Homer’s Iliad and Odyssey have fascinated listeners and readers for over twenty-five centuries. In this volume of original essays, collected to honor the distinguished career of Emily T. Vermeule, thirty-four leading experts in Homeric studies and related fields provide up-to-date, multidisciplinary accounts of the most current issues in the study of Homer.
The book is divided into three sections. The first section treats the Bronze Age setting of the poems (around 1200 B.C.), using archaeological evidence to reveal how poetic memory preserves, distorts, and invents the past. The second section explores the early Iron Age, in which the poems were written (c. 800-500 B.C.), using the strategies of comparative philology and mythology, literary theory, historical linguistics, anthropology, and iconography to determine how the poems took shape. The final section traces the use of Homer for literary and artistic inspiration by classical Greece and Rome.
Apocalyptic visions and prophecies from Zarathustra to yesterday form the luxuriant panorama in Eugen Weber's profound and elegant book. Beginning with the ancients of the West and the Orient and, especially, with those from whom we received our religions, the Jews and earliest Christians, Weber finds that an absolute belief in the end of time, when good would do final battle with evil, was omnipresent. Within centuries, apocalyptic beliefs inspired Crusades, scientific discoveries, works of art, voyages such as those of Columbus, rebellions and reforms. In the new world, American abolitionists, who were so critical to the movement to end slavery, believed in a final reckoning. The nineteenth and twentieth centuries' apocalyptic movements veered toward a lunatic fringe, and Weber rescues them from obloquy. From this more than two millennia history, he redresses the historical and religious amnesia that has consigned the study of apocalypses and millennial thought to the ash heap of thought and belief.
Weber, a master storyteller, turns detective in this latest book as he finds these alternative rationalities in the West, Asia, Africa, and South America. He writes with profound respect for the millennial pulse in history while never losing his urbane and witty style of writing. As we approach our second millennium beset by a host of apocalyptic predictions and cults, this book offers a map of understanding of the creeds we ignore at our peril.
Significant numbers of the people enslaved throughout world history have been children. The vast literature on slavery has grown to include most of the history of this ubiquitous practice, but nearly all of it concentrates on the adult males whose strong bodies and laboring capacities preoccupied the masters of the modern Americas. Children in Slavery through the Ages examines the children among the enslaved across a significant range of earlier times and other places; its companion volume will examine the children enslaved in recent American contexts and in the contemporary/modern world.
This is the first collection to focus on children in slavery. These leading scholars bring our thinking about slaving and slavery to new levels of comprehensiveness and complexity. They further provide substantial historical depth to the abuse of children for sexual and labor purposes that has become a significant humanitarian concern of governments and private organizations around the world in recent decades.
The collected essays in Children in Slavery through the Ages fundamentally reconstruct our understanding of enslavement by exploring the often-ignored role of children in slavery and rejecting the tendency to narrowly equate slavery with the forced labor of adult males. The volume’s historical angle highlights many implications of child slavery by examining the variety of children’s roles—as manual laborers and domestic servants to court entertainers and eunuchs—and the worldwide regions in which the child slave trade existed.
Norman R. Shapiro lionizes the feline's limitless allure in this one-of-a-kind collection. Spanning centuries and styles, he draws on she-cats and toms, and an honor roll of French poets, well known and lesser known, who have served as their devoted champions. He reveals the remarkable range of French cat poems, with most works presented here for the first time in English translation. Scrupulously devoted to evoking the meaning and music of the originals, Shapiro also respects the works' formal structures. Pairing Shapiro's translations with Olga Pastuchiv's elegant illustrations, Fe-Lines guides the reader through the marvels and inscrutabilities of the Mystique féline.
Heiress of All the Ages was first published in 1959. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
In a provocative study of American literature, Professor Wasserstrom reappraises the genteel tradition and its place in social and intellectual history. He shows that our image of this tradition has been inadequate, that most of our writers and critics have failed to recognize its profound effects.
Basing his discussion primarily on a study of the major novelists of the period from 1830 to the present, the author examines the role of women in fiction and defines some of our national attitudes toward love. He discusses especially the world of Henry James (from whose phrase "heir of all the ages" the title of this book is derived), William Dean Howells, Nathaniel Hawthorne, James Fenimore Cooper, Edith Wharton, and Robert Penn Warren. He also considers such well known novelists of their day as Bret Harte, Edgar Fawcett, Robert Herrick, Henry B. Fuller, Hamlin Garland, and Gertrude Atherton. In addition, his study is based on source material of the period: diaries, recipe books, family magazines, early issues of sociology and psychology journals, and travel books.
This book will interest not only students of literature and history but also those in the general field of American civilization and sociologists and psychologists concerned with the relation of American literature to our mores.
Evangelicals and Republicans have been powerful—and active—allies in American politics since the 1970s. But as public opinions have changed, are young evangelicals’ political identities and attitudes on key issues changing too? And if so, why? In Rock of Ages, Jeremiah Castle answers these questions to understand their important implications for American politics and society.
Castle develops his own theory of public opinion among young evangelicals to predict and explain their political attitudes and voting behavior. Relying on both survey data and his own interviews with evangelical college students, he shows that while some young evangelicals may be more liberal in their attitudes on some issues, most are just as firmly Republican, conservative, and pro-life on abortion as the previous generation.
Rock of Ages considers not only what makes young evangelicals different from the previous generation, but also what that means for both the church and American politics.
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