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The Coming of the Terror in the French Revolution
Timothy Tackett
Harvard University Press, 2015

Between 1793 and 1794, thousands of French citizens were imprisoned and hundreds sent to the guillotine by a powerful dictatorship that claimed to be acting in the public interest. Only a few years earlier, revolutionaries had proclaimed a new era of tolerance, equal justice, and human rights. How and why did the French Revolution’s lofty ideals of liberty, equality, and fraternity descend into violence and terror?

“By attending to the role of emotions in propelling the Terror, Tackett steers a more nuanced course than many previous historians have managed…Imagined terrors, as…Tackett very usefully reminds us, can have even more political potency than real ones.”
—David A. Bell, The Atlantic

“[Tackett] analyzes the mentalité of those who became ‘terrorists’ in 18th-century France…In emphasizing weakness and uncertainty instead of fanatical strength as the driving force behind the Terror…Tackett…contributes to an important realignment in the study of French history.”
—Ruth Scurr, The Spectator

“[A] boldly conceived and important book…This is a thought-provoking book that makes a major contribution to our understanding of terror and political intolerance, and also to the history of emotions more generally. It helps expose the complexity of a revolution that cannot be adequately understood in terms of principles alone.”
—Alan Forrest, Times Literary Supplement

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A Critical Dictionary of the French Revolution
François Furet
Harvard University Press, 1989

Two centuries later, the French Revolution—that extraordinary event that founded modern democracy—continues to give rise to a reevaluation of essential questions. The ambition of this magnificent volume is not only to present the reader with the research of a wide range of international scholars on those questions, but also to bring one into the heart of the issues still under lively debate.

Its form is as original as its goal: neither dictionary, in the traditional sense of the word, nor encyclopedia, it is deliberately limited to some ninety-nine entries organized alphabetically by key words and themes under five major headings: events, including the Estates General and the Terror; actors, such as Marie Antoinette, Marat, and Napoleon Bonaparte; institutions and creations, among them Revolutionary Calendar and Suffrage; ideas, covering, for example, Ancien Régime, the American Revolution, and Liberty; and historians and commentators, from Hegel to Tocqueville. In addition, there are synoptic indexes of names and themes that give the reader easy access to the entire volume as well as a key to its profound coherence.

What unifies all the varied topics brought together in this dictionary is their authors’ effort to be “critical.” As such, the book rejects the dogmatism of closed systems and definitive interpretations. Its aim is less to make a complete inventory of the findings of the history of the French Revolution than to take stock of what remains problematical about those findings; this work thus offers the additional special quality of incorporating the rich historiographical literature unceasingly elaborated since 1789.

With A Critical Dictionary of the French Revolution, François Furet and Mona Ozouf invite the reader to recross the first two centuries of French democracy in order to gain a better understanding of the origins of the world in which we live today.

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The Cultural Origins of the French Revolution
Roger Chartier
Duke University Press, 1991
Reknowned historian Roger Chartier, one of the most brilliant and productive of the younger generation of French writers and scholars now at work refashioning the Annales tradition, attempts in this book to analyze the causes of the French revolution not simply by investigating its “cultural origins” but by pinpointing the conditions that “made is possible because conceivable.”
Chartier has set himself two important tasks. First, while acknowledging the seminal contribution of Daniel Mornet’s Les origens intellectuelles de la Révolution française (1935), he synthesizes the half-century of scholarship that has created a sociology of culture for Revolutionary France, from education reform through widely circulated printed literature to popular expectations of government and society. Chartier goes beyond Mornet’s work, not be revising that classic text but by raising questions that would not have occurred to its author.
Chartier’s second contribution is to reexamine the conventional wisdom that there is a necessary link between the profound cultural transformation of the eighteenth century (generally characterized as the Enlightenment) and the abrupt Revolutionary rupture of 1789. The Cultural Origins of the French Revolution is a major work by one of the leading scholars in the field and is likely to set the intellectual agenda for future work on the subject.
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The Destruction of Art
Iconoclasm and Vandalism since the French Revolution
Dario Gamboni
Reaktion Books, 2007

Last winter, a man tried to break Marcel Duchamp’s Fountain sculpture. The sculpted foot of Michelangelo’s David was damaged in 1991 by a purportedly mentally ill artist. With each incident, intellectuals must confront the unsettling dynamic between destruction and art.  Renowned art historian Dario Gamboni is the first to tackle this weighty issue in depth, exploring specters of censorship, iconoclasm, and vandalism that surround such acts.

Gamboni uncovers here a disquieting phenomenon that still thrives today worldwide. As he demonstrates through analyses of incidents occurring in nineteenth- and twentieth-century America and Europe, a complex relationship exists among the evolution of modern art, destruction of artworks, and the long history of iconoclasm. From the controversial removal of Richard Serra’s Tilted Arc from New York City’s Federal Plaza to suffragette protests at London’s National Gallery, Gamboni probes the concept of artist’s rights, the power of political protest and how iconoclasm sheds light on society’s relationship to art and material culture.

Compelling and thought-provoking, The Destruction of Art forces us to rethink the ways that we interact with art and react to its power to shock or subdue.

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Echoes of the Marseillaise
Two Centuries Look Back on the French Revolution
Hobsbawm, Eric
Rutgers University Press, 2019
What was the French Revolution? Was it the triumph of Enlightenment humanist principles, or a violent reign of terror? Did it empower the common man, or just the bourgeoisie? And was it a turning point in world history, or a mere anomaly?
 
E.J. Hobsbawm’s classic historiographic study—written at the very moment when a new set of revolutions swept through the Eastern Bloc and brought down the Iron Curtain—explores how the French Revolution was perceived over the following two centuries. He traces how the French Revolution became integral to nineteenth-century political discourse, when everyone from bourgeois liberals to radical socialists cited these historical events, even as they disagreed on what their meaning. And he considers why references to the French Revolution continued to inflame passions into the twentieth century, as a rhetorical touchstone for communist revolutionaries and as a boogeyman for social conservatives.  
 
Echoes of the Marseillaise is a stimulating examination of how the same events have been reimagined by different generations and factions to serve various political agendas. It will give readers a new appreciation for how the French Revolution not only made history, but also shaped our fundamental notions about history itself.  
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Echoes of the Marseillaise
Two Centuries Look Back on the French Revolution
Hobsbawm, Eric
Rutgers University Press, 1990
"The French Revolution," writes Hobsbawm, "gave peoples the sense that history could be changed by their action ... [and] demonstrated the power of the common people in a manner which no subsequent government has ever allowed itself to forget."

We can learn a great deal from studying the French Revolution itself, but we can also learn from studying the ways in which scholars have interpreted the French Revolution, and from the ways their views have changed. For over a century following the Revolution, commentators and scholars spoke of it in glowing terms. But in the past three decades, revisionist historians have become skeptical. Eric Hobsbawm reiterates the centrality of the Revolution for history on a global basis. He argues that those who wrote about the Revolution in the nineteenth century were convinced it had changed their lives dramatically, improving the economy and the lot of peasants. They saw the Revolution as a prototype of of the bourgeois revolution, enabling the middle class to gain power from the ruling class of aristocrats. Many believed proletarian revolutions would inevitably follow. In the years between 1917 and the 1960s, Marxists continued to use the French Revolution as a point of reference, paying increasing attention to the social and economic factors in the Revolution, not only to the political factors. In the 1970s and 1980s, many historians began to argue that the Revolution achieved modest results at disproportionate costs. Hobsbawm argues that this massive historiographical reaction against the centrality of the Revolution reflects the personal politics of those contemporary historians for whom Marxism and communism are now out of favor. They are, he maintains, wrong. The Revolution transformed the world permanently and introduced forces that continue to transform it.
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Festivals and the French Revolution
Mona Ozouf
Harvard University Press, 1988

Festivals and the French Revolution—the subject conjures up visions of goddesses of Liberty, strange celebrations of Reason, and the oddly pretentious cult of the Supreme Being. Every history of the period includes some mention of festivals, although most historians have been content either to ridicule them as ineffectual or to bemoan them as repugnant examples of a sterile, official culture. Mona Ozouf shows us that they were much more than bizarre marginalia to the revolutionary process. Festivals offer critical insights into the meaning of the French Revolution; they show a society in the process of creating itself anew.

Historians have recognized the importance of the revolutionary festival as a symbol of the Revolution. But they have differed widely in their interpretations of what that symbol meant and have considered the festivals as diverse as the rival political groups that conceived and organized them. Against this older vision, Ozouf argues for the fundamental coherence and profound unity of the festival as both event and register of reference and attitude. By comparing the most ideologically opposed festivals (those of Reason and the Supreme Being, for instance), she shows that they clearly share a common aim, which finds expression in a mutual ceremonial and symbolic vocabulary. Through a brilliant discussion of the construction, ordering, and conduct of the festival Ozouf demonstrates how the continuity of the images, allegories, ceremonials, and explicit functions can be seen as the Revolution’s own commentary on itself.

A second and important aim of this book is to show that this system of festivals, often seen as destructive, was an immensely creative force. The festival was the mirror in which the Revolution chose to see itself and the pedagogical tool by which it hoped to educate future generations, Far from being a failure, it embodied, socialized, and made sacred a new set of values based on the family, the nation, and mankind—the values of a modern, secular, liberal world.

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The French Revolution and Enlightenment in England, 1789–1832
Seamus Deane
Harvard University Press, 1988

In the English response to the increasingly bloody French Revolution, Seamus Deane finds a new perspective on English political thought as well as a striking indication of the sharpening of national consciousness. Ranging widely among the major and lesser thinkers of the period, he has produced a complex picture of cultural affinity and national hostility. The group dominated by Edmund Burke, which included Southey, Wordsworth, and Carlyle, viewed the Revolution as the culmination of a great conspiracy, led by intellectuals, to overthrow all that was sacred and traditional. The radical group, led by Godwin, Shelley, and Hazlitt, welcomed the Revolution but were perturbed by its excesses.

The English debate about the French Revolution tended to focus on the specifically French characteristics that made it what it was, in sharp contrast to the culture and experience that produced the relatively peaceful English revolution of 1688. To see the Revolution as an essentially French phenomenon allowed it to be understood as alien to English circumstances and inclinations. This permitted the English to deny that its basic doctrines had any claim to universality and also led to an enhanced definition of the English national character. In his analysis of major writers, popular political novelists, and pamphleteers, Deane interprets the intellectual indebtedness of individual English writers to their French counterparts, reflects on the power of the written word to influence events, and dissects polemical styles and language. His book constitutes an important chapter of English intellectual history.

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Goodness beyond Virtue
Jacobins during the French Revolution
Patrice Higonnet
Harvard University Press, 1998

Who were the Jacobins and what are Jacobinism's implications for today? In a book based on national and local studies--on Marseilles, Nîmes, Lyons, and Paris--one of the leading scholars of the Revolution reconceptualizes Jacobin politics and philosophy and rescues them from recent postmodernist condescension.

Patrice Higonnet documents and analyzes the radical thought and actions of leading Jacobins and their followers. He shows Jacobinism's variety and flexibility, as it emerged in the lived practices of exceptional and ordinary people in varied historical situations. He demonstrates that these proponents of individuality and individual freedom were also members of dense social networks who were driven by an overriding sense of the public good. By considering the most retrograde and the most admirable features of Jacobinism, Higonnet balances revisionist interest in ideology with a social historical emphasis on institutional change. In these pages the Terror becomes a singular tragedy rather than the whole of Jacobinism, which retains value today as an influential variety of modern politics. Higonnet argues that with the recent collapse of socialism and the general political malaise in Western democracies, Jacobinism has regained stature as a model for contemporary democrats, as well as a sober lesson on the limits of radical social legislation.

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Jean Paul Marat
Tribune of the French Revolution
Clifford D. Conner
Pluto Press, 2012

Jean-Paul Marat’s role in the French Revolution has long been a matter of controversy among historians. Often he has been portrayed as a violent, sociopathic demagogue. This biography challenges that interpretation and argues that without Marat’s contributions as an agitator, tactician, and strategist, the pivotal social transformation that the Revolution accomplished might well not have occurred.

Clifford D. Conner argues that what was unique about Marat - which set him apart from all other major figures of the Revolution, including Danton and Robespierre - was his total identification with the struggle of the propertyless classes for social equality.

This is an essential book for anyone interested in the history of the revolutionary period and the personalities that led it.

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The Long Affair
Thomas Jefferson and the French Revolution, 1785-1800
Conor Cruise O'Brien
University of Chicago Press, 1996
As controversial and explosive as it is elegant and learned, The Long Affair is Conor Cruise O'Brien's examination of Thomas Jefferson, as man and icon, through the critical lens of the French Revolution. O'Brien offers a provocative analysis of the supreme symbol of American history and political culture and challenges the traditional perceptions of both Jeffersonian history and the Jeffersonian legacy.

"The book is an attack on America's long affair with Jeffersonian ideology of radical individualism: an ideology that, by confusing Jefferson with a secular prophet, will destroy the United States from within."—David C. Ward, Boston Book Review

"With his background as a politician and a diplomat, O'Brien brings a broad perspective to his effort to define Jefferson's beliefs through the prism of his attitudes toward France. . . . This is an important work that makes an essential contribution to the overall picture of Jefferson."—Booklist

"O'Brien traces the roots of Jefferson's admiration for the revolution in France but notes that Jefferson's enthusiasm for France cooled in the 1790s, when French egalitarian ideals came to threaten the slave-based Southern economy that Jefferson supported."—Library Journal

"In O'Brien's opinion, it's time that Americans face the fact that Jefferson, long seen as a champion of the 'wronged masses,' was a racist who should not be placed on a pedestal in an increasingly multicultural United States."—Boston Phoenix

"O'Brien makes a well-argued revisionist contribution to the literature on Jefferson."—Kirkus Reviews

"O'Brien is right on target . . . determined not to let the evasions and cover-ups continue."—Forrest McDonald, National Review

"The Long Affair should be read by anyone interested in Jefferson—or in a good fight."—Richard Brookhiser, New York Times Book Review


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Making Democracy in the French Revolution
James Livesey
Harvard University Press, 2001

This book reasserts the importance of the French Revolution to an understanding of the nature of modern European politics and social life. Scholars currently argue that the French Revolution did not significantly contribute to the development of modern political values. They no longer hold that the study of the Revolution offers any particular insight into the dynamics of historical change. James Livesey contends that contemporary historical study is devalued through this misinterpretation of the French Revolution and offers an alternative approach and a new thesis.

Livesey argues that the European model of democracy was created in the Revolution, a model with very specific commitments that differentiate it from Anglo-American liberal democracy. The fundamental argument in the book is that these democratic values were created by identifiable actors seeking to answer political, economic, and social problems. The book traces the development of this democratic idea within the structures of the French Republic and the manner in which the democratic aspiration moved beyond formal politics to become embedded in institutions of economic and cultural life. This innovative work rewrites the history of French politics between 1795 and 1799.

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Marx and the French Revolution
François Furet
University of Chicago Press, 1988
Throughout his life Karl Marx commented on the French Revolution, but never was able to realize his project of a systematic work on this immense event. This book assembles for the first time all that Marx wrote on this subject. François Furet provides an extended discussion of Marx's thinking on the revolution, and Lucien Calvié situates each of the selections, drawn from existing translations as well as previously untranslated material, in its larger historical context.

With his early critique of Hegel, Marx started moving toward his fundamental thesis: that the state is a product of civil society and that the French Revolution was the triumph of bourgeois society. Furet's interpretation follows the evolution of this idea and examines the dilemmas it created for Marx as he considered all the faces the new state assumed over the course of the Revolution: the Jacobin Terror following the constitutional monarchy, Bonaparte's dictatorship following the parliamentary republic.

The problem of reconciling his theory with the reality of the Revolution's various manifestations is one of the major difficulties Marx contended with throughout his work. The hesitation, the remorse, and the contradictions of the resulting analyses offer a glimpse of a great thinker struggling with the constraints of his own system. Marx never did elaborate a theory of an autonomous state, but he never stopped wrestling with the challenge to his doctrine posed by late eighteenth-century France, whose changing conditions and successive regimes prompted some of his most intriguing and, until now, unexplored thought.
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Molière, the French Revolution, and the Theatrical Afterlife
Leon, Mechele
University of Iowa Press, 2009
From 1680 until the French Revolution, when legislation abolished restrictions on theatrical enterprise, a single theatre held sole proprietorship of Molière’s works. After 1791, his plays were performed in new theatres all over Paris by new actors, before audiences new to his works. Both his plays and his image took on new dimensions. In Molière, the French Revolution, and the Theatrical Afterlife, Mechele Leon convincingly demonstrates how revolutionaries challenged the ties that bound this preeminent seventeenth-century comic playwright to the Old Regime and provided him with a place of honor in the nation’s new cultural memory.

Leon begins by analyzing the performance of Molière’s plays during the Revolution, showing how his privileged position as royal servant was disrupted by the practical conditions of the revolutionary theatre. Next she explores Molière’s relationship to Louis XIV, Tartuffe, and the social function of his comedy, using Rousseau’s famous critique of Molière as well as appropriations of George Dandin in revolutionary iconography to discuss how Moliérean laughter was retooled to serve republican interests. After examining the profusion of plays dealing with his life in the latter years of the Revolution, she looks at the exhumation of his remains and their reentombment as the tangible manifestation of his passage from Ancien Régime favorite to new national icon.

The great Molière is appreciated by theatre artists and audiences worldwide, but for the French people it is no exaggeration to say that the Father of French Comedy is part of their national soul. By showing how he was represented, reborn, and reburied in the new France—how the revolutionaries asserted his relevance for their tumultuous time in ways that were audacious, irreverent, imaginative, and extreme—Leon clarifies the important role of theatrical figures in preserving and portraying a nation’s history.
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The Origins of the Welfare State
Women, Work, and the French Revolution
Lisa DiCaprio
University of Illinois Press, 2005

Women workers and the revolutionary origins of the modern welfare state

In May 1790, the French National Assembly created spinning workshops (ateliers de filature) for thousands of unemployed women in Paris. These ateliers disclose new aspects of the process which transformed Old Regime charity into revolutionary welfare initiatives characterized by secularization, centralization, and entitlements based on citizenship. This study is the first to examine women and the welfare state in its formative period at a time when modern concepts of human rights were elaborated.

In The Origins of the Welfare State, Lisa DiCaprio reveals how the women working in the ateliers, municipal welfare officials, and the national government vied to define the meaning of revolutionary welfare throughout the Revolution. Presenting demands for improved wages and working conditions to a wide array of revolutionary officials, the women workers exercised their rights as "passive citizens" capaciously and shaped the meanings of work, welfare, and citizenship. Looking backward to the Old Regime and forward to the nineteenth century, this study explores the interventionist spirit that characterized liberalism in the eighteenth century and serves as a bridge to the history of entitlements in the nineteenth and twentieth centuries.

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Ottoman Egypt in the Age of the French Revolution
Huseyn Efendi
Harvard University Press

Huseyn Efendi, a scribe in the Treasury of Ottoman Egypt who put his service at the disposal of Napoleon Bonaparte during the French expedition to Egypt (1798–1801), wrote his account of Ottoman Egypt in the form of answers to questions posed by the French administrative and financial experts.

Stanford Shaw’s translation is supplemented by an introduction describing the French expedition, and by detailed notes based on material found in the Ottoman archives of Istanbul and Cairo.

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The Parisian Order of Barristers and the French Revolution
Michael P. Fitzsimmons
Harvard University Press, 1987

Did barristers as a professional group support the French Revolution, or were they most often “in flight from politics”? A close inquiry into the Order of Barristers at Paris—the largest and most important in France, with over six hundred members in 1789—reveals that the vast majority within the Order did not support the Revolution. Unsympathetic to the ideal of the nation asserted by the National Assembly, most members of the Order instead remained loyal to the traditional corporate paradigm that the National Assembly had specifically repudiated. Dismayed by the abolition of their Order, they were disillusioned with the Revolution even before the advent of the Terror, which, along with the arbitrariness of the Directory, deepened their disaffection. The manner in which Bonaparte ultimately restored the Order in 1811 completed their alienation from the Revolution and, as a result, they warmly welcomed the return of the Bourbons in 1814.

This investigation not only revises what historians have long thought of the attitude of barristers toward the French Revolution, but also offers insights into the corporate character of Old Regime society and how the Revolution affected it. Fitzsimmons’s study suggests that many propertied commoners during the Revolution were not politically engaged, that they were not necessarily associated with a party or cause simply because of their place within a set of social relationships. Most of the barristers to the Parlement simply reacted timidly to events and yearned for an ideal that was irretrievably lost, tending to view the Revolution more in terms of an end than of a beginning.

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Politicizing Gender
Narrative Strategies in the Aftermath of the French Revolution
Kadish, Doris Y
Rutgers University Press, 1991
It is Doris Kadish's contention in this book that gender and politics went hand-in-hand in the nineteenth century; that nineteenth-century works can often be read as retellings of the French Revolution; and that the political meanings of these works can be gleaned through the study of narrative strategies that she chooses to call "semiotic readings." Building on the work of Marina Warner, Lynn Hunt, Joan Landes, Nancy Armstrong, Foucault and others, she shows how the strategy of politicizing gender during and after the revolution served many functions--among them to articulate representations of revolution, to form the nineteenth-century public sphere, to constitute bourgeois ideology, to distance the unruly masses, and ultimately, perhaps, to express a deep seated fear of women as a threat to the status quo.     Looking at the French and English novel, and even selected relevant paintings in this way, she is able to read much-read texts in new and refreshing ways. She shows us how a collective story or master narrative of the revolution was retold and refashioned throughout the century, even where we might least expect to find it. She looks first at small details in order to see the larger patterns, and is among the first to show us how semiotics may make a contribution to gender studies.
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Representing the French Revolution
Literature, Historiography, and Art
Edited by James A. W. Heffernan
Brandeis University Press, 1992
Why is the anniversary of the French Revolution celebrated on July 14, the day the Bastille was stormed, rather than on August 26, the day the Declaration of the Rights of Man was signed? Why don’t the French do as the Americans, who see their revolution epitomized by the signing of the Declaration of Independence? “There is surely something to be learned from contemplating the difference between these two ways of representing a revolution,” writes James Heffernan. In this volume, he and 13 other distinguished scholars consider representations of the French Revolution in literature, historical narratives, and art as central to understanding it. Challenging the idea that history is a body of fact separable from fictions wrought by literature and the visual arts, they show that study of a major historical event inevitably leads to study of representation.
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The Rise and Fall of the French Revolution
Edited by T. C. W. Blanning
University of Chicago Press, 1996
During the past twenty-five years, the historiography of the French Revolution has experienced a revolution of its own. Utilizing developments in such areas as anthropology and critical theory, scholars have begun to ask new questions and to devise new ways of understanding the period.

The Rise and Fall of the French Revolution is a collection of seventeen pathbreaking articles which originally appeared in the Journal of Modern History. Contributors include Keith Michael Baker, Suzanne Desan, Bill Edmonds, François Furet, Vivian R. Gruder, Paul Hanson, James N. Hood, Lynn Hunt, David Lansky, Colin Lucas, John Markoff, Mona Ozouf, Alison Patrick, Jeremy D. Popkin, William H. Sewell, Jr., Theda Skocpol, Timothy Tackett, and Dale Van Kley. In addition, a substantial introduction by the editor discusses the evolution of the history of the period and how the individual contributors have shaped the debate.

This volume not only chronicles the rise and fall of the French Revolution but also introduces the reader to the different approaches being employed by the most eminent historians working in the field. The result is a volume on the French Revolution that offers a compelling combination of information and opinion, narrative and interpretation.
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A Socialist History of the French Revolution
Jean Jaurés
Pluto Press, 2021
One of the most influential accounts of the French Revolution ever published, now available for the first time in paperback.

Jean Jaurès was the celebrated French Socialist Party leader, assassinated in 1914 for trying to use diplomacy and industrial action to prevent the outbreak of war. Published just a few years before his death, his magisterial A Socialist History of the French Revolution has endured for over a century.

Written in the midst of his activities as leader of the Socialist Party and editor of its newspaper, L'Humanite, Jaurès intended the book to serve as both a guide and an inspiration to political activity; even now it can serve to do just that.

Jaurès's verve, originality, and willingness to criticize all players in this epic drama make this a truly moving addition to the shelf of great books on the French Revolution. Mitchell Abidor's abridged translation of Jaurès's original six volumes makes this exceptional work truly accessible to an Anglophone audience.
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Soldiers of the French Revolution
Alan Forrest
Duke University Press, 1989
In this work Alan Forrest brings together some of the recent research on the Revolutionary army that has been undertaken on both sides of the Atlantic by younger historians, many of whom look to the influential work of Braudel for a model. Forrest places the armies of the Revolution in a broader social and political context by presenting the effects of war and militarization on French society and government in the Revolutionary period.
Revolutionary idealists thought of the French soldier as a willing volunteer sacrificing himself for the principles of the Revolution; Forrest examines the convergence of these ideals with the ordinary, and often dreadful, experience of protracted warfare that the soldier endured.
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Stuff and Money in the Time of the French Revolution
Rebecca L. Spang
Harvard University Press, 2014

Winner of the Louis Gottschalk Prize, American Society for Eighteenth-Century Studies
A Financial Times Best History Book of the Year
A Choice Outstanding Academic Title of the Year

Rebecca L. Spang, who revolutionized our understanding of the restaurant, has written a new history of money. It uses one of the most infamous examples of monetary innovation, the assignats—a currency initially defined by French revolutionaries as “circulating land”—to demonstrate that money is as much a social and political mediator as it is an economic instrument. Following the assignats from creation to abandonment, Spang shows them to be subject to the same slippages between policies and practice, intentions and outcomes, as other human inventions.

“This is a quite brilliant, assertive book.”
—Patrice Higonnet, Times Literary Supplement

“Brilliant…What [Spang] proposes is nothing less than a new conceptualization of the revolution…She has provided historians—and not just those of France or the French Revolution—with a new set of lenses with which to view the past.”
—Arthur Goldhammer, Bookforum

“[Spang] views the French Revolution from rewardingly new angles by analyzing the cultural significance of money in the turbulent years of European war, domestic terror and inflation.”
—Tony Barber, Financial Times

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The Terror of Natural Right
Republicanism, the Cult of Nature, and the French Revolution
Dan Edelstein
University of Chicago Press, 2009

Natural right—the idea that there is a collection of laws and rights based not on custom or belief but that are “natural” in origin—is typically associated with liberal politics and freedom. In The Terror of Natural Right, Dan Edelstein argues that the revolutionaries used the natural right concept of the “enemy of the human race”—an individual who has transgressed the laws of nature and must be executed without judicial formalities—to authorize three-quarters of the deaths during the Terror. Edelstein further contends that the Jacobins shared a political philosophy that he calls “natural republicanism,” which assumed that the natural state of society was a republic and that natural right provided its only acceptable laws. Ultimately, he proves that what we call the Terror was in fact only one facet of the republican theory that prevailed from Louis’s trial until the fall of Robespierre.

A highly original work of historical analysis, political theory, literary criticism, and intellectual history, The Terror of Natural Right challenges prevailing assumptions of the Terror to offer a new perspective on the Revolutionary period.

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University of Chicago Readings in Western Civilization, Volume 7
The Old Regime and the French Revolution
Edited by Keith M. Baker
University of Chicago Press, 1987
The University of Chicago Readings in Western Civilization (nine volumes) makes available to students and teachers a unique selection of primary documents, many in new translations. These readings, prepared for the highly praised Western civilization sequence at the University of Chicago, were chosen by an outstanding group of scholars whose experience teaching that course spans almost four decades. Each volume includes rarely anthologized selections as well as standard, more familiar texts; a bibliography of recommended parallel readings; and introductions providing background for the selections. Beginning with Periclean Athens and concluding with twentieth-century Europe, these source materials enable teachers and students to explore a variety of critical approaches to important events and themes in Western history.

Individual volumes provide essential background reading for courses covering specific eras and periods. The complete nine-volume series is ideal for general courses in history and Western civilization sequences.
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The Vanishing Children of Paris
Rumor and Politics before the French Revolution
Arlette Farge and Jacques Revel
Harvard University Press, 1991
In the spring of 1750 a two-day series of riots erupted in Paris when the populace discovered that police were sweeping children off the streets in an overzealous attempt to control vagrancy. Arlette Farge and Jacques Revel use this bizarre incident and its colorful cast of actors to view broader issues such as the power of rumor, mob psychology, the exercise of authority, and the maintenance of peace in Paris under the ancien régime.
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