contribution bridges two literatures, military and cultural, that seldom appear together in the study of China, and deepens our understanding of war and society in Chinese history.

From hidden connections in big data to bots spreading fake news, journalism is increasingly computer-generated. An expert in computer science and media explains the present and future of a world in which news is created by algorithm.

Amid the push for self-driving cars and the roboticization of industrial economies, automation has proven one of the biggest news stories of our time. Yet the wide-scale automation of the news itself has largely escaped attention. In this lively exposé of that rapidly shifting terrain, Nicholas Diakopoulos focuses on the people who tell the stories—increasingly with the help of computer algorithms that are fundamentally changing the creation, dissemination, and reception of the news.

Diakopoulos reveals how machine learning and data mining have transformed investigative journalism. Newsbots converse with social media audiences, distributing stories and receiving feedback. Online media has become a platform for A/B testing of content, helping journalists to better understand what moves audiences. Algorithms can even draft certain kinds of stories. These techniques enable media organizations to take advantage of experiments and economies of scale, enhancing the sustainability of the fourth estate. But they also place pressure on editorial decision-making, because they allow journalists to produce more stories, sometimes better ones, but rarely both.

Automating the News responds to hype and fears surrounding journalistic algorithms by exploring the human influence embedded in automation. Though the effects of automation are deep, Diakopoulos shows that journalists are at little risk of being displaced. With algorithms at their fingertips, they may work differently and tell different stories than they otherwise would, but their values remain the driving force behind the news. The human–algorithm hybrid thus emerges as the latest embodiment of an age-old tension between commercial imperatives and journalistic principles.

In Reading Wittgenstein with Anscombe, Going On to Ethics, Cora Diamond follows two major European philosophers as they think about thinking, as well as about our ability to respond to thinking that has miscarried or gone astray. Acting as both witness to and participant in the encounter, Diamond provides fresh perspective on the importance of the work of these philosophers and the value of doing philosophy in unexpected ways.

Diamond begins with the Tractatus (1921), in which Ludwig Wittgenstein forges a link between thinking about thought and the capacity to respond to misunderstandings and confusions. She then considers G. E. M. Anscombe’s An Introduction to Wittgenstein’s Tractatus (1959), in which Anscombe, through her engagement with Wittgenstein, further explores the limits of thinking and the ability to respond to thought that has gone wrong. Anscombe’s book is important, Diamond argues, in challenging contemporary assumptions about what philosophical problems are worth considering and about how they can be approached. Through her reading of the Tractatus, Anscombe exemplified an ethics of thinking through and against the grain of common preconceptions. The result drew attention to the questions that mattered most to Wittgenstein and conveyed with great power the nature of his achievement.

Diamond herself, in turn, challenges Anscombe on certain points, thereby further carrying out just the kind of ethical work Wittgenstein and Anscombe each felt was crucial to getting things right. Through her textured engagement with her predecessors, Diamond demonstrates what genuinely independent thought is able to achieve.

Some central questions in the natural and social sciences can't be answered by controlled laboratory experiments, often considered to be the hallmark of the scientific method. This impossibility holds for any science concerned with the past. In addition, many manipulative experiments, while possible, would be considered immoral or illegal. One has to devise other methods of observing, describing, and explaining the world.

In the historical disciplines, a fruitful approach has been to use natural experiments or the comparative method. This book consists of eight comparative studies drawn from history, archeology, economics, economic history, geography, and political science. The studies cover a spectrum of approaches, ranging from a non-quantitative narrative style in the early chapters to quantitative statistical analyses in the later chapters. The studies range from a simple two-way comparison of Haiti and the Dominican Republic, which share the island of Hispaniola, to comparisons of 81 Pacific islands and 233 areas of India. The societies discussed are contemporary ones, literate societies of recent centuries, and non-literate past societies. Geographically, they include the United States, Mexico, Brazil, western Europe, tropical Africa, India, Siberia, Australia, New Zealand, and other Pacific islands.

In an Afterword, the editors discuss how to cope with methodological problems common to these and other natural experiments of history.

The biological functions of coloration in animals are sometimes surprising. Color can attract mates, intimidate enemies, and distract predators. But color patterns can also conceal animals from detection. Concealing coloration is unusual because it is an adaptation not only to the visual features of the environment but also to the perceptual and cognitive capabilities of other organisms. Judy Diamond and Alan Bond bring to light the many factors at work in the evolution of concealing coloration.

Animals that resemble twigs, tree bark, stones, and seaweed may appear to be perfect imitations, but no concealment strategy is without flaws. Amid the clutter of the natural world, predators search for minute, telltale clues that will reveal the identity of their prey. Predators have remarkable abilities to learn to discriminate the fake from the real. But prey have their own range of defensive tactics, evolving multiple appearances or the ability to change color at will. Drawing on modern experimental evidence of the functional significance of animal color strategies, Diamond and Bond offer striking illustrations of how the evolution of features in one organism can be driven by the psychology of others.

Concealing Coloration in Animals takes readers on a scientific adventure that explores creatures inside mats of floating seaweed, mice and lizards on desert rocks and sand, and rare parrots in the rainforest of New Zealand. Color photographs extensively document the mind-boggling array of deceptive strategies animals use to blend in, mislead, or vanish from view.

A reclamation of experience as the foremost concept in the work of William James, and a powerful argument for the continuing importance of his philosophy.

How does one deploy experience without succumbing to a foundationalist epistemology or an account of the subject rooted in immediately given objects of consciousness? In the wake of the so-called linguistic turn of the twentieth century, this is a question anyone thinking philosophically about experience must ask.

Alexis Dianda answers through a reading of the pragmatic tradition, culminating in a defense of the role of experience in William James’s thought. Dianda argues that by reconstructing James’s philosophical project, we can locate a model of experience that not only avoids what Wilfrid Sellars called “the myth of the given” but also enriches pragmatism broadly. First, Dianda identifies the motivations for and limitations of linguistic nominalism, insisting that critics of experience focus too narrowly on justification and epistemic practices. Then, by emphasizing how James’s concept of experience stresses the lived, affective, and nondiscursive, the argument holds that a more robust notion of experience is necessary to reflect not just how we know but how we act.

The Varieties of Experience provides a novel reconstruction of the relationship between psychology, moral thought, epistemology, and religion in James’s work, demonstrating its usefulness in tackling issues such as the relevance of perception to knowledge and the possibility of moral change. Against the tide of neopragmatic philosophers such as Richard Rorty and Robert Brandom, who argue that a return to experience must entail appeals to foundationalism or representationalism, Dianda’s intervention rethinks not only the value and role of experience but also the aims and resources of pragmatic philosophy today.

"There I was, standing alone, unable to cry as I said goodbye to Sidimé Laye, my best friend, and to the revolution that had opened the door of modernity for me--the revolution that had invented me." This book gives us the story of a quest for a childhood friend, for the past and present, and above all for an Africa that is struggling to find its future.

In 1996 Manthia Diawara, a distinguished professor of film and literature in New York City, returns to Guinea, thirty-two years after he and his family were expelled from the newly liberated country. He is beginning work on a documentary about Sékou Touré, the dictator who was Guinea's first post-independence leader. Despite the years that have gone by, Diawara expects to be welcomed as an insider, and is shocked to discover that he is not.

The Africa that Diawara finds is not the one on the verge of barbarism, as described in the Western press. Yet neither is it the Africa of his childhood, when the excitement of independence made everything seem possible for young Africans. His search for Sidimé Laye leads Diawara to profound meditations on Africa's culture. He suggests solutions that might overcome the stultifying legacy of colonialism and age-old social practices, yet that will mobilize indigenous strengths and energies.

In the face of Africa's dilemmas, Diawara accords an important role to the culture of the diaspora as well as to traditional music and literature--to James Brown, Miles Davis, and Salif Kéita, to Richard Wright, Spike Lee, and the ancient epics of the griots. And Diawara's journey enlightens us in the most disarming way with humor, conversations, and well-told tales.

The model of the development of child welfare policy presented here illuminates the complexity of the struggles from which modern social policy emerged, and accounts for the ways in which similar policies could be adapted to changing political systems--monarchical, republican, or fascist. Following a period of policy innovation, rapid institutional expansion, and intensifying ideological conflict before the First World War, Dickinson shows, the period from 1918 to 1961 saw a succession of efforts to reconcile competing policy agendas within different political contexts: the corporatist-democratic compromise worked out in the early years of the Weimar Republic, which broke down in the economic and political crisis at the end of the 1920s; the disastrous Nazi synthesis of authoritarianism and racism; and a revitalized corporatist-democratic framework, stabilized on the basis of the antitotalitarian consensus and of psychotherapeutic theory and practice, after 1949.

Historians of modern Germany and of the welfare state will find this a challenging and illuminating approach to important theoretical and historical questions.

Here for the first time is the poetry of Emily Dickinson as she herself “published” it in the privacy of her upstairs room in the house in Amherst.

She invented her own form of bookmaking. Her first drafts, jotted on odd scraps of paper, were discarded when transcribed. Completed poems were neatly copied in ink on sheets of folded stationery which she arranged in groups, usually of sixteen to twenty-four pages, and sewed together into packets or fascicles. These manuscript books were her private mode of publication, a substitute perhaps for the public mode that, for reasons unexplained, she denied herself. In recent years there has been increasing interest in the fascicles as artistic gathering, intrarelated by theme, imagery, or emotional movement. But no edition in the past, not even the variorum, or has arranged the poems in the sequence in which they appear in the manuscript books.

Emily Dickinson’s poems, more than those of any other poet, resist translation into the medium of print. Since she never saw a manuscript through the press, we cannot tell how she would have adapted for print her unusual capitalization, punctuation, line and stanza divisions, and alternate readings. The feather-light punctuation, in particular, is misrepresented when converted to conventional stop or even to dashes.

This elegant edition presents all of Emily Dickinson’s manuscript books and unsewn fascicle sheets—1,148 poems on 1,250 pages—restored insofar as possible to their original order, as they were when her sister found them after her death. The manuscripts are reproduced with startling fidelity in 300-line screen. Every detail is preserved: the bosses on the stationery, the sewing holes and tears, and poet’s alternate reading and penciled revisions, ink spots and other stains offset onto adjacent leaves, and later markings by Susan Dickinson, Mabel Todd, and others. The experience of reading these facsimile pages is virtually the same as reading the manuscripts themselves. Supplementary information is provided in introductions, notes, and appendices.

Emily Dickinson, poet of the interior life, imagined words/swords, hurling barbed syllables/piercing. Nothing about her adult appearance or habitation revealed such a militant soul. Only poems, written quietly in a room of her own, often hand-stitched in small volumes, then hidden in a drawer, revealed her true self. She did not live in time but in universals—an acute, sensitive nature reaching out boldly from self-referral to a wider, imagined world.

Dickinson died without fame; only a few poems were published in her lifetime. Her legacy was later rescued from her desk—an astonishing body of work, much of which has since appeared in piecemeal editions, sometimes with words altered by editors or publishers according to the fashion of the day.

Now Ralph Franklin, the foremost scholar of Dickinson's manuscripts, has prepared an authoritative one-volume edition of all extant poems by Emily Dickinson—1,789 poems in all, the largest number ever assembled. This reading edition derives from his three-volume work, The Poems of Emily Dickinson: Variorum Edition (1998), which contains approximately 2,500 sources for the poems. In this one-volume edition, Franklin offers a single reading of each poem—usually the latest version of the entire poem—rendered with Dickinson's spelling, punctuation, and capitalization intact. The Poems of Emily Dickinson: Reading Edition is a milestone in American literary scholarship and an indispensable addition to the personal library of poetry lovers everywhere.

Emily Dickinson, poet of the interior life, imagined words/swords, hurling barbed syllables/piercing. Nothing about her adult appearance or habitation revealed such a militant soul. Only poems, written quietly in a room of her own, often hand-stitched in small volumes, then hidden in a desk drawer, revealed her true self. She did not live in time, as did that other great poet of the day, Walt Whitman, but in universals. As she knowingly put it: “There is one thing to be grateful for—that one is one’s self and not somebody else.”

Dickinson lived and died without fame: she saw only a few poems published. Her great legacy was later rescued from her desk drawer—an astonishing body of work revealing her acute, sensitive nature reaching out boldly from self-referral to a wider, imagined world. Her family sought publication of Dickinson’s poetry over the years, selecting verses, often altering her words or her punctuation, until, in 1955, the first important attempt was made to collect and publish Dickinson’s work, edited by Thomas H. Johnson for the Belknap Press of Harvard University Press.

Now, after many years of preparation by Ralph W. Franklin, the foremost scholar of Dickinson’s manuscripts, a new comprehensive edition is available. This three-volume work contains 1,789 poems, the largest number ever assembled. The poems, arranged chronologically, based on new dating, are drawn from a range of archives, most frequently from holographs, but also from various secondary sources representing lost manuscripts. The text of each manuscript is rendered individually, including, within the capacity of standard type, Dickinson’s spelling, capitalization, and punctuation. Franklin gives Dickinson’s alternative readings for the poems, her revisions, and the line and page, or column, divisions in the source. Each entry identifies Franklin’s editorial emendations and records the publication history, including variants. Fourteen appendices of tables and lists give additional information, including poems attributed to Emily Dickinson. The poems are indexed by numbers from the Johnson edition, as well as by first lines.

Franklin has provided an introduction that serves as a guide to this edition and surveys the history of the editing of Dickinson’s poems. His account of how Dickinson conducted her workshop is a reconstruction of a remarkable poetic life.

Interest in Emily Dickinson has grown throughout the years until, now, in this three-volume edition Thomas Johnson presents the entire body of poems she is known to have written, 1775 in all. Here are the familiar “I never saw a Moor” and “Because I could not stop for Death,” along with other less well-known poems, including forty-three never before published. Casual notes to friends and relatives which frequently accompany scraps of verse help to reveal the poet's enigmatic character. After keen analysis of the manuscripts, Johnson has arranged the poems in what is believed to be their chronological order, with variations and rejected versions of each poem following.

In his introduction, the editor discusses the stylistic and historical development of the poetic art of Emily Dickinson, and he considers the manuscripts and the history of the editing of the poems. A careful study of the poet's handwriting is illustrated with several facsimiles. The appendix contains valuable material on the recipients of the poems as well as a subject index and an index of first lines.

Approximately 100 letters are published here for the first time, including almost all of the letters to Jane Humphrey and to Mrs. J. Howard Sweetser. The new material is even more extensive than it might appear, for many of the letters previously published were censored when first made public. This volume, designed to accompany Mr. Johnson’s previously published work, the widely acclaimed Poems of Emily Dickinson, assembles all of Emily Dickinson’s letters (with the exception of letters presumably destroyed). The editors present the letters chronologically, with manuscript location, previous publication data, and notes for each letter, together with a general introduction, and biographical notes on recipients of letters.

The notes for each letter identify persons and events mentioned, and the source of literary allusions and quotations is given wherever known. Since Emily Dickinson rarely dated her letters after 1850, the dates for the most part must be conjectured from careful study of handwriting changes and from internal evidence of the letters. Of the 1,150 letters and prose fragments included in this outstanding edition, the text of about 800 derives from Dickinson autographs.

Widely considered the definitive edition of Emily Dickinson’s poems, this landmark collection presents her poems here for the first time “as she preserved them,” and in the order in which she wished them to appear. It is the only edition of Dickinson’s complete poems to distinguish clearly those she took pains to copy carefully onto folded sheets in fair hand—presumably to preserve them for posterity—from the ones she kept in rougher form. It is also unique among complete editions in presenting the alternate words and phrases Dickinson chose to use on the copies of the poems she kept, so that we can peer over her shoulder and see her composing and reworking her own poems.

The world’s foremost scholar of Emily Dickinson, Cristanne Miller, guides us through these stunning poems with her deft and unobtrusive notes, helping us understand the poet’s quotations and allusions, and explaining how she composed, copied, and circulated her poems. Miller’s brilliant reordering of the poems transforms our experience of them.

A true delight, this award-winning collection brings us closer than we have ever been to the writing practice of one of America’s greatest poets. With its clear, uncluttered page and beautiful production values, it is a gift for students of Emily Dickinson and for anyone who loves her poems.

In a letter from 1845, the 14-year-old Emily Dickinson asked her friend Abiah Root if she had started collecting flowers and plants for a herbarium: "it would be such a treasure to you; 'most all the girls are making one." Emily's own album of more than 400 pressed flowers and plants, carefully preserved, has long been a treasure of Harvard's Houghton Library. This beautifully produced, slipcased volume now makes it available to all readers interested in the life and writings of Emily Dickinson.

The care that Emily put into her herbarium, as Richard Sewall points out, goes far beyond what one might expect of a botany student her age: "Take Emily's herbarium far enough, and you have her." The close observation of nature was a lifelong passion, and Emily used her garden flowers as emblems in her poetry and her correspondence. Each page of the album is reproduced in full color at full size, accompanied by a transcription of Dickinson's handwritten labels. Introduced by a substantial literary and biographical essay, and including a complete botanical catalog and index, this volume will delight scholars, gardeners, and all readers of Emily Dickinson's poetry.

The ninety-three letters—and the poems, over thirty in all, which she included in the letters or sent in place of them—written by Emily Dickinson to her dear friends the Hollands, are intimate, spontaneous, and at the same time as characteristically poetic as everything Emily ever wrote or said. They span the major portion of Emily's adult life, from her twenties to her death. A detailed study of handwriting and paper has made possible a new historical approach to her life, her prose, and her poetry.

This is the first of the books made possible by Harvard's acquisition of the Dickinson papers and the rights connected with them.

Dublin has experienced great—and often astonishing—change in its 1,400 year history. It has been the largest urban center on a deeply contested island since towns first appeared west of the Irish Sea. There have been other contested cities in the European and Mediterranean world, but almost no European capital city, David Dickson maintains, has seen sharper discontinuities and reversals in its history—and these have left their mark on Dublin and its inhabitants. Dublin occupies a unique place in Irish history and the Irish imagination. To chronicle its vast and varied history is to tell the story of Ireland.

David Dickson’s magisterial history brings Dublin vividly to life beginning with its medieval incarnation and progressing through the neoclassical eighteenth century, when for some it was the “Naples of the North,” to the Easter Rising that convulsed a war-weary city in 1916, to the bloody civil war that followed the handover of power by Britain, to the urban renewal efforts at the end of the millennium. He illuminates the fate of Dubliners through the centuries—clergymen and officials, merchants and land speculators, publishers and writers, and countless others—who have been shaped by, and who have helped to shape, their city. He reassesses 120 years of Anglo-Irish Union, during which Dublin remained a place where rival creeds and politics struggled for supremacy. A book as rich and diverse as its subject, Dublin reveals the intriguing story behind the making of a capital city.

The twenty-five years after the Second World War were a lively and fertile period for the American novel and an era of momentous transformation in American society. Taking his title from the Kafka parable about the leopards who kept racing into the courtyard of the temple, disrupting the sacrifice, until they were made part of the ritual, Morris Dickstein shows how a daring band of outsiders reshaped the American novel and went on to dominate American fiction for the rest of the century.

In fluid prose, offering a social as well as a literary history, Dickstein provides a wide-ranging and frank reassessment of more than twenty key figures—including Jewish writers like Norman Mailer, Saul Bellow, and Philip Roth; African-Americans such as Ralph Ellison and James Baldwin; colorful emigrés like Vladimir Nabokov; and avatars of a new youth culture, including J. D. Salinger and Jack Kerouac.

Disputing the received wisdom about the culture of the Cold War, Dickstein shows why artists turned inward after the war and demonstrates how the writing of the 1960s emerged from the cultural ferment of the preceding decades, including road novels, avant-garde painting, bebop, film, psychoanalysis, and social changes that continue to affect us today.

Early Pithouse period villagers played a generative role in the cultural and historical sequence of the Mogollon region, which is best known for the stunning black-on-white pottery of the Classic Mimbres culture. This volume presents a complete report on the archaeology of two important Early Pithouse settlements located along the Rio Mimbres, including detailed accounts of the excavation units, depositional contexts, architectural details, radiocarbon dates, miscellaneous artifacts, and ceramic frequency distributions.

The Thomson and McAnally sites contain architecture, artifacts, and other remains of the earliest relatively sedentary horticulturalists to occupy this part of the Southwest. The authors synthesize the data about charges over time in the villagers’ lifestyle to develop a new chronology for the occupation of the region.

The Chinese Communist welfare state was established with the goal of eradicating income inequality. But paradoxically, it actually widened the income gap, undermining one of the most important objectives of Mao Zedong’s revolution. Nara Dillon traces the origins of the Chinese welfare state from the 1940s through the 1960s, when such inequalities emerged and were institutionalized, to uncover the reasons why the state failed to achieve this goal.

Using newly available archival sources, Dillon focuses on the contradictory role played by labor in the development of the Chinese welfare state. At first, the mobilization of labor helped found a welfare state, but soon labor’s privileges turned into obstacles to the expansion of welfare to cover more of the poor. Under the tight economic constraints of the time, small, temporary differences evolved into large, entrenched inequalities. Placing these developments in the context of the globalization of the welfare state, Dillon focuses on the mismatch between welfare policies originally designed for European economies and the very different conditions found in revolutionary China. Because most developing countries faced similar constraints, the Chinese case provides insight into the development of narrow, unequal welfare states across much of the developing world in the postwar period.

Using the urbanized area that spreads across northern New Jersey and around New York City as a case study, this book presents a convincing explanation of metropolitan fragmentation—the process by which suburban communities remain as is or break off and form separate political entities. The process has important and deleterious consequences for a range of urban issues, including the weakening of public finance and school integration. The explanation centers on the independent effect of urban infrastructure, specifically sewers, roads, waterworks, gas, and electricity networks. The book argues that the development of such infrastructure in the late nineteenth century not only permitted cities to expand by annexing adjacent municipalities, but also further enhanced the ability of these suburban entities to remain or break away and form independent municipalities. The process was crucial in creating a proliferation of municipalities within metropolitan regions.

The book thus shows that the roots of the urban crisis can be found in the interplay between technology, politics, and public works in the American city.

Film noir remains one of the most enduring legacies of 1940s and ’50s Hollywood. Populated by double-crossing, unsavory characters, this pioneering film style explored a shadow side of American life during a period of tremendous prosperity and optimism. Edward Dimendberg compellingly demonstrates how film noir is preoccupied with modernity—particularly the urban landscape.

The originality of Dimendberg’s approach lies in his examining these films in tandem with historical developments in architecture, city planning, and modern communications systems. He confirms that noir is not simply a reflection of modernity but a virtual continuation of the spaces of the metropolis. He convincingly shows that Hollywood’s dark thrillers of the postwar decades were determined by the same forces that shaped the city itself.

Exploring classic examples of film noir such as The Asphalt Jungle, Double Indemnity, Kiss Me Deadly, and The Naked City alongside many lesser-known works, Dimendberg masterfully interweaves film history and urban history while perceptively analyzing works by Raymond Chandler, Edward Hopper, Siegfried Kracauer, and Henri Lefebvre. A bold intervention in cultural studies and a major contribution to film history, Film Noir and the Spaces of Modernity will provoke debate by cinema scholars, urban historians, and students of modern culture—and will captivate admirers of a vital period in American cinema.

This volume discusses the Bhaikṣukī manuscript of the Candrālaṃkāra (“Ornament of the Moon”), a commentary of the twelfth century based on the Cāndravyākaraṇa, Candragomin’s seminal Buddhist grammar of Sanskrit. The discovery of the Bhaikṣukī script and of all available written sources are described. The detailed study of this codex unicus of the Candrālaṃkāra is accompanied by a facsimile edition and extensive tables of the script, a long-felt desideratum in the field of palaeography. The Buddhist author of the commentary has been identified for the first time, and the nature of his treatise and its position in the Cāndra school of grammar have been expounded. The history of the manuscript and newly discovered traces of the Bhaikṣukī script in Tibet are discussed. This publication will serve as a prolegomenon necessary for the preparation of a critical edition of the Candrālaṃkāra, which until now was believed to have been lost irretrievably.

The Bhaikṣukī Manuscript of the Candrālaṃkāra will appeal to specialists with interests in a variety of fields such as Indian palaeography, grammar, Buddhism, history, and Indo-Tibetan studies.

The Caitanya Caritamrta is an early-seventeenth-century Bengali and Sanskrit biography of the great saint and Vaisnava leader Caitanya (1486–1533 CE) by the poet and scholar Krsnadasa, who has been given by Bengali tradition the title Kaviraja—“Prince of Poets.”

The text is of interest to theologians—Caitanya was, in Krsnadasa’s view, an androgyne of Krsna and Radha; philosophers—his theory was that aesthetic and religious experience are much the same in kind; historians of religion—the movement that Caitanya inspired has encompassed the great part of the eastern Indian subcontinent, and Krsnadasa has some interesting observations on his own times; and appreciators of literature—in Krsnadasa’s very long poem are embedded some lyric gems.

Millions of immigrants were drawn to American shores, not by the mythic streets paved with gold, but rather by its tables heaped with food. How they experienced the realities of America’s abundant food—its meat and white bread, its butter and cheese, fruits and vegetables, coffee and beer—reflected their earlier deprivations and shaped their ethnic practices in the new land.

Hungering for America tells the stories of three distinctive groups and their unique culinary dramas. Italian immigrants transformed the food of their upper classes and of sacred days into a generic “Italian” food that inspired community pride and cohesion. Irish immigrants, in contrast, loath to mimic the foodways of the Protestant British elite, diminished food as a marker of ethnicity. And East European Jews, who venerated food as the vital center around which family and religious practice gathered, found that dietary restrictions jarred with America’s boundless choices.

These tales, of immigrants in their old worlds and in the new, demonstrate the role of hunger in driving migration and the significance of food in cementing ethnic identity and community. Hasia Diner confirms the well-worn adage, “Tell me what you eat and I will tell you what you are.”

The literary career of Uchida Hyakken (1889–1971) encompassed a wide variety of styles and genres, including fiction, ­zuihitsu (essays), war diaries, poetry, travelogues, and children’s stories. In discussing his oeuvre, critics have circumscribed Hyakken to a private literary realm detached from the era in which he wrote.

Rachel DiNitto provides a critical corrective by locating in Hyakken’s simple yet powerful literary language a new way to appreciate the various literary reactions to the modernization of the early decades of the twentieth century and a means to open up a literary space of protest, an alternate intellectual response to the era of militarism.

This book takes up Hyakken’s fiction and essays written during Japan’s prewar years to investigate the intersection of his literature with the material and discursive surroundings of the time: a consumer-oriented print culture; the popular entertainment of film; the capitalist and cultural force of an emergent middle class; a planned, yet sprawling metropolis; and the war machine of an expanding Japanese ­empire. Emerging from this analysis is a writer who relied on the quotidian language of the everyday and the symbols of cultural modernism to counter the harsh realities of modernization and imperialism and to express sentiments contrary to the mainstream ideological rhetoric of the time.

A sweeping chronicle from Aeneas to Alexander Severus.

Dio Cassius (Cassius Dio), circa AD 150–235, was born at Nicaea in Bithynia in Asia Minor. On the death of his father (Roman governor of Cilicia) he went in 180 to Rome, entered the Senate, and under the emperor Commodus was an advocate. He held high offices, becoming a close friend of several emperors; he was made governor of Pergamum and Smyrna; consul in 220; proconsul of Africa; governor of Dalmatia and then of Pannonia; and consul again in 229.

Of the eighty books of Dio's great work Roman History, covering the era from the legendary landing of Aeneas in Italy to the reign of Alexander Severus (AD 222–235), we possess Books 36–60 (36 and 55–60 have gaps), which cover the years 68 BC–AD 47. The missing portions are partly supplied, for the earlier gaps by Zonaras, who relies closely on Dio, and for some later gaps (Book 35 onwards) by John Xiphilinus (of the eleventh century). There are also many excerpts. The facilities for research afforded by Dio's official duties and his own industry make him a very vital source for Roman history of the last years of the republic and the first four emperors.

The Loeb Classical Library edition of Dio Cassius is in nine volumes.

A sweeping chronicle from Aeneas to Alexander Severus.

Dio Cassius (Cassius Dio), circa AD 150–235, was born at Nicaea in Bithynia in Asia Minor. On the death of his father (Roman governor of Cilicia) he went in 180 to Rome, entered the Senate, and under the emperor Commodus was an advocate. He held high offices, becoming a close friend of several emperors; he was made governor of Pergamum and Smyrna; consul in 220; proconsul of Africa; governor of Dalmatia and then of Pannonia; and consul again in 229.

Of the eighty books of Dio's great work Roman History, covering the era from the legendary landing of Aeneas in Italy to the reign of Alexander Severus (AD 222–235), we possess Books 36–60 (36 and 55–60 have gaps), which cover the years 68 BC–AD 47. The missing portions are partly supplied, for the earlier gaps by Zonaras, who relies closely on Dio, and for some later gaps (Book 35 onwards) by John Xiphilinus (of the eleventh century). There are also many excerpts. The facilities for research afforded by Dio's official duties and his own industry make him a very vital source for Roman history of the last years of the republic and the first four emperors.

The Loeb Classical Library edition of Dio Cassius is in nine volumes.

A sweeping chronicle from Aeneas to Alexander Severus.

Dio Cassius (Cassius Dio), circa AD 150–235, was born at Nicaea in Bithynia in Asia Minor. On the death of his father (Roman governor of Cilicia) he went in 180 to Rome, entered the Senate, and under the emperor Commodus was an advocate. He held high offices, becoming a close friend of several emperors; he was made governor of Pergamum and Smyrna; consul in 220; proconsul of Africa; governor of Dalmatia and then of Pannonia; and consul again in 229.

Of the eighty books of Dio's great work Roman History, covering the era from the legendary landing of Aeneas in Italy to the reign of Alexander Severus (AD 222–235), we possess Books 36–60 (36 and 55–60 have gaps), which cover the years 68 BC–AD 47. The missing portions are partly supplied, for the earlier gaps by Zonaras, who relies closely on Dio, and for some later gaps (Book 35 onwards) by John Xiphilinus (of the eleventh century). There are also many excerpts. The facilities for research afforded by Dio's official duties and his own industry make him a very vital source for Roman history of the last years of the republic and the first four emperors.

The Loeb Classical Library edition of Dio Cassius is in nine volumes.

A sweeping chronicle from Aeneas to Alexander Severus.

Dio Cassius (Cassius Dio), circa AD 150–235, was born at Nicaea in Bithynia in Asia Minor. On the death of his father (Roman governor of Cilicia) he went in 180 to Rome, entered the Senate, and under the emperor Commodus was an advocate. He held high offices, becoming a close friend of several emperors; he was made governor of Pergamum and Smyrna; consul in 220; proconsul of Africa; governor of Dalmatia and then of Pannonia; and consul again in 229.

Of the eighty books of Dio's great work Roman History, covering the era from the legendary landing of Aeneas in Italy to the reign of Alexander Severus (AD 222–235), we possess Books 36–60 (36 and 55–60 have gaps), which cover the years 68 BC–AD 47. The missing portions are partly supplied, for the earlier gaps by Zonaras, who relies closely on Dio, and for some later gaps (Book 35 onwards) by John Xiphilinus (of the eleventh century). There are also many excerpts. The facilities for research afforded by Dio's official duties and his own industry make him a very vital source for Roman history of the last years of the republic and the first four emperors.

The Loeb Classical Library edition of Dio Cassius is in nine volumes.

A sweeping chronicle from Aeneas to Alexander Severus.

Dio Cassius (Cassius Dio), circa AD 150–235, was born at Nicaea in Bithynia in Asia Minor. On the death of his father (Roman governor of Cilicia) he went in 180 to Rome, entered the Senate, and under the emperor Commodus was an advocate. He held high offices, becoming a close friend of several emperors; he was made governor of Pergamum and Smyrna; consul in 220; proconsul of Africa; governor of Dalmatia and then of Pannonia; and consul again in 229.

Of the eighty books of Dio's great work Roman History, covering the era from the legendary landing of Aeneas in Italy to the reign of Alexander Severus (AD 222–235), we possess Books 36–60 (36 and 55–60 have gaps), which cover the years 68 BC–AD 47. The missing portions are partly supplied, for the earlier gaps by Zonaras, who relies closely on Dio, and for some later gaps (Book 35 onwards) by John Xiphilinus (of the eleventh century). There are also many excerpts. The facilities for research afforded by Dio's official duties and his own industry make him a very vital source for Roman history of the last years of the republic and the first four emperors.

The Loeb Classical Library edition of Dio Cassius is in nine volumes.

A sweeping chronicle from Aeneas to Alexander Severus.

Dio Cassius (Cassius Dio), circa AD 150–235, was born at Nicaea in Bithynia in Asia Minor. On the death of his father (Roman governor of Cilicia) he went in 180 to Rome, entered the Senate, and under the emperor Commodus was an advocate. He held high offices, becoming a close friend of several emperors; he was made governor of Pergamum and Smyrna; consul in 220; proconsul of Africa; governor of Dalmatia and then of Pannonia; and consul again in 229.

Of the eighty books of Dio's great work Roman History, covering the era from the legendary landing of Aeneas in Italy to the reign of Alexander Severus (AD 222–235), we possess Books 36–60 (36 and 55–60 have gaps), which cover the years 68 BC–AD 47. The missing portions are partly supplied, for the earlier gaps by Zonaras, who relies closely on Dio, and for some later gaps (Book 35 onwards) by John Xiphilinus (of the eleventh century). There are also many excerpts. The facilities for research afforded by Dio's official duties and his own industry make him a very vital source for Roman history of the last years of the republic and the first four emperors.

The Loeb Classical Library edition of Dio Cassius is in nine volumes.

A sweeping chronicle from Aeneas to Alexander Severus.

Dio Cassius (Cassius Dio), circa AD 150–235, was born at Nicaea in Bithynia in Asia Minor. On the death of his father (Roman governor of Cilicia) he went in 180 to Rome, entered the Senate, and under the emperor Commodus was an advocate. He held high offices, becoming a close friend of several emperors; he was made governor of Pergamum and Smyrna; consul in 220; proconsul of Africa; governor of Dalmatia and then of Pannonia; and consul again in 229.

Of the eighty books of Dio's great work Roman History, covering the era from the legendary landing of Aeneas in Italy to the reign of Alexander Severus (AD 222–235), we possess Books 36–60 (36 and 55–60 have gaps), which cover the years 68 BC–AD 47. The missing portions are partly supplied, for the earlier gaps by Zonaras, who relies closely on Dio, and for some later gaps (Book 35 onwards) by John Xiphilinus (of the eleventh century). There are also many excerpts. The facilities for research afforded by Dio's official duties and his own industry make him a very vital source for Roman history of the last years of the republic and the first four emperors.

The Loeb Classical Library edition of Dio Cassius is in nine volumes.

A sweeping chronicle from Aeneas to Alexander Severus.

Dio Cassius (Cassius Dio), circa AD 150–235, was born at Nicaea in Bithynia in Asia Minor. On the death of his father (Roman governor of Cilicia) he went in 180 to Rome, entered the Senate, and under the emperor Commodus was an advocate. He held high offices, becoming a close friend of several emperors; he was made governor of Pergamum and Smyrna; consul in 220; proconsul of Africa; governor of Dalmatia and then of Pannonia; and consul again in 229.

Of the eighty books of Dio's great work Roman History, covering the era from the legendary landing of Aeneas in Italy to the reign of Alexander Severus (AD 222–235), we possess Books 36–60 (36 and 55–60 have gaps), which cover the years 68 BC–AD 47. The missing portions are partly supplied, for the earlier gaps by Zonaras, who relies closely on Dio, and for some later gaps (Book 35 onwards) by John Xiphilinus (of the eleventh century). There are also many excerpts. The facilities for research afforded by Dio's official duties and his own industry make him a very vital source for Roman history of the last years of the republic and the first four emperors.

The Loeb Classical Library edition of Dio Cassius is in nine volumes.

A sweeping chronicle from Aeneas to Alexander Severus.

Dio Cassius (Cassius Dio), circa AD 150–235, was born at Nicaea in Bithynia in Asia Minor. On the death of his father (Roman governor of Cilicia) he went in 180 to Rome, entered the Senate, and under the emperor Commodus was an advocate. He held high offices, becoming a close friend of several emperors; he was made governor of Pergamum and Smyrna; consul in 220; proconsul of Africa; governor of Dalmatia and then of Pannonia; and consul again in 229.

Of the eighty books of Dio's great work Roman History, covering the era from the legendary landing of Aeneas in Italy to the reign of Alexander Severus (AD 222–235), we possess Books 36–60 (36 and 55–60 have gaps), which cover the years 68 BC–AD 47. The missing portions are partly supplied, for the earlier gaps by Zonaras, who relies closely on Dio, and for some later gaps (Book 35 onwards) by John Xiphilinus (of the eleventh century). There are also many excerpts. The facilities for research afforded by Dio's official duties and his own industry make him a very vital source for Roman history of the last years of the republic and the first four emperors.

The Loeb Classical Library edition of Dio Cassius is in nine volumes.

The man with the golden mouth.

Dio Cocceianus Chrysostomus (AD ca. 40–ca. 120), of Prusa in Bithynia, Asia Minor, inherited with his brothers large properties and debts from his generous father Pasicrates. He became a skilled rhetorician hostile to philosophers. But in the course of his travels he went to Rome in Vespasian’s reign (69–79) and was converted to Stoicism. Strongly critical of the emperor Domitian (81–96) he was about 82 banned by him from Italy and Bithynia and wandered in poverty, especially in lands north of the Aegean, as far as the Danube and the primitive Getae. In 97 he spoke publicly to Greeks assembled at Olympia, was welcomed at Rome by emperor Nerva (96–98), and returned to Prusa. Arriving again at Rome on an embassy of thanks about 98–99 he became a firm friend of emperor Trajan. In 102 he traveled to Alexandria and elsewhere. Involved in a lawsuit about plans to beautify Prusa at his own expense, he stated his case before the governor of Bithynia, Pliny the Younger, 111–112. The rest of his life is unknown.

Nearly all of Dio’s extant Discourses (or Orations) reflect political concerns (the most important of them dealing with affairs in Bithynia and affording valuable details about conditions in Asia Minor) or moral questions (mostly written in later life; they contain much of his best writing). Some philosophical and historical works, including one on the Getae, are lost. What survives of his achievement as a whole makes him prominent in the revival of Greek literature in the last part of the first century and the first part of the second.

The Loeb Classical Library edition of Dio Chrysostom is in five volumes.

The man with the golden mouth.

Dio Cocceianus Chrysostomus (AD ca. 40–ca. 120), of Prusa in Bithynia, Asia Minor, inherited with his brothers large properties and debts from his generous father Pasicrates. He became a skilled rhetorician hostile to philosophers. But in the course of his travels he went to Rome in Vespasian’s reign (69–79) and was converted to Stoicism. Strongly critical of the emperor Domitian (81–96) he was about 82 banned by him from Italy and Bithynia and wandered in poverty, especially in lands north of the Aegean, as far as the Danube and the primitive Getae. In 97 he spoke publicly to Greeks assembled at Olympia, was welcomed at Rome by emperor Nerva (96–98), and returned to Prusa. Arriving again at Rome on an embassy of thanks about 98–99 he became a firm friend of emperor Trajan. In 102 he traveled to Alexandria and elsewhere. Involved in a lawsuit about plans to beautify Prusa at his own expense, he stated his case before the governor of Bithynia, Pliny the Younger, 111–112. The rest of his life is unknown.

Nearly all of Dio’s extant Discourses (or Orations) reflect political concerns (the most important of them dealing with affairs in Bithynia and affording valuable details about conditions in Asia Minor) or moral questions (mostly written in later life; they contain much of his best writing). Some philosophical and historical works, including one on the Getae, are lost. What survives of his achievement as a whole makes him prominent in the revival of Greek literature in the last part of the first century and the first part of the second.

The Loeb Classical Library edition of Dio Chrysostom is in five volumes.

The man with the golden mouth.

Dio Cocceianus Chrysostomus (AD ca. 40–ca. 120), of Prusa in Bithynia, Asia Minor, inherited with his brothers large properties and debts from his generous father Pasicrates. He became a skilled rhetorician hostile to philosophers. But in the course of his travels he went to Rome in Vespasian’s reign (69–79) and was converted to Stoicism. Strongly critical of the emperor Domitian (81–96) he was about 82 banned by him from Italy and Bithynia and wandered in poverty, especially in lands north of the Aegean, as far as the Danube and the primitive Getae. In 97 he spoke publicly to Greeks assembled at Olympia, was welcomed at Rome by emperor Nerva (96–98), and returned to Prusa. Arriving again at Rome on an embassy of thanks about 98–99 he became a firm friend of emperor Trajan. In 102 he traveled to Alexandria and elsewhere. Involved in a lawsuit about plans to beautify Prusa at his own expense, he stated his case before the governor of Bithynia, Pliny the Younger, 111–112. The rest of his life is unknown.

Nearly all of Dio’s extant Discourses (or Orations) reflect political concerns (the most important of them dealing with affairs in Bithynia and affording valuable details about conditions in Asia Minor) or moral questions (mostly written in later life; they contain much of his best writing). Some philosophical and historical works, including one on the Getae, are lost. What survives of his achievement as a whole makes him prominent in the revival of Greek literature in the last part of the first century and the first part of the second.

The Loeb Classical Library edition of Dio Chrysostom is in five volumes.

The man with the golden mouth.

Dio Cocceianus Chrysostomus (AD ca. 40–ca. 120), of Prusa in Bithynia, Asia Minor, inherited with his brothers large properties and debts from his generous father Pasicrates. He became a skilled rhetorician hostile to philosophers. But in the course of his travels he went to Rome in Vespasian’s reign (69–79) and was converted to Stoicism. Strongly critical of the emperor Domitian (81–96) he was about 82 banned by him from Italy and Bithynia and wandered in poverty, especially in lands north of the Aegean, as far as the Danube and the primitive Getae. In 97 he spoke publicly to Greeks assembled at Olympia, was welcomed at Rome by emperor Nerva (96–98), and returned to Prusa. Arriving again at Rome on an embassy of thanks about 98–99 he became a firm friend of emperor Trajan. In 102 he traveled to Alexandria and elsewhere. Involved in a lawsuit about plans to beautify Prusa at his own expense, he stated his case before the governor of Bithynia, Pliny the Younger, 111–112. The rest of his life is unknown.

Nearly all of Dio’s extant Discourses (or Orations) reflect political concerns (the most important of them dealing with affairs in Bithynia and affording valuable details about conditions in Asia Minor) or moral questions (mostly written in later life; they contain much of his best writing). Some philosophical and historical works, including one on the Getae, are lost. What survives of his achievement as a whole makes him prominent in the revival of Greek literature in the last part of the first century and the first part of the second.

The Loeb Classical Library edition of Dio Chrysostom is in five volumes.

The man with the golden mouth.

Dio Cocceianus Chrysostomus (AD ca. 40–ca. 120), of Prusa in Bithynia, Asia Minor, inherited with his brothers large properties and debts from his generous father Pasicrates. He became a skilled rhetorician hostile to philosophers. But in the course of his travels he went to Rome in Vespasian’s reign (69–79) and was converted to Stoicism. Strongly critical of the emperor Domitian (81–96) he was about 82 banned by him from Italy and Bithynia and wandered in poverty, especially in lands north of the Aegean, as far as the Danube and the primitive Getae. In 97 he spoke publicly to Greeks assembled at Olympia, was welcomed at Rome by emperor Nerva (96–98), and returned to Prusa. Arriving again at Rome on an embassy of thanks about 98–99 he became a firm friend of emperor Trajan. In 102 he traveled to Alexandria and elsewhere. Involved in a lawsuit about plans to beautify Prusa at his own expense, he stated his case before the governor of Bithynia, Pliny the Younger, 111–112. The rest of his life is unknown.

Nearly all of Dio’s extant Discourses (or Orations) reflect political concerns (the most important of them dealing with affairs in Bithynia and affording valuable details about conditions in Asia Minor) or moral questions (mostly written in later life; they contain much of his best writing). Some philosophical and historical works, including one on the Getae, are lost. What survives of his achievement as a whole makes him prominent in the revival of Greek literature in the last part of the first century and the first part of the second.

The Loeb Classical Library edition of Dio Chrysostom is in five volumes.

Remains of a universal chronicle.

Diodorus Siculus, Greek historian of Agyrium in Sicily (ca. 80–20 BC), wrote forty books of world history, called Library of History, in three parts: mythical history of peoples, non-Greek and Greek, to the Trojan War; history to Alexander's death (323 BC); history to 54 BC. Of this we have complete Books 1–5 (Egyptians, Assyrians, Ethiopians, Greeks) and Books 11–20 (Greek history 480–302 BC); and fragments of the rest. He was an uncritical compiler, but used good sources and reproduced them faithfully. He is valuable for details unrecorded elsewhere, and as evidence for works now lost, especially writings of Ephorus, Apollodorus, Agatharchides, Philistus, and Timaeus.

The Loeb Classical Library edition of Diodorus Siculus is in twelve volumes.

Remains of a universal chronicle.

Diodorus Siculus, Greek historian of Agyrium in Sicily (ca. 80–20 BC), wrote forty books of world history, called Library of History, in three parts: mythical history of peoples, non-Greek and Greek, to the Trojan War; history to Alexander's death (323 BC); history to 54 BC. Of this we have complete Books 1–5 (Egyptians, Assyrians, Ethiopians, Greeks) and Books 11–20 (Greek history 480–302 BC); and fragments of the rest. He was an uncritical compiler, but used good sources and reproduced them faithfully. He is valuable for details unrecorded elsewhere, and as evidence for works now lost, especially writings of Ephorus, Apollodorus, Agatharchides, Philistus, and Timaeus.

The Loeb Classical Library edition of Diodorus Siculus is in twelve volumes.

Remains of a universal chronicle.

Diodorus Siculus, Greek historian of Agyrium in Sicily (ca. 80–20 BC), wrote forty books of world history, called Library of History, in three parts: mythical history of peoples, non-Greek and Greek, to the Trojan War; history to Alexander's death (323 BC); history to 54 BC. Of this we have complete Books 1–5 (Egyptians, Assyrians, Ethiopians, Greeks) and Books 11–20 (Greek history 480–302 BC); and fragments of the rest. He was an uncritical compiler, but used good sources and reproduced them faithfully. He is valuable for details unrecorded elsewhere, and as evidence for works now lost, especially writings of Ephorus, Apollodorus, Agatharchides, Philistus, and Timaeus.

The Loeb Classical Library edition of Diodorus Siculus is in twelve volumes.

Remains of a universal chronicle.

Diodorus Siculus, Greek historian of Agyrium in Sicily (ca. 80–20 BC), wrote forty books of world history, called Library of History, in three parts: mythical history of peoples, non-Greek and Greek, to the Trojan War; history to Alexander's death (323 BC); history to 54 BC. Of this we have complete Books 1–5 (Egyptians, Assyrians, Ethiopians, Greeks) and Books 11–20 (Greek history 480–302 BC); and fragments of the rest. He was an uncritical compiler, but used good sources and reproduced them faithfully. He is valuable for details unrecorded elsewhere, and as evidence for works now lost, especially writings of Ephorus, Apollodorus, Agatharchides, Philistus, and Timaeus.

The Loeb Classical Library edition of Diodorus Siculus is in twelve volumes.

Remains of a universal chronicle.

Diodorus Siculus, Greek historian of Agyrium in Sicily (ca. 80–20 BC), wrote forty books of world history, called Library of History, in three parts: mythical history of peoples, non-Greek and Greek, to the Trojan War; history to Alexander's death (323 BC); history to 54 BC. Of this we have complete Books 1–5 (Egyptians, Assyrians, Ethiopians, Greeks) and Books 11–20 (Greek history 480–302 BC); and fragments of the rest. He was an uncritical compiler, but used good sources and reproduced them faithfully. He is valuable for details unrecorded elsewhere, and as evidence for works now lost, especially writings of Ephorus, Apollodorus, Agatharchides, Philistus, and Timaeus.

The Loeb Classical Library edition of Diodorus Siculus is in twelve volumes.

Remains of a universal chronicle.

Diodorus Siculus, Greek historian of Agyrium in Sicily (ca. 80–20 BC), wrote forty books of world history, called Library of History, in three parts: mythical history of peoples, non-Greek and Greek, to the Trojan War; history to Alexander's death (323 BC); history to 54 BC. Of this we have complete Books 1–5 (Egyptians, Assyrians, Ethiopians, Greeks) and Books 11–20 (Greek history 480–302 BC); and fragments of the rest. He was an uncritical compiler, but used good sources and reproduced them faithfully. He is valuable for details unrecorded elsewhere, and as evidence for works now lost, especially writings of Ephorus, Apollodorus, Agatharchides, Philistus, and Timaeus.

The Loeb Classical Library edition of Diodorus Siculus is in twelve volumes.

Remains of a universal chronicle.

Diodorus Siculus, Greek historian of Agyrium in Sicily (ca. 80–20 BC), wrote forty books of world history, called Library of History, in three parts: mythical history of peoples, non-Greek and Greek, to the Trojan War; history to Alexander's death (323 BC); history to 54 BC. Of this we have complete Books 1–5 (Egyptians, Assyrians, Ethiopians, Greeks) and Books 11–20 (Greek history 480–302 BC); and fragments of the rest. He was an uncritical compiler, but used good sources and reproduced them faithfully. He is valuable for details unrecorded elsewhere, and as evidence for works now lost, especially writings of Ephorus, Apollodorus, Agatharchides, Philistus, and Timaeus.

The Loeb Classical Library edition of Diodorus Siculus is in twelve volumes.

Remains of a universal chronicle.

Diodorus Siculus, Greek historian of Agyrium in Sicily (ca. 80–20 BC), wrote forty books of world history, called Library of History, in three parts: mythical history of peoples, non-Greek and Greek, to the Trojan War; history to Alexander's death (323 BC); history to 54 BC. Of this we have complete Books 1–5 (Egyptians, Assyrians, Ethiopians, Greeks) and Books 11–20 (Greek history 480–302 BC); and fragments of the rest. He was an uncritical compiler, but used good sources and reproduced them faithfully. He is valuable for details unrecorded elsewhere, and as evidence for works now lost, especially writings of Ephorus, Apollodorus, Agatharchides, Philistus, and Timaeus.

The Loeb Classical Library edition of Diodorus Siculus is in twelve volumes.

Remains of a universal chronicle.

Diodorus Siculus, Greek historian of Agyrium in Sicily (ca. 80–20 BC), wrote forty books of world history, called Library of History, in three parts: mythical history of peoples, non-Greek and Greek, to the Trojan War; history to Alexander's death (323 BC); history to 54 BC. Of this we have complete Books 1–5 (Egyptians, Assyrians, Ethiopians, Greeks) and Books 11–20 (Greek history 480–302 BC); and fragments of the rest. He was an uncritical compiler, but used good sources and reproduced them faithfully. He is valuable for details unrecorded elsewhere, and as evidence for works now lost, especially writings of Ephorus, Apollodorus, Agatharchides, Philistus, and Timaeus.

The Loeb Classical Library edition of Diodorus Siculus is in twelve volumes.

Remains of a universal chronicle.

Diodorus Siculus, Greek historian of Agyrium in Sicily (ca. 80–20 BC), wrote forty books of world history, called Library of History, in three parts: mythical history of peoples, non-Greek and Greek, to the Trojan War; history to Alexander's death (323 BC); history to 54 BC. Of this we have complete Books 1–5 (Egyptians, Assyrians, Ethiopians, Greeks) and Books 11–20 (Greek history 480–302 BC); and fragments of the rest. He was an uncritical compiler, but used good sources and reproduced them faithfully. He is valuable for details unrecorded elsewhere, and as evidence for works now lost, especially writings of Ephorus, Apollodorus, Agatharchides, Philistus, and Timaeus.

The Loeb Classical Library edition of Diodorus Siculus is in twelve volumes.

Remains of a universal chronicle.

Diodorus Siculus, Greek historian of Agyrium in Sicily (ca. 80–20 BC), wrote forty books of world history, called Library of History, in three parts: mythical history of peoples, non-Greek and Greek, to the Trojan War; history to Alexander's death (323 BC); history to 54 BC. Of this we have complete Books 1–5 (Egyptians, Assyrians, Ethiopians, Greeks) and Books 11–20 (Greek history 480–302 BC); and fragments of the rest. He was an uncritical compiler, but used good sources and reproduced them faithfully. He is valuable for details unrecorded elsewhere, and as evidence for works now lost, especially writings of Ephorus, Apollodorus, Agatharchides, Philistus, and Timaeus.

The Loeb Classical Library edition of Diodorus Siculus is in twelve volumes.

Remains of a universal chronicle.

Diodorus Siculus, Greek historian of Agyrium in Sicily (ca. 80–20 BC), wrote forty books of world history, called Library of History, in three parts: mythical history of peoples, non-Greek and Greek, to the Trojan War; history to Alexander's death (323 BC); history to 54 BC. Of this we have complete Books 1–5 (Egyptians, Assyrians, Ethiopians, Greeks) and Books 11–20 (Greek history 480–302 BC); and fragments of the rest. He was an uncritical compiler, but used good sources and reproduced them faithfully. He is valuable for details unrecorded elsewhere, and as evidence for works now lost, especially writings of Ephorus, Apollodorus, Agatharchides, Philistus, and Timaeus.

The Loeb Classical Library edition of Diodorus Siculus is in twelve volumes.

Examined lives.

Diogenes Laertius, author of a work on Greek philosophy, lived probably in the earlier half of the third century, his ancestry and birthplace being unknown. He was an Epicurean philosopher, but his work is not philosophical. The title is History of Philosophy or On the Lives, Opinions, and Sayings of Famous Philosophers; the work, in ten books, is divided unscientifically into two “Successions” or sections: “Ionian” from Anaximander to Theophrastus and Chrysippus, including the Socratic schools; “Italian” from Pythagoras to Epicurus (who fills all the last book), including the Eleatics and Sceptics. It is a collection of quotations and facts, and is of very great value.

The Loeb Classical Library edition of Diogenes Laertius is in two volumes.

Examined lives.

Diogenes Laertius, author of a work on Greek philosophy, lived probably in the earlier half of the third century, his ancestry and birthplace being unknown. He was an Epicurean philosopher, but his work is not philosophical. The title is History of Philosophy or On the Lives, Opinions, and Sayings of Famous Philosophers; the work, in ten books, is divided unscientifically into two “Successions” or sections: “Ionian” from Anaximander to Theophrastus and Chrysippus, including the Socratic schools; “Italian” from Pythagoras to Epicurus (who fills all the last book), including the Eleatics and Sceptics. It is a collection of quotations and facts, and is of very great value.

The Loeb Classical Library edition of Diogenes Laertius is in two volumes.

Roman history for a Greek audience.

Dionysius of Halicarnassus was born before 53 BC and went to Italy before 29 BC. He taught rhetoric in Rome while studying the Latin language, collecting material for a history of Rome, and writing. His Roman Antiquities began to appear in 7 BC.

Dionysius states that his objects in writing history were to please lovers of noble deeds and to repay the benefits he had enjoyed in Rome. But he wrote also to reconcile Greeks to Roman rule. Of the twenty books of Roman Antiquities (from the earliest times to 264 BC) we have the first nine complete; most of Books 10 and 11; and later extracts and an epitome of the whole. Dionysius studied the best available literary sources (mainly annalistic and other historians) and possibly some public documents. His work and that of Livy are our only continuous and detailed independent narratives of early Roman history.

Dionysius was author also of essays on literature covering rhetoric, Greek oratory, Thucydides, and how to imitate the best models in literature.

The Loeb Classical Library publishes a two-volume edition of the critical essays; the edition of Roman Antiquities is in seven volumes.

Roman history for a Greek audience.

Dionysius of Halicarnassus was born before 53 BC and went to Italy before 29 BC. He taught rhetoric in Rome while studying the Latin language, collecting material for a history of Rome, and writing. His Roman Antiquities began to appear in 7 BC.

Dionysius states that his objects in writing history were to please lovers of noble deeds and to repay the benefits he had enjoyed in Rome. But he wrote also to reconcile Greeks to Roman rule. Of the twenty books of Roman Antiquities (from the earliest times to 264 BC) we have the first nine complete; most of Books 10 and 11; and later extracts and an epitome of the whole. Dionysius studied the best available literary sources (mainly annalistic and other historians) and possibly some public documents. His work and that of Livy are our only continuous and detailed independent narratives of early Roman history.

Dionysius was author also of essays on literature covering rhetoric, Greek oratory, Thucydides, and how to imitate the best models in literature.

The Loeb Classical Library publishes a two-volume edition of the critical essays; the edition of Roman Antiquities is in seven volumes.

Roman history for a Greek audience.

Dionysius of Halicarnassus was born before 53 BC and went to Italy before 29 BC. He taught rhetoric in Rome while studying the Latin language, collecting material for a history of Rome, and writing. His Roman Antiquities began to appear in 7 BC.

Dionysius states that his objects in writing history were to please lovers of noble deeds and to repay the benefits he had enjoyed in Rome. But he wrote also to reconcile Greeks to Roman rule. Of the twenty books of Roman Antiquities (from the earliest times to 264 BC) we have the first nine complete; most of Books 10 and 11; and later extracts and an epitome of the whole. Dionysius studied the best available literary sources (mainly annalistic and other historians) and possibly some public documents. His work and that of Livy are our only continuous and detailed independent narratives of early Roman history.

Dionysius was author also of essays on literature covering rhetoric, Greek oratory, Thucydides, and how to imitate the best models in literature.

The Loeb Classical Library publishes a two-volume edition of the critical essays; the edition of Roman Antiquities is in seven volumes.

Roman history for a Greek audience.

Dionysius of Halicarnassus was born before 53 BC and went to Italy before 29 BC. He taught rhetoric in Rome while studying the Latin language, collecting material for a history of Rome, and writing. His Roman Antiquities began to appear in 7 BC.

Dionysius states that his objects in writing history were to please lovers of noble deeds and to repay the benefits he had enjoyed in Rome. But he wrote also to reconcile Greeks to Roman rule. Of the twenty books of Roman Antiquities (from the earliest times to 264 BC) we have the first nine complete; most of Books 10 and 11; and later extracts and an epitome of the whole. Dionysius studied the best available literary sources (mainly annalistic and other historians) and possibly some public documents. His work and that of Livy are our only continuous and detailed independent narratives of early Roman history.

Dionysius was author also of essays on literature covering rhetoric, Greek oratory, Thucydides, and how to imitate the best models in literature.

The Loeb Classical Library publishes a two-volume edition of the critical essays; the edition of Roman Antiquities is in seven volumes.

Roman history for a Greek audience.

Dionysius of Halicarnassus was born before 53 BC and went to Italy before 29 BC. He taught rhetoric in Rome while studying the Latin language, collecting material for a history of Rome, and writing. His Roman Antiquities began to appear in 7 BC.

Dionysius states that his objects in writing history were to please lovers of noble deeds and to repay the benefits he had enjoyed in Rome. But he wrote also to reconcile Greeks to Roman rule. Of the twenty books of Roman Antiquities (from the earliest times to 264 BC) we have the first nine complete; most of Books 10 and 11; and later extracts and an epitome of the whole. Dionysius studied the best available literary sources (mainly annalistic and other historians) and possibly some public documents. His work and that of Livy are our only continuous and detailed independent narratives of early Roman history.

Dionysius was author also of essays on literature covering rhetoric, Greek oratory, Thucydides, and how to imitate the best models in literature.

The Loeb Classical Library publishes a two-volume edition of the critical essays; the edition of Roman Antiquities is in seven volumes.

Roman history for a Greek audience.

Dionysius of Halicarnassus was born before 53 BC and went to Italy before 29 BC. He taught rhetoric in Rome while studying the Latin language, collecting material for a history of Rome, and writing. His Roman Antiquities began to appear in 7 BC.

Dionysius states that his objects in writing history were to please lovers of noble deeds and to repay the benefits he had enjoyed in Rome. But he wrote also to reconcile Greeks to Roman rule. Of the twenty books of Roman Antiquities (from the earliest times to 264 BC) we have the first nine complete; most of Books 10 and 11; and later extracts and an epitome of the whole. Dionysius studied the best available literary sources (mainly annalistic and other historians) and possibly some public documents. His work and that of Livy are our only continuous and detailed independent narratives of early Roman history.

Dionysius was author also of essays on literature covering rhetoric, Greek oratory, Thucydides, and how to imitate the best models in literature.

The Loeb Classical Library publishes a two-volume edition of the critical essays; the edition of Roman Antiquities is in seven volumes.

Roman history for a Greek audience.

Dionysius of Halicarnassus was born before 53 BC and went to Italy before 29 BC. He taught rhetoric in Rome while studying the Latin language, collecting material for a history of Rome, and writing. His Roman Antiquities began to appear in 7 BC.

Dionysius states that his objects in writing history were to please lovers of noble deeds and to repay the benefits he had enjoyed in Rome. But he wrote also to reconcile Greeks to Roman rule. Of the twenty books of Roman Antiquities (from the earliest times to 264 BC) we have the first nine complete; most of Books 10 and 11; and later extracts and an epitome of the whole. Dionysius studied the best available literary sources (mainly annalistic and other historians) and possibly some public documents. His work and that of Livy are our only continuous and detailed independent narratives of early Roman history.

Dionysius was author also of essays on literature covering rhetoric, Greek oratory, Thucydides, and how to imitate the best models in literature.

The Loeb Classical Library publishes a two-volume edition of the critical essays; the edition of Roman Antiquities is in seven volumes.

A master of ancient Greek prose styles.

Dionysius of Halicarnassus had migrated to Rome by 30 BC, where he lived until his death some time after 8 BC, writing his Roman Antiquities and teaching the art of rhetoric and literary composition.

Dionysius’ purpose, both in his own work and in his teaching, was to re-establish the classical Attic standards of purity, invention, and taste in order to reassert the primacy of Greek as the literary language of the Mediterranean world. He advocated the minute study of the styles of the finest prose authors of the fifth and fourth centuries BC, especially the Attic orators. His critical essays on these and on the historian Thucydides represent an important development from the somewhat mechanical techniques of rhetorical handbooks to a more sensitive criticism of individual authors. Illustrating his analysis with well-chosen examples, Dionysius preserves a number of important fragments of Lysias and Isaeus.

The essays on those two orators and on Isocrates, Demosthenes, and Thucydides comprise Volume I of this edition. Volume II contains three letters to his students; a short essay on the orator Dinarchus; and his finest work, the essay On Literary Composition, which combines rhetoric, grammar, and criticism in a manner unique in ancient literature.

The Loeb Classical Library also publishes a seven-volume edition of Roman Antiquities, by Dionysius of Halicarnassus, a history from earliest times to 264 BC.

A master of ancient Greek prose styles.

Dionysius of Halicarnassus had migrated to Rome by 30 BC, where he lived until his death some time after 8 BC, writing his Roman Antiquities and teaching the art of rhetoric and literary composition.

Dionysius’ purpose, both in his own work and in his teaching, was to re-establish the classical Attic standards of purity, invention, and taste in order to reassert the primacy of Greek as the literary language of the Mediterranean world. He advocated the minute study of the styles of the finest prose authors of the fifth and fourth centuries BC, especially the Attic orators. His critical essays on these and on the historian Thucydides represent an important development from the somewhat mechanical techniques of rhetorical handbooks to a more sensitive criticism of individual authors. Illustrating his analysis with well-chosen examples, Dionysius preserves a number of important fragments of Lysias and Isaeus.

The essays on those two orators and on Isocrates, Demosthenes, and Thucydides comprise Volume I of this edition. Volume II contains three letters to his students; a short essay on the orator Dinarchus; and his finest work, the essay On Literary Composition, which combines rhetoric, grammar, and criticism in a manner unique in ancient literature.

The Loeb Classical Library also publishes a seven-volume edition of Roman Antiquities, by Dionysius of Halicarnassus, a history from earliest times to 264 BC.

Many have told of the East India Company’s extraordinary excesses in eighteenth-century India, of the plunder that made its directors fabulously wealthy and able to buy British land and titles, but this is only a fraction of the story. When one of these men—Warren Hastings—was put on trial by Edmund Burke, it brought the Company’s exploits to the attention of the public. Through the trial and after, the British government transformed public understanding of the Company’s corrupt actions by creating an image of a vulnerable India that needed British assistance. Intrusive behavior was recast as a civilizing mission. In this fascinating, and devastating, account of the scandal that laid the foundation of the British Empire, Nicholas Dirks explains how this substitution of imperial authority for Company rule helped erase the dirty origins of empire and justify the British presence in India.

The Scandal of Empire reveals that the conquests and exploitations of the East India Company were critical to England’s development in the eighteenth century and beyond. We see how mercantile trade was inextricably linked with imperial venture and scandalous excess and how these three things provided the ideological basis for far-flung British expansion. In this powerfully written and trenchant critique, Dirks shows how the empire projected its own scandalous behavior onto India itself. By returning to the moment when the scandal of empire became acceptable we gain a new understanding of the modern culture of the colonizer and the colonized and the manifold implications for Britain, India, and the world.

This study of the Portuguese commercial empire in India during the Hapsburg years is the most serious attempt yet made to analyze the old Portuguese pepper trade--from the planting of orchards in the foothills of Malabar and Kanara to the unloading of spice-laden carracks in Lisbon. Equally significant, it is the first book to explain how and why the Portuguese were not able to modernize their trade system when faced with crisis conditions.

The distress that confronted the Portuguese following the arrival of the Dutch and English, seen here as partly military but fundamentally economic and organizational, reached its decisive stage in the 1620s and early 1630s. The Portuguese attempted to combat the crisis by creating their own India Company. The story of that company and the reasons for its failure are thoroughly investigated as Disney looks at its antecedents, composition, activities, and weaknesses. The author has unearthed much new statistical material from widely scattered manuscript sources and in doing so sheds new light on related problems and issues, such as institutional relations between Spain and Portugal, the careers of individual merchants, and the nature and difficulties of viceregal government in Portuguese India.

An award-winning historian and journalist tells the very human story of apartheid’s afterlife, tracing the fates of South African insurgents, collaborators, and the security police through the tale of the clandestine photo album used to target apartheid’s enemies.

From the 1960s until the early 1990s, the South African security police and counterinsurgency units collected over 7,000 photographs of apartheid’s enemies. The political rogue’s gallery was known as the “terrorist album,” copies of which were distributed covertly to police stations throughout the country. Many who appeared in the album were targeted for surveillance. Sometimes the security police tried to turn them; sometimes the goal was elimination.

All of the albums were ordered destroyed when apartheid’s violent collapse began. But three copies survived the memory purge. With full access to one of these surviving albums, award-winning South African historian and journalist Jacob Dlamini investigates the story behind these images: their origins, how they were used, and the lives they changed. Extensive interviews with former targets and their family members testify to the brutal and often careless work of the police. Although the police certainly hunted down resisters, the terrorist album also contains mug shots of bystanders and even regime supporters. Their inclusion is a stark reminder that apartheid’s guardians were not the efficient, if morally compromised, law enforcers of legend but rather blundering agents of racial panic.

With particular attentiveness to the afterlife of apartheid, Dlamini uncovers the stories of former insurgents disenchanted with today’s South Africa, former collaborators seeking forgiveness, and former security police reinventing themselves as South Africa’s newest export: “security consultants” serving as mercenaries for Western nations and multinational corporations. The Terrorist Album is a brilliant evocation of apartheid’s tragic caprice, ultimate failure, and grim legacy.

Hailed as the permanent record of fleeting moments, the cinema emerged at the turn of the nineteenth century as an unprecedented means of capturing time--and this at a moment when disciplines from physics to philosophy, and historical trends from industrialization to the expansion of capitalism, were transforming the very idea of time. In a work that itself captures and reconfigures the passing moments of art, history, and philosophy, Mary Ann Doane shows how the cinema, representing the singular instant of chance and ephemerality in the face of the increasing rationalization and standardization of the day, participated in the structuring of time and contingency in capitalist modernity.

At this book's heart is the cinema's essential paradox: temporal continuity conveyed through "stopped time," the rapid succession of still frames or frozen images. Doane explores the role of this paradox, and of notions of the temporal indeterminacy and instability of an image, in shaping not just cinematic time but also modern ideas about continuity and discontinuity, archivability, contingency and determinism, and temporal irreversibility. A compelling meditation on the status of cinematic knowledge, her book is also an inquiry into the very heart and soul of modernity.

A streak of light crosses the night sky as a bit of extraterrestrial material falls to Earth.

Meteorites, which range from particles of dust to massive chunks of metal and rock, bombard the Earth constantly, adding hundreds of tons of new material to our planet each day. What are these objects? How do we recover and study them? Where do they come from, and what do they tell us about the birth and infancy of the solar system? Why do many scientists now believe that meteorites have played a dramatic, albeit occasional, role in the evolution of life on Earth?

In Thunderstones and Shooting Stars, Robert T. Dodd gives us an up-to-date report on these questions. He summarizes the evidence that leads scientists to believe that most meteorites come from asteroids, although a few come from the moon and a few more from a planet, probably Mars. He explains how chondrites--the most numerous and primitive of meteorites--contribute to our evolving picture of the early solar system, and how some of them may tell us of events that took place beyond the sun and before its birth. Finally, he examines the controversial hypothesis that impacts by asteroids or comets have interrupted the evolution of life on Earth, accounting for such geological puzzles as the rapid demise of the dinosaurs.

Meteorites have been called "the poor man's space probe," for they are the only extraterrestrial rocks that we can collect without benefit of spacecraft. This lively and accessible book both illuminates the complex science of meteoritics and conveys a sense of its excitement. University teachers and students will appreciate its synthesis of new research on a broad range of topics, and amateurs will delight in its lucid presentation of a science that is unlocking many mysteries of Earth and space.

This book examines the development of Japanese literature depicting the native place (furusato) from the mid-Meiji period through the late 1930s as a way of articulating the uprootedness and sense of loss many experienced as Japan modernized. The 1890s witnessed the appearance of fictional works describing a city dweller who returns to his native place, where he reflects on the evils of urban life and the idyllic past of his childhood home. The book concentrates on four authors who typify this trend: Kunikida Doppo, Shimazaki Tōson, Satō Haruo, and Shiga Naoya.

All four writers may be understood as trying to make sense of contemporary Japan. Their works reflect their engagement with the social, intellectual, economic, and technological discourses that created a network of shared experience among people of a similar age. This common experience allows the author to chart how these writers’ works contributed to the general debate over Japanese national identity in this period. By exploring the links between furusato literature and the theme of national identity, he shows that the debate over a common language that might “transparently” express the modern experience helped shape a variety of literary forms used to present the native place as a distinctly Japanese experience.

This book offers an analysis of ten works by the leading twentieth-century Japanese novelist Natsume Soseki (1867–1916), by one of Japan's most distinguished psychiatrists. Dr. Takeo Doi, whose Amae no Kozo is well known in the West in its English translation, The Anatomy of Dependency, describes the principal characters of Soseki's novels from a psychological point of view, treating them as case studies and demonstrating the clarity and accuracy of Soseki's psychological insights.

This volume, one of the few pieces of literary criticism ever translated from the Japanese, will introduce the reader to these novels, some of which are not available in English. Furthermore, the book is a penetrating account of the universal problems faced by individuals coping with a rapidly modernizing society.

For much of the twentieth century, the May Fourth movement of 1919 was seen as the foundational moment of modernity in China. Recent examinations of literary and cultural modernity in China have, however, led to a questioning of this view. By approaching May Fourth from novel perspectives, the authors of the eight studies in this volume seek to contribute to the ongoing critique of the movement.

The essays are centered on the intellectual and cultural/historical motivations and practices behind May Fourth discourse and highlight issues such as strategies of discourse formation, scholarly methodologies, rhetorical dispositions, the manipulation of historical sources, and the construction of modernity by means of the reification of China’s literary past.

Theobald Smith (1859–1934) is widely considered to be America’s first significant medical scientist and the world’s leading comparative pathologist. Entering the new field of infectious diseases as a young medical graduate, his research in bacteriology, immunology, and parasitology produced many important and basic discoveries. His most significant accomplishment was proving for the first time that an infectious disease could be transmitted by an arthropod agent. He also made significant discoveries on anaphylaxis, vaccine production, bacterial variation, and a host of other methods and diseases. His work on hog cholera led to the selection of the paratyphoid species causing enteric fever as the prototype of the eponymous Salmonella genus, mistakenly named for his chief at the U.S. Department of Agriculture, Daniel Salmon, who first reported the discovery in 1886, although the work was undertaken by Smith alone.

In 1895, Smith began a twenty-year career as teacher and researcher at the Harvard Medical School and director of the biological laboratory at the Massachusetts State Board of Health. In 1902, when the Rockefeller Institute for Medical Research was founded, he was offered but declined its directorship; however, in 1914, when the Institute established a division of animal pathology, he became director of its research division. Suppressing the Diseases of Animals and Man, the first book-length biography of Smith to appear in print, is based primarily on personal papers and correspondence that have remained in the possession of his family until now.