The late Philadelphia Daily News sportswriter Stan Hochman was known for his many zingers, such as “Harry Litwack, the stoic Temple coach, stalks the sidelines like a blind man at a nudist colony.” As a reporter, he was more interested in how athletes felt, what their values were, how they lived their lives, or what made them tick than he was about how many runs they scored or punches they landed.

In Stan Hochman Unfiltered, his wife Gloria collects nearly 100 of his best columns from the Daily News about baseball, horse racing, boxing, football, hockey, and basketball (both college and pro), as well as food, films, and even Liz Taylor. Each section is introduced by a friend or colleague, including Garry Maddox, Bernie Parent, Larry Merchant, and Ray Didinger, among others. 

Hochman penned a candid, cantankerous column about whether Pete Rose belongs in the Baseball Hall of Fame; wrote a graphic account of the Muhammad Ali and Joe Frazier fight of the century; and skewered Norman “Bottom Line” Braman, the one-time owner of the Eagles. He also wrote human-interest stories, including features about the importance of kids with special needs playing sports. 

In addition to being a beloved writer, Hochman was also known for his stint on WIP’s radio as the Grand Imperial Poobah, where he would settle callers’ most pressing debates. Hochman long earned the respect and admiration of his subjects, peers, and readers throughout his career, and Stan Hochman Unfiltered is a testament to his enduring legacy.

During the last decade worries about population aging, increases in national expenditures for the elderly, and the trend toward early retirement have aroused new concerns about the future of old-age security. Myles and Quadagno have assembled a collection of original essays that examine how different countries have responded to these issues.

The essays in Part I explore the recent politics of old age in Great Britain, Canada, Poland, Scandinavia, West Germany, France, the Netherlands, Japan, and Australia. They demonstrate that while, during the Reagan and Thatcher era, the United States and Great Britain forged debates about old-age policies around a neo-conservative agenda, other countries facing similar matters followed different paths. In Part II, the authors examine how transformations in labor- market practices are gradually altering the status of older workers and with it our conventional understanding of old age.

The reconstruction of the international division of labor, the shift of employment from goods to services, and the adoption of new, knowledge-intensive technologies are changing the economic and political basis of the organization of old age. As we move toward the next century, these essays provide a starting point for a new generation of studies in the political economy of aging.

The pitiful Pittsburgh Pirates, established in 1933 by the inimitable “Chief,” Art Rooney Sr defied both belief and the odds by becoming the six-time Super Bowl champions that the Pittsburgh Steelers are today. They began as lovable losers, the Pirates, degenerating into the Same Old Steelers, the Steagles, and the Car-Pitts, but wound up one of professional sports’ most iconic franchises.

In The Steelers Encyclopedia, veteran sportswriter Chuck Finder nimbly chronicles this remarkable team from conception to Immaculate Reception to today. From turnovers to the Terrible Towel, Finder interviews nearly 100 ex-Steelers, coaches, front-office personnel, and fans, and includes more than 150 photographs—many of them never published before.

In The Steelers Encyclopedia, fans will—

Read about wild behind-the-scenes tales such as:

• Jack Lambert, the gap-toothed linebacker considered the game’s scariest player, screaming down a hallway clad in his undies, boots, and cowboy hat because he was afraid of a teammate’s prank snake

• One Super Bowl team making an unscheduled pit stop because they, um, imbibed too many celebratory refreshments after leaving the stadium

• Driving with the club’s legendary founding father, Art Rooney Sr., to his day job—the horse track

Get a look at the stars, the games, and the franchise:

• New details about the Rooneys, the sale of their team, the difficult times and decisions they faced in surviving, then thriving

• Characters ranging from bonus-baby Byron “Whizzer” White, a future U.S. Supreme Court Justice, to league MVPs Bill Dudley, Terry Bradshaw, and Johnny Unitas

• The parade of Hall of Fame ex-Steelers that continues in 2012 with Dermontti Dawson and Jack Butler . . . and includes one Canton honoree who was almost moved to a different position and another whose career took off upon ditching his glasses for contacts

• The nasal voice that provided the team’s historic soundtrack and belonged to the inventor of the Terrible Towel, Myron Cope

Learn the Steelers by the numbers:

• A year-by-year history of the team from 1933 to the present, with stats from each season and each Super Bowl

• Chapters about each Super Bowl and the scouting staff responsible for building champions

• Individual profiles of every Steelers head coach and more than100 Steelers players—from Jerome Bettis to Rod Woodson

• Revealing the man who wrote the Steelers polka, the kid who named the Steel Curtain, and the first weightlifting coach of the Super Steelers

• The cheerleaders—both female and male

For everyone who lives in Steeler Nation, this is the most comprehensive history of football’s most beloved franchise, the Black and Gold.

Cynthia Wu’s provocative Sticky Rice examines representations of same-sex desires and intraracial intimacies in some of the most widely read pieces of Asian American literature. Analyzing canonical works such as John Okada’s No-No Boy, Monique Truong’s The Book of Salt, H. T. Tsiang’s And China Has Hands, and Lois-Ann Yamanaka’s Blu’s Hanging, as well as Philip Kan Gotanda’s play, Yankee Dawg You Die, Wu considers how male relationships in these texts blur the boundaries among the homosocial, the homoerotic, and the homosexual in ways that lie beyond our concepts of modern gay identity.

The “sticky rice” of Wu’s title is a term used in gay Asian American culture to describe Asian American men who desire other Asian American men. The bonds between men addressed in Sticky Rice show how the thoughts and actions founded by real-life intraracially desiring Asian-raced men can inform how we read the refusal of multiple normativities in Asian Americanist discourse. Wu lays bare the trope of male same-sex desires that grapple with how Asian America’s internal divides can be resolved in order to resist assimilation.

This is a book about Philadelphia and about photography, but it is not the usual book about either. On one level, this is the pictorial story of a great industrial metropolis in transition. It is the story of a railroad city, a city of trolleys and subways and horse-drawn vehicles, as it gradually succumbed to the automobile. It is the story of a city filled with neighborhood industry giving way to suburbs, to commuter travel, and to a change in the very nature of work. It is the story of a city spreading out, expanding and doubling in population in fifty years. It is the story of urban exuberance and vitality where ethnic groups mixed and mingled, but it is also the story of slums and poverty, crime and conflict. A Philadelphia family album, filled with pictures of ordinary people, Still Philadelphia focuses on the city of immigrants and industry, not on the lives and houses of the wealthy.

Making and experiencing stories, remembering and retelling them is something we all do. We tell stories over meals, at the water cooler, and to both friends and strangers. But how do stories work? What is it about telling and listening to stories that unites us? And, more importantly, how do we change them-and how do they change us?

In The Story Is True, author, filmmaker, and photographer Bruce Jackson explores the ways we use the stories that become a central part of our public and private lives. He examines, as no one before has, how stories narrate and bring meaning to our lives, by describing and explaining how stories are made and used. The perspectives shared in this engaging book come from the tellers, writers, filmmakers, listeners, and watchers who create and consume stories.

Jackson writes about his family and friends, acquaintances and experiences, focusing on more than a dozen personal stories. From oral histories, such as conversations the author had with poet Steven Spender, to public stories, such as what happened when Bob Dylan "went electric" at the 1965 Newport Folk Festival. Jackson also investigates how "words can kill" showing how diction can be an administrator of death, as in Nazi extermination camps. And finally, he considers the way lies come to resemble truth, showing how the stories we tell, whether true or not, resemble truth to the teller.

Ultimately, The Story Is True is about the place of stories-fiction or real-and the impact they have on the lives of each one of us.

The Strange Music of Social Life presents a dialogue on dialogic sociology, explored through the medium of music. Sociologist and composer Michael Mayerfeld Bell presents an argument that both sociology and classical music remain largely in the grip of a nineteenth-century totalizing ambition of prediction and control. He provides the refreshing approach of "strangency" to explain a sociology that tries to understand not only the regularities of social life but also the social conditions in which people do what we do not expect.

Nine important sociologists and musicians respond-often vigorously-to the conversation Bell initiates by raising pivotal questions. The Strange Music of Social Life concludes with Bell's reply to those responses and offers new insight into sociology and music sociology.

Most history books paint Philadelphia as a place of revolutionary greatness, but there exists a forgotten, alternative history of the City of Brotherly Love. For example, did you know that

when Ben Franklin was Deputy Postmaster General for the American colonies, he ignored rival printers' requests for mailing priveleges. Instead, he loaded down the mail carriers with his own papers and enjoyed the use of a private delivery system that cut off the competition.

the Slinky was created by a marine engineer stationed in Philadelphia, who later became an evangelist and Bible salesman in Bolivia, leaving behind his wife, his children, and the Slinky fortune.

50,000 people gathered in Fairmount Park in 1953 hoping to see a vision of the Virgin Mary, who three schoolgirls claimed to have seen near a park bush. Though the Blessed Mother never did appear, visitors to the site left behind offerings of rosaries, flowers, crutches, and over $6,000.

while 11,000 spectators sat in the Spectrum waiting for the Ice Capades to begin, 32-mile-an-hour winds blew a chunk of the roof off the city's newly constructed stadium.

Find these and a hundred more "strange" and fascinating stories in this collection of vignettes. These pieces of the past can't be found in history books—they are surprising side bars to the famous and not-so-famous events and people of historical Philadelphia.

For the past few decades, the U.S. anti-sweatshop movement was bolstered by actions from American college students. United Students Against Sweatshops (USAS) effectively advanced the cause of workers’ rights in sweatshops around the world. Strategizing against Sweatshops chronicles the evolution of student activism and presents an innovative model of how college campuses are a critical site for the advancement of global social justice. 

Matthew Williams shows how USAS targeted apparel companies outsourcing production to sweatshop factories with weak or non-existent unions. USAS did so by developing a campaign that would support workers organizing by leveraging their college’s partnerships with global apparel firms like Nike and Adidas to abide by pro-labor codes of conduct. 

Strategizing against Sweatshops exemplifies how organizations and actors cooperate across a movement to formulate a coherent strategy responsive to the conditions in their social environment. Williams also provides a model of political opportunity structure to show how social context shapes the chances of a movement’s success—and how movements can change that political opportunity structure in turn. Ultimately, he shows why progressive student activism remains important.

Harry Stottlemeier's Discovery, created by Matthew Lipman in 1969, is now a widely used and highly successful tool for teaching philosophy to children. As the original novel of the Philosophy for Children program, its goal is to present major ideas in the history of philosophy, nurturing children's ability to think for themselves. At present, it is taught in 5,000 schools in the United States and has been translated into eighteen languages worldwide. This collection of essays reflects upon the development, refinement, and maturation of Philosophy for Children and on its relationship to the tradition of philosophy itself.

The contributors are philosophers themselves who have taught from Lipman's novels or conducted workshops instructing elementary school teachers on how most effectively to utilize the program in their classrooms. Teaching Harry raises philosophical issues concerning such concepts as authority, morality, religion, justice, truth, knowledge, beauty, and goodness. Gracing each article with personal experience, the authors recount their own struggles against the claims of philosophers and psychologists who have previously underestimated children's moral capability because of their lack of political and social experience.

Human rights violations have always been part of Asian American studies. From Chinese immigration restrictions, the incarceration of Japanese Americans, yellow peril characterizations, and recent acts of deportation and Islamophobia, Asian Americans have consistently functioned as subordinated “subjects” of human rights violations. The Subject(s) of Human Rights brings together scholars from North America and Asia to recalibrate these human rights concerns from both sides of the Pacific.

The essays in this collection provide a sharper understanding of how Asian/Americans have been subjected to human rights violations, how they act as subjects of history and agents of change, and how they produce knowledge around such subjects. The editors of and contributors to The Subject(s) of Human Rights examine refugee narratives, human trafficking, and citizenship issues in twentieth- and twenty-first century literature. These themes further refract issues of American war-making, settler colonialism, military occupation, collateral damage, and displacement that relocate the imagined geographies of Asian America from the periphery to the center of human rights critique.

For self-made artist and soldier Horace Pippin—who served in the 369th all-black infantry in World War I until he was wounded—war provided a formative experience that defined much of his life and work. His ability to transform combat service into canvases of emotive power, psychological depth, and realism showed not only how he viewed the world but also his mastery as a painter. In Suffering and Sunset, Celeste-Marie Bernier painstakingly traces Pippin’s life story of art as a life story of war. 

Illustrated with more than sixty photographs, including works in various mediums—many in full color—this is the first intellectual history and cultural biography of Pippin. Working from newly discovered archives and unpublished materials, Bernier provides an in-depth investigation into the artist’s development of an alternative visual and textual lexicon and sheds light on his work in its aesthetic, social, and political contexts.

Suffering and Sunset illustrates Pippin’s status as a groundbreaking artist as it shows how this African American painter suffered from but also staged many artful resistances to racism in a white-dominated art world.

Appearance- and performance-enhancing drugs—specifically, anabolic steroids (APEDs)—provide a tempting competitive advantage for amateur baseball players. But this shortcut can exact a fatal cost on talented athletes. In his urgent book Suicide Squeeze, William Kashatus chronicles the experiences of Taylor Hooton and Rob Garibaldi, two promising high school baseball players who abused APEDs in the hopes of attracting professional scouts and Division I recruiters. However, as a result of their steroid abuse, they ended up taking their own lives.

In Suicide Squeeze—named for the high-risk play in baseball to steal home—Kashatus identifies the symptoms and dangers of steroid use among teens. Using archival research and interviews with the Hooton and Garibaldi families, he explores the lives and deaths of these two troubled young men, the impact of their suicides on MLB, and the ongoing fight against adolescent APED use by their parents.

A passionate appeal to prevent additional senseless deaths by athletes, Suicide Squeeze is an important contribution to debates on youth and sports and on public policy.

In the twenty-first century, as in centuries past, stories of the supernatural thrill and terrify us. But despite their popularity, scholars often dismiss such beliefs in the uncanny as inconsequential, or even embarrassing. The editors and contributors to The Supernatural in Society, Culture, and History have made a concerted effort to understand encounters with ghosts and the supernatural that have remain present and flourished. Featuring folkloric researchers examining the cultural value of such beliefs and practices, sociologists who acknowledge the social and historical value of the supernatural, and enthusiasts of the mystical and uncanny, this volume includes a variety of experts and interested observers using first-hand ethnographic experiences and historical records.

The Supernatural in Society, Culture, and History seeks to understand the socio-cultural and socio-historical contexts of the supernatural. This volume takes the supernatural as real because belief in it has fundamentally shaped human history. It continues to inform people’s interpretations, actions, and identities on a daily basis. The supernatural is an indelible part of our social world that deserves sincere scholarly attention. 

Contributors include: Janet Baldwin, I'Nasah Crockett, William Ryan Force, Rachael Ironside, Tea Krulos, Joseph Laycock, Stephen L. Muzzatti, Scott Scribner, Emma Smith, Jeannie Banks Thomas, and the editors

Developments in new reproductive technologies have confounded public policy and created legal and ethical quandaries for professionals and ordinary citizens alike. Drawing from the most current medical, psychiatric, legal, and bioethical literature, Ruth Macklin, noted author and philosopher, presents the arguments surrounding these advances through the voices of fictional characters. The episodes she narrates are based on real-life situations, both from her personal experience as a hospital ethicist and from the public arena, where such controversial court cases as that of Baby M have sparked a multitude of disparate opinions on surrogacy, in vitro fertilization, and egg and sperm donor program.

Macklin's hypoethical tale centers on Bonnie and Larry, an infertile couple longing for a child. As the couple's quest to become parents begins, they discover that Bonnie is physically incapable of carrying a pregnancy to term. Desperate to explore their options, Bonnie and Larry attempt adoption but are rejected by the agency without explanation. Finally, they contemplate surrogacy as their last chance to have a child. Seeking advice and answers, they consult health professionals, lawyers, pastoral counselors, and a bioethicist. In the course of this complicated and often painful decision-making process, they attend meetings of a government task force on reproduction where they hear both radical and liberal feminist positions.

Their experiences with friends, family members, two surrogates, hospital ethics committees, and special interest groups underscore the difficulty of coming to a consensus on such issues as AIDS, the right to privacy, premenstrual syndrome, the violation of surrogate contracts, and the responsibilities of therapists and physicians to their patients and to the community at large.

What drives the cycle of backlashes against women’s ongoing struggle for equality, freedom, and inclusion in American politics? In her innovative and provocative book, Suspect Citizens, Jocelyn Boryczka presents a feminist conceptual history that shows how American politics have largely defined women in terms of their reproductive and socializing functions. This framework not only denies women full citizenship, but also devalues the active political engagement of all citizens who place each other and their government under suspicion.

Developing the gendered dynamics of virtue and vice, Boryczka exposes the paradox of how women are perceived as both virtuous moral guardians and vice-ridden suspect citizens capable of jeopardizing the entire nation’s exceptional future. She uses wide-ranging examples from the Puritans and contemporary debates over sex education to S&M lesbian feminists and the ethics of care to show how to move beyond virtue and vice to a democratic feminist ethics.

Suspect Citizens advances a politics of collective responsibility and belonging.

Environmental policies fail in conspicuous and egregious ways to sustain the natural resource base and protect citizens from production-generated risky exposures. In her engaging study, Sustainable Failures, Sherry Cable asks, why does environmental policy seem to be a contributing cause rather than a partial solution to environmental problems? 

Melding a biophysical science perspective of environmental processes with sociological insights into human behavior, Cable examines the people, policies, and issues of petrochemical dependence and broader environment questions. She insists that our present policies around the manufacture and use of petroleum products violate rudimentary ecological principles—and do so in complicated ways.

Sustainable Failures is a blistering wake-up call to what is at stake not only regarding the failure of policy outcomes and grievous natural resource depletion and pollution, but also concerning democracy and ecological survival, and eventually, potentially, the existence of our species.

A groundbreaking book that seeks to understand dance as labor, Sweating Saris examines dancers not just as aesthetic bodies but as transnational migrant workers and wage earners who negotiate citizenship and gender issues. 
           
Srinivasan merges ethnography, history, critical race theory, performance and post-colonial studies among other disciplines to investigate the embodied experience of Indian dance. The dancers’ sweat stained and soaked saris, the aching limbs are emblematic of global circulations of labor, bodies, capital, and industrial goods.  Thus the sweating sari of the dancer stands in for her unrecognized labor.
         
Srinivasan shifts away from the usual emphasis on Indian women dancers as culture bearers of the Indian nation. She asks us to reframe the movements of late nineteenth century transnational Nautch Indian dancers to the foremother of modern dance Ruth St. Denis in the early twentieth century to contemporary teenage dancers in Southern California, proposing a transformative theory of dance, gendered-labor, and citizenship that is far-reaching.

“They looked at us like we were not supposed to be scientists,” says one young African American girl, describing one openly hostile reaction she encountered in the classroom. In this significant study, Sandra Hanson explains that although many young minority girls are interested in science, the racism and sexism in the field discourage them from pursuing it after high school. Those girls that remain highly motivated to continue studying science must “swim against the tide.”

Hanson examines the experiences of African American girls in science education using multiple methods of quantitative and qualitative research, including a web survey and vignette techniques. She understands the complex interaction between race and gender in the science domain and, using a multicultural and feminist framework of analysis, addresses the role of agency and resistance that encourages and sustains interest in science in African American families and communities.

In Sync, James Tobias examines the development of musical sound and image in cinema and media art, indicating how these elements define the nature and experience of reception. Placing musicality at the center of understanding streaming media, Tobias presents six interwoven stories about synchronized audiovisual media—from filmmaker Sergei Eisenstein’s Alexander Nevsky to today’s contemporary digital art and computer games—to show how these effects are never  merely "musical" in the literal sense of organized sound.