A SCHOLARLY BOOK REPOSITORY82 start with I start with I
Warwick, the world's leading expert in cybernetics, explains how he has deliberately crossed over a perilous threshold to take the first practical steps toward becoming a cyborg--part human, part machine--using himself as a guinea pig and undergoing surgery to receive technological implants connected to his central nervous system.
Believing that machines with intelligence far beyond that of humans will eventually make the important decisions, Warwick investigates whether we can avoid obsolescence by using technology to improve on our comparatively limited capabilities. Warwick also discusses the implications for human relationships, and his wife's participation in the experiments.
Beyond the autobiography of a scientist who became, in part, a machine, I, Cyborg is also a story of courage, devotion, and endeavor that split apart personal lives. The results of these amazing experiments have far-reaching implications not only for e-medicine, extra-sensory input, increased memory and knowledge, and even telepathy, but for the future of humanity as well.
With the Senate's organized crime hearings and the brighter-than-bright myth of the American Dream as a backdrop, Miklitsch examines the style and history, and the production and cultural politics, of classic pictures from The Big Heat and The Asphalt Jungle to lesser-known gems like 711 Ocean Drive and post-Fifties movies like Ocean’s Eleven. Miklitsch pays particular attention to trademark leitmotifs including the individual versus the collective, the family as a locus of dissension and rapport, the real-world roots of the heist picture, and the syndicate as an octopus with its tentacles deep into law enforcement, corporate America, and government. If the memes of gangster noir remain prototypically dark, the look of the films becomes lighter and flatter, reflecting the influence of television and the realization that, under the cover of respectability, crime had moved from the underworld into the mainstream of contemporary everyday life.
Louis Moore draws on the life stories of African American fighters active from 1880 to 1915 to explore working-class black manhood. As he details, boxers bought into American ideas about masculinity and free enterprise to prove their equality while using their bodies to become self-made men. The African American middle class, meanwhile, grappled with an expression of public black maleness they saw related to disreputable leisure rather than respectable labor. Moore shows how each fighter conformed to middle-class ideas of masculinity based on his own judgment of what culture would accept. Finally, he argues that African American success in the ring shattered the myth of black inferiority despite media and government efforts to defend white privilege.
Whether pondering his long-unbuilt replica of Connie Mack Stadium or his eye-opening turn as the Baltimore Ravens' mascot, Zang offers tales at turns poignant and hilarious as he engages with the passions that shaped his life. Yet his meditations also probe the tragedy of a modern athletic culture that substitutes hyped spectatorship for participation. As he laments, American society's increasing scorn for taking part in play robs adults of the life-affirming virtues of games that challenge us to accomplish the impossible for the most transcendent of reasons: to see if it can be done.
From teammates named Lop to tracing Joe Paterno's long shadow over Happy Valley, I Wore Babe Ruth's Hat reports from the everyman's Elysium where games and life intersect.
Seven years before the Chinese Exclusion Act of 1882, the Page Law sought to stem the tide of Chinese prostitutes entering the United States. Yet during these seven years, it was not just prostitutes but all Chinese females who encountered at best hostility and at worst expulsion when they reached the "Golden Door."
George Anthony Peffer looks at enforcement of immigration laws to provide the first detailed account of Chinese American women's lives in the pre-exclusion era. Peffer documents the habeas corpus trials in which the wives and daughters of Chinese laborers were required to prove their status as legal immigrants or return to China. He also surveys the virulently anti-Chinese coverage of these trials and the issue of Chinese immigration received in California newspapers, confirming that Chinatown's prostitution industry so dominated the popular imagination as to render other classes of female immigrants all but invisible.
Insightful and groundbreaking, If They Don't Bring Their Women Here amplifies the voices of Chinese immigrant women and establishes a place for them within the historiographic framework of Chinese American studies.
continually fragmenting, disassembling, and reassembling itself--and in
the process creating something new. In a series of topical essays that
show why he is one of Europe's leading authorities on American culture,
Kroes probes trends in American advertising, the image of the Vietnam
war in American films, the implications of American vernacular culture as represented in rap music, and other topics.
José Ángel N. es escritor y traductor. Sus ensayos se han publicado en revistas culturales en México y Estados Unidos. Verónica Murguía es escritora y traductora y radica en México.
Arriving in the 1990s with a ninth grade education, N. traveled to Chicago where he found access to ESL and GED classes. He eventually attended college and graduate school and became a professional translator.
Despite having a well-paying job, N. was isolated by a lack of legal documentation. Travel concerns made promotions impossible. The simple act of purchasing his girlfriend a beer at a Cubs baseball game caused embarrassment and shame when N. couldn't produce a valid ID. A frustrating contradiction, N. lived in a luxury high-rise condo but couldn't fully live the American dream. He did, however, find solace in the one gift America gave him–-his education. Ultimately, N.'s is the story of the triumph of education over adversity. In Illegal, he debunks the stereotype that undocumented immigrants are freeloaders without access to education or opportunity for advancement. With bravery and honesty, N. details the constraints, deceptions, and humiliations that characterize alien life "amid the shadows."
Richard J. Jensen treats Illinois as a microcosm of the nation, arguing that its history exhibits basic conflicts that had much to do with shaping American society in general. Northern reformers in Illinois were intent on remaking the state in their image: middle-class, egalitarian, urban, and progressive. These values clashed with the patriarchal supremacy and intense loyalty to kin and ken by which the people of southern Illinois, and the South, organized their lives.
When the Civil War broke out, sympathy for the Confederacy ran high in southern Illinois. Although the region officially supported the Union, guerrilla bands terrorized Unionists, and in Charleston a full-scale riot against Federal troops erupted in 1864. The Union victory decisively shifted both the nation and Illinois toward faster modernization. Violence became more bureaucratized, and localism eroded with the onslaught of chain franchises, consolidated schools, and homogenized suburbs. Jensen extends his discussion to the emergence of newer, postmodern conflicts that continue to occupy the people of Illinois.
Without neglecting the high-profile individuals and events that put the Prairie State on the map, Jensen offers an innovative, wide-angle view that expands our perspective on Illinois history.
Writing in a fast-paced, down-to-earth style, Lois Carrier introduces a host of innovations and innovators associated with Illinois: Jane Addams and Louis Armstrong, Frank Lloyd Wright and Walt Disney, Cracker Jack and the Ferris wheel. From the Cahokia Mounds to Chicago, Illinois: Crossroads of a Continent provides a panoramic history for students and general readers.
This Common Threads collection offers important articles from the Journal of the Illinois State Historical Society. Organized as an approachable survey of state history, the book offers chapters that cover the colonial era, early statehood, the Civil War years, the Gilded Age and Progressive eras, World War II, and postwar Illinois. The essays reflect the wide range of experiences lived by Illinoisans engaging in causes like temperance and women's struggle for a shorter workday; facing challenges that range from the rise of street gangs to Decatur's urban decline; and navigating historic issues like the 1822-24 constitutional crisis and the Alton School Case.
Contributors: Roger Biles, Lilia Fernandez, Paul Finkelman, Raymond E. Hauser, Reginald Horsman, Suellen Hoy, Judson Jeffries, Lionel Kimble Jr., Thomas E. Pegram, Shirley Portwood, Robert D. Sampson, Ronald E. Shaw, and Robert M. Sutton.
Russell P. Strange "Book of the Year" Award from the Illinois State Historical Society, 2012.
Illinois has produced presidents and leading members of Congress. It also has a long history of political corruption, including, in recent years, the federal indictments of two consecutive governors. The population of the state is exceptionally diverse, with a significant number of new immigrants. Its political allegiance, once firmly Republican, has trended ever more Democratic. Illinois can be divided neatly into three distinct regions: Chicago, the suburban collar surrounding the city, and the ninety-five downstate counties.
Based on the research and experience of respected veterans of Illinois politics, this book shows how the government runs, how politics operates, and what obstacles and opportunities exist for change. It explains how power is exercised and how parties compete for it. For engaged citizens, scholars, and students, Illinois Politics: A Citizen's Guide is a timely and much-needed roadmap for positive change.
Shifting demographics. Downstate versus Chicago. Billionaires and bribery. Even veteran observers need a roadmap to track Illinois’ ever-changing political landscape. Melissa Mouritsen, Kent D. Redfield, and James D. Nowlan provide an up-to-date primer on Prairie State politics, government, and policies. Features include:
- Discussions of recent events like the 2015-2017 budget disaster, the response to COVID-19, and the fall of longtime House Speaker Michael Madigan;
- New chapters on corruption, social policies, and the political rules of the game;
- Perspectives on the nuts-and-bolts of campaign funding, the ways political actors acquire power or influence, and many other topics;
- Close examinations of complex issues like the state’s increased polarization and its ongoing fiscal recovery.
Fully revised and expanded, <i>Illinois Politics</i> blends detailed information with expert analysis to offer an essential resource for citizens, students, and public servants alike.
Aimed at alumni and prospective students interested in the university's ongoing mission, as well as current faculty and students wishing to stay up to date on the work being done around them, An Illinois Sampler showcases the best, the most ambitious, and the most effective teaching practices developed and nurtured at one of the world's premier research universities.
Contributors are Nancy Abelmann, Flavia C. D. Andrade, Jayadev Athreya, Betty Jo Barrett, Thomas J. Bassett, Hugh Bishop, Antoinette Burton, Lauren A. Denofrio-Corrales, Lizanne DeStefano, Karen Flynn, Bruce W. Fouke, Rebecca Ginsburg, Julie Jordan Gunn, Geoffrey Herman, Laurie Johnson, Kyle T. Mays, Rebecca Nettl-Fiol, Audrey Petty, Anke Pinkert, Raymond Price, Luisa-Maria Rosu, D. Fairchild Ruggles, Carol Spindel, Mark D. Steinberg, William Sullivan, Richard I. Tapping, Bradley Tober, Agniezska Tuszynska, Bryan Wilcox, Kate Williams, Mary-Ann Winkelmes, and Yi Lu.
"It is Mr. Harper's achievement to have projected his most difficult and complex insights and feelings through the epical manner, yet at the same time carried us along to identify with him." -- New York Times Book Review
From Frederick Douglass's autobiographical writings through Richard Wright's imaginative reconstruction of slavery to Ernest Gaines's Autobiography of Miss Jane Pittman and the candescent novels of Toni Morrison, slave narratives exhort the reader to step into the experience of the dispossessed. Connor underscores the broad influence of the slave narrative by considering nonliterary as well as literary works, including Glenn Ligon's introspective art, Anna Deavere Smith's one-woman performance pieces, and Charlie Haden's politically engaged Liberation Music Orchestra. Through these works, readers, listeners, and viewers imagine grace on two levels: as the liberation of the enslaved from oppression and as their own liberation from prejudice and "willed innocence."
Calling to task a complacent white society that turns a blind eye to deep-seated and continuing racial inequalities, Imagining Grace shows how these creative endeavors embody the search for grace, seeking to expose racism in all its guises and lay claim to political, intellectual, and spiritual freedom.
Jasmine Mitchell investigates the development and exploitation of the mulatta figure in Brazilian and U.S. popular culture. Drawing on a wide range of case studies, she analyzes policy debates and reveals the use of mixed-Black female celebrities as subjects of racial and gendered discussions. Mitchell also unveils the ways the media moralizes about the mulatta figure and uses her as an example of an ”acceptable” version of blackness that at once dreams of erasing undesirable blackness while maintaining the qualities that serve as outlets for interracial desire.
Devised by middle-class ethnic leaders and spread through ethnic media, banquets, and rallies, homemaking myths uncovered a role for immigrants in the nation's founding, a place of honor in the nation's wars, and traces of American democratic political ideology in the immigrants' ethnic past. These stories proclaim that immigrants, in the person of their ancestors, disembarked from Christopher Columbus's ships, fought for victory over the Axis, and brought American values of freedom and democracy from their native lands. By virtue of their ethnic group's contributions, these myths maintain, non-Anglo European immigrants came to America not as foreigners but as ready-made ideal citizens of the Republic.
Øverland shows that the plots and themes of homemaking myths share so many characteristics that they must be considered an American phenomenon rather than one peculiar to an individual ethnic group. As a symbol of the immigrant's insider status, these stories have played a crucial role in forming American ethnic identities and in carving out a place for immigrants in an Anglo-dominated society.
Leo Lucassen tackles the question of whether the integration process of these recent immigrants will fundamentally differ in the long run (over multiple generations) from the experiences of similar immigrant groups in the past. For comparison, Lucassen focuses on "large and problematic groups" from Western Europe's past (the Irish in the United Kingdom, the Poles in Germany, and the Italians in France) and demonstrates a number of structural similarities in the way migrants and their descendants integrated into these nation states. Lucassen emphasizes that the geographic sources of the "threat" have changed and that contemporaries tend to overemphasize the threat of each successive wave of immigrants, in part because the successfully incorporated immigrants of the past have become invisible in national histories.
A classroom staple, Immigrant Voices: New Lives in America, 1773-2000 has been updated with writings that reflect trends in immigration to the United States through the turn of the twenty-first century. New chapters include a selection of letters from Irish immigrants fleeing the famine of the 1840s, writings from an immigrant who escaped the civil war in Liberia during the 1980s, and letters that crossed the U.S.-Mexico border during the late 1980s and early '90s. With each addition editor Thomas Dublin has kept to his original goals, which was to show the commonalities of the U.S. immigrant experience across lines of gender, nation of origin, race, and even time.
Zimmer focuses on Italians and Eastern European Jews in San Francisco, New York City, and Paterson, New Jersey. Tracing the movement's changing fortunes from the pre–World War I era through the Spanish Civil War, Zimmer argues that anarchists, opposed to both American and Old World nationalism, severed all attachments to their nations of origin but also resisted assimilation into their host society. Their radical cosmopolitan outlook and identity instead embraced diversity and extended solidarity across national, ethnic, and racial divides. Though ultimately unable to withstand the onslaught of Americanism and other nationalisms, the anarchist movement nonetheless provided a shining example of a transnational collective identity delinked from the nation-state and racial hierarchies.
Sophisticated and tightly argued, Impressionist Subjects is a substantial contribution to the reassessment and expansion of the modernist fiction canon.
Keisha Lindsay explains the complex politics of ABMSs by situating these schools within broader efforts at neoliberal education reform and within specific conversations about both "endangered” black males and a “boy crisis” in education. Lindsay also demonstrates that intersectionality, long considered feminist, is in fact a politically fluid framework. As such, it represents a potent tool for advancing many political agendas, including those of ABMSs supporters who champion antiracist education for black boys while obscuring black girls’ own race and gender-based oppression in school. Finally, Lindsay theorizes a particular means by which black men and other groups can form antiracist and feminist coalitions even when they make claims about their experiences that threaten bridge building. The way forward, Lindsay shows, allows disadvantaged groups to navigate the racial and gendered politics that divide them in pursuit of productive—and progressive—solutions.
Far-thinking and boldly argued, In a Classroom of Their Own explores the dilemmas faced by professionals and parents in search of equitable schooling for all students—black boys and otherwise.
Inspired by the Hank Williams and Leadbelly recordings he heard as a teenager growing up outside of Boston, Jim Rooney began a musical journey that intersected with some of the biggest names in American music including Bob Dylan, James Taylor, Bill Monroe, Muddy Waters, and Alison Krauss. In It for the Long Run: A Musical Odyssey is Rooney's kaleidoscopic first-hand account of more than five decades of success as a performer, concert promoter, songwriter, music publisher, engineer, and record producer.
As witness to and participant in over a half century of music history, Rooney provides a sophisticated window into American vernacular music. Following his stint as a "Hayloft Jamboree" hillbilly singer in the mid-1950s, Rooney managed Cambridge's Club 47, a catalyst of the ‘60’s folk music boom. He soon moved to the Newport Folk Festival as talent coordinator and director where he had a front row seat to Dylan "going electric."
In the 1970s Rooney's odyssey continued in Nashville where he began engineering and producing records. His work helped alternative country music gain a foothold in Music City and culminated in Grammy nominations for singer-songwriters John Prine, Iris Dement, and Nanci Griffith. Later in his career he was a key link connecting Nashville to Ireland's folk music scene.
Writing songs or writing his memoir, Jim Rooney is the consummate storyteller. In It for the Long Run: A Musical Odyssey is his singular chronicle from the heart of Americana.
Both a history of an overlooked community and a well-rounded reassessment of prevailing assumptions about Chinese miners in the American West, In Pursuit of Gold brings to life in rich detail the world of turn-of-the-century mining towns in the Northwest. Sue Fawn Chung meticulously recreates the lives of Chinese immigrants, miners, merchants, and others who populated these towns and interacted amicably with their white and Native American neighbors, defying the common perception of nineteenth-century Chinese communities as insular enclaves subject to increasing prejudice and violence.
While most research has focused on Chinese miners in California, this book is the first extensive study of Chinese experiences in the towns of John Day in Oregon and Tuscarora, Island Mountain, and Gold Creek in Nevada. Chung illustrates the relationships between miners and merchants within the communities and in the larger context of immigration, arguing that the leaders of the Chinese and non-Chinese communities worked together to create economic interdependence and to short-circuit many of the hostilities and tensions that plagued other mining towns.
Peppered with fascinating details about these communities from the intricacies of Chinese gambling games to the techniques of hydraulic mining, In Pursuit of Gold draws on a wealth of historical materials, including immigration records, census manuscripts, legal documents, newspapers, memoirs, and manuscript collections. Chung supplements this historical research with invaluable first-hand observations of artifacts that she experienced in archaeological digs and restoration efforts at several of the sites of the former booming mining towns.
In clear, analytical prose, Chung expertly characterizes the movement of Chinese miners into Oregon and Nevada, the heyday of their mining efforts in the region, and the decline of the communities due to changes in the mining industry. Highlighting the positive experiences and friendships many of the immigrants had in these relatively isolated mining communities, In Pursuit of Gold also suggests comparisons with the Chinese diaspora in other locations such as British Columbia and South Africa.
Innovative and informed by a wealth of new evidence, In Search of Belonging answers important questions about the ways Latinas perform citizenship in today’s America.
and inadequate conceptions of the field, Estelle Jorgensen raises the
possibility of alternative views that can dignify the teacher's task,
enrich and enliven the profession, and validate an exciting range of additional
ways in which music education can be undertaken in the contemporary world.
One of the most respected leaders in music education, Jorgensen emphasizes
world music and ethnomusicology as equal partners alongside the more conventional
sounds and styles that have dominated the classroom. Exemplifying sound
scholarship, thorough research, and compelling argument, In Search
of Music Education will be especially welcome wherever teachers strive
to deal with requirements for responsible music education.
"Fink places American labor history in the broader context of American political historiography better than any other historian I can think of." -- James R. Barrett, author of Work and Community in the Jungle: Chicago's Packinghouse Workers, 1894-1922
Drawing on the rich resources of The Law Practice of Abraham Lincoln: Complete Documentary Edition, a DVD version of Lincoln's complete legal papers, In Tender Consideration scans the full range of family woes that antebellum Americans took to the law. Deserted wives, destitute widows, jilted brides with illegitimate children, and slandered women brought their cases before the courts, often receiving a surprising degree of sympathy and support.
Through the stories of dozens of individuals who took legal action to obtain a divorce, contest a will, prosecute a rapist, or assert rights to family property, this volume illuminates the legal status of women and children in Illinois and their experiences with the law in action. Contributors document how the courts viewed children and how they responded to inheritance, custody, and other types of cases involving children or their interests. These cases also highlight Lincoln's life in law, placing him more clearly within the context of the legal culture in which he lived and raising intriguing questions about the influence of his legal life on his subsequent political one.
A stunning history of legendary treasure seekers and enigmatic natives in Mexico's Copper Canyon
The Sierra Madre--no other mountain range in the world possesses such a ring of intrigue. In the Sierra Madre is a groundbreaking and extraordinary memoir that chronicles the astonishing history of one of the most famous, yet unknown, regions in the world. Based on his one-year sojourn among the Raramuri/Tarahumara, award-winning journalist Jeff Biggers offers a rare look into the ways of the most resilient indigenous culture in the Americas, the exploits of Mexican mountaineers, and the fascinating parade of argonauts and accidental travelers that has journeyed into the Sierra Madre over centuries. From African explorers, Bohemian friars, Confederate and Irish war deserters, French poets, Boer and Russian commandos, Apache and Mennonite communities, bewildered archaeologists, addled writers, and legendary characters including Antonin Artaud, B. Traven, Sergei Eisenstein, George Patton, Geronimo, and Pancho Villa, Biggers uncovers the remarkable treasures of the Sierra Madre.
An inspiring document of passion and advocacy, In the Spirit of Wetlands reveals the transformative power of restoration.
John Philip Sousa (1854-1932) is an American icon. Most famous for his military marches, the composer-bandmaster led a disciplined group of devoted musicians on numerous American tours and around the world, shaping a new cultural landscape. Paul E. Bierley documents every aspect of the "March King's" band: its history, its star performers, its appearances on recordings and radio, and the problems they faced on their 1911 trip around the world. Enhanced by more than 120 images and photographs, The Incredible Band of John Philip Sousa also contains six statistical appendixes detailing where the band played, a complete list of musicians, instrumentation of the band, program listings, and a discography
During the Civil War, the state found itself divided, with Indianans' allegiances split between Southern partisans and zealous Yankees. Throughout this period, the workshops and farms of Indiana continued to provide the growing nation with food and other necessities. Countless small towns prospered; Indianapolis grew, and Gary, on the southern shore of Lake Michigan, became synonymous with steel production, symbolizing the industrial might of America. Readers all over the country embraced the writings of Indianans such as James Whitcomb Riley and Booth Tarkington, while Indiana's painters disseminated iconic and idyllic images of America.
This comprehensive history traces the history of the Hoosier state, revealing its most significant contributions to the nation as a whole, while also exploring the unique character of its land and people. Howard H. Peckham relates recent changes in Indiana as a variety of ethnic and racial groups have come seeking a share in the good life, enriching and redefining this ever-changing state for the new millennium.
of a multicultural society. . . . Lindsey shows the complicated way that one black institution,
while still under white control, devised to manage the education and socialization of African and
Native American students, not for their needs but in the interests of the broader Anglo-American
society." -- American Historical Review
Nishant Upadhyay unravels Indian diasporic complicity in its ongoing colonialist relationship with Indigenous peoples, lands, and nations in Canada. Upadhyay examines the interwoven and simultaneous areas of dominant Indian caste complicity in processes of settler colonialism, antiblackness, capitalism, brahminical supremacy, Hindu nationalism, and heteropatriarchy. Resource extraction in British Columbia in the 1970s–90s and in present-day Alberta offer examples of spaces that illuminate the dispossession of Indigenous peoples and simultaneously reveal racialized, gendered, and casted labor formations. Upadhyay juxtaposes these extraction sites with examples of anticolonial activism and solidarities from Tkaronto. Analyzing silence on settler colonialism and brahminical caste supremacy, Upadhyay upends the idea of dominant caste Indian diasporas as racially victimized and shows that claiming victimhood denies a very real complicity in enforcing other power structures. Exploring stories of quotidian proximity and intimacy between Indigenous and South Asian communities, Upadhyay offers meditations on anticolonial and anti-casteist ways of knowledge production, ethical relationalities, and solidarities.
Groundbreaking and ambitious, Indians on Indian Lands presents the case for holding Indian diasporas accountable for acts of violence within a colonial settler nation.
Often overlooked in labor history, the hoboes who rode the rails in search of seasonal work nevertheless secured a place in the American imagination. Frank Tobias Higbie weaves together history, anthropology, gender studies, and literary analysis to reposition these workers at the center of Progressive Era debates over class, race, manly responsibility, community, and citizenship. Combining incisive cultural criticism with labor history, Higbie illustrates how these so-called marginal figures were in fact integral to communities and to cultural conflicts over class, masculinity, and sexuality. He draws from life histories, the investigations of social reformers, and the organizing materials of the Industrial Workers of the World to present a complex portrait of hobo life, from its often violent and dangerous working conditions to its ethic of “transient mutuality” that enabled survival and resistance on the road.
Frank and compelling,Indispensable Outcasts examines hoboes within the sprawling story of American labor while meditating on writing history from the bottom up and the ways a fascination with personal narrative can color a historian's work.
and Education, which focuses on the concepts of human nature and community
throughout American educational history. For the new edition, Karier has
added chapters on the major movements in American education from World
War II to the present and on the major Supreme Court cases involving educational
policy during the same period.
"This classic volume remains a remarkable study in the history of
ideas into which the implications for American schooling have been deftly
woven. It is balanced, thorough, and intelligently challenging."
--- Ann M. Keppel, College of Education, University of Hawaii at
Manoa
"This new edition should have great use as a primary text at the
graduate and advanced undergraduate levels."
--- Peter A. Sola, School of Education, Howard University
Looking closely at the organization of Roman religious activity, especially as regards sacrifices, festivals, and the hierarchy of priests, Woodard sheds new light on issues including the presence of the god Terminus in Jupiter's Capitoline temple, the nature of the Roman suovetaurilia, the Ambarvalia and its relationship to the rites of the Fratres Arvales, and the identification of the "Sabine" god Semo Sancus. Perhaps most significantly, this work also presents a novel and persuasive resolution to the long standing problem of "agrarian Mars."
Revelatory and multifaceted, Industrial Strength Bluegrass shares the inspiring story of a bluegrass hotbed and the people who created it.
Contributors: Fred Bartenstein, Curtis W. Ellison, Jon Hartley Fox, Rick Good, Lily Isaacs, Ben Krakauer, Mac McDivitt, Nathan McGee, Daniel Mullins, Joe Mullins, Larry Nager, Phillip J. Obermiller, Bobby Osborne, and Neil V. Rosenberg.
of an informed and involved electorate freely and rationally choosing its public
officials seems to be at odds with American political reality. Thus the questions:
On what basis do people vote and form opinions? How does the lack of information
at the individual level affect system performance? In this collection twenty-six
distinguished political scientists discuss, debate, and define the relationship
between information and the democracy it supposedly serves. The contributors
address both the empirical and normative aspects of governing in the United
States, employing psychological, sociological, and economic perspectives.
<p>Vivid and engaging, <i>Ink</i> brings to light the extraordinary journey of a Black businessman and athlete.</p>
Original and expert, Instrumental Lives brings a new understanding of how musical instruments interact with their environments and societies. Contributors: Supeena Insee Adler, Marie-Pierre Lissoir, Terauchi Naoko, Jennifer C. Post, Helen Rees, Xiao Mei, Tyler Yamin, and Bell Yung
Nikki Usher brings together a comprehensive portrait of nothing less than a new journalistic identity. Usher provides a history of the impact of digital technology on reporting, photojournalism, graphics, and other disciplines that define interactive journalism. Her eyewitness study of the field's evolution and accomplishments ranges from the interactive creation of Al Jazeera English to the celebrated data desk at the Guardian to the New York Times' Pulitzer-endowed efforts in the new field. What emerges is an illuminating, richly reported profile of the people coding a revolution that may reverse the decline and fall of traditional journalism.
Democracy enjoys unparalleled prestige at the beginning of the twenty-first century as a form of government. Some of the world's most prosperous nations are democracies, and an array of nations in Europe, Africa, and South America have adopted the system. This globalization has also met resistance and provoked concerns about international power exerted by institutions and elites that are beyond the control of existing democratic institutions. In this volume, leading scholars of democracy engage the key questions about how far and how fast democracy can spread, and how international agencies and international cooperation uneasily affect national democracies. At first glance, the efforts of intergovernmental organizations to intervene in a nation's governance seem anything but democratic to that nation. The contributors demonstrate why democracy has been so attractive and so successful, but are also candid about what limits it may reach, and why.
Contributors are Lisa Anderson, Larry Diamond, Zachary Elkins, John R. Freeman, Brian J. Gaines, James H. Kuklinski, Peter F. Nardulli, Melissa A. Orlie, Buddy Peyton, Paul J. Quirk, Wendy Rahn, Bruce Russett, and Beth Simmons.
A fascinating study of women in the arts, International Women Stage Directors is a comprehensive examination of women directors in twenty-four diverse countries. Organized by country, chapters provide historical context and emphasize how social, political, religious, and economic factors have impacted women's rise in the theatre, particularly in terms of gender equity. Contributors tell the stories of their home country's pioneering women directors and profile the most influential women directors practicing today, examining their career paths, artistry, and major achievements.
Contributors are Ileana Azor, Dalia Basiouny, Kate Bredeson, Mirenka Cechová, Marié-Heleen Coetzee, May Farnsworth, Anne Fliotsos, Laura Ginters, Iris Hsin-chun Tuan, Maria Ignatieva, Adam J. Ledger, Roberta Levitow, Jiangyue Li, Lliane Loots, Diana Manole, Karin Maresh, Gordon McCall, Erin B. Mee, Ursula Neuerburg-Denzer, Claire Pamment, Magda Romanska, Avra Sidiropoulou, Margaretta Swigert-Gacheru, Alessandra Vannucci, Wendy Vierow, Vessela S. Warner, and Brenda Werth.
Virginia Anderson edits the first published collection of these conversations. She pairs each interview with a contextual essay by a contemporary expert that shows how the composer's discussion with Childs fits into his life and work. Together, the interviewees cover a broad range of ideas and concerns around topics like education, notation, developments in electronic music, changing demands on performers, and tonal music.
Innovative and revealing, Interviews with American Composers is an artistic and historical snapshot of American music at an important crossroads.
Winner of the 1995 University of Illinois Press-National Women's Studies
Association manuscript prize
Women's clubs at the turn of the century were numerous, dedicated to
a number of issues, and crossed class, religious, and racial lines. Emphasizing
the intimacy engendered by shared reading and writing in these groups,
Anne Ruggles Gere contends that these literacy practices meant that club
members took an active part in reinventing the nation during a period
of major change. Gere uses archival material that documents club members'
perspectives and activities around such issues as Americanization, womanhood,
peace, consumerism, benevolence, taste, and literature--and offers a rare
depth of insight into the interests and lives of American women from the
fin de siècle through the beginning of the roaring twenties.
Intimate Practices is unique in its exploration of a range of
women's clubs--Mormon, Jewish, white middle-class, African American, and
working class--and paints a vast and colorful multicultural, multifaceted
canvas of these widely-divergent women's groups.
Sjogren focuses on a rash of 1940s Hollywood films in which the female voice bears a marked formal presence to demonstrate the ways that the feminine is expressed and difference is sustained. She argues that these films capitalize on particular particular psychoanalytic, narratological and discursive contradictions to bring out and express difference, rather than to contain or close it down. Exploring the vigorous dynamic engendered by contradiction and paradox, Sjogren charts a way out of the pessimistic, monolithic view of patriarchy and cinema's representation of women's voices.
Seth L. Sanders connects the Bible's distinctive linguistic form--writing down a local spoken language--to a cultural desire to speak directly to people, summoning them to join a new community that the text itself helped call into being. Addressing the people of Israel through a vernacular literature, Hebrew texts reimagined their audience as a public. By comparing Biblical documents with related ancient texts in Hebrew, Ugaritic, and Babylonian, this book shows Hebrew's distinctiveness as a self-conscious political language. Illuminating the enduring stakes of Biblical writing, Sanders demonstrates how Hebrew assumed and promoted a source of power previously unknown in written literature: "the people" as the protagonist of religion and politics.
2006 History Division Book Award of the Association for Education in Journalism and Mass Communication,
2006 Frank Luther Mott/Kappa Tau Alpha Communications Award, and
2005 Donald McGannon Award for Social and Ethical Relevance in Communications Policy Research
The public often views television investigative reporting as a watchdog on the government. In fact, some of the centerpiece moments of TV muckraking relied heavily on official sources for inspiration, information, and regulatory protection from critics. At the same time, criticism by government officials and overt threats to regulate the television industry influenced the decision-making and content that went into some of broadcast news's iconic moments.
Chad Raphael's looks at the relationship between journalism and regulation during the celebrated period of muckraking that took place on American television between 1960 and 1975. Raphael offers new insights into the economic, political, and industrial forces that shaped documentaries like Harvest of Shame, Hunger in America, and Banks and the Poor while placing the investigative television documentary into its institutional, regulatory, and cultural context. Throughout, Raphael exposes the complex strands of influence used by government officials to shape--and attack--investigative reporting, and highlights how these tactics created a troubling legacy for the regulation of television news today.
This timely anthology describes how and why the Ku Klux Klan became one of the most influential social movements in modern American history.
For decades historians have argued that the spectacular growth of the Ku Klux Klan in the 1920s was fueled by a postwar surge in racism, religious bigotry, and status anxiety among working-class white Americans. In recent years, however, a growing body of scholarship has complicated that appraisal, emphasizing the KKK's strong links to mainstream society and its role as a medium of corrective civic action.
Addressing a set of common questions, Lay and six other contributors to this volume examine local Klan chapters in Denver, Salt Lake City, El Paso, Anaheim and, in Oregon, Eugene and La Grande. Far from being composed of marginal men prone to violence and irrationality, the Klan drew membership from a generally balanced cross-section of the white male, Protestant population.
Overt racism and religious bigotry were major drawing cards for the Hooded Order, but intolerance frequently intertwined with community issues such as improved law enforcement, better public education, and municipal reform. The authors consolidate, focus, and expand upon new scholarship to provide insight into the complex reasons for the Klan's popularity.
Examining the Latter-day Saint experience against one nation’s rapid social and religious changes, Irish Mormons blends participant observation and interviews with analysis to offer a rare view of the Latter-day Saints in contemporary Ireland.
JoAnna Poblete's Islanders in the Empire: Filipino and Puerto Rican Laborers in Hawai'i takes an in-depth look at how the two groups fared in a third new colony, Hawai'i. Using plantation documents, missionary records, government documents, and oral histories, Poblete analyzes how the workers interacted with Hawaiian government structures and businesses, how U.S. policies for colonial workers differed from those for citizens or foreigners, and how policies aided corporate and imperial interests.
A rare tandem study of two groups at work on foreign soil, Islanders in the Empire offers a new perspective on American imperialism and labor issues of the era.
In contrast to other ethnic and national representations, Jewish writers since antiquity have not constructed a neat antithesis between the desert and the city or nation; rather, the desert becomes a symbol against which the values of the city or nation can be tested, measured, and sometimes found wanting. This book examines how the ethical tension between the clashing Mosaic and Davidic paradigms of the desert still reverberate in secular Jewish literature and produce fascinating literary rewards. Omer-Sherman ultimately argues that the ancient encounter with the desert acquires a renewed urgency in response to the crisis brought about by national identities and territorial conflicts.
Rich in primary sources and featuring contributions from scholars on both sides of the Pacific, Issei Buddhism in the Americas upends boundaries and categories that have tied Buddhism to Asia and illuminates the social and spiritual role that the religion has played in the Americas.
While Buddhists in Japan had long described the migration of the religion as traveling from India, across Asia, and ending in Japan, this collection details the movement of Buddhism across the Pacific to the Americas. Leading the way were pioneering, first-generation Issei priests and their followers who established temples, shared Buddhist teachings, and converted non-Buddhists in the late nineteenth and twentieth centuries.
The book explores these pioneering efforts in the context of Japanese diasporic communities and immigration history and the early history of Buddhism in the Americas. The result is a dramatic exploration of the history of Asian immigrant religion that encompasses such topics as Japanese language instruction in Hawaiian schools, the Japanese Canadian community in British Columbia, the roles of Buddhist song culture, Tenriyko ministers in America, and Zen Buddhism in Brazil.
Contributors are Michihiro Ama, Noriko Asato, Masako Iino, Tomoe Moriya, Lori Pierce, Cristina Rocha, Keiko Wells, Duncan Ryûken Williams, and Akihiro Yamakura.
Looking at the historic Italian American community of East Harlem in the 1920s and 30s, Simone Cinotto recreates the bustling world of Italian life in New York City and demonstrates how food was at the center of the lives of immigrants and their children. From generational conflicts resolved around the family table to a vibrant food-based economy of ethnic producers, importers, and restaurateurs, food was essential to the creation of an Italian American identity. Italian American foods offered not only sustenance but also powerful narratives of community and difference, tradition and innovation as immigrants made their way through a city divided by class conflict, ethnic hostility, and racialized inequalities.
Authoritative and insightful, The Italian Opera Singers in Mozart's Vienna offers a singular look at a musical milieu and a key to addressing the performance-practice problem of how to cast the Mozart roles today.
In Italian Workers of the World, a distinguished roster of contributors examines how the reception of immigrants in their new countries shaped their sense of national identity and shaped the multiethnic states where they settled. Argentina and Brazil welcomed Italian migrants as a civilizing influence, and these immigrant workers played an instrumental part in establishing and leading movements committed to labor internationalism. In the United States, by contrast, the American Federation of Labor's hostility to socialism, internationalism, and unskilled laborers fueled distrust and xenophobia that steered Italian immigrants into ethnically mixed unions like radical Industrial Workers of the World. Essays also focus on specific topics ranging from the work of republican Garibaldians in South America to antifascist currents among Italian migrants in France and the United States, and from a 1912 textile strike in Lawrence, Massachusetts, to Mussolini's invasion of Ethiopia.
Contributors: Antonio Bechelloni, Fernando J. Devoto, Pietro Rinaldo Fanesi, Donna R. Gabaccia, Mirta Zaida Lobato, Fraser M. Ottanelli, Carina Frid de Silberstein, Michael Miller Topp, Angelo Trento, Nadia Venturini, and Elisabetta Vezzosi
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