In 1863, as the Civil War raged, the escaped slave, abolitionist, and novelist William Wells Brown identified two groups most harmful to his race. “The first and most relentless,” he explained, “are those who have done them the greatest injury, by being instrumental in their enslavement and consequent degradation. They delight to descant upon the ‘natural inferiority’ of the blacks, and claim that we were destined only for a servile condition, entitled neither to liberty nor the legitimate pursuit of happiness.”

“The second class,” Brown concluded, “are those who are ignorant of the characteristics of the race, and are the mere echoes of the first.” Four years later, Brown wrote the first military history of African Americans, The Negro in the American Rebellion. This text assailed those whose hatred and ignorance inclined them to keep blacks oppressed after Appomattox.

This critical edition of The Negro in the American Rebellion, one of Brown’s least-analyzed texts, is the first to appear in more than three decades. In his introduction, historian John David Smith identifies the text’s Anglo-American abolitionist roots, sets it in the context of Brown’s other writings, appraises it as military history, analyzes its interpretation of black masculinity and honor, and focuses closely on Brown’s assessment of contemporary racial tensions.

Largely ignored by scholars, The Negro in the American Rebellion, Smith argues, is a powerful transitional text, one that confronted squarely the neo-slavery of the Reconstruction era.

“Whites,” Brown wrote, “appear determined to reduce the blacks to a state of serfdom if they cannot have them as slaves.” His important text was a call to arms in the ongoing race struggle. Smith’s analysis, framed within recent scholarship on slavery, emancipation, and African American participation in the U.S. army, is long overdue.

Four essential questions: Why does one fish? How should one properly fish? What relations are created in fishing? And what effects does fishing have on the future? Haunted by Waters is a self-examination by the author as he constructs his own narrative and tries to answer these questions for himself. But it is also a thorough examination of the answers he uncovers in the course of reading what's been written on the subject.

As his own story unfolds, Mark Browning analyzes angling literature from the Bible to Norman Maclean, always bringing his inquiry back to the same source: the enigma of this sport.

Haunted by Waters is an exploration of the apparent compulsion of those who fish not only to read about the sport, but to write about it as well. Mark Browning's personal account as a fly fisherman and his perspective as a critic make him uniquely qualified to navigate these waters.

In seventeen volumes, copublished with Baylor University, this acclaimed series features annotated texts of all of Robert Browning’s known writing. The series encompasses autobiography as well as influences bearing on Browning’s life and career and aspects of Victorian thought and culture.

The sixth in the projected seventeen-volume work, this volume covers the second half of Men and Women (1855), perhaps Browning’s most famous collection, and the entirety of Dramatis Personae (1864), the first book Browning produced after the death of Elizabeth Barrett Browning in 1861.

Men and Women II contains several great dramatic poems on which Browning’s reputation still depends, including “Andrea del Sarto,” “Saul,” and “Cleon.” It also includes the more intimate and personal works “The Guardian Angel” and “One Word More,” as well as the mysterious “Women and Roses.” The Brownings‘ shared interests in Renaissance art and nineteenth-century Italian politics inform the challenging “Old Pictures in Florence.”

The publication of Dramatis Personae was a key event in the rapid rise of Browning’s fame in the 1860s, though the collection is marked by a welter of conflicting impulses that arose after the poet left Italy and his married life behind. The classic monologues “Rabbi Ben Ezra” and “Abt Vogler” are here, but beside them Browning placed the nearly surreal “Caliban upon Setebos” and the achingly self-regarding “James Lee’s Wife,” one of the volume’s handful of dramatic lyrics about betrayed or failed relationships. Also included are “A Death in the Desert,” which contributed to the intense Victorian debate about scriptural validity and religious authority; and “Mr Sludge, ’The Medium,‘” Browning’s ferocious, pyrotechnic exposé of a spiritualist fraud.

As always in this acclaimed series, a complete record of textual variants is provided, as well as extensive explanatory notes.

In seventeen volumes, copublished with Baylor University, this acclaimed series features annotated texts of all of Robert Browning’s known writing. The series encompasses autobiography as well as influences bearing on Browning’s life and career and aspects of Victorian thought and culture.


Volume XI of The Complete Works of Robert Browning contains two strikingly disparate long poems from the 1870s, Fifine at the Fair and Red Cotton Night-Cap Country. In Fifine at the Fair, Browning creates an idiosyncratic version of the Don Juan figure, a distinctly post-Romantic and intellectual Don Juan who derives little from any literary predecessor. The legendary character is realized in a modern French setting, the village of Pornic, a favorite vacation spot for Browning. The poem is a sustained exercise in self-justification and casuistry, with Don Juan persuading himself that he can reconcile his love of his wife with his carnal love for a gipsy girl.

Though Red Cotton Night-Cap Country is similarly concerned with a struggle between spirit and flesh, the poem is entirely based in contemporary events. Using newspaper accounts and legal documents, Browning tells the strange and shocking tale of a rich and devout Frenchman who throws himself from the roof of his chateau, convinced that heaven will deliver him from death. Upon the question of his sanity hinges the disposition of his considerable estate, and the poet traces the claims and counterclaims to their settlement in court only a few months before he wrote the poem.

As always in this series of critical editions, a complete record of textual variants is provided, as well as extensive explanatory notes.

In seventeen volumes, copublished with Baylor University, this acclaimed series features annotated texts of all of Robert Browning’s known writing. The series encompasses autobiography as well as influences bearing on Browning’s life and career and aspects of Victorian thought and culture.

In seventeen volumes, copublished with Baylor University, this acclaimed series features annotated texts of all of Robert Browning’s known writing. The series encompasses autobiography as well as influences bearing on Browning’s life and career and aspects of Victorian thought and culture.

Robert Browning wrote Parleyings with Certain People of Importance in Their Day in his seventy-third year. The work is a capstone to the poet’s long career, encompassing autobiography as well as influences bearing on the poet’s life and career and on Victorian thought and culture in general. One of Browning’s most complex works, Parleyings is also a work essential to understanding his genius and career as a whole. The Ohio/Baylor Browning edition offers keys to the complexity and interest of Parleyings through a definitive, emended text, full annotations for allusions both explicit and implicit in the text, and variant readings for the manuscript and all editions revised by Browning during his lifetime.

In form and structure, Parleyings is a series of seven poems written in Browning’s own voice and addressed to figures influential in his development. The series is framed by a prologue and an epilogue, the whole amounting to some 3,500 lines. The poems are a formal contrast and a pendant to the great series of linked dramatic monologues in The Ring and the Book. They demonstrate the zest for innovation possessed by the master of the dramatic monologue in his ripe maturity. Interested readers as well as students and scholars of Browning will find a rich field of poetry and a critical mass of resources in Volume XVI of the Ohio/Baylor Browning edition.

As always in this acclaimed series, a complete record of textual variants is provided, as well as extensive explanatory notes.

The Complete Works of Robert Browning, Volume X contains critical editions of Balaustion's Adventure: Including a Transcript from Euripides and Prince Hohenstiel-Schwangau, Saviour of Society. Both published in 1871, these two long poems take up a pair of subjects that held enduring fascination for Robert and Elizabeth Barrett Browning: classical Greek literature and the career of Napoleon III, Emperor of France. Balaustion's Adventure, which the poet characterized as merely a “May-month amusement,” was surprisingly successful with the reading public that paid more attention to Browning after the triumph of The Ring and the Book in 1868-69. His first poem since the publication of that masterpiece, Balaustion's Adventure creates a charming and brave narrator who recalls in vivid detail a performance of Euripides' play Alcestis.

Browning began a poem on Louis Napoleon in 1860, but not until after the fall of the Second Empire in 1870 did he attempt a full-scale portrait of the French emperor. As an exercise in self-justification, Prince Hohenstiel-Schwangau falls into a familiar sub-genre of Browning's dramatic monologues. The most intriguing aspect of the poem lies in its biographical importance: the character and career of Napoleon III was a topic of sustained, sharp disagreement between Robert and Elizabeth Browning.

As always in this acclaimed series, a complete record of textual variants is provided, as well as extensive explanatory notes.

In seventeen volumes, copublished with Baylor University, this acclaimed series features annotated texts of all of Robert Browning’s known writing. The series encompasses autobiography as well as influences bearing on Browning’s life and career and aspects of Victorian thought and culture.

Volume XIV of The Complete Works of Robert Browning records a transition in the poet’s career. With The Agamemnon of Aeschylus (1877), Browning ended his experiments with classical sources, creating his “transcript” — not quite a translation — of the Greek original and providing an intriguing explanation for his approach. La Saisiaz, the deeply personal expression of Browning’s shock at the sudden death of a dear friend, was published in 1878 with The Two Poets of Croisic, an extended ironic meditation on literary fame. Browning’s collection of six poems under the title Dramatic Idyls (1879) marks the poet’s return to the dramatic forms he perfected in Men and Women and Dramatis Personae, and a revival of his interest in the psychology of motives.

As always in this acclaimed series, a complete record of textual variants is provided, as well as extensive explanatory notes.

The first complete edition of the works of Robert Browning with variant readings and annotations contains: 1. The entire contents of the first editions of Browning’s work; 2. All prefaces and dedications which Browning wrote for his own works and for those of Elizabeth Barrett Browning and others; 3. The two prose essays: The Essay on Chatterton and The Essay on Shelley; 4. The front matter and tables of contents of each of the collected editions (1849, 1863, 1865, 1868, 1888–1889) which Browning himself saw through the press; 5 Poems by Browning published during his lifetime but not collected by him; 9. Poems not published during Browning’s lifetime which have come to light since his death; 7. John Forster’s Thomas Wentworth, Earl of Strafford to which Browning contributed significantly, though to what precise extent has not been determined.

The edition provides a full apparatus, including variant readings and annotations.

In seventeen volumes, copublished with Baylor University, this acclaimed series features annotated texts of all of Robert Browning’s known writing. The series encompasses autobiography as well as influences bearing on Browning’s life and career and aspects of Victorian thought and culture.

In seventeen volumes, copublished with Baylor University, this acclaimed series features annotated texts of all of Robert Browning’s known writing. The series encompasses autobiography as well as influences bearing on Browning’s life and career and aspects of Victorian thought and culture.

Volume V contains:
A Soul’s Tragedy
Poems
Christmas-Eve and Easter Day
Essay on Shelley
Men and Women, Vol. I

As always in this acclaimed series, a complete record of textual variants is provided, as well as extensive explanatory notes.

In seventeen volumes, copublished with Baylor University, this acclaimed series features annotated texts of all of Robert Browning’s known writing. The series encompasses autobiography as well as influences bearing on Browning’s life and career and aspects of Victorian thought and culture.

Volume III contains Browning’s dramatic piece, Pippa Passes (1841), which Arthur Symons said was “Browning’s most perfect work”; another play King Victor and King Charles; A Tragedy, which Browning described as “the first artistic consequence of what Voltaire termed ‘a terrible event without consequences‘“; the “Essay on Chatterton,” which appeared anonymously in the Foreign Quarterly Review in July, 1842; the play The Return of the Druses: A Tragedy (1843); and the short pieces of Dramatic Lyrics, which contain some of Browning’s finest and most popular works such as “My Last Duchess,” “The Soliloquy of the Spanish Cloister,” and “The Pied Piper of Hamelin.”

As always in this acclaimed series, a complete record of textual variants is provided, as well as extensive explanatory notes.

In seventeen volumes, copublished with Baylor University, this acclaimed series features annotated texts of all of Robert Browning’s known writing. The series encompasses autobiography as well as influences bearing on Browning’s life and career and aspects of Victorian thought and culture.

Volume II contains Browning’s play, Strafford: An Historical Tragedy (1837), and the long poem, Sordello (1840). Strafford was Browning’s first play, based on the tragic life of Thomas Wentworth, Earl of Strafford. The editors note that the play had only four performances, “undoubtedly due… to its esoteric subject and bad acting.” Sordello is a fictionalized version of the life of Sordello da Goito, a 13th century Italian troubadour. The poem itself was famously known for being “difficult.”

As always in this acclaimed series, a complete record of textual variants is provided, as well as extensive explanatory notes.

In seventeen volumes, copublished with Baylor University, this acclaimed series features annotated texts of all of Robert Browning’s known writing. The series encompasses autobiography as well as influences bearing on Browning’s life and career and aspects of Victorian thought and culture.

Drawing upon social history, political history, and critical prison studies, this book analyzes how prisons and other instruments of colonial punishment endured after independence and challenges their continued existence. In Carceral Afterlives, Katherine Bruce-Lockhart traces the politics, practices, and lived experiences of incarceration in postcolonial Uganda, focusing on the period between independence in 1962 and the beginning of Yoweri Museveni’s presidency in 1986. During these decades, Ugandans experienced multiple changes of government, widespread state violence, and war, all of which affected the government’s approach to punishment. Bruce-Lockhart analyzes the relationship between the prison system and other sites of confinement—including informal detention spaces known as “safe houses” and wartime camps—and considers other forms of punishment, such as public executions and “disappearance” by state paramilitary organizations. Through archival and personal collections, interviews with Ugandans who lived through these decades, and a range of media sources and memoirs, Bruce-Lockhart examines how carceral systems were imagined and experienced by Ugandans held within, working for, or impacted by them. She shows how Uganda’s postcolonial leaders, especially Milton Obote and Idi Amin, attempted to harness the symbolic, material, and coercive power of prisons in the pursuit of a range of political agendas. She also examines the day-to-day realities of penal spaces and public perceptions of punishment by tracing the experiences of Ugandans who were incarcerated, their family members and friends, prison officers, and other government employees. Furthermore, she shows how the carceral arena was an important site of dissent, examining how those inside and outside of prisons and other spaces of captivity challenged the state’s violent punitive tactics. Using Uganda as a case study, Carceral Afterlives emphasizes how prisons and the wider use of confinement—both as a punishment and as a vehicle for other modes of punishment—remain central to state power in the Global South and North. While scholars have closely analyzed the prison’s expansion through colonial rule and the rise of mass incarceration in the United States, they have largely taken for granted its postcolonial persistence. In contrast, Bruce-Lockhart demonstrates how the prison’s transition from a colonial to a postcolonial institution explains its ubiquity and reveals ways to critique and challenge its ongoing existence. The book thus explores broader questions about the unfinished work of decolonization, the relationship between incarceration and struggles for freedom, and the prison’s enduring yet increasingly contested place in our global institutional landscape.

The Nazis created nature preserves, championed sustainable forestry, curbed air pollution, and designed the autobahn highway network as a way of bringing Germans closer to nature. How Green Were the Nazis?: Nature, Environment, and Nation in the Third Reich is the first book to examine the Third Reich's environmental policies and to offer an in-depth exploration of the intersections between brown ideologies and green practices.

Environmentalists and conservationists in Germany welcomed the rise of the Nazi regime with open arms and hoped that it would bring about legal and institutional changes. However, environmentalists soon realized that the rhetorical attention they received from the regime did not always translate into action. By the late 1930s, nature and the environment had become less pressing concerns as Nazi Germany prepared for and executed a global conflagration.

Based on prodigious archival research, and written by some of the most important scholars in the field of twentieth-century German history, How Green Were the Nazis? examines the overlap between Nazi ideology and conservationist agendas. This landmark book underscores the fact that the “green” policies of the Nazis were more than a mere episode or aberration in environmental history.

Contributors: Franz-Josef Brüggemeier, Mark Cioc, Thomas Zeller, Charles Closmann, Michael Imort, Thomas Lekan, Frank Uekötter, Gesine Gerhard, Thomas Rohkrämer, Mark Bassin, and Joachim Wolschke-Bulmahn.

Projections of Dakar studies the audiovisual creations and practices of twenty-first-century Senegalese filmmakers living, working, and distributing their films in urban Senegal. Although some observers have described contemporary Senegalese cinema as a dying industry, this book shows that it retains great potential. Senegalese cinematic practitioners are forging unique, dynamic responses to social challenges and producing content in innovative forms. Like contemporary Senegalese cinema, African urban centers are often perceived as sites of despair and social decay. In each chapter of this book, Devin Bryson and Molly Krueger Enz focus on a particular urban issue and analyze how Senegalese filmmakers document and reimagine it from diverse perspectives and contexts. The authors draw from interviews and ethnographic observations to center filmmakers’ practices and conceptualizations of contemporary cinema in Dakar. Bryson and Enz trace developments in production, distribution, viewership, and audience response since 2012 to study how these films and their production both reveal and contribute to how people live in the city, relate to one another, build their lives, advocate for change, find joy and meaning, and build community. They also document and articulate more equitable and inclusive forms of these activities. Ultimately, the book illustrates how Senegalese filmmakers reimagine Africa as a place that will lead to a better future for its inhabitants.

Deals with the realities of education in a debt-ridden African country trying to cope with the pressures of externally imposed educational budgets.

Christine Buci-Glucksmann’s The Madness of Vision is one of the most influential studies in phenomenological aesthetics of the baroque. Integrating the work of Merleau-Ponty with Lacanian psychoanalysis, Renaissance studies in optics, and twentieth-century mathematics, the author asserts the materiality of the body and world in her aesthetic theory. All vision is embodied vision, with the body and the emotions continually at play on the visual field. Thus vision, once considered a clear, uniform, and totalizing way of understanding the material world, actually dazzles and distorts the perception of reality.

In each of the nine essays that form The Madness of Vision Buci-Glucksmann develops her theoretical argument via a study of a major painting, sculpture, or influential visual image—Arabic script, Bettini’s “The Eye of Cardinal Colonna,” Bernini’s Saint Teresa and his 1661 fireworks display to celebrate the birth of the French dauphin, Caravaggio’s Judith Beheading Holofernes, the Paris arcades, and Arnulf Rainer’s self-portrait, among others—and deftly crosses historical, national, and artistic boundaries to address Gracián’s El Criticón; Monteverdi’s opera Orfeo; the poetry of Hafiz, John Donne, and Baudelaire; as well as baroque architecture and Anselm Kiefer’s Holocaust paintings. In doing so, Buci-Glucksmann makes the case for the pervasive influence of the baroque throughout history and the continuing importance of the baroque in contemporary arts.

As a function of its corporate duties, the Consolidation Coal Company, one of the largest coal-mining operations in the United States during the first half of the twentieth century, had photographers take hundreds of pictures of nearly every facet of its operations. Whether for publicity images, safety procedures, or archival information, these photographs create a record that goes far beyond the purpose the company intended.

In Extracting Appalachia, geographer Geoffrey L. Buckley examines the company’s photograph collection housed at the Smithsonian Institution’s National Museum of American History. Included in the collection are images of mine openings, mining equipment, and mine accidents, as well as scenes of the company towns, including schools, churches, recreational facilities, holiday celebrations, and company stores.

Although the photographs in the collection provide us with valuable insights, they tell only part of the story. Using company records, state and federal government documents, contemporary newspaper accounts, and other archival materials, Professor Buckley shows that these photographs reveal much more than meets the eye.

Extracting Appalachia places these historic mining images in their social, cultural, and historical context, uncovering the true value and meaning of this rare documentary record.

Cruising with Robert Louis Stevenson: Travel, Narrative, and the Colonial Body is the first book-length study about the influence of travel on Robert Louis Stevenson’s writings, both fiction and nonfiction. Within the contexts of late-Victorian imperialism and ethnographic discourse, the book offers original close readings of individual works by Stevenson while bringing new theoretical insights to bear on the relationship between travel, authorship, and gender identity.

Oliver S. Buckton develops “cruising” as a critical term, linking Stevenson’s leisurely mode of travel with the striking narrative motifs of disruption and fragmentation that characterize his writings. Buckton follows Stevenson’s career from his early travel books to show how Stevenson’s major works of fiction, such as Treasure Island, Kidnapped, and The Ebb-Tide, derive from the innovative techniques and materials Stevenson acquired on his global travels.

Exploring Stevenson’s pivotal role in the revival of “romance” in the late nineteenth century, Cruising with Robert Louis Stevenson highlights Stevenson’s treatment of the human body as part of his resistance to realism, arguing that the energies and desires released by travel are often routed through resistant or comic corporeal figures. Buckton also focuses on Stevenson’s writing about the South Seas, arguing that his groundbreaking critiques of European colonialism are formed in awareness of the fragility and desirability of Polynesian bodies and landscapes.

Cruising with Robert Louis Stevenson will be indispensable to all admirers of Stevenson as well as of great interest to readers of travel writing, Victorian ethnography, gender studies, and literary criticism.

Ralph Bunche, who received the Nobel Peace Prize in 1950, traveled to South Africa for three months in 1937. His notes, which have been skillfully compiled and annotated by historian Robert R. Edgar, provide unique insights on a segregated society.

Govan Mbeki (1910–2001) was a core leader of the African National Congress, the Communist Party, and the armed wing of the ANC during the struggle against apartheid. Known as a hard-liner, Mbeki was a prolific writer and combined in a rare way the attributes of intellectual and activist, political theorist and practitioner. Sentenced to life in prison in 1964 along with Nelson Mandela and others, he was sent to the notorious Robben Island prison, where he continued to write even as tension grew between himself, Mandela, and other leaders over the future of the national liberation movement. As one of the greatest leaders of the antiapartheid movement, and the father of Thabo Mbeki, president of South Africa from 1999 to 2008, the elder Mbeki holds a unique position in South African politics and history.

This biography by noted historian Colin Bundy goes beyond the narrative details of his long life: it analyzes his thinking, expressed in his writings over fifty years. Bundy helps establish what is distinctive about Mbeki: as African nationalist and as committed Marxist—and more than any other leader of the liberation movement—he sought to link theory and practice, ideas and action.

Drawing on exclusive interviews Bundy did with Mbeki, careful analysis of his writings, and the range of scholarship about his life, this biography is personal, reflective, thoroughly researched, and eminently readable.

What have been the most significant developments—political, social, economic—in South Africa since 1994? How much has changed since the demise of apartheid, and how much remains stubbornly the same? Should one celebrate a robust democracy now two decades old, or lament the corrosive effects of factionalism, greed, and corruption on political life? Colin Bundy tries to answer such questions, while avoiding simplistic or one-sided assessments of life under Mandela, Mbeki, and Zuma. He recognizes real advances under ANC rule but also identifies the limits and contradictions of such progress. Bundy demonstrates, too, how the country’s past permeates the present, complicating and constraining the politics of transition, so that genuine transformation has been short-changed.

This volume offers practical, detailed guidance and case studies on how to avoid exacerbating inequalities while researching gender-based violence and other related issues in Africa. Wartime violence and its aftermath present numerous practical, ethical, and political challenges that are especially acute for researchers working on gender-based and sexual violence. Drawing upon applied examples from across the African continent, this volume features unique contributions from researchers and practitioners with decades of experience developing research partnerships, designing and undertaking fieldwork, asking sensitive questions, negotiating access, collecting and evaluating information, and validating results. These are all endeavors that also raise pressing ethical questions, especially in relation to retraumatization, social stigma, and even payment of participants. Ethical and methodological questions cannot be separated from political and institutional considerations. Systems of privilege and marginalization cannot be wished away, so they need to be both interrogated and contested. This is where precedents and power relations established under colonialism and imperialism take center stage. Europeans have been extracting valuable resources from the African continent for centuries. Research into gender-based violence risks being yet another extractive industry. There are times when committed individuals can make valuable contributions to a more equitable future, but funding streams, knowledge hierarchies, and institutional positions continue to have powerful effects. Accordingly, the contributors to this volume also concentrate upon the layered effects of power and position, relationships between researchers, organizations, and communities, and the political economy of knowledge production; this brings into focus questions about how and why information gets generated, for which kinds of audiences, and for whose benefit.

With forced marriage, as with so many human rights issues, the sensationalized hides the mundane, and oversimplified popular discourses miss the range of experiences. In sub-Saharan Africa, the relationship between coercion and consent in marriage is a complex one that has changed over time and place, rendering impossible any single interpretation or explanation.

The legal experts, anthropologists, historians, and development workers contributing to Marriage by Force? focus on the role that marriage plays in the mobilization of labor, the accumulation of wealth, and domination versus dependency. They also address the crucial slippage between marriages and other forms of gendered violence, bondage, slavery, and servile status.

Only by examining variations in practices from a multitude of perspectives can we properly contextualize the problem and its consequences. And while early and forced marriages have been on the human rights agenda for decades, there is today an unprecedented level of international attention to the issue, thus making the coherent, multifaceted approach of Marriage by Force? even more necessary.

Zanzibar has had the most turbulent postcolonial history of any part of the United Republic of Tanzania, yet few sources explain the reasons why. The current political impasse in the islands is a contest over the question of whether to revere and sustain the Zanzibari Revolution of 1964, in which thousands of islanders, mostly Arab, lost their lives. It is also about whether Zanzibar’s union with the Tanzanian mainland—cemented only a few months after the revolution—should be strengthened, reformed, or dissolved. Defenders of the revolution claim it was necessary to right a century of wrongs. They speak the language of African nationalism and aspire to unify the majority of Zanzibaris through the politics of race. Their opponents instead deplore the violence of the revolution, espouse the language of human rights, and claim the revolution reversed a century of social and economic development. They reject the politics of race, regarding Islam as a more worthy basis for cultural and political unity.

From a series of personal interviews conducted over several years, Thomas Burgess has produced two highly readable first-person narratives in which two nationalists in Africa describe their conflicts, achievements, failures, and tragedies. Their life stories represent two opposing arguments, for and against the revolution. Ali Sultan Issa traveled widely in the 1950s and helped introduce socialism into the islands. As a minister in the first revolutionary government he became one of Zanzibar’s most controversial figures, responsible for some of the government’s most radical policies. After years of imprisonment, he reemerged in the 1990s as one of Zanzibar’s most successful hotel entrepreneurs. Seif Sharif Hamad came of age during the revolution and became disenchanted with its broken promises and excesses. In the 1980s he emerged as a reformist minister, seeking to roll back socialism and authoritarian rule. After his imprisonment he has ever since served as a leading figure in what has become Tanzania’s largest opposition party

As Burgess demonstrates in his introduction, both memoirs trace Zanzibar’s postindependence trajectory and reveal how Zanzibaris continue to dispute their revolutionary heritage and remain divided over issues of memory, identity, and whether to remain a part of Tanzania. The memoirs explain how conflicts in the islands have become issues of national importance in Tanzania, testing that state’s commitment to democratic pluralism. They engage our most basic assumptions about social justice and human rights and shed light on a host of themes key to understanding Zanzibari history that are also of universal relevance, including the legacies of slavery and colonialism and the origins of racial violence, poverty, and underdevelopment. They also show how a cosmopolitan island society negotiates cultural influences from Africa, the Middle East, Asia, and Europe.

In Animal Purpose, Michelle Y. Burke explores the lives of men and women as they stand poised between the desire to love and the compulsion to harm. In one poem, a woman teaches a farmhand the proper way to slaughter a truckload of chickens. In another, a couple confronts the recent loss of a loved one when a stranger makes an unexpected confession in a crowded restaurant. Set in both rural and urban spaces, these poems challenge received ideas about work, gender, and place. Danger blurs into beauty and back again. Burke scours the hard edges of the world to find “fleeting softness,” which she wishes “into the world like pollen that covers everything.”

This volume presents a broad overview of the work of seven of Africa’s leading poets. Five of them have received international recognition: Niyi Osundare and Chinua Achebe, the Commonwealth Poetry Prize; Osundare and Antonio Jacinto, the Noma Prize; and Jose Craveirinha, the Camoes Prize. The poems concern political, personal, and social themes and are written with aesthetic simplicity and lyricism. The contributors believe that poets, rather than being exiles from their communities, are prophets, seers, and singers and have a place in everyday life. Most of the poems have been published previously. Several, however, are new, and their appearance in this volume along with an introductory essay written by each poet, makes this anthology important, original, and fresh.

There is a tendency to regard African literature as a homogenous product. Certainly it is true that African writers have created a vibrant, modern literature. Nevertheless, they come from specific societies and reflect vastly differing worlds. Wanasema attempts to show some of the many faces of African literature. Dramatists, poets and novelists speak in these pages. They write in French, English, Portuguese, Arabic and indigenous languages. Some are Christian; others are Muslim. A variety of subjects are discussed, including the status of women, history, religion, politics, dress and education. Taken together, the interviews in Wanasema suggest that Western students of Africa would do well to learn the languages of Africa. They suggest, too, taht there is a need to investigate further the relationship between Islamic North Africa and Sub-Saharan Africa, and finally, that oral literature continues to be a vast marketplace for scholars. This book should interest African Studies specialists, of course, but also those whose concerns include literature, history and contemporary events in the non-Western world generally.

Every European power in Africa made motion pictures for its subjects, but no state invested as heavily in these films, and expected as much from them, as the British colony of Southern Rhodesia. Flickering Shadows is the first book to explore this little-known world of colonial cinema. J. M. Burns pieces together the history of the cinema in Rhodesia, examining film production, audience reception, and state censorship, to reconstruct the story of how Africans in one nation became consumers of motion pictures. Movies were a valued “tool of empire” designed to assimilate Africans into a new colonial order. Inspired by an inflated confidence in the medium, Rhodesian government offcials created an African Film industry that was unprecedented in its size and scope. Transforming the lives of their subjects through cinema proved more complicated than white officials had anticipated. Although Africans embraced the medium with enthusiasm, they expressed critical opinions and demonstrated decided tastes that left colonial officials puzzled and alarmed. Flickering Shadows tells the fascinating story of how motion pictures were introduced and negotiated in a colonial setting. In doing so, it casts light on the history of the globalization of the cinema. This work is based on interviews with white and black filmmakers and African audience members, extensive archival research in Africa and England, and viewings of scores of colonial films.

States of Marriage shows how throughout the colonial period in French Sudan (present-day Mali) the institution of marriage played a central role in how the empire defined its colonial subjects as gendered persons with certain attendant rights and privileges. The book is a modern history of the ideological debates surrounding the meaning of marriage, as well as the associated legal and sociopolitical practices in colonial and postcolonial Mali. It is also the first to use declassified court records regarding colonialist attempts to classify and categorize traditional marriage conventions in the southern region of the country. In French Sudan, as elsewhere in colonial Africa, the first stage of marriage reform consisted of efforts to codify African marriages, bridewealth transfers, and divorce proceedings in public records, rendering these social arrangements “legible” to the colonial administration. Once this essential legibility was achieved, other, more forceful interventions to control and reframe marriage became possible. This second stage of marriage reform can be traced through transformations in and by the colonial court system, African engagements with state-making processes, and formations of “gender justice.” The latter refers to gender-based notions of justice and legal rights, typically as defined by governing and administrative bodies as well as by socioxadpolitical communities. Gender justice went through a period of favoring the rights of women, to a period of favoring patriarchs, to a period of emphasizing the power of the individual—but all within the context of a paternalistic and restrictive colonial state.

Domestic Violence and the Law in Colonial and Postcolonial Africa reveals the ways in which domestic space and domestic relationships take on different meanings in African contexts that extend the boundaries of family obligation, kinship, and dependency. The term domestic violence encompasses kin-based violence, marriage-based violence, gender-based violence, as well as violence between patrons and clients who shared the same domestic space. As a lived experience and as a social and historical unit of analysis, domestic violence in colonial and postcolonial Africa is complex.

Using evidence drawn from Sub-saharan Africa, the chapters explore the range of domestic violence in Africa’s colonial past and its present, including taxation and the insertion of the household into the broader structure of colonial domination.

African histories of domestic violence demand that scholars and activists refine the terms and analyses and pay attention to the historical legacies of contemporary problems. This collection brings into conversation historical, anthropological, legal, and activist perspectives on domestic violence in Africa and fosters a deeper understanding of the problem of domestic violence, the limits of international human rights conventions, and local and regional efforts to address the issue.

Appalachia in the Classroom contributes to the twenty-first century dialogue about Appalachia by offering topics and teaching strategies that represent the diversity found within the region. Appalachia is a distinctive region with various cultural characteristics that can’t be essentialized or summed up by a single text.

Appalachia in the Classroom offers chapters on teaching Appalachian poetry and fiction as well as discussions of nonfiction, films, and folklore. Educators will find teaching strategies that they can readily implement in their own classrooms; they’ll also be inspired to employ creative ways of teaching marginalized voices and to bring those voices to the fore. In the growing national movement toward place-based education, Appalachia in the Classroom offers a critical resource and model for engaging place in various disciplines and at several different levels in a thoughtful and inspiring way.

Contributors: Emily Satterwhite, Elizabeth S. D. Engelhardt, John C. Inscoe, Erica Abrams Locklear, Jeff Mann, Linda Tate, Tina L. Hanlon, Patricia M. Gantt, Ricky L. Cox, Felicia Mitchell, R. Parks Lanier, Jr., Theresa L. Burriss, Grace Toney Edwards, and Robert M. West.

African Underclass examines the social, political, and administrative repercussions of rapid urbanization in colonial Dar es Salaam, and the evolution of official policy that viewed urbanization as inextricably linked with social disorder. This policy marginalized numbers of young Africans entering the town---and thus, paradoxically, the policy itself subverted the colonial order. "Well researched and sharply written---one of the best and most stimulating accounts of urbanization in Eastern Africa to have been produced in recent years."---John McCracken, emeritus professor of history, University of StirlingAndrew Burton is assistant director of the British Institute in Eastern Africa.

Contemporary Africa is demographically characterized above all else by its youthfulness. In East Africa the median age of the population is now a striking 17.5 years, and more than 65 percent of the population is age 24 or under. This situation has attracted growing scholarly attention, resulting in an important and rapidly expanding literature on the position of youth in African societies.

While the scholarship examining the contemporary role of youth in African societies is rich and growing, the historical dimension has been largely neglected in the literature thus far. Generations Past seeks to address this gap through a wide-ranging selection of essays that covers an array of youth-related themes in historical perspective. Thirteen chapters explore the historical dimensions of youth in nineteenth-, twentieth-, and twenty-first–century Ugandan, Tanzanian, and Kenyan societies. Key themes running through the book include the analytical utility of youth as a social category; intergenerational relations and the passage of time; youth as a social and political problem; sex and gender roles among East African youth; and youth as historical agents of change. The strong list of contributors includes prominent scholars of the region, and the collection encompasses a good geographical spread of all three East African countries.

In 1995, South Africa’s new government set up the Truth and Reconciliation Commission, a lynchpin of the country’s journey forward from apartheid. In contrast to the Nuremberg Trials and other retributive responses to atrocities, the TRC’s emphasis on reconciliation marked a restorative approach to addressing human rights violations and their legacies. The hearings, headed by Bishop Desmond Tutu, began in spring of 1996.

The commission was set up with three purposes: to investigate abuses, to assist victims with rehabilitation, and to consider perpetrators’ requests for amnesty. More than two decades after the first hearings, the TRC’s legacy remains mixed. Many families still do not know what became of their loved ones, and the commission came under legal challenges both from ex-president F. W. de Klerk and the African National Congress. Yet, the TRC fulfilled a vital role in the transition from apartheid to democracy, and has become a model for other countries.

This latest addition to the Ohio Short Histories of Africa series is a trenchant look at the TRC’s entire, stunningly ambitious project. And as a longtime activist for justice in South Africa and a former commissioner of the TRC, Mary Ingouville Burton is uniquely positioned to write this complex story.

The premier NCAA student-athlete handbook, now in a second, updated edition designed for today’s competitive market and with a new chapter on name, image, and likeness (NIL) rights. Few student-athletes dreaming of athletic stardom ever make it to the pros. Yet, the discipline and skills they’ve developed while balancing a sport and academics make them ideally suited for satisfying careers elsewhere. The book’s authors draw on personal experience, interviews, expert opinion, and industry data to provide a game plan for student-athletes to help them transition from high school to college, navigate evolving rules about NIL rights, and find success in life after college. Modeled after Stephen Covey’s The 7 Habits of Highly Effective People, this expanded and updated guide provides a much-needed strategy for student-athletes as they prepare for postcollege careers, while serving as a valuable resource for their parents, coaches, and sports administrators across the country.

The vast majority of student-athletes dreaming of athletic stardom won’t make it to the pros. Yet, the discipline and skills they’ve developed while balancing a sport and academics make them ideally suited for satisfying careers elsewhere.

In 20 Secrets to Success for NCAA Student-Athletes Who Won’t Go Pro, the authors draw on personal experience, interviews, expert opinion, and industry data to provide a game plan for student-athletes through key transitions at each stage of their careers, from high school through college and beyond.

Modeled on Stephen Covey’s The 7 Habits of Highly Effective People, this book provides a much-needed strategy for achieving career success. Readable and concise, it will be a valuable tool for students, parents, and sports administrators.

Religion in Ohio tells the story of Ohio’s religious and spiritual heritage going back to the state’s ancient and historic native populations, and including the westward migration of settlers to this region, the development of a wide variety of faith traditions in the years preceding the mid-twentieth century, and the arrival of newer immigrants in the last fifty years, each group bringing with it cherished traditions.

Documenting religious pluralism in Ohio and the impact faith communities have had on the state, Religion in Ohio encompasses the historical experiences of many groups. Each chapter is the story of one of those communities written by a member of that faith or denomination.

Operating under the auspices of the Ohio Bicentennial Commission and the Interfaith Association of Central Ohio, the editors of Religion in Ohio have created a unique collection of the experiences of faith groups during the two hundred years of Ohio’s statehood and the years leading up to it. The largely untold stories of religious experience in Ohio are gathered here in one volume so they may be appreciated in all their breadth and diversity.

The Religious Experience Advisory Council of the Ohio Bicentennial Commission is one among twenty-two advisory councils established by the commission to commemorate Ohio’s bicentennial celebration. The council consists of more than twenty volunteers representing various faith traditions that have chosen Ohio to be their home.

Tarunjit Singh Butalia and Dianne P. Small present the profiles of faith communities in a highly readable and accessible format. Religion in Ohio will be a lasting legacy of the Ohio Bicentennial and a valuable tool for understanding and appreciating the breadth of the religious pluralism in the state for years to come.

The African National Congress (ANC) is Africa’s most famous liberation movement. It has recently celebrated its centenary, a milestone that has prompted partisans to detail a century of unparalleled achievement in the struggle against colonialism and racial discrimination. Critics paint a less flattering portrait of the historical ANC as a communist puppet, a moribund dinosaur, or an elitist political parasite. For such skeptics, the ANC—now in government for two decades—has betrayed South Africans rather than liberating them.

South Africans endure deep inequality and unemployment, violent community protests, murders of foreign residents, major policy blunders, an AIDS crisis, and deepening corruption. Inside the ANC there are episodes of open rebellion against the leadership, conflicts over the character of a postliberation movement, and debilitating battles for succession to the movement’s presidency. The ANC is nevertheless likely to remain the party of government for the foreseeable future.

This remarkable book explores how ANC intellectuals and leaders interpret the historical project of their movement. It investigates three interlocking ideas: a conception of power, a responsibility for promoting unity, and a commitment to human liberation. Anthony Butler explores how these notions have shaped South African politics in the past and how they will inform ANC leaders’ responses to the challenges of the future.

A comprehensive treatment of Shakespeare’s plays, The Practical Shakespeare: The Plays in Practice and on the Page illuminates for a general audience how and why the plays work so well.

Noting in detail the practical and physical limitations the Bard faced as he worked out the logistics of his plays, Colin Butler demonstrates how Shakespeare incorporated those limitations and turned them to his advantage: his management of entrances and exits; his characterization techniques; his handling of scenes off-stage; his control of audience responses; his organization of major scenes; and his use of prologues and choruses. A different aspect of the plays is covered in each chapter.

Butler draws most of his examples from mainstream plays, such as Macbeth, Othello, and Much Ado about Nothing. He brings special focus to A Midsummer Night’s Dream, which is treated as one of Shakespeare’s most important plays. Butler supports his major points with quotations, so readers can understand an issue even if they are unfamiliar with the particular play being discussed. The author also cross-references the use of dramatic devices in the plays, increasing the reader’s enjoyment and understanding of Shakespeare’s achievements.

Clear, jargon-free, easy-to-use, and comprehensive, The Practical Shakespeare looks at stagecraft and playwriting as conduits for students, teachers, and general audiences to engage with, understand, and appreciate the genius of Shakespeare.

This social and intellectual history of women’s political activism in postwar Nigeria reveals the importance of gender to the study of nationalism and poses new questions about Nigeria’s colonial past and independent future. In the years following World War II, the women of Abeokuta, Nigeria, staged a successful tax revolt that led to the formation first of the Abeokuta Women’s Union and then of Nigeria’s first national women’s organization, the Nigerian Women’s Union, in 1949. These organizations became central to a new political vision, a way for women across Nigeria to define their interests, desires, and needs while fulfilling the obligations and responsibilities of citizenship. In The Great Upheaval, Judith A. Byfield has crafted a finely textured social and intellectual history of gender and nation making that not only tells a story of women’s postwar activism but also grounds it in a nuanced account of the complex tax system that generated the “upheaval.” Byfield captures the dynamism of women’s political engagement in Nigeria’s postwar period and illuminates the centrality of gender to the study of nationalism. She thus offers new lines of inquiry into the late colonial era and its consequences for the future Nigerian state. Ultimately, she challenges readers to problematize the collapse of her female subjects' greatest aspiration, universal franchise, when the country achieved independence in 1960.

In a world desperate to comprehend and address what appears to be an ever-enlarging explosion of violence, this book provides important insights into crucial contemporary issues, with violence providing the lens. Violence: Analysis, Intervention, and Prevention provides a multidisciplinary approachto the analysis and resolution of violent conflicts. In particular, the book discusses ecologies of violence, and micro-macro linkages at the local, national, and international levels as well as intervention and prevention processes critical to constructive conflict transformation.

The causes of violence are complex and demand a deep multidimensional analysis if we are to fully understand its driving forces. Yet in the aftermath of such destruction there is hope in the resiliency, knowledge, and creativity of communities, organizations, leaders, and international agencies to transform the conditions that lead to such violence.

In a world desperate to comprehend and address what appears to be an ever-enlarging explosion of violence, this book provides important insights into crucial contemporary issues, with violence providing the lens. Violence: Analysis, Intervention, and Prevention provides a multidisciplinary approach to the analysis and resolution of violent conflicts. In particular, the book discusses ecologies of violence, and micro-macro linkages at the local, national, and international levels as well as intervention and prevention processes critical to constructive conflict transformation.

The causes of violence are complex and demand a deep multidimensional analysis if we are to fully understand its driving forces. Yet in the aftermath of such destruction there is hope in the resiliency, knowledge, and creativity of communities, organizations, leaders, and international agencies to transform the conditions that lead to such violence.