Imagination has long been regarded as central to C. S. Lewis's life and to his creative and critical works, but this is the first study to provide a thorough analysis of his theory of imagination, including the different ways he used the word and how those uses relate to each other. Peter Schakel begins by concentrating on the way reading or engaging with the other arts is an imaginative activity. He focuses on three books in which imagination is the central theme—Surprised by Joy, An Experiment in Criticism, and The Discarded Image—and shows the important role of imagination in Lewis's theory of education.

He then examines imagination and reading in Lewis's fiction, concentrating specifically on the Chronicles of Narnia, the most imaginative of his works. He looks at how the imaginative experience of reading the Chronicles is affected by the physical texture of the books, the illustrations, revisions of the texts, the order in which the books are read, and their narrative "voice," the "storyteller" who becomes almost a character in the stories.

Imagination and the Arts in C. S. Lewis also explores Lewis's ideas about imagination in the nonliterary arts. Although Lewis regarded engagement with the arts as essential to a well- rounded and satisfying life, critics of his work and even biographers have given little attention to this aspect of his life. Schakel reviews the place of music, dance, art, and architecture in Lewis's life, the ways in which he uses them as content in his poems and stories, and how he develops some of the deepest, most significant themes of his stories through them.

Schakel concludes by analyzing the uses and abuses of imagination. He looks first at "moral imagination." Although Lewis did not use this term, Schakel shows how Lewis developed the concept in That Hideous Strength and The Abolition of Man long before it became popularized in the 1980s and 1990s. While readers often concentrate on the Christian dimension of Lewis's works, equally or more important to him was their moral dimension.

Imagination and the Arts in C. S. Lewis will appeal to students and teachers of both children's literature and twentieth-century British writers. It will also be of value to readers who wish to compare Lewis's creations with more recent imaginative works such as the Harry Potter series.

 The Victorian era was characterized by great scientific curiosity—as exemplified by the publication of Darwin’s Descent of Man—as well as by new questions regarding the place of women in society. Patricia Murphy now explores the tenuous interplay of gender and science to show how the era’s literature both challenged and reinforced a constrictive role for Victorian women. Focusing on a specific body of literature involving women intensely associated with scientific pursuits, and examining selected noncanonical writings—both fictional and nonfictional representations of scientific women—Murphy demonstrates how these works informed the “Woman Question” by reinforcing or rejecting presumed truths about gender and science.

Under the broad umbrella of the Christian religion, there exists a great divide between two fundamentally different ways of thinking about key aspects of the Christian faith. Eugene Webb explores the sources of that divide, looking at how the Eastern and Western Christian worlds drifted apart due both to the different ways they interpreted their symbols and to the different roles political power played in their histories. Previous studies have focused on historical events or on the history of theological ideas. In Search of the Triune God delves deeper by exploring how the Christian East and the Christian West have conceived the relation between symbol and experience.

Webb demonstrates that whereas for Western Christianity discussion of the doctrine of the Trinity has tended toward speculation about the internal structure of the Godhead, in the Eastern tradition the symbolism of the Triune God has always been closely connected to religious experience. In their approaches to theology, Western Christianity has tended toward a speculative theology, and Eastern Christianity toward a mystical theology.

This difference of focus has led to a large range of fundamental differences in many areas not only of theology but also of religious life. Webb traces the history of the pertinent symbols (God as Father, Son of God, Spirit of God, Messiah, King, etc.) from the Hebrew Bible and New Testament through patristic thinkers and the councils that eventually defined orthodoxy. In addition, he shows how the symbols, interpreted through the different cultural lenses of the East and the West, gradually took on meanings that became the material of very different worldviews, especially as the respective histories of the Eastern and Western Christian worlds led them into different kinds of entanglement with ambition and power.

Through this incisive exploration, Webb offers a dramatic and provocative new picture of the history of Christianity.

Pierpont Stackpole was a Boston lawyer who in January 1918 became aide to Lieutenant General Hunter Liggett, soon to be commander of the first American corps in France. Stackpole’s diary, published here for the first time, is a major eyewitness account of the American Expeditionary Forces’ experience on the Western Front, offering an insider’s view into the workings of Liggett’s commands, his day-to-day business, and how he orchestrated his commands in trying and confusing situations.

Hunter Liggett did not fit John J. Pershing’s concept of the trim and energetic officer, but Pershing entrusted to him a corps and then an army command. Liggett assumed leadership of the U.S. First Army in mid-October of 1918, and after reorganizing, reinforcing, and resting, the battle-weary troops broke through the German lines in a fourth attack at the Meuse-Argonne—accomplishing what Pershing had failed to do in three previous attempts. The victory paved the way to armistice on November 11.

Liggett has long been a shadowy figure in the development of the American high command. He was “Old Army,” a veteran of Indian wars who nevertheless kept abreast of changes in warfare and more than other American officers was ready for the novelties of 1914–1918. Because few of his papers have survived, the diary of his aide—who rode in the general’s staff car as Liggett unburdened himself about fellow generals and their sometimes abysmal tactical notions—provides especially valuable insights into command within the AEF.

Stackpole’s diary also sheds light on other figures of the war, presenting a different view of the controversial Major General Clarence Edwards than has recently been recorded and relating the general staff’s attitudes about the flamboyant aviation figure Billy Mitchell. General Liggett built the American army in France, and the best measure of his achievement is this diary of his aide. That record stands here as a fascinating and authentic look at the Great War.

In the Philippines and Okinawa, the third volume of Colonel William S. Triplet's memoirs, tells of Triplet's experiences during the American occupations in the early years after World War II. Continuing the story from the preceding books of his memoirs, A Youth in the Meuse-Argonne and A Colonel in the Armored Divisions, Triplet takes us to the Philippines, where his duties included rounding up isolated groups of Japanese holdouts, men who refused to believe or admit that their nation had lost the war, and holding them until the time came to transport them back to Japan.

Triplet also had to reorganize his battalions and companies to raise morale, which had plummeted with the end of the war and the seemingly dull tasks of occupation. When he took over his assignment of commanding a regiment in a division, he was dismayed to discover the unmilitary habits of almost everyone, regardless of rank. A strict disciplinarian himself, Colonel Triplet, who had served in both world wars, at one time commanding a four-thousand-man combat group, brought his regiment of garrison troops back into shape in a short time.

Okinawa presented the new challenge of bringing order to an island that had seen the deaths of one hundred thousand civilians. Virtually every building on the island had been leveled, and tens of thousands of Japanese defenders had been killed. Triplet was also obliged to oversee the temporary burial of thirteen thousand U.S. servicemen, both soldiers and sailors.

In the Philippines and Okinawa portrays the ever-changing, very human, and frequently dangerous occupation of two East Asian regions that are still important to American foreign policy. Any reader interested in military history or American history will find this memoir engaging.

Between 1838 and the early 1890s, German peasant farmers from the Kingdom of Hanover made their way to Lafayette County, Missouri, to form a new community centered on the town of Concordia. Their story has much to tell us about the American immigrant experience—and about how newcomers were caught up in the violence that swept through their adoptive home.

Robert Frizzell grew up near Concordia, and in this first book-length history of the German settlement, he chronicles its life and times during those formative years. Founded by Hanoverian Friedrich Dierking—known as “Dierking the Comforter” for the aid he gave his countrymen—the Concordia settlement blossomed from 72 households in 1850 to 375 over the course of twenty years. Frizzell traces that growth as he examines the success of early agricultural efforts, but he also tells how the community strayed from the cultural path set by its freethinker founder to become a center of religious conservatism.

Drawing on archival material from both sides of the Atlantic, Frizzell offers a compelling account for scholars and general readers alike, showing how Concordia differed from other German immigrant communities in America. He also explores the conditions in Hanover—particularly the village of Esperke, from which many of the settlers hailed—that caused people to leave, shedding new light on theological, political, and economic circumstances in both the Old World and the New.

When the Civil War came, the antislavery Hanoverians found themselves in the Missouri county with the greatest number of slaves, and the Germans supported the Union while most of their neighbors sympathized with Confederate guerrillas. Frizzell tells how the notorious “Bloody Bill” Anderson attacked the community three times, committing atrocities as gruesome as any recorded in the state—then how the community flourished after the war and even bought out the farmsteads of former slaveholders.

Frizzell’s account challenges many historians’ assumptions about German motives for immigration and includes portraits of families and individuals that show the high price in toil and blood required to meet the challenges of making a home in a new land. Independent Immigrants reveals the untold story of these newcomers as it reveals a little-known aspect of the Civil War in Missouri.

This expanded edition of Indians and Archaeology of Missouri gives an excellent introduction to the cultural development of Missouri’s Indians during the past twelve thousand years. Providing a new chapter on the Hunter Foragers of the Dalton period and substantial revision of other chapters to incorporate recent discoveries, the Chapmans present knowledge based upon decades of experience with archaeological excavations in an understandable and fascinating form.

The first edition of Indians and Archaeology of Missouri has been recognized in Missouri and nationally as one of the best books of its kind. The Missouri Historical Review called it “simply indispensable.” The Plains Anthropologist added similar praise: “Clearly written and exceptionally well illustrated…it is the answer to the amateur’s prayers.” Archaeology described it as “a boon to Missouri’s many amateur archaeologists, a useful source of information for professionals and interesting reading for the layman.”

Insane Sisters is the extraordinary tale of two sisters, Mary Alice Heinbach and Euphemia B. Koller, and their seventeen- year property dispute against the nation's leading cement corporation—the Atlas Portland Cement Company.

In 1903, Atlas built a plant on the border of the small community of Ilasco, located just outside Hannibal—home of the infamous cave popularized in Mark Twain's most acclaimed novels. The rich and powerful Atlas quickly appointed itself as caretaker of Twain's heritage and sought to take control of Ilasco. However, its authority was challenged in 1910 when Heinbach inherited her husband's tract of land that formed much of the unincorporated town site. On grounds that Heinbach's husband had been in the advanced stages of alcoholism when she married him the year before, some of Ilasco's political leaders and others who had ties to Atlas challenged the will, charging Heinbach with undue influence.

To help fight against the local lawyers and politicians who wanted Atlas to own the land, Heinbach enlisted the help of her shrewd and combative sister, Euphemia Koller, by making her co-owner of the tract. In a complex case that went to the Missouri Supreme Court four times, the sisters fiercely sought to hang on to the tract. However, in 1921 the county probate court imposed a guardianship over Heinbach and a circuit judge ordered a sheriff's sale of the property. After Atlas purchased the tract, Koller waged a lonely battle to overturn the sale and expose the political conspiracies that had led to Ilasco's conversion into a company town. Her efforts ultimately resulted in her court- ordered confinement in 1927 to Missouri's State Hospital Number One for the Insane, where she remained until her death at age sixty-eight.

Insane Sisters traces the dire consequences the sisters suffered and provides a fascinating look at how the intersection of gender, class, and law shaped the history and politics of Ilasco. The book also sheds valuable new light on the wider consolidation of corporate capitalism and the use of guardianships and insanity to punish unconventional women in the early twentieth century.

Spain’s only former colony in sub-Saharan Africa, Equatorial Guinea is home to a literature of transition—songs of freedom in which authors reflect on their identity within the context of recent colonialism and dictatorship.

            An Introduction to the Literature of Equatorial Guinea is the first book-length critical study of this literature, a multigenre analysis encompassing fifty years of poetry, drama, essays, and prose fiction. Both resident and exiled authors offer insights into the impact of colonialism and dictatorship under Spanish rule and consider the fruits of “independence” under the regimes of Francisco Macías Nguema and Teodoro Obiang Nguema. Examining these works from the perspective of postcolonial theory, Marvin A. Lewis shows how writings from Equatorial Guinea depict the clash of traditional and European cultures and reflect a dictatorship that produced poverty, misery, and oppression. He assesses with particular care the impact of the Macías reafricanization process and its manifestations in literature.

In showing how the views of the nation correspond and diverge in works of writers such as Maria Nsue Angue, Donato Ndongo-Bidyogo, and Juan Tomás Ávila Laurel, Lewis brings to light artists who articulate their concerns in Spanish but are African in their souls. In analyzing the works of both renowned and emerging writers, he marks the themes that contribute to the formation of national identity: Hispanic heritage, the myth of Bantu unity, “bonding in adversity” during the Nguema regime, and the Equatoguinean diaspora.

            Lewis provides an accessible introduction to the work of central writers in a new area of literary study and includes the most exhaustive and up-to-date bibliography available on the subject. His is a groundbreaking work that broadens our understanding of African literature and will be the bedrock for future studies of this Hispanic corner of Africa.