W. Y. Evans–Wentz, great Buddhist scholar and translator of such now familiar works as the Tibetan Book of the Dead and the Tibetan Book of the Great Liberation, spent his final years in California. There, in the shadow of Cuchama, one of the Earth’s holiest mountains, he began to explore the astonishing parallels between the spiritual teaching of America’s native peoples and that of the deeply mystical Hindus and Tibetans. Cuchama and Sacred Mountains, a book completed shortly before his death in 1965, is the fruit of those explorations.
To Cuchama, “Exalted High Place,” came the young Cochimi and Yuma boys for initiation into the mystic rites for their people. In solitude they sought and received guidance and wisdom. In this same way, the peoples of ancient Greece, the Hebrews, the early Christians, and the Hindus had found access to inner truth on their own holy mountains: and in this same way must the modern person find the path to inner knowing.
Surveying many of the most Sacred Mountains in North America, South America, Europe, and Asia, Evans–Wentz expresses the belief that the secret power of these high places has not passed away but only awaits the coming of a New Age. This new age, in accord with the oldest prophecies of our continent, will be a time of renaissance, the long–waited era of harmony and peace among all peoples.
This renaissance shall be uniquely American, a renewal based on the values so long honored by the Americans before Columbus, and so ruthlessly trampled by the “civilized” Europeans who overran them. No other race of people has been as spiritual in their way of life than the original Americans, notes Evans–Wentz. Perhaps none other has known such martyrdom. Yet the secret greatness of the Indian religion still lives, ancient as the Earth itself, yet ageless in its power to renew.
Decoding Andean Mythology is a comprehensive analysis of Native Andean oral tradition spanning five centuries. Based on twenty years of research and a wide range of scholarship, this book departs from the Cuzco-centered focus of many published Andean narratives and includes myths, stories, and folktales from diverse regions and ethnic groups. Among them are full translations of thirty-two ancient and modern Native Andean stories. Colorful illustrations and a comprehensive glossary of Quechua, Aymara, and Spanish loan words supplement the text.
In an accessible and engaging discussion suitable for students, the author explores a number of recurring themes and characters in Andean stories. These include shape-shifting animals, the inversion of time-space (pachacuti), anthropomorphic and supernatural beings, and conflicting attitudes toward sexuality. The text also presents a fresh perspective on traditional, non-Western concepts such as huacas (sacred objects and places), suggesting some act as portals or mediating spaces between the natural and supernatural worlds. Of particular significance for current events is a lengthy chapter on social protest, explaining the rise of indigenous movements in the Andes and highlighting the contemporary use of Native Andean folktales as an avenue for social and political dissent.
Winner of the 2018 Wayland D. Hand Prize by the American Folklore Society.
Beloved Houma/Choctaw storyteller Grayhawk Perkins shares age-old wisdom in an unforgettable collection of folktales
Grayhawk’s Native American Folktales is the eagerly awaited collection of stories by Grayhawk Perkins, a noted Houma storyteller from Louisiana. Drawing on traditional Indigenous tales, Grayhawk transforms these narratives into stories that captivate contemporary readers and audiences.
The collection features universal animal characters such as Deer, Rabbit, Bobcat, Turtle, and Snake that embody a variety of traits. Their adventures and challenges in the natural world reveal human behavior and lessons about how to treat others. Creation stories explain how the world and its inhabitants came to be, including the diligent Crawfish, the origin of skunk stripes, and why opossums are white. Although written for children ages 7 to 12 and their families, all will be charmed by Grayhawk’s contributions to Indigenous literature.
Indigenous and Popular Thinking in América is a record of Kusch's attempt to immerse himself in the indigenous ways of knowing and being. At first glance, his methodology resembles ethnography. He speaks with and observes indigenous people and mestizos in Peru, Bolivia, and Argentina. He questions them about their agricultural practices and economic decisions; he observes rituals; he asks women in the market the meaning of indigenous talismans; he interviews shamans; he describes the spatial arrangement and the contents of shrines, altars, and temples; and he reproduces diagrams of archaeological sites, which he then interprets at length. Yet he does not present a "them" to a putative "us." Instead, he offers an inroad to a way of thinking and being that does not follow the logic or fit into the categories of Western social science and philosophy. In his introduction, Walter D. Mignolo discusses Kusch's work and its relation to that of other twentieth-century intellectuals, Argentine history, and contemporary scholarship on the subaltern and decoloniality.
Eighteen essays provide an accessible, entertaining look into a system of millennia-old legends and beliefs.
Mythology is one of the great creations of humankind. It forms the core of sacred books and reflects the deepest preoccupations of human beings, their most intimate secrets, their glories, and their infamies.
In 1990, Alfredo López Austin, one of the foremost scholars of ancient Mesoamerican thought, began a series of essays about mythology in the Mesoamerican tradition, published in México Indígena. Although his articles were written for general readers, they were also intended to engage specialists. They span a divers subject matter: myths and names, eclipses, stars, left and right, Méxican origins, Aztec incantations, animals, and the incorporation of Christian elements into the living mythologies of Mexico. The title essay relates the Mesoamerican myth explaining why there is a rabbit o the moon’s face to a Buddhist image and suggests the importance of the profound mythical concepts presented by each image.
The eighteen essays in this volume are unified by their basis in Mesoamerican tradition and provide an accessible, entertaining look into a system of millennia-old legends and beliefs.
Starting with the anti-Spanish wars of independence in the early nineteenth century, Earle charts the changing importance elite nationalists ascribed to the pre-Columbian past through an analysis of a wide range of sources, including historical writings, poems and novels, postage stamps, constitutions, and public sculpture. This eclectic archive illuminates the nationalist vision of creole elites throughout Spanish America, who in different ways sought to construct meaningful national myths and histories. Traces of these efforts are scattered across nineteenth-century culture; Earle maps the significance of those traces. She also underlines the similarities in the development of nineteenth-century elite nationalism across Spanish America. By offering a comparative study focused on Mexico, Guatemala, Colombia, Peru, Chile, and Ecuador, The Return of the Native illustrates both the common features of elite nation-building and some of the significant variations. The book ends with a consideration of the pro-indigenous indigenista movements that developed in various parts of Spanish America in the early twentieth century.
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