A SCHOLARLY BOOK REPOSITORY
"Pamuk is a writer who shares my reverence for the great art of the novel. He takes the novel seriously in a way that is perhaps no longer possible for Western writers, boldly describing it as European civilization’s greatest invention."—Michael McGaha
Turkish novelist Orhan Pamuk is a prominent voice in Turkish literature, speaking to the country’s history, culture, and politics. In 2006, he became the first Turkish writer to receive the Nobel Prize for Literature.
Autobiographies of Orhan Pamuk is the first book-length study of the life and writings of Pamuk. It provides both a historical and cultural context that will help readers better understand and appreciate both the man and his work. It begins with a brief biography, outlines Pamuk’s contributions to Turkish literature and history, examines how his art has evolved over the past thirty years, and discusses some of the writers who provided inspiration. Though his books deal with specifically Turkish issues, like all great literature the themes they explore are universal. In addition to a thorough analysis of his seven published novels, including Snow and My Name is Red, an entire chapter is devoted to his first two novels, Cevdet Bey and Sons and The Silent House, which have yet to be translated into English.
This is a comprehensive examination of the Nobel laureate’s work, free of jargon and of interest to anyone who enjoys good literature.
When Rocky Wirtz took over the Wirtz Corporation in 2007, including management of the Chicago Blackhawks, the fiercely beloved hockey team had fallen to a humiliating nadir. As chronic losers playing to a deserted stadium, they were worse than bad—they were irrelevant. ESPN named the franchise the worst in all of sports. Rocky's resurrection of the team's fortunes was—publicly, at least—a feel-good tale of shrewd acumen. Behind the scenes, however, it would trigger a father, son, and brother-against-brother drama of Shakespearean proportions. The Breakaway reveals that untold story.
Arthur Wirtz founded the family's business empire during the Depression. From roots in real estate, "King Arthur" soon expanded into liquor and banking, running his operations with an iron hand and a devotion to profit that earned him the nickname Baron of the Bottom Line. His son Bill further expanded the conglomerate, taking the helm of the Blackhawks in 1966. "Dollar Bill" Wirtz demanded unflinching adherence to Arthur's traditions and was notorious for an equally fierce temperament.
Yet when Rocky took the reins of the business after Bill's death, it was an organization out of step with the times and financially adrift. The Hawks weren't only failing on the ice—the parlous state of the team's finances imperiled every facet of the Wirtz empire. To save the team and the company, Rocky launched a radical turnaround campaign. Yet his modest proposal to televise the Hawks' home games provoked fierce opposition from Wirtz family insiders, who considered any deviation from Arthur and Bill's doctrines to be heresy.
Rocky's break with the edicts of his grandfather and father led to a reversal for the ages—three Stanley Cup championships in six years, a feat Fortune magazine called "the greatest turnaround in sports business history." But this resurrection came at a price, a fracturing of Rocky's relationships with his brother and other siblings. In riveting prose that recounts a story spanning three generations, The Breakaway reveals an insider's view of a brilliant but difficult Chicago business and sports dynasty and the inspiring story of perseverance and courage in the face of intense family pressures.
In Contemporary Irish Poetry and the Pastoral Tradition, Donna L. Potts closely examines the pastoral genre in the work of six Irish poets writing today. Through the exploration of the poets and their works, she reveals the wide range of purposes that pastoral has served in both Northern Ireland and the Republic: a postcolonial critique of British imperialism; a response to modernity, industrialization, and globalization; a way of uncovering political and social repercussions of gendered representations of Ireland; and, more recently, a means for conveying environmentalism’s more complex understanding of the value of nature.
In an important distinction from other studies of Irish poetry, Potts moves beyond the influence of history and politics on contemporary Irish pastoral poetry to consider the relatively recent influence of ecology. Contemporary Irish poets often rely on the motif of the pastoral retreat to highlight various environmental threats to those retreats—whether they be high-rises, motorways, global warming, or acid rain. Potts concludes by speculating on the future of pastoral in contemporary Irish poetry through her examination of more recent poets—including Moya Cannon and Paula Meehan—as well as other genres such as film, drama, and fiction.
Through an examination of the violence, musicality, and revolution of his poetry, David Austin brings Johnson’s cultural and philosophical influences alive. Encompassing reggae music, the Bible, Rastafari, and surrealism, socialism, and feminism, as well as the radical politics of Aimé Césaire, John La Rose, Frantz Fanon, C. L. R. James, and W. E. B. Du Bois, Johnson’s poetry reveals itself as an important site of diaspora politics and struggle.
Probing the juncture at which Johnson’s poetry meets his politics, Dread Poetry and Freedom shows the significant role art can play in bringing about social change in times of dread.
"Swimming and sex seemed a lot alike to me when I was growing up. You took off most of your clothes to do them and you only did them with people who were the same color as you. As your daddy got richer, you got to do them in fancier places." Starting with her father, who never met a whitetail buck he couldn't shoot, a whiskey bottle he couldn't empty, or a woman he couldn't charm, and her mother, who "invented road rage before 1960," Melissa Delbridge introduces us to the people in her own family bible. Readers will find elements of Southern Gothic and familiar vernacular characters, but Delbridge endows each with her startling and original interpretation. In this disarmingly unguarded and unapologetic memoir, she shows us what really happened in the "stew of religion and sex" that was 1960s Tuscaloosa.
Comparing “still new” feminism—as she first encountered it in the early 1970s—with the more established academic discipline that women’s studies has become, Gallop makes a case for the intertwining of learning and pleasure. Refusing to acquiesce to an imperative of silence that surrounds such issues, Gallop acknowledges—and describes—her experiences with the eroticism of learning and teaching. She argues that antiharassment activism has turned away from the feminism that created it and suggests that accusations of harassment are taking aim at the inherent sexuality of professional and pedagogic activity rather than indicting discrimination based on gender—that antiharassment has been transformed into a sensationalist campaign against sexuality itself.
Feminist Accused of Sexual Harassment offers a direct and challenging perspective on the complex and charged issues surrounding the intersection of politics, sexuality, feminism, and power. Gallop’s story and her characteristically bold way of telling it will be compelling reading for anyone interested in these issues and particularly to anyone interested in the ways they pertain to the university.
Fighting Monsters in the Abyss offers a deeply insightful analysis of the efforts by the second administration of Colombian President Álvaro Uribe Vélez (2006–2010) to resolve a decades-long Marxist insurgency in one of Latin America’s most important nations. Continuing work from his prior books about earlier Colombian presidents and yet written as a stand-alone study, Colombia expert Harvey F. Kline illuminates the surprising successes and setbacks in Uribe’s response to this existential threat.
In State Building and Conflict Resolution in Colombia, 1986–1994, Kline documented and explained the limited successes of Presidents Virgilio Barco and César Gaviria in putting down the revolutionaries while also confronting challenges from drug dealers and paramilitary groups. The following president Andrés Pastrana then boldly changed course and attempted resolution through negotiations, an effort whose failure Kline examines in Chronicle of a Failure Foretold. In his third book, Showing Teeth to the Dragons, Kline shows how in his first term President Álvaro Uribe Vélez more successfully quelled the insurrection through a combination of negotiated demobilization of paramilitary groups and using US backing to mount more effective military campaigns.
Kline opens Fighting Monsters in the Abyss with a recap of Colombia’s complex political history, the development of Marxist rebels and paramilitary groups and their respective relationships to the narcotics trade, and the attempts of successive Colombian presidents to resolve the crisis. Kline next examines the ability of the Colombian government to reimpose rule in rebel-controlled territories as well as the challenges of administering justice. He recounts the difficulties in the enforcement of the landmark Law of Justice and Peace as well as two significant government scandals, that of the “false positives” (“falsos positivos”) in which innocent civilians were killed by the military to inflate the body counts of dead insurgents and a second scandal related to illegal wiretapping.
In tracing Uribe’s choices, strategies, successes, and failures, Kline also uses the example of Colombia to explore a dimension quite unique in the literature about state building: what happens when some members of a government resort to breaking rules or betraying their societies’ values in well-intentioned efforts to build a stronger state?
Puerto Rican migration to the mainland following World War II took place for a range of reasons -- globalization of the economy, the colonial relationship between the United States and Puerto Rico, state policies, changes in regional and local economies, social networks, and, not least, the decisions made by individual immigrants. In this wide-ranging book, Carmen Whalen weaves them all into a tapestry of Puerto Rican immigration to Philadelphia.
Like African Americans and Mexicans, Puerto Ricans were recruited for low-wage jobs, only to confront racial discrimination as well as economic restructuring. As Whalen shows, they were part of that wave of newcomers who came from areas in the Caribbean, Latin America, and Asia characterized by a heavy U.S. military and economic presence, especially export processing zones looking for a new life in depressed urban environments already populated by earlier labor migrants. But Puerto Rican in-migration was also unique, especially in its regional and gender dimensions. Many migrants came as part of contract labor programs shaped by competing agendas.
By the 1990s, economic conditions, government policies, and racial ideologies had transformed Puerto Rican labor migrants into what has been called "the other underclass." The author analyzes this continuation of "culture and poverty" interpretations and contrasts it with the efforts of Philadelphia's Puerto Ricans to recreate their communities and deal with the impact of economic restructuring and residential segregation in the City of Brotherly Love.
Take an unforgettable road trip down one of America’s most fascinating highways, U.S.
On what highway can you find the headquarters of the FBI, Dow Jones Interactive, and the National Enquirer? What road is home to the Bronx Zoo, the Okefenokee Swamp, and Flipper? On the side of what freeway can you find the Super Duper Weenie Wagon, Larry’s Redneck Bar, and the Big Chicken Barn? Peter Genovese found them all, along with about a million other fascinating and bizarre attractions, on U.S. 1, ‘the best damn highway in America,” as he calls it. Join him for the road trip of a lifetime The Great American Road Trip: A Journey Down U.S. 1.
U.S. 1 may not be America’s scenic highway, but it’s certainly the most colorful. It runs through Boston, New York, Baltimore, Washington, D.C., and Miami, in addition to Caribou, Maine, Quonochontaug, Rhode Island, and Alma, Georgia. It zig-zags along the wild and beautiful Maine coast and soars over the Atlantic Ocean as the Overseas Highway, one of the most spectacular stretches of road anywhere. The Star-Spangled Banner is on U.S. 1. Madonna lived on U.S. 1 (until she sold her house to Rosie O'Donnell). U.S. 1 is Main Street and the Miracle Mile, two-lane blacktop and six-lane expressway, straight as an arrow in some places and twistier than a Philadelphia soft pretzel in others.
Genovese spent two years on U.S. 1, talking to everyone from doughnut makers, dolphin trainers, and swamp guides to real Miami vice cops and the keeper of the national parasite collection. His resulting book is the most complete portrait of an American highway ever written. With his unerring eye for detail, sense of humor, and understanding of human nature, Genovese takes readers on a sometimes funny, sometimes sad, always illuminating 2,450-mile journey from Fort Kent, Maine to Key West, Florida.
Ride along with Genovese and grab a drink at the Last Resort Bar or the Last Chance Saloon, then pick up a paperback at the Banned Bookstore. Visit Oscar, the biggest gator in the Okefenokee Swamp, have dinner at Hog Heaven, and take in a Portland Seadogs baseball game. Tour a Budweiser brewery and go into the pit at a NASCAR race. Looking for someplace to stay? How about the world’s only underwater hotel, the Jules’ Undersea Lodge, or in a cabin made entirely from one pine tree at the Maine Idyll Motor Court? If it’s culture you seek, the highway boasts dozens of museums. While you may have heard of the Museum of Natural History and the National Museum of American Art, how about the Blacks in Wax Museum, Tragedy in the United States Museum, and the Mushroom Museum? There’s something for everyone on U.S. 1, and Genovese has written about it all in The Great American Road Trip.
Throughout, Klekh studies landscapes as intimate as the terrain between fathers and sons and as broad as the wild, mysterious Carpathian Mountains. His work has been compared to that of Borges, Eco, and the magical realists, and celebrated for its synthesis of numerous literary traditions, its use of esoteric knowledge, and its breathtaking prose.
A refreshingly honest, lovingly crafted work, The Last Happy Occasion is a treasure map for anyone interested in exploring the intersections of life and art.
"The Last Happy Occasion is touching and intelligent, emotionally satisfying and eloquent testimony to the power of poetry to instruct, heal and inspire."—Emily Barton, New York Times Book Review
"Shapiro, not unlike Auden, doses his wordplay with a certain sly irony. . . . We come away from Shapiro's book with an intimate appreciation of the little subversions that poetry can work in one's life."—Jonathan Kirsch, Los Angeles Times
"He is an acute observer of moments, people, art and language. And he packs even seemingly simple stories with many layers of meaning. . . . He shows us the power and importance of transformative art in life."—Publishers Weekly, starred review
"The literary criticism is sharp, but what enthralls the reader more is Shapiro's humorous but honest perspective on his younger self, a perspective that is critical without being condescending."—Heller McAlpin, Newsday
Living with His Camera is Gallop’s nuanced meditation on photography and the place it has in her private life and in her family. A reflection on family, it attempts—like Blau’s photographs themselves—to portray the realities of family life beyond the pieties of conventional representations. Living with His Camera is about some of the most pressing issues of visuality and some of the most basic issues of daily life. Gallop considers intimate photographs of moments both dramatic and routine: of herself giving birth to son Max or crying in the midst of an argument with Blau, pouring herself cereal as Max colors at the breakfast table, or naked, sweeping the floor. With her trademark candor, humor, and critical acumen, Gallop mixes personal reflection with close readings of Roland Barthes’s Camera Lucida, Susan Sontag’s On Photography, Kathryn Harrison’s novel Exposure, and Pierre Bourdieu’s Photography.
Presenting his photographs and her text, Living with His Camera is a portrait of a couple whose professional activity is part of their private lives and whose private life is viewed through their professional gazes. While most of us set aside rigorous thought when we turn to the sentimental realm of home life, Gallop and Blau look at each other not only with great affection but also with the keen focus of a sharp, critical gaze.
What happens within us when we read a novel? And how does a novel create its unique effects, so distinct from those of a painting, a film, or a poem? In this inspired, thoughtful, deeply personal book, Orhan Pamuk takes us into the worlds of the writer and the reader, revealing their intimate connections.
Pamuk draws on Friedrich Schiller’s famous distinction between “naive” poets—who write spontaneously, serenely, unselfconsciously—and “sentimental” poets: those who are reflective, emotional, questioning, and alive to the artifice of the written word. Harking back to the beloved novels of his youth and ranging through the work of such writers as Tolstoy, Dostoevsky, Stendhal, Flaubert, Proust, Mann, and Naipaul, he explores the oscillation between the naive and the reflective, and the search for an equilibrium, that lie at the center of the novelist’s craft. He ponders the novel’s visual and sensual power—its ability to conjure landscapes so vivid they can make the here-and-now fade away. In the course of this exploration, he considers the elements of character, plot, time, and setting that compose the “sweet illusion” of the fictional world.
Anyone who has known the pleasure of becoming immersed in a novel will enjoy, and learn from, this perceptive book by one of the modern masters of the art.
A compelling reclamation of the place of aesthetics in postcolonial literature
Literature though it may be, postcolonial literature is studied and understood largely—and often solely—in social and political terms. In neglecting its aesthetic dimension, as this book forcefully demonstrates, we are overlooking not only an essential aspect of this literature but even a critical perspective on its sociopolitical function and value. In Native Intelligence, Deepika Bahri focuses on postcolonial literature’s formal and aesthetic negotiations with sociopolitical concerns.
How, Bahri asks, do aesthetic considerations contest the social function of postcolonial literature? In answering, her book takes on two tasks: First, it identifies the burden of representation borne by postcolonial literature through its progressive politicization. Second, it draws on Frankfurt School critical theory to reclaim a place for aesthetics in literary representation by closely engaging works of Rohinton Mistry, Salman Rushdie, and Arundhati Roy. Throughout, Bahri shows how attention to the aesthetic innovations and utopian impulses of postcolonial works uncovers their complex and uneven relationship to ideology, reanimating their potential to make novel contributions to the larger project of social liberation.
With the poems provided in a bilingual format, the collection will be of interest both to English readers in general (this will be the first English translation of a complete Rodríguez collection not excerpted from a larger work) and to Spanish readers unable to obtain the collection in any form, given the difficulty of distributing Cuban literature outside that country.
As an introduction to the book, Dykstra has included a critical commentary. It clarifies many of the author’s references, such as details pertaining to her family history—items Dykstra learned during lengthy discussions with the author about her work—and influences about her choices in the translation.
Available directly from the University of Alabama Press is a deluxe edition that includes a handmade, limited-edition color linocut print and letterpress-printed poem signed by both Rodríguez and artist Alejandro Sainz. To purchase a copy of this unique item, select the "Other Book" above.
Is Latin America experiencing a resurgence of leftwing governments, or are we seeing a rebirth of national-radical populism? Are the governments of Hugo Chávez, Evo Morales, and Rafael Correa becoming institutionalized as these leaders claim novel models of participatory and direct democracy? Or are they reenacting older traditions that have favored plebiscitary acclamation and clientelist distribution of resources to loyal followers? Are we seeing authentic forms of expression of the popular will by leaders who have empowered those previously disenfranchised? Or are these governments as charismatic, authoritarian, and messianic as their populist predecessors?
This new and expanded edition of Populist Seduction in Latin America explores the ambiguous relationships between democracy and populism and brings de la Torre’s earlier work up to date, comparing classical nationalist, populist regimes of the 1940s, such as those of Juan Perón and José María Velasco Ibarra, with their contemporary neoliberal and radical successors. De la Torre explores their similarities and differences, focusing on their discourses and uses of political symbols and myths.
earlier work up to date, comparing classical nationalist, populist regimes of the 1940s, such as those of Juan Perón and José María Velasco Ibarra, with their contemporary neoliberal and radical successors. De la Torre explores their similarities and differences, focusing on their discourses and uses of political symbols and myths.
What role does Qatar play in the Middle East and how does it differ from the other Gulf states? How has the ruling Al-Thani family shaped Qatar from a traditional tribal society and British protectorate to a modern state? How has Qatar become an economic superpower with one of the highest per capita incomes in the world? What are the social, political, and economic consequences of Qatar’s extremely rapid development?
In this groundbreaking history of modern Qatar, Allen J. Fromherz presents a full portrait that analyzes Qatar's crucial role in the Middle East and its growing regional influence within a broader historical context. Drawing on original sources in Arabic, English, and French as well as his own fieldwork in the Middle East, the author deftly traces the influence of the Ottoman and British empires and Qatar’s Gulf neighbors on the country prior to Qatar’s meteoric rise in the post-independence era. Fromherz gives particular weight to the nation's economic and social history, from its modest origins in the pearling and fishing industries to the considerable economic clout it exerts today, a clout that comes with having the second-highest natural gas reserves in the region. He also looks at what the future holds for Qatar's economy as the country tries to diversify beyond oil and gas. Furthermore, the book examines the paradox of Qatar where monarchy, traditional tribal culture, and conservative Islamic values appear to coexist with ultra modern development and a large population of foreign workers who outnumber Qatari citizens.
This book is as unique as the country it documents—a multi-faceted picture of the political, cultural, religious, social, and economic make up of modern Qatar and its significance within the Gulf Cooperation Council and the wider region.
What role does Qatar play in the Middle East, and how does it differ from the other Gulf states? How has the ruling Al-Thani family shaped Qatar from a traditional tribal society and British protectorate to a modern state? How has Qatar become an economic superpower with one of the highest per-capita incomes in the world? What are the social, political, and economic consequences of Qatar’s extremely rapid development?
In this groundbreaking history of modern Qatar, Allen J. Fromherz analyzes the country’s crucial role in the Middle East and its growing regional influence within a broader historical context. Drawing on original sources in Arabic, English, and French as well as his own fieldwork in the Middle East, the author deftly traces the influence of the Ottoman and British Empires and Qatar’s Gulf neighbors prior to Qatar’s meteoric rise in the post-independence era.
Fromherz gives particular weight to the nation’s economic and social history, from its modest origins in the pearling and fishing industries to the considerable economic clout it exerts today, a clout that comes from having the region’s second-highest natural gas reserves. He also looks at what the future holds for Qatar’s economy as the country tries to diversify beyond oil and gas. The book further examines the paradox of Qatar where monarchy, traditional tribal culture, and conservative Islamic values appear to coexist with ultramodern development and a large population of foreign workers who outnumber Qatari citizens.
This book is as unique as the country it documents—a multifaceted picture of the political, cultural, religious, social, and economic makeup of modern Qatar and its significance within the Gulf Cooperation Council and the wider region.
Hatif Janabi’s poems are passionate, jolting, apocalyptic, and painful. They deal with war and death, perception and truth, drawing from his family life, his exile in Poland, the Gulf War, violence in Iraq, and his experience in the United States.
The speaker in many of Janabi’s poems moves from a confrontational stance to one of resigned desperation, and from coyness to deep longing, where, occasionally, hope surfaces. The associative processes and the often bizarre surreal imagery he employs are very effective in expressing his profound sense of political and spiritual alienation. Janabi is among a generation of Arab poets who, because of censorship, can speak only obliquely about the harsh reality of their lives. In these poems he has created symbolic landscapes that attempt to reveal the political, social, and psychological stresses with which suffering people live.
As a nation makes the transition from communism to democracy or another form of authoritarianism, its regime must construct not only new political institutions, but also a new political ideology that can guide policy and provide a sense of mission. The new ideology is crucial for legitimacy at home and abroad, as well as the regime’s long-term viability. In The Return of Ideology, Cheng Chen compares post-communist regimes, with a focus on Russia under Putin and post-Deng China, investigating the factors that affect the success of an ideology-building project and identifies the implications for international affairs.
Successful ideology-building requires two necessary—but not sufficient—conditions. The regime must establish a coherent ideological repertoire that takes into account the nation’s ideological heritage and fresh surges of nationalism. Also, the regime must attract and maintain a strong commitment to the emerging ideology among the political elite.
Drawing on rich primary sources, including interviews, surveys, political speeches, writings of political leaders, and a variety of publications, Chen identifies the major obstacles to ideology-building in modern Russia and China and assesses their respective long-term prospects. Whereas creating a new regime ideology has been a protracted and difficult process in China, it has been even more so in Russia. The ability to forge an ideology is not merely a domestic concern for these two nations, but a matter of international import as these two great powers move to assert and extend their influence in the world.
Kline argues that the first administration of Colombian President Álvaro Uribe Vélez marks a decisive break in a seemingly endless cycle of civil war. Not only were the levels of homicide and kidnapping dramatically reduced, but the state took the offensive against the insurgents, strengthening the armed forces which in turn demonstrated clear support for the president's policy.
The civil war in Colombia has waxed and waned for sixty years, with shifting goals, programs, and tactics among the contending parties. Bursts of appalling violence are punctuated by uneasy truces, cease-fires, and attempts at reconciliation. Varieties of Marxism, the economics of narco-trafficking, peasant land hunger, poverty, and oppression mix together in a toxic stew that has claimed the uncounted lives of peasants, conscript soldiers, and those who simply got in the way.
Kline believes that the changes of the President, although dramatic, are not necessarily permanent. He discusses what challenges must be overcome for the permanent reduction of organized violence in this war-torn nation.
In this book, Shapiro brings his characteristic warmth, humor, and many years as both poet and teacher to bear on questions surrounding two preoccupations: the role of conventions—of literary and social norms—in how we fashion our identities on and off the page, and how suffering both requires and resists self-expression. He sketches affectionate portraits of his early teachers, revisits the deaths of his brother and sister, and examines poems that have helped him navigate troubled times. Integrating storytelling and literary analysis so seamlessly that art and life become extensions of each other, Shapiro embodies in his lively prose the very qualities he celebrates in the poems he loves.
Brimming with wit and insight, this is a book for poets, students and scholars of poetry, teachers of literature, and everyone who cares about the literary arts and how they illuminate our personal and public lives.
A work of natural and environmental history.
That Which Roots Us is a work of natural and environmental history that explores the origins of and resolutions to some of the United States’ environmental problems. Marion Dresner discusses the roots of Euro-American environmental exploitative action, starting with the environmental consequences of having treated Pacific Northwest forests as commodities. She shares her experiences visiting sites where animal-centered ice age culture changed to human-centered culture thousands of years ago with the advent of farming. The book explores the origins of the romantic philosophical movement, which arose out of the debilitating conditions of the industrial era. Those romantic attitudes toward nature inspired the twentieth-century preservation movement and America’s progressively modern conservation attitudes.
The book is centered around environmental issues in the Pacific Northwest, contrasting utilitarian views of nature with Native American practices of respect and reciprocity. The elements that make That Which Roots Us a truly unique and important contribution to environmental literature are the author’s personal recollections and interactions with the landscape. Ultimately, Dresner offers hope for a new stewardship of the land and a focus on science literacy and direct experience in the natural world as the most grounded way of knowing the planet.
In 1972, Eric Dinerstein was in film school at Northwestern University, with few thoughts of nature, let alone tiger-filled jungles at the base of the Himalayas or the antelope-studded Serengeti plain. Yet thanks to some inspiring teachers and the squawk of a little green heron that awakened him to nature's fundamental wonders, Dinerstein would ultimately become a leading conservation biologist, traveling to these and other remote corners of the world to protect creatures ranging from the striking snow leopard to the homely wrinkle-faced bat.
Tigerland and Other Unintended Destinations takes readers on Dinerstein's unlikely journey to conservation's frontiers, from early research in Nepal to recent expeditions as head of Conservation Science at the World Wildlife Fund. We are there as the author renews his resolve after being swept downstream on an elephant's back, tracks snow leopards in the mountains of Kashmir with a remarkable housewife turned zoologist, and finds unexpected grit in a Manhattanite donor he guides into the wildest reaches of the Orinoco River. At every turn, we meet professed and unprofessed ecologists who share
Dinerstein's mission, a cast of free-spirited characters uncommonly committed to-and remarkably successful at-preserving slices of the world's natural heritage.
A simple sense of responsibility, one feels, shines through all of Dinerstein's experiences: not just to marvel at what we see, but to join in efforts sustain the planet's exquisite design. Tigerland's message is clear: individuals make all the difference; if we combine science, advocacy, and passion, ambitious visions for conservation can become reality-even against overwhelming odds.
In Vigil, Shapiro chronicles with heart-wrenching lyricism the final four weeks of Beth's life in a hospice, attended by her parents, brothers, husband, daughter and friends. One by one, as loved ones arrive to visit Beth, Shapiro reveals fragments of their personal history, bringing to life a troubled and poignant past. A visit from their brother David triggers the memory of a searing betrayal—the parents disowned Beth after learning from David that she was secretly dating a black man; a visit from the parents recalls their bitter quarrels over Beth's radical politics; a visit from Beth's black husband brings the painful memory of their wedding and her parents' refusal to attend. These recollections and feelings that surface with each visit evoke the unresolved, deeply disturbing issues that kept the Shapiro family estranged for so long, making the reconciliation that Beth's death brings to her family all the more extraordinary.
Shapiro gives an unconventionally honest account of our responses—horror, relief, impatience, exhaustion, exhilaration, projection, fear, self-criticism, and a sense of fulfillment—in the presence of the dying. Concluding with a selection of moving poems, Shapiro affirms the astonishing link between creativity and healing, and provides a coda to the whole experience. The price of human connection may be great, but human connection, in the end, has the power to redeem even the most painful of human experiences.
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