Dumbarton Oaks Papers is an annual journal of scholarly articles on Byzantine topics. Many of the articles are based upon presentations made at the Byzantine conferences hosted by Dumbarton Oaks. Numerous maps, tables, illustrations, and color plates provide supplementary information.
Dumbarton Oaks Papers 59 includes papers from a colloquium on Byzantine glass, guest edited by David Whitehouse of the Corning Museum of Glass. Other articles feature a discussion of zodiac cycles in ancient Palestinian synagogues, a study of early Christians' responses to the spectacles of fifth-century Carthage, and an analysis of scientific and literary sources pertaining to the mysterious cloud that darkened the sky for about a year in 536, to determine what, if any, immediate effects it had. A fieldwork report on the ongoing excavations at the Amorium project is also featured.
Volume 60 of this annual journal explores a range of Byzantine subjects: the classification of stamping objects (including six previously unpublished metal stamps); the date and purpose of the construction of Constantinople’s church of Saints Sergius and Bacchus; the Coptic Church’s literary construction of its identity in post-conquest Egypt; the evidence for the tenth-century revision of the so-called Chronicle of 811; an unusual development in the iconography of St. Menas; and versions of Niketas Choniates’ History.
Also included are editions and translations of Byzantine Communion prayers newly discovered in Massachusetts and two funerary epigrams written by Manuel Philes; both articles include commentary. The volume concludes with reports from 2003 and 2004 on Dumbarton Oaks–supported archaeological fieldwork projects on a church in Bizye and an aristocratic rock-cut Byzantine settlement in Cappadocia.
This latest volume of Dumbarton Oaks Papers focuses in part on literary and historical texts: historicism in Byzantine thought and literature; the Chronicle of Matthew of Edessa, encompassing the First Crusade and the Armenian diaspora; and a reappraisal of the satirical prose work Mazaris’s Journey to Hades. The history and architecture of the Cypriot Monastery of Saint John Chrysostomos at Koutsovendis occupy a lengthy and informative chapter, which also includes a first edition of the “Letter of Nikon of the Black Mountain to the Founder George.”
The volume also contains selected papers from the 2005 Dumbarton Oaks symposium on the archaeological evidence for settlement patterns in Anatolia and the Levant between 500 and 1000.
This volume begins with a substantial investigation of the murder of several members of the imperial family during the summer of 337, following the death of Constantine. Two other major articles are devoted to well-known Byzantine illustrated manuscripts, the ninth-century Sacra Parallela and the fourteenth-century collection of theological works by the emperor John VI Kantakouzenos, both now in Paris. A third art-historical paper presents a detailed analysis of the architectural decoration of the church of the “Red Monastery” near Suhag in Egypt. Other studies treat the mystery of the Incarnation as well as the earliest version of the Life of the Virgin and its relationship with the cult of Marian relics in Constantinople.
The volume concludes with three papers from a colloquium on the hymnographer Romanos the Melode.
Founded in 1941, the annual journal Dumbarton Oaks Papers is dedicated to the publication of articles relating to late antique, early medieval, and Byzantine civilization in the fields of art and architecture, history, archaeology, literature, theology, law, and auxiliary disciplines.
In this issue: Alexander Sarantis, “War and Diplomacy in Pannonia and the Northwest Balkans during the Reign of Justinian: The Gepid Threat and Imperial Responses”; Peter Hatlie, “Images of Motherhood and Self in Byzantine Literature”; Maria Evangelatou, “Liturgy and the Illustration of the Ninth-Century Marginal Psalters”; Henry Maguire, “Ivories as Pilgrimage Art: A New Frame for the ‘Frame Group’”; Vasileios Marinis, “Tombs and Burials in the Monastery tou Libos in Constantinople”; and three fieldwork reports: “Second Report on the Excavation in the Monastery of Apa Shenute (Dayr Anba Shinuda) at Suhag,” by Peter Grossman, Darlene L. Brooks Hedstrom, and Saad Mohamad Mohamad Osman, with a contribution by Hans-Christoph Noeske; “To Live and Die in a Turbulent Era: Bioarchaeological Analysis of the Early Byzantine (6th–7th Centuries AD) Population from Sourtara Galaniou Kozanis (Northern Greece),” by Chryssi Bourbou; and “Study and Restoration of the Zeyrek Camii in Istanbul: Second Report, 2001–2005,” by Robert Ousterhout, Zeynep Ahunbay, and Metin Ahunbay.
Founded in 1941, the annual journal Dumbarton Oaks Papers is dedicated to the publication of articles relating to late antique, early medieval, and Byzantine civilization in the fields of art and architecture, history, archaeology, literature, theology, law, and auxiliary disciplines.
This issue includes “The Canon Tables of the Psalms: An Unknown Work of Eusebius of Caesarea” by Martin Wallraff; “Histoires ‘Gothiques’ à Byzance: Le Saint, Le Soldat, et Le Miracle d’Euphémie et du Goth (BHG 739)” by Charis Messis and Stratis Papaioannou; “Reassessing the Sarcophagi of Ravenna” by Edward M. Schoolman; “Sources for the Study of Liturgy in Post-Byzantine Jerusalem (638–1187 CE)” by Daniel Galadza; “(Re)Mapping Medieval Antioch: Urban Transformations from the Early Islamic to the Middle Byzantine Periods” by A. Asa Eger; “Melkites and Icon Worship during the Iconoclastic Period” by Juan Signes Codoñer; “The Anzas Family: Members of the Byzantine Civil Establishment in the Eleventh, Twelfth, and Thirteenth Centuries” by John Nesbitt and Werner Seibt; “Viewing and Description in Hysmine and Hysminias: The Fresco of the Virtues” by Paroma Chatterjee; “The Documents of Dominicus Grimani, Notary in Candia (1356–1357)” by Nicky Tsougarakis; and “The Church of Saints Sergius and Bacchus in Kaftūn (Northern Lebanon) and Its Wall Paintings” by Tomasz Waliszewski, Krzysztof Chmielewski, Mat Immerzeel, and Nada Hélou.
Published annually, the journal Dumbarton Oaks Papers was founded in 1941 for the publication of articles relating to Byzantine civilization.
In this issue: Audrey Becker, “Verbal and Nonverbal Diplomatic Communication at the Imperial Court of Constantinople (fifth–sixth Centuries)”; Alexandra Wassiliou-Seibt and Andreas Gkoutzioukostas, “The Origin and the Members of the Kamytzes Family: A Contribution to Byzantine Prosopography”; Michael Zellmann-Rohrer, “‘Psalms Useful for Everything’: Byzantine and Post-Byzantine Manuals for the Amuletic Use of the Psalter”; Raymond Van Dam, “Eastern Aristocracies and Imperial Courts: Constantine’s Half-Brother, Licinius’s Prefect, and Egyptian Grain”; Daniel Caner, “Not a Hospital but a Leprosarium: Basil’s Basilias and an Early Byzantine Concept of the Deserving Poor”; Paul Botley, “Greek Literature in Exile: The Books of Andronicus Callistus, 1475–1476”; Aude Busine, “The Dux and the Nun: Hagiography and the Cult of Artemios and Febronia in Constantinople”; Benjamin Garstad, “Dionysiac and Christian Elements in the Lysos Episode in the Greek Alexander Romance (β rec.).”
Published annually, the journal Dumbarton Oaks Papers was founded in 1941 for the publication of articles relating to Byzantine civilization.
In this issue: Walter E. Kaegi, “Irfan Shahîd (1926–2016)”; Daniel Galadza, “Robert F. Taft, S.J. (1932–2018)”; Sylvain Destephen, “From Mobile Center to Constantinople: The Birth of Byzantine Imperial Government”; Dina Boero, “Making a Manuscript, Making a Cult: Scribal Production of the Syriac Life of Symeon the Stylite in Late Antiquity”; Alexandre M. Roberts, “Framing a Middle Byzantine Alchemical Codex”; Lilia Campana, “Sailing into Union: The Byzantine Naval Convoy for the Council of Ferrara–Florence (1438–1439)”; Hugh G. Jeffery, “New Lead Seals from Aphrodisias”; Maria G. Parani, “Curtains in the Middle and Late Byzantine House”; Kostis Kourelis, “Wool and Rubble Walls: Domestic Archaeology in the Medieval Peloponnese”; Kathrin Colburn, “Loops, Tabs, and Reinforced Edges: Evidence for Textiles as Architectural Elements”; Eunice Dauterman Maguire, “Curtains at the Threshold: How They Hung and How They Performed”; Sabine Schrenk, “The Background of the Enthroned: Spatial Analysis of the Hanging with Hestia Polyolbos in the Dumbarton Oaks Collection”; Jennifer L. Ball, “Rich Interiors: The Remnant of a Hanging from Late Antique Egypt in the Collection of Dumbarton Oaks”; Maria Evangelatou, “Textile Mediation in Late Byzantine Visual Culture: Unveiling Layers of Meaning through the Fabrics of the Chora Monastery”; Thelma K. Thomas, “The Honorific Mantle as Furnishing for the Household Memory Theater in Late Antiquity: A Case Study from the Monastery of Apa Apollo at Bawit”; Avinoam Shalem, “‘The Nation Has Put On Garments of Blood’: An Early Islamic Red Silken Tapestry in Split”; and Elizabeth Dospěl Williams, “A Taste for Textiles: Designing Ummayad and Early ʿAbbāsid Interiors.”
Published annually, the journal Dumbarton Oaks Papers was founded in 1941 for the publication of articles relating to Byzantine civilization.
In this issue: John S. Langdon and Stephen W. Reinert, “Speros Vryonis Jr.: 1928–2019”; Abraham Terian, “Monastic Turmoil in Sixth-Century Jerusalem and the South Caucasus: The Letter of Patriarch John IV to Catholicos Abas of the Caucasian Albanians”; Coleman Connelly, “Continued Celebration of the Kalends of January in the Medieval Islamic East”; Victoria Gerhold, “The Legend of Euphratas: Some Notes on Its Origins, Development, and Significance”; Christos Simelidis, “Two Lives of the Virgin: John Geometres, Euthymios the Athonite, and Maximos the Confessor”; Georgios Makris, “Living in Turbulent Times: Monasteries, Settlements, and Laypeople in Late Byzantine Southwest Thrace”; Philipp Niewöhner, “The Significance of the Cross before, during, and after Iconoclasm: Early Christian Aniconism in Constantinople and Asia Minor”; Stefania Gerevini, “Art as Politics in the Baptistery and Chapel of Sant’Isidoro at San Marco, Venice”; Laura Pfuntner, “Between Science and Superstition: Photius, Diodorus Siculus, and ‘Hermaphrodites’”; Baukje van den Berg, “John Tzetzes as Didactic Poet and Learned Grammarian”; Matthew Kinloch, “In the Name of the Father, the Husband, or Some Other Man: The Subordination of Female Characters in Byzantine Historiography”; Levente László, “Rhetorius, Zeno’s Astrologer, and a Sixth-Century Astrological Compendium”; and Stig Simeon R. Frøyshov, “The Early History of the Hagiopolitan Daily Office in Constantinople: New Perspectives on the Formative Period of the Byzantine Rite.”
Published annually, the journal Dumbarton Oaks Papers was founded in 1941 for the publication of articles relating to Byzantine civilization.
In this issue: Margaret Mullet, “Ruth Juliana Macrides: 1949–2019”; Sihong Lin, “Justin under Justinian: The Rise of Emperor Justin II Revisited”; David Gyllenhaal, “Byzantine Melitene and the Social Milieu of the Syriac Renaissance”; Pavel Murdzhev, “The Introduction of the Moldboard Plow to Byzantine Thrace in the Eleventh Century”; Annemarie Weyl Carr, “The Lady and the Juggler: Mary East and West”; Robert S. Nelson, “A Miniature Mosaic Icon of St. Demetrios in Byzantium and the Renaissance”; Esra Akin-Kivanç, “In the Mirror of the Other: Imprints of Muslim–Christian Encounters in the Late Antique and Early Medieval Mediterranean”; Anna Chrysostomides, “John of Damascus’s Theology of Icons in the Context of Eighth-Century Palestinian Iconoclasm”; Max Ritter, “The Byzantine Afterlife of Procopius’s Buildings”; Jonathan L. Zecher, “Myths of Aerial Tollhouses and Their Tradition from George the Monk to the Life of Basil the Younger”; Nektarios Zarras, “Illness and Healing: Τhe Ministry Cycle in the Chora Monastery and the Literary Oeuvre of Theodore Metochites”; and Aleksandr Andreev, “The Order of the Hours in the Yaroslavl Horologion.”
Dumbarton Oaks houses the extraordinary art collection begun by Mildred and Robert Woods Bliss. In this book the museum publishes the specialist collections in Byzantine and Pre-Columbian art, along with examples from the Blisses’ superb European collection, for the first time.
When Robert Bliss recalled handling a jade Olmec figurine in 1913, he said, “That day, the collector’s microbe took root in—it must be confessed—very fertile soil.” The Blisses’ passion for art bore fruit in a remarkably diverse collection: Flemish tapestries, Renaissance furniture, and paintings by the likes of El Greco, Renoir, and Degas. The celebrated Byzantine collection includes floor mosaics from late antique Antioch, sumptuous jewelry, carved ivory reliefs, liturgical silver, and a comprehensive coin and seals collection. The Pre-Columbian collection showcases fine jade carvings, gold jewelry, monumental sculpture, ritual weaponry, colorful ceramics, and intricately woven textiles.
The publication of this new guidebook coincides with the complete refurbishment of Dumbarton Oaks and the creative reinstallation of the galleries. The curators offer highlights of the collection, accompanied by a lucid and thought-provoking text. Dumbarton Oaks: The Collections is intended as a valuable resource and a pleasure to read for scholars and nonspecialists alike.
In May of 1940, the armies of Nazi Germany were marching through France. In the face of this devastating advance, one of World War II’s greatest acts of heroism would be a retreat: the evacuation of the British Army from Dunkirk.
In Dunkirk: Fight to the Last Man, we are given an unprecedented vision of these harrowing days. Hugh Sebag-Montefiore has created a bold and powerful account of the small group of men who fended off the German army so that hundreds of thousands of their comrades could exit this doomed land. These brave troops, members of the British Expeditionary Forces and the French army, held a series of strong points inland, allowing the rest of the battered battalions to escape to the coast. Those that remained were ordered to fight to the last man.
Much has been written about the efforts of the Royal Navy in shuttling soldiers to safety, but here we are given an unparalleled look inside this massive operation and the invaluable role played by the BEF. Without the ferocity and bravery of the officers and ordinary soldiers on the ground, the German army would likely have encircled nearly half a million Allied soldiers. The loss of these battalions, Sebag-Montefiore argues, could have dramatically changed the direction of the war, and enabled Hitler to invade a weakened Britain.
This is military history at its best: a judicious analysis of the movement of the war, and a vivid feel of what it was like to be on the front line. Sebag-Montefiore brings these men—the forgotten heroes of Dunkirk—to life, and it is their valiant exploits and devotion to their brethren that form the heart of this important book.
Dismissed as a flimsy front for management interests, industrial unions nonetheless carved out a role in the Carnegie Steel Company empire and then at U.S. Steel. James D. Rose examines the pivotal role played by these company-sponsored employee representation plans (ERPs) at the legendary steel works in Duquesne, Pennsylvania.
As Rose reveals, ERPs matured from tools of the company into worker-led organizations that represented the interests of the mills' skilled tradesmen and workers. ERPs and management created a sophisticated bargaining structure. Meanwhile, the independent trade union gave way to the Steel Workers Organizing Committee (SWOC), a professionalized organization that expended huge resources on companywide unionization. Yet even when the SWOC secured a collective bargaining agreement in 1937, it failed to sign up a majority of the Duquesne workforce.
Sophisticated and persuasive, Duquesne and the Rise of Steel Unionism confirms that what people did on the shop floor played a critical role in the course of steel unionism.
Whether romantic or tragic, accounts of the dramatic events surrounding the North American Dust Bowl of the “dirty thirties” unearthed anxieties buried deep in America’s ecological imagination. Moreover, the images of a landscape of fear remain embedded in the national consciousness today. In vivid form, the aesthetic of suffering captured in Dorothea Lange’s photographs and Woody Guthrie’s folk songs created the myths and memories of the Depression generation.
Dust Bowl, USA is a critical examination of the stories that grew out of the Dust Bowl experience. Across the nation, newspapers, magazines, books, films, and songs produced imagery of blight for local and mass audiences. As new technology, irrigation innovations, and conservation programs were introduced on a wide scale during the 1930s, the saga of the frontier continued to unfold through accounts of dust, drought, and desertification.
In piercing the myths brought forth in legends, lore, allegories, and anecdotes, Brad Lookingbill provides a revelatory insight into the history of the cultural narratives that have come to define an era.
In this witty, engaging, and challenging book, Carolyn Steedman has produced an originaland sometimes irreverentinvestigation into how modern historiography has developed. Dust: The Archive and Cultural History considers our stubborn set of beliefs about an objective material worldinherited from the nineteenth centurywith which modern history writing and its lack of such a belief, attempts to grapple. Drawing on her own published and unpublished writing, Carolyn Steedman has produced a sustained argument about the way in which history writing belongs to the currents of thought shaping the modern world.
Steedman begins by asserting that in recent years much attention has been paid to the archive by those working in the humanities and social sciences; she calls this practice "archivization." By definition, the archive is the repository of "that which will not go away," and the book goes on to suggest that, just like dust, the "matter of history" can never go away or be erased.
This unique work will be welcomed by all historians who want to think about what it is they do.
"How much history can be communicated by pressure on a guitar string?" Robert Palmer wondered in Deep Blues. Greil Marcus answers here: more than we will ever know. It is the history in the riff, in the movie or novel or photograph, in the actor's pose or critic's posturing--in short, the history in cultural happenstance--that Marcus reveals here, exposing along the way the distortions and denials that keep us oblivious if not immune to its lessons.
Whether writing about the Beat Generation or Umberto Eco, Picasso's Guernica or the massacre in Tiananmen Square, The Manchurian Candidate or John Wayne's acting, Eric Ambler's antifascist thrillers or Camille Paglia, Marcus uncovers the histories embedded in our cultural moments and acts, and shows how, through our reading of the truths our culture tells and those it twists and conceals, we situate ourselves in that history and in the world. Rarely has a history lesson been so exhilarating. With the startling insights and electric style that have made him our foremost writer on American music, Marcus brings back to life the cultural events that have defined us and our time, the social milieu in which they took place, and the individuals engaged in them. As he does so, we see that these cultural instances--as lofty as The Book of J, as humble as a TV movie about Jan and Dean, as fleeting as a few words spoken at the height of the Berkeley Free Speech Movement, as enduring as a Paleolithic painting--often have more to tell us than the master-narratives so often passed off as faultless representations of the past.
Again and again Marcus skewers the widespread assumption that history exists only in the past, that it is behind us, relegated to the dustbin. Here we see instead that history is very much with us, being made and unmade every day, and unless we recognize it our future will be as cramped and impoverished as our present sense of the past.
In an era of polarization, narrow party majorities, and increasing use of supermajority requirements in the Senate, policy entrepreneurs must find ways to reach across the aisle and build bipartisan coalitions in Congress. One such coalition-building strategy is the “politics of efficiency,” or reform that is aimed at eliminating waste from existing policies and programs. After all, reducing inefficiency promises to reduce costs without cutting benefits, which should appeal to members of both political parties, especially given tight budgetary constraints in Washington.
Dust-Up explores the most recent congressional efforts to reform asbestos litigation—a case in which the politics of efficiency played a central role and seemed likely to prevail. Yet, these efforts failed to produce a winning coalition, even though reform could have saved billions of dollars and provided quicker compensation to victims of asbestos-related diseases. Why? The answers, as Jeb Barnes deftly illustrates, defy conventional wisdom and force us to rethink the political effects of litigation and the dynamics of institutional change in our fragmented policymaking system.
Set squarely at the intersection of law, politics, and public policy, Dust-Up provides the first in-depth analysis of the political obstacles to Congress in replacing a form of litigation that nearly everyone—Supreme Court justices, members of Congress, presidents, and experts—agrees is woefully inefficient and unfair to both victims and businesses. This concise and accessible case study includes a glossary of terms and study questions, making it a perfect fit for courses in law and public policy, congressional politics, and public health.
The Dutch Atlantic interrogates the Dutch involvement in Atlantic slavery and assesses the historical consequences of this for contemporary European society.
Kwame Nimako and Glenn Willemsen show how the slave trade and slavery intertwined economic, social and cultural elements, including nation-state formation in the Netherlands and across Europe. They explore the mobilisation of European populations in the implementation of policies that facilitated Atlantic slavery and examine how European countries created and expanded laws that perpetuated colonisation.
Addressing key themes such as the incorporation of the formerly enslaved into post-slavery states and contemporary collective efforts to forget and/or remember slavery and its legacy in the Netherlands, this is an essential text for students of European history and postcolonial studies.
The seventeenth century is considered the Dutch Golden Age, a time when the Dutch were at the forefront of social change, economics, the sciences, and art. In Dutch Culture in the Golden Age, eminent historian J. L. Price goes beyond the standard descriptions of the cultural achievements of the Dutch during this time by placing these many achievements within their social context. Price’s central argument is that alongside the innovative tendencies in Dutch society and culture there were powerful conservative and reactionary forces at work—and that it was the tension between these contradictory impulses that gave the period its unique and powerful dynamic.
Dutch Culture in the Golden Age is distinctive in its broad scope, examing art, literature, religion, political ideology, theology, and scientific and intellectual trends, while also attending to the high and popular culture of the times. Price’s new interpretation of Dutch history places an emphasis on the paradox of the Dutch resistance to change as well as their general acceptance of innovation.
This comprehensive look at the Dutch Golden Age provides a fascinating new way to understand Dutch culture at the height of its historic and global influence.
As she traces the lives of the Harings and their neighbors, Fabend focuses on their marriage and childbearing patterns, living conditions, agricultural methods, and relative economic position. She investigates inheritance patterns, concluding that the position of women deteriorated under English law. She is equally interested in the political and religious life of the family. The Harings formed a church fitting their Pietist beliefs, and this church became central to community life. Their theology encouraged them to question religious authority, which in turn fostered the questioning of political authority. Their community became a seedbed for revolutionary activity. Fabend examines the family's position in the Revolution--primarily patriot--and the losses they suffered in that conflict.
The Harings of colonial America were ideal yeoman farmers, a class that stood well in the social hierarchy of the day. They were industrious, they prospered, and they participated in the civic life of colonial America. But once the new republic formed, they were not very visible. Fabend argues that they maintained their "Dutchness" more consciously than ever after the Revolution, which hindered their full participation in public affairs. In some ways, the fifth and sixth generations were more Dutch than the early generations.
In 1988–1989 the three hundredth anniversary of an important historical event, the ascension of William and Mary to the thrones of England and Scotland, was celebrated in the Netherlands, the United Kingdom, and the United States of America. The symposium on Dutch garden art held at Dumbarton Oaks in May 1988 was the only scholarly event during the anniversary year that focused wholly upon gardens.
This wide-ranging collection of essays charts the history, scope, and spread of Dutch garden art during the seventeenth century. A group of scholars, mostly Dutch, surveys what has been called the “golden age” of Dutch garden design. Essays discuss the political context of William’s building and gardening activities at his palace of Het Loo in the Netherlands; the development of a distinctively Dutch garden art during the seventeenth century; country house poetry; and specific estates and their gardens, such as those of Johan Maurits van Nassau-Siegen at Cleves or Sorgvliet, the estate of Hans Willem Bentinck, later the Earl of Portland. Other contributions concern typical Dutch planting and layouts, with a focus upon Jan van der Green’s much-circulated Den Nederlandtsen Hovenier; the designs of Daniel Marot, the Huguenot refugee from France, who worked for William III in both the Netherlands and England; and the attitudes of the English toward Dutch gardening as it was observed in practice and mythologized through the distorting lens of national cooperation and rivalries.
Even though they are historically one of the smaller immigrant streams, nineteenth-century Dutch migrants and their descendants have made parts of West Michigan their own. The first Dutch in Michigan were religious dissenters whose commitment to Calvinism had long-reaching effects on their communities, even in the face of later waves of radicalized industrial immigrants and the challenges of modern life. From Calvin College to Meijer Thrifty Acres and the Tulip Festival, the Dutch presence has enriched and informed people throughout the state. Larry ten Harmsel skillfully weaves together the strands of history and modern culture to create a balanced and sensitive portrayal of this vibrant community.
Dutch is Beautiful tells the story of the fifty years of Dutch and Flemish Studies at the University of Michigan in Ann Arbor, Michigan, USA. It is an account of the efforts to promote Dutch and Flemish culture and language, as well as a description of how the teaching of Dutch language, literature, history and culture can be a tool to look at a world of diverse identities. It also offers a comprehensive overview of the beginnings of a successful program that included Dutch writers-in-residence, visiting Netherlands professors, cultural and educational events, arts, music, films, conferences and publications. Several alumni of the program look back at their college years with appreciation. Articles and essays on history, Anne Frank, and conversations on colonialism discuss critical and educational views on Dutch and Flemish Studies in past, present and future, when diversity, equity and inclusion are important goals and objectives, and public scholarship and academic activism will be a larger part of the curriculum. This book will inform, entertain, stimulate and impress everyone who is interested in the culture of the Low Countries. The title says it all!
During the closing years of the sixteenth century, the Dutch East India Company fast became a political and economic force in Asia, en route to becoming the leading private company in the world by 1660. This definitive volume explores perhaps the most important tool in the company’s trade: its ships. Robert Parthesius here reconstructs the complete shipping activities of the Company through a unique database that charts the movements of even previously ignored smaller vessels. Demonstrating that the wide range of types and sizes of vessels were indeed what gave the Company the ability to sail—and to continue its profitable trade—year after year, Dutch Ships in Tropical Waters combines the best of maritime history and archaeological research in order to change our understanding of the logistical dynamics behind one of the most important and successful businesses of this period.
Catherine Fowler chronicles a significant yet little-known program for Girl Scouts in post–WWII America. At a time when women were just beginning to enter fields traditionally dominated by men, these two-week camping caravans and archaeological excavations introduced teenage girls not only to the rich cultural and scientific heritage of the American Southwest but to new career possibilities. Dr. Bertha Dutton, curator at the Museum of New Mexico, served as trip leader.
While on the road and in camp, Dutton and other experts in anthropology, archaeology, geology, natural history, and more helped the campers appreciate what they were seeing and learning. This book details the history of the program, sharing trip itineraries and selected memories from the nearly three hundred girls who attended the camps. It also serves as a mini-biography and tribute to Bertha Dutton, who, through her knowledge, teaching, and strong persona, provided a role model for these young women, many of whom later pursued careers in anthropology and related fields.
In this comprehensive historical investigation, drawing on films preserved by the Library of Congress and the Museum of Modern Art, Tom Gunning reveals that the remarkable cinematic changes between 1900 and 1915 were a response to the radical reorganization within the film industry and the evolving role of film in American society. The Motion Picture Patents Company, the newly formed Film Trust, had major economic aspirations. The newly emerging industry's quest for a middle-class audience triggered Griffith's early experiments in film editing and imagery. His unique solutions permanently shaped American narrative film.
A little over 100 years ago, the first production of An-sky’s The Dybbuk, a play about the possession of a young woman by a dislocated spirit, opened in Warsaw. In the century that followed, The Dybbuk became a theatrical conduit for a wide range of discourses about Jews, belonging, and modernity. This timeless Yiddish play about spiritual possession beyond the grave would go on to exert a remarkable and unforgettable impact on modern theater, film, literature, music, and culture.
The Dybbuk Century collects essays from an interdisciplinary group of scholars who explore the play’s original Yiddish and Hebrew productions and offer critical reflections on the play’s enduring influence. The collection will appeal to scholars, students, and theater practitioners, as well as general readers.
Zev Eleff tells the story of two immigrants’ sons shaped by a vision of an America that rewarded any person of virtue. As a player, the Chicago-born Horween had led Harvard to its 1920 Rose Bowl victory. As a coach, he faced intractable opposition from powerful East Coast alumni because of his values and Midwestern, Jewish background. Eleff traces Bingham and Horween’s careers as student-athletes and their campaign to wrest control of the football program from alumni. He also looks at how Horween undermined stereotypes of Jewish masculinity and dealt with the resurgent antisemitism of the 1920s.
A pathbreaking history of early modern education argues that Europe’s oldest university, often seen as a bastion of traditionalism, was in fact a vibrant site of intellectual innovation and cultural exchange.
The University of Bologna was among the premier universities in medieval Europe and an international magnet for students of law. However, a long-standing historiographical tradition holds that Bologna—and Italian university education more broadly—foundered in the early modern period. On this view, Bologna’s curriculum ossified and its prestige crumbled, due at least in part to political and religious pressure from Rome. Meanwhile, new ways of thinking flourished instead in humanist academies, scientific societies, and northern European universities.
David Lines offers a powerful counternarrative. While Bologna did decline as a center for the study of law, he argues, the arts and medicine at the university rose to new heights from 1400 to 1750. Archival records show that the curriculum underwent constant revision to incorporate contemporary research and theories, developed by the likes of René Descartes and Isaac Newton. From the humanities to philosophy, astronomy, mathematics, and medicine, teaching became more systematic and less tied to canonical texts and authors. Theology, meanwhile, achieved increasing prominence across the university. Although this religious turn reflected the priorities and values of the Catholic Reformation, it did not halt the creation of new scientific chairs or the discussion of new theories and discoveries. To the contrary, science and theology formed a new alliance at Bologna.
The University of Bologna remained a lively hub of cultural exchange in the early modern period, animated by connections not only to local colleges, academies, and libraries, but also to scholars, institutions, and ideas throughout Europe.
Millions of scientific articles are published each year, making it difficult to stay abreast of advances within even the smallest subdisciplines. Traditional approaches to the study of science, such as the history and philosophy of science, involve closely reading a relatively small set of journal articles. And yet many questions benefit from casting a wider net: Is most scientific change gradual or revolutionary? What are the key sources of scientific novelty? Over the past several decades, a massive effort to digitize the academic literature and equip computers with algorithms that can distantly read and analyze a digital database has taken us one step closer to answering these questions. The Dynamics of Science brings together a diverse array of contributors to examine the largely unexplored computational frontiers of history and philosophy of science. Together, they reveal how tools and data from automated textual analysis, or machine “reading,” combined with methods and models from game theory and cultural evolutionary theory, can begin to answer fundamental questions about the nature and history of science.
This volume addresses cultural and literary transformation in the late Ming (1550-1644) and late Qing (1851-1911) eras. Although conventionally associated with a devastating sociopolitical crisis, each of these periods was also a time when Chinese culture was rejuvenated. Focusing on the twin themes of crisis and innovation, the seventeen chapters in this book aim to illuminate the late Ming and late Qing as eras of literary-cultural innovation during periods of imperial disintegration; to analyze linkages between the two periods and the radical heritage they bequeathed to the modern imagination; and to rethink the "premodernity" of the late Ming and late Qing in the context of the end of the age of modernism.
The chapters touch on a remarkably wide spectrum of works, some never before discussed in English, such as poetry, drama, full-length novels, short stories, tanci narratives, newspaper articles, miscellanies, sketches, familiar essays, and public and private historical accounts. More important, they intersect on issues ranging from testimony about dynastic decline to the negotiation of authorial subjectivity, from the introduction of cultural technology to the renewal of literary convention.
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