When the United States goes to war, the nation’s attention focuses on the president. As commander in chief, a president reaches the zenith of power, while Congress is supposedly shunted to the sidelines once troops have been deployed abroad. Because of Congress’s repeated failure to exercise its legislative powers to rein in presidents, many have proclaimed its irrelevance in military matters.
After the Rubicon challenges this conventional wisdom by illuminating the diverse ways in which legislators influence the conduct of military affairs. Douglas L. Kriner reveals that even in politically sensitive wartime environments, individual members of Congress frequently propose legislation, hold investigative hearings, and engage in national policy debates in the public sphere. These actions influence the president’s strategic decisions as he weighs the political costs of pursuing his preferred military course.
Marshalling a wealth of quantitative and historical evidence, Kriner expertly demonstrates the full extent to which Congress materially shapes the initiation, scope, and duration of major military actions and sheds new light on the timely issue of interbranch relations.
In 2005, photographer Chris Hondros captured a striking image of a young Iraqi girl in the aftermath of the killing of her parents by American soldiers. The shot stunned the world and has since become iconic—comparable to the infamous photo by Nick Ut of a Vietnamese girl running from a napalm attack. Both images serve as microcosms for their respective conflicts. Afterimages looks at the work of war photographers like Hondros and Ut to understand how photojournalism interacts with the American worldview.
Liam Kennedy here maps the evolving relations between the American way of war and photographic coverage of it. Organized in its first section around key US military actions over the last fifty years, the book then moves on to examine how photographers engaged with these conflicts on wider ethical and political grounds, and finally on to the genre of photojournalism itself. Illustrated throughout with examples of the photographs being considered, Afterimages argues that photographs are important means for critical reflection on war, violence, and human rights. It goes on to analyze the high ethical, sociopolitical, and legalistic value we place on the still image’s ability to bear witness and stimulate action.
On the eve of World War II, the national interests of Japan, the United States, and the Soviet Union collided in the North Pacific.
Alaska's Hidden Wars tells the story of the war in the North Pacific, a story of savage weather, isolation, and sacrifice.
Two island chains, the Aleutians and the Kuriles, became the focus of a series of major campaigns that pitted the Americans against the Japanese. Alaska's Hidden Wars chronicles the role of Japanese-American intelligence specialists and reveals a Japanese eyewitness account of the defense of Attu. Two virtually unknown aspects of the North Pacific war are also exposed: the brutal North Pacific weather and the imprisonment of American airmen in Kamchatka.
In 1942, the Japanese raided Dutch Harbor in the Aleutian Islands and occupied the islands of Kiska and Attu. The Americans mounted a vigorous campaign, and the Japanese retreated to the Kuriles. For the next two years, the Americans launched air raids and fleet bombardments, while American soldiers maintained lonely outposts along Aleutian coasts. But in 1945, when Japan finally surrendered, the Kuriles were taken, not by the waiting Americans, but by the Soviets.
Alaska's Hidden Wars is a fast-moving history that brings declassified archival sources to light and draws the reader into the lonely, bitter war fought in the North Pacific.
Today's protracted asymmetrical conflicts confuse efforts to measure progress, often inviting politics and wishful thinking to replace objective evaluation.
In Assessing War, military historians, social scientists, and military officers explore how observers have analyzed the trajectory of war in American conflicts from the Seven Years’ War through the war in Afghanistan. Drawing on decades of acquired expertise, the contributors examine wartime assessment in both theory and practice and, through alternative dimensions of assessment such as justice and proportionality, the war of ideas and economics. This group of distinguished authors grapples with both conventional and irregular wars and emerging aspects of conflict—such as cyberwar and nation building—that add to the complexities of the modern threat environment. The volume ends with recommendations for practitioners on best approaches while offering sobering conclusions about the challenges of assessing war without politicization or self-delusion.
Covering conflicts from the eighteenth century to today, Assessing War blends focused advice and a uniquely broad set of case studies to ponder vital questions about warfare's past—and its future. The book includes a foreword by Gen. George W. Casey Jr. (USA, Ret.), former chief of staff of the US Army and former commander, Multi-National Force–Iraq.
Most Civil War historians now agree that the guerrilla conflict shaped the entire war in significant ways. Some of these “bushwhackers”—Nathan Bedford Forrest, William Clarke Quantrill, John Singleton Mosby—have become quite infamous. Illiterate Sam Hildebrand, one of Missouri’s most notorious guerrillas—often compared to “Rob Roy,” and the subject of dime novels—was one of the few to survive the war and have his story taken down and published. Shortly after this he was killed in a barroom brawl. “I make no apology to mankind for my acts of retaliation; I make no whining appeal to the world for sympathy. I sought revenge and I found it; the key of hell was not suffered to rust in the lock while I was on the war path.” —Sam Hildebrand Hildebrand’s reign of terror gave the Union army fits and kept much of the Trans-Mississippi, especially Missouri, roiling in the 1860s. Over seven years of fighting he and his men killed dozens of soldiers and civilians, whites and blacks; he claimed to have killed nearly one hundred himself. He was accused of many heinous acts. The historical significance of Hildebrand’s story is substantial, but his bloody tale is eminently readable and stands quite well on its own as a cold-blooded portrait of a violent time in American history. Like the nightmarish and depraved world of the Kid in Cormac McCarthy’s novel Blood Meridian, Hildebrand’s world is truly ruthless and his story is brutally descriptive in its coolly detached rendering of one man’s personal war. Published in 1870, Hildebrand’s autobiography has long been out of print and has been a rare and highly prized acquisition among Civil War