A SCHOLARLY BOOK REPOSITORY27 start with M start with M
Magical Tales traces the origin of the genre back through Norse mythology, Arthurian legend, and medieval literature. Drawing on manuscripts and rare books in the renowned collection of the Bodleian Library, the essays turn the spotlight on spell books; grimoires, or magical textbooks; and books of legend and myth whose themes writers like J. R. R. Tolkien and C. S. Lewis incorporated into their work, inspiring generations of writers that extend to the present day. In serving as a source of inspiration for later literary works, the contributors show, myths and legends have themselves been altered in interesting ways.
Richly illustrated, Magical Tales offers an enchanting take on the development of this wildly popular genre.
This book tells the story of the birth and development of Magna Carta from its origins to the modern day. It also reproduces and describes, for the very first time, every surviving copy of the Great Charter, as well as related charters of the period, including various new discoveries. It addresses the previously unanswered question of how the charter was published and disseminated to the shires of England and includes a chapter on the charter's scribes and sealing, supplying a truly unique insight into both the creation and afterlife of the most fundamental legal document in British history.
The publishing of the Flora Graeca was a landmark event in 1830. Only 25 copies were published, due to the book’s size of 10 double folio volumes and its numerous illustrations, and it cost over £620, a colossal sum at the time. The Flora Graeca brought together beautiful renderings of the fruits of the travels of British scientist John Sibthorp, who made multiple trips to the eastern Mediterranean in the early nineteenth century to collect a rich array of exotic floral specimens. Now The Magnificent Flora Graeca chronicles Sibthorp’s immense undertaking, including brilliant selections from his groundbreaking volume.
The story of the expeditions of Sibthorp and his renowned illustrator Ferdinand Bauer is a tale replete with larger-than-life characters and adventures on land and sea. Harris profiles the lives of Sibthorp, Bauer, and other leading characters, and explores the Flora Graeca’s rich cultural and scientific legacy. Sibthorp’s pioneering adventures unearthed floral specimens previously unknown to science, as he collected the originals of such popular garden flowers as the Crocus flavus ssp. flavus, the parent of the Golden Yellow; and Cyprus’s Cyclamen persicum, the parent of the widely grown garden cyclamens species.
This new volume, drawn from photographs of Sibthorp’s remarkably well-preserved specimens and luminous reproductions of the original watercolors and engravings by Bauer, features more images from the Flora Graeca than have ever been published since its first printing.
A fascinating treasure of floral wonders, The Magnificent Flora Graeca is an essential addition to the bookshelf for the plant lover or anyone curious about the natural history behind their beloved garden retreats.
Placing Handel’s best-known work in the context of its times, this vivid account charts the composer’s working relationship with his librettist, the gifted but demanding Charles Jennens, and looks at Handel’s varied and evolving company of singers together with his royal patronage. Through examination of the original composition manuscript and Handel’s own conducting score, held in the Bodleian Library’s collection, The Making of Handel’s Messiah sheds new light on the piece’s construction, performance, and reception. Exploring the complex history of one of the most successful pieces of choral music of all time, this volume examines issues around the performance of sacred texts in a non-sacred context, particularly Handel’s collaboration with the men and boys of the Chapel Royal. This book also explores the later reception and performance history of the piece, including the festival performance attended by Haydn, the massed-choir tradition of the Victorian period, and today’s “come-and-sing” events.
Alice’s Adventures in Wonderland and Through the Looking-Glass are two of the most famous, translated, and quoted books in the world. What began as a simple tale told by eccentric Oxford mathematician Charles Dodgson (better known as Lewis Carroll) to Alice Liddell, daughter of the Dean of Christ Church, become a worldwide phenomenon. Fostering film adaptations and retellings, and influencing countless other works, the Alice books have a deeply cherished place in popular culture. Known for their oddities and absurdities, the books have been endlessly interpreted and analyzed for symbolism and hidden messages.
Peter Hunt cuts away the psychological speculation that has grown up around the Alice books, and instead traces the historical sources of their multilayered in-jokes and political, literary, and philosophical satire. He situates the books in the history of children’s literature and explores the local and personal references that the real Alice would have understood. Equally fascinating are the rich fragments about everything from the “sensation” novel to Darwinian theory—not to mention Dodgson’s personal feelings—that he wove into the books as they developed.
Illustrated with manuscripts, portraits, Sir John Tenniel’s original line drawings for the first editions, and contemporary photographs, this is an innovative look at two remarkable stories. The Making of Lewis Carroll’s Alice and the Invention of Wonderland takes us on a guided tour from the treacle wells of Victorian Oxford through an astonishing world of politics, philosophy, humor, and nightmare.
In the two hundred years since its first publication, the story of Frankenstein’s creation during stormy days and nights at Byron’s Villa Diodati on Lake Geneva has become literary legend. In this compelling and innovative book, Daisy Hay stitches together the objects and manuscripts of the novel’s turbulent genesis in order to bring its story back to life.
Frankenstein was inspired by the extraordinary people surrounding the eighteen-year-old author and by the places and historical dramas that formed the backdrop of her youth. Featuring manuscripts, portraits, illustrations, and artifacts, The Making of Mary Shelley’s “Frankenstein” explores the novel’s time and place, the people who inspired its characters, the relics of its long afterlife, and the notebooks in which it was created. Hay strips Frankenstein back to its constituent parts to reveal an uneven novel written by a young woman deeply engaged in the process of working out what she thought about the pressing issues of her time: from science, politics, religion, and slavery to maternity, the imagination, creativity, and community. Richly illustrated throughout, this is an astute and intricate biography of the novel for all those fascinated by its essential, brilliant chaos.
The Making of Shakespeare’s First Folio offers the first comprehensive biography of the earliest collected edition of Shakespeare’s plays. In November 1623, the book arrived in the bookshop of the London publisher Edward Blount at the Black Bear. Long in the making, Master William Shakespeare’s Comedies, Histories, and Tragedies—as the First Folio was then known—appeared seven years after Shakespeare’s death. Nearly one thousand pages in length, the collection comprised thirty-six plays, half of which had never been previously published. Emma Smith tells the story of the First Folio’s origins, locating it within the social and political context of Jacobean London and bringing in the latest scholarship on the seventeenth-century book trade.
Extensively illustrated, The Making of Shakespeare’s First Folio is a landmark addition to the copious literature on Shakespeare. It will shed much-needed light on the birth of the First Folio—of which fewer than 250 copies remain—and the birth of Shakespeare’s towering reputation.
Peter Hunt explores the unusual trajectory of The Wind in the Willows through previously unpublished archival materials, original drawings, and fan letters (including one from Theodore Roosevelt). He identifies the colleagues and friends on whom Grahame is thought to have based the characters of Mole, Rat, Badger, and Toad, and explores the literary genres of boating, caravanning, and motoring on which the author drew. He also recounts the extraordinary correspondence surrounding the book’s first publication and the influence of two determined women—publisher’s agent Constance Smedley and the author’s wife, Elspeth Grahame—who helped turn the book into the classic for children we know and love today. Generously illustrated throughout, this book celebrates one of the most beloved works of children’s literature ever published.
Published to commemorate the four hundredth anniversary of the publication of the King James Bible, Manifold Greatness tells the story of the creation and immediate afterlife of the King James translation of the Bible, first published in 1611. Revolutionary at its time, the King James translation quickly became the dominant authorized translation of the Christian Bible in English. There are more than one billion copies in print, making it the best-selling book of all time, and its effect on the English language is incalculable, both in common speech and in literature.
This accessible and richly illustrated visual history contains eighty color illustrations, including images of rare manuscripts, artifacts, and archival material such as the annotated Bodleian Bishops’ Bible of 1602, pages from the Wycliffite and Tyndale Bibles, and an edition of the Bishop’s Bible owned by Elizabeth I. Eight chapters contributed by leading academics in the field discuss the history of biblical translation, the political background of the project, the Oxford Translators—including Henry Savile, John Rainolds, and John Harmar—and their working milieu, the cultural politics, and the reception and influence of the King James Bible up until the 1769 publication of the Oxford Standard Edition, which was the first revision of the original 1611 translation. Also included is a look at the later reception of the King James Bible in America, including a chapter specifically on the King James Bible and the Folger Shakespeare Library.
Manifold Greatness brings together key research and documentation to provide a lively and comprehensive visual account to celebrate one of the most important occasions in publishing and modern religious history.
Mapping Shakespeare’s World explores these questions with surprising results. It has often been said that setting is irrelevant to Shakespeare’s plays—that, wherever they are set, their enduring appeal lies in their ability to speak to broad questions of human nature. Peter Whitfield shows that, on the contrary, many of Shakespeare’s locations were carefully chosen for their ability to convey subtle meanings an Elizabethan audience would have picked up on and understood. Through the use of paintings, drawings, contemporary maps and geographical texts, Whitfield suggests answers to such questions as where Illyria was located, why The Merry Wives of Windsor could only have taken place in Windsor, and how two utterly different comedies—The Comedy of Errors and Pericles, Prince of Tyre—both came to take place in ancient Ephesus.
Just when one might think there was nothing more to be said about Shakespeare, with Mapping Shakespeare’s World, Whitfield offers a fascinating new point of view.
That's what happens to a little boy in The March Wind. Finding a large black hat lying in the street, he tries it on . . . and instantly becomes a host of exciting characters: a soldier marching proudly through puddles, a cowboy galloping on his steed, a bandit fleeing the law under cover of night, a circus ringleader entertaining the crowd. But then the owner of the hat returns, and the boy finds himself face to face with the March Wind. Is this part of his imagination, too, or is something bigger happening?
This charming children’s book, first published in 1957, is brought to life by the timeless illustrations of Vladimir Bobri, whose wonderfully imaginative renderings of the boy’s flights of fancy are endearing and captivating. It will charm parents and children alike.
Marks of Genius pays tribute to some of the most remarkable testaments to genius throughout human history, from ancient texts on papyrus and the extraordinary medieval manuscript The Douce Apocalypse to the renowned children’s work The Wind in the Willows. Bringing together some of the rarest and most impressive treasures in the collections of the Bodleian Libraries, it tells the story of each work’s creation and its journey through time, offering insight into the breadth and depth of its influence as well as and its power to fascinate.
Published to accompany an exhibition of the same name at the Morgan Library and Museum in New York, Marks of Genius celebrates with two hundred full-color illustrations works that constitute the pinnacle of human creativity and which we continue to restore and revisit—perhaps in the hopes that some of their remarkable brilliance will rub off.
Marks of Genius pays tribute to some of the most remarkable testaments to genius throughout human history, from ancient texts on papyrus and the extraordinary medieval manuscript The Douce Apocalypse to the renowned children’s work The Wind in the Willows. Bringing together some of the rarest and most impressive treasures in the collections of the Bodleian Libraries, it tells the story of each work’s creation and its journey through time, offering insight into the breadth and depth of its influence as well as and its power to fascinate.
Published to accompany an exhibition of the same name at the Morgan Library and Museum in New York, Marks of Genius celebrates with two hundred full-color illustrations works that constitute the pinnacle of human creativity and which we continue to restore and revisit—perhaps in the hopes that some of their remarkable brilliance will rub off.
This new facsimile edition of The Marriage of Heaven and Hell includes a plate-by-plate guide to the texts, interlinear figures, and larger designs in a commentary accompanying the transcript of each reproduced plate. Drawings from Blake’s manuscript notebook, which were used as a basis for the designs, as well as working proof impressions, are also included, demonstrating the evolution of the work. This edition also reproduces a single plate from each of the other eight surviving copies, revealing how over a period of more than thirty years Blake altered the way he finished each copy. An introduction explores the book's literary and historical background, Blake’s printing process, and the book's anonymous initial publication.
This expertly edited work is available for students and scholars in paperback and for collectors in a special hardcover edition. Both versions allow Blake’s vision to reassert its breathtaking power.
This new facsimile edition of The Marriage of Heaven and Hell includes a plate-by-plate guide to the texts, interlinear figures, and larger designs in a commentary accompanying the transcript of each reproduced plate. Drawings from Blake’s manuscript notebook, which were used as a basis for the designs, as well as working proof impressions, are also included, demonstrating the evolution of the work. This edition also reproduces a single plate from each of the other eight surviving copies, revealing how over a period of more than thirty years Blake altered the way he finished each copy. An introduction explores the book's literary and historical background, Blake’s printing process, and the book's anonymous initial publication.
This expertly edited work is available for students and scholars in paperback and for collectors in a special hardcover edition. Both versions allow Blake’s vision to reassert its breathtaking power.
Susanna and Anna portrayed the shells of this collection not only as curious and beautiful objects, but also as specimens of natural history, rendering them with sensitivity and keen scientific empiricism. Beautiful in their own right, their illustrations and engravings reveal the early techniques behind scientific illustration and offer fascinating insight into the often hidden role of women in the scientific revolution.
These volumes contain descriptions of more than one hundred medieval manuscripts, mostly Latin, from the Charterhouse St. Michael at Mainz. Dating from the tenth to the fifteenth centuries, they reflect the spirituality and literary interest of the Carthusian order. The first major publication on the Mainz Charterhouse manuscript collection, this two-volume edition provides authoritative and superbly detailed descriptions, including information about the physical characteristics, decoration, binding, and provenance of the manuscripts.
Presenting detailed descriptions of more than fifty of manuscripts, Medieval Manuscripts from Würzburg in the Bodleian Library, Oxford provides an authoritative catalog, including many important early copies of the manuscripts of church fathers during the Carolingian period. Daniela Mairhofer examines each from both a textual and paleographic point of view, paying careful attention to the provenance of the manuscript, as well as to physical characteristics like decoration and binding. Entries are accompanied by copious color plates.
In the medieval world system—inherited by Christians and Muslims from the Greeks and Romans, and modified by their own religious tenets—spheres bearing the planets and stars wheeled around the earth, and at every level there was a moral lesson for humanity and a satisfying metaphor for the nature of God. The authors of this volume explain how the medieval view of the universe was harmonious on theological and practical levels, providing answers to the most puzzling of questions.
Medieval Views of the Cosmos is an engaging and beautifully illustrated introduction to a world where every moment was a theater of human drama directed by the hand of God.
Numerous documents attest to the horrific conditions endured by African slaves during the centuries of the Atlantic slave trade. Less well known is the perspective of those who wielded power during this dark time in human history. The Bodleian Library fills that gap here with the memoirs of a principal figure in the slave trade, Captain Hugh Crow.
The first-hand account of a man who commanded one of the last legal slave vessels to cross the Atlantic, Life and Times of a Slave Trade Captain offers a revealing if frequently troubling look into the psyche of a slave trader. His chronicle leaves nothing to the imagination, as he recounts the harsh routine of daily life on a slave vessel, where on average a fifth of the crew—let alone the human cargo—never survived the crossing. Crow portrays himself as an “enlightened” slaver, a claim he justifies through the link between his close attention to his “negroes” and his financial success, and the songs composed for him by the slaves. His account also includes commentary on the social propriety of the slave trade and notes about the conditions on West Indian and Caribbean plantations as well as on slave ships. John Pinfold’s illuminating introduction recounts the life of Hugh Crow and sets him in the rich historical context of eighteenth-century mercantilism and its battle with the abolitionist movement. An eye-opening read, Life and Times of a Slave Trade Captain reveals an often overlooked facet in the complicated history of transatlantic slavery.
Drawing on the remarkable wealth of documentation in the college’s archives, this is the first history of the library to explore collections, buildings, readers, and staff across more than seven hundred years. The story is told in part through stunning color images that depict not only exceptional treasures but also the library furnishings and decorations, and which show manuscripts, books, bindings, and artifacts of different periods in their changing contexts. Featuring a historical timeline and a floor plan of the college, this book will be of interest to historians, alumni, and tourists alike.
A Month at the Front chronicles one month in the life of a soldier from the 12th East Surrey regiment, and the economical yet powerful narrative vividly brings to life the sights, sounds, and horrors of war. “The first night passed uneventfully, except that we were shelled”—so begins the young man in spare prose, and the quiet drama unfolds from there. Constant bombings and the sobering landscape of war—“It was nothing unusual to come across . . . a dead comrade lying waiting for burial”—are occasionally relieved by humorous events such as the discovery that a troop of advancing Germans was “nothing more than few short willow shrubs waving about in the breeze.” The young soldier describes how his comrades gradually fall one by one, until he and three remaining fellow soldiers are captured by the enemy, an event that abruptly ends the narrative.
A Month at the Front is not penned by a famous author, nor does it claim to offer any broad perspective. Rather, it is the lone voice of an unknown young man thrust into fatal circumstances.
A Museum Miscellany celebrates the intriguing world of galleries and museums, from national institutions such as the Louvre, the British Museum, and the Metropolitan Museum of Art to niche collections such as the Lawnmower Museum and the Museum of Barbed Wire. Here you will find a cornucopia of museum-related facts, statistics, and lists, covering everything from museum ghosts, dangerous museum objects, and conservation beetles to treasure troves, museum heists and the Museum of London’s fatberg.
Bursting with quirky facts, intriguing statistics, and legendary curators, this book is the perfect gift for museum aficionados and collectors alike.
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