"Pamuk is a writer who shares my reverence for the great art of the novel. He takes the novel seriously in a way that is perhaps no longer possible for Western writers, boldly describing it as European civilization’s greatest invention."—Michael McGaha
Turkish novelist Orhan Pamuk is a prominent voice in Turkish literature, speaking to the country’s history, culture, and politics. In 2006, he became the first Turkish writer to receive the Nobel Prize for Literature.
Autobiographies of Orhan Pamuk is the first book-length study of the life and writings of Pamuk. It provides both a historical and cultural context that will help readers better understand and appreciate both the man and his work. It begins with a brief biography, outlines Pamuk’s contributions to Turkish literature and history, examines how his art has evolved over the past thirty years, and discusses some of the writers who provided inspiration. Though his books deal with specifically Turkish issues, like all great literature the themes they explore are universal. In addition to a thorough analysis of his seven published novels, including Snow and My Name is Red, an entire chapter is devoted to his first two novels, Cevdet Bey and Sons and The Silent House, which have yet to be translated into English.
This is a comprehensive examination of the Nobel laureate’s work, free of jargon and of interest to anyone who enjoys good literature.
In Contemporary Irish Poetry and the Pastoral Tradition, Donna L. Potts closely examines the pastoral genre in the work of six Irish poets writing today. Through the exploration of the poets and their works, she reveals the wide range of purposes that pastoral has served in both Northern Ireland and the Republic: a postcolonial critique of British imperialism; a response to modernity, industrialization, and globalization; a way of uncovering political and social repercussions of gendered representations of Ireland; and, more recently, a means for conveying environmentalism’s more complex understanding of the value of nature.
In an important distinction from other studies of Irish poetry, Potts moves beyond the influence of history and politics on contemporary Irish pastoral poetry to consider the relatively recent influence of ecology. Contemporary Irish poets often rely on the motif of the pastoral retreat to highlight various environmental threats to those retreats—whether they be high-rises, motorways, global warming, or acid rain. Potts concludes by speculating on the future of pastoral in contemporary Irish poetry through her examination of more recent poets—including Moya Cannon and Paula Meehan—as well as other genres such as film, drama, and fiction.
"Swimming and sex seemed a lot alike to me when I was growing up. You took off most of your clothes to do them and you only did them with people who were the same color as you. As your daddy got richer, you got to do them in fancier places." Starting with her father, who never met a whitetail buck he couldn't shoot, a whiskey bottle he couldn't empty, or a woman he couldn't charm, and her mother, who "invented road rage before 1960," Melissa Delbridge introduces us to the people in her own family bible. Readers will find elements of Southern Gothic and familiar vernacular characters, but Delbridge endows each with her startling and original interpretation. In this disarmingly unguarded and unapologetic memoir, she shows us what really happened in the "stew of religion and sex" that was 1960s Tuscaloosa.
Take an unforgettable road trip down one of America’s most fascinating highways, U.S.
On what highway can you find the headquarters of the FBI, Dow Jones Interactive, and the National Enquirer? What road is home to the Bronx Zoo, the Okefenokee Swamp, and Flipper? On the side of what freeway can you find the Super Duper Weenie Wagon, Larry’s Redneck Bar, and the Big Chicken Barn? Peter Genovese found them all, along with about a million other fascinating and bizarre attractions, on U.S. 1, ‘the best damn highway in America,” as he calls it. Join him for the road trip of a lifetime The Great American Road Trip: A Journey Down U.S. 1.
U.S. 1 may not be America’s scenic highway, but it’s certainly the most colorful. It runs through Boston, New York, Baltimore, Washington, D.C., and Miami, in addition to Caribou, Maine, Quonochontaug, Rhode Island, and Alma, Georgia. It zig-zags along the wild and beautiful Maine coast and soars over the Atlantic Ocean as the Overseas Highway, one of the most spectacular stretches of road anywhere. The Star-Spangled Banner is on U.S. 1. Madonna lived on U.S. 1 (until she sold her house to Rosie O'Donnell). U.S. 1 is Main Street and the Miracle Mile, two-lane blacktop and six-lane expressway, straight as an arrow in some places and twistier than a Philadelphia soft pretzel in others.
Genovese spent two years on U.S. 1, talking to everyone from doughnut makers, dolphin trainers, and swamp guides to real Miami vice cops and the keeper of the national parasite collection. His resulting book is the most complete portrait of an American highway ever written. With his unerring eye for detail, sense of humor, and understanding of human nature, Genovese takes readers on a sometimes funny, sometimes sad, always illuminating 2,450-mile journey from Fort Kent, Maine to Key West, Florida.
Ride along with Genovese and grab a drink at the Last Resort Bar or the Last Chance Saloon, then pick up a paperback at the Banned Bookstore. Visit Oscar, the biggest gator in the Okefenokee Swamp, have dinner at Hog Heaven, and take in a Portland Seadogs baseball game. Tour a Budweiser brewery and go into the pit at a NASCAR race. Looking for someplace to stay? How about the world’s only underwater hotel, the Jules’ Undersea Lodge, or in a cabin made entirely from one pine tree at the Maine Idyll Motor Court? If it’s culture you seek, the highway boasts dozens of museums. While you may have heard of the Museum of Natural History and the National Museum of American Art, how about the Blacks in Wax Museum, Tragedy in the United States Museum, and the Mushroom Museum? There’s something for everyone on U.S. 1, and Genovese has written about it all in The Great American Road Trip.
Living with His Camera is Gallop’s nuanced meditation on photography and the place it has in her private life and in her family. A reflection on family, it attempts—like Blau’s photographs themselves—to portray the realities of family life beyond the pieties of conventional representations. Living with His Camera is about some of the most pressing issues of visuality and some of the most basic issues of daily life. Gallop considers intimate photographs of moments both dramatic and routine: of herself giving birth to son Max or crying in the midst of an argument with Blau, pouring herself cereal as Max colors at the breakfast table, or naked, sweeping the floor. With her trademark candor, humor, and critical acumen, Gallop mixes personal reflection with close readings of Roland Barthes’s Camera Lucida, Susan Sontag’s On Photography, Kathryn Harrison’s novel Exposure, and Pierre Bourdieu’s Photography.
Presenting his photographs and her text, Living with His Camera is a portrait of a couple whose professional activity is part of their private lives and whose private life is viewed through their professional gazes. While most of us set aside rigorous thought when we turn to the sentimental realm of home life, Gallop and Blau look at each other not only with great affection but also with the keen focus of a sharp, critical gaze.
What happens within us when we read a novel? And how does a novel create its unique effects, so distinct from those of a painting, a film, or a poem? In this inspired, thoughtful, deeply personal book, Orhan Pamuk takes us into the worlds of the writer and the reader, revealing their intimate connections.
Pamuk draws on Friedrich Schiller’s famous distinction between “naive” poets—who write spontaneously, serenely, unselfconsciously—and “sentimental” poets: those who are reflective, emotional, questioning, and alive to the artifice of the written word. Harking back to the beloved novels of his youth and ranging through the work of such writers as Tolstoy, Dostoevsky, Stendhal, Flaubert, Proust, Mann, and Naipaul, he explores the oscillation between the naive and the reflective, and the search for an equilibrium, that lie at the center of the novelist’s craft. He ponders the novel’s visual and sensual power—its ability to conjure landscapes so vivid they can make the here-and-now fade away. In the course of this exploration, he considers the elements of character, plot, time, and setting that compose the “sweet illusion” of the fictional world.
Anyone who has known the pleasure of becoming immersed in a novel will enjoy, and learn from, this perceptive book by one of the modern masters of the art.
A compelling reclamation of the place of aesthetics in postcolonial literature
Literature though it may be, postcolonial literature is studied and understood largely—and often solely—in social and political terms. In neglecting its aesthetic dimension, as this book forcefully demonstrates, we are overlooking not only an essential aspect of this literature but even a critical perspective on its sociopolitical function and value. In Native Intelligence, Deepika Bahri focuses on postcolonial literature’s formal and aesthetic negotiations with sociopolitical concerns.
How, Bahri asks, do aesthetic considerations contest the social function of postcolonial literature? In answering, her book takes on two tasks: First, it identifies the burden of representation borne by postcolonial literature through its progressive politicization. Second, it draws on Frankfurt School critical theory to reclaim a place for aesthetics in literary representation by closely engaging works of Rohinton Mistry, Salman Rushdie, and Arundhati Roy. Throughout, Bahri shows how attention to the aesthetic innovations and utopian impulses of postcolonial works uncovers their complex and uneven relationship to ideology, reanimating their potential to make novel contributions to the larger project of social liberation.Is Latin America experiencing a resurgence of leftwing governments, or are we seeing a rebirth of national-radical populism? Are the governments of Hugo Chávez, Evo Morales, and Rafael Correa becoming institutionalized as these leaders claim novel models of participatory and direct democracy? Or are they reenacting older traditions that have favored plebiscitary acclamation and clientelist distribution of resources to loyal followers? Are we seeing authentic forms of expression of the popular will by leaders who have empowered those previously disenfranchised? Or are these governments as charismatic, authoritarian, and messianic as their populist predecessors?
This new and expanded edition of Populist Seduction in Latin America explores the ambiguous relationships between democracy and populism and brings de la Torre’s earlier work up to date, comparing classical nationalist, populist regimes of the 1940s, such as those of Juan Perón and José María Velasco Ibarra, with their contemporary neoliberal and radical successors. De la Torre explores their similarities and differences, focusing on their discourses and uses of political symbols and myths.
What role does Qatar play in the Middle East and how does it differ from the other Gulf states? How has the ruling Al-Thani family shaped Qatar from a traditional tribal society and British protectorate to a modern state? How has Qatar become an economic superpower with one of the highest per capita incomes in the world? What are the social, political, and economic consequences of Qatar’s extremely rapid development?
In this groundbreaking history of modern Qatar, Allen J. Fromherz presents a full portrait that analyzes Qatar's crucial role in the Middle East and its growing regional influence within a broader historical context. Drawing on original sources in Arabic, English, and French as well as his own fieldwork in the Middle East, the author deftly traces the influence of the Ottoman and British empires and Qatar’s Gulf neighbors on the country prior to Qatar’s meteoric rise in the post-independence era. Fromherz gives particular weight to the nation's economic and social history, from its modest origins in the pearling and fishing industries to the considerable economic clout it exerts today, a clout that comes with having the second-highest natural gas reserves in the region. He also looks at what the future holds for Qatar's economy as the country tries to diversify beyond oil and gas. Furthermore, the book examines the paradox of Qatar where monarchy, traditional tribal culture, and conservative Islamic values appear to coexist with ultra modern development and a large population of foreign workers who outnumber Qatari citizens.
This book is as unique as the country it documents—a multi-faceted picture of the political, cultural, religious, social, and economic make up of modern Qatar and its significance within the Gulf Cooperation Council and the wider region.
What role does Qatar play in the Middle East, and how does it differ from the other Gulf states? How has the ruling Al-Thani family shaped Qatar from a traditional tribal society and British protectorate to a modern state? How has Qatar become an economic superpower with one of the highest per-capita incomes in the world? What are the social, political, and economic consequences of Qatar’s extremely rapid development?
In this groundbreaking history of modern Qatar, Allen J. Fromherz analyzes the country’s crucial role in the Middle East and its growing regional influence within a broader historical context. Drawing on original sources in Arabic, English, and French as well as his own fieldwork in the Middle East, the author deftly traces the influence of the Ottoman and British Empires and Qatar’s Gulf neighbors prior to Qatar’s meteoric rise in the post-independence era.
Fromherz gives particular weight to the nation’s economic and social history, from its modest origins in the pearling and fishing industries to the considerable economic clout it exerts today, a clout that comes from having the region’s second-highest natural gas reserves. He also looks at what the future holds for Qatar’s economy as the country tries to diversify beyond oil and gas. The book further examines the paradox of Qatar where monarchy, traditional tribal culture, and conservative Islamic values appear to coexist with ultramodern development and a large population of foreign workers who outnumber Qatari citizens.
This book is as unique as the country it documents—a multifaceted picture of the political, cultural, religious, social, and economic makeup of modern Qatar and its significance within the Gulf Cooperation Council and the wider region.
Hatif Janabi’s poems are passionate, jolting, apocalyptic, and painful. They deal with war and death, perception and truth, drawing from his family life, his exile in Poland, the Gulf War, violence in Iraq, and his experience in the United States.
The speaker in many of Janabi’s poems moves from a confrontational stance to one of resigned desperation, and from coyness to deep longing, where, occasionally, hope surfaces. The associative processes and the often bizarre surreal imagery he employs are very effective in expressing his profound sense of political and spiritual alienation. Janabi is among a generation of Arab poets who, because of censorship, can speak only obliquely about the harsh reality of their lives. In these poems he has created symbolic landscapes that attempt to reveal the political, social, and psychological stresses with which suffering people live.
As a nation makes the transition from communism to democracy or another form of authoritarianism, its regime must construct not only new political institutions, but also a new political ideology that can guide policy and provide a sense of mission. The new ideology is crucial for legitimacy at home and abroad, as well as the regime’s long-term viability. In The Return of Ideology, Cheng Chen compares post-communist regimes, with a focus on Russia under Putin and post-Deng China, investigating the factors that affect the success of an ideology-building project and identifies the implications for international affairs.
Successful ideology-building requires two necessary—but not sufficient—conditions. The regime must establish a coherent ideological repertoire that takes into account the nation’s ideological heritage and fresh surges of nationalism. Also, the regime must attract and maintain a strong commitment to the emerging ideology among the political elite.
Drawing on rich primary sources, including interviews, surveys, political speeches, writings of political leaders, and a variety of publications, Chen identifies the major obstacles to ideology-building in modern Russia and China and assesses their respective long-term prospects. Whereas creating a new regime ideology has been a protracted and difficult process in China, it has been even more so in Russia. The ability to forge an ideology is not merely a domestic concern for these two nations, but a matter of international import as these two great powers move to assert and extend their influence in the world.
A work of natural and environmental history.
That Which Roots Us is a work of natural and environmental history that explores the origins of and resolutions to some of the United States’ environmental problems. Marion Dresner discusses the roots of Euro-American environmental exploitative action, starting with the environmental consequences of having treated Pacific Northwest forests as commodities. She shares her experiences visiting sites where animal-centered ice age culture changed to human-centered culture thousands of years ago with the advent of farming. The book explores the origins of the romantic philosophical movement, which arose out of the debilitating conditions of the industrial era. Those romantic attitudes toward nature inspired the twentieth-century preservation movement and America’s progressively modern conservation attitudes.
The book is centered around environmental issues in the Pacific Northwest, contrasting utilitarian views of nature with Native American practices of respect and reciprocity. The elements that make That Which Roots Us a truly unique and important contribution to environmental literature are the author’s personal recollections and interactions with the landscape. Ultimately, Dresner offers hope for a new stewardship of the land and a focus on science literacy and direct experience in the natural world as the most grounded way of knowing the planet.
In 1972, Eric Dinerstein was in film school at Northwestern University, with few thoughts of nature, let alone tiger-filled jungles at the base of the Himalayas or the antelope-studded Serengeti plain. Yet thanks to some inspiring teachers and the squawk of a little green heron that awakened him to nature's fundamental wonders, Dinerstein would ultimately become a leading conservation biologist, traveling to these and other remote corners of the world to protect creatures ranging from the striking snow leopard to the homely wrinkle-faced bat.
Tigerland and Other Unintended Destinations takes readers on Dinerstein's unlikely journey to conservation's frontiers, from early research in Nepal to recent expeditions as head of Conservation Science at the World Wildlife Fund. We are there as the author renews his resolve after being swept downstream on an elephant's back, tracks snow leopards in the mountains of Kashmir with a remarkable housewife turned zoologist, and finds unexpected grit in a Manhattanite donor he guides into the wildest reaches of the Orinoco River. At every turn, we meet professed and unprofessed ecologists who share
Dinerstein's mission, a cast of free-spirited characters uncommonly committed to-and remarkably successful at-preserving slices of the world's natural heritage.
A simple sense of responsibility, one feels, shines through all of Dinerstein's experiences: not just to marvel at what we see, but to join in efforts sustain the planet's exquisite design. Tigerland's message is clear: individuals make all the difference; if we combine science, advocacy, and passion, ambitious visions for conservation can become reality-even against overwhelming odds.
READERS
Browse our collection.
PUBLISHERS
See BiblioVault's publisher services.
STUDENT SERVICES
Files for college accessibility offices.
UChicago Accessibility Resources
home | accessibility | search | about | contact us
BiblioVault ® 2001 - 2024
The University of Chicago Press