front cover of Mafeking Diary
Mafeking Diary
A Black Man’s View of a White Man’s War
Sol T. Plaatje
Ohio University Press, 1990

“Sol Plaatje’s Mafeking Diary is a document of enduring importance and fascination. The product of a young black South African court interpreter, just turned 23 years old when he started writing, it opens an entirely new vista on the famous Siege of Mafeking. By shedding light on the part played by the African population of the town, Plaatje explodes the myth, maintained by belligerents, and long perpetuated by both historians and the popular imagination, this this was a white man’s affair. One of the great epics of British imperial history, and perhaps the best remembered episode of the Anglo-Boer war of 1899–1902, is presented from a wholly novel perspective.

“At the same time, the diary provides an intriguing insight into the character of a young man who was to play a key role in South African political and literary history during the first three decades of this century. It reveals much of the perceptions and motives that shaped his own attitudes and intellectual development and, indeed, those of an early generation of African leaders who sought to build a society which did not determine the place of its citizens by the colour of their skin. The diary therefore illuminates the origins of a struggle which continues to this day.”

John L. Comaroff (ed.) in his preface

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Memoir of My Youth in Cuba
A Soldier in the Spanish Army during the Separatist War, 1895–1898
Dolores J. Walker
University of Alabama Press, 2017
Memoir of My Youth in Cuba: A Soldier in the Spanish Army during the Separatist War, 1895–1898 is a translation of the memoir Memorias de mi juventud en Cuba: Un soldado del ejército español en la guerra separatista (1895–1898) by Josep Conangla. The English edition is based on the Spanish version edited by Joaquín Roy, who found the memoir and was given access to the Conangla family archives. Conangla’s memoir, now available in English, is an important addition to the accounts of Spanish and Cuban soldiers who served in Cuba’s second War of Independence.
 
Spaniard Josep Conangla was conscripted at the age of twenty and sent to Cuba. In the course of his time there, he reaffirmed his pacifism and support of Cuban independence. The young man was a believer who unfailingly connected his view of events to the Christian humanitarianism on which he prided himself. Conangla’s advanced education and the influence of well-placed friends facilitated his assignment to safe bureaucratic positions during the war, ensuring that he would not see combat. From his privileged position, he was a keen observer of his surroundings. He described some of the decisions he made—which at times put him at odds with the military bureaucracy he served—along with what he saw as the consequences of General Valeriano Weyler’s decree mandating the reconcentración, an early version of concentration camps. What Conangla saw fueled his revulsion at the collusion of the Spanish state and its state-sponsored religion in that policy. “Red Mass,” published six years after the War of Independence and included in his memoir, is a vivid expression in verse of his abhorrence.
 
Conangla’s recollections of the contacts between Spaniards and Cubans in the areas to which he was assigned reveal his ability to forge friendships even with Creole opponents of the insurrection. As an aspiring poet and writer, Conangla included material on fellow writers, Cuban and Spanish, who managed to meet and exchange ideas despite their circumstances. His accounts of the Spanish defeat, the scene in Havana around the end of the war, along with his return to Spain, are stirring.
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Metro Dailies in the Age of Multimedia Journalism
Mary Lou Nemanic
Temple University Press, 2020

The death of the daily newspaper in the internet age has been predicted for decades. While print newspapers are struggling from drops in advertising and circulation, their survival has been based on original reporting. Instead of a death knell, metro dailies are experiencing an identity crisis—a clash between traditional print journalism’s formality and detail and digital journalism’s informality and brevity.  

In Metro Dailies in the Age of Multimedia Journalism, Mary Lou Nemanic provides in-depth case studies of five mid-size city newspapers to show how these publications are adapting to the transition from print-only to multiplatform content delivery—and how newsroom practices are evolving to address this change. She considers the successes when owners allow journalists to manage their newspapers—to ensure production of quality journalism under the protection of newspaper guilds—as well as how layoffs and resource cutbacks have jeopardized quality standards.

Arguing for an integrated approach in which print and online reporting are considered complementary and visual journalism is emphasized across platforms, Nemanic suggests that there is a future for the endangered daily metro newspaper.

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Money, Murder, and Dominick Dunne
A Life in Several Acts
Robert Hofler
University of Wisconsin Press, 2019
Though Dominick Dunne seemed to live his entire adult life in the public eye, Robert Hofler reveals a conflicted, enigmatic man who reinvented himself again and again. Dunne was, in turn, a television and film producer, Vanity Fair journalist, and author of best-selling novels. Money, Murder, and Dominick Dunne brings to light a number of his difficult and tragic relationships: his intense rivalry with his brother, gay lovers he hid throughout his life, and fights with his editors. Hofler discusses the painful rift in the family after the murder of Dunne's daughter, Dominique—and Dunne's coverage of her killer's trial, which launched his career as a reporter.
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Mr. Associated Press
Kent Cooper and the Twentieth-Century World of News
Gene Allen
University of Illinois Press, 2023
Between 1925 and 1951, Kent Cooper transformed the Associated Press, making it the world’s dominant news agency while changing the kind of journalism that millions of readers in the United States and other countries relied on. Gene Allen’s biography is a globe-spanning account of how Cooper led and reshaped the most important institution in American--and eventually international--journalism in the mid-twentieth century.

Allen critically assesses the many new approaches and causes that Cooper championed: introducing celebrity news and colorful features to a service previously known for stodgy reliability, pushing through disruptive technological innovations like the instantaneous transmission of news photos, and leading a crusade to bring American-style press freedom--inseparable from private ownership, in Cooper’s view--to every country. His insistence on truthfulness and impartiality presents a sharp contrast to much of today’s fractured journalistic landscape.

Deeply researched and engagingly written, Mr. Associated Press traces Cooper’s career as he built a new foundation for the modern AP and shaped the twentieth-century world of news.

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MUCH MISUNDERSTOOD MAN
SELECTED LETTERS OF AMBROSE BIERCE
S.T. JOSHI
The Ohio State University Press, 2003

front cover of My Odyssey Through the Underground Press
My Odyssey Through the Underground Press
Michael Kindman
Michigan State University Press, 2011
In 1963, Michigan State University, the nation’s first land grant college, attracted a record number of National Merit Scholars by offering competitive scholarships. One of these exceptional students was Michael Kindman. After the beginning of the Free Speech Movement in Berkeley, Kindman, in line to be editor-in-chief of the official MSU student newspaper, felt compelled to seek a more radical forum of intellectual debate. In 1965, he dropped out of school and founded The Paper, one of the first five members of Underground Press Syndicate. This gripping autobiography follows Kindman’s inspiring journey of self-discovery, from MSU to Boston, where he joined the staff of Avatar, unaware that the large commune that controlled the paper was a charismatic cult. Five years later, he fled the commune’s outpost in Kansas and headed to San Francisco, where he came out as a gay man, changed his name to Mica, and continued his work as an activist and visionary.
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