In 1758 Peter Williamson appeared on the streets of Aberdeen, Scotland, dressed as a Native American and telling a remarkable tale. He claimed that as a young boy he had been kidnapped from the city and sold into slavery in America. In performances and in a printed narrative he peddled to his audiences, Williamson described his tribulations as an indentured servant, Indian captive, soldier, and prisoner of war. Aberdeen’s magistrates called him a liar and banished him from the city, but Williamson defended his story.
Separating fact from fiction, Timothy J. Shannon explains what Williamson’s tale says about how working people of eighteenth-century Britain, so often depicted as victims of empire, found ways to create lives and exploit opportunities within it. Exiled from Aberdeen, Williamson settled in Edinburgh, where he cultivated enduring celebrity as the self-proclaimed “king of the Indians.” His performances and publications capitalized on the curiosity the Seven Years’ War had ignited among the public for news and information about America and its native inhabitants. As a coffeehouse proprietor and printer, he gave audiences a plebeian perspective on Britain’s rise to imperial power in North America.
Indian Captive, Indian King is a history of empire from the bottom up, showing how Williamson’s American odyssey illuminates the real-life experiences of everyday people on the margins of the British Empire and how those experiences, when repackaged in travel narratives and captivity tales, shaped popular perceptions about the empire’s racial and cultural geography.
When U.S. Cavalry troops rode onto the Ute Indian Reservation in northwestern Colorado on September 29, 1879, they triggered a chain of events that cost the Utes their homeland: a deadly battle at Milk Creek, the killing of all men at the Indian agency headed by Nathan Meeker, and the taking of three women and two children who were held hostage for 23 days. The Utes didn’t seek a fight with the whites, most of whom they viewed as friends. However, powerful whites in Colorado wanted the Utes expelled. The Meeker affair was an opportunity to achieve that.
In Troubled Trails, Robert Silbernagel casts new light on the story of the Meeker Affair. Using details from historical interview transcripts and newspaper articles, he reveals the personalities of the major characters—both Indian and non-Indian. He tells the story from many perspectives, including that of Indian Agent Nathan Meeker; the U.S. military; Nicaagat, a leader of the White River Utes; and Josephine Meeker, Nathan Meeker’s daughter, who was held hostage by the Utes. Silbernagel took great pains to tell a complete story, even following on horseback the trail taken by the Utes. As a result, his book paints a multifaceted picture of what took place and, most importantly, his portrayal brings the Ute side of the story into focus.
Analyzing slavery and other forms of servitude in six non-state indigenous societies of tropical America at the time of European contact, Vital Enemies offers a fascinating new approach to the study of slavery based on the notion of "political economy of life." Fernando Santos-Granero draws on the earliest available historical sources to provide novel information on Amerindian regimes of servitude, sociologies of submission, and ideologies of capture.
Estimating that captive slaves represented up to 20 percent of the total population and up to 40 percent when combined with other forms of servitude, Santos-Granero argues that native forms of servitude fulfill the modern understandings of slavery, though Amerindian contexts provide crucial distinctions with slavery as it developed in the American South. The Amerindian understanding of life forces as being finite, scarce, unequally distributed, and in constant circulation yields a concept of all living beings as competing for vital energy. The capture of human beings is an extreme manifestation of this understanding, but it marks an important element in the ways Amerindian "captive slavery" was misconstrued by European conquistadors.
Illuminating a cultural facet that has been widely overlooked or miscast for centuries, Vital Enemies makes possible new dialogues regarding hierarchies in the field of native studies, as well as a provocative re-framing of pre- and post-contact America.
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