The area of Los Angeles known as South Central is often overshadowed by dismal stereotypes, problematic racial stigmas, and its status as the home to some of the city’s poorest and most violent neighborhoods. Amid South Central’s shifting demographics and its struggles with poverty, sociologist Pamela J. Prickett takes a closer look, focusing on the members of an African American Muslim community and exploring how they help each other combat poverty, job scarcity, violence, and racial injustice. Prickett’s engaging ethnography relates how believers in this longstanding religious community see Islam as a way of life, a comprehensive blueprint for individual and collective action, guiding how to interact with others, conduct business, strive for progress, and cultivate faith.

Prickett offers deep insights into the day-to-day lived religion of the Muslims who call this community home, showing how the mosque provides a system of social support and how believers deepen their spiritual practice not in spite of, but through, conditions of poverty. Prickett breaks past the stigmas of urban poverty, revealing a complex and vibrant community by telling the stories of longstanding residents of South Central—like Sister Ava, who offers food to the local unhoused people and finds the sacred in her extensive DVD collection. In addition to her portraits of everyday life among Muslims in South Central, Prickett also provides vivid and accessible descriptions of Ramadan and histories of the mosque, situates this community within the larger story of the Nation of Islam, explores gender issues, and unpacks the interaction between African American Muslims and South Asian and Arab American Muslims, revealing both the global and local significance of this religious tradition.
 

No one will soon forget the image, blazed across the airwaves, of armed Korean Americans taking to the rooftops as their businesses went up in flames during the Los Angeles riots. Why Korean Americans? What stoked the wrath the riots unleashed against them? Blue Dreams is the first book to make sense of these questions, to show how Korean Americans, variously depicted as immigrant seekers after the American dream or as racist merchants exploiting African Americans, emerged at the crossroads of conflicting social reflections in the aftermath of the 1992 riots.

The situation of Los Angeles’s Korean Americans touches on some of the most vexing issues facing American society today: ethnic conflict, urban poverty, immigration, multiculturalism, and ideological polarization. Combining interviews and deft socio-historical analysis, Blue Dreams gives these problems a human face and at the same time clarifies the historical, political, and economic factors that render them so complex. In the lives and voices of Korean Americans, the authors locate a profound challenge to cherished assumptions about the United States and its minorities.

Why did Koreans come to the United States? Why did they set up shop in poor inner-city neighborhoods? Are they in conflict with African Americans? These are among the many difficult questions the authors answer as they probe the transnational roots and diversity of Los Angeles’s Korean Americans. Their work finally shows us in sharp relief and moving detail a community that, despite the blinding media focus brought to bear during the riots, has nonetheless remained largely silent and effectively invisible. An important corrective to the formulaic accounts that have pitted Korean Americans against African Americans, Blue Dreams places the Korean American story squarely at the center of national debates over race, class, culture, and community.

Mexican American women reached across generations to develop a bridging activism that drew on different methods and ideologies to pursue their goals. Marisela R. Chávez uses a wealth of untapped oral histories to reveal the diverse ways activist Mexican American women in Los Angeles claimed their own voices and space while seeking to leverage power. Chávez tells the stories of the people who honed beliefs and practices before the advent of the Chicano movement and the participants in the movement after its launch in the late 1960s. As she shows, Chicanas across generations challenged societal traditions that at first assumed their place on the sidelines and then assigned them second-class status within political structures built on their work. Fueled by a surging pride in their Mexican heritage and indigenous roots, these activists created spaces for themselves that acknowledged their lives as Mexicans and women.

Vivid and compelling, Chicana Liberation reveals the remarkable range of political beliefs and life experiences behind a new activism and feminism shaped by Mexican American women.

City of Dignity illuminates how liberal Protestants quietly, yet indelibly, shaped the progressive ethics of postwar Los Angeles.
 
Contemporary Los Angeles is commonly seen as an American bulwark of progressive secular politics, a place that values immigration, equity, diversity, and human rights. But what accounts for the city’s embrace of such staunchly liberal values, which are more hotly contested in other parts of the country? The answer, Sean Dempsey reveals, lies not with those frequent targets of credit and blame—Democrats in Hollywood—but instead with liberal Protestants and other steadfast religious organizations of the postwar era.

As the Religious Right movement emerged in the 1970s, progressive religious activists quietly began promoting an ethical vision that made waves worldwide but saw the largest impact in its place of origin: metropolitan Los Angeles. At the center of this vision lay the concept of human dignity—entwining the integral importance of political and expressive freedom with the moral sanctity of the human condition—which suffused all of the political values that arose from it, whether tolerance, diversity, or equality of opportunity. The work of these religious organizations birthed such phenomena as the Sanctuary Movement—which provided safe haven for refugees fleeing conflict-torn Central America—and advocacy for the homeless, both of which became increasingly fraught issues amid the rising tides of neoliberalism and conservatism. City of Dignity explores how these interwoven spiritual and theological strands found common ground—and made common impacts—in the humanitarian ecosystem of one of America’s largest and most dynamic metro areas.

Death Claims is the second of Joseph Hansen's acclaimed mysteries featuring ruggedly masculine Dave Brandstetter, a gay insurance investigator. When John Oats's body is found washed up on a beach, his young lover April Stannard is sure it was no accident. Brandstetter agrees: Oats's college-age son, the beneficiary of the life insurance policy, has gone missing.

Through analysis of Ed Ruscha’s visionary Streets of Los Angeles Archive, this volume provides new understandings of his artistic practice, the history of L.A., and the innovative role of technology in the archive.

In 1966, Ed Ruscha drove a car rigged with a motorized camera to capture Los Angeles’ most iconic street: Sunset Boulevard. He created a time capsule of its famed facades, beginning a sixty-year-long commitment to documenting the changing urban landscape of postwar Los Angeles. The Streets of Los Angeles project that comprises these photographs is likely the most comprehensive artistic record of any city, with over 900,000 images of major thoroughfares. Ruscha’s photographs constitute an unparalleled visual chronicle of both iconic and everyday sites in L.A., including popular music venues, neighborhood restaurants, and billboards promoting Hollywood’s latest blockbusters.
 
In this volume, scholars from disciplines such as urban planning, cultural geography, architecture, art history, and musicology explore the Streets of Los Angeles Archive as a rich repository for analyzing Ruscha’s practice and the city’s visual culture. Using his photographs and new data visualizations, the authors consider what it means to interpret an archive mostly accessible through digital technologies, and they demonstrate how histories of art have been indelibly reshaped since the advent of the information age in the 1960s.
 
This publication was created using Quire™, a multiformat publishing tool from Getty. The free online edition of this open-access publication is available at www.getty.edu/publications/ruscha/ and includes video, data visualizations, and zoomable illustrations. Free PDF and EPUB downloads of the book are also available.

The first English-language volume to explore the work of architect Leopold Fischer, and the inaugural study of his California legacy.

In 1936, Leopold Fischer (1901–1975), in exile from Nazi Germany, arrived in California, where he created a small but distinct oeuvre of mostly domestic architecture. In contrast to his famous peers Rudolph Schindler and Richard Neutra, immigrants whose Southern California buildings are frequently examined—and who, like Fischer, studied with the modernist architect Adolf Loos—Fischer and his California structures have, until now, escaped the attention of architectural history.

Exiled in L.A. examines Fischer’s important, yet overlooked, contributions to Southern California architecture. As the whereabouts of Fischer’s archives remain unknown, Volker M. Welter grounds the designer’s California works in comparison with his pre-exile projects and the compositions of fellow architects in California. In the 1920s, Fischer created experimental working-class housing estates in Germany that pioneered ecological construction and living practices. Comparable to their predecessors, Fischer's California buildings revolve around the “functioning, the organization of a home,” as he defined domestic architecture in 1926. Featuring new photography and detailed architectural plans, this book is an original contribution to the literature on Southern California’s built heritage.

This book examines the life and legacy of Franklin D. Israel, an influential member of the Los Angeles school of architects.

Acclaimed Los Angeles architect Franklin D. Israel (1945–1996) created innovative residential projects and office interiors that made him one of the most talked-about designers of his generation. In this vivid account, architectural historian Todd Gannon draws on archival resources, analyses of Israel’s buildings, and recent interviews with the architect’s colleagues, clients, and contemporaries, including Frank Gehry, Thom Mayne, and Robert A. M. Stern. Gannon traces Israel’s development from his early years and career on the East Coast to his formative world travels and residence at the American Academy in Rome. The author guides readers through the Los Angeles architectural context, Israel’s influential teaching at UCLA, his dalliance with Hollywood, and the personal motivations behind his architecture and design work—all aspects of an influential career that was cut short by his death from AIDS-related complications at the age of fifty.

Franklin D. Israel is a compelling work of architectural history and biography, chronicling one gay man’s engagement with the largely heteronormative world of American architectural culture. It explores the achievement of this central figure in the still largely unstudied history of late twentieth-century avant-garde Los Angeles architecture.

Hollywood cinema and Los Angeles cannot be understood apart. Hollywood Cinema and the Real Los Angeles traces the interaction of the real city, its movie business, and filmed image, focusing on the crucial period from the construction of the first studios in the 1910s to the decline of the studio system fifty years later.

2008 — Gold Award in Californiana – California Book Awards – Commonwealth Club of California
2010 — NACCS Book Award – National Association for Chicana and Chicano Studies

City plazas worldwide are centers of cultural expression and artistic display. They are settings for everyday urban life where daily interactions, economic exchanges, and informal conversations occur, thereby creating a socially meaningful place at the core of a city.

At the heart of historic Los Angeles, the Plaza represents a quintessential public space where real and imagined narratives overlap and provide as many questions as answers about the development of the city and what it means to be an Angeleno. The author, a social and cultural historian who specializes in nineteenth- and early twentieth-century Los Angeles, is well suited to explore the complex history and modern-day relevance of the Los Angeles Plaza. From its indigenous and colonial origins to the present day, Estrada explores the subject from an interdisciplinary and multiethnic perspective, delving into the pages of local newspapers, diaries and letters, and the personal memories of former and present Plaza residents, in order to examine the spatial and social dimensions of the Plaza over an extended period of time.

The author contributes to the growing historiography of Los Angeles by providing a groundbreaking analysis of the original core of the city that covers a long span of time, space, and social relations. He examines the impact of change on the lives of ordinary people in a specific place, and how this change reflects the larger story of the city.

For the first time, Anton Wagner’s groundbreaking 1935 book that launched the study of Los Angeles as an urban metropolis is available in English.
 
No book on the emergence of Los Angeles, today a metropolis of more than four million people, has been more influential or elusive than this volume by Anton Wagner. Originally published in German in 1935 as Los Angeles: Werden, Leben und Gestalt der Zweimillionenstadt in Südkalifornien, it is one of the earliest geographical investigations of a city understood as a series of layered landscapes. Wagner demonstrated that despite its geographical disadvantages, Los Angeles grew rapidly into a dominant urban region, bolstered by agriculture, real estate development, transportation infrastructure, tourism, the oil and automobile industries, and the film business. Although widely reviewed upon its initial publication, his book was largely forgotten until reintroduced by architectural historian Reyner Banham in his 1971 classic Los Angeles: The Architecture of Four Ecologies.
 
This definitive translation is annotated by Edward Dimendberg and preceded by his substantial introduction, which traces Wagner's biography and intellectual formation in 1930s Germany and contextualizes his work among that of other geographers. It is an essential work for students, scholars, and curious readers interested in urban geography and the rise of Los Angeles as a global metropolis.
 

“This fine new translation by Timothy Grundy of Anton Wagner's Los Angeles with Edward Dimendberg's lucidly probing introduction constitutes a major contribution to urban history and our understanding of one of the world's most enigmatic and significant cities.”

—Thomas S. Hines, Research Professor of History and Architecture and Urban Design, UCLA
 

“Edward Dimendberg has done a remarkable job bringing Anton Wagner's classic study of Los Angeles to a wider readership. This landmark publication will enable many strands of urban scholarship to enter into dialogue for the first time.”

—Matthew Gandy, Professor of Geography, University of Cambridge, and author of Natura Urbana: Ecological Constellations in Urban Space (2022)

 “Anton Wagner was a prescient and troubling historical figure. Nearly a century ago, with his camera in hand, he walked Los Angeles in fervent exploration of metropolitan growth. This beautiful and expert book takes Wagner every bit as seriously as he took Los Angeles.”
—William Deverell, Director, Huntington-USC Institute on California and the West
 
"Anton Wagner’s geographic and ethnographic history of the urbanization of Los Angeles has long been unavailable to English-speaking readers. This early study, accompanied by Edward Dimendberg’s comprehensive introduction, will be of interest to all who, like Reyner Banham, admire its impressive scholarship and firsthand account of a city and ecology already in the throes of dynamic transformation."
—Joan Ockman, Vincent Scully Visiting Professor of Architectural History, Yale School of Architecture
 
"Encompassing copious photographs, insightful commentary, and thorough reconstruction of Wagner’s life and times, this new translation of Anton Wagner’s Los Angeles provides the missing link in scholarship about the metropolis during the early twentieth century. Its continuing relevance and controversial edge will appeal to urban researchers and college students beyond Southern California."
—Michael Dear, Professor Emeritus of City & Regional Planning, University of California, Berkeley
 
"Scholars of Los Angeles, or any city, must rejoice at this first proper English-language publication of Wagner's brilliant, if problematic, urban studies masterpiece. The edition is made accessible and relevant by Edward Dimendberg's indispensable prefatory material and contextualization."
—Roger Keil, Professor of Environmental and Urban Change, York University
 
“Finally translating this fascinating book into English fills an important gap in our historical knowledge of Los Angeles and its interpretation. Edward Dimendberg's invaluable introduction situates Anton Wagner in a comprehensive intellectual context. Of more than merely historical interest, this in-depth picture of Los Angeles in 1933 is essential reading for anyone interested in cities.”
—Margaret Crawford, Professor of Architecture, University of California, Berkeley
 
“This key text from 1935 for understanding Los Angeles urbanism is finally available in an excellent English translation by Timothy Grundy. Revelatory introductory essays by Anthony Vidler and Edward Dimendberg explain how German geographer (and later Nazi Party member) Anton Wagner was able to map and conceptualize the radical originality of this archetypal American metropolis in ways that deeply influenced Reyner Banham and so many subsequent writers on the city.”
—Robert Fishman, Taubman College of Architecture and Planning, University of Michigan
 
"Expertly annotated by Edward Dimendberg, Anton Wagner’s book on the growth of Los Angeles, which first appeared in German in 1935, is a landmark study in the history of urbanization. At the same time, it can be read as an example of transnational and comparative history, in which an observer from one country commented on developments in another. This volume will interest historians of the modern city, both in America and in Germany."
—Andrew Lees, Distinguished Professor of History Emeritus, Rutgers University
 
“Blending his wide knowledge and his acute wit, Edward Dimendberg has meticulously reconstructed the genesis of a forgotten doctoral thesis, which had remained unread for more than eighty years, despite its acknowledgement by Reyner Banham. This pioneering scholarly study of the Southern Californian metropolis is now available for the first time in English, inscribed with subtlety in both its German and its American contexts on the basis of thorough investigations.”
—Jean-Louis Cohen, Sheldon H. Solow Professor in the History of Architecture, Institute of Fine Arts, New York University
 
"This is the odyssey of a book written and published in 1930s Nazi Germany, forgotten after the war, and rediscovered by Reyner Banham in the ‘70s. Los Angeles is a seminal text of modern architectural history and confronts readers in the present with the paradox of an unknown classic.“
—Wolfgang Schivelbusch, author of The Railway Journey
 
“Finally, a translation of Anton Wagner’s Los Angeles, with extensive notes and a superb and deeply researched introduction by Edward Dimendberg, has arrived.  It turns out that it was worth the wait. This volume is not only an important historic document, but a still-unrivaled portrait of a great city.”
—Robert Bruegmann, Distinguished Professor Emeritus of Art History, Architecture, and Urban Planning at the University of Illinois at Chicago and author of Sprawl: A Compact History
 
"Scholars of Los Angeles can rejoice that Anton Wagner’s legendary study of early 1930s Los Angeles is at last available in a masterful translation, with a luminous introduction by Edward Dimendberg that captures Wagner’s analytical brilliance as well as his troubling politics and racial views. An essential addition to any library of Southern California."
—Louis S. Warren, W. Turrentine Jackson Professor of Western U.S. History, University of California, Davis
 
“Anton Wagner’s study provides an invaluable and frequently perceptive window into the evolution of Los Angeles during the early twentieth century, showing how human agency transformed regional resources into a booming major city.  The translation is immensely enhanced by Edward Dimendberg’s skillful provision of context, including fascinating intellectual history.”
—Stephen Bell, Professor of Geography and History, UCLA
 
"Los Angeles: The Development, Life, and Structure of the City of Two Million in Southern California has always had an elusive presence in the conversation about the explosive growth of the Southern California metropolis at the beginning of the twentieth century: an arcane text known to exist, but only accessible to very few. This expert first translation in English almost ninety years after it originally appeared in German is prefaced by a complex and engaging introduction by Edward Dimendberg that situates the original study in a multidisciplinary conversation. It elucidates the many ways this landmark essay on Los Angeles’s urban geography was not only filtered into subsequent scholarship on the city—Reyner Banham’s iconic Los Angeles: The Architecture of Four Ecologies in particular—but also how it resonates with contemporary debates about cities as complex social organisms. This book will be essential reading not only for historians of Los Angeles but for those interested in the theorization of the modern metropolis more broadly. That the volume editor addresses Wagner’s problematic views on race and territorial conquest front and center, within their historic context, only adds to the significance of this undertaking."
—Martino Stierli, The Philip Johnson Chief Curator of Architecture and Design, The Museum of Modern Art, New York
 
 

Iranian Television in Los Angeles Hamid Naficy Naficy explores the seemingly contradictory way in which immigrant media and cultural productions serve as the source both of resistance and opposition to the domination by host and home country's social values while simultaneously serving as vehicles for personal and cultural transformation and assimilation of those values. "An important contribution to cultural anthropology. The Making of Exile Cultures is meticulously researched. It is no small achievement of the book that is pulls the focus in Middle East studies from geographically cohesive national cultures, 'hard' politics and high culture (art, literature) to exile cultures, media politics and the popular. Although it is a close case study, The Making of Exile Cultures participates in debates and methodologies across a range of disciplines beyond media studies. It is not simply a much-needed contribution to the growing set of micro-histories of local media use. Rather, it demonstrates the increasing centrality of minority television cultures to the overall structure of North American mainstream television. The Making of Exile Cultures should be read and used by media theorists, then, not just because it fills in another gap in knowledge of narrowcast television's heterogeneous field (as if there were a collective puzzle in the making here), but because it provides media theory with some important new ways of working through the particular questions of race, gender, nation, industry and audience that come into play regardless of our respective 'local' interest." Screen "Fresh, stimulating, and an extremely valuable contribution to the study of cultural production amongst immigrants and the articulation of local and transnational identities. A fascinating study of the cultural politics of identity." Middle East Journal "The Making of Exile Cultures transcends its limited scope and ethnographic ambitions to poignantly illuminate a truly multicultural situation. Naficy's engaging prose and personal anecdotes made the dry ethnography not just palatable but fascinating. This was not merely a sociological analysis of the interaction of television aesthetics and a group in exile. It was not merely a collection of copious details and taxonomies about what was broadcast when and by whom. It was not merely a study of now an exile group expresses nostalgic longing and fetishistic desire for an absent home. The power of this book is found in narratives, stories, and recollections of the author and interviewees. Naficy saves his study from falling into the banality of charts, tables, and taxonomies through his ability to tie something very specific to the larger issue of what means to live in exile." SubStance "In this book, Naficy provides us with an example of exilic agency and the possibilities that can come about when hybridized exiles use their unique perspective gained form a split-subjectivity. This book is highly recommended for scholars in immigration studies as well as those engaged in cultural studies and the field of mass media and communications." Journal of American Ethnic History "Ultimately, The Making of Exile Cultures: Iranian Media in Los Angeles is an important contribution to the growing scholarship on Iranians in diaspora and serves best as a handbook for decoding the popular culture of Iranians in Los Angeles. Naficy's book serves as the best model yet for studying Iranian culture among the expatriate communities, a model which goes beyond one-dimensional stereotypes or demographic and statistical analyses to provide an intimate and analytical study of a culture undergoing chaotic change." JUSUR (The UCLA Journal of Middle Eastern Studies) "An important contribution to both Iranian and cultural studies. Exile Cultures provides an illuminating study of the mediating role of television in transforming an exile community into an ethnicity. Naficy's careful discussions of its political economy and textual politics offer valuable insights into the micro-practices of this exilic culture, insights that should prove useful to a broad range of readers, from those interested in the general questions of ethnicity and community in the United States to scholars working on the more specific issues of Iranian culture." International Journal of Middle East Studies "Naficy's own blend of rigorous research, well presented data, and thorough knowledge of the theories to which he refers is an illustration of the kind of a successful syncretism he observes in the material he studies." Canadian Review of Comparative Literature "This is an excellent study of the understudied world of Iranian popular culture in exile. An indispensable source of knowledge about contemporary Iran and life in exile in the vast diaspora formed in the wake of the 1978-79 revolution." Iranian Studies "Naficy blends together the psychological and cultural backgrounds and aspirations of users and producers with the political economy of the ethnic media, and the way in which this local political economy not only articulates with the larger economy of the U.S. and world economy, but psychologically and culturally transforms its participants." Michael M. J. Fischer

A renowned scholar compares America's three global cities. "Abu-Lughod nicely characterizes the distinctive feel and experience of the three cities. She works her way through the history, the statistics, and the economic forces, but she ends up on the sidewalk, marveling at the complexity that has been created by an extraordinary history, and enamored of it. What is most urgent about her book is not so much her analysis of the urban condition as her devotion to cities. The city has been under attack by theorists and sprawlers for a long time now, but this fine book provides necessary examples of how the city may be intelligently loved." --Nathan Glazer in The New Republic "In a pathbreaking analysis, Abu-Lughod demonstrates the historical roots of what is usually described as a contemporary phenomenon." --MultiCultural Review "Substantial, in-depth comparison of more than one large city by a single urban scholar, while not unprecedented, is a difficult project to execute competently. Abu-Lughod has done a commendable job. One can only hope that others will follow her pioneering work and provide comparative and historical analyses of other global cities." --Urban Geography "For those of us who are interested in historical-geographical approaches to comparative urbanization, Janet Abu-Lughod's new work, New York, Chicago, Los Angeles: America's Global Cities, comes as a welcome relief. This impressive volume provides a comprehensive, readable, and lively interpretation of the three leading U.S. metropolitan areas. Although Abu-Lughod is a trained urban sociologist, she has a keen sensitivity to historical, spatial, economic, political, and cultural considerationsits real strengths lie in an exhaustive review of empirical evidence from the three metropolises and a rich illustration of points with abundant maps, tables, and figures. Abu-Lughod excels in profiling the trajectories of America's three largest city-regions. I find the book to be a tour de force, the worthwhile result of many years of study and observation. Happily, the book presents the material in a straightforward way and is remarkably free of the jargon that sometimes plagues global-city studies. I hope the book receives wide circulation. Abu-Lughod, after a long scholarly career in urban studies, may have achieved her magnum opus in this ambitious study of America's three preeminent global cities." --Geographical Review "Janet Abu-Lughod's book is both a fascinating history of New York, Chicago, and Los Angeles and a history of the United States from a new perspective. The stories of the three cities are beautifully overlapped but consistent in themselves, related to one another but self-sufficient. This is a very American book-despite the author's wealth of experience abroad. Her forte is the new narrative she weaves from existing research. The book provides a remarkably systematic and organized narrative of urbanization in the 19th and 20th centuries. It is also replete with a collection of individual anecdotal evidence and an impressive multitude of single conceptual and metaphorical observations that are often hidden in the empirical material presented throughout the book. This book represents an outstanding achievement. It will be-and deserves to be-an instant classic. Abu-Lughod's major opus is expressive of a life's work among the great American urbanists and planners of the 20th century. Abu-Lughod is a living example of what the best of urbanism can produce in a largely suburban America. In this sense, the book gives planners a giant source of inspiration: the big picture in long waves. The city lives despite itself." --Roger Keil, Journal of the American Planning Association "Janet L. Abu-Lughod's book is the first to compare these cities in an ambitious in-depth study that takes into account each city's unique history, following their development from their earliest days to their current status as players on the global state." --Bulletin of Science, Technology & Society New York, Chicago, and Los Angeles--for all their differences, they are quintessentially American cities. They are also among the handful of cities in the world that can truly be called "global." Janet L. Abu-Lughod's book is the first to compare them in an ambitious in-depth study that takes into account each city's unique history, following their development from their earliest days to their current status as players on the global stage. Unlike most other global cities, New York, Chicago, and Los Angeles all quickly grew from the nearly blank slate of the American landscape to become important beyond the nation's borders early in their histories. As a result, Abu-Lughod is able to show the effect of globalization on each city's development from its beginnings. While all three are critical to global economics and the spread of American culture to the farthest reaches of an increasingly interlinked world, their influence reflects their individual histories and personalities. In a masterful synthesis of historical and economic information, Abu-Lughod clarifies how each city's global role is--and will be--affected by geography, ethnicity of population, political institutions, and tradition of governance. New York, Chicago, and Los Angeles are more than global players: they are also home to forty million people. Abu-Lughod closes the book with a set of vignettes that captures the cities' differences as perceived by one who has lived in them. Bringing together the local and the global in thoroughly unexpected and enlightening ways, this important volume offers fascinating insight into these vital urban centers. "Comparative urbanism has few practitioners as distinguished as Janet L. Abu-Lughod. In this monumental study, Professor Abu-Lughod rescues Los Angeles from eccentricity by placing it in comparative context alongside the two most accepted urban paradigms of the United States: New York and Chicago. In doing so, she has added a new city--the City of Angels--to the front ranks of American cities and has significantly enhanced our understanding of New York and Chicago as well." --Kevin Starr, State Librarian of California "This breathtaking tour through the history of the three largest cities of the United States synthesizes the essentials of their varied history in a readable, lively form. New York, Chicago, Los Angeles is the first book I have seen by a single author who has lived in and become intimately knowledgeable about each of the cities, has plumbed their history, examined statistics, and pulled together a comparison that places the data and accounts in the context of personal experience. Abu-Lughod concludes the book with a set of human vignettes that captures differences and similarities among the cities, in the lived experience of a user and employer of each of the cities." --Peter Marcuse, Columbia University "A masterful comparative history of the three cities. Abu-Lughod's scholarship is impeccable and her book extremely well written." --John Friedmann, Professor Emeritus, UCLA, author of Endangered Dreams: The Great Depression and California and The Dream Endures: California Enters the 1940s. Janet L. Abu-Lughod, professor emerita of sociology of Northwestern University and the Graduate Faculty of the New School for Social Research, has been writing about and studying cities for more than fifty years. Her books include From Urban Village to East Village: The Battle for New York's Lower East Side; Changing Cities: Urban Sociology; Before European Hegemony: The World System A.D. 1250-1350; Rabat: Urban Apartheid in Morocco; and Cairo: 1001 Years of the City Victorious, among many other publications. In 1999 she received the Robert and Helen Lynd Award (American Sociological Association, Section on Community and Urban Sociology) for distinguished lifetime contributions to the study of cities.

One chapter is devoted to Charles Bukowski, the celebrity face of the city’s poetry. Other chapters discuss the ways that poets explore “Interiors” and “Exteriors” throughout the cityscape. Goldstein also provides ample connections to the novels, films, art, and politics of Southern California. In clear prose, Poetry Los Angeles examines the strategies by which poets make significant places meaningful and memorable to readers of every region of the U.S. and elsewhere.

2008 — ALLA Prize for Best Book on Latina/o Anthropology

The Pico Gardens housing development in East Los Angeles has a high percentage of resident families with a history of persistent poverty, gang involvement, and crime. In some families, members of three generations have belonged to gangs. Many other Pico Gardens families, however, have managed to avoid the cycle of gang involvement.

In this work, Vigil adds to the tradition of poverty research and elaborates on the association of family dynamics and gang membership. The main objective of his research was to discover what factors make some families more vulnerable to gang membership, and why gang resistance was evidenced in similarly situated non-gang-involved families. Providing rich, in-depth interviews and observations, Vigil examines the wide variations in income and social capital that exist among the ostensibly poor, mostly Mexican American residents. Vigil documents how families connect and interact with social agencies in greater East Los Angeles to help chart the routines and rhythms of the lives of public housing residents. He presents family life histories to augment and provide texture to the quantitative information.

By studying life in Pico Gardens, Vigil feels we can better understand how human agency interacts with structural factors to produce the reality that families living in all public housing developments must contend with daily.

In Third Worlds Within, Daniel Widener expands conceptions of the struggle for racial justice by reframing antiracist movements in the United States in a broader internationalist context. For Widener, antiracist struggles at home are connected to and profoundly shaped by similar struggles abroad. Drawing from an expansive historical archive and his own activist and family history, Widener explores the links between local and global struggles throughout the twentieth and twenty-first centuries. He uncovers what connects seemingly disparate groups like Japanese American and Black communities in Southern California or American folk musicians and revolutionary movements in Asia. He also centers the expansive vision of global Indigenous movements, the challenges of Black/Brown solidarity, and the influence of East Asian organizing on the US Third World Left. In the process, Widener reveals how the fight against racism unfolds both locally and globally and creates new forms of solidarity. Highlighting the key strategic role played by US communities of color in efforts to defeat the conjoined forces of capitalism, racism, and imperialism, Widener produces a new understanding of history that informs contemporary social struggle.

Worlds at the End attends to a body of literature that renders Los Angeles’s infrastructure, or its material foundations, as central to the rise and consolidation of colonial life. Pacharee Sudhinaraset employs a women-of-color feminist methodology to examine Indigenous, Black, Asian American, and Latinx literary works about apocalypse and the end times.

Worlds at the End analyzes destruction, rupture, and continuance through texts ranging from Karen Tei Yamashita’s Tropic of Orange, which considers racial colonial infrastructure, to the work of Diné poet Esther Belin, which illuminates how the separation between the Indian reservation and LA is part of a broader infrastructural network of termination. And she unpacks Octavia Butler’s post-apocalyptic novel, Parable of the Sower, where LA’s freeways and roadways are routes of forced migration, colonization, and flight.

Tearing down existing institutions that marginalize people of color and moving past them, Worlds at the End highlights the imaginaries of those subjugated, racialized, and made other, for whom modernity, freedom, and progress meant violence, brutality, and relegation to the status of devalued surplus populations. As Sudhinaraset deftly shows, the apocalypse marks moments of historical and spatial transition, offering stories of doomsdays that will give rise to resurgence and regeneration.