front cover of About Faces
About Faces
Physiognomy in Nineteenth-Century Britain
Sharrona Pearl
Harvard University Press, 2010

When nineteenth-century Londoners looked at each other, what did they see, and how did they want to be seen? Sharrona Pearl reveals the way that physiognomy, the study of facial features and their relationship to character, shaped the way that people understood one another and presented themselves.

Physiognomy was initially a practice used to get information about others, but soon became a way to self-consciously give information—on stage, in print, in images, in research, and especially on the street. Moving through a wide range of media, Pearl shows how physiognomical notions rested on instinct and honed a kind of shared subjectivity. She looks at the stakes for framing physiognomy—a practice with a long history—as a science in the nineteenth century.

By showing how physiognomy gave people permission to judge others, Pearl holds up a mirror both to Victorian times and our own.

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The Abyss of Freedom/Ages of the World
Slavoj Zizek and F.W.J. von Schelling
University of Michigan Press, 1997
In the last decade, F. W. J. von Schelling has emerged as one of the key philosophers of German Idealism, the one who, for the first time, undermined Kant's philosophical revolution and in so doing opened up the way for a viable critique of Hegel. In noted philosopher Slavoj Zizek's view, the main orientations of the post-Hegelian thought, from Kierkegaard and Marx, to Heidegger and today's deconstructionism, were prefigured in Schelling's analysis of Hegel's idealism, and in his affirmation that the contingency of existence cannot be reduced to notional self-mediation. In The Abyss of Freedom, Zizek attempts to advance Schelling's stature even further, with a commentary of the second draft of Schelling's work The Ages of the World, written in 1813.
Zizek argues that Schelling's most profound thoughts are found in the series of three consecutive attempts he made to formulate the "ages of the world/Weltalter," the stages of the self-development of the Absolute. Of the three versions, claims Zizek, it is the second that is the most eloquent and definitive encompassing of Schelling's lyrical thought. It centers on the problem of how the Absolute (God) himself, in order to become actual, to exist effectively, has to accomplish a radically contingent move of acquiring material, bodily existence. Never before available in English, this version finally renders accessible one of the key texts of modern philosophy, a text that is widely debated in philosophical circles today.
The Abyss of Freedom is Zizek's own reading of Schelling based upon Lacanian psychoanalytic theory. It focuses on the notion that Lacan's theory--which claims that the symbolic universe emerged from presymbolic drives--is prefigured in Schelling's idea of logos as given birth to from the vortex of primordial drives, or from what "in God is not yet God." For Zizek, this connection is monumental, showing that Schelling's ideas forcefully presage the post-modern "deconstruction" of logocentrism.
Slavoj Zizek is not a philosopher who stoops to conquer objects but a radical voice who believes that philosophy is nothing if it is not embodied, nothing if it is only abstract. For him, true philosophy always speaks of something rather than nothing. Those interested in the genesis of contemporary thought and the fate of reason in our "age of anxiety" will find this coupling of texts not only philosophically relevant, but vitally important.
Slavoj Zizek is the author of The Sublime Object of Ideology, Tarrying with the Negative: Kant, Hegel and the Critique of Ideology, and most recently, The Indivisible Remainder: An Essay on Schelling and Related Matters. Currently he is a Senior Researcher at the Institute for Social Sciences, University of Ljubljana. Judith Norman is Assistant Professor of Philosophy at Trinity University in San Antonio, Texas.
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Academic Freedom Imperiled
The Mccarthy Era At The University Of Nevada
J. Dee Kille
University of Nevada Press, 2004
The University before and during World War II was a small (fewer than 2,000 students) school offering basic programs to a largely Nevada-based student body in the nation’s least-populated state. The campus was quiet, secure, traditional, and generally conservative. The postwar years brought booming enrollments and new faculty members, many from outside Nevada, imbued with a sense of the importance of shared academic governance.
Soon, the university found itself embroiled in an intense controversy that threatened its academic integrity and even raised concerns about its future as a viable institution. The 1952 appointment of Minard W. Stout as president triggered the crisis. Mandated by a conservative Board of Regents to "clean up" the university, Stout brought to his new job an authoritarian, top-down chain of command. His subsequent battles with faculty and students over their role in university governance and over the very nature of higher education soon degenerated into angry accusations of faculty Communist sympathies and bitter confrontations over academic free speech, academic freedom, and loyalty.
J. Dee Kille’s lively and insightful account of the crisis "on the hill" rests on a wide range of archival sources, interviews and oral histories, university records, and published sources.
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Accidental Incest, Filial Cannibalism, and Other Peculiar Encounters in Late Imperial Chinese Literature
Tina Lu
Harvard University Press, 2008

Described as “all under Heaven,” the Chinese empire might have extended infinitely, covering all worlds and cultures. That ideology might have been convenient for the state, but what did late imperial people really think about the scope and limits of the human community?

Writers of late imperial fiction and drama were, the author argues, deeply engaged with questions about the nature of the Chinese empire and of the human community. Fiction and drama repeatedly pose questions concerning relations both among people and between people and their possessions: What ties individuals together, whether permanently or temporarily? When can ownership be transferred, and when does an object define its owner? What transforms individual families or couples into a society?

Tina Lu traces how these political questions were addressed in fiction through extreme situations: husbands and wives torn apart in periods of political upheaval, families so disrupted that incestuous encounters become inevitable, times so desperate that people have to sell themselves to be eaten.

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Acid Hype
American News Media and the Psychedelic Experience
Steven Siff
University of Illinois Press, 2015
Now synonymous with Sixties counterculture, LSD actually entered the American consciousness via the mainstream. Time and Life, messengers of lumpen-American respectability, trumpeted its grand arrival in a postwar landscape scoured of alluring descriptions of drug use while lesser outlets piggybacked on their coverage with stories by turns sensationalized and glowing.

Acid Hype offers the untold tale of LSD's wild journey from Brylcreem and Ivory soap to incense and peppermints. As Stephen Siff shows, the early attention lavished on the drug by the news media glorified its use in treatments for mental illness but also its status as a mystical--yet legitimate--gateway to exploring the unconscious mind. Siff's history takes readers to the center of how popular media hyped psychedelic drugs in a constantly shifting legal and social environment, producing an intricate relationship between drugs and media experience that came to define contemporary pop culture. It also traces how the breathless coverage of LSD gave way to a textbook moral panic, transforming yesterday's refined seeker of truths into an acid casualty splayed out beyond the fringe of polite society.

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Acts of Authority/Acts of Resistance
Theater and Politics in Colonial and Postcolonial India
Nandi Bhatia
University of Michigan Press, 2004
Despite its importance to literary and cultural texts of resistance, theater has been largely overlooked as a field of analysis in colonial and postcolonial studies. Acts of Authority/Acts of Resistance seeks to address that absence, as it uniquely views drama and performance as central to the practice of nationalism and anti-colonial resistance.

Nandi Bhatia argues that Indian theater was a significant force in the struggle against oppressive colonial and postcolonial structures, as it sought to undo various schemes of political and cultural power through its engagement with subjects derived from mythology, history, and available colonial models such as Shakespeare. Bhatia's attention to local histories within a postcolonial framework places performance in a global and transcultural context. Drawing connections between art and politics, between performance and everyday experience, Bhatia shows how performance often intervened in political debates and even changed the course of politics.

One of the first Western studies of Indian theater to link the aesthetics and the politics of that theater, Acts of Authority/Acts of Resistance combines in-depth archival research with close readings of dramatic texts performed at critical moments in history. Each chapter amplifies its themes against the backdrop of specific social conditions as it examines particular dramatic productions, from The Indigo Mirror to adaptations of Shakespeare plays by Indian theater companies, illustrating the role of theater in bringing nationalist, anticolonial, and gendered struggles into the public sphere.

Nandi Bhatia is Associate Professor of English at the University of Western Ontario.


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Adolf Hitler
A Psychological Interpretation of His Views on Architecture, Art, and Music
Sherree Owens Zalampas
University of Wisconsin Press, 1990
Zalampas applies the psychological model of Alfred Adler to Adolf Hitler through the examination of his views on architecture, art, and music. This study was made possible by the publication of Billy F. Price’s volume of over seven hundred of Hitler’s watercolors, oils, and sketches.
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Adoption in America
Historical Perspectives
E. Wayne Carp, Editor
University of Michigan Press, 2004
"Includes research on adoption documents rarely open to historians . . . an important addition to the literature on adoption."
---Choice

"Sheds new light on the roots of this complex and fascinating institution."
---Library Journal

"Well-written and accessible . . . showcases the wide-ranging scholarship underway on the history of adoption."
---Adoptive Families

"[T]his volume is a significant contribution to the literature and can serve as a catalyst for further research."
---Social Service Review

Adoption affects an estimated 60 percent of Americans, but despite its pervasiveness, this social institution has been little examined and poorly understood. Adoption in America gathers essays on the history of adoptions and orphanages in the United States. Offering provocative interpretations of a variety of issues, including antebellum adoption and orphanages; changing conceptions of adoption in late-nineteenth-century novels; Progressive Era reform and adoptive mothers; the politics of "matching" adoptive parents with children; the radical effect of World War II on adoption practices; religion and the reform of adoption; and the construction of birth mother and adoptee identities, the essays in Adoption in America will be debated for many years to come.
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Adventures in Shondaland
Identity Politics and the Power of Representation
Griffin, Rachel Alicia
Rutgers University Press, 2018
Innovator Award for Edited Collection from the Central States Communication Association (CSCA)

Shonda Rhimes is one of the most powerful players in contemporary American network television. Beginning with her break-out hit series Grey’s Anatomy, she has successfully debuted Private Practice, Scandal, How to Get Away with MurderThe Catch, For The People, and Station 19. Rhimes’s work is attentive to identity politics, “post-” identity politics, power, and representation, addressing innumerable societal issues. Rhimes intentionally addresses these issues with diverse characters and story lines that center, for example, on interracial friendships and relationships, LGBTIQ relationships and parenting, the impact of disability on familial and work dynamics, and complex representations of womanhood. This volume serves as a means to theorize Rhimes’s contributions and influence by inspiring provocative conversations about television as a deeply politicized institution and exploring how Rhimes fits into the implications of twenty-first century television.  
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Advertising and Popular Culture
Studies in Variety and Versatility
Sammy R. Danna
University of Wisconsin Press, 1992
Advertising and marketing scholars offer some of their most instructive, stimulating, and entertaining works on subliminal perceptions in advertising; nineteenth-century trade cards; T-shirt messages; advertising in the twenty-first century; and the changing male image in advertising.
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An Aesthetic Education in the Era of Globalization
Gayatri Chakravorty Spivak
Harvard University Press, 2013

During the past twenty years, the world’s most renowned critical theorist—the scholar who defined the field of postcolonial studies—has experienced a radical reorientation in her thinking. Finding the neat polarities of tradition and modernity, colonial and postcolonial, no longer sufficient for interpreting the globalized present, she turns elsewhere to make her central argument: that aesthetic education is the last available instrument for implementing global justice and democracy.

Spivak’s unwillingness to sacrifice the ethical in the name of the aesthetic, or to sacrifice the aesthetic in grappling with the political, makes her task formidable. As she wrestles with these fraught relationships, she rewrites Friedrich Schiller’s concept of play as double bind, reading Gregory Bateson with Gramsci as she negotiates Immanuel Kant, while in dialogue with her teacher Paul de Man. Among the concerns Spivak addresses is this: Are we ready to forfeit the wealth of the world’s languages in the name of global communication? “Even a good globalization (the failed dream of socialism) requires the uniformity which the diversity of mother-tongues must challenge,” Spivak writes. “The tower of Babel is our refuge.”

In essays on theory, translation, Marxism, gender, and world literature, and on writers such as Assia Djebar, J. M. Coetzee, and Rabindranath Tagore, Spivak argues for the social urgency of the humanities and renews the case for literary studies, imprisoned in the corporate university. “Perhaps,” she writes, “the literary can still do something.”

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The Aesthetics of Survival
A Composer's View of Twentieth-Century Music
George Rochberg
University of Michigan Press, 2005
A revised paperback edition of composer George Rochberg's landmark essays

"Rochberg presents the rare spectacle of a composer who has made his peace with tradition while maintaining a strikingly individual profile. . . . [H]e succeeds in transforming the sublime concepts of traditional music into contemporary language."
---Washington Post

"An indispensable book for anyone who wishes to understand the sad and curious fate of music in the twentieth century."
---Atlantic Monthly

"The writings of George Rochberg stand as a pinnacle from which our past and future can be viewed."
---Kansas City Star


As a composer, George Rochberg has played a leading role in bringing about a transformation of contemporary music through a reassessment of its relation to tonality, melody, and harmony. In The Aesthetics of Survival, the author addresses the legacy of modernism in music and its related effect on the cultural milieu, particularly its overemphasis on the abstract, rationalist thinking embraced by contemporary science, technology, and philosophy. Rochberg argues for the renewal of holistic values in order to ensure the survival of music as a humanly expressive art.

A renowned composer, thinker, and teacher, George Rochberg has been honored with innumerable awards, including, most recently, an Alfred I. du Pont Award for Outstanding Conductors and Composers, and an André and Clara Mertens Contemporary Composer Award. He lives in Pennsylvania.
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Affirmative Reaction
New Formations of White Masculinity
Hamilton Carroll
Duke University Press, 2011
Affirmative Reaction explores the cultural politics of heteronormative white masculine privilege in the United States. Through close readings of texts ranging from the popular television drama 24 to the Marvel Comics miniseries The Call of Duty, and from the reality show American Chopper to the movie Million Dollar Baby, Hamilton Carroll argues that the true privilege of white masculinity—and its defining strategy—is not to be unmarked, universal, or invisible, but to be mobile and mutable. He describes how, in response to the perceived erosions of privilege produced by post–civil rights era identity politics, white masculinity has come to rely on the very discourses of difference that unsettled its claims on the universal; it has redefined itself as a marginalized identity.

Throughout Affirmative Reaction, Carroll examines the kinds of difference white masculinity claims for itself as it attempts to hold onto or maintain majority privilege. Whether these are traditional sites of minority difference—such as Irishness, white trash, or domestic melodrama—or reworked sites of masculinist investment—including laboring bodies, public-sphere politics, and vigilantism—the outcome is the same: the foregrounding of white masculinity over and against women, people of color, and the non-heteronormative. By revealing the strategies through which white masculinity is produced as a formal difference, Carroll sheds new light on the ways that privilege is accrued and maintained.

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Afro-Nostalgia
Feeling Good in Contemporary Black Culture
Badia Ahad-Legardy
University of Illinois Press, 2021
As early as the eighteenth century, white Americans and Europeans believed that people of African descent could not experience nostalgia. As a result, black lives have been predominately narrated through historical scenes of slavery and oppression. This phenomenon created a missing archive of romantic historical memories.

Badia Ahad-Legardy mines literature, visual culture, performance, and culinary arts to form an archive of black historical joy for use by the African-descended. Her analysis reveals how contemporary black artists find more than trauma and subjugation within the historical past. Drawing on contemporary African American culture and recent psychological studies, she reveals nostalgia’s capacity to produce positive emotions. Afro-nostalgia emerges as an expression of black romantic recollection that creates and inspires good feelings even within our darkest moments.

Original and provocative, Afro-Nostalgia offers black historical pleasure as a remedy to contend with the disillusionment of the present and the traumas of the past.

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After the Post–Cold War
The Future of Chinese History
Dai Jinhua
Duke University Press, 2018
In After the Post–Cold War eminent Chinese cultural critic Dai Jinhua interrogates history, memory, and the future of China as a global economic power in relation to its socialist past, profoundly shaped by the Cold War. Drawing on Marxism, post-structuralism, psychoanalysis, and feminist theory, Dai examines recent Chinese films that erase the country’s socialist history to show how such erasure resignifies socialism’s past as failure and thus forecloses the imagining of a future beyond that of globalized capitalism. She outlines the tension between China’s embrace of the free market and a regime dependent on a socialist imprimatur. She also offers a genealogy of China’s transformation from a source of revolutionary power into a fountainhead of globalized modernity. This narrative, Dai contends, leaves little hope of moving from the capitalist degradation of the present into a radical future that might offer a more socially just world.
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After the Western Reserve
The Ohio Fiction of Jessie Brown Pounds
Sandra Parker
University of Wisconsin Press, 1999

In her fiction, Jessie Brown Pounds preserved the flavor of Ohio’s rural village culture as the nineteenth century drew to a close. This anthology rediscovers Pounds’s varied works and reminds modern students that Middle-Western culture included women writers as social critics and mythmakers. Included are short stories, sketches, one undated short story published posthumously in 1921, and Rachael Sylvestre, a first-person historical novel written in 1904.

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The Afterlife of Toyotomi Hideyoshi
Historical Fiction and Popular Culture in Japan
Susan Westhafer Furukawa
Harvard University Press, 2022

Popular representations of the past are everywhere in Japan, from cell phone charms to manga, from television dramas to video games to young people dressed as their favorite historical figures hanging out in the hip Harajuku district. But how does this mass consumption of the past affect the way consumers think about history and what it means to be Japanese?

By analyzing representations of the famous sixteenth-century samurai leader Toyotomi Hideyoshi in historical fiction based on Taikōki, the original biography of him, this book explores how and why Hideyoshi has had a continued and ever-changing presence in popular culture in twentieth- and twenty-first-century Japan. The multiple fictionalized histories of Hideyoshi published as serial novels and novellas before, during, and after World War II demonstrate how imaginative re-presentations of Japan’s past have been used by various actors throughout the modern era.

Using close reading of several novels and short stories as well as the analysis of various other texts and paratextual materials, Susan Furukawa discovers a Hideyoshi who is always changing to meet the needs of the current era, and in the process expands our understanding of the powerful role that historical narratives play in Japan.

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The Afterlife of Toyotomi Hideyoshi
Historical Fiction and Popular Culture in Japan
Susan Westhafer Furukawa
Harvard University Press, 2022

Popular representations of the past are everywhere in Japan, from cell phone charms to manga, from television dramas to video games to young people dressed as their favorite historical figures hanging out in the hip Harajuku district. But how does this mass consumption of the past affect the way consumers think about history and what it means to be Japanese?

By analyzing representations of the famous sixteenth-century samurai leader Toyotomi Hideyoshi in historical fiction based on Taikōki, the original biography of him, this book explores how and why Hideyoshi has had a continued and ever-changing presence in popular culture in twentieth- and twenty-first-century Japan. The multiple fictionalized histories of Hideyoshi published as serial novels and novellas before, during, and after World War II demonstrate how imaginative re-presentations of Japan’s past have been used by various actors throughout the modern era.

Using close reading of several novels and short stories as well as the analysis of various other texts and paratextual materials, Susan Furukawa discovers a Hideyoshi who is always changing to meet the needs of the current era, and in the process expands our understanding of the powerful role that historical narratives play in Japan.

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Against Academia
The History of the Popular Culture Association/American Culture Association and the Popular Culture Movement 1967-1988
Ray B. Browne
University of Wisconsin Press, 1989

    The history of the study of popular culture in American academia since its (re)introduction in 1967 is filled with misunderstanding and opposition. From the first, proponents of the study of this major portion of American culture made clear that they were interested in making popular culture a supplement to the usual courses in such fields as literature, sociology, history, philosophy, and the other humanities and social sciences; nobody proposed that study of popular culture replace the other disciplines, but many suggested that it was time to reexamine the accepted courses and see if they were still viable. Opposition to the status quo always causes anxiety and opposition, but when the issues are clarified, often opposition and anxiety melt away, as they now are doing.
     Anxiety and opposition were generated on another level when people in academic and curricular power felt that voices were being raised that questioned their credentials and control. They flailed out with every argument at their command, generally thinking only of their self interest and not that of the students and the future of academic education. Generally this wall of opposition has also been breached.
    The Popular Culture Association and its many friends and backers in academia, in the United States and abroad, has demonstrated that the study of our everyday and dominant culure should be taken seriously, understandingly and analytically, just as all other aspects of culture should be. Taken that way the study can be useful in developing better educated and responsible citizens from the cradle to the grave. The humanities and social sciences are too important for any portion—especially the majority portion—to be ignored or downplayed. The study of popular culture constitutes a significant and important element, one that can be ignored only at peril.

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The Agatha Christie Companion
Russell H. Fitzgibbon
University of Wisconsin Press, 1980
Russell H. Fitzgibbon presents a short history of Dame Agatha’s life, criticism of her works, and a summary of how critics and reviewers view her work. Includes a bibliography of all the works of Christie published in either Great Britain or the United States, classified according to the detectives involved; an alphabetical list of Christie detective and mystery book and short-story titles; a short-story finder for Christie collections; and an index of all but the least important of the thousands of characters introduced by the author in the detective and mystery short stories and novels.
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Ageing with Smartphones in Ireland
When Life Becomes Craft
Pauline Garvey and Daniel Miller
University College London, 2021
On the role smartphones play in the lives of the aging in contemporary Ireland.

This volume documents a radical change in the experience of aging. Based on two ethnographies in Dublin, Ireland, the book illustrates how smartphones enable old people to focus on crafting a new life in retirement. For some, the smartphone is an intimidating burden linked to being on the wrong side of a new digital divide. But for most, however, it has become integral to a new trajectory towards a more sustainable life, both for themselves and their environment. The smartphone has reunited extended family and old friends, helped resolve intergenerational conflicts though new forms of grandparenting, and has become a health resource. This is a book about acknowledging late middle age in contemporary Ireland and examines how older people in Ireland experience life today.
 
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Ageing with Smartphones in Urban Brazil
A Work in Progess
Marília Duque
University College London, 2022
An exploration of technology’s role in the day-to-day life of aging urban Brazilians.

With people living longer all over the world, aging has begun to be framed as a socioeconomic problem. In Brazil, older people are expected to remain healthy and autonomous while actively participating in society. Based on ethnographic research in São Paulo, this book shows how older people in a middle-class neighborhood try to reconcile these expectations with the freedom and pleasures reserved for old age by using smartphones. Smartphones have become of great importance to the residents as they search for and engage in new forms of work and hobbies. Connected by a digital network, they work as content curators, sharing activities that fill their schedules. Managing multiple WhatsApp groups is a job in itself, as well as a source of solidarity and hope. Friendship groups help each to download new apps, search for medical information and guidance, and navigate the city. Together, the author shows, older people are reinventing themselves as volunteers, entrepreneurs, and influencers, or they are finding a new interest that gives their later life a purpose. The smartphone, which enables the residents to share and discuss their busy lives, is also helping them, and us, to rethink aging.
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Ageing with Smartphones in Urban Italy
Care and Community in Milan and Beyond
Shireen Walton
University College London, 2021
An anthropological account of the experience of age and ageing in an inner-city neighborhood in Milan.

This book is an anthropological account of the experience of age and ageing in an inner-city neighborhood in Milan, exploring the relationship between ageing and technology amidst a backdrop of rapid global technological innovation, including the advent of mobile health, smart cities, and a number of wider socioeconomic and technological transformations. Through extensive urban and digital ethnographic research in Milan, Shireen Walton shows how the smartphone has become a “constant companion” in contemporary life, accompanying people throughout the day and through individual and collective experiences. The volume argues that ageing with smartphones in the contemporary urban Italian context is about living with ambiguity, change, and contradiction, as well as developing curiosities about a changing world, our changing selves, and changing relationships with others.
 
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Agency and Embodiment
Performing Gestures/Producing Culture
Carrie Noland
Harvard University Press, 2009

In Agency and Embodiment, Carrie Noland examines the ways in which culture is both embodied and challenged through the corporeal performance of gestures. Arguing against the constructivist metaphor of bodily inscription dominant since Foucault, Noland maintains that kinesthetic experience, produced by acts of embodied gesturing, places pressure on the conditioning a body receives, encouraging variations in cultural practice that cannot otherwise be explained.

Drawing on work in disciplines as diverse as dance and movement theory, phenomenology, cognitive science, and literary criticism, Noland argues that kinesthesia—feeling the body move—encourages experiment, modification, and, at times, rejection of the routine. Noland privileges corporeal performance and the sensory experience it affords in order to find a way beyond constructivist theory’s inability to produce a convincing account of agency. She observes that despite the impact of social conditioning, human beings continue to invent surprising new ways of altering the inscribed behaviors they are called on to perform. Through lucid close readings of Marcel Mauss, Maurice Merleau-Ponty, Bill Viola, André Leroi-Gourhan, Henri Michaux, Judith Butler, Frantz Fanon, Jacques Derrida, and contemporary digital artist Camille Utterback, Noland illustrates her provocative thesis, addressing issues of concern to scholars in critical theory, performance studies, anthropology, and visual studies.

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Agitated States
Performance in the American Theater of Cruelty
Anthony Kubiak
University of Michigan Press, 2002
From the earliest Puritan displays of piety and rectitude to the present-day epidemic of staged school massacres, the history of America has been characterized by a dual impulse: to cast public event and character as high drama, and to dismiss theater and theatricalization as un-American, even evil. This book rethinks American history as theater, and theater as the ethos and substance of American life, ironically repudiated at every turn by the culture it produces.
Beginning with the writings of John Winthrop and others, through the Federalist and "romantic" stages of American cultural life, and into the modern and contemporary periods, Anthony Kubiak finds an America not usually discovered by traditional or materialist approaches to history. He deploys the psychoanalytic theory of Jacques Lacan, the cultural theory of SlavojZizek, and the performance theory of Herbert Blau in an unparalleled reappraisal of dominant American identity, culture, and history.
Anthony Kubiak is Associate Professor of English, University of South Florida. He is also author of Stages of Terror: Terrorism, Ideology, and Coercion as Theatre History.
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The Alabama Folk Lyric
A Study in Origins and Media of Dissemination
Collected and Edited with an Introduction and Notes by Ray B. Browne
University of Wisconsin Press, 1979

Alabamians have always been a singing people. The settlers who moved into the various sections of the state brought with them songs which reflected their national origins and geographical backgrounds, and as they spread into the hills and over the lowlands they created new songs out of the conditions under which they lived. Also, they absorbed songs from outside sources whenever these pieces could be adapted to their sentiments and ways of life. Thus, by a process of memory, composition and recreation they developed a rich body of folk songs. The following collection a part of the effort to discover and preserve these songs.

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Alarms & Epitaphs
The Art of Eric Ambler
Peter Wolfe
University of Wisconsin Press, 1993
Eric Ambler's novelistic career falls into two halves. In the first half belong the works he published between 1935–1940. These include the highly acclaimed Epitaph for a Spy (1938) and The Mask of Dimitrios (1939), both of which were made into successful films in 1944. The intrigue books of this period unfold in interwar Europe, a bitten-up, anxious place reeling between the extremes of fascism and Soviet communism. To reflect changes in the postwar world, Ambler set his later books in third-world countries where first-world financing collides with unstable, often revolutionary, politics—all within the shadow of large multinational corporations. These powerful firms with connections in high places take the same liberties as big governments have always done in works like Dr. Frigo (1974), the only Ambler book set in Latin America, and the best-selling The Care of Time (1981).
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Albums of James Tissot
Willard Misfeldt
University of Wisconsin Press, 1982

Artist James Tissot compiled photographs of his work in three albums, which are reproduced in this book.

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Alien Encounters
Popular Culture in Asian America
Mimi Thi Nguyen and Thuy Linh Nguyen Tu, eds.
Duke University Press, 2007
Alien Encounters showcases innovative directions in Asian American cultural studies. In essays exploring topics ranging from pulp fiction to multimedia art to import-car subcultures, contributors analyze Asian Americans’ interactions with popular culture as both creators and consumers. Written by a new generation of cultural critics, these essays reflect post-1965 Asian America; the contributors pay nuanced attention to issues of gender, sexuality, transnationality, and citizenship, and they unabashedly take pleasure in pop culture.

This interdisciplinary collection brings together contributors working in Asian American studies, English, anthropology, sociology, and art history. They consider issues of cultural authenticity raised by Asian American participation in hip hop and jazz, the emergence of an orientalist “Indo-chic” in U.S. youth culture, and the circulation of Vietnamese music variety shows. They examine the relationship between Chinese restaurants and American culture, issues of sexuality and race brought to the fore in the video performance art of a Bruce Lee–channeling drag king, and immigrant television viewers’ dismayed reactions to a Chinese American chef who is “not Chinese enough.” The essays in Alien Encounters demonstrate the importance of scholarly engagement with popular culture. Taking popular culture seriously reveals how people imagine and express their affective relationships to history, identity, and belonging.

Contributors. Wendy Hui Kyong Chun, Kevin Fellezs, Vernadette Vicuña Gonzalez, Joan Kee, Nhi T. Lieu, Sunaina Maira, Martin F. Manalansan IV, Mimi Thi Nguyen, Robyn Magalit Rodriguez, Sukhdev Sandhu, Christopher A. Shinn, Indigo Som, Thuy Linh Nguyen Tu, Oliver Wang

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Aliens
An Anthropology of Science Fiction
Edited by George E. Slusser and Eric S. Rabkin
Southern Illinois University Press, 1987

How and when does there come to be an “an­thropology of the alien?” This set of essays, written for the eighth J. Lloyd Eaton Confer­ence on Fantasy and Science Fiction, is con­cerned with the significance of that question. “[Anthropology] is the science that must desig­nate the alien ifit is to redefine a place for itself in the universe,” according to the Introduction.

The idea of the alien is not new. In the Re­naissance, Montaigne’s purpose in describing an alien encounter was excorporation—man­kind was the “savage” because the artificial devices of nature controlled him. Shake­speare’s version of the alien encounter was in­corporation; his character of Caliban is brought to the artificial, political world of man and incor­porated into the body politic

“The essays in this volume . . . show, in their general orientation, that the tribe of

Shakespeare still, in literary studies at least, outnumbers that of Montaigne.” These essays show the interrelation of the excorporating pos­sibilities to the internal soundings of the alien encounter within the human mind and form.

This book is divided into three parts: “Searchings: The Quest for the Alien” includes “The Aliens in Our Mind,” by Larry Niven; “Effing the Ineffable,” by Gregory Benford; “Border Patrols,” by Michael Beehler; “Alien Aliens,” by Pascal Ducommun; and “Metamorphoses of the Dragon,” by George E. Slusser.

“Sightings: The Aliens among Us” includes “Discriminating among Friends,” by John Huntington; “Sex, Superman, Sociobiology,” by Joseph D. Miller; “Cowboys and Telepaths,” by Eric S. Rabkin; “Robots,” by Noel Perrin; “Aliens in the Supermarket,” by George R. Guffey; and “Aliens ‘R’ U.S.,” by Zoe Sofia.

“Soundings: Man as the Alien” includes “H. G. Wells’ Familiar Aliens,” by John R. Reed; “Inspiration and Possession,” by Clayton Koelb; “Cybernauts in Cyberspace,” by David Porush; “The Human Alien,” by Leighton Brett Cooke; “From Astarte to Barbie,” by Frank McConnell; and “An Indication of Monsters;” by Colin Greenland.
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All My Relatives
Community in Contemporary Ethnic American Literatures
Bonnie TuSmith
University of Michigan Press, 1994
All My Relatives challenges the prevailing notion that the work of all American writers reflects a sense of determined individualism. Highlighting works by Frank Chin, Sandra Cisneros, Maxine Hong Kingston, N. Scott Momaday, Tomas Rivera, Leslie Marmon Silko, Alice Walker, and John Edgar Wideman, Bonnie TuSmith shows that a "first language of community" exists within the cultures of ethnic Americans and is evident in their literary texts. TuSmith suggests that the proper understanding of these texts demands that we dismiss an interpretive frame borrowed from European-American literature.
All My Relatives provides a new way of reading popular works such as The Woman Warrior, The Joy Luck Club, The Color Purple and John Edgar Wideman's Sent for You Yesterday. TuSmith's study will appeal to general readers as well as students and scholars of American culture, ethnic studies, and American literature.
"An original contribution to the field. TuSmith's willingness to step over invisible boundaries and to draw parallels between the cultural contexts of several ethnic groups at once is refreshing and important." --Amy Ling, University of Wisconsin, Madison
"Ambitious and timely . . . a significant work that Americanists will want to read. TuSmith does an excellent job of clarifying the meaning and significance of the term "ethnicity" in relation to American literature."--Ramón Saldívar, Stanford University
". . . TuSmith establishes the importance of traditional (usually oral) modes of expression to ethnic texts that are both relational and accessible . . . . [S]hould become a standard point of reference in the emerging field of comparative American literature."--Choice
Bonnie TuSmith is Assistant Professor of English, Bowling Green State University.
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All That Glitters
Country Music in America
George H. Lewis
University of Wisconsin Press, 1993
This collection of essays examines modern country music in America, from its roots to today’s music. Contributors look at aspects of the music as diverse as the creation of country culture in the honky tonk; the development of the Nashville music industry; and why country music singers are similar to the English romantic poets. Historians, sociologists, musicologists, folklorists, anthropologists, ethnographers, communication specialists, and journalists are all represented.
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All the Rage
The Story of Gay Visibility in America
Suzanna Danuta Walters
University of Chicago Press, 2001
Splashed against the tumultuous Clinton years and framed by the clash between gay political might and anti-gay activism, All the Rage presents the first authoritative guide to the new gay visibility. From the public outing of Ellen DeGeneres to the vicious murder of Matthew Shepard, gay lives and images have moved onto the center stage of American public life. Lesbians and gay men are indeed everywhere, from television sitcoms to Budweiser ads, from the White House to the Magic Kingdom. Combining personal stories with incisive analysis, Suzanna Danuta Walters chronicles this historic moment in our culture, arguing that we live in a time when gays are seen, but not necessarily known.

Many consider the new gay visibility a sign of social acceptance, while others charge that it is mere window dressing, obscuring the dogged persistence of discrimination. Walters moves beyond these positions and instead argues that these realities coexist: gays are simultaneously depicted as the sign of social decay and the chic flavor of the month. Taking on the common wisdom that visibility means progress, All the Rage maps the terrain on which gays are accepted as witty accessories in movies, gain access to political power, and yet still fall into constrictive stereotypes. Walters warns us with clarity and wit of the pitfalls of equating visibility with full integration into the fabric of American society. From the playful TV fantasies of lesbian weddings on Friends to the very real obstacles confronting gay marriage, from the award-winning comedy Will & Grace to Bible-thumping radio superhost Dr. Laura, All the Rage takes on naive celebrants and jaded naysayers alike. With a sophisticated mix of caution and optimism, it provides an illuminating guide through these exciting, controversial times.
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All Together Now
American Holiday Symbolism Among Children and Adults
Cindy Dell Clark
Rutgers University Press, 2019
In a hard driving society like the United States, holidays are islands of softness. Holidays are times for creating memories and for celebrating cultural values, emotions, and social ties. All Together Now considers holidays that are celebrated by American families: Easter, Memorial Day, Independence Day, Halloween, and the December holidays of Christmas or Chanukah. This book shows how entire families bond at holidays, in ways that allow both children and adults to be influential within their shared interaction. 

The decorations, songs, special ways of dressing, and rituals carry deep significance that is viscerally felt by even young tots. Ritual has the capacity to condense a plethora of meaning into a unified metaphor such as a Christmas tree, a menorah, or the American flag. These symbols allow children and adults to co-opt the meaning of symbols in flexible and age-relevant ways, all while the symbols are still treasured and shared in common. 
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All-American Redneck
Variations on an Icon, from James Fenimore Cooper to the Dixie Chicks
Matthew J. Ferrence
University of Tennessee Press, 2014
In contemporary culture, the stereotypical trappings of “redneckism” have been appropriated
for everything from movies like Smokey and the Bandit to comedy acts like Larry the
Cable Guy. Even a recent president, George W. Bush, shunned his patrician pedigree in favor
of cowboy “authenticity” to appeal to voters. Whether identified with hard work and patriotism
or with narrow-minded bigotry, the Redneck and its variants have become firmly
established in American narrative consciousness.

This provocative book traces the emergence of the faux-Redneck within the context of
literary and cultural studies. Examining the icon’s foundations in James Fenimore Cooper’s
Natty Bumppo—“an ideal white man, free of the boundaries of civilization”—and the degraded
rural poor of Erskine Caldwell’s Tobacco Road, Matthew Ferrence shows how Redneck
stereotypes were further extended in Deliverance, both the novel and the film, and in
a popular cycle of movies starring Burt Reynolds in the 1970s and ’80s, among other manifestations.
As a contemporary cultural figure, the author argues, the Redneck represents
no one in particular but offers a model of behavior and ideals for many. Most important,
it has become a tool—reductive, confining, and (sometimes, almost) liberating—by which
elite forces gather and maintain social and economic power. Those defying its boundaries,
as the Dixie Chicks did when they criticized President Bush and the Iraq invasion, have
done so at their own peril. Ferrence contends that a refocus of attention to the complex
realities depicted in the writings of such authors as Silas House, Fred Chappell, Janisse Ray,
and Trudier Harris can help dislodge persistent stereotypes and encourage more nuanced
understandings of regional identity.

In a cultural moment when so-called Reality Television has turned again toward popular
images of rural Americans (as in, for example, Duck Dynasty and Moonshiners), All-
American Redneck
reveals the way in which such images have long been manipulated for
particular social goals, almost always as a means to solidify the position of the powerful at
the expense of the regional.
[more]

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Amar Akbar Anthony
Bollywood, Brotherhood, and the Nation
William Elison, Christian Lee Novetzke, and Andy Rotman
Harvard University Press, 2016

A Bollywood blockbuster when it was released in 1977, Amar Akbar Anthony has become a classic of Hindi cinema and a touchstone of Indian popular culture. Delighting audiences with its songs and madcap adventures, the film follows the heroics of three Bombay brothers separated in childhood from their parents and one another. Beyond the freewheeling comedy and camp, however, is a potent vision of social harmony, as the three protagonists, each raised in a different religion, discover they are true brothers in the end. William Elison, Christian Lee Novetzke, and Andy Rotman offer a sympathetic and layered interpretation of the film’s deeper symbolism, seeing it as a lens for understanding modern India’s experience with secular democracy.

Amar Akbar Anthony’s celebration of an India built on pluralism and religious tolerance continues to resonate with audiences today. But it also invites a critique of modernity’s mixed blessings. As the authors show, the film’s sunny exterior only partially conceals darker elements: the shadow of Partition, the crisis of Emergency Rule, and the vexed implications of the metaphor of the family for the nation. The lessons viewers draw from the film depend largely on which brother they recognize as its hero. Is it Amar, the straight-edge Hindu policeman? Is it Akbar, the romantic Muslim singer? Or is it Anthony, the Christian outlaw with a heart of gold? In this book’s innovative and multi-perspectival approach, each brother makes his case for himself (although the last word belongs to their mother).

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Ambient Television
Visual Culture and Public Space
Anna McCarthy
Duke University Press, 2001
Although we tend to think of television primarily as a household fixture, TV monitors outside the home are widespread: in bars, laundromats, and stores; conveying flight arrival and departure times in airports; uniting crowds at sports events and allaying boredom in waiting rooms; and helping to pass the time in workplaces of all kinds. In Ambient Television Anna McCarthy explores the significance of this pervasive phenomenon, tracing the forms of conflict, commerce, and community that television generates outside the home.
Discussing the roles television has played in different institutions from 1945 to the present day, McCarthy draws on a wide array of sources. These include retail merchandising literature, TV industry trade journals, and journalistic discussions of public viewing, as well as the work of cultural geographers, architectural theorists, media scholars, and anthropologists. She also uses photography as a research tool, documenting the uses and meanings of television sets in the built environment, and focuses on such locations as the tavern and the department store to show how television is used to support very different ideas about gender, class, and consumption. Turning to contemporary examples, McCarthy discusses practices such as Turner Private Networks’ efforts to transform waiting room populations into advertising audiences and the use of point-of-sale video that influences brand visibility and consumer behavior. Finally, she inquires into the activist potential of out-of-home television through a discussion of the video practices of two contemporary artists in everyday public settings.
Scholars and students of cultural, visual, urban, American, film, and television studies will be interested in this thought-provoking, interdisciplinary book.
[more]

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America
Exploration and Travel
Steven E. Kagel
University of Wisconsin Press, 1979

Travel gets us from one place to another—often with wonderful attendant enjoyment–but exploration makes us understand our travel, the places we travel to—and ourselves. The essays in this collection constitute a major step toward this understanding. They open up new areas for concern and draw many valuable insights and conclusions.

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American Autobiography after 9/11
Megan Brown
University of Wisconsin Press, 2017
In the wake of the 2001 terrorist attacks in the United States, American memoirists have wrestled with a wide range of anxieties in their books. They cope with financial crises, encounter difference, or confront norms of identity. Megan Brown contends that such best sellers as Cheryl Strayed’s Wild, Elizabeth Gilbert’s Eat, Pray, Love, and Tucker Max’s I Hope They Serve Beer in Hell teach readers how to navigate a confusing, changing world.
            This lively and theoretically grounded book analyzes twenty-first-century memoirs from Three Cups of Tea to Fun Home, emphasizing the ways in which they reinforce and circulate ideologies, becoming guides or models for living. Brown expands her inquiry beyond books to the autobiographical narratives in reality television and political speeches. She offers a persuasive explanation for the memoir boom: the genre as a response to an era of uncertainty and struggle.
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American Blockbuster
Movies, Technology, and Wonder
Charles R. Acland
Duke University Press, 2020
Ben-Hur (1959), Jaws (1975), Avatar (2009), Wonder Woman (2017): the blockbuster movie has held a dominant position in American popular culture for decades. In American Blockbuster Charles R. Acland charts the origins, impact, and dynamics of this most visible, entertaining, and disparaged cultural form. Acland narrates how blockbusters emerged from Hollywood's turn to a hit-driven focus during the industry's business crisis in the 1950s. Movies became bigger, louder, and more spectacular. They also became prototypes for ideas and commodities associated with the future of technology and culture, accelerating the prominence of technological innovation in modern American life. Acland shows that blockbusters continue to be more than just movies; they are industrial strategies and complex cultural machines designed to normalize the ideologies of our technological age.
[more]

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American Cinema of the 2010s
Themes and Variations
Dennis Bingham
Rutgers University Press, 2022
The 2010s might be remembered as a time of increased polarization in American life. The decade contained both the Obama era and the Trump era, and as the nation’s political fissures widened, so did the gap between the haves and have-nots. Hollywood reflected these divisions, choosing to concentrate on big franchise blockbusters at the expense of mid-budget films, while new players like Netflix and Amazon offered fresh opportunities for low-budget and independent filmmakers. As the movie business changed, films ranging from American Sniper to Get Out found ways to speak to the concerns of a divided nation.
 
The newest installment in the Screen Decades series, American Cinema in the 2010s takes a close look at the memorable movies, visionary filmmakers, and behind-the-scenes drama that made this decade such an exciting time to be a moviegoer. Each chapter offers an in-depth examination of a specific year, covering a wide variety of films, from blockbuster superhero movies like Black Panther and animated films like Frozen to smaller-budget biopics like I, Tonya and horror films like Hereditary. This volume introduces readers to a decade in which established auteurs like Quentin Tarantino were joined by an exceptionally diverse set of new talents, taking American cinema in new directions. 
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American Cities in Post-Apocalyptic Science Fiction
Robert Yeates
University College London, 2021
A fresh, provocative history of urban ruins in popular culture.
 
American Cities in Post-Apocalyptic Science Fiction traces the image of urban ruins across twentieth- and twenty-first-century American media. Surveying pulp magazines, radio dramas, films, video games, and the transmedia franchise, Robert Yeates explores how the synergy of technological innovation and artistic vision created an increasingly immersive space to reimagine the urban future. Through a series of medium-specific case studies, Yeates offers provocative new readings of familiar works such as Blade Runner and The Walking Dead situated against a fresh history of ruined cities in American literature.
 
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American Commonplace
Essays on the Popular Culture of the United States
Smith
University of Wisconsin Press, 1982
For ages an endeavor simply ignored and for decades a calling held in contempt, the study of popular culture has in our time been coming of age. For this, we can thank scholars such as Professor Lohof. In this volume he discusses some aspects of American popular culture: advertising and celebrities, architecture, short fiction and magazines, the academy. Professor Lohof analyzes these subjects with a variety of methodological approaches: the myth/image movement; the literature of sociology, structuralist theory and statistical content analysis.
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American Gothic
New Interventions in a National Narrative
Robert K. Martin
University of Iowa Press, 1998

In America as in Britain, the rise of the Gothic represented the other—the fearful shadows cast upon Enlightenment philosophies of common sense, democratic positivism, and optimistic futurity. Many critics have recognized the centrality of these shadows to American culture and self-identification. American Gothic, however, remaps the field by offering a series of revisionist essays associated with a common theme: the range and variety of Gothic manifestations in high and popular art from the roots of American culture to the present.

The thirteen essayists approach the persistence of the Gothic in American culture by providing a composite of interventions that focus on specific issues—the histories of gender and race, the cultures of cities and scandals and sensations—in order to advance distinct theoretical paradigms. Each essay sustains a connection between a particular theoretical field and a central problem in the Gothic tradition.

Drawing widely on contemporary theory—particularly revisionist views of Freud such as those offered by Lacan and Kristeva—this volume ranges from the well-known Gothic horrors of Edgar Allan Poe and Nathaniel Hawthorne to the popular fantasies of Stephen King and the postmodern visions of Kathy Acker. Special attention is paid to the issues of slavery and race in both black and white texts, including those by Ralph Ellison and William Faulkner. In the view of the editors and contributors, the Gothic is not so much a historical category as a mode of thought haunted by history, a part of suburban life and the lifeblood of films such as The Exorcist and Fatal Attraction.

[more]

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The American Historical Imaginary
Contested Narratives of the Past
Caroline Guthrie
Rutgers University Press, 2023
In The American Historical Imaginary: Contested Narratives of the Past in Mass Culture Caroline Guthrie examines the American relationship to versions of the past that are known to be untrue and asks why do these myths persist, and why do so many people hold them so dear? To answer these questions, she examines popular sites where fictional versions of history are formed, played through, and solidified. From television’s reality show winners and time travelers, to the Magic Kingdom in Walt Disney World, to the movies of Quentin Tarantino, this book examines how mass culture imagines and reimagines the most controversial and painful parts of American history. In doing so, Guthrie explores how contemporary ideas of national identity are tied to particular versions of history that valorize white masculinity and ignores oppression and resistance. Through her explanation and analysis of what she calls the historical imaginary, Guthrie offers new ways of attempting to combat harmful myths of the past through the imaginative engagements they have dominated for so long.
 
 
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American Negro Folk-Songs
Newman Ivey White
Harvard University Press
A collection of over eight hundred songs, representing most of the southern states and every type of negro folk-song. There are short chapters on twelve of the thirteen groups of songs, and longer chapters on the negro song in general and on religious songs. The full annotations show the history of each song and its connection with other published songs. There are indexes of titles and first lines, an extensive bibliography, and five appendixes containing specimens of tunes and of several types of early American songs closely related to the folk-songs of the negro. The serious student in this field will find the book not only a mine of information but the largest and most fully annotated collection yet published.
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American Nightmares
The Haunted House Formula in American Popular Fiction
Dale Bailey
University of Wisconsin Press, 1999
 When Edgar Allan Poe set down the tale of the accursed House of Usher in 1839, he also laid the foundation for a literary tradition that has assumed a lasting role in American culture. “The House of Usher” and its literary progeny have not lacked for tenants in the century and a half since: writers from Nathaniel Hawthorne to Stephen King have taken rooms in the haunted houses of American fiction. Dale Bailey traces the haunted house tale from its origins in English gothic fiction to the paperback potboilers of the present, highlighting the unique significance of the house in the domestic, economic, and social ideologies of our nation. The author concludes that the haunted house has become a powerful and profoundly subversive symbol of everything that has gone nightmarishly awry in the American Dream.
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American Pietàs
Visions of Race, Death, and the Maternal
Ruby C. Tapia
University of Minnesota Press, 2010
In American Pietàs, Ruby C. Tapia reveals how visual representations of racialized motherhood shape and reflect national citizenship. By means of a sustained engagement with Roland Barthes’s suturing of race, death, and the maternal in Camera Lucida, Tapia contends that the contradictory essence of the photograph is both as a signifier of death and a guarantor of resurrection.

Tapia explores the implications of this argument for racialized productions of death and the maternal in the context of specific cultural moments: the commemoration of Princess Diana in U.S. magazines; the intertext of Toni Morrison’s and Hollywood’s Beloved; the social and cultural death in teen pregnancy, imaged and regulated in California’s Partnership for Responsible Parenting campaigns; and popular constructions of the “Widows of 9/11” in print and televisual journalism.

Taken together, these various visual media texts function in American Pietàs as cultural artifacts and as visual nodes in a larger network of racialized productions of maternal bodies in contexts of national death and remembering. To engage this network is to ask how and toward what end the racial project of the nation imbues some maternal bodies with resurrecting power and leaves others for dead. In the spaces between these different maternities, says Tapia, U.S. citizen-subjects are born—and reborn.
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American Popular Music
Readings From the Popular Press Volume 2: The Age of Rock
Timothy E. Scheurer
University of Wisconsin Press, 1989
Beginning with the emergence of commercial American music in the nineteenth century, Volume 1 includes essays on the major performers, composers, media, and movements that shaped our musical culture before rock and roll. Articles explore the theoretical dimensions of popular music studies; the music of the nineteenth century; and the role of black Americans in the evolution of popular music. Also included—the music of Tin Pan Alley, ragtime, swing, the blues, the influences of W. S. Gilbert and Rodgers and Hammerstein, and changes in lyric writing styles from the nineteenth century to the rock era.
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American Popular Music
Readings From the Popular Press Volume I: The Nineteenth-Century Tin Pan Alley
Timothy E. Scheurer
University of Wisconsin Press, 1989
Beginning with the emergence of commercial American music in the nineteenth century, Volume 1 includes essays on the major performers, composers, media, and movements that shaped our musical culture before rock and roll. Articles explore the theoretical dimensions of popular music studies; the music of the nineteenth century; and the role of black Americans in the evolution of popular music. Also included—the music of Tin Pan Alley, ragtime, swing, the blues, the influences of W. S. Gilbert and Rodgers and Hammerstein, and changes in lyric writing styles from the nineteenth century to the rock era.
[more]

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The American Southern Gothic on Screen
Karen Horsley
Amsterdam University Press, 2022
The Southern Gothic on Screen explores a body of screen texts that conform to certain generic conventions and aesthetics that, since the early twentieth century, have led to the construction of the American South as a space of ruin, decay, melancholy, loss, and haunting. The book considers the cultural significance of the Southern Gothic on screen by examining southern otherness as the primary mechanism through which the South is rendered a space of darkness and danger. This opens up a critical space for the Southern Gothic to be discussed as a screen genre with its own complex visual, thematic and narrative codes. The book establishes a perspective that synthesizes a broad understanding of Southern Gothic genericity with pre-existing cultural and political discourses on the South, resulting in an analysis that is specific to film and television while remaining heedful of the intersecting discourses that inform both the Gothic and the South as historic and mediated constructs.
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The American West
The Invention Of A Myth
David Hamilton Murdoch
University of Nevada Press, 2001
Americans have chosen to invest one small part of their history, the settlement of the western wilderness, with extraordinary significance. The lost frontier of the 1800s remains not merely a source of excitement and romance but of inspiration, providing a set of unique and imperishable core-values: individualism, self-reliance, and a clear sense of right and wrong. As a construct of the imagination, our creation of the West is exceptional. Since this construct has little to do with history, David H. Murdoch argues that our beliefs about the West amount to a modern functional myth. In addition to presenting a sustained analysis of how and why the myth originated, Murdoch demonstrates that the myth was invented, for the most part deliberately, and then outgrew the purposes of its inventors. The American West answers the questions that have too often been either begged or ignored. Why should the West become the focus for myth in the first place, and why, given the long process of western settlement, is the cattleman's West so central and the cowboy, of all prototypes, the mythic hero? And why should the myth have retained its potency up to the last decade of the twentieth century?
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America's Favorite Radio Station
WKRP in Cincinnati
Michael B. Kassel
University of Wisconsin Press, 1993
Although it became one of the most successful programs in syndicated television history, WKRP in Cincinnati faced an uphill struggle trying to obtain prime-time success. Kassel chronicles the decisions and problems that affected WKRP's primetime success, and explores the reasons why it went on to become a classic.
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Ananda
Where Yoga Lives
John Ball
University of Wisconsin Press, 1982

Whenever the subject of communities and communal living comes uo, a variety of doubts and suspicions is usually aroused. The possible brainwashing of impressionable young people is frequently mentioned. Although the idea itself is centuries old, it has yet to be accepted as an approved method of living, even in this so-called New Age.
    Of the many hundreds that have been started, very few have proven successful. The fact that Ananda has done so remarkably well against terrifying odds, and that at every time of crisis help always seems to come in some extraordinary way, invites attention. During his lifetime, which ended in 1952, Yogananda called for the founding of spiritual communities dedicated to world brotherhood and to "simple living and high thinking." Ananda is the first response to this directive. Its remarkable history, and its present expanding horizons, are the subject of this work.

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Anatomy of Murder
Mystery, Detective, and Crime Fiction
Carl D. Malmgren
University of Wisconsin Press, 2001
Anatomy of Murder identifies and explores three basic fictional forms dealing with murder and detection—mystery, detective, and crime fiction. Mystery fiction takes place in a centered world, one whose most distinctive characteristic is motivation. Covering the forms of murder fiction, the book examines texts by Doyle, Christie, Sayers, Hammett, Chandler, Highsmith, Jim Thompson, Thomas Harris, and others.
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Ancestral Connections
Art and an Aboriginal System of Knowledge
Howard Morphy
University of Chicago Press, 1991
Ancestral Connections unlocks the inner meaning of Australian Aboriginal bark painting. Drawing on more than ten years of fieldwork among the Yolngu—an Aboriginal people of Northeast Arnhem Land—and applying both anthropological and art historical methods, Howard Morphy explores systematically the graphic representation of traditional knowledge in Yolngu art. He also charts the role that art has played in Aboriginal society both present and past.

The rich symbolism of Yolngu art links the Yolngu directly with the "Dreaming," the time of world-creation that continues as the spiritual dimension of the present. Morphy shows how a complex dialectic of "inside" and "outside" interpretations of painting structures the system of knowledge in Yolngu society, and how European interest in this art has caused certain changes in the conditions of its production. The "inside" significance of the art, however, has not changed; it retains its dual ability to represent and to constitute relationships between things.

Ancestral Connections is a major contribution to the anthropology of art. A subtle commentary on the colonial encounter in northern Australia, the book demonstrates how the Yolngu have used their art—against all odds—as an instrument of cultural survival and as a component of the economic and political transformation of their society.

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The Animal Within
Masculinity and the Gothic
Cyndy Hendershot
University of Michigan Press, 1998
As Cyndy Hendershot demonstrates, the Gothic is more a mode than a rigid historical period, an "invasive" tendency that reveals the imaginative limits of social realities and literary techniques far beyond its origins in late eighteenth century Britain. And as she demonstrates in this first scholarly treatment of its kind, one of the continuing obsessions of the Gothic mode is masculinity. Masculinity is in some sense a Gothic castle of the imagination, haunted by fears of the body, science, and angry colonial subjects.
The book's keen critical insight, meticulous close readings and cross-cultural comparisons interrogate the historically situated function of masculinity in texts and films that range across the two-hundred year history of the Gothic. Matthew Lewis's The Monk is compared to Philip Kaufman's Invasion of the Body Snatchers to reveal the "hauntedness" of the male body. Hawthorne's short story "The Birthmark" is juxtaposed with J. S. Le Fanu's "Green Tea" to ground the fantastic qualities of the scientific imagination. Conrad's Heart of Darkness converses with Jean Rhys's Wide Sargasso Sea about the nature of imperialism. And Jane Campion's film The Piano is figured as an imaginative foray into new forms of masculinity. Utilizing the insights of Lacanian theory, Hendershot demonstrates how the Gothic realm of ghosts, demons, and hidden passages continues to suggest alternative realities to claustrophobic cultural imaginations.
"Masculinity and the Gothic combines solid literary critical insight and close readings in a detailed and lively survey of various manifestations of the gothic within British and American cultural traditions, and admirably explores the connections between various cultural discourses. It will make a fine complement to the numerous recent publications of issues of femininity in the gothic." --Sharon Willis, University of Rochester
Cyndy Hendershot is Assistant Professor of English, Arkansas State University.
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Animation
Curtis, Scott
Rutgers University Press, 2019
From the earliest motion pictures and cartoons of the 1900s, to the latest 3D animated feature and CGI blockbuster, animation has always been a part of the cinematic experience. While the boundaries between animation and live-action have often been carefully tended, the ubiquity of contemporary computer imaging certainly blurs those lines, thereby confirming the importance of animation for the history of American cinema. The last installment of the acclaimed Behind the Silver Screen series, Animation explores the variety of technologies and modes of production throughout the history of American animation: the artisanal, solitary labors of early animators such as Winsor McCay, or of independent animators such as Mary Ellen Bute; the industrial assembly lines of Hollywood studio-unit animation; the parsimonious production houses of the post-studio, post-war era; the collaborative approach of boutique animation and special-effect houses. Drawing on archival sources, this volume provides not only an overview of American animation history, but also, by focusing on the relationship between production and style, a unique approach to understanding animation in general. 
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Anime's Knowledge Cultures
Geek, Otaku, Zhai
Jinying Li
University of Minnesota Press, 2024

Unlocking the technosocial implications of global geek cultures

Why has anime, a “low-tech” medium from last century, suddenly become the cultural “new cool” in the information age? Through the lens of anime and its transnational fandom, Jinying Li explores the meanings and logics of “geekdom” as one of the most significant sociocultural groups of our time. In Anime’s Knowledge Cultures, Li shifts the center of global geography in knowledge culture from the computer boys in Silicon Valley to the anime fandom in East Asia. 

 

Drawing from film studies, animation studies, media theories, fan studies, and area studies, she provides broad cultural and theoretical explanations of anime’s appeal to a new body of tech-savvy knowledge workers and consumers commonly known as geeks, otaku, or zhai. Examining the forms, techniques, and aesthetics of anime, as well as the organization, practices, and sensibilities of its fandom, Anime’s Knowledge Cultures is at once a theorization of anime as a media environment as well as a historical and cultural study of transnational geekdom as a knowledge culture. Li analyzes anime culture beyond the national and subcultural frameworks of Japan or Japanese otaku, instead theorizing anime’s transnational, transmedial network as the epitome of the postindustrial knowledge culture of global geekdom.

 

By interrogating the connection between the anime boom and global geekdom, Li reshapes how we understand the meanings and significance of anime culture in relation to changing social and technological environments.

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Anime’s Media Mix
Franchising Toys and Characters in Japan
Marc Steinberg
University of Minnesota Press, 2012

In Anime’s Media Mix, Marc Steinberg convincingly shows that anime is far more than a style of Japanese animation. Beyond its immediate form of cartooning, anime is also a unique mode of cultural production and consumption that led to the phenomenon that is today called “media mix” in Japan and “convergence” in the West.

According to Steinberg, both anime and the media mix were ignited on January 1, 1963, when Astro Boy hit Japanese TV screens for the first time. Sponsored by a chocolate manufacturer with savvy marketing skills, Astro Boy quickly became a cultural icon in Japan. He was the poster boy (or, in his case, “sticker boy”) both for Meiji Seika’s chocolates and for what could happen when a goggle-eyed cartoon child fell into the eager clutches of creative marketers. It was only a short step, Steinberg makes clear, from Astro Boy to Pokémon and beyond.

Steinberg traces the cultural genealogy that spawned Astro Boy to the transformations of Japanese media culture that followed—and forward to the even more profound developments in global capitalism supported by the circulation of characters like Doraemon, Hello Kitty, and Suzumiya Haruhi. He details how convergence was sparked by anime, with its astoundingly broad merchandising of images and its franchising across media and commodities. He also explains, for the first time, how the rise of anime cannot be understood properly—historically, economically, and culturally—without grasping the integral role that the media mix played from the start. Engaging with film, animation, and media studies, as well as analyses of consumer culture and theories of capitalism, Steinberg offers the first sustained study of the Japanese mode of convergence that informs global media practices to this day.

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The Apartment Plot
Urban Living in American Film and Popular Culture, 1945 to 1975
Pamela Robertson Wojcik
Duke University Press, 2010
Rethinking the significance of films including Pillow Talk, Rear Window, and The Seven Year Itch, Pamela Robertson Wojcik examines the popularity of the “apartment plot,” her term for stories in which the apartment functions as a central narrative device. From the baby boom years into the 1970s, the apartment plot was not only key to films; it also surfaced in TV shows, Broadway plays, literature, and comic strips, from The Honeymooners and The Mary Tyler Moore Show to Subways are for Sleeping and Apartment 3-G. By identifying the apartment plot as a film genre, Wojcik reveals affinities between movies generally viewed as belonging to such distinct genres as film noir, romantic comedy, and melodrama. She analyzes the apartment plot as part of a mid-twentieth-century urban discourse, showing how it offers a vision of home centered on values of community, visibility, contact, mobility, impermanence, and porousness that contrasts with views of home as private, stable, and family-based. Wojcik suggests that the apartment plot presents a philosophy of urbanism related to the theories of Jane Jacobs and Henri Lefebvre. Urban apartments were important spaces for negotiating gender, sexuality, race, and class in mid-twentieth-century America.
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Apocalypse Cinema
Stephen Prince
Rutgers University Press, 2021
Vivid images of the apocalypse proliferate throughout contemporary cinema, which pictures the death of civilization in wildly different ways. Some films imagine a future where humanity is wiped out entirely, while others envision humans as an endangered species, enslaved by alien invaders or hunted by zombie hordes. 
 
This book provides a lively overview of apocalypse cinema, including alien invasions, nuclear annihilation, asteroid collisions, climate change, and terrifying plagues. Covering pivotal films from the silent era to the present day, including MetropolisInvasion of the Body SnatchersDr. StrangeloveContagion, and Avengers: Endgame, Stephen Prince explores how these dark visions are rooted in religious and prophetic traditions, and he considers how our love for apocalypse cinema is tied to fundamental existential questions and anxieties that never go out of fashion. 
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Approaching the Millennium
Essays on Angels in America
Deborah R. Geis and Steven F. Kruger, Editors
University of Michigan Press, 1997
Tony Kushner's complex and demanding play Angels in America: A Gay Fantasia on National Themes has been the most talked about, analyzed, and celebrated play of the decade. The critic Harold Bloom has included Kushner's play in his "Western canon" alongside Shakespeare and the Bible, and drama scholar John M. Clum has termed it "a turning point in the history of gay drama, the history of American drama, and of American literary culture." While we might be somewhat wary of the instant canonization that such critical assessments confer, clearly Kushner's play is an important work, honored by the Pulitzer Prize, thought worthy of recognition on "purely aesthetic" grounds at the same time that it has been embraced--and occasionally rejected--for its politics.
Kushner's play explicitly positions itself in the current American conflict over identity politics, yet also situates that debate in a broader historical context: the American history of McCarthyism, of immigration and the "melting pot," of westward expansion, and of racist exploitation. Furthermore, the play enters into the politically volatile struggles of the AIDS crisis, struggles themselves interconnected with the politics of sexuality, gender, race, and class.
The original essays in Approaching the Millennium explore the complexities of the play and situate it in its particular, conflicted historical moment. The contributors help us understand and appreciate the play as a literary work, as theatrical text, as popular cultural phenomenon, and as political reflection and intervention. Specific topics include how the play thematizes gender and sexuality, race and ethnicity; the postmodern incarnation of the Brechtian epic; AIDS and the landscape of American politics. The range of different international productions of Angels in America provides a rich basis for discussion of its production history, including the linguistic and cultural shifts required in its "translation" from one stage to the next.
The last section of Approaching the Millennium includes interviews with Tony Kushner and other key creators and players involved in the original productions of Angels. The interviews explore issues raised earlier in the volume and dialogues between the creative artists who have shaped the play and the critics and "theatricians" engaged in responding to it.
Contributors to this volume are Arnold Aronson, Art Borreca, Gregory W. Bredbeck, Michael Cadden, Nicholas de Jongh, Allen J. Frantzen, Stanton B. Garner, Deborah R. Geis, Martin Harries, Steven F. Kruger, James Miller, Framji Minwalla, Donald Pease, Janelle Reinelt, David Román, David Savran, Ron Scapp, and Alisa Solomon.
Deborah Geis is Associate Professor of English, Queens College, City University of New York. Steven F. Kruger is Professor and Chair of the Department of English, Queens College, City University of New York.
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The Arcades Project
Walter Benjamin
Harvard University Press, 1999

"To great writers," Walter Benjamin once wrote, "finished works weigh lighter than those fragments on which they labor their entire lives." Conceived in Paris in 1927 and still in progress when Benjamin fled the Occupation in 1940, The Arcades Project (in German, Das Passagen-Werk) is a monumental ruin, meticulously constructed over the course of thirteen years--"the theater," as Benjamin called it, "of all my struggles and all my ideas."

Focusing on the arcades of nineteenth-century Paris-glass-roofed rows of shops that were early centers of consumerism--Benjamin presents a montage of quotations from, and reflections on, hundreds of published sources, arranging them in thirty-six categories with descriptive rubrics such as "Fashion," "Boredom," "Dream City," "Photography," "Catacombs," "Advertising," "Prostitution," "Baudelaire," and "Theory of Progress." His central preoccupation is what he calls the commodification of things--a process in which he locates the decisive shift to the modern age.

The Arcades Project is Benjamin's effort to represent and to critique the bourgeois experience of nineteenth-century history, and, in so doing, to liberate the suppressed "true history" that underlay the ideological mask. In the bustling, cluttered arcades, street and interior merge and historical time is broken up into kaleidoscopic distractions and displays of ephemera. Here, at a distance from what is normally meant by "progress," Benjamin finds the lost time(s) embedded in the spaces of things.

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The Archive and the Repertoire
Performing Cultural Memory in the Americas
Diana Taylor
Duke University Press, 2003
In The Archive and the Repertoire preeminent performance studies scholar Diana Taylor provides a new understanding of the vital role of performance in the Americas. From plays to official events to grassroots protests, performance, she argues, must be taken seriously as a means of storing and transmitting knowledge. Taylor reveals how the repertoire of embodied memory—conveyed in gestures, the spoken word, movement, dance, song, and other performances—offers alternative perspectives to those derived from the written archive and is particularly useful to a reconsideration of historical processes of transnational contact. The Archive and the Repertoire invites a remapping of the Americas based on traditions of embodied practice.

Examining various genres of performance including demonstrations by the children of the disappeared in Argentina, the Peruvian theatre group Yuyachkani, and televised astrological readings by Univision personality Walter Mercado, Taylor explores how the archive and the repertoire work together to make political claims, transmit traumatic memory, and forge a new sense of cultural identity. Through her consideration of performances such as Coco Fusco and Guillermo Gómez-Peña’s show Two Undiscovered Amerindians Visit . . . , Taylor illuminates how scenarios of discovery and conquest haunt the Americas, trapping even those who attempt to dismantle them. Meditating on events like those of September 11, 2001 and media representations of them, she examines both the crucial role of performance in contemporary culture and her own role as witness to and participant in hemispheric dramas. The Archive and the Repertoire is a compelling demonstration of the many ways that the study of performance enables a deeper understanding of the past and present, of ourselves and others.

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The Argument about Things in the 1980s
Goods and Garbage in an Age of Neoliberalism
Tim Jelfs
West Virginia University Press, 2018
In the late 1970s, a Jeff Koons art exhibit featured mounted vacuum cleaners lit by fluorescent tube lighting and identified by their product names: New Hoover Quik Broom, New Hoover Celebrity IV. Raymond Carver published short stories such as “Are These Actual Miles?” that cataloged the furniture, portable air conditioners, and children’s bicycles in a family home. Some years later the garbage barge Mobro 4000 turned into an international scandal as it spent months at sea, unable to dump its trash as it was refused by port after port.
Tim Jelfs’s The Argument about Things in the 1980s considers all this and more in a broad study of the literature and culture of the “long 1980s.” It contributes to of-the-moment scholarly debate about material culture, high finance, and ecological degradation, shedding new light on the complex relationship between neoliberalism and cultural life. 
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Arkansas/Arkansaw
How Bear Hunters, Hillbillies, and Good Ol' Boys Defined a State
Brooks Blevins
University of Arkansas Press, 2009
What do Scott Joplin, John Grisham, Gen. Douglas MacArthur, Maya Angelou, Brooks Robinson, Helen Gurley Brown, Johnny Cash, Alan Ladd, and Sonny Boy Williamson have in common? They’re all Arkansans. What do hillbillies, rednecks, slow trains, bare feet, moonshine, and double-wides have in common? For many in America these represent Arkansas more than any Arkansas success stories do. In 1931 H. L. Mencken described AR (not AK, folks) as the “apex of moronia.” While, in 1942 a Time magazine article said Arkansas had “developed a mass inferiority complex unique in American history.” Arkansas/Arkansaw is the first book to explain how Arkansas’s image began and how the popular culture stereotypes have been perpetuated and altered through succeeding generations. Brooks Blevins argues that the image has not always been a bad one. He discusses travel accounts, literature, radio programs, movies, and television shows that give a very positive image of the Natural State. From territorial accounts of the Creole inhabitants of the Mississippi River Valley to national derision of the state’s triple-wide governor’s mansion to Li’l Abner, the Beverly Hillbillies, and Slingblade, Blevins leads readers on an entertaining and insightful tour through more than two centuries of the idea of Arkansas. One discovers along the way how one state becomes simultaneously a punch line and a source of admiration for progressives and social critics alike.

Winner, 2011 Ragsdale Award

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The Art of the Blues
A Visual Treasury of Black Music's Golden Age
Bill Dahl
University of Chicago Press, 2016
This stunning book charts the rich history of the blues, through the dazzling array of posters, album covers, and advertisements that have shaped its identity over the past hundred years. The blues have been one of the most ubiquitous but diverse elements of American popular music at large, and the visual art associated with this unique sound has been just as varied and dynamic. There is no better guide to this fascinating graphical world than Bill Dahl—a longtime music journalist and historian who has written liner notes for countless reissues of classic blues, soul, R&B, and rock albums. With his deep knowledge and incisive commentary—complementing more than three hundred and fifty lavishly reproduced images—the history of the blues comes musically and visually to life.
           
What will astonish readers who thumb through these pages is the amazing range of ways that the blues have been represented—whether via album covers, posters, flyers, 78 rpm labels, advertising, or other promotional materials. We see the blues as it was first visually captured in the highly colorful sheet music covers of the early twentieth century. We see striking and hard-to-find label designs from labels big (Columbia) and small (Rhumboogie). We see William Alexander’s humorous artwork on postwar Miltone Records; the cherished ephemera of concert and movie posters; and Chess Records’ iconic early albums designed by Don Bronstein, which would set a new standard for modern album cover design.
           
What these images collectively portray is the evolution of a distinctively American art form. And they do so in the richest way imaginable. The result is a sumptuous book, a visual treasury as alive in spirit as the music it so vibrantly captures.
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As American as Mom, Baseball, and Apple Pie
Constructing Community in Contemporary American Horror Fiction
Linda J. Holland-Toll
University of Wisconsin Press, 2001
This book does nothing less than redefine the very genre of horror fiction, calling into question the usual conventions, motifs, and elements. Unlike many critics of this genre, Linda Holland-Toll sees dis/affirmative horror fiction acting neither to soothe fears nor reduce them to the vicarious “thrills ‘n’ chills” mode, but as intensifying the fears inherent in everyday life.
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As Seen on TV
The Visual Culture of Everyday Life in the 1950s
Karal Ann Marling
Harvard University Press, 1994
America in the 1950s: the world was not so much a stage as a setpiece for TV, the new national phenomenon. It was a time when how things looked--and how we looked--mattered, a decade of design that comes to vibrant life in As Seen on TV. From the painting-by-numbers fad to the public fascination with the First Lady's apparel to the television sensation of Elvis Presley to the sculptural refinement of the automobile, Marling explores what Americans saw and what they looked for with a gaze newly trained by TV. A study in style, in material culture, in art history at eye level, this book shows us as never before those artful everyday objects that stood for American life in the 1950s, as seen on TV.
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Asianfail
Narratives of Disenchantment and the Model Minority
Eleanor Ty
University of Illinois Press, 2017
Eleanor Ty's bold exploration of literature, plays, and film reveals how young Asian Americans and Asian Canadians have struggled with the ethos of self-sacrifice preached by their parents. This new generation's narratives focus on protagonists disenchanted with their daily lives. Many are depressed. Some are haunted by childhood memories of war, trauma, and refugee camps. Rejecting an obsession with professional status and money, they seek fulfillment by prioritizing relationships, personal growth, and cultural success. As Ty shows, these storytellers have done more than reject a narrowly defined road to happiness. They have rejected neoliberal capitalism itself. In so doing, they demand that the rest of us reconsider our outmoded ideas about the so-called model minority.
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At Pyramid Lake
Bernard Mergen
University of Nevada Press, 2014
Pyramid Lake is one of the largest lakes in the Great Basin, the terminus of the Truckee River flowing from Lake Tahoe into northern Nevada. This desert oasis, with a surface area of nearly two hundred square miles, is a unique geological feature and was home to the Paiute for thousands of years before the arrival of explorer John C. Frémont in 1844.

For the Paiute, it was a spiritual center that provided life-sustaining resources, such as the cui-ui, a fish unique to the lake and now endangered. For the ranchers and farmers who settled on tribal lands, the waters that flowed into it were necessary to raise cattle and crops. Mergen tells how these competing interests have interacted with the lake and with each other, from the Paiute War of 1860 to the present. The lake’s very existence was threatened by dams and water diversion; it was saved by tribal claims, favorable court decisions, improved water laws, and the rise of environmentalism.

At Pyramid Lake is about more than Indians and water wars, however. It is the story of railroads on the reservation and the role of federal, state, and private groups interested in sportfishing. It is about scientists, artists, and tourists who were captivated by the lake’s beauty. Finally, it is also a story of the lake as a place of spiritual renewal and celebration. Mergen grew up near its shores in the 1940s and returned frequently through the years. In this cultural history, he combines his personal remembrances with other source material, including novels, poetry, newspaper and magazine journalism, unpublished manuscripts, and private conversations, to paint a fascinating portrait of one of Nevada’s natural wonders.
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Atomic Comics
Cartoonists Confront the Nuclear World
Ferenc Morton Szasz
University of Nevada Press, 2013

The advent of the Atomic Age challenged purveyors of popular culture to explain to the general public the complex scientific and social issues of atomic power. Atomic Comics examines how comic books, comic strips, and other cartoon media represented the Atomic Age from the early 1920s to the present. Through the exploits of superhero figures such as Atomic Man and Spiderman, as well as an array of nuclear adversaries and atomic-themed adventures, the public acquired a new scientific vocabulary and discovered the major controversies surrounding nuclear science. Ferenc Morton Szasz’s thoughtful analysis of the themes, content, and imagery of scores of comics that appeared largely in the United States and Japan offers a fascinating perspective on the way popular culture shaped American comprehension of the fissioned atom for more than three generations.

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Austentatious
The Evolving World of Jane Austen Fans
Holly Luetkenhaus and Zoe Weinstein
University of Iowa Press, 2019
The amount of fan-generated content about Jane Austen and her novels has long surpassed the author’s original canon. Adaptations like Clueless, Pride and Prejudice and Zombies, Jane Austen’s Fight Club, and The Lizzie Bennet Diaries have given Austen fans priceless opportunities to enjoy the classic texts anew, and continue to bring new and younger fans into the fold. Now, through online culture, the amount and type of fan-created works has exponentially multiplied in recent years. Fans write stories, create art, make videos, and craft memes, all in homage to one of the most celebrated authors of all time.

This book explores online fan spaces in search of “Janeites” all over the world to discover what fans are making, how fans are sharing their work, and why it matters that so many women and nonbinary individuals find a haven not only in Jane Austen, but also in Jane Austen fandom. In relatable chapters based on firsthand experience, the authors explore how Austen fandom has and continues to build communities around women, people of color, and the LGBTQ+ community. Whether Janeites are shrewdly picking up on the latent sexual tension between women in Emma or casting people of color in leading roles, Luetkenhaus and Weinstein argue that Austen fans are particularly adept at marrying fantasy and feminism.
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Authorizing Superhero Comics
On the Evolution of a Popular Serial Genre
Daniel Stein
The Ohio State University Press, 2021
Authorizing Superhero Comics examines the comic book superhero as a lasting phenomenon of US popular serial storytelling. Moving beyond linear- or creator-centered models of genre development, Daniel Stein identifies authorization conflicts that have driven the genre’s evolution from the late 1930s to the present. These conflicts include paratextually mediated exchanges between officially authorized comic book producers and, alternatively, authorized fans that trouble the distinction between production and its reception; storyworld-building processes that subsume producers and fans into a collective rooted in a common style; parodies that ensure the genre’s longevity by deflating criticism through self-reflexive humor; and collecting and archiving as forms of memory management that align the genre’s past with the demands of the present. Taking seriously the serial agencies of the superhero comic book as a material artifact with a particular mediality, the study analyzes letter columns, editorial commentary, fanzines, encyclopedias, and other forms of comic book communication as critical frameworks for understanding the evolution of the genre—assessing rarely covered archival sources alongside some of the most treasured figures from the superhero’s multi-decade history, from Batman and Spider-Man to Wonder Woman and Captain America.
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The Automobile and American Culture
David L. Lewis and Laurence Goldstein, Editors
University of Michigan Press, 1983
Looks at the impact of the automobile on American folkways
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The Averaged American
Surveys, Citizens, and the Making of a Mass Public
Sarah E. Igo
Harvard University Press, 2007

Americans today “know” that a majority of the population supports the death penalty, that half of all marriages end in divorce, and that four out of five prefer a particular brand of toothpaste. Through statistics like these, we feel that we understand our fellow citizens. But remarkably, such data—now woven into our social fabric—became common currency only in the last century. Sarah Igo tells the story, for the first time, of how opinion polls, man-in-the-street interviews, sex surveys, community studies, and consumer research transformed the United States public.

Igo argues that modern surveys, from the Middletown studies to the Gallup Poll and the Kinsey Reports, projected new visions of the nation: authoritative accounts of majorities and minorities, the mainstream and the marginal. They also infiltrated the lives of those who opened their doors to pollsters, or measured their habits and beliefs against statistics culled from strangers. Survey data underwrote categories as abstract as “the average American” and as intimate as the sexual self.

With a bold and sophisticated analysis, Igo demonstrates the power of scientific surveys to shape Americans’ sense of themselves as individuals, members of communities, and citizens of a nation. Tracing how ordinary people argued about and adapted to a public awash in aggregate data, she reveals how survey techniques and findings became the vocabulary of mass society—and essential to understanding who we, as modern Americans, think we are.

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Avoiding the Subject
Media, Culture and the Object
Justin Clemens and Dominic Pettman
Amsterdam University Press, 2005
What can Roger Rabbit tell us about the Second Gulf War? What can a woman married to the Berlin Wall tell us about posthumanism and inter-subjectivity? What can DJ Shadow tell us about the end of history? What can our local bus route tell us about the fortification of the West? What can Reality TV tell us about the crisis of contemporary community? And what can unauthorized pictures of Osama Bin Laden tell us about new methods of popular propaganda? These are only some of the thought-provoking questions raised in Avoiding the Subject, which highlights the feedback-loops between philosophy, technology, and politics in today's mediascape.
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