front cover of Ambient Sufism
Ambient Sufism
Ritual Niches and the Social Work of Musical Form
Richard C. Jankowsky
University of Chicago Press, 2020
Ambient Sufism is a study of the intertwined musical lives of several ritual communities in Tunisia that invoke the healing powers of long-deceased Muslim saints through music-driven trance rituals. Richard C. Jankowsky illuminates the virtually undocumented role of women and minorities in shaping the ritual musical landscape of the region, with case studies on men’s and women’s Sufi orders, Jewish and black Tunisian healing musical troupes, and the popular music of hard-drinking laborers, as well as the cohorts involved in mass-mediated staged spectacles of ritual that continue to inject ritual sounds into the public sphere. He uses the term “ambient Sufism” to illuminate these adjacent ritual practices, each serving as a musical, social, and devotional-therapeutic niche while contributing to a larger, shared ecology of practices surrounding and invoking the figures of saints. And he argues that ritual musical form—that is, the large-scale structuring of ritual through musical organization—has agency; that is, form is revealing and constitutive of experience and encourages particular subjectivities. Ambient Sufism promises many useful ideas for ethnomusicology, anthropology, Islamic and religious studies, and North African studies. 
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Behind Closed Doors
Women's Oral Narratives in Tunis
Hejaiej, Monia
Rutgers University Press, 1996

Tunis has a long history of city life reaching back to ancient times. The Arabic language is firmly rooted among its inhabitants and most embrace the morals and culture of Islam. Behind Closed Doors presents forty-seven tales told by three Beldi women, members of a historic and highly civilized community, the city's traditional elite. Tale-telling is important to all Beldi women, and the book examines its role in their shared world and its significance in the lives of the three tellers.

Tales are told at communal gatherings to share and pass on Beldi women's secret lore of love, marriage and destiny. Ghaya Sa'diyya and Kheira tell stories which echo their life experience and have deep meanings for them. Their tales reflect accepted moral codes, and yet many depict attitudes, relationships, and practices that contradict established norms. Whereas Kheira presents a conservative and moralistic view of the role of women, Sa'diyya's heroines are alive with sexual energy, and Ghaya's stories also offer racy and rebellious comments on a woman's lot. These contradictory visions offer a kaleidoscopic view of the position of women in the rich life of a historic North African city.

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Between Mussolini and Hitler
The Jews and the Italian Authorities in France and Tunisia
Daniel Carpi
University Press of New England, 2002
The Nazi invasion of Poland in 1939 plunged the world into its second global conflict. The Third Reich's attack, mounted without consulting its Italian ally, had other reverberations as well. Chief among them was Mussolini's decision to conduct a "parallel war" based on his own tactical and political agendas. Against this backdrop, Daniel Carpi depicts the fate of some 5000 Jews in Tunisia and as many as 30,000 in southeastern France, all of whom came under the aegis of the Italian Fascist regime early in the war. Many were unskilled immigrants: still others were political refugees, activists, or anti-fascist emigres, the fuoriusciti who fled oppression in Italy only to find themselves under its rule once again after the fall of France. While the Fascist regime disagreed with Hitler's final solution for the "Jewish problem," it also saw actions by Vichy French police or German security forces against Jews in Italian-controlled regions as an erosion of Rome's power. Thus, although these Jews were not free from oppression, Carpi shows that as long as Italy maintained control over them its consular officials were able to block the arrests and mass deportations occurring elsewhere.
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By Fire
Writings on the Arab Spring
Tahar Ben Jelloun, translated and with an introduction by Rita Nezami
Northwestern University Press, 2016

Tahar Ben Jelloun’s By Fire, the first fictional account published on the Arab Spring, reimagines the true-life self-immolation of Mohamed Bouazizi in Tunisia, an event that has been credited with setting off the Tunisian revolt. The novella depicts the days leading up to Bouazizi’s self-immolation. Ben Jelloun’s deliberate ambiguity about the location of the story, set in an unnamed Islamic country, allows the reader to imagine the experiences and frustrations of other young men who have endured physical violence and persecution in places beyond Tunisia. The tale begins and ends in fire, and the imagery of burning frames the political accounts in The Spark, Ben Jelloun’s nonfiction writings on the Tunisian events that provide insight into the despotic regimes that drove Bouazizi to such despair. Rita S. Nezami’s elegant translations and critical introduction provide the reader with multiple strategies for approaching these potent texts.

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Consult Them in the Matter
A Nineteenth-Century Islamic Argument for Constitutional Government
Ahmad ibn Abi Diyaf
University of Arkansas Press, 2005
The 2005 winner of the The Arkansas Arabic Traslation Award, sponsored by the King Fahd Center for Middle East and Islamic Studies at the University of Arkansas and the University of Arkansas Press, though written in the nineteenth century, is a richly contextualized precursor of modern Muslim wrestlings with notions of democracy and constitutionalism. Translated by the distinguished Middle East historian L. Carl Brown, this important historical work is now available to English language readers for the first time. Toward the end of his long career as an official in the Tunisian government, Ahmad ibn Abi Diyaf (Bin Diyaf) took on the task of writing a history of his country. The result was a multivolume history, concentrating on the period that Bin Diyaf experienced first-hand from within the small circle of Tunisia’s government, where he had served from the 1820s to the 1860s. It was as if a Harry Hopkins, Arthur Schlesinger Jr., or Henry Kissinger had served not just a Roosevelt, Kennedy, or Nixon, but all three presidents for an unbroken forty-year period. Not only the most penetrating and most perceptive study of nineteenth-century Tunisian political life, Bin Diyaf’s history was illustrative of the activities and ideas in play throughout the larger Ottoman world. His work was a history with a thesis. Bin Diyaf sought to show the need for his country, and for that matter the larger Ottoman world, to adopt representative and responsive forms of government as existed in Europe. His purpose was most clearly set out in the Muqaddima or Introduction to his monumental work, which Brown has translated. The ideas produced in this text roughly a century and a half ago were not institutionalized, but they did catch hold as ideas and goals influencing later developments.
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front cover of The Deaf-Mute Boy
The Deaf-Mute Boy
Joseph Geraci
University of Wisconsin Press, 2006
The Deaf-Mute Boy—equal parts travel story, love story, and a resonant confrontation with the Muslim world—is the tale of a gay American professor immersed in a North African society. Maurice Burke, an archaeologist, is invited to speak at a conference in the bustling port town of Sousse, Tunisia. At first disillusioned by its rampant tourism and squalid commercialism, Maurice becomes intrigued by his surroundings after meeting a local deaf-mute boy. While exploring a vibrant souk, Maurice encounters a religious leader who guides him on a fateful introduction to the boy’s family. As Maurice’s involvement with the deaf-mute boy intensifies, he finds himself drawn into a maze of Tunisian politics, culture, and religion.
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The New Prophecy and "New Visions"
Evidence of Montanism in The Passion of Perpetua and Felicitas (Patristic Monograph Series, Volume 18)
Rex D. Butler
Catholic University of America Press, 2006
In this book, Rex D. Butler examines the Passion for evidence of Montanism and proposes that its three authors--Perpetua, Saturus, and the unnamed editor--were Montanists.
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Revolutionary Life
The Everyday of the Arab Spring
Asef Bayat
Harvard University Press, 2021

From a leading scholar of the Middle East and North Africa comes a new way of thinking about the Arab Spring and the meaning of revolution.

From the standpoint of revolutionary politics, the Arab Spring can seem like a wasted effort. In Tunisia, where the wave of protest began, as well as in Egypt and the Gulf, regime change never fully took hold. Yet if the Arab Spring failed to disrupt the structures of governments, the movement was transformative in farms, families, and factories, souks and schools.

Seamlessly blending field research, on-the-ground interviews, and social theory, Asef Bayat shows how the practice of everyday life in Egypt and Tunisia was fundamentally altered by revolutionary activity. Women, young adults, the very poor, and members of the underground queer community can credit the Arab Spring with steps toward equality and freedom. There is also potential for further progress, as women’s rights in particular now occupy a firm place in public discourse, preventing retrenchment and ensuring that marginalized voices remain louder than in prerevolutionary days. In addition, the Arab Spring empowered workers: in Egypt alone, more than 700,000 farmers unionized during the years of protest. Labor activism brought about material improvements for a wide range of ordinary people and fostered new cultural and political norms that the forces of reaction cannot simply wish away.

In Bayat’s telling, the Arab Spring emerges as a paradigmatic case of “refolution”—revolution that engenders reform rather than radical change. Both a detailed study and a moving appeal, Revolutionary Life identifies the social gains that were won through resistance.

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Stambeli
Music, Trance, and Alterity in Tunisia
Richard C. Jankowsky
University of Chicago Press, 2010
In Stambeli, Richard C. Jankowsky presents a vivid ethnographic account of the healing trance music created by the descendants of sub-Saharan slaves brought to Tunisia during the eighteenth and nineteenth centuries. Stambeli music calls upon an elaborate pantheon of sub-Saharan spirits and North African Muslim saints to heal humans through ritualized trance. Based on nearly two years of participation in the musical, ritual, and social worlds of stambeli musicians, Jankowsky’s study explores the way the music evokes the cross-cultural, migratory past of its originators and their encounters with the Arab-Islamic world in which they found themselves. Stambeli, Jankowsky avers, is thoroughly marked by a sense of otherness—the healing spirits, the founding musicians, and the instruments mostly come from outside Tunisia—which creates a unique space for profoundly meaningful interactions between sub-Saharan and North African people, beliefs, histories, and aesthetics.

Part ethnography, part history of the complex relationship between Tunisia’s Arab and sub-Saharan populations, Stambeli will be welcomed by scholars and students of ethnomusicology, anthropology, African studies, and religion.
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Stranger's Notebook
Poems
Nomi Stone
Northwestern University Press, 2008

Stone's moving debut collection of verse is inspired by her encounter with perhaps the last cohesive, traditional Jewish community in the Middle East and North Africa. According to their story of origin, a handful of exiles arrived on the island of Djerba, Tunisia, in 586 B.C., carrying a single stone from the destroyed Temple in Jerusalem. Drawing from this cosmology, the poems follow a stranger who arrives into an ancient community that is both at home and deeply estranged on the island. Its people occupy the uneasy space of all insular communities, deciding when to let the world in and when to shut it out. The poems are about the daily lives and deeper cosmos of the Jews of Djerba as well as the Muslims next door. In her exploration, Stone sees vivid recurring images of keys, stones, homes, the laughter of girls, the eyes of men, the color blue, and the force of blood or bombs. With this journey of faith, doubt, longing, and home, Stone has brought readers a rare look into a story that resonates powerfully with questions of cultural preservation and coexistence.

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front cover of Women, Gender, and the Palace Households in Ottoman Tunisia
Women, Gender, and the Palace Households in Ottoman Tunisia
By Amy Aisen Kallander
University of Texas Press, 2013

In this first in-depth study of the ruling family of Tunisia in the eighteenth and nineteenth centuries, Kallander investigates the palace as a site of familial and political significance. Through extensive archival research, she elucidates the domestic economy of the palace as well as the changing relationship between the ruling family of Tunis and the government, thus revealing how the private space of the palace mirrored the public political space.

“Instead of viewing the period as merely a precursor to colonial occupation and the nation-state as emphasized in precolonial or nationalist histories, this narrative moves away from images of stagnation and dependency to insist upon dynamism,” Kallander explains. She delves deep into palace dynamics, comparing them to those of monarchies outside of the Ottoman Empire to find persuasive evidence of a global modernity. She demonstrates how upper-class Muslim women were active political players, exerting their power through displays of wealth such as consumerism and philanthropy. Ultimately, she creates a rich view of the Husaynid dynastic culture that will surprise many, and stimulate debate and further research among scholars of Ottoman Tunisia.

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