A 1960s American folk music legend weaves stories of a girlhood on “the singing streets” of Ireland, marriage in Scotland, and arrival in America

Taking the Scottish Enlightenment philosopher David Hume as its subject, this book breaks new ground in focusing its lens on a little-studied aspect of Hume’s thinking: his understanding of money.

George Caffentzis makes both an intervention in the field of monetary philosophy and into Marxian conceptions of the relation between philosophy and capitalist development. He vividly charts the ways in which Hume’s philosophy directly informed the project of ‘civilizing’ the people of the Scottish Highlands and pacifying the English proletariat in response to the revolts of both groups at the heart of the empire.

Built on careful historical and philosophical detective work, Civilizing Money offers a stimulating and radical political reading of the ways in which Hume’s fundamental philosophical claims performed concrete political functions.

Scotland, its people, and its history have long been a source of considerable fascination and inspiration for filmmakers, film scholars, and film audiences worldwide. A significant number of critically acclaimed films made in the last twenty-five years have ignited passionate conversations and debates about Scottish national cinema. Its historical, industrial, and cultural complexities and contradictions have made it all the more a focus of attention and interest for both popular audiences and scholarly critics.
 
Directory of World Cinema: Scotland provides an introduction to many of Scottish cinema’s most important and influential themes and issues, films, and filmmakers, while adding to the ongoing discussion concerning how to make sense of Scotland’s cinematic traditions and contributions.  Chapters on filmmakers range from Murray Grigor to Ken Loach, and Gaelic filmmaking, radical and engaged cinema, production, finance, and documentary are just a few of the topics explored.  Film reviews range from popular box office hits such as Braveheart, and Trainspotting to lesser known but equally engaging independent and lower budget productions, such as Shell and Orphans. This book is both a stimulating and accessible resource for a wide range of readers interested in Scottish film.

     A distinguished physician and professor of medicine at Edinburgh University, and a forensic expert for the British Crown, Joseph Bell was well known for his remarkable powers of observation and deduction. In what would become true Sherlockian fashion, he had the ability to deduce facts about his patients from otherwise unremarkable details. In one instance recounted by Arthur Conan Doyle himself—and similar to Sherlock Holmes's own observations in "The Greek Interpreter"—Bell took little time to determine that one of his patients had recently served in the army, a non-commissioned officer discharged from his Highland regiment stationed in Barbados:

“The man was a respectful man, but did not remove his hat. They do not in the army, but he would have learned civilian ways had he been long discharged. He has an air of authority and he is obviously Scottish. As to Barbados, his complaint is elephantitis, which is West Indian and not British.”

     Based on extensive research into the life of Bell and including tantalizing accounts of the connections between Bell and Conan Doyle, this biography is required reading for anyone interested in Victorian medicine, in the history of detective fiction, and in Sherlock Holmes and Dr. Watson.

In The Emperor of Ice-Cream, we are introduced to Lucia. Now in her eighties, this daughter of Italian immigrants looks back on her youth spent in Scotland during the 1920s and 30s. She remembers her three brothers, Dario, Giulio and Emilio, and the very different ways they lived through these decades: the eldest establishes the Edinburgh Fascist club, the second sets up a luxurious ice-cream parlor, the youngest hones his verbal skills for a future as a poet. Lucia learns what it is to be an immigrant and to wonder where ‘home’ is; she encounters religious sectarianism, idealism, and disillusionment. She experiences passion, hope, and disappointment.

When she falls in love in Rome, it appears that happiness is Lucia’s for the asking, until unstoppable forces intervene—in both of her countries. With mounting tension, her tale leads through the rise of Fascism to the terrible moment in June 1940 when Mussolini declares war, and British Italians are interned. When hundreds are herded as ‘enemy aliens’ onto a ship bound for exile, among their number are two of her brothers. Determined to tell their story before it is too late, Lucia gives an account of one of the most shameful episodes in Britain’s Second World War.

Through his portrayal of Lucia’s singular vision and voice, Dan Gunn has created an unforgettable character who, while registering the buffets of history, is—just possibly—writing herself toward some overdue inner peace.

The late eighteenth century witnessed an explosion of intellectual activity in Scotland by such luminaries as David Hume, Adam Smith, Hugh Blair, William Robertson, Adam Ferguson, James Boswell, and Robert Burns. And the books written by these seminal thinkers made a significant mark during their time in almost every field of polite literature and higher learning throughout Britain, Europe, and the Americas. 

In this magisterial history, Richard B. Sher breaks new ground for our understanding of the Enlightenment and the forgotten role of publishing during that period. The Enlightenment and the Book seeks to remedy the common misperception that such classics as The Wealth of Nations and The Life of Samuel Johnson were written by authors who eyed their publishers as minor functionaries in their profession. To the contrary, Sher shows how the process of bookmaking during the late eighteenth-century involved a deeply complex partnership between authors and their publishers, one in which writers saw the book industry not only as pivotal in the dissemination of their ideas, but also as crucial to their dreams of fame and monetary gain. Similarly, Sher demonstrates that publishers were involved in the project of bookmaking in order to advance human knowledge as well as to accumulate profits. 

The Enlightenment and the Book explores this tension between creativity and commerce that still exists in scholarly publishing today. Lavishly illustrated and elegantly conceived, it will be must reading for anyone interested in the history of the book or the production and diffusion of Enlightenment thought.

In 1707 Scotland ceased to exist as an independent country and became part of Great Britain. Yet it never lost its distinct sense of identity, history, and politics. To preserve the country's unique antiquities and natural specimens, a Scottish earl founded the Society of Antiquaries of Scotland in 1780, at the beginning of the Enlightenment's museum boom. Now numbering twelve million objects and specimens and representing everything from archaeology to applied arts and design, from social history to science and the natural world, these collections formed the foundation for what eventually became the National Museum of Scotland.

In Exhibiting Scotland, Alima Bucciantini traces how these collections have helped tell the changing stories of this country for centuries and how the museum reflects the Scots' continuing negotiation of their place within modern Britain.

The Victorian era was the high point of literary tourism. Writers such as Charles Dickens, George Eliot, and Sir Walter Scott became celebrities, and readers trekked far and wide for a glimpse of the places where their heroes wrote and thought, walked and talked. Even Shakespeare was roped in, as Victorian entrepreneurs transformed quiet Stratford-upon-Avon into a combination shrine and tourist trap.

Stratford continues to lure the tourists today, as do many other sites of literary pilgrimage throughout Britain. And our modern age could have no better guide to such places than Simon Goldhill. In Freud's Couch, Scott’s Buttocks, Brontë's Grave, Goldhill makes a pilgrimage to Sir Walter Scott's baronial mansion, Wordsworth's cottage in the Lake District, the Bront ë parsonage, Shakespeare's birthplace, and Freud's office in Hampstead. Traveling, as much as possible, by methods available to Victorians—and gamely negotiating distractions ranging from broken bicycles to a flock of giggling Japanese schoolgirls—he tries to discern what our forebears were looking for at these sites, as well as what they have to say to the modern mind. What does it matter that Emily Brontë’s hidden passions burned in this specific room? What does it mean, especially now that his fame has faded, that Scott self-consciously built an extravagant castle suitable for Ivanhoe—and star-struck tourists visited it while he was still living there? Or that Freud's meticulous recreation of his Vienna office is now a meticulously preserved museum of itself? Or that Shakespeare’s birthplace features student actors declaiming snippets of his plays . . . in the garden of a house where he almost certainly never wrote a single line?

Goldhill brings to these inquiries his trademark wry humor and a lifetime's engagement with literature. The result is a travel book like no other, a reminder that even today, the writing life still has the power to inspire.

The Highlands Controversy is a rich and perceptive account of the third and last major dispute in nineteenth-century geology stemming from the work of Sir Roderick Murchison. The earlier Devonian and Cambrian-Silurian controversies centered on whether the strata of Devon and Wales should be classified by lithological or paleontological criteria, but the Highlands dispute arose from the difficulties the Scottish Highlands presented to geologists who were just learning to decipher the very complex processes of mountain building and metamorphism. David Oldroyd follows this controversy into the last years of the nineteenth century, as geology was transformed by increasing professionalization and by the development of new field and laboratory techniques. In telling this story, Oldroyd's aim is to analyze how scientific knowledge is constructed within a competitive scientific community—how theory, empirical findings, and social factors interact in the formation of knowledge.

Oldroyd uses archival material and his own extensive reconstruction of the nineteenth-century fieldwork in a case study showing how detailed maps and sections made it possible to understand the exceptionally complex geological structure of the Highlands

An invaluable addition to the history of geology, The Highlands Controversy also makes important contributions to our understanding of the social and conceptual processes of scientific work, especially in times of heated dispute.

A grippingly personal analysis of J. K. Rowling’s rise as an anti-trans activist, its media and pop cultural context, and trans resistance to the moral panic she has stoked.

In J. K. Rowling and the Anti-Trans Panic, Gina Gwenffrewi weaves her own experience as a trans woman living in Edinburgh, Scotland, with analysis of political and pop cultural discourses and artifacts to deliver a trenchant study of how fellow Edinburgh resident J. K. Rowling’s emergence as a major anti-trans campaigner and the years-long entrenchment of existing anti-trans forces have converged. Analyzing Rowling’s output since 2020, a series of anti-trans events at the University of Edinburgh, the transphobic comedy of Ricky Gervais within the British media landscape, YouTube commentaries, and more, Gwenffrewi creates a potent taxonomy of the rhetorical devices and foundational assumptions of anti-trans discourse. While the 2020s UK has proved fertile ground for “gender-critical” feminism, she argues, it has also provided the foundation for sites of resistance and for bolstering transgender voices worldwide. In celebrating trans activism and trans joy amid adversity, Gwenffrewi beautifully captures the light and dark of being out as trans in the city that—if it can fairly be called ground zero for anti-trans fervor—also embodies liberatory possibilities for trans people worldwide.

“I am not here, then, as the accused; I am here as the accuser of capitalism dripping with blood from head to foot.”—John Maclean, Speech from the Dock, 1918
 
Feared by the government, adored by workers, celebrated by Lenin and Trotsky. The head of British Military Intelligence called John Maclean (1879–1923) “the most dangerous man in Britain.”
            This new biography explores the events that shaped the life of a momentous man—from the Great War and the Great Unrest to the Rent Strike and the Russian Revolution. It examines his work as an organizer and educator, his imprisonment and hunger strike, and his rise to the position of Britain’s most famous revolutionary. At a moment when radical politics is drawing renewed attention and support, Maclean’s example of activism and commitment is as timely as ever.
 

The Gateway Theatre Company between 1953 and 1965 was a major force in developing modern Scottish theatre, moving in 1965 to become the Royal Lyceum Theatre Company. The Gateway Theatre and its company were therefore highly influential in the development of theatre in Scotland. They encouraged new writing and young performers to establish a vibrant contemporary tradition of Scottish theatre in a manner complementary to, and at times more important than, that of its sister theatre, the Citizens in Glasgow. Both theatre building and company are regarded with enormous affection and respect. This book provides authoritative brief histories of the building and the company incorporating much original research, an essay on the links between the theatre and the Church of Scotland (its landlord post second world war), and appreciations of two leading figures in the operation of the theatre and the company. These are Sadie Aitken, 'the Caledonian Lilian Bayliss' (a theatrical legend), and Robert Kemp (playwright and a key figure in post war theatre).

What can we know of the private lives of early British sovereigns? Through the unusually large number of letters that survive from King James VI of Scotland/James I of England (1566-1625), we can know a great deal. Using original letters, primarily from the British Library and the National Library of Scotland, David Bergeron creatively argues that James' correspondence with certain men in his court constitutes a gospel of homoerotic desire. Bergeron grounds his provocative study on an examination of the tradition of letter writing during the Renaissance and draws a connection between homosexual desire and letter writing during that historical period.

King James, commissioner of the Bible translation that bears his name, corresponded with three principal male favorites—Esmé Stuart (Lennox), Robert Carr (Somerset), and George Villiers (Buckingham). Esmé Stuart, James' older French cousin, arrived in Scotland in 1579 and became an intimate adviser and friend to the adolescent king. Though Esmé was eventually forced into exile by Scottish nobles, his letters to James survive, as does James' hauntingly allegorical poem Phoenix. The king's close relationship with Carr began in 1607. James' letters to Carr reveal remarkable outbursts of sexual frustration and passion.

A large collection of letters exchanged between James and Buckingham in the 1620s provides the clearest evidence for James' homoerotic desires. During a protracted separation in 1623, letters between the two raced back and forth. These artful, self-conscious letters explore themes of absence, the pleasure of letters, and a preoccupation with the body. Familial and sexual terms become wonderfully intertwined, as when James greets Buckingham as "my sweet child and wife."

King James and Letters of Homoerotic Desire presents a modern-spelling edition of seventy-five letters exchanged between Buckingham and James. Across the centuries, commentators have condemned the letters as indecent or repulsive. Bergeron argues that on the contrary they reveal an inward desire of king and subject in a mutual exchange of love.

Few landscapes are as striking as that of the Hebrides, the hundreds of small islands that speckle the waters off Scotland’s northwest coast. The jagged, rocky cliffs and roiling waves serve as a reminder of the islands’ dramatic geological history, inspiring awe and dread in those drawn there. With Britain at their back and facing the Atlantic, the Hebrides were at the center of ancient shipping routes and have a remarkable cultural history as well, as a meeting place for countless cultures that interacted with a long, rich Gaelic tradition.

After years of hearing about Scotland as a place deeply interwoven with the story of her family, Madeleine Bunting was driven to see for herself this place so symbolic and full of history. Most people travel in search of the unfamiliar, to leave behind the comfort of what’s known to explore some suitably far-flung corner of the globe. From the first pages, it’s clear that Madeleine Bunting’s Love of Country marks a different kind of journey—one where all paths lead to a closer understanding of home, but a home bigger than Bunting’s corner of Britain, the drizzly, busy streets of London with their scream of sirens and high-rise developments crowding the sky. Over six years, Bunting returned again and again to the Hebrides, fascinated by the question of what it means to belong there, a question that on these islands has been fraught with tenacious resistance and sometimes tragedy. With great sensitivity, she takes readers through the Hebrides’ history of dispossession and displacement, a history that can be understand only in the context of Britain’s imperial past, and she shows how the Hebrides have been repeatedly used to define and imagine Britain. In recent years, the relationship between Britain and Scotland has been subject to its most testing scrutiny, and Bunting’s travels became a way to reflect on what might be lost and what new possibilities might lie ahead.

For all who have wondered how it might feel to stand face-out at the edge of home, Love of Country is a revelatory journey through one of the world’s most remote, beautiful landscapes that encourages us to think of the many identities we wear as we walk our paths, and how it is possible to belong to many places while at the same time not wholly belonging to any.
 

Scotland, Britain, Empire takes on a cliché that permeates writing from and about the literature of the Scottish Highlands. Popular and influential in its time, this literature fell into disrepute for circulating a distorted and deforming myth that aided in Scotland’s marginalization by consigning Scottish culture into the past while drawing a mist over harsher realities.

Kenneth McNeil invokes recent work in postcolonial studies to show how British writers of the Romantic period were actually shaping a more complex national and imperial consciousness. He discusses canonical works—the works of James Macpherson and Sir Walter Scott—and noncanonical and nonliterary works—particularly in the fields of historiography, anthropology, and sociology. This book calls for a rethinking of the “romanticization” of the Highlands and shows that Scottish writing on the Highlands reflects the unique circumstances of a culture simultaneously feeling the weight of imperial “anglobalization” while playing a vital role in its inception.

 

While writers from both sides of the Highland line looked to the traditions, language, and landscape of the Highlands to define their national character, the Highlands were deemed the space of the primitive—like other spaces around the globe brought under imperial sway. But this concern with the value and fate of indigenousness was in fact a turn to the modern.

A systematic exploration of the arguments for Scottish independence from a sympathetic angle.

The Scottish independence question is one of the pivotal questions facing British politics and the future of the United Kingdom. It is also one of the most contentious and misunderstood.

In Scotland Rising, Gerry Hassan addresses the fundamental questions covering the Scottish independence debate so that people can better understand the case for independence and the nuances, contours, and implications for the whole country. Looking beyond the merits and shortcomings of the SNP and the Conservative government in Westminster, Hassan tackles the larger driving dynamics of 'the Scottish Question' - a growing desire amongst many Scots for an explicit discussion about society, public policy choices, and wider values.

Addressing the constitutional framework, and questions about the role of government and democracy, the nature of the British state, society, and capitalism, Scotland Rising makes an urgent and intelligent contribution to one of the defining political questions of our time.

Examines the impact of the Scottish legacy on North American cultures and heritage