Shohat’s critical method boldly transcends disciplinary and geographical boundaries. She explores such issues as the relations between ethnic studies and area studies, the paradoxical repercussions for audio-visual media of the “graven images” taboo, the allegorization of race through the refiguring of Cleopatra, the allure of imperial popular culture, and the gender politics of medical technologies. She also examines the resistant poetics of exile and displacement; the staging of historical memory through the commemorations of the two 1492s, the anomalies of the “national” in Zionist discourse, the implications of the hyphen in the concept “Arab-Jew,” and the translation of the debates on orientalism and postcolonialism across geographies. Taboo Memories, Diasporic Voices not only illuminates many of the concerns that have animated the study of cultural politics over the past two decades; it also points toward new scholarly possibilities.
James R. Farr reveals the Giroux affair not only as a riveting murder mystery but also as an illuminating point of entry into the dynamics of power, justice, and law in seventeenth-century France. Drawing on the voluminous trial records, Farr uses Giroux’s experience in the court system to trace the mechanisms of power—both the formal power vested by law in judicial officials and the informal power exerted by the nobility through patron-client relationships. He does not take a position on Giroux’s guilt or innocence. Instead, he allows readers to draw their own conclusions about who did what to whom on that ill-fated evening in 1638.
Contributors. Gregg Bordowitz, Constance DeJong, Leslie Dick, Steve Fagin, Barry Gifford, Victoria Gill, Bill Horrigan, Bertha Jottar, Ivone Margulies, Patricia Mellencamp, Margaret Morse, Constance Penley, Vicente L. Rafael, Mark Rappaport, Andrew Ross, Vivian Sobchack, Trinh T. Minh-ha, John Welchman, Peter Wollen
Contributors. Ludmilla Alexeyeva, Edward A. Allworth, Mübeyyin Batu Altan, Nermin Eren, Alan W. Fisher, Riza Gülüm, Seyit Ahmet Kirimca, Edward Lazzerini, Peter Reddaway, Ayshe Seytmuratova, Andrew Wilson
The contributors examine the contexts in which Pacific tattoos were “discovered” by Europeans, track the history of the tattooing of Europeans visiting the region, and look at how Pacific tattooing was absorbed, revalued, and often suppressed by agents of European colonization. They consider how European art has incorporated tattooing, and they explore contemporary manifestations of Pacific tattoo art, paying particular attention to the different trajectories of Samoan, Tahitian, and Maori tattooing and to the meaning of present-day appropriations of tribal tattoos. New research has uncovered a fascinating visual archive of centuries-old tattoo images, and this richly illustrated volume includes a number of those—many published here for the first time—alongside images of contemporary tattooing in Polynesia and Europe. Tattoo offers a tantalizing glimpse into the plethora of stories and cross-cultural encounters that lie between the blood on a sailor’s backside in the eighteenth century and the hammering of a Samoan tattoo tool in the twenty-first.
Contributors. Peter Brunt, Anna Cole, Anne D’Alleva, Bronwen Douglas, Elena Govor, Makiko Kuwahara, Sean Mallon, Linda Waimarie Nikora, Mohi Rua, Cyril Siorat, Ngahuia Te Awekotuku, Nicholas Thomas, Joanna White
The contributors explore topics ranging from the use of cell phones by middle-class Filipinos in the civilian-backed overthrow of President Joseph Estrada to a media reported "hint" from Alan Greenspan that impacted and altered economic reality through speculation. An essay investigates the politics surrounding the formation and use of Indonesian as a self-consciously modern language designed to reconstitute the social and political identities of its speakers. A photo-essay depicts graffiti on abandoned school buildings as a communicative medium. "Crimes of Substitution: Detection in the Late Soviet Society" looks at late-Soviet detective fiction, censorship strategies, and Soviet semiotics to show how Soviet citizens subverted dictated modes of behavior and challenged the symbolic order of Soviet society. One contributor examines how performance and ethnolinguistic practices become techniques for spatially and socially locating identity.
Contributors. Alberta Arthurs, Dilip Parameshwar Gaonkar, Michael Kaplan, Webb Keane, Patrick Mullen, Serguei Oushakine, Elizabeth A. Povinelli, Vicente L. Rafael, Christopher Schneider, Michael Silverstein, Amanda Weidman
With historical, critical, and speculative essays by some of the leading television and media scholars, Television after TV examines both commercial and public service traditions and evaluates their dual (and some say merging) fates in our global, digital culture of convergence. The essays explore a broad range of topics, including contemporary programming and advertising strategies, the use of television and the Internet among diasporic and minority populations, the innovations of new technologies like TiVo, the rise of program forms from reality tv to lifestyle programs, television’s changing role in public places and at home, the Internet’s use as a means of social activism, and television’s role in education and the arts. In dialogue with previous media theorists and historians, the contributors collectively rethink the goals of media scholarship, pointing toward new ways of accounting for television’s past, present, and future.
Contributors. William Boddy, Charlotte Brunsdon, John T. Caldwell, Michael Curtin, Julie D’Acci, Anna Everett, Jostein Gripsrud, John Hartley, Anna McCarthy, David Morley, Jan Olsson, Priscilla Peña Ovalle, Lisa Parks, Jeffrey Sconce, Lynn Spigel, William Uricchio
Introducing the collection, James Bennett explains how television as digital media is a non-site-specific, hybrid cultural and technological form that spreads across platforms such as mobile phones, games consoles, iPods, and online video services, including YouTube, Hulu and the BBC’s iPlayer. Television as digital media threatens to upset assumptions about television as a mass medium that has helped define the social collective experience, the organization of everyday life, and forms of sociality. As often as we are promised the convenience of the television experience “anytime, anywhere,” we are invited to participate in communities, share television moments, and watch events live. The essays in this collection demonstrate the historical, production, aesthetic, and audience changes and continuities that underpin the emerging meaning of television as digital media.
Contributors. James Bennett, William Boddy, Jean Burgess, John Caldwell, Daniel Chamberlain, Max Dawson, Jason Jacobs, Karen Lury, Roberta Pearson, Jeanette Steemers, Niki Strange, Julian Thomas, Graeme Turner
Contributors. Julie D’Acci, Mary Desjardins, Jane Feuer, Mary Beth Haralovich, Michele Hilmes, Moya Luckett, Lauren Rabinovitz, Jane M. Shattuc, Mark Williams
Contributors. Luz del Alba Acevedo, Norma Alarcón, Celia Alvarez, Ruth Behar, Rina Benmayor, Norma E. Cantú, Daisy Cocco De Filippis, Gloria Holguín Cuádraz, Liza Fiol-Matta, Yvette Flores-Ortiz, Inés Hernández-Avila, Aurora Levins Morales, Clara Lomas, Iris Ofelia López, Mirtha N. Quintanales, Eliana Rivero, Caridad Souza, Patricia Zavella
Escobar illuminates many interrelated dynamics, including the Colombian government’s policies of development and pluralism that created conditions for the emergence of black and indigenous social movements and those movements’ efforts to steer the region in particular directions. He examines attempts by capitalists to appropriate the rainforest and extract resources, by developers to set the region on the path of modernist progress, and by biologists and others to defend this incredibly rich biodiversity “hot-spot” from the most predatory activities of capitalists and developers. He also looks at the attempts of academics, activists, and intellectuals to understand all of these complicated processes. Territories of Difference is Escobar’s effort to think with Afro-Colombian intellectual-activists who aim to move beyond the limits of Eurocentric paradigms as they confront the ravages of neoliberal globalization and seek to defend their place-based cultures and territories.
Contributors. Joel Beinin, Lisa Brock, Horace Campbell, Duane J. Corpis, Belinda Davis, Allen Feldman, Ian Christopher Fletcher, Van Gosse, Joy James, J. Angus Johnston, Amy Kaplan, Thomas Miller Klubock, R. J. Lambrose, Jesse Lemisch, Deborah Levenson, Walter Benn Michaels, Donnacha Ó Beacháin, Deborah Poole, Vijay Prashad, David Prochaska, Gerardo Rénique, Cedric J. Robinson, Nikhil Pal Singh, Stephanie J. Smith, Akinyele O. Umoja, Verónica Valdivia Ortiz de Zárate, Jon Wiener, Marilyn B. Young, Joseba Zulaika
Puar combines transnational feminist and queer theory, Foucauldian biopolitics, Deleuzian philosophy, and technoscience criticism, and draws from an extraordinary range of sources, including governmental texts, legal decisions, films, television, ethnographic data, queer media, and activist organizing materials and manifestos. Looking at various cultural events and phenomena, she highlights troublesome links between terrorism and sexuality: in feminist and queer responses to the Abu Ghraib photographs, in the triumphal responses to the Supreme Court’s Lawrence decision repealing anti-sodomy laws, in the measures Sikh Americans and South Asian diasporic queers take to avoid being profiled as terrorists, and in what Puar argues is a growing Islamophobia within global queer organizing.
Terrorizing Women brings together essays by feminist and human rights activists, attorneys, and scholars from Latin America and the United States, as well as testimonios by relatives of women who were disappeared or murdered. In addition to investigating egregious violations of women’s human rights, the contributors consider feminicide in relation to neoliberal economic policies, the violent legacies of military regimes, and the sexual fetishization of women’s bodies. They suggest strategies for confronting feminicide; propose legal, political, and social routes for redressing injustices; and track alternative remedies generated by the communities affected by gender-based violence. In a photo essay portraying the justice movement in Chihuahua, relatives of disappeared and murdered women bear witness to feminicide and demand accountability.
Contributors: Pascha Bueno-Hansen, Adriana Carmona López, Ana Carcedo Cabañas, Jennifer Casey, Lucha Castro Rodríguez , Angélica Cházaro, Rebecca Coplan, Héctor Domínguez-Ruvalcaba, Marta Fontenla, Alma Gomez Caballero, Christina Iturralde, Marcela Lagarde y de los Ríos, Julia Estela Monárrez Fragoso, Hilda Morales Trujillo, Mercedes Olivera, Patricia Ravelo Blancas, Katherine Ruhl, Montserrat Sagot, Rita Laura Segato, Alicia Schmidt Camacho, William Paul Simmons, Deborah M. Weissman, Melissa W. Wright
Maeda remapped the study of modern Japanese literature and culture in the 1970s and 1980s, helping to generate widespread interest in studying mass culture on the one hand and marginalized sectors of modern Japanese society on the other. These essays reveal the broad range of Maeda’s cultural criticism. Among the topics considered are Tokyo; utopias; prisons; visual media technologies including panoramas and film; the popular culture of the Edo, Meiji, and contemporary periods; maps; women’s magazines; and women writers. Integrally related to these discussions are Maeda’s readings of works of Japanese literature including Matsubara Iwagoro’s In Darkest Tokyo, Nagai Kafu’s The Fox, Higuchi Ichiyo’s Growing Up, Kawabata Yasunari’s The Crimson Gang of Asakusa, and Narushima Ryuhoku’s short story “Useless Man.” Illuminating the infinitely rich phenomena of modernity, these essays are full of innovative, unexpected connections between cultural productions and urban life, between the text and the city.
Theater and Social Change not only tracks the historical evolution of political theater but also explores the current state and future prospects of different modes, including agit-prop, demonstrations, solo performance, Augusto Boal’s Theater of the Oppressed, and community-based production. With such notable contributors as Anna Deavere Smith, Jonathan Kalb, Holly Hughes, and Tony Kushner, the issue offers a diverse assemblage of personal statements, conversations, photographs, interviews, and performance text.
Contributors include: Reverend Billy, Jan Cohen-Cruz, Arlene Goldbard, Sharon Green, Lani Guinier, Holly Hughes, Jonathan Kalb, Tony Kushner, Judith Malina, Robbie McCauley, John O'Neal, Claudia Orenstein, Bill Rauch, Julie Salverson, Anna Deavere Smith, Alisa Solomon, Roberta Uno
In Theater and Violence, through interviews, play excerpts, and full-length plays—including the first American publication of two major German playwrights and directors—theater artists offer their own narratives for humankind’s violent psychologies. One full-length play, Falk Richter’s Seven Seconds (In God We Trust), probes the mind of an American pilot moments before he releases a bomb on a city below. Another, René Pollesch’s 24 Hours Are Not a Day, humorously explores the ironies and pathologies of globalization after September 11. The issue also includes a commentary on the National Endowment for the Arts’ Shakespeare presentations for the U.S. military; interviews with Russian theater artists on the first anniversary of the Chechen rebels’ siege of a Moscow theater; and Jonathan Kalb’s powerful adaptation of Heiner Müller’s Mauser, set in Tikrit.
Contributors. Josh Fox, Gitta Honegger, Jonathan Kalb, Anna Kohler, James Leverett, Mark Lord, Marlene Norst, René Pollesch, Falk Richter, Yana Ross, Scott Saul, Tom Sellar, Catherine Sheehy, Robert Woodruff
After providing a brief overview of Adorno’s life, Schweppenhäuser turns to the theorist’s core philosophical concepts, including post-Kantian critique, determinate negation, and the primacy of the object, as well as his view of the Enlightenment as a code for world domination, his diagnosis of modern mass culture as a program of social control, and his understanding of modernist aesthetics as a challenge to conceive an alternative politics. Along the way, Schweppenhäuser illuminates the works widely considered Adorno’s most important achievements: Minima Moralia, Dialectic of Enlightenment (co-authored with Horkheimer), and Negative Dialectics. Adorno wrote much of the first two of these during his years in California (1938–49), where he lived near Arnold Schoenberg and Thomas Mann, whom he assisted with the musical aesthetics at the center of Mann’s novel Doctor Faustus.
Contributors. Anthony Baker, Daniel M. Bell Jr., Phillip Blond, Simon Critchley, Conor Cunningham, Creston Davis, William Desmond, Hent de Vries, Terry Eagleton, Rocco Gangle, Philip Goodchild, Karl Hefty, Eleanor Kaufman, Tom McCarthy, John Milbank, Antonio Negri, Catherine Pickstock, Patrick Aaron Riches, Mary-Jane Rubenstein, Regina Mara Schwartz, Kenneth Surin, Graham Ward, Rowan Williams, Slavoj Žižek
Engaging with Christian theology and the thought of Carl Schmitt, Georg Simmel, Karl Marx, Adam Smith, and many others, Goodchild develops a theology of money based on four contentions, which he elaborates in depth. First, money has no intrinsic value; it is a promise of value, a crystallization of future hopes. Second, money is the supreme value in contemporary society. Third, the value of assets measured by money is always future-oriented, dependent on expectations about how much might be obtained for those assets at a later date. Since this value, when realized, will again depend on future expectations, the future is forever deferred. Financial value is essentially a degree of hope, expectation, trust, or credit. Fourth, money is created as debt, which involves a social obligation to work or make profits to repay the loan. As a system of debts, money imposes an immense and irresistible system of social control on individuals, corporations, and governments, each of whom are threatened by economic failure if they refuse their obligations to the money system. This system of debt has progressively tightened its hold on all sectors and regions of global society. With Theology of Money, Goodchild aims to make conscious our collective faith and its dire implications.
Contributors. Christopher Bracken, Glen Coulthard, Mishuana Goeman, Dian Million, Scott Morgensen, Robert Nichols, Vera Palmer, Mark Rifkin, Audra Simpson, Andrea Smith, Teresia Teaiwa
Thick Moralities, Thin Politics grapples with the work of theorists from both sides of the Atlantic, including Jürgen Habermas, Anthony Giddens, and Niklas Luhmann, as well as George Herbert Mead, Erving Goffman, and Harold Garfinkel. Gregg develops a model of validity for arguments made in the public sphere, for understanding among competing worldviews, and for adjudicating disputes generated by normative differences. He applies his theory of politics to specific issues of contemporary social life, including those relating to the place of women, minorities, and multiculturalism in American and European society today. He also addresses the scientific study of religion, issues of legal interpretation, and the critique of ideology, in each case illuminating how different epistemic systems, as well as competing value systems, can achieve some understanding of one another. Gregg demonstrates, ultimately, that thin politics actually further, rather than reduce, citizens' engagement in the political process.
Tadiar treats the historical experiences articulated in feminist, urban protest, and revolutionary literatures of the 1960s–90s as “cultural software” for the transformation of dominant social relations. She considers feminist literature in relation to the feminization of labor in the 1970s, when between 300,000 and 500,000 prostitutes were working in the areas around U.S. military bases, and in the 1980s and 1990s, when more than five million Filipinas left the country to toil as maids, nannies, nurses, and sex workers. She reads urban protest literature in relation to authoritarian modernization and crony capitalism, and she reevaluates revolutionary literature’s constructions of the heroic revolutionary subject and the messianic masses, probing these social movements’ unexhausted cultural resources for radical change.
Contributors. Tom Boellstorff, George Chauncey, Peter Jackson, Don Kulick, Patrick Larvie, Heather McClure, Frances Negron-Munter, Elizabeth A. Povinelli, Lisa Rofel, Teri Silvio
Included in this volume are considerations of the relation between theories of art and the avant-garde; art’s relation to cognition; the aesthetic as history; the aesthetic as a unique access to modernity; and its impact on problems of identity formation, ideology, and resistances to the institutional powers inherent in dominant social formations.
Contributors. Charles Altieri, Peter Burger, David Carroll, Anthony J. Cascardi, Howard Caygill, Allen Dunn, Eric Gans, Agnes Heller, Ronald A. T. Judy, Marie-Rose Logan, Daniel T. O’Hara, Donald E. Pease, Alan Singer
Contributors. Tani E. Barlow, Dan Bender, Paul Buhle, Gabriela Cano, Anna Clark, Martin Duberman, Ellen Carol DuBois, Ian Christopher Fletcher, Rob Gregg, Harry D. Harootunian, Winston James, Nikki R. Keddie, Dave Kinkela, Staughton Lynd, Teresa Meade, Joanne Pope Melish, Ellen Noonan, Enrique C. Ochoa, Gary Y. Okihiro, Cynthia Paces, Max Page, Vijay Prashad, David Price, David Roediger, Andor Skotnes, Mike Wallace
Drawing on extensive ethnographic research, Wolford compares the development of the movement in Brazil’s southern state of Santa Catarina and its northeastern state of Pernambuco. As she explains, in the south, most of the movement’s members were sons and daughters of small peasant farmers; in the northeast, they were almost all former plantation workers, who related awkwardly to the movement’s agenda of accessing “land for those who work it.” The MST became an effective presence in Pernambuco only after the local sugarcane economy had collapsed. Worldwide sugarcane prices dropped throughout the 1990s, and by 1999 the MST was a prominent political organizer in the northeastern plantation region. Yet fewer than four years later, most of the region’s workers had dropped out of the movement. By delving into the northeastern workers’ motivations for joining and then leaving the MST, Wolford adds nuance and depth to accounts of a celebrated grassroots social movement, and she highlights the contingent nature of social movements and political identities more broadly.
This Was Not Our War shares amazing first-person accounts of twenty-six Bosnian women who are reconstructing their society following years of devastating warfare. A university student working to resettle refugees, a paramedic who founded a veterans’ aid group, a fashion designer running two nonprofit organizations, a government minister and professor who survived Auschwitz—these women are advocates, politicians, farmers, journalists, students, doctors, businesswomen, engineers, wives, and mothers. They are from all parts of Bosnia and represent the full range of ethnic traditions and mixed heritages. Their ages spread across sixty years, and their wealth ranges from expensive jewels to a few chickens. For all their differences, they have this much in common: all survived the war with enough emotional strength to work toward rebuilding their country. Swanee Hunt met these women through her diplomatic and humanitarian work in the 1990s. Over the course of seven years, she conducted multiple interviews with each one. In presenting those interviews here, Hunt provides a narrative framework that connects the women’s stories, allowing them to speak to one another.
The women describe what it was like living in a vibrant multicultural community that suddenly imploded in an onslaught of violence. They relate the chaos; the atrocities, including the rapes of many neighbors and friends; the hurried decisions whether to stay or flee; the extraordinary efforts to care for children and elderly parents and to find food and clean drinking water. Reflecting on the causes of the war, they vehemently reject the idea that age-old ethnic hatreds made the war inevitable. The women share their reactions to the Dayton Accords, the end of hostilities, and international relief efforts. While they are candid about the difficulties they face, they are committed to rebuilding Bosnia based on ideals of truth, justice, and a common humanity encompassing those of all faiths and ethnicities. Their wisdom is instructive, their courage and fortitude inspirational.
Contributors. Julia Alderson, Alexis L. Boylan , Anna Brzyski, Seth Feman, Monica Kjellman-Chapin, Micki McElya, Karal Ann Marling, David Morgan, Christopher Pearson, Andrea Wolk Rager, Jeffrey Vallance
Price draws on extensive archival research including correspondence, oral histories, published sources, court hearings, and more than 30,000 pages of fbi and government memorandums released to him under the Freedom of Information Act. He describes government monitoring of activism and leftist thought on college campuses, the surveillance of specific anthropologists, and the disturbing failure of the academic community—including the American Anthropological Association—to challenge the witch hunts. Today the “war on terror” is invoked to license the government’s renewed monitoring of academic work, and it is increasingly difficult for researchers to access government documents, as Price reveals in the appendix describing his wrangling with Freedom of Information Act requests. A disquieting chronicle of censorship and its consequences in the past, Threatening Anthropology is an impassioned cautionary tale for the present.
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