A SCHOLARLY BOOK REPOSITORY
The Adventures of Lindamira was first published in 1949. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
The Adventures of Lindamira, A Lady of Quality. Written by her own hand, to her Friend in the Country. In IV Parts. Revised and Corrected by Mr. Tho. Brown (London, 1702) is a very rare but important and interesting early English novel. This work was reissued in 1713 as The Lover's Secretary: or the Adventures of Lindamira, and again, with the same title, in 1734, 1745, and 1751.
Lindamira is remarkable historically as one of the earliest epistolary novels in English and also as one of the first pieces of extended prose fiction to enter the gap between the risque, realistic romance on one hand and the artificial French romance of court life on the other. The book is entertaining and compares favorably in naturalness, humor, and plausibility with the work of the contemporary Mrs. Behn, Congreve, and even Defoe.
Most historians have been unfamiliar with the work for the good reason that few copies have survived. The British Museum, Yale, University of Pennsylvania, Newberry, and Brown University have copies of the second or later edition. The only known copy of the first edition is in the Library of the University of Minnesota, and it is from this copy of the first edition that the University of Minnesota Press has reprinted this edition.
Epistolary fictions.
The Letters of Alciphron (second century AD) constitute one of the most attractive products of the Second Sophistic. They are fictitious compositions based on an astonishingly wide variety of circumstances, though the theme of erotic love is constantly sounded. The imagination shown by the author and his convincing realism win him a place of distinction in the early development of romantic prose. The letters, which are highly literary, owing much to the New Comedy of Menander, purport to give us a sketch of the social life of Athens in the fourth century BC. The collection is arranged in four divisions: Letters of Fishermen; Farmers; Parasites; Courtesans. Senders and addressees are mostly invented characters, but in the last section Alciphron presents us with several attempts at historical fiction, the most engaging being an exchange of letters between Menander and Glycera.
This volume also includes twenty Letters of Farmers ascribed to Aelian (ca. AD 170–235) and a collection of seventy-three Erotic Epistles of Philostratus (probably Flavius of that name, also born ca. AD 170). In style and subject matter these resemble those of Alciphron, by whom they may have been influenced.
An award-winning novelist’s vibrant portrayal of the struggle to create a more unified society in medieval Egypt and how this has shaped Egypt today.
Brimming with intrigue, adventure, and romance, Al-Qata’i: Ibn Tulun’s City Without Walls tells the epic story of visionary Egyptian leader Ahmad Ibn Tulun who built Al-Qata’i (now Cairo) into a thriving multicultural empire.
The novel begins with the rediscovery of the Ibn Tulun Mosque in 1918 and recounts Ibn Tulun’s life and legacy in the ninth and tenth centuries. Bassiouney presents Ibn Tulun’s benevolent vision to unify all Egyptians in a new city, Al-Qata’i. He becomes so focused on his vision, however, that he cannot see the impact it has on his family or the fate of Egypt. When a betrayal leads to his demise, the rival Abbasid caliph threatens to regain control of Al-Qata’i. In the aftermath of Ibn Tulun’s death, his daughter Aisha emerges as a pivotal figure, bravely taking a stand against the Abbasids to preserve her life, the city, and the iconic mosque.
This contemporary Egyptian writer forces us to consider universal themes, such as diversity and equality, through both a historical and intercultural lens that enriches our understanding of these issues in our world today.
In this fresh new take on the two women’s stories, Jennifer Pullen takes us away from the familiar and deeper into their experiences. Rewriting Homer, Pullen revitalizes these two figures for the contemporary era. In A Bead of Amber on Her Tongue, Aphrodite maintains autonomy through her experience of her own body, even when forced into marriage. Helen of Troy, meanwhile, harbors a love for her maid, Esme, that no conquering hero can vanquish. Revisiting these classic stories with an inventive twist, Pullen shows that, with a little imagination, the classics may yet bear new insights.
An ancient Greek tale of romance and adventure.
Chariton’s Callirhoe, subtitled “Love Story in Syracuse,” is the oldest extant novel. It is a fast-paced historical romance with ageless charm.
Chariton narrates the adventures of an exceptionally beautiful young bride named Callirhoe, beginning with her abduction by pirates—adventures that take her as far as the court of the Persian king Artaxerxes and involve shipwrecks, several ardent suitors, an embarrassing pregnancy, the hazards of war, and a happy ending. Animated dialogue captures dramatic situations, and the novelist takes us on picturesque travels. His skill makes us enthralled spectators of plots and counterplots, at trials and a crucifixion, inside a harem, among the admiring crowd at weddings, and at battles on land and sea.
This enchanting tale is here made available for the first time in an English translation facing the Greek text. In his Introduction G. P. Goold establishes the book’s date in the first century AD and relates it to other ancient fiction.
Yet is it possible that romance is expressing a truth—and a truth unrecognized by realist genres? The Arthurian literature of the Middle Ages, Karen Sullivan argues, consistently ventriloquizes in its pages the criticisms that were being made of romance at the time, and implicitly defends itself against those criticisms. The Danger of Romance shows that the conviction that ordinary reality is the only reality is itself an assumption, and one that can blind those who hold it to the extraordinary phenomena that exist around them. It demonstrates that that which is rare, ephemeral, and inexplicable is no less real than that which is commonplace, long-lasting, and easily accounted for. If romance continues to appeal to audiences today, whether in its Arthurian prototype or in its more recent incarnations, it is because it confirms the perception—or even the hope—of a beauty and truth in the world that realist genres deny.
The dangerous lover has haunted our culture for over two hundred years; English, American, and European literature is permeated with his erotic presence. The Dangerous Lover takes seriously the ubiquity of the brooding romantic hero—his dark past, his remorseful and rebellious exile from comfortable everyday living. Deborah Lutz traces the recent history of this figure, through the melancholy iconoclasm of the Romantics, the lost soul redeemed by love of the Brontës, and the tormented individualism of twentieth-century love narratives. Arguing for this character’s central influence not only in literature but also in the history of ideas, this book places the dangerous lover firmly within the philosophy of Martin Heidegger, the Modernism of Georg Lukács, and Roland Barthes’s theories on love and longing. Working with canonical authors such as Ann Radcliffe, Charles Maturin, Lord Byron, Charles Dickens, George Eliot, and Oscar Wilde, and also with non-canonical texts such as contemporary romance, The Dangerous Lover combines a lyrical, essayistic style with a depth of inquiry that raises questions about the mysteries of desire, death, and eroticism.
The Dangerous Lover is the first book-length study of this pervasive literary hero; it also challenges the tendency of sophisticated philosophical readings of popular narratives and culture to focus on male-coded genres. In its conjunction of high and low literary forms, this volume explores new historical and cultural framings for female-coded popular narratives.
Older people negotiating dance routines, intimacy, and racialized differences provide a focal point for an ethnography of danzón in Veracruz, the Mexican city closely associated with the music-dance genre. Hettie Malcomson draws upon on-site research with semi-professional musicians and amateur dancers to reveal how danzón connects, and does not connect, to blackness, joyousness, nostalgia, ageing, and romance. Challenging pervasive utopian views of danzón, Malcomson uses the idea of ambivalence to explore the frictions and opportunities created by seemingly contrary sentiments, ideas, sensations, and impulses. Interspersed with experimental ethnographic vignettes, her account takes readers into black and mestizo elements of local identity in Veracruz, nostalgic and newer styles of music and dance, and the friendships, romances, and rivalries at the heart of regular danzón performance and its complex social world.
Fine-grained and evocative, Danzón Days journeys to one of the genre’s essential cities to provide new perspectives on aging and romance and new explorations of nostalgia and ambivalence.
Two racy Greek romances.
In Longus’ ravishing Daphnis and Chloe (second or early third century AD), one of the great works of world literature, an innocent boy and girl gradually discover their sexuality in an idealized pastoral environment. In Xenophon’s Anthia and Habrocomes (first century AD), perhaps the earliest extant novel and a new addition to the Loeb Classical Library, a newlywed couple, separated by mischance, survive hair-raising adventures and desperate escapes as they traverse the Mediterranean and the Near East en route to a joyful reunion. The pairing of these two novels well illustrates both the basic conventions of the genre and its creative range.
This new edition offers fresh translations and texts by Jeffrey Henderson, based on the recent critical editions of Longus by M. D. Reeve and Xenophon by J. N. O’Sullivan.
Ralph Waldo Emerson celebrated the individualism, rebelliousness, anti-authoritarianism, and the spirit of nonconformity within all of us. In The First Amendment, Democracy, and Romance, Steven Shiffrin argues that romantics like Emerson have more to teach us about freedom of speech and democracy than does Justice Oliver Wendell Holmes: if the first amendment is to have a single organizing symbol, let it be the image of the dissenter. A major purpose of the first amendment, says Shiffrin, is to protect those who would break out of orthodox forms.
Although the Emersonian ideal of freedom of speech has deep roots in the nation's culture, it has been subtly denigrated in recent first-amendment theory and seriously abused in practice. Yet Shiffrin believes that the first amendment can provide a sensible accommodation among a host of conflicting values in a changing world, and can also stand as a national symbol—in short, it can allow for both social construction and romance.
Blending insights from literature, philosophy, political science, history, rhetoric, and law, Shiffrin maintains that the romantic tradition sheds light not only on a range of free-speech issues, such as libel, flag burning, and the commercialization of the mass media, but also on subjects of broader theoretical controversy, including liberalism, pragmatism, and the republican revival. In addition to its original approach to the law, this book brings new observations and fresh insights to its discussions of the role of the first amendment in American culture. It will interest a general audience as well as lawyers, journalists, and scholars in a variety of academic fields.
As a young, deaf Jewish woman living in a small town in Michigan in 1942, Sandra Horowitz felt deeply frustrated by her limited prospects. Even though she had just graduated from junior college, she knew that she had two strikes against her in fulfilling her dream to become a veterinarian. Better to marry Jacob Winter, her parents urged her, a deaf Jewish man who made a good living. Then, Sandra met Rudy Townsend, a hearing soldier on leave before shipping out to the war in Europe.
In just four days, both Sandra and Rudy’s worlds were turned upside down. Sandra’s parents feared him for being hearing and a Gentile, while Rudy’s parents expressed openly their bias against her ethnic background and her deafness. Even so, Sandra and Rudy soon realized that they had fallen in love, deeply and passionately. As they shared the brief time they had together, they learned about each other’s dreams for the future — Sandra’s desire to be a vet and Rudy’s determination to serve in Congress. Then, Rudy had to leave for the war.
Philip Zazove’s novel Four Days in Michigan captures perfectly the power of irrepressible love between two individuals from opposite backgrounds. The struggles they encounter in an era when such differences were never more sharply drawn also reveal great detail about deaf and hearing life. Despite all, their triumph comes ultimately because of their long-lasting individual respect and love.
In his Introduction, Herschel Baker writes, “Although Romance, the dominant genre of secular literature throughout the later Middle Ages, has prompted floods of scholarship and speculation, it still bristles with unanswered problems of origin, development, and even definition.”
Helaine Newstead contributes “Malory and Romance”; A. Bartlett Giamatti, “Spenser: From Magic to Miracle”; Norman Rabkin, “The Holy Sinner and the Confidence Man: Illusion in Shakespeare’s Romances”; and Barbara K. Lewalski, “Milton: Revaluations of Romance.”
This handbook offers a synopsis of the regular changes that Latin words underwent in the course of their evolution into modern Romance languages (Italian, Spanish, Portuguese, and French, with their English cognates). Although it is intended for the nonspecialist, students of Romance philology will find it useful as a ready reference and as a source of abundant examples of Latin sound changes.
The synopsis is presented in the form of separate alphabetical charts for each major sound change. The rules, stated as simply as possible, do not generally explain the evolution of the changes, but only the end results. For those desiring further information, there are notes after most rules outlining exceptions to or modifications of that rule and often sketching successive stages in the development of the sound. Several minor or sporadic sound changes are also treated in note form. Each chart is supplemented by a list of additional words illustrating the same sound change.
From Latin to Roman in Sound Charts has been used successfully as a graduate level text for such courses as History of Spanish, History of French, and Romance Linguistics.
A masterpiece by one of the West’s best-loved authorsJust when Sacramento journalist Marty Martinez thinks his life can’t get any worse, it does. His beloved son has died of AIDS, his wife has divorced him and joined a cult, and his daughter blames him for the disintegration of their family. Then a chance medical examination reveals that he has prostate cancer. Marty faces his new role as a cancer patient with awkward grit and desperation. He is a sympathetic, utterly convincing character seeking faith in a Catholic Church as troubled as he is. He brings increased intensity to his career as he investigates a far-reaching political scandal, reunites his family in unexpected ways, and finds love with a fellow cancer patient. Grace Period is a profound and sometimes hilarious novel about living with serious illness. Marty copes with fear and the painful, sometimes embarrassing, treatment of his disease, but instead of winding down his life he finds fresh purpose and a joyful new love. Haslam brilliantly depicts the complexities of everyday life and the intricate, sometimes tortured bonds of family and friendship. In Grace Period, Haslam shows us that existence at the precarious edge of life offers not only pain and loss but hope, a chance at redemption, love, and even happiness. Grace Period is his masterwork.
In romances—Renaissance England’s version of the fantasy novel—characters often discover books that turn out to be magical or prophetic, and to offer insights into their readers’ selves. The Immaterial Book examines scenes of reading in important romance texts across genres: Spenser’s Faerie Queene, Shakespeare’s Cymbeline and The Tempest, Wroth’s Urania, and Cervantes’ Don Quixote. It offers a response to “material book studies” by calling for a new focus on imaginary or “immaterial” books and argues that early modern romance authors, rather than replicating contemporary reading practices within their texts, are reviving ancient and medieval ideas of the book as a conceptual framework, which they use to investigate urgent, new ideas about the self and the self-conscious mind.
Insects inhabit an often unexamined microcosmos, pursuing lives that are often strange beyond our wildest imaginings. From the dawn of humanity, our six-legged fellow Earthlings have repelled and enthralled us. Humans have exterminated, eaten, domesticated, and even excommunicated insects. We collect them, we curse them, and we have penned a surprising body of literature about them.
Insect Lives: Stories of Mystery and Romance from a Hidden World offers an entertaining and informative survey of the human fascination, dreadful and otherwise, with insects diabolical and divine, from accounts in the Bible and Aristotle to the writings of Charles Darwin and the great nineteenth-century naturalists sending home accounts from the rain forest. Highlighted here are observations from E. O. Wilson, Jean-Henri Fabré, David Quammen, May Berenbaum, Roger Swain, William Wordsworth, A. S. Byatt, Gary Larson and more than sixty other writers who tell of the mystery and romance of that other, hidden world beneath our feet and beyond our rolled-up newspapers.
"A good introduction to an issue too often overlooked. . . . The writing is clear and accessible, the evidence is evocative, and the ideas are challenging."—Beth Kiyoko Jamieson, Law and Politics Book Review
"U. S. government bodies have tried to regulate interracial intimacy from the day Pocahontas married John Rolfe up through Loving v. Virginia, which found antimiscegentation laws unconstitutional in 1967. . . . The weirder anecdotes from our racial history enliven this study, which is likely to become a classic in its field."—Publishers Weekly
"Moran examines the history of U. S. regulation of cross-racial romance, considering the impact of that regulation on the autonomy of individuals and families as well as on racial identity and equality. . . . She is attuned to the nuances of race in this polyglot nation, and supplies thoughtful analysis of these nuances."—Booklist
Relating the intensely personal stories from people experiencing different stages of divorce, Alexy provides a rich ethnography of Japan while also speaking more broadly to contemporary visions of love and marriage during an era in which neoliberal values are prompting wide-ranging transformations in homes across the globe.
Now, a new edition of the classic novel Islay promises to entertain a contemporary audience with its Deaf American dream first conceived by Douglas Bullard in 1986. Islay is the name of an imaginary island state coveted by Lyson Sulla, a Deaf man who is tired of feeling that “hearing think deaf means dumb, pat head.” Sulla signs this to his wife Mary in explanation of his desire to tum Islay into a state solely for Deaf people, with himself as governor. From there, his peripatetic quest begins.
Sulla initiates his plan by driving to Islay to survey the lay of the land. There, he meets Gene Owls, another Deaf man who also has designs on the island. Sulla then embarks on travels around the nation recruiting Deaf people to join his crusade. Along the way, he meets a Deaf doctor, a bowling alley owner, a family of peddlers, a Deaf minister, and a willing businessman. Far from a heroic character, Sulla engages in each encounter in an earthy, self-sewing fashion that sends up all parties involved, hearing and Deaf.
Islay uniquely blends classic English forms of satire with the direct, down-to-earth expression of American Sign Language ingenuously rendered throughout. Deaf himself, Bullard has created a wonderfully amusing story that features Deaf people seeking their American dream in a manner both serious and joyous at the same time.
Proud of her intelligence, Maitreyi Devi's father had provided her with a fine and, for that time, remarkably liberal education — and encouraged his brilliant foreign student, Eliade, to study with her. "We were two good exhibits in his museum," Devi writes. They were also, as it turned out, deeply taken with each other. When their secret romance was discovered, Devi's father banished the young Eliade from their home.
Against a rich backdrop of life in an upper-caste Hindu household, Devi powerfully recreates the confusion of an over-educated child simultaneously confronting sex and the differences, not only between European and Indian cultures, but also between her mother's and father's view of what was right. Amid a tangle of misunderstandings, between a European man and an Indian girl, between student and teacher, husband and wife, father and daughter, she describes a romance unfolding in the face of cultural differences but finally succumbing to cultural constraints. On its own, It Does Not Die is a fascinating story of cultural conflict and thwarted love. Read together with Eliade's Bengal Nights, Devi's "romance" is a powerful study of what happens when the oppositions between innocence and experience, enchantment and disillusion, and cultural difference and colonial arrogance collide.
"In two novels written forty years apart, a man and a woman tell stories of their love. . . . Taken together they provide an unusually touching story of young love unable to prevail against an opposition whose strength was tragically buttressed by the uncertainties of a cultural divide."—Isabel Colegate, New York Times Book Review
"Recreates, with extraordinary vividness, the 16-year-old in love that she had been. . . . Maitreyi is entirely, disarmingly open about her emotions. . . . An impassioned plea for truth."—Anita Desai, New Republic
"Something between a reunion and a duel. Together they detonate the classic bipolarities: East-West, life-art, woman-man."—Richard Eder, New York Newsday
"One good confession deserves another. . . . Both books gracefully trace the authors' doomed love affair and its emotional aftermath."—Nina Mehta, Chicago Tribune
When archaeologist Aaron Keeler finds himself transported eighteen years backward in time, he becomes swept up in a strangely illicit liaison with his younger wife. A brilliant musician, Violet is captivated by the attentive, “weathered” version of her husband. The Aaron she recently married—an American expat—has become distant, absorbed by his excavation of a prehistoric site at Kilmartin Glen on Scotland’s west coast, where he will soon make the discovery that launches his career. As Aaron travels back and forth across the span of nearly two decades, with time passing in both worlds, he faces a threat to his revelatory dig, a crisis with the older Violet—mother of his two young children—and a sudden deterioration of his health. Meanwhile, Violet’s musical performances take on a resonance related to the secrets the two are uncovering in both time frames. With their children and Aaron’s lives at risk, he and Violet try to repair the damage before it’s too late.
A charming Greek romance narrated by its hero.
Achilles Tatius was a Greek from Alexandria in Egypt; he is now believed to have flourished in the second century AD. Of his life nothing is known, though the Suidas says he became a Christian and a bishop and wrote a work on etymology, one on the sphere, and an account of great men. He is famous however for his surviving novel in eight books, The Adventures of Leucippe and Clitophon, one of the best Greek love stories. Clitophon relates to a friend the various difficulties which he and Leucippe had to overcome before they are happily united. The story is full of incident and readers are kept in suspense. There are many digressions giving scientific facts, myths, meditations, and so on, the interest of which redeems irrelevance.
The Thackeray Edition proudly announces two additions to its collection: Catherine and The Luck of Barry Lyndon. The Thackeray Edition is the first full-scale scholarly edition of William Makepeace Thackeray's works to appear in over seventy years, and the only one ever to be based on an examination of manuscripts and relevant printed texts. It is also a concrete attempt to put into practice a theory of scholarly editing that gives new insight into Thackeray's own compositional process.
The Luck of Barry Lyndon, serialized in Fraser's Magazine in 1844, is a wonderfully hard-edged advance upon Thackeray's previous writing: a tour de force dramatization at novelistic length of the moral vacuity of its first person narrator. The inner workings of this narrator are far more complicated than in earlier Thackeray writings, and are presented in a far more subtle, yet not humorless, manner. The mock-Bildungsroman aspect of the novel is brought about by the non-enlightenment of the title-figure, his failure to find a meaningful love-relationship, and his inability to discover a calling that identifies both a significant direction for his individual existence and, at the same time, an appropriate accommodation to his duties to society. Achieved in brilliant, accomplished style, Barry Lyndon is a significant and progressive experiment in narration for Thackeray.
Sheldon F. Goldfarb is an independent scholar who received his Ph.D. from the University of British Columbia.
Edgar F. Harden is Professor of English, Simon Fraser University.
Peter L. Shillingsburg is Dean of Graduate Studies and Research, Lamar University.
The Medieval Castle was first published in 1991. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
Mickey Dunmore’s story begins with the sinking of his father’s merchant sailing ship and ends with a cliffhanger in World War I. In school, after an illness caused his deafness, Mickey finds himself constantly fighting the hearing boys and later competing with the signing students when he attends a residential school for deaf students. In college, he and his best friend Dick Wagner leave early to travel the nation with the hobos, carnies, and grifters. In one town, they outfox a barker who was using a deaf girl to “read” the minds of their marks. Further on, they meet Bunny, the Mighty Mite deaf man who helps expose a hearing woman posing as deaf to scam sympathetic people. Mickey faces his greatest challenge when he falls in love with Marion Carrel, a deaf girl whose hearing father forbids their romance on eugenics grounds.
Terry, who became deaf at the age of 11, states from the outset that he means for his novel to reveal the biases confronting deaf people at the time. As a tonic, he populates Mickey’s Harvest with artistic, talented deaf individuals who engage readers in an earlier, colorful time as they “show their stuff.”
From the late nineteenth century to the eve of World War II, America's experts on Russia watched as Russia and the Soviet Union embarked on a course of rapid industrialization. Captivated by the idea of modernization, diplomats, journalists, and scholars across the political spectrum rationalized the enormous human cost of this path to progress. In a fascinating examination of this crucial era, David Engerman underscores the key role economic development played in America's understanding of Russia and explores its profound effects on U.S. policy.
American intellectuals from George Kennan to Samuel Harper to Calvin Hoover understood Russian events in terms of national character. Many of them used stereotypes of Russian passivity, backwardness, and fatalism to explain the need for--and the costs of--Soviet economic development. These costs included devastating famines that left millions starving while the government still exported grain.
This book is a stellar example of the new international history that seamlessly blends cultural and intellectual currents with policymaking and foreign relations. It offers valuable insights into the role of cultural differences and the shaping of economic policy for developing nations even today.
A woman meets a man and falls in love. She is sixty, a writer and lifelong New Yorker raised by garmentos. She thought this kind of thing wouldn’t happen again. He is English, so who knows what he thinks. He is fifty-six, a professor now living in Arizona, the son of a bespoke tailor. As the first of Laurie Stone’s linked stories begins, the writer contemplates what life would be like in the desert with the professor. As we learn how she became the person she is, we also come to know the artists and politics of the downtown scene of the ’70s, ’80s, and ’90s, a cultural milieu that remains alive in her. In sharply etched prose, Stone presents a woman constantly seduced by strangers, language, the streets— even a wildlife trail. Her characters realize that they feel at home in dislocation—in always living in two places at the same time: east and west, past and present, the bed and the grave (or copper urn). Love may not last, the writer knows. Then again, when has anything you thought about the future turned out right?
Romances violate the casual, temporal, and logical cohesiveness of realist novels, and they do so in part by depicting love as a state of suspension, a condition outside of time. Steiner argues that because Renaissance and post-Renaissance painting also represents a suspended moment of perception with "unnatural" clarity and compression of meaning, it readily serves the romance as a symbol of antirealism. Yet the atemporality of stopped-action painting was actually an attempt to achieve pictorial realism—the way things "really" look. It is this paradox that interests Steiner: to signal their departure from realism, romances evoke the symbol of "realistic" visual artwork. Steiner explores this problem through analyses of Keats, Hawthorne, Joyce, and Picasso. She then examines a return to narrative conventions in visual art in the twentieth century, in the work of Lichtenstein and Warhol, and speculates on the fate of pictorial storytelling and the romance in postmodern art. An aesthetic fantasia of sorts, this study combines theory and analysis to illuminate an unexpected interconnection between literature and the visual arts.
Nabou returns to Fez as Amir’s second wife, weathering the jealous cruelty of Lalla Fatma, his first partner. Isolated within her new home, Nabou gives birth to twin sons, one black and one white, who come of age on the opposite sides of racial, social, and political chasms and who chart vastly different courses. The Pleasure Marriage showcases Ben Jelloun’s mastery of metaphor and lyrical narrative as he continues to take us into the worlds of Moroccan culture through his exquisite language and literary genius.
Race and Romance: Coloring the Past explores the literary and cultural genealogy of colorism, white passing, and white presenting in the romance genre. The scope of the study ranges from Heliodorus’ Aithiopika to the short novels of Aphra Behn, to the modern romance novel Forbidden by Beverly Jenkins. This analysis engages with the troublesome racecraft of “passing” and the instability of racial identity and its formation from the premodern to the present. The study also looks at the significance of white settler colonialism to early modern romance narratives. A bridge between studies of early modern romance and scholarship on twenty-first-century romance novels, this book is well-suited for those interested in the romance genre.
This study of the rescue motif in popular American novels before World War I focuses on the rescue convention as part of the romantic plot of the novels. The rescue as a structured convention that controls the movement of the romantic plot appears in all types of domestic novels, gothics, dime novels, historical romances, and westerns.
Cohn argues that a full understanding of the contemporary romance requires an investigation of its literary and historical sources and analogues. Three principal sources are examined in the context of women's history in bourgeois society. Pride and Prejudice, Jane Erye, and Gone With the Wind demonstrate the development of romance fiction's themes, yet in all three the central love story is complicated by issues of property, the sign of male power. Jan Cohn further considers the development of the genre n the fictions of Harriet Lewis and May Agnes Fleming, prolific and popular American romance writers of the late nineteenth century who developed the role of the villain, thereby bringing into focus the sexual and economic struggles faced by the heroine.
Romance and the Erotics of Property sets romance fiction against a historic and literary background, arguing that contemporary romance disguises as tales of love the subversive fantasies of female appropriation and male property and power.
The great American thinker Ralph Waldo Emerson and the influential German philosopher Friedrich Nietzsche, though writing in different eras and ultimately developing significantly different philosophies, both praised the individual’s wish to be transformed, to be fully created for the first time. Emerson and Nietzsche challenge us to undertake the task of identity on our own, in order to see (in Nietzsche’s phrase) “how one becomes what one is.”
David Mikics’s The Romance of Individualism in Emerson and Nietzsche examines the argument, as well as the affinity, between these two philosophers. Nietzsche was an enthusiastic reader of Emerson and inherited from him an interest in provocation as a means of instruction, an understanding of the permanent importance of moods and transitory moments in our lives, and a sense of the revolutionary character of impulse. Both were deliberately outrageous thinkers, striving to shake us out of our complacency.
Rather than choosing between Emerson and Nietzsche, Professor Mikics attends to Nietzsche’s struggle with Emerson’s example and influence. Elegant in its delivery, The Romance of Individualism in Emerson and Nietzsche offers a significant commentary on the visions of several contemporary theorists whose interests intersect with those of Emerson and Nietzsche, especially Stanley Cavell, Jacques Lacan, Slavoj Zizek, and Harold Bloom.
In the United States miscegenation is not merely a subject of literature and popular culture. It is in many ways the foundation of contemporary imaginary community. The Romance of Race examines the role of minority women writers and reformers in the creation of our modern American multiculturalism.
The national identity of the United States was transformed between 1880 and 1930 due to mass immigration, imperial expansion, the rise of Jim Crow, and the beginning of the suffrage movement. A generation of women writers and reformers—particularly women of color—contributed to these debates by imagining new national narratives that put minorities at the center of American identity. Jane Addams, Pauline Hopkins, Onoto Watanna (Winnifred Eaton), María Cristina Mena, and Mourning Dove (Christine Quintasket) embraced the images of the United States—and increasingly the world—as an interracial nuclear family. They also reframed public debates through narratives depicting interracial encounters as longstanding, unacknowledged liaisons between white men and racialized women that produced an incestuous, mixed-race nation.
By mobilizing the sexual taboos of incest and miscegenation, these women writers created political allegories of kinship and community. Through their criticisms of the nation’s history of exploitation and colonization, they also imagined a more inclusive future. As Jolie A. Sheffer identifies the contemporary template for American multiculturalism in the works of turn-of-the century minority writers, she uncovers a much more radical history than has previously been considered.
Writers examined include Jack Kerouac, Jim Dodge, Ralph Waldo Emerson, William Least Heat Moon, Robert M. Pirsig, Henry Miller, Joan Didion, Mona Simpson, and Walt Whitman.
Fifty years ago, educator and writer Robert E. Gard traveled across Wisconsin, learning the trivial, controversial, and landmark stories behind how cities, counties, and local places got their names. This volume records the fruits of Gard’s labors in an alphabetical listing of places from every corner of Wisconsin, and the stories behind their often-unusual names. Gard’s work provides an important snapshot of how Wisconsin residents of a bygone era came to understand the names of their towns and home places, many of which can no
longer be found on any map.
Celebrated rural historian Jerry Apps introduces this reprint of Gard’s work,
saying that in “some ways The Romance of Wisconsin Place Names is a reference book, a place where you can go to learn a little more about your home town. But in many ways it is much more than that, for it includes the stories of places throughout the state, submitted by the people who knew them. It is a book where story, people, and place all come together.”
With flashes of humor and close attention to detail, Ashley describes a broad range of activities and experiences in the small village of Deerfield and the surrounding towns of the Connecticut River valley. Articulate as well as observant, this former schoolteacher conveys a sense of immediacy that brings even the most mundane daily events to life. He discusses medical theory and practice, revolutionary politics, farming, his family, his circle of friends, and amusements ranging from singing and dancing to sleigh riding and bouts of drunkenness. He also writes about his love life, including a dalliance with the older sister of his fiancee, Polly Williams, while the latter is away visiting relatives in the Berkshires.
For Ashley, personal relationships and politics were the prominent issues of 1773 and 1774, as events in Massachusetts drew the province toward rebellion. He discusses the gathering of angry mobs in response to the so-called Intolerable Acts, the stoppage of the courts in Hampshire County, the anarchy that ensued, and the persecution of loyalists, with or without the sanction of law. When the revolution breaks out in April 1775, he describes the departure of companies of minutemen as they set out for Boston to challenge the British Army.
Six months later, in November 1775, the journal abruptly ends. By then, however, Elihu Ashley had already bequeathed to posterity an extraordinary firsthand account of life in rural New England in the years immediately preceding the War of Independence.
Two rollicking Roman satires.
The Satyrica (Satyricon liber), a comic-picaresque fiction in prose and verse traditionally attributed to the Neronian Petronius (d. AD 66) but possibly of Flavian or Trajanic date, survives only as fragments of a much larger whole. It takes the form of a first-person narrative by the endearing ne’er-do-well Encolpius, a brilliant storyteller, parodist, and mimic who recalls episodes from his past life as a wandering bohemian, living by his wits on the margins of society in Greek southern Italy and encountering a vividly realized array of characters from the early imperial demimonde, including the wealthy freedman Trimalchio, one of the most unforgettable characters in all of Latin literature.
Paired with the Satyrica, and likewise in prose and verse, is the Apocolocyntosis (Pumpkinification), a short satirical pamphlet lampooning the death, apotheosis, and attempt to enter heaven of the emperor Claudius (reigned 41–54). If the work of Lucius Annaeus Seneca (4 BC–AD 65), better known for his austere Stoic moralism, its sarcastic wit and rollicking humor were no doubt inspired by bitterness over his exile at Claudius’ hands in 41–49.
For this Loeb edition the Latin texts have been freshly edited and translated, with ample introductions and explanatory notes.
In Sex on the Kitchen Table, Norman C. Ellstrand takes us on a vegetable-laced tour of this entire sexual adventure. Starting with the love apple (otherwise known as the tomato) as a platform for understanding the kaleidoscopic ways that plants can engage in sex, successive chapters explore the sex lives of a range of food crops, including bananas, avocados, and beets, finally ending with genetically engineered squash—a controversial, virus-resistant vegetable created by a process that involves the most ancient form of sex. Peppered throughout are original illustrations and delicious recipes, from sweet and savory tomato pudding to banana puffed pancakes, avocado toast (of course), and both transgenic and non-GMO tacos.
An eye-opening medley of serious science, culinary delights, and humor, Sex on the Kitchen Table offers new insight into fornicating flowers, salacious squash, and what we owe to them. So as we sit down to dine and ready for that first bite, let us say a special grace for our vegetal vittles: let’s thank sex for getting them to our kitchen table.
One of the most important voices of the Harlem Renaissance, Claude McKay is largely recognized for his work during the 1920s, which includes a major collection of poems, Harlem Shadows, as well as a critically acclaimed novel, Home to Harlem. But McKay was never completely comfortable with his literary reputation during this period. Throughout his world travels, he saw himself as an English lyricist.
In this compelling examination of the life and works of this complex poet, novelist, journalist, and short story writer, Josh Gosciak sheds light on McKay’s literary contributions beyond his interactions with Harlem Renaissance artists and writers. Working within English literary traditions, McKay crafted a verse out of hybridity and diaspora. Gosciak shows how he reinvigorated a modern pastoral through his encounters with some of the major aesthetic and political movements of the late Victorian and early modern periods.
Exploring new archival material as well as many of McKay’s lesser known poetic works, TheShadowed Country provides a unique interpretation of the writings of this major author.
This bilingual edition, a parallel text in Old French and English, is based on a reexamination of the Old French manuscript, and makes Silence available to specialists and students in various fields of literature and women's studies.
The Roman de Silence, an Arthurian romance of the thirteenth century, tells of a girl raised as a boy, equally accomplished as a minstrel and knight, whose final task, the capture of Merlin, leads to her unmasking.
In The Subject of Crusade, Marisa Galvez offers a nuanced view of holy war and crusade poetry, reading these lyric works within a wider conversation with religion and culture. Arguing for an interdisciplinary treatment of crusade lyric, she shows how such poems are crucial for understanding the crusades as a complex cultural and historical phenomenon. Placing them in conversation with chronicles, knightly handbooks, artworks, and confessional and pastoral texts, she identifies a particular “crusade idiom” that emerged out of the conflict between pious and earthly duties. Galvez fashions an expanded understanding of the creative works made by crusaders to reveal their experiences, desires, ideologies, and reasons for taking up the cross.
This book seeks to explore how Barbara Pym subverts the discourse of the romance novel through her use of food, clothes, heroine and hero characterizations, and marriage customs.
Shuttling between the insanity of the Führer’s bunker and the chaotic streets, Tobias must contend with a scheming Martin Bormann, a deceitful deserter, the Russian onslaught, and his own compounding despair—all while falling for Zenzi, a girl of Jewish descent (a mischling) who relays secret news of death camps and convinces Tobias to make a treacherous escape to the Americans.
With thrilling risks in plotting and prose, with moments of pathos and absurdity, Shuster richly conjures a mad, tragic world.
The first known prose romance written by a woman in Italian, Bigolina's Urania centers on the monomaniacal love of a female character falling into melancholy when her beloved leaves her for a more beautiful woman. A tale that includes many of the conventions that would later become standards of the genre—cross-dressing, travel, epic skirmishes, and daring deeds—Urania also contains the earliest treatise on the worth of women.
Also included in this volume, the novella Giulia Camposampiero is the only extant part of a probable longer narrative written in the style of the Decameron. While employing some of those same gender and role reversals as Urania, including the privileging of heroic constancy in both men and women, it chronicles the tribulations that a couple undergoes until their secret marriage is publicly recognized.
Editorial Advisory Board: Sarah Park Dahlen, Associate Professor, School of Information Sciences, University of Illinois Urbana-Champaign; Marianne Martens, Associate Professor, School of Information, Kent State University; Amy Pattee, Associate Professor and Co-coordinator of Dual-Degree MS LIS/MA Children’s Literature, School of Library and Information Science, Children’s Literature, Simmons University
“Comprehensive and substantial … a highly recommended resource," raved VOYA about the third edition. Now, to keep pace with changes in the field of publishing and realign itself to the newest generation of young adults, Cart returns with a sweeping update of his classic text. Relied upon by educators, LIS instructors and students, and practitioners for its insight and thoroughness, his book
- surveys the landscape of YA lit both past and present, sketching out its origins and showing how it has evolved to deal with subjects every bit as complex as its audience;
- closely examines teen demographics, literacy, audiobooks, the future of print, the role of literary criticism, and other key topics;
- provides updated coverage of perennially popular genre fiction, including horror, sci fi, and dystopian fiction;
- delves deeply into multicultural and LGBTQIA+ literature, substantially updated in this edition;
- features expansive interviews with best-selling authors like Eric Shanower, Jackie Woodson, and Bill Konigsberg as well as several publishers and leaders in the field;
- discusses the impact of the Printz Award, ALAN’s Walden Award, the National Book Award, The Los Angeles Times Book Award, and other honors; and
- features abundant bibliographic material to aid in readers' advisory and collection development.
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