A SCHOLARLY BOOK REPOSITORY
“Experience” is a thoroughly political category, a social and historical product not authored by any individual. At the same time, “the personal is political,” and one's own lived experience is an important epistemic resource. In Anaesthetics of Existence Cressida J. Heyes reconciles these two positions, drawing on examples of things that happen to us but are nonetheless excluded from experience. If for Foucault an “aesthetics of existence” was a project of making one's life a work of art, Heyes's “anaesthetics of existence” describes antiprojects that are tacitly excluded from life—but should be brought back in. Drawing on critical phenomenology, genealogy, and feminist theory, Heyes shows how and why experience has edges, and she analyzes phenomena that press against those edges. Essays on sexual violence against unconscious victims, the temporality of drug use, and childbirth as a limit-experience build a politics of experience while showcasing Heyes's much-needed new philosophical method.
Fongoli chimpanzees are unique for many reasons. Their female hunters are the only apes that regularly hunt with tools, seeking out tiny bush babies with wooden spears. Unlike most other chimps, these apes fear neither water nor fire, using shallow pools to cool off in the Senegalese heat. Up to 90 percent of their home range burns annually—the result of human hunting or clearing for gold mining—and Fongoli chimpanzees have learned to predict the movement of such fires and to avoid them.
The study of Fongoli chimps is also unique. While most primate research occurs in isolated reserves, Fongoli chimpanzees live alongside humans, and as primatologist and anthropologist Jill Pruetz reports, this shared habitat creates both challenges and opportunities. The issues faced by Fongoli chimpanzees—particularly food scarcity and environmental degradation—are also issues faced by their human neighbors. This connection is one reason Pruetz, who has studied Fongoli apes for over two decades, created the nonprofit Neighbor Ape in 2008 to provide for the welfare of the humans who share their landscape with apes. It is also why Pruetz decided to write this book, the first to offer readers a view of these chimps’ lives and to explain the specific conservation efforts needed to help them. Incorporating stories from Pruetz’s time in the field, including the compelling rescue of a young chimp from poachers, Apes on the Edge opens a fascinating window into primate research, conservation, and the inner workings of a very special population of our closest nonhuman relatives.
A moving story of survival and an eye-opening introduction to an extraordinary community of chimps and people.
Fongoli chimpanzees are unique for many reasons. Their female hunters are the only apes that regularly hunt with tools, seeking out tiny bush babies with wooden spears. Unlike most other chimps, these apes fear neither water nor fire, using shallow pools to cool off in the Senegalese heat. Up to 90 percent of their home range burns annually—the result of human hunting or clearing for gold mining—and Fongoli chimpanzees have learned to predict the movement of such fires and to avoid them.
The study of Fongoli chimps is also unique. While most primate research occurs in isolated reserves, Fongoli chimpanzees live alongside humans, and as primatologist and anthropologist Jill Pruetz reports, this shared habitat creates both challenges and opportunities. The issues faced by Fongoli chimpanzees—particularly food scarcity and environmental degradation—are also issues faced by their human neighbors. This connection is one reason Pruetz, who has studied Fongoli apes for over two decades, created the nonprofit Neighbor Ape in 2008 to provide for the welfare of the humans who share their landscape with apes. It is also why Pruetz decided to write this book, the first to offer readers a view of these chimps’ lives and to explain the specific conservation efforts needed to help them. Incorporating stories from Pruetz’s time in the field, including the compelling rescue of a young chimp from poachers, Apes on the Edge opens a fascinating window into primate research, conservation, and the inner workings of a very special population of our closest nonhuman relatives.
Contributors. Vincanne Adams, João Biehl, Davíd Carrasco, Lawrence Cohen, Jean Comaroff, Robert Desjarlais, Paul Farmer, Marcia Inhorn, Janis H. Jenkins, David S. Jones, Salmaan Keshavjee, Arthur Kleinman, Margaret Lock, Adriana Petryna
Finalist for 2012 National Jewish Book Award in the Holocaust category
David Koker's diary is one of the most notable accounts of life in a German concentration camp written by a Jew during the years of the Holocaust. First brought to attention when the Dutch historian Jacob Presser-Koker's history teacher in high school-quoted from Koker's diary in his monumental history, published in English as The Destruction of the Dutch Jews (1968), the diary itself became a part of the Dutch literary canon when it was published in 1977 as Dagboek geschreven in Vught (Diary Written in Vught). It has remained in print ever since, and is notable for its literary qualities, weaving poetry and powerful observations of the emotional life of a camp prisoner, including reflections after an in-person visit by Heinrich Himmler. Surprisingly, the book has never before been translated into English.
During his time in the Vught concentration camp, the 21-year-old David recorded on an almost daily basis his observations, thoughts, and feelings. He mercilessly probed the abyss that opened around him and, at times, within himself. David's diary covers almost a year, both charting his daily life in Vught as it developed over time and tracing his spiritual evolution as a writer. Until early February 1944, David was able to smuggle some 73,000 words from the camp to his best friend Karel van het Reve, a non-Jew.
With an informative introduction, annotation, and list of dramatis personae by Robert Jan van Pelt, At the Edge of the Abyss offers an immediate and wholly original look into the life of a concentration camp prisoner.
Industrial agriculture has transformed vast stretches of the Earth, but few places reveal its contradictions more clearly than the Pampas of Argentina.
In At the Edge of the Pampas, anthropologist Rachel Cypher traces the explosive rise of genetically modified soybeans across one of the world’s great agricultural heartlands. Drawing on immersive long-term fieldwork, the book moves from soybean fields and cattle feedlots to dryland forests to show that industrial agriculture takes many forms. Soy—one of the world’s most standardized commodities—must first pass through local ecologies, informal economies, inherited obligations, and intimate relations of trust before it can circulate as a global asset.
Urgent and deeply original, At the Edge of the Pampas offers a major rethinking of how value is gathered within industrial capitalism and how unruly social and ecological life persists inside even the most engineered landscapes.
How the cinematic gaze reveals the hidden operations of border zones
Examining a variety of documentary films made along the borders of Europe since the turn of the twenty-first century, Border Mediascapes takes a cinematic eye to the technologies employed in governing spatial movement. Working at the intersections of social sciences, political theory, contemporary media, and cinema aesthetics, this book expands our understanding of the border as not just a static political boundary inscribed on a map but a complex, dynamic network of human and nonhuman agents.
Francesco Zucconi asserts that contemporary borders are environments defined by media: a perpetually shifting set of interactions between physical bodies and sensors, surveillance cameras, satellites, mapping programs, digital signage, and cellular devices. Analyzing documentaries filmed by or in collaboration with migrants, Border Mediascapes demonstrates how cinema can be used to reveal the otherwise unseen apparatuses that facilitate systematized practices of recognition, expulsion, and erasure.
As he details the ways specific border technologies measure and identify individuals as part of the larger project of territorial control, Zucconi illustrates the effectiveness of cinema for capturing the entanglement of geopolitics and biopolitics. Viewing the cinematic perspective as simultaneously analytical, critical, and complicit with the new technological frontier, Zucconi shows how the medium can deepen our understanding of borders as sites of power, resistance, and resilience.
Retail e-book files for this title are screen-reader friendly with images accompanied by short alt text and/or extended descriptions.
"[Complexity] is that curious mix of complication and organization that we find throughout the natural and human worlds: the workings of a cell, the structure of the brain, the behavior of the stock market, the shifts of political power. . . . It is time science . . . thinks about meaning as well as counting information. . . . This is the core of the complexity manifesto. Read it, think about it . . . but don't ignore it."—Ian Stewart, Nature
This second edition has been brought up to date with an essay entitled "On the Edge in the Business World" and an interview with John Holland, author of Emergence: From Chaos to Order.
Located less than a mile from Juárez, the Stanlee and Gerald Rubin Center for Visual Arts at the University of Texas at El Paso is a non-collecting institution that serves the Paso del Norte region. In Curating at the Edge, Kate Bonansinga brings to life her experiences as the Rubin’s founding director, giving voice to a curatorial approach that reaches far beyond the limited scope of “border art” or Chicano art. Instead, Bonansinga captures the creative climate of 2004–2011, when contemporary art addressed broad notions of destruction and transformation, irony and subversion, gender and identity, and the impact of location on politics.
The Rubin’s location in the Chihuahuan desert on the U.S./Mexican border is meaningful and intriguing to many artists, and, consequently, Curating at the Edge describes the multiple artistic perspectives conveyed in the place-based exhibitions Bonansinga oversaw. Exciting mid-career artists featured in this collection of case studies include Margarita Cabrera, Liz Cohen, Marcos Ramírez ERRE, and many others. Recalling her experiences in vivid, first-person scenes, Bonansinga reveals the processes a contemporary art curator undertakes and the challenges she faces by describing a few of the more than sixty exhibitions that she organized during her tenure at the Rubin. She also explores the artists’ working methods and the relationship between their work and their personal and professional histories (some are Mexican citizens, some are U.S. citizens of Mexican descent, and some have ancestral ties to Europe). Timely and illuminating, Curating at the Edge sheds light on the work of the interlocutors who connect artists and their audiences.
Telling the tale of Pluto’s discovery, the authors recount the grand story of our unfolding knowledge of the outer Solar System, from William Herschel’s serendipitous discovery of Uranus in 1781, to the mathematical prediction of Neptune’s existence, to Percival Lowell’s studies of the wayward motions of those giant planets leading to his prediction of another world farther out. Lowell’s efforts led to Clyde Tombaugh’s heroic search and discovery of Pluto—then a mere speck in the telescope—at Lowell Observatory in 1930.
Pluto was finally recognized as the premier body in the Kuiper Belt, the so-called third zone of our Solar System. The first zone contains the terrestrial planets (Mercury through Mars) and the asteroid belt; the second, the gas-giant planets Jupiter through Neptune. The third zone, holding Pluto and the rest of the Kuiper Belt, is the largest and most populous region of the solar system.
Now well beyond Pluto, New Horizons will continue to wend its lonely way through the galaxy, but it is still transmitting data, even today. Its ultimate legacy may be to inspire future generations to uncover more secrets of Pluto, the Solar System, and the Universe.
Edge of Awe celebrates the immense variety of human experience in the Malheur-Steens region. This high-desert marsh country has long been a place of human habitation, work, and recreation, but this compendium is weighted toward the writing of visitors over the past one hundred years. It encompasses a wide range of experiences, such as fishing the Blitzen River, attending the Steens Running Camp, leading a mule train on Steens mountain, looking for rare migrant birds, boating on the great marshes, and much more.
Anyone who has visited the awe-inspiring Malheur-Steens country or plans to do so, and anyone with an interest in the region, will find inspiration in this literary companion.
CONTRIBUTORS
Chas Biederman
Charles E. Bendire
Greg Bryant
Sean Burns
Alan L. Contreras
Harry Fuller
Ira N. Gabrielson
Quinton Hallett
Ada Hastings Hedges
David Hedges
Hendrik Herlyn
Meli Hull
William Kittredge
Ursula K. Le Guin
Maitreya
David B. Marshall
John F. Marshall
Tom McAllister
Thomas C. Meinzen
Peter Pearsall
Dallas Lore Sharp
William Stafford
Noah K. Strycker
Peter Walker
Ellen Waterston
C.E.S. Wood
Prominent female voices in journalism provide critical perspectives on the challenges women face in today's news organizations, such as connecting with diverse audiences, educating readers about international issues and cultures, maintaining credibility, negotiating media consolidation and corporate pressures, and overcoming the persistent barriers to professional advancement. A powerful and complex assessment of how women are transforming the news industry, The Edge of Change explores how the news industry might implement further reforms aimed at creating a more inclusive journalistic community.
Contributors are Catalina Camia, Kathleen Carroll, Pamela J. Creedon, Paula Lynn Ellis, Helen E. Fisher, Dorothy Butler Gilliam, Ellen Goodman, Sharon Grigsby, Carol Guzy, Kirsten Scharnberg Hampton, Cathy Henkel, Pamela J. Johnson, Jane Kirtley, Jan Leach, Caroline Little, Wanda S. Lloyd, Arlene Notoro Morgan, June O. Nicholson, Geneva Overholser, Marty Petty, Deb Price, Donna M. Reed, Sandra Mims Rowe, Peggy Simpson, Margaret Sullivan, Julia Wallace, and Keven Ann Willey.
Few places were as important in the seventeenth-century European colonial New World as the pays d’en haut. This term means "upper country" and refers to the western Great Lakes (Huron, Michigan, and Superior) and the areas immediately north, south, and west of them. The region was significant because of its large Native American population, because it had an extensive riverine system needed for beaver populations—essential to the fur trade—and because it held the transportation key to westward expansion.
It was vital to the French, who controlled the region, to be on good terms with its peoples. To maintain good relations through trade and diplomacy with the nations in the pays d’en haut, the French built a number of posts, including one at Michilimackinac and one on the St. Joseph River (near Niles, Michigan). These posts were garrisoned by French troops and run by French commanders who contracted with merchants to manage business matters.
Edge of Empire provides both an overview and an intensely detailed look at Michilimackinac at a very specific period of history. While the introduction offers an overview of the French fur trade, of the place of Michilimackinac in that network, and of what Michilimackinac was like in the years up to 1716, the body of the book is comprised of over sixty French-language documents, now translated into English. Collected from archives in France, Canada, and the United States, the documents identify many of the people involved in the trade and reveal a great deal about the personal and professional relations among people who traded. They also reveal clearly the process by which trade was carried out, including the roles of both Native Americans and women. At the same time, the documents open a window into French colonial society in New France.
Perloff explores works ranging from Karl Kraus’s drama The Last Days of Mankind and Elias Canetti’s memoir The Tongue Set Free to Ludwig Wittgenstein’s notebooks and Paul Celan’s lyric poetry. Throughout, she shows that Austro-Modernist literature is characterized less by the formal and technical inventions of a modernism familiar to us in the work of Joyce and Pound, Dada and Futurism, than by a radical irony beneath a seemingly conventional surface, an acute sense of exile, and a sensibility more erotic and quixotic than that of its German contemporaries. Skeptical and disillusioned, Austro-Modernism prefers to ask questions rather than formulate answers.
The Edge of Islam explores themes as wide-ranging as spirit possession, divination, healing rituals, madness, symbolic pollution, ideologies of money, linguistic code-switching, and syncretism and its alternatives. McIntosh shows how the differing versions of Islam practiced by Swahili and Giriama, and their differing understandings of personhood, have figured in the growing divisions between the two groups. Her ethnographic analysis helps to explain why Giriama view Islam, a supposedly universal religion, as belonging more deeply to certain ethnic groups than to others; why Giriama use Islam in their rituals despite the fact that so many do not consider the religion their own; and how Giriama appropriations of Islam subtly reinforce a distance between the religion and themselves. The Edge of Islam advances understanding of ethnic essentialism, religious plurality, spirit possession, local conceptions of personhood, and the many meanings of “Islam” across cultures.
The Edge of Mosby’s Sword is the first scholarly volume to delve into the story of one of John Singleton Mosby’s most trusted and respected officers, Colonel William Henry Chapman. Presenting both military and personal perspectives of Chapman’s life, Gordon B. Bonan offers an in-depth understanding of a man transformed by the shattering of his nation. This painstakingly researched account exposes a soldier and patriot whose convictions compelled him to battle fiercely for Southern independence; whose quest for greatness soured when faced with the brutal realities of warfare; and who sought to heal his wounded nation when the guns of war were silenced.
Born into a wealthy slave-owning family, Chapman was a student of the fiery secessionist rhetoric of antebellum Virginia who eagerly sought glory and adventure on the battlefields of the Civil War. Bonan traces Chapman’s evolution from an impassioned student at the University of Virginia to an experienced warrior and leader, providing new insight into the officer’s numerous military accomplishments. Explored here are Chapman’s previously overlooked endeavors as a student warrior, leader of the Dixie Artillery, and as second-in-command to Mosby, including his participation in the capture of Harpers Ferry, the battering of Union forces at Second Manassas, and his ferocious raids during the 1864 Shenandoah Valley campaign. Bonan reveals fresh perspectives on the intrepid maneuvers of Mosby’s Rangers, the hardships of war, and Chapman’s crucial role as the right hand of the “Gray Ghost.” But while Mosby recognized him for his bravery and daring, the fame Chapman sought always eluded him. Instead, with his honors and successes came disillusionment and sorrow, as he watched comrades and civilians alike succumb to the terrible toll of the war.
The end of the struggle between North and South saw Chapman accept defeat with dignity, leading the Rangers to their official surrender and parole at Winchester. With the horrors of the war behind him, he quickly moved to embrace the rebuilding of his country, joining the Republican party and beginning a forty-two-year career at the IRS enforcing Federal law throughout the South. In the end, Chapman’s life is a study in contradictions: nationalism and reconciliation; slavery and liberty; vengeance and chivalry.
These thirty-two essays with commentaries strike a balance between Caillois’s political and theoretical writings and between his better known works, such as the popular essays on the praying mantis, myth, and mimicry, and his lesser-known pieces. Presenting several new pieces and drawing on interviews and unpublished correspondence, this book reveals Caillois’s consistent effort to reconcile intellectual rigor and imaginative adventure. Perhaps most importantly, The Edge of Surrealism provides an overdue look at how Caillois’s intellectual project intersected with the work of Georges Bataille and others including Breton, Bachelard, Benjamin, Lacan, and Lévi-Strauss.
With a little initiative and very little startup money, an outgoing individual might sell you a number of delights and conveniences familiar to city dwellers—from cold water bottles while you’re sitting in traffic to a popsicle from a cart on a summer afternoon in the park. Such vendors form a significant share of the workforce in São Paulo, Brazil, but their ubiquity belies perpetual struggle. Some have the right to practice their trade; others do not. All of them strive to make it—or stay afloat.
In The Edge of the Law, sociologist Jacinto Cuvi introduces us to the world of street vendors and teases out the relationship between the construction of legality and the experience of citizenship. As São Paulo’s city government undertakes a large-scale plan to cancel street vending licenses and evict street vendors, Cuvi reveals how the rights of informal workers can be revoked or withheld and how the lines can be redrawn between work that is “legal” and work that takes place under constant fear of law enforcement. Alongside the mechanics of disenfranchisement, Cuvi captures the lived experience of criminalization, dissecting the distribution of (shallow) rights among vendors who continually reinvent strategies to eke out a living while dealing with the constraints and pressures of informal citizenship at the edge of the law.
This tale of a repressive priest and his small Mexican village during the eighteen months preceding the Revolution of 1910 is a great novel, one that exposes the struggle between human desire and paralyzing fear—fear of humanity, fear of nature, fear of the wrath of God. Agustín Yáñez probes the actions of people caught in life’s currents, enthralling his readers with mounting dramatic tension as he shows that no power can forge saints from the human masses, that any attempt to do so, in fact, often has exactly the opposite result.
Yáñez brings to his work a deep understanding of people—his people—and he illuminates a great truth—that no one, anywhere, seems very strange when we understand the environment that has produced him or her.
A comprehensive history of a state on Judah’s border
Edom at the Edge of Empire combines biblical, epigraphic, archaeological, and comparative evidence to reconstruct the history of Judah's neighbor to the southeast. Crowell traces the material and linguistic evidence, from early Egyptian sources that recall conflicts with nomadic tribes to later Assyrian texts that reference compliant Edomite tribal kings, to offer alternative scenarios regarding Edom's transformation from a collection of nomadic tribes and workers in the Wadi Faynan as it relates to the later polity centered around the city of Busayra in the mountains of southern Jordan. This is the first book to incorporate the important evidence from the Wadi Faynan copper mines into a thorough account of Edom's history, providing a key resource for students and scholars of the ancient Near East and the Hebrew Bible.
Green Earth Book Award, Honor Book
There are days in late winter when the Pacific coast enjoys a brief spell of clear, warm weather. Most of the winter storms have passed and the summer fog has not yet settled in. This is when some coastal communities plan their annual beach clean-ups.
In this sequel to Ellie’s Log and Ricky’s Atlas, Ellie and Ricky travel to the Oregon coast from their home in the Cascade Mountains to help with a one-day beach clean-up. Hoping to find a prized Japanese glass float, they instead find more important natural treasures, and evidence of an ocean that needs its own global-scale clean-up.
Ellie and Ricky are amazed by their discoveries at the edge of the world’s largest ocean. Together, they realize the power of volunteering and grapple with the challenges of ocean conservation. In her journal Ellie records her observations of their adventures in her own words and pictures.
With charming pen-and-ink drawings and a compelling story, Ellie's Strand makes coastal science exciting for upper elementary school students. It will be a treasured companion for young beach explorers everywhere.
Nobody knows how to tell a story like Bobby Norfolk, and here he tells his own life story. Norfolk grew up in hardscrabble neighborhoods of Saint Louis, Missouri, during the 1950s and 60s, sometimes walking to elementary school from an apartment his parents could not afford to heat. Lifting himself up by force of will and God-given talent, Norfolk defeated a childhood stutter to become a high school dramatist and later an exceptional college student. The path was never easy—and often frightening. With men of color being killed all-too-frequently in America, Norfolk sought a personal identity based upon talent and hard work, but also upon where safety and justice might be found. He tells these stories—some heartwarming or humorous, some frightful and treacherous—honestly, with a graceful mindfulness that all would do well to emulate.
Throughout this collection, we see profound wonder, questioning, and conflicts involving family, sexual identity, class, discrimination, environmental beauty, and peril, and all the sorts of rebellion, error, contemplation, and contentment that an intrepid soul can devise. These stories and poems, all published within the last fifteen years, are grounded in what it means to live in and identify with a complex place.
With a mix of established writers like Jayne Anne Phillips, Norman Jordan, Ann Pancake, Maggie Anderson, and Denise Giardina and fresh voices like Matthew Neill Null, Ida Stewart, Rajia Hassib, and Scott McClanahan, this collection breaks open new visions of all-American landscapes of the heart. By turns rowdy and contemplative, hilarious and bleak, and lyrical and gritty, it is a collage of extraordinary literary visions.
Video games have long been seen as the exclusive territory of young, heterosexual white males. In a media landscape dominated by such gamers, players who do not fit this mold, including women, people of color, and LGBT people, are often brutalized in forums and in public channels in online play. Discussion of representation of such groups in games has frequently been limited and cursory. In contrast, Gaming at the Edge builds on feminist, queer, and postcolonial theories of identity and draws on qualitative audience research methods to make sense of how representation comes to matter.
In Gaming at the Edge, Adrienne Shaw argues that video game players experience race, gender, and sexuality concurrently. She asks: How do players identify with characters? How do they separate identification and interactivity? What is the role of fantasy in representation? What is the importance of understanding market logic? In addressing these questions Shaw reveals how representation comes to matter to participants and offers a perceptive consideration of the high stakes in politics of representation debates.
Putting forth a framework for talking about representation, difference, and diversity in an era in which user-generated content, individualized media consumption, and the blurring of producer/consumer roles has lessened the utility of traditional models of media representation analysis, Shaw finds new insight on the edge of media consumption with the invisible, marginalized gamers who are surprising in both their numbers and their influence in mainstream gamer culture.
They worked six days a week—planting trees, crushing rock, building roads, and fighting forest fires—in exchange for only room and board. At night, they published books under the imprint of the Untide Press. They produced plays, art, and music—all during their limited non-work hours, with little money and few resources. This influential group included poet William Everson, later known as Brother Antoninus, “the Beat Friar”; violinist Broadus Erle, founder of the New Music Quartet; fine arts printer Adrian Wilson; Kermit Sheets, co-founder of San Francisco’s Interplayers theater group; architect Kemper Nomland, Jr.; and internationally renowned sculptor Clayton James.
After the war, camp members went on to participate in the San Francisco Poetry Renaissance of the 1950s, which heavily influenced the Beat Generation of Jack Kerouac, Allen Ginsberg, and Gary Snyder—who in turn inspired Ken Kesey and his Merry Pranksters, leading the way to the 1960s upheavals epitomized by San Francisco’s Summer of Love.
As camp members engaged in creative acts, they were plowing ground for the next generation, when a new set of young people, facing a war of their own in Vietnam, would populate the massive peace movements of the 1960s.
Twenty years in the making and packed with original research, Here on the Edge is the definitive history of the Fine Arts Group at Waldport, documenting how their actions resonated far beyond the borders of the camp. It will appeal to readers interested in peace studies, World War II history, influences on the 1960s generation, and in the rich social and cultural history of the West Coast.
Released in conjunction with Nakhova’s first museum retrospective exhibition in the United States, this book includes many full-color illustrations of her work, spanning the entirety of her forty-year career and demonstrating her facility with a variety of media. It also includes essays by a variety of world-renowned curators and art historians, each cataloging Nakhova’s artistic innovations and exploring how she deals with themes of everyday life, memory, viewer engagement, and moral responsibility. It concludes with a new interview with Nakhova herself, giving new insight into her creative process and artistic goals. Irina Nakhova: Museum on the Edge provides a vivid look at the work of a visionary artist. Published in partnership with the Zimmerli Museum.
For its scattered listeners, Noise always seems to be new and to come from somewhere else: in North America, it was called "Japanoise." But does Noise really belong to Japan? Is it even music at all? And why has Noise become such a compelling metaphor for the complexities of globalization and participatory media at the turn of the millennium?
In Japanoise, David Novak draws on more than a decade of research in Japan and the United States to trace the "cultural feedback" that generates and sustains Noise. He provides a rich ethnographic account of live performances, the circulation of recordings, and the lives and creative practices of musicians and listeners. He explores the technologies of Noise and the productive distortions of its networks. Capturing the textures of feedback—its sonic and cultural layers and vibrations—Novak describes musical circulation through sound and listening, recording and performance, international exchange, and the social interpretations of media.
Because Gardner’s primary research since 1962 has been with hunter-gatherers, much of his story transpires either in the equatorial jungle of south India or more than one hundred miles beyond the end of the road in Canada’s Northwest Territories. Other ventures transport readers to Japan and back to India, allowing them to savor ancient sights and sounds. Gardner closes the book with a journey of quite another sort, as he takes us into the world of nature, Taoist philosophy, and the experimental treatment of advanced cancer.
Throughout this fast-moving book, Gardner deftly describes the goals and techniques of his research, as well as his growing understanding of the cultures to which he was exposed. Few personal accounts of fieldwork describe enough of the research to give a complete sense of the experience in the way this book does. Anyone with an interest in travel and adventure, including the student of anthropology as well as the general reader, will be totally intrigued by Gardner’s story, one of a daily existence so very different from our own.
Living at the Edge follows the separate lives of Lawrence and Frieda up to their first meeting in 1912. Tracing their new life together, it depicts their grateful escape from the English Midlands; their discovery of exotic places where they made temporary homes—Italy, Cornwall, Australia, New Mexico, and Mexico; Lawrence’s courageous battle against illness; and, after his death in 1930, Frieda’s success in recreating the simple life on ranches near Taos, New Mexico, where she died in 1956.
At the center of their story is Lawrence’s literary career. Biographers Squires and Talbot see Lawrence’s major novels—The Rainbow, Women in Love, Lady Chatterley’s Lover—as a fresh way to understand his turbulent and conflicted life. They reveal the extreme care with which he rewrote his personal experience to satisfy his deepest needs, and they introduce the many influential people who entered the Lawrences’ lives and work. The rich materials from Frieda’s letters reveal a different Lawrence—more difficult as a man but more interesting as an artist; they also reveal a different Frieda—more vibrant as a woman, more substantial as a companion. This superb biography gives both Lawrence and Frieda striking new dimensions.
Drawing from the iconic longitudinal Berkeley Guidance Study, Living on the Edge reveals the hopes, struggles, and daily lives of the 1900 generation. Most surprising is how relevant and relatable the lives and experiences of this generation are today, despite the gap of a century. From the reorganization of marriage and family roles and relationships to strategies for adapting to a dramatically changing economy, the challenges faced by this earlier generation echo our own time. Living on the Edge offers an intimate glimpse into not just the history of our country, but the feelings, dreams, and fears of a generation remarkably kindred to the present day.
In contrast to accounts of inner-city poor families, these suburban parents' stories reveal a broad array of precipitating circumstances leading to their downward economic slide and to welfare. They also provide insight into the bureaucratic machinations, rigid rules and mandates, disciplining techniques, and catch-22s that create an insecure environment for many families today. Many of these stories show that the need for welfare over time extends well beyond the federal government's five-year lifetime limit on welfare. Policies emphasizing work first also restrict access to education and further hinder parents' ability to gain a toehold in the economy.
In this tale of people and policies, the author shows how the interests of governments are often at variance with those of vulnerable families, and how some government actions place more pressure on lives replete with stress.
The Gulf coast of Florida and Alabama is a fragile combination of barrier islands, low-lying marshes, and highly erodable mainland shores. In addition to sea-level rise, winter storms, and altered sediment supplies, hurricanes frequently damage or destroy the human developments and infrastructures that line this coast. Indeed, a single storm can cause billions of dollars in losses. Memories of such hurricanes as Camille, Frederic, Opal, and Andrew cause great concern for residents and property owners alike; events of equal magnitude are always just beyond the horizon and the uninformed have much to lose.
The authors of Living on the Edge of the Gulf seek to counteract potential loss by providing an illustrated introduction to coastal processes, a history of hazards for the region, and risk-reduction guidance in the form of site evaluations, community mitigation techniques, and storm-resistant construction practices. Risk maps that focus on individual coastal beaches are designed to assist property owners, community planners, and officials in prudent decision making, while a review of coastal regulations helps owners to understand and navigate various permit requirements.
This latest book in the Living with the Shore series replaces the earlier guide Living with the West Florida Shore and supplements the Alabama portion of Living with the Alabama/Mississippi Shore.
In Making Precarity Work, sociologist Laura A. Orrico shows how Los Angeles’s Venice Beach boardwalk, which is a magnet for tourists, is also a workplace, one that wouldn’t exist without the motley crew of people selling art, drinking, performing, using drugs, and working odd jobs who gather daily to engage in varied activities, from selling crafts to minding each other’s wares and asking for spare change.
Throughout the book, Orrico lifts up this workplace as a collective accomplishment, demonstrating how it can be a safety net to manage insecurity and inequality for those opting into its flexible and precarious structure, as well as how the LA government’s efforts to stabilize this work often disrupt the success of this collaborative and creative ecosystem. She also presents the ways this work can exacerbate those very inequalities. Sharing the personal stories of boardwalk workers, Orrico considers these juxtaposed realities and asks her audience to question how we can and should respond to a society whose best option for the disadvantaged is precarity.
Official British declarations of neutrality in the Caste War were confounded by a variety of political and economic factors, including competing land claims befuddled by a tangled set of treaties, mahogany extraction by British companies in contested territories, Maya rent demands, British trade in munitions to different groups of Maya combatants, and a labor system reliant on debt servitude. All these factors contributed to uneasy alliances and opportunistic crossings of imagined geopolitical borders in both directions, ultimately leading to a new military conflict in the western and northern regions of the territory claimed by Britain. What frequently began as hyper-local disputes spun out into international affairs as actors called upon more powerful groups for assistance. Evading reductionism, this work traces the decisions and actions of key figures as they maneuvered through the miasma of violence, abuse, deception, fear, flight, and glimpses of freedom.
Positioning the historiographic and ethnographic gaze on the English side without adopting the colonialist narratives and objectives found in English repositories, Maya-British Conflict at the Edge of the Yucatecan Caste War is an important and original contribution to a neglected area of study. It will appeal to students, scholars, and general readers interested in anthropology, Latin American cultures and history, Central American history, British imperialism, Indigenous rights, political anthropology, and colonialism and culture.
In compelling dispatches from the edge of the continent, Byers explores topics ranging from butterflies to scrub jays, from salmon to whales. He describes the natural history, ecology, and evolution of key species and ecosystems in scientifically sound but accessible language, and notes that despite all we know, fascinating ecological mysteries still abound. Byers also surveys ecocentric philosophies and worldviews rooted in these places and argues for their importance in developing a more harmonious and sustainable relationship between humans and our home planet.
UNESCO biosphere reserves are laboratories for understanding how humans affect ecosystems and models for how we can heal the human-nature relationship. While the biosphere concept and network has existed for fifty years now, it is still not well-known by the general public. Today, the US has twenty-eight biosphere reserves. By focusing on two beloved sites in California, Byers draws attention to the important work being done in these reserves around the world, with the goal of inspiring readers to reflection, action, and hope in the face of climate change, biodiversity loss, and other environmental challenges.
Honorable Mention, 2025 PCA Emily Toth Award For Best Single Work In Women’s Studies
Finalist, 2025 Mystery Writers of America's Edgar Awards, Best Critical/Biographical Category
Finalist, Bouchercon New Orleans 2025 Anthony Awards, Best Critical/Non-Fiction
Nominated for the 2025 Macavity Awards, Best Mystery-related Nonfiction/Critical
Ashley Lawson’s On Edge presents a new picture of postwar American literature, arguing that biases against genre fiction have unfairly disadvantaged the legacies of authors like Shirley Jackson, Patricia Highsmith, and Leigh Brackett. Each of these women navigated a male-dominated postwar publishing world without compromising their values. Their category-defying treatment of gender roles and genre classifications created suspense in their work that spoke to the tensions of the “Age of Anxiety.” Lawson engages with foundational voices in American literature, genre theory, and feminism to argue that, by merging the dominant mode of literary realism with fantastical or heightened elements, Brackett, Jackson, and Highsmith responded to the big questions of their era with startling and unnerving answers. By elevating genre play to a marker of literary skill, Lawson contends, we can secure these writers a more prominent place within the canon of midcentury American literature and open the door for the recovery of their similarly innovative peers.
When Sigmund Freud published his theory of the unconscious, in 1899, he popularized an idea that had fascinated generations of Jewish philosophers before him. In this book, Clémence Boulouque charts the development of the pre-Freudian unconscious from subcultural inquiry to dominant discourse during the long nineteenth century. Although Freud’s scientific notion differed from Schelling’s mythical description of the abyss from which creation springs, its resonance with older ideas was celebrated as an opportunity to express specifically Jewish contributions to modernity. Indeed, Boulouque shows that the pre-Freudian unconscious emerged from conversations in Jewish mysticism about otherness and coexistence. In the hopeful years before World War I, Boulouque argues, such reflections offered the possibility of emancipation not only to Jews but to all.
been noticeably absent from ethnographic accounts of the Himalayan region.
Starting from the perspective of lower-caste Hindu women, Mary M. Cameron
offers a long-overdue study of artisans and farmers in western Nepal.
On the Edge of the Auspicious skillfully shows the connections
between caste hierarchy and gender relations leading to domestic, economic,
and religious power of lower-caste women. Situating her study in the history
of land ownership and contemporary family and work relations, Cameron
explains how and why patriarchal ideology associated with high-caste families
in Nepal does not apply to women of lower caste. Drawing on data from
work, family, and religious domains, this ethnography goes further than
other current studies of caste hierarchy in South Asia to show the everyday
material and ideological dimensions of domination and lower-caste people's
resistance to them..
The Valley of South Texas is a region of puzzling contradictions. Despite a booming economy fueled by free trade and rapid population growth, the Valley typically experiences high unemployment and low per capita income. The region has the highest rate of drug seizures in the United States, yet its violent crime rate is well below national and state averages. The Valley's colonias are home to the poorest residents in the nation, but their rates of home ownership and intact two-parent families are among the highest in the country for low-income residential areas. What explains these apparently irreconcilable facts?
Since 1982, faculty and students associated with the Borderlife Research Project at the University of Texas-Pan American have interviewed thousands of Valley residents to investigate and describe the cultural and social life along the South Texas-Northern Mexico border. In this book, Borderlife researchers clarify why Valley culture presents so many apparent contradictions as they delve into issues that are "on the edge of the law"—traditional health care and other cultural beliefs and practices, displaced and undocumented workers, immigration enforcement, drug smuggling, property crime, criminal justice, and school dropout rates. The researchers' findings make it plain that while these issues present major challenges for the governments of the United States and Mexico, their effects and contradictions are especially acute on the border, where residents must daily negotiate between two very different economies; health care, school, and criminal justice systems; and worldviews.
A new globally significant relationship arising after the break-up of the Soviet Union is the main topic of this unparalleled volume – the geopolitical link between Russia, Ukraine and the three bordering ‘Central European’ states, Hungary, Poland and Slovakia. On the Edge is a path-breaking analysis of this triangular relationship with an in-depth focus on economic, political and, more importantly, security issues.
The expansion of NATO up to Ukraine’s borders is likely to leave Ukraine in a delicate position vis-à-vis Russia. On the Edge addresses key questions, such as: how are events in Ukraine affecting the security calculations of the Central European states; Central European relations with Russia and NATO; and relations among Central European states themselves? The volume examines what Central European states can do to solidify Ukraine’s independence and help it avoid international isolation.
On the Edge gives a Central European perspective on all these issues and suggests concrete forms of co-operation.
A terrain where one learns to pay attention to the details: the tracks of a sidewinder in the sand, the tiny eggs of a cactus wren, the flash of a vermilion flycatcher against the azure sky.
Organ Pipe Cactus National Monument lies in southwestern Arizona on the Mexican border. It is an isolated park that for Carol Ann Bassett has long been a place of solitude—a silent refuge where she often camped out alone to capture the natural rhythms of the desert. Photographer Michael Hyatt hiked through Organ Pipe to visually document its subtle beauty in the Ajo Mountains and the valley of the Ajo, and at Quitobaquito, a rare desert oasis.
Few visitors may brave Organ Pipe during summer, when the temperature can reach 120 degrees, but for Bassett and Hyatt the searing heat is but a harbinger of rain, when normally dry arroyos surge with rust-colored water and desert tarantulas come out to mate. Bassett introduces readers to Organ Pipe’s cultural heritage as well: Spanish missionaries, Anglo settlers, and the Tohono O’odham and the Hia Ced O’odham people who still travel there to gather cactus fruit during Hasan Bakmasad, "saguaro moon." She also considers the changes taking place throughout the park, including the onrush of immigrants passing through in search of better lives in the United States.
This small, lyrical book is a sensitive reflection on the heart of the Sonoran Desert. It reminds us of the beauty to be found in unexpected places—and of our intimate connection with the wild.
Throughout Latin America and the rest of the Third World, profound social problems are growing in response to burgeoning populations and unstable economic and political systems. In Peru, terrorist acts by the Shining Path guerilla movement are the most visible manifestation of social discontent, but rapid economic and religious changes have touched the lives of almost everyone, radically altering traditional lifeways. In this twenty-year study of the community of Quinua in the Department of Ayacucho, William Mitchell looks at changes provoked by population growth within a severely limited ecological and economic setting, including increasing conversion to a cash economy and out-migration, the decline of the Catholic fiesta system and the rise of Protestantism, and growing poverty and revolution.
When Mitchell first began his field studies in Quinua in 1966, farming was still the Quinueños' principal means of livelihood. But while the population was increasing rapidly, the amount of arable land in the community remained the same, creating increased food shortfalls. At the same time, government controls on food prices and subsidies of cheap food imports drove down the value of rural farm production. These ecological and economic factors forced many people to enter the nonfarm economy to feed themselves.
Using a materialist approach, Mitchell charts the new economic strategies that Quinueños use to confront the harsh pressures of their lives, including ceramic production, wage labor, petty commerce, and migration to cash work on the coat and in the eastern tropical forests. In addition, he shows how the growing conversion from Catholicism to Protestantism is also an economic strategy, since Protestant ideology offers acceptable reasons for redirecting the money that used to be spent on elaborate religious festivals to household needs and education.
The twenty-year span of this study makes it especially valuable for students of social change. Mitchell's unique, interdisciplinary approach, considering ecological, economic, and population factors simultaneously, offers a model that can be widely applied in many Third World areas. Additionally, the inclusion of an entire chapter of family histories reveals how economic and ecological forces are played out at the individual level.
Hailey writes from a modest porch on the Homosassa River in Florida. He sleeps there, studies the tides, listens for osprey and manatee, welcomes shipwrecked visitors, watches shadows on its screens, reckons with climate change, and reflects on his own acclimation to his environment. The profound connections he unearths anchor an armchair exploration of past porches and those of the future, moving from ancient Greece to contemporary Sweden, from the White House roof to the Anthropocene home. In his ruminations, he links up with other porch dwellers including environmentalist Rachel Carson, poet Wendell Berry, writers Eudora Welty and Zora Neale Hurston, philosopher John Dewey, architect Louis Kahn, and photographer Paul Strand.
As close as architecture can bring us to nature, the porch is where we can learn to contemplate anew our evolving place in a changing world—a space we need now more than ever. Timeless and timely, Hailey’s book is a dreamy yet deeply passionate meditation on the joy and gravity of sitting on the porch.
Throughout these essays Jehlen demonstrates the crucial role that the process of writing itself plays in unfolding these paradoxes, whether in the form of novels by Harriet Beecher Stowe and Virginia Woolf; the histories of Captain John Smith; or even a work of architecture, such as the Guggenheim museum in Bilbao.
Bridging the disciplines of musicology and cultural studies, the collection has two primary goals: to seek out a language for talking about music culture and to look at the relationship of music to culture in general. The editors’ introduction provides a backward glance at recent rock criticism and also looks to the future of the rapidly expanding discipline of popular music studies. Taking seriously the implications of critical theory for the study of non-literary aesthetic endeavors, the volume also addresses such issues as the affective power of popular music and the psychic construction of fandom.
Rock Over the Edge will appeal to scholars and students in popular music studies and American Studies as well as general readers interested in popular music.
Contributors. Ian Balfour, Roger Beebe, Michael Coyle, Robert Fink, Denise Fulbrook, Tony Grajeda, Lawrence Grossberg, Trent Hill, Josh Kun, Jason Middleton, Lisa Ann Parks, Ben Saunders, John J. Sheinbaum, Gayle Wald, Warren Zanes
For 15 years, Steven Schrader worked as a firefighter and an Emergency Medical Technician (EMT) in Atlanta, Georgia. There, he faced the day-to-day stress created by having to deal with nonstop human catastrophe, one moment administering to terribly hurt accident victims, the next talking down a suicidal person from a rooftop. Added to these difficulties were his own personal struggles, not the least being the bias he experienced because of his severe hearing loss. Silent Alarm presents his no-frills, stunning account of survival in a profession with a notoriously high burn-out rate, and the good that he did as a topnotch EMT.
Schrader makes palpable the constant tension of being the first summoned to life-or-death situations, and he also outlines the grim reality of being an EMT in dangerous parts of the community. “Always wear a bulletproof vest; keep a weapon (out of sight of the supervisors, of course); never, never stand in front of a door when knocking,” are just a few of his rules for the street.
Despite these cautions, time and again he and his partners plunged into danger to save children, elderly citizens, indigents, criminals, and any other persons they found at risk. His hearing loss occasionally hindered him, and sometimes saved him, but, mostly, as it should, it became part of the background to the astonishing compassion in the stories he tells.
The contributors to Women’s Studies on the Edge embrace feminism not as a set of prescriptions but as a critical stance, one that seeks to interrogate and disrupt prevailing systems of gender. Refusing to perpetuate and protect orthodoxies, they ask tough questions about the impact of institutionalization on the once radical field of women’s studies; about the ongoing difficulties of articulating women’s studies with ethnic, queer, and race studies; and about the limits of liberal concepts of emancipation for understanding non-Western women. They also question the viability of continuing to ground women’s studies in identity politics authorized by personal experience. The multiple interpretations in Women’s Studies on the Edge sometimes overlap and sometimes stand in opposition to one another. The result is a collection that embodies the best aspects of critique: the intellectual and political stance that the contributors take to be feminism’s ethos and its aim.
Contributors
Wendy Brown
Beverly Guy-Sheftall
Evelynn M. Hammonds
Saba Mahmood
Biddy Martin
Afsaneh Najmabadi
Ellen Rooney
Gayle Salamon
Joan Wallach Scott
Robyn Wiegman
This wide-ranging anthology—gathering short stories and essays, song lyrics and poems—offers readers a new appreciation of the border and its literature. Residents of the region may be startled to learn how many passers-by have been struck by this unruly slice of North America, while those living in other parts of the country may be surprised to find it more than a dateline for reports of smuggling and illegal immigration.
Collected here are both celebrated and underappreciated gems of American and Mexican literature depicting a region that for some writers represents an exotic land, for others home. Writing on the Edge juxtaposes passages by New Jersey poet William Carlos Williams and native songwriter Flaco Jiménez, British novelist Graham Greene and American poet Demetria Martínez, to show us the border from both sides and from a distance. In all of the selections, La Frontera looms larger than life—an energizing force that frames the lives of the characters living within its boundaries. Included in the book is a literary map of the border highlighting the sites with which each author is identified.
As editor Tom Miller observes, the very notion of literature in a region considered an "irrelevant nuisance" allows for more free-ranging creative output." Writing on the Edge sparkles with such creativity and invites readers to enjoy the best of two worlds—and of the world they share.
Print a literary map of the borderlands here!
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