615 books match the query 'England' and 46 start with a

cover of A Biographical Dictionary of Actors, Volume 2, Belfort to Byzand: Actresses, Musicians, Dancers, Managers, and Other Stage Personnel in London, 1660-1800

A Biographical Dictionary of Actors, Volume 2, Belfort to Byzand

Actresses, Musicians, Dancers, Managers, and Other Stage Personnel in London, 1660-1800

Philip H. Highfill, Jr., Kalman A. Burnim, and Edward A. Langhans

Southern Illinois University Press, 1973

Tobe completed in 12volumes, this monumental work here begins publica­tion with the first two volumes—Abaco to Bertie and Bertin to Byzard. When completed, it is expected that the bio­graphical dictionary will include informa­tion on more than 8,500 individuals.

Hundreds of printed sources have been searched for this project, and dozens of repositories combed, and the names of personnel listed have been filtered through parish registers whenever possible. From published and unpublished sources, from wills, archives of professional societies and guilds, from records of colleges, uni­versities, and clubs, and from the contri­butions of selfless scholars, the authors have here assembled material which il­luminates theatrical and musical activity in London in the 1660–1800 period.

The information here amassed will doubtless be augmented by other spe­cialists in Restoration and eighteenth-century theatre and drama, but it is not likely that the number of persons now known surely or conjectured finally to have been connected with theatrical en­terprise in this period will ever be in­creased considerably. Certainly, the contributions made here add immeasurably to existing knowledge, and in a number of instances correct standard histories or reference works.

The accompanying illustrations, esti­mated to be some 1,400 likenesses—at least one picture of each subject for whom a portrait exists—may prove to be a use­ful feature of the Work. The authors have gone beyond embellishment of the text, and have attempted to list all origi­nal portraits any knowledge of which is now recoverable, and have tried to ascer­tain the present location of portraits in every medium.

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cover of A Cezanne in the Hedge and Other Memories of Charleston and Bloomsbury

A Cezanne in the Hedge and Other Memories of Charleston and Bloomsbury

Edited by Hugh Lee

University of Chicago Press, 1992

The Bloomsbury circle has long preoccupied writers, critics, and the general public alike. For many years its focal point was Charleston Farmhouse in Sussex, home to Vanessa and Clive Bell and Duncan Grant. A Cézanne in the Hedge brings together thirty firsthand reminiscences of the Charleston, vividly and amusingly evoking its creativity—and eccentricity. Childhood memories from Quentin Bell, Angelica Garnett, and Nigel Nicholson are interspersed with appraisals of the work of Bloomsbury members such as Roger Fry, Maynard Keynes, and Virginia Woolf and of their contribution to twentieth-century British art and thought. The finale is a childhood spoof written by Virginia Woolf entitled "A Terrible Tragedy in a Duckpond."
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cover of A Collection of Ranter Writings: Spiritual Liberty and Sexual Freedom in the English Revolution

A Collection of Ranter Writings

Spiritual Liberty and Sexual Freedom in the English Revolution

Nigel Smith

Pluto Press, 2014

The Ranters - like the Levellers and the Diggers - were a group of religious libertarians who flourished during the English Civil War (1642–1651), a period of social and religious turmoil which saw, in the words of the historian Christopher Hill, 'the world turned upside down'.

A Collection of Ranter Writings is the most notable attempt to anthologise the key Ranter writings, bringing together some of the most remarkable, visionary and unforgettable texts. The subjects range from the limits to pleasure and divine right, to social justice and collective action.

The Ranters have intrigued and captivated generations of scholars and philosophers. This carefully curated collection will be of great interest to historians, philosophers and all those trying to understand past radical traditions.

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cover of A Cosmos of Desire: The Medieval Latin Erotic Lyric in English Manuscripts

A Cosmos of Desire

The Medieval Latin Erotic Lyric in English Manuscripts

Thomas C Moser, Jr.

University of Michigan Press, 2004


Thomas C. Moser, Jr. explores the fascinating body of medieval Latin erotic poetry found in English manuscripts. His study describes the intellectual and social context from which the great erotic songs of the twelfth century emerged, and examines a variety of erotic poems, from school exercises to the magnificent lyrics found in Arundel 384. He also illuminates the influence of neoplatonic philosophy on this poetry, explicating key neoplatonic texts and applying that analysis in close readings of erotic lyrics from the same period and milieu.
A Cosmos of Desire will interest scholars of medieval literature as well as specialists in Latin poetry and philosophy. Students of Middle English literature will find that it fills an important gap in our understanding of English intellectual life between the twelfth and the fourteenth century. All Latin prose and poetry is translated, some works for the first time, and the book is generously illustrated with photographs of the manuscripts discussed.
Thomas C. Moser, Jr. is Associate Professor of English at the University of Maryland, College Park.
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cover of A Dance to the Music of Time: First Movement

A Dance to the Music of Time

First Movement

Anthony Powell

University of Chicago Press, 1995

Read the novel that is #43 on the Modern Library's 100 Best of the 20th Century list and the Guardian called "a comic masterpiece" and the New York Times praised as "immensely entertaining."

A Dance to the Music of Time is a landmark work of fiction, praised by readers and critics and other novelists throughout the 75 years since the first volume was published. Equal parts funny and heartbreaking, clever and moving, Anthony Powell's universally acclaimed epic encompasses a four-volume panorama of twentieth century London.

Hailed by Time as "brilliant literary comedy as well as a brilliant sketch of the times," A Dance to the Music of Time opens just after World War I and carries through the 1950s, with all the changes of society, characters, and relationships that those shifting eras bring.

Four very different young men on the threshold of manhood dominate this opening volume of A Dance to the Music of Time. The narrator, Jenkins—a budding writer—shares a room with Templer, already a passionate womanizer, and Stringham, aristocratic and reckless. Widmerpool, as hopelessly awkward as he is intensely ambitious, lurks on the periphery of their world. Amid the fever of the 1920s and the first chill of the 1930s, these four gain their initiations into sex, society, business, and art. A masterpiece of modern fiction, Powell's epic creates a rich portrait of life in England between the wars.

"Reading Powell," says the New York Times, "is like living someone else's life, inextricably entangled with your own." Give this first volume a try, and you'll find characters and scenes and insights that will stay with you for the rest of your life.

Includes these novels:
A Question of Upbringing
A Buyer's Market
The Acceptance World
 
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cover of A Dance to the Music of Time: Fourth Movement

A Dance to the Music of Time

Fourth Movement

Anthony Powell

University of Chicago Press, 1995

Read the novel that is #43 on the Modern Library's 100 Best of the 20th Century list and the Guardian called "a comic masterpiece" and the New York Times praised as "immensely entertaining."

A Dance to the Music of Time is a landmark work of fiction, praised by readers and critics and other novelists throughout the 75 years since the first volume was published. Equal parts funny and heartbreaking, clever and moving, Anthony Powell's universally acclaimed epic encompasses a four-volume panorama of twentieth century London. Hailed by Time as "brilliant literary comedy as well as a brilliant sketch of the times," A Dance to the Music of Time opens just after World War I and carries through the 1950s, with all the changes to society, character, and relationships those shifting eras bring.

In this final volume of A Dance to the Music of Time, Nick Jenkins describes a world of ambition, intrigue, and dissolution. England has won the war, but its costs, physical and moral, were vast. Widmerpool's wife sets a snare for the young writer X. Trapnel, while her husband suffers private agony and public humiliation. Set against a background of politics, business, high society, and the counterculture in England and Europe, this magnificent work of art sounds an unforgettable requiem for an age.

"Reading Powell," says the New York Times, "is like living someone else's life, inextricably entangled with your own." Give this first volume a try, and you'll find characters and scenes and insights that will stay with you for the rest of your life.

Includes these novels:
Books Do Furnish a Room
Temporary Kings
Hearing Secret Harmonies
 
[more]
cover of A Dance to the Music of Time: Second Movement

A Dance to the Music of Time

Second Movement

Anthony Powell

University of Chicago Press, 1995

Read the novel that is #43 on the Modern Library's 100 Best of the 20th Century list and the Guardian called "a comic masterpiece" and the New York Times praised as "immensely entertaining."

A Dance to the Music of Time is a landmark work of fiction, praised by readers and critics and other novelists throughout the 75 years since the first volume was published. Equal parts funny and heartbreaking, clever and moving, Anthony Powell's universally acclaimed epic encompasses a four-volume panorama of twentieth century London. Hailed by Time as "brilliant literary comedy as well as a brilliant sketch of the times," A Dance to the Music of Time opens just after World War I and continues through the 1950s.

In the background of this second volume of A Dance to the Music of Time, the rumble of distant events in Germany and Spain presages the storm of World War II. In England, even as the whirl of marriages and adulteries, fashions and frivolities, personal triumphs and failures gathers speed, men and women find themselves on the brink of fateful choices.

"Reading Powell," says the New York Times, "is like living someone else's life, inextricably entangled with your own." Give this first volume a try, and you'll find characters and scenes and insights that will stay with you for the rest of your life




Includes these novels:
At Lady Molly's
Casanova's Chinese Restaurant
The Kindly Ones
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cover of A Dance to the Music of Time: Third Movement

A Dance to the Music of Time

Third Movement

Anthony Powell

University of Chicago Press, 1995

Read the novel that is #43 on the Modern Library's 100 Best of the 20th Century list and the Guardian called "a comic masterpiece" and the New York Times praised as "immensely entertaining."

A Dance to the Music of Time is a landmark work of fiction, praised by readers and critics and other novelists throughout the 75 years since the first volume was published. Equal parts funny and heartbreaking, clever and moving, Anthony Powell's universally acclaimed epic encompasses a four-volume panorama of twentieth century London. Hailed by Time as "brilliant literary comedy as well as a brilliant sketch of the times," A Dance to the Music of Time opens just after World War I and continues through the 1950s and all the changes to life, society, and relationships those shifting eras bring. 

In this third volume of A Dance to the Music of Time, we again meet Widmerpool, doggedly rising in rank; Jenkins, shifted from one dismal army post to another; Stringham, heroically emerging from alcoholism; Templer, still on his eternal sexual quest. Here, too, we are introduced to Pamela Flitton, one of the most beautiful and dangerous women in modern fiction. Wickedly barbed in its wit, uncanny in its seismographic recording of human emotions and social currents, this saga stands as an unsurpassed rendering of England's finest yet most costly hour.

"Reading Powell," says the New York Times, "is like living someone else's life, inextricably entangled with your own." Give Dance a try, and you'll find characters and scenes and insights that will stay with you for the rest of your life.

Includes these novels:
The Valley of Bones
The Soldier's Art
The Military Philosophers
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cover of A Dialogue between a Philosopher and a Student of the Common Laws of England

A Dialogue between a Philosopher and a Student of the Common Laws of England

Thomas Hobbes

University of Chicago Press, 1997

This little-known late writing of Hobbes reveals an unexplored dimension of his famous doctrine of sovereignty. The essay was first published posthumously in 1681, and from 1840 to 1971 only a generally unreliable edition has been in print. This edition provides the first dependable and easily accessible text of Hobbes's Dialogue. In the Dialogue, Hobbes sets forth his mature reflections of the relation between reason and law, reflections more "liberal" than those found in Leviathan and his other well-known writings. Hobbes proposes a separation of the functions of government in the interest of common sense and humaneness without visibly violating his dictum that the sharing or division of sovereignty is an absurdity. This new edition of the Dialogue is a significant contribution to our understanding of seventeenth-century political philosophy.

"Hobbes students are indebted to Professor Cropsey for this scholarly and accessible edition of Dialogue."—J. Roland Pennock, American Political Science Review

"An invaluable aid to the study of Hobbes."—Review of Metaphysics
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cover of A Genealogy of Manners: Transformations of Social Relations in France and England from the Fourteenth to the Eighteenth Century

A Genealogy of Manners

Transformations of Social Relations in France and England from the Fourteenth to the Eighteenth Century

Jorge Arditi

University of Chicago Press, 1998

Remarkable for its scope and erudition, Jorge Arditi's new study offers a fascinating history of mores from the High Middle Ages to the Enlightenment. Drawing on the pioneering ideas of Norbert Elias, Michel Foucault, and Pierre Bourdieu, Arditi examines the relationship between power and social practices and traces how power changes over time.

Analyzing courtesy manuals and etiquette books from the thirteenth to the eighteenth century, Arditi shows how the dominant classes of a society were able to create a system of social relations and put it into operation. The result was an infrastructure in which these classes could successfully exert power. He explores how the ecclesiastical authorities of the Middle Ages, the monarchies from the fifteenth through the seventeenth century, and the aristocracies during the early stages of modernity all forged their own codes of manners within the confines of another, dominant order. Arditi goes on to describe how each of these different groups, through the sustained deployment of their own forms of relating with one another, gradually moved into a position of dominance.

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cover of A Guide to Editing Middle English

A Guide to Editing Middle English

Vincent McCarren and Douglas Moffat, Editors

University of Michigan Press, 1998

Those who undertake a scholarly edition of a Middle English text have until now had no general guide for their work. All who study English literary works must rely on editions at some stage, and this volume will provide them with many perspectives on the formation of these necessary scholarly tools. Editors of texts in other medieval languages and indeed all those engaged with questions of scholarly editing--whether practical, historical, or theoretical--will also find important contributions in this volume.
A Guide to Editing Middle English collects nineteen essays and three appendices written by leading text editors in Middle English. A number of essays deal primarily with theoretical questions, while others offer assessments of historical developments in editing, especially in regard to the most well-known Middle English works. Most of the essays deal with practical matters: how to use a computer in preparing and presenting an edition; how to form and arrange the standard parts of an edition; and how to handle problems presented by texts in areas such as science, astrology, and cooking. The three appendices provide bibliographical references to dictionaries, facsimiles, and manuscript description.
Contributors, in addition to the editors, are Peter Baker, Richard Beadle, Norman Blake, Helen Cooper, A. S. G. Edwards, Jennifer Fellows, David C. Greetham, Mary Hamel, Constance Heiatt, Nicholas Jacobs, Geroge Keiser, Peter J. Lucas, Maldwyn Mills, Linne Mooney, and Peter Robinson.
The many and varied perspectives of this volume will make it of interest to readers of Middle English texts, those involved in textual scholarship, and those interested in editing in general. It occupies a unique place in the field of Middle English studies and will likely remain a standard reference tool for a long time.
Vincent McCarren is a Research Associate with the Middle English Dictionary at the University of Michigan. Douglas Moffat, formerly with the Middle English Dictionary, is a Development Officer with the University of Michigan.
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cover of A Necessary Luxury: Tea in Victorian England

A Necessary Luxury

Tea in Victorian England

Julie E. Fromer

Ohio University Press, 2008

Tea drinking in Victorian England was a pervasive activity that, when seen through the lens of a century’s perspective, presents a unique overview of Victorian culture. Tea was a necessity and a luxury; it was seen as masculine as well as feminine; it symbolized the exotic and the domestic; and it represented both moderation and excess. Tea was flexible enough to accommodate and to mark subtle differences in social status, to mediate these differences between individuals, and to serve as a shared cultural symbol within England.

In A Necessary Luxury: Tea in Victorian England, Julie E. Fromer analyzes tea histories, advertisements, and nine Victorian novels, including Alice’s Adventures in Wonderland, Wuthering Heights, and Portrait of a Lady. Fromer demonstrates how tea functions within the literature as an arbiter of taste and middle-class respectability, aiding in the determination of class status and moral position. She reveals the way in which social identity and character are inextricably connected in Victorian ideology as seen through the ritual of tea.

Drawing from the fields of literary studies, cultural studies, history, and anthropology, A Necessary Luxury offers in-depth analysis of both visual and textual representations of the commodity and the ritual that was tea in nineteenth-century England.

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cover of A Prescription for Murder: The Victorian Serial Killings of Dr. Thomas Neill Cream

A Prescription for Murder

The Victorian Serial Killings of Dr. Thomas Neill Cream

Angus McLaren

University of Chicago Press, 1993

From 1877 to 1892, Dr. Thomas Neill Cream murdered seven women, all prostitutes or patients seeking abortions, in England and North America. A Prescription for Murder begins with Angus McLaren's vividly detailed story of the killings. Using press reports and police dossiers, McLaren investigates the links between crime and respectability to reveal a remarkable range of Victorian sexual tensions and fears. McLaren explores how the roles of murderer and victim were created, and how similar tensions might contribute to the onslaught of serial killing in today's society.
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cover of A Room of His Own: A Literary-Cultural Study of Victorian Clubland

A Room of His Own

A Literary-Cultural Study of Victorian Clubland

Barbara Black

Ohio University Press, 2012

In nineteenth-century London, a clubbable man was a fortunate man, indeed. The Reform, the Athenaeum, the Travellers, the Carlton, the United Service are just a few of the gentlemen’s clubs that formed the exclusive preserve known as “clubland” in Victorian London—the City of Clubs that arose during the Golden Age of Clubs. Why were these associations for men only such a powerful emergent institution in nineteenth-century London? Distinctly British, how did these single-sex clubs help fashion men, foster a culture of manliness, and assist in the project of nation building? What can elite male affiliative culture tell us about nineteenth-century Britishness?

A Room of His Own sheds light on the mysterious ways of male associational culture as it examines such topics as fraternity, sophistication, nostalgia, social capital, celebrity, gossip, and male professionalism. The story of clubland (and the literature it generated) begins with Britain’s military heroes home from the Napoleonic campaign and quickly turns to Dickens’s and Thackeray’s acrimonious Garrick Club Affair. It takes us to Richard Burton’s curious Cannibal Club and Winston Churchill’s The Other Club; it goes underground to consider Uranian desire and Oscar Wilde’s clubbing and resurfaces to examine the problematics of belonging in Trollope’s novels. The trespass of French socialist Flora Tristan, who cross-dressed her way into the clubs of Pall Mall, provides a brief interlude. London’s clubland—this all-important room of his own—comes to life as Barbara Black explores the literary representations of clubland and the important social and cultural work that this urban site enacts. Our present-day culture of connectivity owes much to nineteenth-century sociability and Victorian networks; clubland reveals to us our own enduring desire to belong, to construct imagined communities, and to affiliate with like-minded comrades.

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cover of A Social Edition of the Devonshire Manuscript (BL MS Add 17,492)

A Social Edition of the Devonshire Manuscript (BL MS Add 17,492)

Edited by Raymond Siemens, Karin Armstrong, and Constance Crompton

Iter Press, 2015

Described by Colin Burrow as 'the richest surviving record of early Tudor poetry and of the literary activities of 16th-century women,' the Devonshire Manuscript (BL MS Add. 17492) is a verse miscellany belonging to the 1530s and early 1540s, including some 194 items including complete poems, verse fragments and excerpts from longer works, anagrams, and other ephemeral jottings attributed to Thomas Wyatt, Henry Howard Earl of Surrey, Lady Margaret Douglas, Richard Hattfield, Mary Fitzroy (née Howard), Thomas Howard, Edmund Knyvett, Anthony Lee, and Henry Stewart, as well transcriptions of the work of others or original works by prominent court figures such as Mary Shelton, Lady Margaret Douglas, Mary (Howard) Fitzroy, Lord Thomas Howard, and, possibly, Anne Boleyn.  This edition publishes the contents of the manuscript in their entirety, documenting well the manuscript's place as the earliest sustained example in English of men and women writing together in a community.
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cover of A Social History of Truth: Civility and Science in Seventeenth-Century England

A Social History of Truth

Civility and Science in Seventeenth-Century England

Steven Shapin

University of Chicago Press, 1994

How do we come to trust our knowledge of the world? What are the means by which we distinguish true from false accounts? Why do we credit one observational statement over another?

In A Social History of Truth, Shapin engages these universal questions through an elegant recreation of a crucial period in the history of early modern science: the social world of gentlemen-philosophers in seventeenth-century England. Steven Shapin paints a vivid picture of the relations between gentlemanly culture and scientific practice. He argues that problems of credibility in science were practically solved through the codes and conventions of genteel conduct: trust, civility, honor, and integrity. These codes formed, and arguably still form, an important basis for securing reliable knowledge about the natural world.

Shapin uses detailed historical narrative to argue about the establishment of factual knowledge both in science and in everyday practice. Accounts of the mores and manners of gentlemen-philosophers are used to illustrate Shapin's broad claim that trust is imperative for constituting every kind of knowledge. Knowledge-making is always a collective enterprise: people have to know whom to trust in order to know something about the natural world.
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cover of A Thomas More Source Book

A Thomas More Source Book

Gerard B. Wegemer

Catholic University of America Press, 2004

This Source Book brings together classic texts by and about Thomas More--poet, scholar, statesman, family man, educational reformer, philosopher, historian, and saint
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cover of A Very Queer Family Indeed: Sex, Religion, and the Bensons in Victorian Britain

A Very Queer Family Indeed

Sex, Religion, and the Bensons in Victorian Britain

Simon Goldhill

University of Chicago Press, 2016

“We can begin with a kiss, though this will not turn out to be a love story, at least not a love story of anything like the usual kind.”

So begins A Very Queer Family Indeed, which introduces us to the extraordinary Benson family. Edward White Benson became Archbishop of Canterbury at the height of Queen Victoria’s reign, while his wife, Mary, was renowned for her wit and charm—the prime minister once wondered whether she was “the cleverest woman in England or in Europe.” The couple’s six precocious children included E. F. Benson, celebrated creator of the Mapp and Lucia novels, and Margaret Benson, the first published female Egyptologist.

What interests Simon Goldhill most, however, is what went on behind the scenes, which was even more unusual than anyone could imagine. Inveterate writers, the Benson family spun out novels, essays, and thousands of letters that open stunning new perspectives—including what it might mean for an adult to kiss and propose marriage to a twelve-year-old girl, how religion in a family could support or destroy relationships, or how the death of a child could be celebrated. No other family has left such detailed records about their most intimate moments, and in these remarkable accounts, we see how family life and a family’s understanding of itself took shape during a time when psychoanalysis, scientific and historical challenges to religion, and new ways of thinking about society were developing. This is the story of the Bensons, but it is also more than that—it is the story of how society transitioned from the high Victorian period into modernity.
 
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cover of A White Side of Black Britain: Interracial Intimacy and Racial Literacy

A White Side of Black Britain

Interracial Intimacy and Racial Literacy

France Winddance Twine

Duke University Press, 2010

A White Side of Black Britain explores the racial consciousness of white women who have established families and had children with black men of African Caribbean heritage in the United Kingdom. Filling a gap in the sociological literature on racism and antiracism, France Winddance Twine introduces new theoretical concepts in her description and analysis of white “transracial” mothers raising their children of African Caribbean ancestry in a racially diverse British city. Varying in age, income, education, and marital status, the transracial mothers at the center of Twine’s ethnography share moving stories about how they cope with racism and teach their children to identify and respond to it. They also discuss how and why their thinking about race, racism, and whiteness changed over time. Interviewing and observing more than forty multiracial families over a decade, Twine discovered that in most of them, the white woman’s racial consciousness and her ability to recognize and negotiate racism were derived as much from her relationships with her black partner and his extended family as from her female friends. In addition to the white birth mothers, Twine interviewed their children, spouses, domestic partners, friends, and members of their extended families. Her book is best characterized as an ethnography of racial consciousness and a dialogue between black and white family members about the meaning of race, racism, and whiteness. It includes intimate photographs of the family members and their communities.
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cover of A Woman to Deliver Her People: Joanna Southcott and English Millenarianism in an Era of Revolution

A Woman to Deliver Her People

Joanna Southcott and English Millenarianism in an Era of Revolution

By James K. Hopkins

University of Texas Press, 1982

The Second Coming of Christ has been prophesied many times through the centuries but seldom by a figure so fascinating as Joanna Southcott (1750–1814), the domestic servant who at the age of forty-two declared that God had chosen her to announce His return. A Woman to Deliver Her People is the most comprehensive study of this remarkable woman and her movement yet written.

Dramatic social and political changes of the late eighteenth century—among them the revolutions in America and France—had a profound effect on the attitudes of English men and women at all levels of society. With events so far outside the range of ordinary experience, both the educated and the uneducated turned to the prophetic books of the Bible, seeking solace and explanation. A number of prophets and prophetesses appeared, claiming to have a special understanding of the biblical texts and offering startling new revelations which had been disclosed to them by God. The greatest and most influential of these was Joanna Southcott, who attracted tens of thousands of followers from the West Country, London, the Midlands, and the industrial North. Her "spiritual communications" filled some sixty-five books and pamphlets from 1801 until her death.

Most contemporary observers dismissed Southcott as a fanatic, and she was frequently the subject of caricature and ridicule. James Hopkins attempts to remedy this distortion by examining Southcott's life and the millenarian movement she led within the context of the social, political, and economic crises of the period. By tracing the psychological and popular roots of Southcott's piety, and casting her appeal against the backdrop of a revolutionary age, Hopkins not only vividly portrays the life of this fascinating woman but also offers a new perspective on the mentality of ordinary English men and women during the years of their transformation into a working class.

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cover of A/MORAL ECONOMICS: CLASSICAL POLITICAL ECONOMY AND CULTURAL AUTHORITY IN NINETEENTH-CENTURY ENGLAND

A/MORAL ECONOMICS

CLASSICAL POLITICAL ECONOMY AND CULTURAL AUTHORITY IN NINETEENTH-CENTURY ENGLAND

Claudia C. Klaver

The Ohio State University Press, 2003

A/Moral Economics is an interdisciplinary historical study that examines the ways which social “science” of economics emerged through the discourse of the literary, namely the dominant moral and fictional narrative genres of early and mid-Victorian England. In particular, this book argues that the classical economic theory of early-nineteenth-century England gained its broad cultural authority not directly, through the well- known texts of such canonical economic theorists as David Ricardo, but indirectly through the narratives constructed by Ricardo’s popularizers John Ramsey McCulloch and Harriet Martineau.

By reexamining the rhetorical and institutional contexts of classical political economy in the nineteenth century, A/Moral Economics repositions the popular writings of both supporters and detractors of political economy as central to early political economists’ bids for a cultural voice. The now marginalized economic writings of  McCulloch, Martineau, Henry Mayhew, and John Ruskin, as well as the texts of Charles Dickens and J. S. Mill, must be read as constituting in part the entities they have been read as merely criticizing. It is this repressed moral logic that resurfaces in a range of textual contradictions—not only in the writings of Ricardo’s supporters, but, ironically, in those of his critics as well.

[more]
cover of Affective Communities: Anticolonial Thought, Fin-de-Siecle Radicalism, and the Politics of Friendship

Affective Communities

Anticolonial Thought, Fin-de-Siecle Radicalism, and the Politics of Friendship

Leela Gandhi

Duke University Press, 2006

“If I had to choose between betraying my country and betraying my friend, I hope I should have the guts to betray my country.” So E. M. Forster famously observed in his Two Cheers for Democracy. Forster’s epigrammatic manifesto, where the idea of the “friend” stands as a metaphor for dissident cross-cultural collaboration, holds the key, Leela Gandhi argues in Affective Communities, to the hitherto neglected history of western anti-imperialism. Focusing on individuals and groups who renounced the privileges of imperialism to elect affinity with victims of their own expansionist cultures, she uncovers the utopian-socialist critiques of empire that emerged in Europe, specifically in Britain, at the end of the nineteenth century. Gandhi reveals for the first time how those associated with marginalized lifestyles, subcultures, and traditions—including homosexuality, vegetarianism, animal rights, spiritualism, and aestheticism—united against imperialism and forged strong bonds with colonized subjects and cultures.

Gandhi weaves together the stories of a number of South Asian and European friendships that flourished between 1878 and 1914, tracing the complex historical networks connecting figures like the English socialist and homosexual reformer Edward Carpenter and the young Indian barrister M. K. Gandhi, or the Jewish French mystic Mirra Alfassa and the Cambridge-educated Indian yogi and extremist Sri Aurobindo. In a global milieu where the battle lines of empire are reemerging in newer and more pernicious configurations, Affective Communities challenges homogeneous portrayals of “the West” and its role in relation to anticolonial struggles. Drawing on Derrida’s theory of friendship, Gandhi puts forth a powerful new model of the political: one that finds in friendship a crucial resource for anti-imperialism and transnational collaboration.

[more]
cover of After Grenfell: Violence, Resistance and Response

After Grenfell

Violence, Resistance and Response

Edited by Dan Bulley, Jenny Edkins and Nadine El-Enany

Pluto Press, 2019

[more]
cover of Alchemy Tried in the Fire: Starkey, Boyle, and the Fate of Helmontian Chymistry

Alchemy Tried in the Fire

Starkey, Boyle, and the Fate of Helmontian Chymistry

William R. Newman and Lawrence M. Principe

University of Chicago Press, 2002

Winner of the 2005 Pfizer Prize from the History of Science Society.
 
What actually took place in the private laboratory of a mid-seventeenth century alchemist? How did he direct his quest after the secrets of Nature? What instruments and theoretical principles did he employ?

Using, as their guide, the previously misunderstood interactions between Robert Boyle, widely known as "the father of chemistry," and George Starkey, an alchemist and the most prominent American scientific writer before Benjamin Franklin as their guide, Newman and Principe reveal the hitherto hidden laboratory operations of a famous alchemist and argue that many of the principles and practices characteristic of modern chemistry derive from alchemy. By analyzing Starkey's extraordinary laboratory notebooks, the authors show how this American "chymist" translated the wildly figurative writings of traditional alchemy into quantitative, carefully reasoned laboratory practice—and then encoded his own work in allegorical, secretive treatises under the name of Eirenaeus Philalethes. The intriguing "mystic" Joan Baptista Van Helmont—a favorite of Starkey, Boyle, and even of Lavoisier—emerges from this study as a surprisingly central figure in seventeenth-century "chymistry." A common emphasis on quantification, material production, and analysis/synthesis, the authors argue, illustrates a continuity of goals and practices from late medieval alchemy down to and beyond the Chemical Revolution.

For anyone who wants to understand how alchemy was actually practiced during the Scientific Revolution and what it contributed to the development of modern chemistry, Alchemy Tried in the Fire will be a veritable philosopher's stone.
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cover of Alfred the Great: The King and His England

Alfred the Great

The King and His England

Eleanor Shipley Duckett

University of Chicago Press, 1958

Filled with drama and action, here is the story of the ninth-century life and times of Alfred—warrior, conqueror, lawmaker, scholar, and the only king whom England has ever called "The Great." Based on up-to-date information on ninth-century history, geography, philosophy, literature, and social life, it vividly presents exciting views of Alfred in every stage of his long career and leaves the reader with a sharply-etched picture of the world of the Middle Ages.
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cover of All Manners of Food: Eating and Taste in England and France from the Middle Ages to the Present

All Manners of Food

Eating and Taste in England and France from the Middle Ages to the Present

Stephen Mennell

University of Illinois Press, 1985

So close geographically, how could France and England be so enormously far apart gastronomically? Not just in different recipes and ways of cooking, but in their underlying attitudes toward the enjoyment of eating and its place in social life. In a new afterword that draws the United States and other European countries into the food fight, Stephen Mennell also addresses the rise of Asian influence and "multicultural" cuisine.
Debunking myths along the way, All Manners of Food is a sweeping look at how social and political development has helped to shape different culinary cultures. Food and almost everything to do with food, fasting and gluttony, cookbooks, women's magazines, chefs and cooks, types of foods, the influential difference between "court" and "country" food are comprehensively explored and tastefully presented in a dish that will linger in the memory long after the plates have been cleared.
     
 
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cover of Alt-Finance: How the City of London Bought Democracy

Alt-Finance

How the City of London Bought Democracy

Marlène Benquet

Pluto Press, 2022

Powerful financial forces have supported the neoliberal project since the 1980s to advance their interests, but there are now signs that these forces have a new face and a new strategy.

The majority of the British finance sector threw its support behind Britain leaving the European Union, a flagship institution of neoliberalism. Beyond this counterintuitive move, what was really happening and why? Alt-Finance examines a new authoritarian turn in financialised democracies, focusing on the City of London, revealing a dangerous alternative political project in the making.

In a clash with traditional finance, the new behemoths of financial capital - hedge funds, private equity firms, and real estate funds - have started to cohere around a set of political beliefs, promoting libertarian, authoritarian, climate-denying, and Eurosceptic views. Protecting investments, suppressing social dissent, and reducing state interference is at the core of their mission for a new world order.

By following the money, the authors provide indisputable evidence of these worrying developments. Through a clear analysis of the international dealings of this new authoritarian-libertarian regime, not just in Britain but in the US and Brazil, we can understand how our world is being shaped against our will by struggles between dominant groups.

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cover of America Lost and Found: An English Boy's Wartime Adventure in the New World

America Lost and Found

An English Boy's Wartime Adventure in the New World

Anthony Bailey

University of Chicago Press, 2000

In 1940 seven-year-old Tony Bailey was evacuated to the United States—one of more than 16,000 children sent overseas at a time when a Nazi invasion of England seemed inevitable. He spent four years with the wealthy Spaeth family in Dayton, Ohio, before returning to his parents in Southampton. Evocative, heartfelt, and charming, this is a story of a double childhood—of a boy who became American while never ceasing to be British.

"An original, sensitively told story in which the perspectives of the child are carefully remembered. . . . Bailey's book speaks, with gentle eloquence, not only to those who remember being boys, but to everyone who would seek to protect children from the hurts and ravagings that ordinary life can inflict, to say nothing of war." —Richard Montague, Newsday

"No doubt Tony Bailey owed America something for its hospitality during those anxious years, and with this book he has amply repaid the debt." —Joseph McLellan, Washington Post

"An exquisitely controlled, quietly amusing and moving story." —Publishers Weekly

"As tender as it is truthful, and as amusing as it is unpretentious." —John Russell, New York Times Book Review
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cover of Amy Levy: Critical Essays

Amy Levy

Critical Essays

Linda Hunt Beckman

Ohio University Press, 2000

After a century of critical neglect, poet and writer Amy Levy is gaining recognition as a literary figure of stature. This definitive biography accompanied by her letters, along with the recent publication of her selected writings, provides a critical appreciation of Levy’s importance in her own time and in ours. As an educated Jewish woman with homoerotic desires, Levy felt the strain of combating the structures of British society in the 1880s, the decade in which she built her career and moved in London’s literary and bohemian circles. Unwilling to cut herself off from her Jewish background, she had the additional burden of attempting to bridge the gap between communities. In Amy Levy: Her Life and Letters Linda Hunt Beckman examines Levy’s writings and other cultural documents for insight into her emotional and intellectual life. This groundbreaking study introduces us to a woman well deserving of a place in literary and cultural history.
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cover of Amy Levy: Critical Essays

Amy Levy

Critical Essays

Naomi Hetherington

Ohio University Press, 2010

Amy Levy has risen to prominence in recent years as one of the most innovative and perplexing writers of her generation. Embraced by feminist scholars for her radical experimentation with queer poetic voice and her witty journalistic pieces on female independence, she remains controversial for her representations of London Jewry that draw unmistakably on contemporary antisemitic discourse.

Amy Levy: Critical Essays brings together scholars working in the fields of Victorian cultural history, women’s poetry and fiction, and the history of Anglo-Jewry. The essays trace the social, intellectual, and political contexts of Levy’s writing and its contemporary reception. Working from close analyses of Levy’s texts, the collection aims to rethink her engagement with Jewish identity, to consider her literary and political identifications, to assess her representations of modern consumer society and popular culture, and to place her life and work within late-Victorian cultural debate.

This book is essential reading for undergraduate and postgraduate students offering both a comprehensive literature review of scholarship-to-date and a range of new critical perspectives.

Contributors:
Susan David Bernstein,University of Wisconsin-Madison
Gail Cunningham,Kingston University
Elizabeth F. Evans,Pennslyvania State University–DuBois
Emma Francis,Warwick University
Alex Goody,Oxford Brookes University
T. D. Olverson,University of Newcastle upon Tyne
Lyssa Randolph,University of Wales, Newport
Meri-Jane Rochelson,Florida International University

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cover of An Elusive Victorian: The Evolution of Alfred Russel Wallace

An Elusive Victorian

The Evolution of Alfred Russel Wallace

Martin Fichman

University of Chicago Press, 2003

Codiscoverer of the theory of evolution by natural selection, Alfred Russel Wallace should be recognized as one of the titans of Victorian science. Instead he has long been relegated to a secondary place behind Darwin. Worse, many scholars have overlooked or even mocked his significant contributions to other aspects of Victorian culture. With An Elusive Victorian, Martin Fichman provides the first comprehensive analytical study of Wallace's life and controversial intellectual career.

Fichman examines not only Wallace's scientific work as an evolutionary theorist and field naturalist but also his philosophical concerns, his involvement with theism, and his commitment to land nationalization and other sociopolitical reforms such as women's rights. As Fichman shows, Wallace worked throughout his life to integrate these humanistic and scientific interests. His goal: the development of an evolutionary cosmology, a unified vision of humanity's place in nature and society that he hoped would ensure the dignity of all individuals.

To reveal the many aspects of this compelling figure, Fichman not only reexamines Wallace's published works, but also probes the contents of his lesser known writings, unpublished correspondence, and copious annotations in books from his personal library. Rather than consider Wallace's science as distinct from his sociopolitical commitments, An Elusive Victorian assumes a mutually beneficial relationship between the two, one which shaped Wallace into one of the most memorable characters of his time. Fully situating Wallace's wide-ranging work in its historical and cultural context, Fichman's innovative and insightful account will interest historians of science, religion, and Victorian culture as well as biologists.
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cover of An Evangelical Adrift: The Making of John Henry Newman's Theology

An Evangelical Adrift

The Making of John Henry Newman's Theology

Geertjan Zuijdwegt

Catholic University of America Press, 2022

An Evangelical Adrift is a theological biography of John Henry Newman (1801-1890) that reconstructs the most formative period in his development: the years between his teenage conversion to evangelicalism in 1816 and the beginning of the Tractarian Movement in 1833. By the early 1830s, Newman had explicitly rejected much of the theology he espoused in the late 1810s and early 1820s, and developed a highly original, deeply personal, and quite radical alternative, whose fundamental notions continued to shape his thought in later life. To date, there is neither a historically accurate nor a theologically sophisticated account of this change: the period in which it occurred is neglected, its significance is overlooked, its nature and content are misrepresented, and its scope is narrowed. Besides being modelled on Newman’s own brief treatment of the period in his autobiographical Apologia pro vita sua (1864), later scholarly accounts are burdened by a persistent assumption that Newman’s catholic sensibility and anti-liberal convictions were constants throughout his life. This assumption was problematized by Frank Turner’s revisionist biography of the Anglican Newman (2002) and the ensuing debate about its reception. Zuijdwegt argues that Turner rightly identified evangelicalism as a key polemical target of the Anglican Newman, but stretched his argument too far by reducing Newman’s self-proclaimed lifelong battle against liberalism as a much later gloss on this earlier history. The present study offers a compelling alternative to both mainline and revisionist interpretations. Based on detailed historical and theological analysis of the whole range of primary sources (including much neglected published and unpublished material), it meticulously reconstructs Newman’s youthful adoption of, gradual departure from, and theological alternative to evangelicalism. Against most mainline studies, it argues that this was a fundamental transformation, affecting nearly every aspect of Newman’s theology. Against Turner and other revisionists, it argues that this change was the product of careful and consistent theological reasoning and reflection, and that anti-liberalism was just as integral to it as anti-evangelicalism.
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cover of Anglicanus ortus: A Verse Herbal of the Twelfth Century

Anglicanus ortus

A Verse Herbal of the Twelfth Century

Henry of Huntingdon

Bodleian Library Publishing, 2012

[more]
cover of Animalia: An Anti-Imperial Bestiary for Our Times

Animalia

An Anti-Imperial Bestiary for Our Times

Antoinette Burton and Renisa Mawani, editors

Duke University Press, 2020

From yaks and vultures to whales and platypuses, animals have played central roles in the history of British imperial control. The contributors to Animalia analyze twenty-six animals—domestic, feral, predatory, and mythical—whose relationship to imperial authorities and settler colonists reveals how the presumed racial supremacy of Europeans underwrote the history of Western imperialism. Victorian imperial authorities, adventurers, and colonists used animals as companions, military transportation, agricultural laborers, food sources, and status symbols. They also overhunted and destroyed ecosystems, laying the groundwork for what has come to be known as climate change. At the same time, animals such as lions, tigers, and mosquitoes interfered in the empire's racial, gendered, and political aspirations by challenging the imperial project’s sense of inevitability. Unconventional and innovative in form and approach, Animalia invites new ways to consider the consequences of imperial power by demonstrating how the politics of empire—in its racial, gendered, and sexualized forms—played out in multispecies relations across jurisdictions under British imperial control.

Contributors. Neel Ahuja, Tony Ballantyne, Antoinette Burton, Utathya Chattopadhyaya, Jonathan Goldberg-Hiller, Peter Hansen, Isabel Hofmeyr, Anna Jacobs, Daniel Heath Justice, Dane Kennedy, Jagjeet Lally, Krista Maglen, Amy E. Martin, Renisa Mawani, Heidi J. Nast, Michael A. Osborne, Harriet Ritvo, George Robb, Jonathan Saha, Sandra Swart, Angela Thompsell 
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cover of Anna Atkins: Photographer, Naturalist, Innovator

Anna Atkins

Photographer, Naturalist, Innovator

Corey Keller

J. Paul Getty Trust, The, 0

Learn about the life of Anna Atkins, the pioneering photographer who combined art and science to create the first photographically illustrated book.

Step into the world of Anna Atkins (1799–1871), perhaps the world’s first female photographer and a pioneer of the medium. She lived an existence full of heartache and triumph, from her mother’s death when Atkins was an infant to her publication of multiple photographic books as an adult. After the passing of her mother, Atkins was raised primarily by her father and grandfather, who placed an emphasis on both her emotional and intellectual growth. As a result, she spent her life surrounded by some of the brightest minds of Victorian England during the Industrial Revolution.

Despite societal gender norms of the time, which typically limited women to a life within the home, Atkins gained the respect of the scientific community with her ambitious multivolume album Photographs of British Algae: Cyanotype Impressions, now recognized as the world’s first photographically illustrated book. Her cyanotypes, in addition to their scientific accuracy, lent artistic beauty to her publications, setting the stage for new uses of this experimental technology. In an era replete with state-of-the-art inventions and innovative ideas, Atkins pushed photography forward in its earliest days with courage, creativity, and brilliance.

Ages thirteen and up.

Please note that this title is sold and distributed in North America by ABRAMS, New York.
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cover of Anna Trapnel’s Report and Plea; or, A Narrative of Her Journey from London into Cornwall

Anna Trapnel’s Report and Plea; or, A Narrative of Her Journey from London into Cornwall

Anna Trapnel

Iter Press, 2016

In 1654, Anna Trapnel — a Baptist, Fifth Monarchist, millenarian, and visionary from London — fell into a trance during which she prophesied passionately and at length against Oliver Cromwell and his government. The prophecies attracted widespread public attention, and resulted in an invitation to travel to Cornwall. Her Report and Plea, republished here for the first time, is a lively and engaging firsthand account of the visit, which concluded in her arrest, a court hearing, and imprisonment. Part memoir, part travelogue, and part impassioned defense of her beliefs and actions, the Report and Plea offers vivid and fascinating insight into the life and times of an early modern woman claiming her place at the center of the tumultuous political events of mid-seventeenth-century England.

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cover of Anonymous Connections: The Body and Narratives of the Social in Victorian Britain

Anonymous Connections

The Body and Narratives of the Social in Victorian Britain

Tina Young Choi

University of Michigan Press, 2016

Anonymous Connections asks how the Victorians understood the ethical, epistemological, and biological implications of social belonging and participation. Specifically, Tina Choi considers the ways nineteenth-century journalists, novelists, medical writers, and social reformers took advantage of spatial frames-of-reference in a social landscape transforming due to intense urbanization and expansion. New modes of transportation, shifting urban demographics, and the threat of epidemics emerged during this period as anonymous and involuntary forms of contact between unseen multitudes. While previous work on the early Victorian social body have tended to describe the nineteenth-century social sphere in static political and class terms, Choi’s work charts new critical terrain, redirecting attention to the productive—and unpredictable—spaces between individual bodies as well as to the new narrative forms that emerged to represent them. Anonymous Connections makes a significant contribution to scholarship on nineteenth-century literature and British cultural and medical history while offering a timely examination of the historical forebears to modern concerns about the cultural and political impact of globalization.

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cover of Anthropologists in the Stock Exchange: A Financial History of Victorian Science

Anthropologists in the Stock Exchange

A Financial History of Victorian Science

Marc Flandreau

University of Chicago Press, 2016

Uncovering strange plots by early British anthropologists to use scientific status to manipulate the stock market, Anthropologists in the Stock Exchange tells a provocative story that marries the birth of the social sciences with the exploits of global finance. Marc Flandreau tracks a group of Victorian gentleman-swindlers as they shuffled between the corridors of the London Stock Exchange and the meeting rooms of learned society, showing that anthropological studies were integral to investment and speculation in foreign government debt, and, inversely, that finance played a crucial role in shaping the contours of human knowledge.
           
Flandreau argues that finance and science were at the heart of a new brand of imperialism born during Benjamin Disraeli’s first term as Britain’s prime minister in the 1860s. As anthropologists advocated the study of Miskito Indians or stated their views on a Jamaican rebellion, they were in fact catering to the impulses of the stock exchange—for their own benefit. In this way the very development of the field of anthropology was deeply tied to issues relevant to the financial market—from trust to corruption. Moreover, this book shows how the interplay between anthropology and finance formed the foundational structures of late nineteenth-century British imperialism and helped produce essential technologies of globalization as we know it today. 
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cover of Arab Americans in Michigan

Arab Americans in Michigan

Rosina J. Hassoun

Michigan State University Press, 2003

The state of Michigan hosts one of the largest and most diverse Arab American populations in the United States. As the third largest ethnic population in the state, Arab Americans are an economically important and politically influential group. It also reflects the diversity of national origins, religions, education levels, socioeconomic levels, and degrees of acculturation. Despite their considerable presence, Arab Americans have always been a misunderstood ethnic population in Michigan, even before September 11, 2001 imposed a cloud of suspicion, fear, and uncertainty over their ethnic enclaves and the larger community. In Arab Americans in Michigan Rosina J. Hassoun outlines the origins, culture, religions, and values of a people whose influence has often exceeded their visibility in the state.

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cover of Arc of the Journeyman: Afghan Migrants in England

Arc of the Journeyman

Afghan Migrants in England

Nichola Khan

University of Minnesota Press, 2021

A monumental account of one migrant community’s everyday lives, struggles, and aspirations 

Forty years of continuous war and conflict have made Afghans the largest refugee group in the world. In this first full-scale ethnography of Afghan migrants in England, Nichola Khan examines the imprint of violence, displacement, kinship obligations, and mobility on the lives and work of Pashtun journeyman taxi drivers in Britain. Khan’s analysis is centered in the county of Sussex, site of Brighton’s orientalist Royal Pavilion and the former home of colonial propagandist Rudyard Kipling. Her nearly two decades of relationships and fieldwork have given Khan a deep understanding of the everyday lives of Afghan migrants, who face unrelenting pressures to remit money to their struggling relatives in Pakistan and Afghanistan, adhere to traditional values, and resettle the wives and children they have left behind. 

This kaleidoscopic narrative is enriched by the migrants’ own stories and dreams, which take on extra significance among sleep-deprived taxi drivers. Khan chronicles the way these men rely on Pashto poems and aphorisms to make sense of what is strange or difficult to bear. She also attests to the pleasures of local family and friends who are less demanding than kin back home—sharing connection and moments of joy in dance, excursions, picnics, and humorous banter. Khan views these men’s lives through the lenses of movement—the arrival of friends and family, return visits to Pakistan, driving customers, even the journey to remit money overseas—and immobility, describing the migrants who experience “stuckness” caused by unresponsive bureaucracies, chronic insecurity, or struggles with depression and other mental health conditions. 

Arc of the Journeyman is a deeply humane portrayal that expands and complicates current perceptions of Afghan migrants, offering a finely analyzed description of their lives and communities as a moving, contingent, and fully contemporary force.

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cover of Archetypes and Ancestors: Palaeontology in Victorian London, 1850-1875

Archetypes and Ancestors

Palaeontology in Victorian London, 1850-1875

Adrian Desmond

University of Chicago Press, 1982

"The social construction of scientific knowledge, clearly one of the most exciting trends in the history of science in the 1890's, has made a solid stride forward with the publication of Archetypes and Ancestors. . . . Adrian Desmond set out to determine how much light might be shed on the mid-Victorian controversies over fossil reconstruction by an investigation of the ideological commitments and political programs of London paleontologists. The answer is: a great deal of light. The resulting book is thoroughly fascinating."—Philip Rehbock, American Historical Review

"A sophisticated study of the colonization of scientific territory—specifically of rival attempts to design the dinosaur—and of the constructive (not just obstructive) role of social pressures in the making of 'lasting contributions' to science. Not least it is a joy to read, perkily irreverent at times and full of nice vignettes and memorable turns of phrase."—Roy Porter, Times Higher Education Supplement

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cover of Architectural Involutions: Writing, Staging, and Building Space, c. 1435-1650

Architectural Involutions

Writing, Staging, and Building Space, c. 1435-1650

Mimi Yiu

Northwestern University Press, 2014

Winner of the MLA Prize for Independent Scholars

Taking the reader on an inward journey from façades to closets, from physical to psychic space, Architectural Involutions offers an alternative genealogy of theater by revealing how innovations in architectural writing and practice transformed an early modern sense of interiority. The book launches from a matrix of related “platforms”—a term that in early modern usage denoted scaffolds, stages, and draftsmen’s sketches—to situate Alberti, Shakespeare, Jonson, and others within a landscape of spatial and visual change.

As the English house underwent a process of inward folding, replacing a logic of central assembly with one of dissemination, the subject who negotiated this new scenography became a flashpoint of conflict in both domestic and theatrical arenas. Combining theory with archival findings, Mimi Yiu reveals an emergent desire to perform subjectivity, to unfold an interior face to an admiring public. Highly praised for its lucid writing, comprehensive supplementary material, and engaging tone, Architectural Involutions was the winner of the 2016 MLA Prize for Independent Scholars.

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cover of Architecture and Suburbia: From English Villa to American Dream House, 1690-2000

Architecture and Suburbia

From English Villa to American Dream House, 1690-2000

John Archer

University of Minnesota Press, 2008

The American suburban dream house-a single-family, detached dwelling, frequently clustered in tight rows and cul-de-sacs-has been attacked for some time as homogeneous and barren, yet the suburbs are home to half of the American population. Architectural historian John Archer suggests the endurance of the ideal house is deeply rooted in the notions of privacy, property, and selfhood that were introduced in late seventeenth-century England and became the foundation of the American nation and identity.

Spanning four centuries, Architecture and Suburbia explores phenomena ranging from household furnishings and routines to the proliferation of the dream house in parallel with Cold War politics. Beginning with John Locke, whose Enlightenment philosophy imagined individuals capable of self-fulfillment, Archer examines the eighteenth-century British bourgeois villa and the earliest London suburbs. He recounts how early American homeowners used houses to establish social status and how twentieth-century Americans continued to flock to single-family houses in the suburbs, encouraged by patriotism, fueled by consumerism, and resisting disdain by disaffected youths, designers, and intellectuals. Finally, he recognizes “hybridized” or increasingly diverse American suburbs as the dynamic basis for a strengthened social fabric.

From Enlightenment philosophy to rap lyrics, from the rise of a mercantile economy to discussions over neighborhoods, sprawl, and gated communities, Archer addresses the past, present, and future of the American dream house.

John Archer is professor of cultural studies and comparative literature at the University of Minnesota. His book The Literature of British Domestic Architecture, 1715-1842, is the standard reference on the subject, and he also contributed to the Encyclopedia of Urban America and the Encyclopedia of Twentieth-Century Architecture.

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cover of Art & Language International: Conceptual Art between Art Worlds

Art & Language International

Conceptual Art between Art Worlds

Robert Bailey

Duke University Press, 2016

In Art & Language International Robert Bailey reconstructs the history of the conceptual art collective Art & Language, situating it in a geographical context to rethink its implications for the broader histories of contemporary art. Focusing on its international collaborations with dozens of artists and critics in and outside the collective between 1969 and 1977, Bailey positions Art & Language at the center of a historical shift from Euro-American modernism to a global contemporary art. He documents the collective’s growth and reach, from transatlantic discussions on the nature of conceptual art and the establishment of distinct working groups in New York and England to the collective’s later work in Australia, New Zealand, and Yugoslavia. Bailey also details its publications, associations with political organizations, and the internal power struggles that precipitated its breakdown. Analyzing a wide range of artworks, texts, music, and films, he reveals how Art & Language navigated between art worlds to shape the international profile of conceptual art. Above all, Bailey underscores how the group's rigorous and interdisciplinary work provides a gateway to understanding how conceptual art operates as a mode of thinking that exceeds the visual to shape the philosophical, historical, and political.
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cover of Arthurian Intertextualities: Misreading and Rereading Malory's Morte Darthur and the Alliterative and Stanzaic Mortes

Arthurian Intertextualities

Misreading and Rereading Malory's Morte Darthur and the Alliterative and Stanzaic Mortes

Fiona Tolhurst and K. S. Whetter

University of Michigan Press, 2025

Readers encountering the Middle English Arthurian tradition are confronted by three texts with confusingly similar titles: an anonymous poem in alliterative verse called Morte Arthure, an anonymous poem in eight-line stanzas entitled Le Morte Arthur, and Sir Thomas Malory’s influential prose Arthuriad, LeMorte Darthur [sic]. To add to the confusion, Malory made use of both English poems to augment his French sources in composing his Morte Darthur, so specialists often speak of two or more of these English Mortes in the same breath. Yet each Morte poem deserves to be studied on its own merits. 

Arthurian Intertextualities offers new readings of Malory’s Morte as well as the two English poems that most influenced him. Tolhurst and Whetter situate Malory’s Arthur story in the context of fourteenth- and fifteenth-century England. Combining these contexts with intertextual analysis of scenes and characters from Le Morte Darthur and both sources, the authors illustrate the full extent of Malory’s debt to these two English poems while making a stronger case for Malory’s artistry—and the stanzaic-poet’s artistry—than previous scholarship has acknowledged. These new readings demand a reassessment of Arthurian women, kingship, and warfare and heroism, including reconsidering the alliterative-poet’s attitude to war and to Arthur as conqueror. The authors also offer a spirited defense of Malory’s Guenevere, who remains frequently maligned by scholars, and argue for Palomydes’s acceptance by his Round Table Fellowship. Arthurian Intertextualities will appeal to readers who are interested in the book that serves as the source for most of the Arthuriana (whether novels, plays, works of art, or films) in today’s world: Le Morte Darthur.
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cover of Ashes Taken for Fire: Aesthetic Modernism and the Critique of Identity

Ashes Taken for Fire

Aesthetic Modernism and the Critique of Identity

Kevin M. Bell

University of Minnesota Press, 2007

For years critics have held that literary modernism was both apolitical and solipsistic. While the former charge began to give way with the recession of New Criticism, the latter has grown in strength as a lead-in to the claim that postmodernism is apolitical and solipsistic. Against this backdrop, Kevin Bell surveys fiction by Conrad, Woolf, Faulkner, West, Ellison, and Himes to show that modernism is a sharply philosophical archive. In Ashes Taken for Fire, he argues that modernism exposes cultural identities such as blackness as mere strategies of conforming the self into belonging. Bell’s examination pursues the question of nonidentity through sound, silence, and gesture, treating these as technologies of reading the contradictions, breakdowns, and erasures that constitute subjectivity. His analysis of these texts reveals that the aesthetic investigations they perform undo the logic of cultural identity, devastating such reductive rubrics as “race” or “gender.”Ashes Taken for Fire explores the experience of blackness in both its chromatic/ocular and “racial” registers. For while blackness operates as a standard figural expression for disorientation, its presumably “voided” character is reprojected in this work as an immanent force of possibility and experimentation.Kevin Bell is assistant professor of English and comparative literary studies at Northwestern University.
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