It was a year of seismic social and political change. With the wildfire of uprisings and revolutions that shook governments and halted economies in 1968, the world would never be the same again. Restless students, workers, women, and national liberation movements arose as a fierce global community with radically democratic instincts that challenged war, capitalism, colonialism, and patriarchy with unprecedented audacity. Fast forward fifty years and 1968 has become a powerful myth that lingers in our memory.
Released for the fiftieth anniversary of that momentous year, this second edition of Philipp Gassert’s and Martin Klimke’s seminal 1968 presents an extremely wide ranging survey across the world. Short chapters, written by local eye-witnesses and historical experts, cover the tectonic events in thirty-nine countries across the Americas, Europe, Asia, Australia, Africa, and the Middle East to give a truly global view. Included are forty photographs throughout the book that illustrate the drama of events described in each chapter. This edition also has the transcript of a panel discussion organized for the fortieth anniversary of 1968 with eyewitnesses Norman Birnbaum, Patty Lee Parmalee, and Tom Hayden and moderated by the book's editors.
Visually engaging and comprehensive, this new edition is an extremely accessible introduction to a vital moment of global activism in humanity’s history, perfect for a high school or early university textbook, a resource for the general reader, or a starting point for researchers.
“Experience” is a thoroughly political category, a social and historical product not authored by any individual. At the same time, “the personal is political,” and one's own lived experience is an important epistemic resource. In Anaesthetics of Existence Cressida J. Heyes reconciles these two positions, drawing on examples of things that happen to us but are nonetheless excluded from experience. If for Foucault an “aesthetics of existence” was a project of making one's life a work of art, Heyes's “anaesthetics of existence” describes antiprojects that are tacitly excluded from life—but should be brought back in. Drawing on critical phenomenology, genealogy, and feminist theory, Heyes shows how and why experience has edges, and she analyzes phenomena that press against those edges. Essays on sexual violence against unconscious victims, the temporality of drug use, and childbirth as a limit-experience build a politics of experience while showcasing Heyes's much-needed new philosophical method.
"As a stylist, in his descriptions of art and movements and books, Rosenberg has no equal. . . . One is grateful for [this] essay collection. To my mind, his piece on art criticism and the distinction between it and art history is alone worth the price of the book."—Corinne Robins, New York Times Book Review
The advent of photography revolutionized perception, making visible what was once impossible to see with the human eye. In At the Edge of Sight, Shawn Michelle Smith engages these dynamics of seeing and not seeing, focusing attention as much on absence as presence, on the invisible as the visible. Exploring the limits of photography and vision, she asks: What fails to register photographically, and what remains beyond the frame? What is hidden by design, and what is obscured by cultural blindness? Smith studies manifestations of photography's brush with the unseen in her own photographic work and across the wide-ranging images of early American photographers, including F. Holland Day, Eadweard Muybridge, Andrew J. Russell, Chansonetta Stanley Emmons, and Augustus Washington. She concludes by showing how concerns raised in the nineteenth century remain pertinent today in the photographs of Abu Ghraib. Ultimately, Smith explores the capacity of photography to reveal what remains beyond the edge of sight.
Finalist for 2012 National Jewish Book Award in the Holocaust category
David Koker's diary is one of the most notable accounts of life in a German concentration camp written by a Jew during the years of the Holocaust. First brought to attention when the Dutch historian Jacob Presser-Koker's history teacher in high school-quoted from Koker's diary in his monumental history, published in English as The Destruction of the Dutch Jews (1968), the diary itself became a part of the Dutch literary canon when it was published in 1977 as Dagboek geschreven in Vught (Diary Written in Vught). It has remained in print ever since, and is notable for its literary qualities, weaving poetry and powerful observations of the emotional life of a camp prisoner, including reflections after an in-person visit by Heinrich Himmler. Surprisingly, the book has never before been translated into English.
During his time in the Vught concentration camp, the 21-year-old David recorded on an almost daily basis his observations, thoughts, and feelings. He mercilessly probed the abyss that opened around him and, at times, within himself. David's diary covers almost a year, both charting his daily life in Vught as it developed over time and tracing his spiritual evolution as a writer. Until early February 1944, David was able to smuggle some 73,000 words from the camp to his best friend Karel van het Reve, a non-Jew.
With an informative introduction, annotation, and list of dramatis personae by Robert Jan van Pelt, At the Edge of the Abyss offers an immediate and wholly original look into the life of a concentration camp prisoner.
In Roman times, the area between the Lower Rhine and the Meuse in the present day province of South Holland in the Netherlands, was known as the administrative district of the community of the Cananefates (the civitas Cananefatium). The formation of this community, as well as the changes that took place within this group, were researched by means of a systematic analysis of the archaeological remains. In order to understand the role of the Roman state in these processes, the urban and military communities were also studied. In this way an overview was created of an administrative region in which aspects such as the interaction between the different groups, the character of the rural community and the differences with other rural groups along the borders of the Roman Empire could be studied.
"Put together one of the world's best science writers with one of the universe's most fascinating subjects and you are bound to produce a wonderful book. . . . The subject of complexity is vital and controversial. This book is important and beautifully done."—Stephen Jay Gould
"[Complexity] is that curious mix of complication and organization that we find throughout the natural and human worlds: the workings of a cell, the structure of the brain, the behavior of the stock market, the shifts of political power. . . . It is time science . . . thinks about meaning as well as counting information. . . . This is the core of the complexity manifesto. Read it, think about it . . . but don't ignore it."—Ian Stewart, Nature
This second edition has been brought up to date with an essay entitled "On the Edge in the Business World" and an interview with John Holland, author of Emergence: From Chaos to Order.
At the edge of mortality there is a place where the seriously ill or dying wait—a place where they may often feel vulnerable or alone. For over forty years, bioethicist cum philosopher Richard Zaner has been at the side of many of those people offering his incalculable gift of listening, and helping to lighten their burdens—not only with his considerable skills, but with his humanity as well.
The narratives Richard Zaner shares in Conversations on the Edge are informed by his depth of knowledge in medicine and bioethics, but are never "clinical." A genuine and caring heart beats underneath his compassionate words. Zaner has written several books in which he tells poignant stories of patients and families he has encountered; there is no question that this is his finest.
In Conversations on the Edge, Zaner reveals an authentic empathy that never borders on the sentimental. Among others, he discusses Tom, a dialysis patient who finally reveals that his inability to work—encouraged by his overprotective mother—is the source of his hostility to treatment; Jim and Sue, young parents who must face the nightmare of letting go of their premature twins, one after the other; Mrs. Oland, whose family refuses to recognize her calm acceptance of her own death; and, in the final chapter, the author's mother, whose slow demise continues to haunt Zaner's professional and personal life.
These stories are filled with pain and joy, loneliness and hope. They are about life and death, about what happens in hospital rooms—and that place at the edge—when we confront mortality. It is the rarest of glimpses into the world of patients, their families, healers, and those who struggle, like Zaner, to understand.
Cork oak has historically been an important species in the western Mediterranean—ecologically as a canopy or “framework” tree in natural woodlands, and culturally as an economically valuable resource that underpins local economies. Both the natural woodlands and the derived cultural systems are experiencing rapid change, and whether or not they are resilient enough to adapt to that change is an open question.
Cork Oak Woodlands on the Edge provides a synthesis of the most up-to-date, scientific, and practical information on the management of cork oak woodlands and the cultural systems that depend on cork oak.
In addition, Cork Oak Woodlands on the Edge offers ten site profiles written by local experts that present an in-depth vision of cork oak woodlands across a range of biophysical, historical, and cultural contexts, with sixteen pages of full-color photos that illustrate the tree, agro-silvopastoral systems, products, resident biodiversity, and more.
Cork Oak Woodlands on the Edge is an important book for anyone interested in the future of cork oak woodlands, or in the management of cultural landscapes and their associated land-use systems. In a changing world full of risks and surprises, it represents an excellent example of a multidisciplinary and holistic approach to studying, managing, and restoring an ecosystem, and will serve as a guide for other studies of this kind.
Discovering Pluto is an authoritative account of the exploration of Pluto and its moons, from the first inklings of tentative knowledge through the exciting discoveries made during the flyby of the NASA New Horizons research spacecraft in July 2015. Co-author Dale P. Cruikshank was a co-investigator on the New Horizons mission, while co-author William Sheehan is a noted historian of the Solar System.
Telling the tale of Pluto’s discovery, the authors recount the grand story of our unfolding knowledge of the outer Solar System, from William Herschel’s serendipitous discovery of Uranus in 1781, to the mathematical prediction of Neptune’s existence, to Percival Lowell’s studies of the wayward motions of those giant planets leading to his prediction of another world farther out. Lowell’s efforts led to Clyde Tombaugh’s heroic search and discovery of Pluto—then a mere speck in the telescope—at Lowell Observatory in 1930.
Pluto was finally recognized as the premier body in the Kuiper Belt, the so-called third zone of our Solar System. The first zone contains the terrestrial planets (Mercury through Mars) and the asteroid belt; the second, the gas-giant planets Jupiter through Neptune. The third zone, holding Pluto and the rest of the Kuiper Belt, is the largest and most populous region of the solar system.
Now well beyond Pluto, New Horizons will continue to wend its lonely way through the galaxy, but it is still transmitting data, even today. Its ultimate legacy may be to inspire future generations to uncover more secrets of Pluto, the Solar System, and the Universe.
This compelling anthology gathers together personal impressions of the Malheur-Steens country of southeastern Oregon, known for its birding opportunities, its natural beauty and remoteness, and, more recently, for the 2016 armed takeover of the Malheur National Wildlife Refuge. Contributors of poetry and narrative nonfiction include biologists, students, tourists, birders, and local residents, thus reflecting the perspectives of both visitors and residents.
Edge of Awe celebrates the immense variety of human experience in the Malheur-Steens region. This high-desert marsh country has long been a place of human habitation, work, and recreation, but this compendium is weighted toward the writing of visitors over the past one hundred years. It encompasses a wide range of experiences, such as fishing the Blitzen River, attending the Steens Running Camp, leading a mule train on Steens mountain, looking for rare migrant birds, boating on the great marshes, and much more.
Anyone who has visited the awe-inspiring Malheur-Steens country or plans to do so, and anyone with an interest in the region, will find inspiration in this literary companion.
Charles E. Bendire
Alan L. Contreras
Ira N. Gabrielson
Ada Hastings Hedges
Ursula K. Le Guin
David B. Marshall
John F. Marshall
Thomas C. Meinzen
Dallas Lore Sharp
Noah K. Strycker
Written by the first black faculty member employed at the University and his wife, a longtime research assistant, this book chronicles the setbacks and triumphs in their attempts to bring true integration to the University of Arkansas.
Few places were as important in the seventeenth-century European colonial New World as the pays d’en haut. This term means "upper country" and refers to the western Great Lakes (Huron, Michigan, and Superior) and the areas immediately north, south, and west of them. The region was significant because of its large Native American population, because it had an extensive riverine system needed for beaver populations—essential to the fur trade—and because it held the transportation key to westward expansion.
It was vital to the French, who controlled the region, to be on good terms with its peoples. To maintain good relations through trade and diplomacy with the nations in the pays d’en haut, the French built a number of posts, including one at Michilimackinac and one on the St. Joseph River (near Niles, Michigan). These posts were garrisoned by French troops and run by French commanders who contracted with merchants to manage business matters. Edge of Empire provides both an overview and an intensely detailed look at Michilimackinac at a very specific period of history. While the introduction offers an overview of the French fur trade, of the place of Michilimackinac in that network, and of what Michilimackinac was like in the years up to 1716, the body of the book is comprised of over sixty French-language documents, now translated into English. Collected from archives in France, Canada, and the United States, the documents identify many of the people involved in the trade and reveal a great deal about the personal and professional relations among people who traded. They also reveal clearly the process by which trade was carried out, including the roles of both Native Americans and women. At the same time, the documents open a window into French colonial society in New France.
Edge of Empires
John M. CARROLL Harvard University Press, 2005 Library of Congress DS796.H757C38 2005 | Dewey Decimal 951.2504
In Edge of Empires, Carroll situates Hong Kong squarely within the framework of both Chinese and British colonial history, while exploring larger questions about the meaning and implications of colonialism in modern history.
Located at the crossroads of Western Asia and Eastern Europe, Georgia is a country of rainforests and swamps, snow and glaciers, and semi-arid plains. It has ski resorts and mineral springs, monuments and an oil pipeline. It also has one of the longest and most turbulent histories in the Christian or Near Eastern world, but no comprehensive, up-to-date account has been written about this little-known country—until now. Remedying this omission, Donald Rayfield accesses a mass of new material from recently opened archives to tell Georgia’s absorbing story.
Beginning with the first intimations of the existence of Georgians in ancient Anatolia and ending with the volatile presidency of Mikheil Saakashvili, Rayfield deals with the country’s internal politics and swings between disintegration and unity, and divulges Georgia’s complex struggles with the empires that have tried to control, fragment, or even destroy it. He describes the country’s conflicts with Xenophon’s Greeks, Arabs, invading Turks, the Crusades, Genghis Khan, the Persian Empire, the Russian Empire, and Soviet totalitarianism. A wide-ranging examination of this small but colorful country, its dramatic state-building, and its tragic political mistakes, Edge of Empires draws our eyes to this often overlooked nation.
Among the brilliant writers and thinkers who emerged from the multicultural and multilingual world of the Austro-Hungarian Empire were Joseph Roth, Robert Musil, and Ludwig Wittgenstein. For them, the trauma of World War I included the sudden loss of the geographical entity into which they had been born: in 1918, the empire was dissolved overnight, leaving Austria a small, fragile republic that would last only twenty years before being annexed by Hitler’s Third Reich. In this major reconsideration of European modernism, Marjorie Perloff identifies and explores the aesthetic world that emerged from the rubble of Vienna and other former Habsburg territories—an “Austro-Modernism” that produced a major body of drama, fiction, poetry, and autobiography.
Perloff explores works ranging from Karl Kraus’s drama The Last Days of Mankind and Elias Canetti’s memoir The Tongue Set Free to Ludwig Wittgenstein’s notebooks and Paul Celan’s lyric poetry. Throughout, she shows that Austro-Modernist literature is characterized less by the formal and technical inventions of a modernism familiar to us in the work of Joyce and Pound, Dada and Futurism, than by a radical irony beneath a seemingly conventional surface, an acute sense of exile, and a sensibility more erotic and quixotic than that of its German contemporaries. Skeptical and disillusioned, Austro-Modernism prefers to ask questions rather than formulate answers.
In this theoretically rich exploration of ethnic and religious tensions, Janet McIntosh demonstrates how the relationship between two ethnic groups in the bustling Kenyan town of Malindi is reflected in and shaped by the different ways the two groups relate to Islam. While Swahili and Giriama peoples are historically interdependent, today Giriama find themselves literally and metaphorically on the margins, peering in at a Swahili life of greater social and economic privilege. Giriama are frustrated to find their ethnic identity disparaged and their versions of Islam sometimes rejected by Swahili.
The Edge of Islam explores themes as wide-ranging as spirit possession, divination, healing rituals, madness, symbolic pollution, ideologies of money, linguistic code-switching, and syncretism and its alternatives. McIntosh shows how the differing versions of Islam practiced by Swahili and Giriama, and their differing understandings of personhood, have figured in the growing divisions between the two groups. Her ethnographic analysis helps to explain why Giriama view Islam, a supposedly universal religion, as belonging more deeply to certain ethnic groups than to others; why Giriama use Islam in their rituals despite the fact that so many do not consider the religion their own; and how Giriama appropriations of Islam subtly reinforce a distance between the religion and themselves. The Edge of Islam advances understanding of ethnic essentialism, religious plurality, spirit possession, local conceptions of personhood, and the many meanings of “Islam” across cultures.
The Edge of Meaning
James Boyd White University of Chicago Press, 2001 Library of Congress PN511.W59 2001 | Dewey Decimal 809
Certain questions are basic to the human condition: how we imagine the world, and ourselves and others within it; how we confront the constraints of language and the limits of our own minds; and how we use imagination to give meaning to past experiences and to shape future ones. These are the questions James Boyd White addresses in The Edge of Meaning, exploring each through its application to great works of Western culture—Huckleberry Finn, the Odyssey, and the paintings of Vermeer among them. In doing so, White creates a deeply moving and insightful book and presents an inspiring conception of mind, language, and the essence of living.
The Edge of Mosby’ s Sword is the first scholarly volume to delve into the story of one of John Singleton Mosby’ s most trusted and respected officers, Colonel William Henry Chapman. Presenting both military and personal perspectives of Chapman’ s life, Gordon B. Bonan offers an in-depth understanding of a man transformed by the shattering of his nation. This painstakingly researched account exposes a soldier and patriot whose convictions compelled him to battle fiercely for Southern independence; whose quest for greatness soured when faced with the brutal realities of warfare; and who sought to heal his wounded nation when the guns of war were silenced.
Born into a wealthy slave-owning family, Chapman was a student of the fiery secessionist rhetoric of antebellum Virginia who eagerly sought glory and adventure on the battlefields of the Civil War. Bonan traces Chapman’ s evolution from an impassioned student at the University of Virginia to an experienced warrior and leader, providing new insight into the officer’ s numerous military accomplishments. Explored here are Chapman’ s previously overlooked endeavors as a student warrior, leader of the Dixie Artillery, and as second-in-command to Mosby, including his participation in the capture of Harpers Ferry, the battering of Union forces at Second Manassas, and his ferocious raids during the 1864 Shenandoah Valley campaign. Bonan reveals fresh perspectives on the intrepid maneuvers of Mosby’ s Rangers, the hardships of war, and Chapman’ s crucial role as the right hand of the “ Gray Ghost.” But while Mosby recognized him for his bravery and daring, the fame Chapman sought always eluded him. Instead, with his honors and successes came disillusionment and sorrow, as he watched comrades and civilians alike succumb to the terrible toll of the war.
The end of the struggle between North and South saw Chapman accept defeat with dignity, leading the Rangers to their official surrender and parole at Winchester. With the horrors of the war behind him, he quickly moved to embrace the rebuilding of his country, joining the Republican party and beginning a forty-two-year career at the IRS enforcing Federal law throughout the South. In the end, Chapman’ s life is a study in contradictions: nationalism and reconciliation; slavery and liberty; vengeance and chivalry.
The Edge of Surrealism is an essential introduction to the writing of French social theorist Roger Caillois. Caillois was part of the Surrealist avant-garde and in the 1930s founded the College of Sociology with Georges Bataille and Michel Leiris. He spent his life exploring issues raised by this famous group and by Surrealism itself. Though his subjects were diverse, Caillois focused on concerns crucial to modern intellectual life, and his essays offer a unique perspective on many of twentieth-century France’s most significant intellectual movements and figures. Including a masterful introductory essay by Claudine Frank situating his work in the context of his life and intellectual milieu, this anthology is the first comprehensive introduction to Caillois’s work to appear in any language.
These thirty-two essays with commentaries strike a balance between Caillois’s political and theoretical writings and between his better known works, such as the popular essays on the praying mantis, myth, and mimicry, and his lesser-known pieces. Presenting several new pieces and drawing on interviews and unpublished correspondence, this book reveals Caillois’s consistent effort to reconcile intellectual rigor and imaginative adventure. Perhaps most importantly, The Edge of Surrealism provides an overdue look at how Caillois’s intellectual project intersected with the work of Georges Bataille and others including Breton, Bachelard, Benjamin, Lacan, and Lévi-Strauss.
Drawing on archival and published documents in several languages, archeological data, and Iroquois oral traditions, The Edge of the Woods explores the ways in which spatial mobility represented the geographic expression of Iroquois social, political, and economic priorities. By reconstructing the late precolonial Iroquois settlement landscape and the paths of human mobility that constructed and sustained it, Jon Parmenter challenges the persistent association between Iroquois 'locality' and Iroquois 'culture,' and more fully maps the extended terrain of physical presence and social activity that Iroquois people inhabited. Studying patterns of movement through and between the multiple localities in Iroquois space, the book offers a new understanding of Iroquois peoplehood during this period. According to Parmenter, Iroquois identities adapted, and even strengthened, as the very shape of Iroquois homelands changed dramatically during the seventeenth century.
Nobody knows how to tell a story like Bobby Norfolk, and here he tells his own life story. Norfolk grew up in hardscrabble neighborhoods of Saint Louis, Missouri, during the 1950s and 60s, sometimes walking to elementary school from an apartment his parents could not afford to heat. Lifting himself up by force of will and God-given talent, Norfolk defeated a childhood stutter to become a high school dramatist and later an exceptional college student. The path was never easy—and often frightening. With men of color being killed all-too-frequently in America, Norfolk sought a personal identity based upon talent and hard work, but also upon where safety and justice might be found. He tells these stories—some heartwarming or humorous, some frightful and treacherous—honestly, with a graceful mindfulness that all would do well to emulate.
The sixty-three fiction writers and poets within this anthology delve deep into the many senses of place that modern West Virginia, the core of Appalachia, inspires.
Throughout this collection, we see profound wonder, questioning, and conflicts involving family, sexual identity, class, discrimination, environmental beauty, and peril, and all the sorts of rebellion, error, contemplation, and contentment that an intrepid soul can devise. These stories and poems, all published within the last fifteen years, are grounded in what it means to live in and identify with a complex place.
With a mix of established writers like Jayne Anne Phillips, Norman Jordan, Ann Pancake, Maggie Anderson, and Denise Giardina and fresh voices like Matthew Neill Null, Ida Stewart, Rajia Hassib, and Scott McClanahan, this collection breaks open new visions of all-American landscapes of the heart. By turns rowdy and contemplative, hilarious and bleak, and lyrical and gritty, it is a collage of extraordinary literary visions.
Chicana/o literature frequently depicts characters who exist in a vulnerable liminal space, living on the border between Mexican and American identities, and sometimes pushed to the edge by authorities who seek to restrict their freedom. As this groundbreaking new study reveals, the books themselves have occupied similarly precarious positions, as Chicana/o literature has struggled for economic viability and visibility on the margins of the American publishing industry, while Chicana/o writers have grappled with editorial practices that compromise their creative autonomy.
From the Edge reveals the tangled textual histories behind some of the most cherished works in the Chicana/o literary canon, tracing the negotiations between authors, editors, and publishers that determined how these books appeared in print. Allison Fagan demonstrates how the texts surrounding the authors’ words—from editorial prefaces to Spanish-language glossaries, from cover illustrations to reviewers’ blurbs—have crucially shaped the reception of Chicana/o literature. To gain an even richer perspective on the politics of print, she ultimately explores one more border space, studying the marks and remarks that readers have left in the margins of these books.
From the Edge vividly demonstrates that to comprehend fully the roles that ethnicity, language, class, and gender play within Chicana/o literature, we must understand the material conditions that governed the production, publication, and reception of these works. By teaching us how to read the borders of the text, it demonstrates how we might perceive and preserve the faint traces of those on the margins.
In one hundred years, or even fifty, the Arctic will look dramatically different than it does today. As polar ice retreats and animals and plants migrate northward, the Arctic landscape is morphing into something new and very different from what it once was. While these changes may seem remote, they will have a profound impact on a host of global issues, from international politics to animal migrations. In Future Arctic, journalist and explorer Edward Struzik offers a clear-eyed look at the rapidly shifting dynamics in the Arctic region, a harbinger of changes that will reverberate throughout our entire world.
Future Arctic reveals the inside story of how politics and climate change are altering the polar world in a way that will have profound effects on economics, culture, and the environment as we know it. Struzik takes readers up mountains and cliffs, and along for the ride on snowmobiles and helicopters, sailboats and icebreakers. His travel companions, from wildlife scientists to military strategists to indigenous peoples, share diverse insights into the science, culture and geopolitical tensions of this captivating place. With their help, Struzik begins piecing together an environmental puzzle: How might the land’s most iconic species—caribou, polar bears, narwhal—survive? Where will migrating birds flock to? How will ocean currents shift? What fundamental changes will oil and gas exploration have on economies and ecosystems? How will vast unclaimed regions of the Arctic be divided?
A unique combination of extensive on-the-ground research, compelling storytelling, and policy analysis, Future Arctic offers a new look at the changes occurring in this remote, mysterious region and their far-reaching effects.
In an era of transatlantic migration, Germans were fascinated by the myth of the frontier. Yet, for many, they were most likely to encounter frontier landscapes of new settlement and the taming of nature not in far-flung landscapes abroad, but on the edges of Germany’s many growing cities. Germany’s Urban Frontiers is the first book to examine how nineteenth-century notions of progress, community, and nature shaped the changing spaces of German urban peripheries as the walls and boundaries that had so long defined central European cities disappeared. Through a series of local case studies including Leipzig, Oldenburg, and Berlin, Kristin Poling reveals how Germans on the edge of the city confronted not only questions of planning and control, but also their own histories and futures as a community.
Here on the Edge answers the growing interest in a long-neglected element of World War II history: the role of pacifism in what is often called “The Good War.” Steve McQuiddy shares the fascinating story of one conscientious objector camp located on the rain-soaked Oregon Coast, Civilian Public Service (CPS) Camp #56. As home to the Fine Arts Group at Waldport, the camp became a center of activity where artists and writers from across the country focused their work not so much on the current war, but on what kind of society might be possible when the shooting finally stopped.
They worked six days a week—planting trees, crushing rock, building roads, and fighting forest fires—in exchange for only room and board. At night, they published books under the imprint of the Untide Press. They produced plays, art, and music—all during their limited non-work hours, with little money and few resources. This influential group included poet William Everson, later known as Brother Antoninus, “the Beat Friar”; violinist Broadus Erle, founder of the New Music Quartet; fine arts printer Adrian Wilson; Kermit Sheets, co-founder of San Francisco’s Interplayers theater group; architect Kemper Nomland, Jr.; and internationally renowned sculptor Clayton James.
After the war, camp members went on to participate in the San Francisco Poetry Renaissance of the 1950s, which heavily influenced the Beat Generation of Jack Kerouac, Allen Ginsberg, and Gary Snyder—who in turn inspired Ken Kesey and his Merry Pranksters, leading the way to the 1960s upheavals epitomized by San Francisco’s Summer of Love.
As camp members engaged in creative acts, they were plowing ground for the next generation, when a new set of young people, facing a war of their own in Vietnam, would populate the massive peace movements of the 1960s.
Twenty years in the making and packed with original research, Here on the Edge is the definitive history of the Fine Arts Group at Waldport, documenting how their actions resonated far beyond the borders of the camp. It will appeal to readers interested in peace studies, World War II history, influences on the 1960s generation, and in the rich social and cultural history of the West Coast.
What do they all mean – the lascivious ape, autophagic dragons, pot-bellied heads, harp-playing asses, arse-kissing priests and somersaulting jongleurs to be found protruding from the edges of medieval buildings and in the margins of illuminated manuscripts? Michael Camille explores that riotous realm of marginal art, so often explained away as mere decoration or zany doodles, where resistance to social constraints flourished.
Medieval image-makers focused attention on the underside of society, the excluded and the ejected. Peasants, servants, prostitutes and beggars all found their place, along with knights and clerics, engaged in impudent antics in the margins of prayer-books or, as gargoyles, on the outsides of churches. Camille brings us to an understanding of how marginality functioned in medieval culture and shows us just how scandalous, subversive, and amazing the art of the time could be.
In this thoroughly innovative work, Hans Ulrich Gumbrecht evokes the year 1926 through explorations of such things as bars, boxing, movie palaces, hunger artists, airplanes, hair gel, bullfighting, film stardom and dance crazes. From the vantage points of Berlin, Buenos Aires, and New York, the reader is allowed multiple itineraries, ultimately becoming immersed in the activities, entertainments, and thought patterns of the citizens of 1926.
Throughout her extensive career, Russian conceptual artist Irina Nakhova has frequently pushed the limits of what constitutes art and how we experience the art museum. One of her famous early pieces, for instance, transformed a room in her very own Moscow apartment into an art installation.
Released in conjunction with Nakhova’s first museum retrospective exhibition in the United States, this book includes many full-color illustrations of her work, spanning the entirety of her forty-year career and demonstrating her facility with a variety of media. It also includes essays by a variety of world-renowned curators and art historians, each cataloging Nakhova’s artistic innovations and exploring how she deals with themes of everyday life, memory, viewer engagement, and moral responsibility. It concludes with a new interview with Nakhova herself, giving new insight into her creative process and artistic goals. Irina Nakhova: Museum on the Edge provides a vivid look at the work of a visionary artist. Published in partnership with the Zimmerli Museum.
Islands at the Edge of Time is the story of one man's captivating journey along America's barrier islands from Boca Chica, Texas, to the Outer Banks of North Carolina. Weaving in and out along the coastlines of Texas, Louisiana, Mississippi, Alabama, South Carolina, and North Carolina, poet and naturalist Gunnar Hansen perceives barrier islands not as sand but as expressions in time of the processes that make them. Along the way he treats the reader to absorbing accounts of those who call these islands home -- their lives often lived in isolation and at the extreme edges of existence -- and examines how the culture and history of these people are shaped by the physical character of their surroundings.
Noise, an underground music made through an amalgam of feedback, distortion, and electronic effects, first emerged as a genre in the 1980s, circulating on cassette tapes traded between fans in Japan, Europe, and North America. With its cultivated obscurity, ear-shattering sound, and over-the-top performances, Noise has captured the imagination of a small but passionate transnational audience.
For its scattered listeners, Noise always seems to be new and to come from somewhere else: in North America, it was called "Japanoise." But does Noise really belong to Japan? Is it even music at all? And why has Noise become such a compelling metaphor for the complexities of globalization and participatory media at the turn of the millennium?
In Japanoise, David Novak draws on more than a decade of research in Japan and the United States to trace the "cultural feedback" that generates and sustains Noise. He provides a rich ethnographic account of live performances, the circulation of recordings, and the lives and creative practices of musicians and listeners. He explores the technologies of Noise and the productive distortions of its networks. Capturing the textures of feedback—its sonic and cultural layers and vibrations—Novak describes musical circulation through sound and listening, recording and performance, international exchange, and the social interpretations of media.
In this fascinating and vivid account, Peter M. Gardner takes us along with him on his anthropological field research trips. Usually, the author’s family is there, too, either with him in the field or somewhere nearby. Family adventures are part of it all. Travel into the unknown can be terrifying yet stimulating, and Gardner describes his own adventures, sharing medical and travel emergencies, magical fights, natural dangers, playful friends, and satisfying scientific discoveries. Along the way, we also learn how Gardner adapted to the isolation he sometimes faced and how he coped with the numerous crises that arose during his travels, including his tiny son’s bout with cholera.
Because Gardner’s primary research since 1962 has been with hunter-gatherers, much of his story transpires either in the equatorial jungle of south India or more than one hundred miles beyond the end of the road in Canada’s Northwest Territories. Other ventures transport readers to Japan and back to India, allowing them to savor ancient sights and sounds. Gardner closes the book with a journey of quite another sort, as he takes us into the world of nature, Taoist philosophy, and the experimental treatment of advanced cancer.
Throughout this fast-moving book, Gardner deftly describes the goals and techniques of his research, as well as his growing understanding of the cultures to which he was exposed. Few personal accounts of fieldwork describe enough of the research to give a complete sense of the experience in the way this book does. Anyone with an interest in travel and adventure, including the student of anthropology as well as the general reader, will be totally intrigued by Gardner’s story, one of a daily existence so very different from our own.
This stunning photographic essay opens a new frontier for readers to explore through words and images. Microbial studies have clarified life’s origins on Earth, explained the functioning of ecosystems, and improved both crop yields and human health. Scott Chimileski and Roberto Kolter are expert guides to an invisible world waiting in plain sight.
One out of five children, and one out of two single mothers, lives in destitution in America today. The feminization and "infantilization" of poverty have made the United States one of the most dangerous democracies for poor mothers and their children to inhabit. Why then, Valerie Polakow asks, is poverty seen as a private issue, and how can public policy fail to take responsibility for the consequences of our politics of distribution? Written by a committed child advocate, Lives on the Edge draws on social, historical, feminist, and public policy perspectives to develop an informed, wide-ranging critique of American educational and social policy. Stark, penetrating, and unflinching in its first-hand portraits of single mothers in America today, this work challenges basic myths about justice and democracy.
Dashingly told and meticulously researched, this double biography of D. H. Lawrence and his wife Frieda von Richthofen is the first to draw fully on Frieda’s unpublished letters and on interviews with people who knew her well. It explores their collision with an industrial world they hated and chronicles the stormy relationship between husband and wife. The strong sexual vitality that inspired Lawrence’s art brought both joy and anguish to his marriage. Here, the Lawrences emerge as proud but not conceited in their unconventional lives, staunch in the face of fierce opposition from a conformist society. Living at the Edge follows the separate lives of Lawrence and Frieda up to their first meeting in 1912. Tracing their new life together, it depicts their grateful escape from the English Midlands; their discovery of exotic places where they made temporary homes—Italy, Cornwall, Australia, New Mexico, and Mexico; Lawrence’s courageous battle against illness; and, after his death in 1930, Frieda’s success in recreating the simple life on ranches near Taos, New Mexico, where she died in 1956.
At the center of their story is Lawrence’s literary career. Biographers Squires and Talbot see Lawrence’s major novels—The Rainbow, Women in Love, Lady Chatterley’s Lover—as a fresh way to understand his turbulent and conflicted life. They reveal the extreme care with which he rewrote his personal experience to satisfy his deepest needs, and they introduce the many influential people who entered the Lawrences’ lives and work. The rich materials from Frieda’s letters reveal a different Lawrence—more difficult as a man but more interesting as an artist; they also reveal a different Frieda—more vibrant as a woman, more substantial as a companion. This superb biography gives both Lawrence and Frieda striking new dimensions.
History carves its imprint on human lives for generations after. When we think of the radical changes that transformed America during the twentieth century, our minds most often snap to the fifties and sixties: the Civil Rights Movement, changing gender roles, and new economic opportunities all point to a decisive turning point. But these were not the only changes that shaped our world, and in Living on the Edge, we learn that rapid social change and uncertainty also defined the lives of Americans born at the turn of the twentieth century. The changes they cultivated and witnessed affect our world as we understand it today.
Drawing from the iconic longitudinal Berkeley Guidance Study, Living on the Edge reveals the hopes, struggles, and daily lives of the 1900 generation. Most surprising is how relevant and relatable the lives and experiences of this generation are today, despite the gap of a century. From the reorganization of marriage and family roles and relationships to strategies for adapting to a dramatically changing economy, the challenges faced by this earlier generation echo our own time. Living on the Edge offers an intimate glimpse into not just the history of our country, but the feelings, dreams, and fears of a generation remarkably kindred to the present day.
The Gulf coast of Florida and Alabama is a fragile combination of barrier islands, low-lying marshes, and highly erodable mainland shores. In addition to sea-level rise, winter storms, and altered sediment supplies, hurricanes frequently damage or destroy the human developments and infrastructures that line this coast. Indeed, a single storm can cause billions of dollars in losses. Memories of such hurricanes as Camille, Frederic, Opal, and Andrew cause great concern for residents and property owners alike; events of equal magnitude are always just beyond the horizon and the uninformed have much to lose.
The authors of Living on the Edge of the Gulf seek to counteract potential loss by providing an illustrated introduction to coastal processes, a history of hazards for the region, and risk-reduction guidance in the form of site evaluations, community mitigation techniques, and storm-resistant construction practices. Risk maps that focus on individual coastal beaches are designed to assist property owners, community planners, and officials in prudent decision making, while a review of coastal regulations helps owners to understand and navigate various permit requirements.
This latest book in the Living with the Shore series replaces the earlier guide Living with the West Florida Shore and supplements the Alabama portion of Living with the Alabama/Mississippi Shore.
People of lower caste live throughout the villages of Nepal but have
been noticeably absent from ethnographic accounts of the Himalayan region.
Starting from the perspective of lower-caste Hindu women, Mary M. Cameron
offers a long-overdue study of artisans and farmers in western Nepal. On the Edge of the Auspicious skillfully shows the connections
between caste hierarchy and gender relations leading to domestic, economic,
and religious power of lower-caste women. Situating her study in the history
of land ownership and contemporary family and work relations, Cameron
explains how and why patriarchal ideology associated with high-caste families
in Nepal does not apply to women of lower caste. Drawing on data from
work, family, and religious domains, this ethnography goes further than
other current studies of caste hierarchy in South Asia to show the everyday
material and ideological dimensions of domination and lower-caste people's
resistance to them..
In this bold study, Edna Aizenberg offers a much-needed corrective to both Latin American literary scholarship and popular assumptions that the whole of Latin America served as a Nazi refuge both during and after World War II. Analyzing the treatment of the Shoah by five leading figures in Argentine, Brazilian, and Chilean writing—Alberto Gerchunoff, Clarice Lispector, Jorge Luis Borges, Gabriela Mistral, and Joao Guimaraes Rosa—Aizenberg illuminates how Latin American intellectuals engaged with the horrific information that reached them regarding the Holocaust, including the sympathy and collaboration of their own governments with the Nazis. Aizenberg emphasizes how—through fiction, journalism, and activism—these five culture-makers opposed and fought fascism. At the same time, her readings of individual texts confront shopworn clichés about Latin American writing and literature, suggesting deeper and richer dimensions to many canonical works. This interdisciplinary book fills critical gaps in both Holocaust and Latin American studies, and will be of great interest to scholars and students in both fields.
Organ Pipe: Life on the Edge
Text by Carol Ann Bassett; Photographs by Michael Hyatt University of Arizona Press, 2004 Library of Congress QH105.A65B37 2004 | Dewey Decimal 508.79177
Deep in the heart of the Sonoran Desert lies an oasis of ebony mountains, golden poppies, stately saguaros—and the organ pipe cactus, "a prickly octopus turned on its head."
A terrain where one learns to pay attention to the details: the tracks of a sidewinder in the sand, the tiny eggs of a cactus wren, the flash of a vermilion flycatcher against the azure sky.
Organ Pipe Cactus National Monument lies in southwestern Arizona on the Mexican border. It is an isolated park that for Carol Ann Bassett has long been a place of solitude—a silent refuge where she often camped out alone to capture the natural rhythms of the desert. Photographer Michael Hyatt hiked through Organ Pipe to visually document its subtle beauty in the Ajo Mountains and the valley of the Ajo, and at Quitobaquito, a rare desert oasis.
Few visitors may brave Organ Pipe during summer, when the temperature can reach 120 degrees, but for Bassett and Hyatt the searing heat is but a harbinger of rain, when normally dry arroyos surge with rust-colored water and desert tarantulas come out to mate. Bassett introduces readers to Organ Pipe’s cultural heritage as well: Spanish missionaries, Anglo settlers, and the Tohono O’odham and the Hia Ced O’odham people who still travel there to gather cactus fruit during Hasan Bakmasad, "saguaro moon." She also considers the changes taking place throughout the park, including the onrush of immigrants passing through in search of better lives in the United States.
This small, lyrical book is a sensitive reflection on the heart of the Sonoran Desert. It reminds us of the beauty to be found in unexpected places—and of our intimate connection with the wild.
Often described as an emergency, homelessness in America is becoming a chronic condition that reflects an overall decline in the nation's standard of living and the general state of the economy. This is the disturbing conclusion drawn by Martha Burt in Over the Edge, a timely book that takes a clear-eyed look at the astonishing surge in the homeless population during the 1980s. Assembling and analyzing data from 147 U.S. cities, Burt documents the increase in homelessness and proposes a comprehensive explanation of its causes, incorporating economic, personal, and policy determinants. Her unique research answers many provocative questions: Why did homelessness continue to spiral even after economic conditions improved in 1983? Why is it significantly greater in cities with both high poverty rates and high per capita income? What can be done about the problem? Burt points to the significant catalysts of homelessness—the decline of manufacturing jobs in the inner city, the increased cost of living, the tight rental housing market, diminished household income, and reductions in public benefit programs—all of which exert pressures on the more vulnerable of the extremely poor. She looks at the special problems facing the homeless, including the growing number of mentally ill and chemically dependent individuals, and explains why certain groups—minorities and low-skilled men, single men and women, and families headed by women—are at greatest risk of becoming homeless. Burt's analysis reveals that homelessness arises from no single factor, but is instead perpetuated by pivotal interactions between external social and economic conditions and personal vulnerabilities. From an understanding of these interactions, Over the Edge builds lucid, realistic recommendations for policymakers struggling to alleviate a situation of grave consequence for our entire society.
Myra Jehlen's aim in these essays is to read for what she calls the edge of literature: the point at which writing seems unable to say more, which is also, for Jehlen, the threshold of the real. It is here, she argues, that the central paradoxes of the American project become clear—self-reliance and responsibility, universal equality and the pursuit of empire, writing from the heart and representing shared values and ideas. Developing these paradoxes to their utmost tension, American writers often produce penetrating critiques of American society without puncturing its basic myths. For instance, Mark Twain's Puddn'head Wilson begins as a slashing satire of racism, only to conclude by demonstrating that even an invisible portion of black blood can make a man a murderer.
Throughout these essays Jehlen demonstrates the crucial role that the process of writing itself plays in unfolding these paradoxes, whether in the form of novels by Harriet Beecher Stowe and Virginia Woolf; the histories of Captain John Smith; or even a work of architecture, such as the Guggenheim museum in Bilbao.
This collection brings new voices and new perspectives to the study of popular—and particularly rock—music. Focusing on a variety of artists and music forms, Rock Over the Edge asks what happens to rock criticism when rock is no longer a coherent concept. To work toward an answer, contributors investigate previously neglected genres and styles, such as “lo fi,” alternative country, and “rock en español,” while offering a fresh look at such familiar figures as Elvis Presley, the Beatles, and Kurt Cobain. Bridging the disciplines of musicology and cultural studies, the collection has two primary goals: to seek out a language for talking about music culture and to look at the relationship of music to culture in general. The editors’ introduction provides a backward glance at recent rock criticism and also looks to the future of the rapidly expanding discipline of popular music studies. Taking seriously the implications of critical theory for the study of non-literary aesthetic endeavors, the volume also addresses such issues as the affective power of popular music and the psychic construction of fandom. Rock Over the Edge will appeal to scholars and students in popular music studies and American Studies as well as general readers interested in popular music.
Contributors. Ian Balfour, Roger Beebe, Michael Coyle, Robert Fink, Denise Fulbrook, Tony Grajeda, Lawrence Grossberg, Trent Hill, Josh Kun, Jason Middleton, Lisa Ann Parks, Ben Saunders, John J. Sheinbaum, Gayle Wald, Warren Zanes
Women on the Edge in Early Modern Europe examines the lives of women whose gender impeded the exercise of their personal, political, and religious agency, with an emphasis on the conflict that occurred when they crossed the edges society placed on their gender. Many of the women featured in this collection have only been afforded cursory scholarly focus, or the focus has been isolated to a specific, (in)famous event. This collection redresses this imbalance by providing comprehensive discussions of the women’s lives, placing the matter that makes them known to history within the context of their entire life. Focusing on women from different backgrounds“such as Marie Meurdrac, the French chemist; Anna Trapnel, the Fifth Monarchist and prophetess; and Cecilia of Sweden, princess, margravine, countess, and regent“this collection brings together a wide range of scholars from a variety of disciplines to bring attention to these previously overlooked women.
Women's Studies on the Edge
Joan Wallach Scott, ed. Duke University Press, 2008 Library of Congress HQ1180.W6878 2008 | Dewey Decimal 305.4
At many universities, women’s studies programs have achieved department status, establishing tenure-track appointments, graduate programs, and consistent course enrollments. Yet, as Joan Wallach Scott notes in her introduction to this collection, in the wake of its institutional successes, women’s studies has begun to lose its critical purchase. Feminism, the driving political force behind women’s studies, is often regarded as an outmoded political position by many of today’s students, and activism is no longer central to women’s studies programs on many campuses. In Women’s Studies on the Edge, leading feminist scholars tackle the critical, political, and institutional challenges that women’s studies has faced since its widespread integration into university curricula.
The contributors to Women’s Studies on the Edge embrace feminism not as a set of prescriptions but as a critical stance, one that seeks to interrogate and disrupt prevailing systems of gender. Refusing to perpetuate and protect orthodoxies, they ask tough questions about the impact of institutionalization on the once radical field of women’s studies; about the ongoing difficulties of articulating women’s studies with ethnic, queer, and race studies; and about the limits of liberal concepts of emancipation for understanding non-Western women. They also question the viability of continuing to ground women’s studies in identity politics authorized by personal experience. The multiple interpretations in Women’s Studies on the Edge sometimes overlap and sometimes stand in opposition to one another. The result is a collection that embodies the best aspects of critique: the intellectual and political stance that the contributors take to be feminism’s ethos and its aim.
Contributors Wendy Brown Beverly Guy-Sheftall Evelynn M. Hammonds Saba Mahmood Biddy Martin Afsaneh Najmabadi Ellen Rooney Gayle Salamon Joan Wallach Scott Robyn Wiegman
Twenty miles wide and two thousand long, the U.S.-Mexico borderland is a country unto itself that has been celebrated in the works of many writers—and not just those who call it home. Here artists as disparate as Carlos Fuentes, Maya Angelou, and Allen Ginsberg have found literary inspiration, presenting the region through varied viewpoints that give border writing its unusual scope and texture.
This wide-ranging anthology—gathering short stories and essays, song lyrics and poems—offers readers a new appreciation of the border and its literature. Residents of the region may be startled to learn how many passers-by have been struck by this unruly slice of North America, while those living in other parts of the country may be surprised to find it more than a dateline for reports of smuggling and illegal immigration.
Collected here are both celebrated and underappreciated gems of American and Mexican literature depicting a region that for some writers represents an exotic land, for others home. Writing on the Edge juxtaposes passages by New Jersey poet William Carlos Williams and native songwriter Flaco Jiménez, British novelist Graham Greene and American poet Demetria Martínez, to show us the border from both sides and from a distance. In all of the selections, La Frontera looms larger than life—an energizing force that frames the lives of the characters living within its boundaries. Included in the book is a literary map of the border highlighting the sites with which each author is identified.
As editor Tom Miller observes, the very notion of literature in a region considered an "irrelevant nuisance" allows for more free-ranging creative output." Writing on the Edge sparkles with such creativity and invites readers to enjoy the best of two worlds—and of the world they share.