BiblioVault - Books about Italy

Oh, Serafina!

A Fable of Ecology, Lunacy, and Love

Giuseppe Berto

Rutgers University Press, 2023

Heir to the FIBA button factory in Lombardy, Augustus is profiting from Italy’s postwar industrial boom. Yet the dreamy young man is far from your stereotypical industrialist. He is less interested in making money than in talking to the birds in the surrounding garden and in making love to a beautiful factory worker named Palmira. But when the money-hungry Palmira schemes to have him institutionalized, Augustus finds a new love among his fellow mental patients: flute-playing flower child Serafina. Can Augustus and Serafina find a way to break free and express their love of each other and of nature in this crazy world?

Newly translated into English, Giuseppe Berto’s charming 1973 novel Oh, Serafina! was one of the first works of Italian literature to deal with ecological themes while also questioning the destructive effects of industrial capitalism, the many forms spirituality might take, and the ways our society defines madness. This translation includes a foreword from literary scholar Matteo Gilebbi that provides biographical, historical, and philosophical context for appreciating this whimsical fable of ecology, lunacy, and love.

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Old Calabria

Norman Douglas

Northwestern University Press, 1996

First published in 1915, Old Calabria is a comprehensive and exciting account of adventure travel. Captivated by the pagan quality of the mezzogiorno, Norman Douglas plunged into Calabria, the southernmost and most backward part of Italy (a province that was still largely devoid of any form of modern amenity). He endured extremes of climate, scaled mountains, rode in carriages driven by villainous coachmen, and traversed remote stretches of country where murderous groups of banditti were known to roam. As Jon Manchip White points out in his introduction, it "makes good reading, but it must have constituted a protracted and frightening ordeal--frightening, that is, to anyone except someone like Douglas, possessed of a more than normal share of guts and fortitude."

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Old Puglia

A Cultural Companion to South-Eastern Italy

Desmond Seward and Susan Mountgarret

Haus Publishing, 2016

Apulia (or Puglia) is the heel of Italy, stretching down from the spur of the Italian boot. Its landscape is often very beautiful and it has wonderful old cities with Romanesque cathedrals, Gothic castles and a great wealth of Baroque architecture, together with 'rupestrian' churches that contain Byzantine frescoes. But, although far from inaccessible, until quite recently it was seldom visited by Anglo Saxons. Today, however, Apulia is becoming fashionable, 'an alternative to Tuscany'. It is featured on radio and television; travel supplements describe its beaches and its cooking, supermarkets stock Apulian wine, oil, bread and pasta. Yet almost nothing about the region has been published in English since the days of Norman Douglas and the Sitwells. One can find 'holiday histories' of Tuscany, but there is no popular introduction to Apulian history, not even in Italian. Our book, which grew out of what was originally intended as a travel book, has been written to fill the gap by providing a simple, readable account.

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One Step Ahead

A Jewish Fugitive in Hitler's Europe

Alfred Feldman. Foreword by Susan Zuccotti

Southern Illinois University Press, 2001

Through compelling personal accounts and family correspondence, One Step Ahead documents Alfred Feldman’s harrowing flight into exile as he and his family fled the pogroms that flooded across Nazi-occupied Europe. It is a memoir of horror and hope recounted by a man who survived the organized terror of Hitler’s "Final Solution" as it destroyed entire generations of European Jewish life within ten catastrophic years in the mid-twentieth century. Feldman’s memoir conveys the searing pain that has never left him, while demonstrating the triumphant humanity of a survivor.

Feldman vividly describes the impact of the escalating anti-Semitic hatred and violence in Germany during the 1930s, the impact of the notorious Nuremberg Laws in 1935, and the terrifying Kristallnacht pogrom in 1938. By age sixteen, Feldman was living with his parents and three younger sisters in Antwerp, Belgium, during the 1939 German invasions of Poland, marking the start of World War II. In the face of increasing persecution, Feldman’s extended family scattered over the globe in a desperate attempt to remain one step ahead of their Nazi pursuers.

Recalling his life on the run, Feldman describes what few survivors have chosen to write about: the Vichy raids of August 26, 1942; the French labor brigades; the Comité Dubouchage; and life in super-vised residence in France under the Italians. While in the south of France, Feldman endured food shortages and Nazi anti-Semitic measures, beginning with work camps and culminating in the deportation and ultimate death of his mother and sisters at Auschwitz.

To evade the Germans, Feldman and his father fled into the Italian Alps in September of 1943, hiding between the Allies and the Germans. Aided by local villagers, the Feldmans survived precariously for over a year and a half, along with other Jewish refugees, until that region was liberated. Only then, and only gradually, did Feldman manage to piece together the fate of his surviving family and learn at last of the death of his mother and sisters.

Now, as an adult, Alfred Feldman has retraced his escape and exile, taking his wife and children to his hometown in Germany, the mountains in Italy, and Montagnac, where a plaque commemorates his mother and sisters.

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Opera and Sovereignty

Transforming Myths in Eighteenth-Century Italy

Martha Feldman

University of Chicago Press, 2007

Performed throughout Europe during the 1700s, Italian heroic opera, or opera seria, was the century’s most significant musical art form, profoundly engaging such figures as Handel, Haydn, and Mozart. Opera and Sovereignty is the first book to address this genre as cultural history, arguing that eighteenth-century opera seria must be understood in light of the period’s social and political upheavals.

Taking an anthropological approach to European music that’s as bold as it is unusual, Martha Feldman traces Italian opera’s shift from a mythical assertion of sovereignty, with its festive forms and rituals, to a dramatic vehicle that increasingly questioned absolute ideals. She situates these transformations against the backdrop of eighteenth-century Italian culture to show how opera seria both reflected and affected the struggles of rulers to maintain sovereignty in the face of a growing public sphere. In so doing, Feldman explains why the form had such great international success and how audience experiences of the period differed from ours today. Ambitiously interdisciplinary, Opera and Sovereignty will appeal not only to scholars of music and anthropology, but also to those interested in theater, dance, and the history of the Enlightenment.

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Opera in Theory and Practice, Image and Myth

Edited by Lorenzo Bianconi and Giorgio Pestelli

University of Chicago Press, 2003

The History of Italian Opera marks the first time a team of scholars has worked together to investigate the entire Italian operatic tradition, rather than limiting its focus to major composers and their masterworks. Including both musicologists and historians of other arts, the contributors approach opera not only as a distinctive musical genre but also as a form of extravagant theater and a complex social phenomenon.

This sixth volume in the series centers on the sociological and critical aspects of opera in Italy, considering the art in the context of an Italian literary and cultural canon rarely revealed in English and American studies. In its six chapters, contributors survey critics' changing attitudes toward opera over several centuries, trace the evolution of formal conventions among librettists, explore the historical relationships between opera and Italian literature, and examine opera's place in Italian popular and national culture. In perhaps the volume's most striking contribution, German scholar Carl Dahlouse offers his most important statement on the dramaturgy of opera.

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Opera Observed

Views of a Florentine Impresario in the Early Eighteenth Century

William C. Holmes

University of Chicago Press, 1993

William C. Holmes provides a rare look behind the scenes into the world of early eighteenth-century Italian opera. Based on a rich store of newly recovered documents, mainly the personal papers of Luca Casimiro degli Albizzi, this social history illuminates the complexities of staging opera in the 1720s and '30s: the role of the impresario in planning an operatic season, financial and artistic difficulties, the importance of patronage, the power of individual singers and composers, considerations of set design, and the practice of altering librettos.

A member of an illustrious Florentine family, Albizzi (1664-1745) served as one of the principal impresarios of the Pergola, Florence's earliest and greatest opera theater. He also carried on an active correspondence with impresarios in other cities, freely giving his advice on various economic and artistic concerns. Holmes uses the Albizzi family archives—the most abundant and varied material yet available about an eighteenth-century impresario and his theater—to deepen our knowledge of an extraordinary but little understood period in Italian opera.

This book will appeal to anyone curious about operatic history.

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Opera on Stage

Edited by Lorenzo Bianconi and Giorgio Pestelli

University of Chicago Press, 2002

The History of Italian Opera marks the first time a team of expert scholars has worked together to investigate the Italian operatic tradition in its entirety, rather than limiting its focus to individual eras or major composers and their masterworks. Including both musicologists and historians of other arts, the contributors approach opera not only as a distinctive musical genre but also as a form of extravagant theater and a complex social phenomenon-resulting in the sort of panoramic view critical to a deep and fruitful understanding of the art.

Opera on Stage, the second book of this multi-volume work to be published in English-in an expanded and updated version-focuses on staging and viewing Italian opera, from the court spectacles of the late sixteenth century to modern-day commercial productions. Mercedes Viale Ferrero describes the history of theater and stage design, detailing the evolution of the art well into the twentieth century. Gerardo Guccini does the same for stage and opera direction and the development of the director's role as an autonomous creative force. Kathleen Kuzmick Hansell discusses the interrelationships between theatrical ballet and Italian opera, from the age of Venetian opera to the early twentieth century. The visual emphasis of all three contributions is supplemented by over one hundred illustrations, and because much of this material-on the more "spectacular" visual aspects of Italian opera-has never before appeared in English, Opera on Stage will be welcomed by scholars and opera enthusiasts alike.

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Opera Production and Its Resources

Edited by Lorenzo Bianconi and Giorgio Pestelli

University of Chicago Press, 1998

Standing at the forefront of historiographical research, The History of Italian Opera marks the first time a multidisciplinary team of scholars has worked together to investigate the entire Italian operatic tradition, rather than limiting the focus to major composers and their masterworks. Including both musicologists and historians of other arts, the contributors approach opera not only as a distinctive musical genre but also as a form of extravagant theater and a complex social phenomenon.

Opera Production and Its Resources traces the social, economic, and artistic history of the production of opera from its origins around 1600 to contemporary stagings. From the very beginning, opera has been a chronically deficit-producing enterprise. Yet it maintained unchallenged preeminence in the culture of all Italians for centuries. The first half explores the central role of theater impresarios in putting on these complex productions and in increasing the output of librettos and scores. The second half considers the roles of the three key figures in the creation of any opera: the librettist, the composer, and the singer.

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The Operas of Giuseppe Verdi

Abramo Basevi

University of Chicago Press, 2014

Abramo Basevi published his study of Verdi’s operas in Florence in 1859, in the middle of the composer’s career. The first thorough, systematic examination of Verdi’s operas, it covered the twenty works produced between 1842 and 1857—from Nabucco and Macbeth to Il trovatore, La traviata, and Aroldo. But while Basevi’s work is still widely cited and discussed—and nowhere more so than in the English-speaking world—no translation of the entire volume has previously been available. The Operas of Giuseppe Verdi fills this gap, at the same time providing an invaluable critical apparatus and commentary on Basevi’s work.

As a contemporary of Verdi and a trained musician, erudite scholar, and critic conversant with current and past operatic repertories, Basevi presented pointed discussion of the operas and their historical context, offering today’s readers a unique window into many aspects of operatic culture, and culture in general, in Verdi’s Italy. He wrote with precision on formal aspects, use of melody and orchestration, and other compositional features, which made his study an acknowledged model for the growing field of music criticism. Carefully annotated and with an engaging introduction and detailed glossary by editor Stefano Castelvecchi, this translation illuminates Basevi’s musical and historical references as well as aspects of his language that remain difficult to grasp even for Italian readers.

Making Basevi’s important contribution to our understanding of Verdi and his operas available to a broad audience for the first time, The Operas of Giuseppe Verdi will delight scholars and opera enthusiasts alike.

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Opposing Patriarchy

Women and the Law in Action in Pre-Unification Italy (1815–1865)

Sara Delmedico

University of London Press, 2021

Opposing Patriarchy explores women’s increasing political activism in nineteenth-century Italy.

In Italy and beyond, the nineteenth century was a time of great political change. Shifts in state boundaries and socio-economic structures deeply affected the Italian political landscape, including the nation’s legal system. Many Italian women, who had lived within a strict patriarchal and hierarchical society, began to redefine their identities beyond the traditional domestic roles of daughter, wife, and mother. This volume charts that process by focusing on women’s attitudes towards the law and their interaction with the legal system. Sara Delmedico seeks to recover the forgotten voices and lives of those ordinary women who, in their everyday lives, reacted against the limitations and constraints imposed upon them by society and who refused to accept their status passively. As this volume shows, the women of the period understood the law, questioned obedience, challenged authority, and stood up for themselves. Even though they did not always achieve their goals, their actions contributed to shaping our present.

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Ordering Customs

Ethnographic Thought in Early Modern Venice

Kathryn Taylor

University of Delaware Press, 2023

Ordering Customs explores how Renaissance Venetians sought to make sense of human difference in a period characterized by increasing global contact and a rapid acceleration of the circulation of information. Venice was at the center of both these developments. The book traces the emergence of a distinctive tradition of ethnographic writing that served as the basis for defining religious and cultural difference in new ways. Taylor draws on a trove of unpublished sources—diplomatic correspondence, court records, diaries, and inventories—to show that the study of customs, rituals, and ways of life not only became central in how Venetians sought to apprehend other peoples, but also had a very real impact at the level of policy, shaping how the Venetian state governed minority populations in the city and its empire. In contrast with the familiar image of ethnography as the product of overseas imperial and missionary encounters, the book points to a more complicated set of origins.

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The Origins of the State in Italy, 1300-1600

Edited by Julius Kirshner

University of Chicago Press, 1996

The beginnings of the state in Europe is a central topic of contemporary historical research. The making of such early modern Italian regional states as Florence, the kingdom of Naples, Milan, and Venice exemplifies a decisive turn in the state tradition of Western Europe.

The Origins of the State in Italy, 1300-1600 represents the best in American, British, and Italian scholarship and offers a valuable and critical overview of the key problems of the emergence of the state in Europe. Some of the topics covered include the political legitimacy of the aborning regional states, the changing legal culture, the conflict between church and state, the forces shaping public finances, and the creation of the Italian League.

The eight essays in this collection originally appeared in the Journal of Modern History. Contributors include Roberto Bizzocchi, Giorgio Chittolini, Trevor Dean, Riccardo Fubini, Elena Fasano Guarini, Aldo Mazzacane, Anthony Molho, and Pierangelo Schiera. This volume will appeal to historians, historical sociologists, and historians of political thought.

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Orpheus in the Marketplace

Jacopo Peri and the Economy of Late Renaissance Florence

Tim Carter and Richard A. Goldthwaite

Harvard University Press, 2013

The Florentine musician Jacopo Peri (1561-1633) is known as the composer of the first operas--they include the earliest to survive complete, Euridice (1600), in which Peri sang the role of Orpheus. A large collection of recently discovered account books belonging to him and his family allows for a greater exploration of Peri's professional and personal life. Richard Goldthwaite, an economic historian, and Tim Carter, a musicologist, have done much more, however, than write a biography: their investigation exposes the remarkable value of such financial documents as a primary source for an entire period.

This record of Peri's wide-ranging investments and activities in the marketplace enables the first detailed account of the Florentine economy in the late sixteenth and early seventeenth centuries, and also opens a completely new perspective on one of Europe's principal centers of capitalism. His economic circumstances reflect continuities and transformations in Florentine society, and the strategies for negotiating them, under the Medici grand dukes. At the same time they allow a reevaluation of Peri the singer and composer that elucidates the cultural life of a major artistic center even in changing times, providing a quite different view of what it meant to be a musician in late Renaissance Italy.

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The Other Renaissance

Italian Humanism between Hegel and Heidegger

Rocco Rubini

University of Chicago Press, 2014

A natural heir of the Renaissance and once tightly conjoined to its study, continental philosophy broke from Renaissance studies around the time of World War II. In The Other Renaissance, Rocco Rubini achieves what many have attempted to do since: bring them back together. Telling the story of modern Italian philosophy through the lens of Renaissance scholarship, he recovers a strand of philosophic history that sought to reactivate the humanist ideals of the Renaissance, even as philosophy elsewhere progressed toward decidedly antihumanist sentiments.

Bookended by Giambattista Vico and Antonio Gramsci, this strand of Renaissance-influenced philosophy rose in reaction to the major revolutions of the time in Italy, such as national unity, fascism, and democracy. Exploring the ways its thinkers critically assimilated the thought of their northern counterparts, Rubini uncovers new possibilities in our intellectual history: that antihumanism could have been forestalled, and that our postmodern condition could have been entirely different. In doing so, he offers an important new way of thinking about the origins of modernity, one that renews a trust in human dignity and the Western legacy as a whole.

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The Outcast

A Novel

Luigi Pirandello

Rutgers University Press, 2023

A young wife in a nineteenth-century Sicilian village, Marta is deeply in love with her husband Rocco and pregnant with his child. But when Rocco discovers a letter written to Marta by a would-be suitor, he falsely accuses her of infidelity and banishes her from their home. Soon the whole village turns against the supposed adulteress, setting in motion a series of tragic events that culminates in the loss of Marta’s family home and business, as well as the deaths of her father and newborn child. Plunged into poverty and treated as a social leper, with practically nothing else to lose, Marta is determined to claw her way back into a society bent on excluding her.

The Outcast is an early masterwork from Nobel Prize–winning Italian author Luigi Pirandello that combines elements of Zolaesque naturalism with emerging modernist aesthetics. This fresh English translation, the first in nearly one hundred years, showcases Pirandello’s deft play with language and his use of irony.

This book was translated thanks to a grant awarded by the Italian Ministry of Foreign Affairs and International Cooperation.

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