A SCHOLARLY BOOK REPOSITORY38 start with R start with R
A significant new study of Rabbula and Christianity in Edessa
This volume makes available for the first time both the Syriac text and an English translation of every available original composition by Rabbula, the controversial bishop of Edessa (ca. 411–435 CE). It includes a new edition of the Life of Rabbula and other biographical traditions about him, including his conversion from paganism to Christianity. The texts collected in the volume are a valuable source for studying the reception history of biblical themes. In addition, the corpus offers insights into the beginnings of ecclesiastical legislation in the East, charitable work, pilgrimage, ascetic ideals, and church administration. Horn and Phenix examine Rabbula’s contribution to the Christological controversies of the fifth and sixth centuries, including his influence on Cyril of Alexandria in his debate with Theodoret of Cyrrhus and Theodore of Mopsuestia.
Features
- A critical study of the theological, cultural, and historical development of Syriac Christianity
- Thorough historical, theological, and socio-cultural analysis provided for each text
- A previously unidentified Christian Palestinian Aramaic fragment
From the creation of half-living microbes in the test tube to charting the earliest histories of genetic engineering, Radium and the Secret of Life highlights previously unknown interconnections between the history of the early radioactive sciences and the sciences of heredity. Equating the transmutation of radium with the biological transmutation of living species, biologists saw in metabolism and mutation properties that reminded them of the new element. These initially provocative metaphoric links between radium and life proved remarkably productive and ultimately led to key biological insights into the origin of life, the nature of heredity, and the structure of the gene. Radium and the Secret of Life recovers a forgotten history of the connections between radioactivity and the life sciences that existed long before the dawn of molecular biology.
This collection offers the best new scholarship on Ramesses III, with contributions from Christopher J. Eyre; Ogden Goelet, Jr.; Peter W. Haider; Carolyn R. Higginbotham; Kenneth A. Kitchen; Bojana Mojsov; Steven R. Snape; Emily Teeter; and James M. Weinstein, as well as from David O'Connor and Eric H. Cline. It will be of interest to those with an informed amateur's interest in Egyptology as well as to scholars of Egyptian and biblical archaeology.
Readers often have regarded with curiosity the creative life of the poet. In this passionate and authoritative new study, David Bethea illustrates the relation between the art and life of nineteenth-century poet Alexander Pushkin, the central figure in Russian thought and culture. Bethea shows how Pushkin, on the eve of his two-hundredth birthday, still speaks to our time. He indicates how we as modern readers might "realize"— that is, not only grasp cognitively, but feel, experience—the promethean metaphors central to the poet's intensely "sculpted" life. The Pushkin who emerges from Bethea's portrait is one who, long unknown to English-language readers, closely resembles the original both psychologically and artistically.
Bethea begins by addressing the influential thinkers Freud, Bloom, Jakobson, and Lotman to show that their premises do not, by themselves, adequately account for Pushkin's psychology of creation or his version of the "life of the poet." He then proposes his own versatile model of reading, and goes on to sketches the tangled connections between Pushkin and his great compatriot, the eighteenth-century poet Gavrila Derzhavin. Pushkin simultaneously advanced toward and retreated from the shadow of his predecessor as he created notions of poet-in-history and inspiration new for his time and absolutely determinative for the tradition thereafter.
Rebecca Harding Davis was a prolific writer who published chiefly in popular periodicals over the latter half of the nineteenth century. In tales that combine realism with sentimentalism and in topical essays, Davis confronted a wide range of current issues—notably women’s problems—as one who knew the frustration caused by the genteel female’s helpless social position and barriers against women entering the working world. In an excellent critical introduction, Jean Pfaelzer integrates cultural, historical, and psychological approaches in penetrating readings of Davis’s work. She emphasizes how Davis’s fictional embrace of the commonplace was instrumental in the demise of American romanticism and in eroding the repressive cultural expectations for women.
In both fiction and nonfiction, Davis attacked contemporary questions such as slavery, prostitution, divorce, the Spanish-American War, the colonization of Africa, the plight of the rural South, northern racism, environmental pollution, and degraded work conditions generated by the rise of heavy industry. Written from the standpoint of a critical observer in the midst of things, Davis’s work vividly recreates the social and ideological ferment of the post-Civil War United States. The American literary canon is enriched by this collection, nearly all of which is reprinted for the first time.
Rebel against Injustice, a carefully crafted biography of Frank P. O'Hare (1877-1960), socialist, political activist, editor, and husband of prominent radical Kate Richards O'Hare, is the first study of a much-neglected but important figure of the American Left whose contributions are often referred to, in passing, in many other works.
Abandoned by his father at the age of four, O'Hare grew up in the Kerry Patch slum of St. Louis. Although he began his career in business, O'Hare turned to socialism with the sublime dream of bringing about a better world. While attending a school for Socialist organizers, he met Kate Richards, and the young couple forged a personal and professional partnership. Settling in Oklahoma, the O'Hares helped build a strong grassroots movement through grueling lecture tours and colorful camp meetings. In 1911, Frank, his wife, and their four children moved to St. Louis, where they transformed the National Rip-Saw into a popular Socialist monthly magazine. It was there that Frank found his niche as a Socialist impresario, editing the writings and arranging the tours of his "stars," Kate O'Hare and Eugene Debs.
A series of calamities, including the breakup of his marriage, brought Frank O'Hare near the edge of despair in the mid-1920s. Divorcing and remarrying, he made a new life in St. Louis. Plunging back into radical activism, he worked for the Federated Press syndicate. During the last twenty years of his life, O'Hare wrote for the St. Louis Post-Dispatch, worked as a business consultant, and continued his involvement as a community activist in St. Louis. Although Frank O'Hare has long been dismissed as a lost soul without Kate Richards O'Hare, Rebel against Injustice shows that he continued to be a presence in St. Louis and never stopped his fight against injustice. In 1958, a Teamster newspaper referred to O'Hare as "one of the truly great men of St. Louis--possibly the ONLY one."
Based upon a close study of the largely untapped Frank P. O'Hare papers, this well-written biography will enlighten readers about the organizational choices behind the success of American Socialism, while shedding new light on the lives and activities of many prominent American radicals.
“Among the many events which took place during the Revolutionary War from its commencement to its termination [are] the cruelties inflicted upon that unfortunate class of men who had the misfortune to be numbered among the prisoners [of the British] and more particularly those whom the dreadful chance of war had placed on board their prison ships at New York.” So begins the remarkable narrative of Thomas Dring. In 1824, Dring was an aging man of 65, retired in his native state of Rhode Island. Forty-two years before, he, like thousands of other young men, had been caught up in the American cause. In 1782, he had been captured by the British and sentenced to the infamous prison ship Jersey, a demasted hulk anchored in the East River off New York City. It is estimated that more than 11,000 men perished on the British prison ships over the course of the war, and their bones regularly washed up on the shore long after hostilities ceased. Dring survived to tell the tale, and in 1824, he decided to do just that. He was motivated partly because the fate of the prisoners was beginning to be doubted, that their hardships were thought to have been grossly exaggerated, and even that the entire experience had never occurred.
This book publishes for the first time the complete text of Dring’s handwritten manuscript, a major primary-source document, in which he describes the horrible conditions, treatment by guards, and experiences that he and others endured during captivity. Recollections of Life on the Prison Ship Jersey is a plea not to forget but instead to remember the inhumanity of the captors and the sacrifices of the captives—a message that continues to resonate today. Editor David Swain has provided an introductory essay and extensive notes that contain background information and historical documentation to accompany and illuminate the original manuscript.
Phu Rieng was one of many French rubber plantations in colonial Vietnam; Tran Tu Binh was one of 17,606 laborers brought to work there in 1927, and his memoir is a straightforward, emotionally searing account of how one Vietnamese youth became involved in revolutionary politics. The connection between this early experience and later activities of the author becomes clear as we learn that Tran Tu Binh survived imprisonment on Con Son island to help engineer the general uprising in Hanoi in 1945.
The Red Earth is the first of dozens of such works by veterans of the 1924–45 struggle in Vietnam to be published in English translation. It is important reading for all those interested in the many-faceted history of modern Vietnam and of communism in the non-Western world.
In 1908 Ellen Wilkinson, a fiery adolescent from a working-class family in Manchester, was “the only girl who talks in school debates.” By midcentury, Wilkinson had helped found Britain’s Communist Party, earned a seat in Parliament, and become a renowned advocate for the poor and dispossessed at home and abroad. She was one of the first female delegates to the United Nations, and she played a central role in Britain’s postwar Labour government. In Laura Beers’s account of Wilkinson’s remarkable life, we have a richly detailed portrait of a time when Left-leaning British men and women from a range of backgrounds sought to reshape domestic, imperial, and international affairs.
Wilkinson is best remembered as the leader of the Jarrow Crusade, the 300-mile march of two hundred unemployed shipwrights and steelworkers to petition the British government for assistance. But this was just one small part of Red Ellen’s larger transnational fight for social justice. She was involved in a range of campaigns, from the quest for official recognition of the Spanish Republican government, to the fight for Indian independence, to the effort to smuggle Jewish refugees out of Germany.
During Wilkinson’s lifetime, many British radicals viewed themselves as members of an international socialist community, and some, like her, became involved in socialist, feminist, and pacifist movements that spanned the globe. By focusing on the extent to which Wilkinson’s activism transcended Britain’s borders, Red Ellen adjusts our perception of the British Left in the early twentieth century.
The “First Lady of Show Business” and the “Last of the Red Hot Mamas,” Sophie Tucker was a star in vaudeville, radio, film, and television. A gutsy, song-belting stage performer, she entertained audiences for sixty years and inspired a host of younger women, including Judy Garland, Carol Channing, and Bette Midler. Tucker was a woman who defied traditional expectations and achieved success on her own terms, becoming the first female president of the American Federation of Actors and winning many other honors usually bestowed on men. Dedicated to social justice, she advocated for African Americans in the entertainment industry and cultivated friendships with leading black activists and performers. Tucker was also one of the most generous philanthropists in show business, raising over four million dollars for the religious and racial causes she held dear.
Drawing from the hundreds of scrapbooks Tucker compiled, Red Hot Mama presents a compelling biography of this larger-than-life performer. Lauren Rebecca Sklaroff tells an engrossing story of how a daughter of Russian Jewish immigrants set her sights on becoming one of the most formidable women in show business and achieved her version of the American dream. More than most of her contemporaries, Tucker understood how to keep her act fresh, to change branding when audiences grew tired and, most importantly, how to connect with her fans, the press, and entertainment moguls. Both deservedly famous and unjustly forgotten today, Tucker stands out as an exemplar of the immigrant experience and a trailblazer for women in the entertainment industry.
The Religion of Life examines the interconnections and relationship between Catholicism and eugenics in early twentieth-century Chile. Specifically, it demonstrates that the popularity of eugenic science was not diminished by the influence of Catholicism there. In fact, both eugenics and Catholicism worked together to construct the concept of a unique Chilean race, la raza chilena. A major factor that facilitated this conceptual overlap was a generalized belief among historical actors that male and female gender roles were biologically determined and therefore essential to a functioning society. As the first English-language study of eugenics in Chile, The Religion of Life surveys a wide variety of different materials (periodicals, newspapers, medical theses, and monographs) produced by Catholic and secular intellectuals from the first half of the twentieth century. What emerges from this examination is not only a more complex rendering of the relationship between religion and science but also the development of White supremacist logics in a Latin American context.
Remembering the Power of Words recounts the personal and professional journey of Avel Gordly, the first African-American woman elected to the Oregon State Senate.
The book is a brave and honest telling of Gordly’s life. She shares the challenges and struggles she faced growing up black in Portland in the 1950s and 1960s, as well as her determination to attend college, the dedication to activism that took her from Portland to Africa, and her eventual decision to run for a seat in the state legislature.
That words have power is a constant undercurrent in Gordly’s account and a truth she learned early in life. “Growing up, finding my own voice,” she writes, “was tied up with denying my voice or having it forcefully rejected and in all of that the memory of my father is very strong. To this day—and I am today a very experienced public speaker—preparation to speak takes a great deal of energy.” That this memoir has its origins as an oral history is fitting since Gordly has used her voice, out loud, to teach and inspire others for so many years.
Important as a biographical account of one significant Oregonian’s story, the book also contributes “broader narratives touching on Black history (and Oregon’s place within it), and most particularly the politics associated with being an African American woman,” according to series editor Melody Rose.
In this truly one-of-a-kind book, the author/narrator—a representative, in extremis, of contemporary American obsession with beauty, celebrity, transmitted image—finds himself suspended, fascinated, in the remoteness of our wall-to-wall mediascape. It is a remoteness that both perplexes and enthralls him.
Through dazzling sleight of hand in which the public becomes private and the private becomes public, the entire book—clicking from confession to family-album photograph to family chronicle to sexual fantasy to pseudo-scholarly footnote to reportage to personal essay to stand-up comedy to cultural criticism to literary criticism to film criticism to prose-poem to litany to outtake —becomes both an anatomy of American culture and a searing self-portrait.
David Shields reads his own life—reads our life—as if it were an allegory about remoteness and finds persuasive, hilarious, heartbreaking evidence wherever he goes.
Winner of the PEN / Revson Award?
This portrait of one of John Steinbeck's closest friends illuminates the life and work of a figure central to the development of scientific and literary thought in the 20th century.
Marine biologist Edward F. Ricketts is perhaps best known as the inspiration for John Steinbeck's most empathic literary characters Doc in Cannery Row, Slim in Of Mice and Men, Jim Casy in The Grapes of Wrath, and Lee in East of Eden. The correspondence of this accomplished scientist, writer, and philosopher reveals the influential exchange of ideas he shared with such prominent thinkers and artists as Henry Miller, Joseph Campbell, Ellwood Graham, and James Fitzgerald, in addition to Steinbeck, all of whom were drawn to Ricketts's Monterey Bay laboratory, a haven of intellectual discourse and Bohemian culture in the 1930s and 1940s.
The 125 previously unpublished letters of this collection, housed at the Stanford University Library, document the broad range of Ricketts's interests and accomplishments during the last 12 and most productive years of his life. His handbook on Pacific marine life, Between Pacific Tides, is still in print, now in its fifth edition. The biologist's devotion to ecological conservation and his evolving philosophy of science as a cross-disciplinary, holistic pursuit led to the publication of The Sea of Cortez. Many of Ricketts's letters discuss his studies of the Pacific littoral and his theories of “phalanx” and transcendence. Epistles to family members, often tender and humorous, add dimension and depth to Steinbeck's mythologized depictions of Ricketts. Katharine A. Rodger has enriched the correspondence with an introductory biographical essay and a list of works cited.
Renunciation as a creative force in the careers of writers, philosophers, and artists is the animating idea behind Ross Posnock’s new book. Taking up acts of abandonment, rejection, and refusal that have long baffled critics, he shows how renunciation has reframed the relationship of artists and intellectuals to society in productive and unpredictable ways.
In a work of remarkable synthesis that includes traditions and genres from antiquity to postmodernity, Posnock discovers connections among disparate figures ranging from Lao Tzu to Dave Chappelle and Bob Dylan. The thread running through these acts of renunciation, he argues, is an aesthetic and ethical resistance to the demand that one’s words and actions be straightforward and immediately comprehensible. Modern art in particular valorizes the nonconceptual and the intuitive, seeking to make silence articulate and incompletion fertile.
Renouncers reject not only artistic and scholarly conventions but also the public roles that attend them. Wittgenstein, Rimbaud, and Glenn Gould brazenly flouted professional and popular expectations, demanding that philosophy, poetry, music play by new rules. Emerson and Nietzsche severed all institutional ties, while William James waged a guerrilla campaign from his post at Harvard against what all three considered to be the enemy: the pernicious philosophical insistence on rationality. Posnock also examines renunciations in light of World War II—the veterans J. D. Salinger and George Oppen, and the Holocaust survivor Paul Celan—while a fourth cluster includes the mystic Thomas Merton and the abstract painters Ad Reinhardt and Agnes Martin.
In the early twentieth century, Khunu Lama journeyed across Tibet and India, meeting Buddhist masters while sometimes living, so his students say, on cold porridge and water. Yet this elusive wandering renunciant became a revered teacher of the Fourteenth Dalai Lama. At Khunu Lama’s death in 1977, he was mourned by Himalayan nuns, Tibetan lamas, and American meditators alike. The many surviving stories about him reveal significant dimensions of Tibetan Buddhism, shedding new light on questions of religious affect and memory that reimagines cultural continuity beyond the binary of traditional and modern.
In Renunciation and Longing, Annabella Pitkin explores devotion, renunciation, and the teacher-student lineage relationship as resources for understanding Tibetan Buddhist approaches to modernity. By examining narrative accounts of the life of a remarkable twentieth-century Himalayan Buddhist and focusing on his remembered identity as a renunciant bodhisattva, Pitkin illuminates Tibetan and Himalayan practices of memory, affective connection, and mourning. Refuting long-standing caricatures of Tibetan Buddhist communities as unable to be modern because of their religious commitments, Pitkin shows instead how twentieth- and twenty-first-century Tibetan and Himalayan Buddhist narrators have used themes of renunciation, devotion, and lineage as touchstones for negotiating loss and vitalizing continuity.
In Re-reading Poets, Paul Kameen offers a deep reflection on the importance of poets and poetry to the reader. Through his historical, philosophical, scholarly, and personal commentary on select poems, Kameen reveals how these works have helped him form a personal connection to each individual poet. He relates their profound impact not only on his own life spent reading, teaching, and writing poetry, but also their potential to influence the lives of readers at every level.
In an examination of works by William Wordsworth, Samuel Taylor Coleridge, Walt Whitman, and others, Kameen seeks to sense each author’s way of seeing, so that author and reader may meet in a middle ground outside of their own entities where life and art merge in deeply intimate ways. Kameen counters ideologies such as New Criticism and poststructuralism that marginalize the author, and instead focuses on the author as a vital presence in the interpretive process. He analyzes how readers look to the past via “tradition,” conceptualizing history in ways that pre-process texts and make it difficult to connect directly to authors. In this vein, Kameen employs examples from T. S. Eliot, Martin Heidegger, and Mikhail Bakhtin.
Kameen examines how people become poets and how that relates to the process of actually writing poems. He tells of his own evolution as a poet and argues for poetry as a means to an end beyond the poetic, rather than an end in itself. In Re-reading Poets, Kameen’s goal is not to create a new dictum for teaching poetry, but rather to extend poetry’s appeal to an audience far beyond academic walls.
A job is no longer something we "do," but instead something we "are." As the boundaries between work and non-work have dissolved, we restructure ourselves and our lives using social ingenuity to get things done and be resourceful outside the official workday.
In his provocative book, Resisting Work Peter Fleming insists that many jobs in the West are now regulated by a new matrix of power-biopower-where "life itself" is put to work through our ability to self-organize around formal rules. This neoliberal system of employment tries to absorb our life attributes--from our consumer tastes, "downtime," and sexuality--into employment so that questions of human capital and resources replace questions of employee, worker, and labor.
Fleming then suggests that the corporation turns to communal life-what he calls "the common"-in order to reproduce itself and reinforce corporate culture. Yet a resistance against this new definition of work is in effect, and Fleming shows how it may already be taking shape.
In Rewrite Man, Alison Macor tells an engrossing story about the challenges faced by a top screenwriter at the crossroads of mixed and conflicting agendas in Hollywood. Whether writing love scenes for Tom Cruise on the set of Top Gun, running lines with Michael Keaton on Beetlejuice, or crafting Nietzschean dialogue for Jack Nicholson on Batman, Warren Skaaren collaborated with many of New Hollywood’s most powerful stars, producers, and directors. By the time of his premature death in 1990, Skaaren was one of Hollywood’s highest-paid writers, although he rarely left Austin, where he lived and worked. Yet he had to battle for shared screenwriting credit on these films, and his struggles yield a new understanding of the secretive screen credit arbitration process—a process that has only become more intense, more litigious, and more public for screenwriters and their union, the Writers Guild of America, since Skaaren’s time. His story, told through a wealth of archival material, illuminates crucial issues of film authorship that have seldom been explored.
Sensitive to and deeply knowledgeable of the systemic causes and consequences of poverty, Reyita’s testimony considers the impact of slavery on succeeding generations, her mother’s internalized racism, and Cuba’s residual discrimination. The humiliation and poverty inflicted on the black Cuban community as well as her decision to marry a white man to ensure a higher standard of living form the basis of other chapters. Reyita actively participated in the life of the community—often caring for the children of prostitutes along with her own eight children and giving herbal medicine and “spiritualist” guidance to ill or troubled neighbors. She describes her growing resistance, over five decades of marriage, to her husband’s sexism and negativity. Strong-willed and frank about her sexuality as well as her religious and political convictions, Reyita recounts joining the revolutionary movement in the face of her husband’s stern objections, a decision that added significant political purpose to her life. At book’s end, Reyita radiates gratification that her 118 descendants have many different hues of skin, enjoy a variety of professions, and—“most importantly”—are free of racial prejudice.
Wagner has always inspired passionate admirers as well as numerous detractors, with the result that he has achieved a mythical stature nearly equal to that of the Valkyries and Viking heroes he popularized. There are few, if any, scholars today who know more about Wagner and his legacy than Geck, who builds upon his extensive research and considerable knowledge as one of the editors of the Complete Works to offer a distinctive appraisal of the composer and the operas. Using a wide range of sources, from contemporary scholars to the composer’s own words, Geck explores key ideas in Wagner’s life and works, while always keeping the music in the foreground. Geck discusses not only all the major operas, but also several unfinished operas and even the composer’s early attempts at quasi-Shakespearean drama.
Richard Wagner: A Life in Music is a landmark study of one of music’s most important figures, offering something new to opera enthusiasts, Wagnerians, and anti-Wagnerians alike.
Drawing on journals, letters, and eyewitness accounts, Richard Wright probes the author’s relationships with Langston Hughes and Ralph Ellison, his attraction to Communism, and his so-called exile in France. Skillfully interweaving quotes from Wright’s own writings, Rowley deftly portrays a passionate, courageous, and flawed man who would become one of our most enduring literary figures.
“Splendid. . . . Richard Wright is well written, prodigiously researched, and nicely paced, a compelling evocation of the man, his craft, and the different worlds through which he moved.”—Michael J. Ybarra, Wall Street Journal
“A welcome and illuminating work . . . [Rowley] does an outstanding job. . . . Rich and revealing.”—Megan Harlan, San Francisco Chronicle
“A magnificent biography, subtle and insightful. . . . Rowley writes with style and grace, and her research on Wright is prodigious.”—Howard Zinn, The Week
This book contains a collection of John Templeton's favorite inspirational passages.
“From the Bible, from philosophers and poets, and from other writers, we begin to form a clear understanding of the spiritual and ethical laws of life. The world's literature teaches us valuable lessons that no amount of money can buy. Those lessonsare there for everyone. They are free and they are priceless.”—John Marks Templeton
African religions, as this study concludes from its close examination of a number of specific African universes, are religions devoted to the sanctification and constant renewal of life. They are dedicated to Becoming rather than to Being, and seek to sustain a flourishing divine order rather than save the isolated self from it. But these religions do not comfortably express themselves in metaphysical abstractions; instead, they use a ritual idiom more effective than any philosophical disquisition.
Ritual Cosmos analyzes the logic and inner meaning of such ritual structures as sacrifice and taboo, harvest festivals and rites of divine kingship, millenary movements, witchcraft, and much else. In the course of the discussion, many of the basic assumptions of the scientists and theologians who have concerned themselves with the role of religion in human society are reexamined; the distinctions often made between the sacred and the secular, or religion and magic, for example, are questioned.
Four streams make up the Alabama River system, the Coosa, Tallapoosa, Cahaba, and Alabama. Together they flow for more than 900 miles, through some of the most historic regions of the state. This book looks at the way these streams have shaped the lives of the people who lived along them, and how, in turn, people have used the rivers to their own ends.
This is the story of the people of the Alabama River system: the Indians, traders, steamboatmen, passengers, slaves, loggers, "deadheaders", divers, river rats, fishermen, industrial giants, factory workers, business boosters, environmentalists, and those who simply love the rivers because of something that seems to have been a part of them from the first time they saw the water flowing. This is a book for and about these people. They, and the rivers, are the main characters in the story.
Romaine Brooks: A Life introduces much fresh information from Langer's decades of research on Brooks and establishes this groundbreaking artist's centrality to feminism and contemporary sexual politics as well as to visual culture.
Integrating Romantic literature, science, and philosophy with an intimate knowledge of the individuals involved—from Goethe and the brothers Schlegel to Humboldt and Friedrich and Caroline Schelling—Richards demonstrates how their tempestuous lives shaped their ideas as profoundly as their intellectual and cultural heritage. He focuses especially on how Romantic concepts of the self, as well as aesthetic and moral considerations—all tempered by personal relationships—altered scientific representations of nature. Although historians have long considered Romanticism at best a minor tributary to scientific thought, Richards moves it to the center of the main currents of nineteenth-century biology, culminating in the conception of nature that underlies Darwin's evolutionary theory.
Uniting the personal and poetic aspects of philosophy and science in a way that the German Romantics themselves would have honored, The Romantic Conception of Life alters how we look at Romanticism and nineteenth-century biology.
This is the life story of Rosa Cavalleri, an Italian woman who came to the United States in 1884, one of the peak years in the nineteenth-century wave of immigration. A vivid, richly detailed account, the narrative traces Rosa’s life in an Italian peasant village and later in Chicago. Marie Hall Ets, a social worker and friend of Rosa’s at the Chicago Commons settlement house during the years following World War I, meticulously wrote down her lively stories to create this book.
Rosa was born in a silk-making village in Lombardy, a major source of north Italian emigration; she first set foot in the United States at the Castle Garden immigrant depot on the tip of Manhattan. Her life in this country was hard and Ets chronicles it in eloquent detail—Rosa endures a marriage at sixteen to an abusive older man, an unwilling migration to a Missouri mining town, and the unassisted birth of a child, and manages to escape from a husband who tried to force her into prostitution. Rosa’s exuberant personality, remarkable spirit, and ability as a storyteller distinguish this book, a unique contribution to the annals of U.S. immigration.
Rouge River Revived describes the river’s history from pre-European times into the 21st century. Chapters cover topics such as Native American life on the Rouge; indigenous flora and fauna over time; the river’s role in the founding of local cities; its key involvement in Detroit’s urban development and intensive industrialization; and the dramatic clean-up arising from citizen concern and activism. This book is not only a history of the environment of the Rouge River, but also of the complex and evolving relationship between humans and natural spaces.
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