18284 books match the query 'United States' and 1653 start with a

cover of Animating Culture: Hollywood Cartoons from the Sound Era

Animating Culture

Hollywood Cartoons from the Sound Era

Smoodin, Eric

Rutgers University Press, 1993

Long considered "children's entertainment" by audiences and popular media, Hollywood animation has received little serious attention. Eric Smoodin's Animating Culture  is the first and only book to thoroughly analyze the animated short film. 

Usually running about seven or eight minutes, cartoons were made by major Hollywood studios––such as MGM, Warner Bros., and Disney––and shown at movie theaters along with a newsreel and a feature-length film. Smoodin explores animated shorta and the system that mass-produced them. How were cartoons exhibited in theaters? How did they tell their stories? Who did they tell them to? What did they say about race, class, and gender? How were cartoons related to the feature films they accompanied on the evening's bill of fare?  What were the social functions of cartoon stars like Donald Duck and Minnie Mouse?

Smoodin argues that cartoons appealed to a wide audience––not just children––and did indeed contribute to public debate about political matters. He examines issues often ignored in discussions of animated film––issues such as social control in the U.S. army's "Private Snafu" cartoons, and sexuality and race in the "sites" of Betty Boop's body and the cartoon harem. Smoodin's analysis of the multiple discourses embedded in a variety of cartoons reveals the complex and sometimes contradictory ways that animation dealt with class relations, labor, imperialism, and censorship. His discussion of Disney and the Disney Studio's close ties with the U.S. government forces us to rethink the place of the cartoon in political and cultural life. Smoodin reveals the complex relationship between cartoons and the Hollywood studio system, and between cartoons and their audiences.

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cover of Animation

Animation

Curtis, Scott

Rutgers University Press, 2019

From the earliest motion pictures and cartoons of the 1900s, to the latest 3D animated feature and CGI blockbuster, animation has always been a part of the cinematic experience. While the boundaries between animation and live-action have often been carefully tended, the ubiquity of contemporary computer imaging certainly blurs those lines, thereby confirming the importance of animation for the history of American cinema. The last installment of the acclaimed Behind the Silver Screen series, Animation explores the variety of technologies and modes of production throughout the history of American animation: the artisanal, solitary labors of early animators such as Winsor McCay, or of independent animators such as Mary Ellen Bute; the industrial assembly lines of Hollywood studio-unit animation; the parsimonious production houses of the post-studio, post-war era; the collaborative approach of boutique animation and special-effect houses. Drawing on archival sources, this volume provides not only an overview of American animation history, but also, by focusing on the relationship between production and style, a unique approach to understanding animation in general. 
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cover of Ann Arbor Observed: Selections from Then and Now

Ann Arbor Observed

Selections from Then and Now

Grace Shackman

University of Michigan Press, 2010

Twenty-five years ago Grace Shackman began to document the history of Ann Arbor’s buildings, events, and people in the Ann Arbor Observer. Soon Shackman’s articles, which depicted every aspect of life in Ann Arbor during the city’s earlier eras, became much-anticipated regular stories. Readers turned to her illuminating minihistories when they wanted to know about a particular landmark, structure, personality, organization, or business from Ann Arbor’s past.
 
Packed with photographs from Ann Arbor of yesteryear and the present day, Ann Arbor Observed compiles the best of Shackman’s articles in one book divided into eight sections: public buildings and institutions, the University of Michigan, transportation, industry, downtown Ann Arbor, recreation and culture, social fabric and communities, and architecture.
 
For long-time residents, Ann Arbor expatriates, University of Michigan alumni, and visitors alike, Ann Arbor Observed provides a rare glimpse of the bygone days of a town with a rich and varied history.
 
Grace Shackman is a history columnist for the Ann Arbor Observer, the Community Observer, and the Old West Side News, as well as a writer for University of Michigan publications. She is the author of two previous books: Ann Arbor in the 19th Century and Ann Arbor in the 20th Century.
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cover of Anna Howard Shaw: The Work of Woman Suffrage

Anna Howard Shaw

The Work of Woman Suffrage

Trisha Franzen

University of Illinois Press, 2014

With this first scholarly biography of Anna Howard Shaw (1847-1919), Trisha Franzen sheds new light on an important woman suffrage leader who has too often been overlooked and misunderstood.

An immigrant from a poor family, Shaw grew up in an economic reality that encouraged the adoption of non-traditional gender roles. Challenging traditional gender boundaries throughout her life, she put herself through college, worked as an ordained minister and a doctor, and built a tightly-knit family with her secretary and longtime companion Lucy E. Anthony.

Drawing on unprecedented research, Franzen shows how these circumstances and choices both impacted Shaw's role in the woman suffrage movement and set her apart from her native-born, middle- and upper-class colleagues. Franzen also rehabilitates Shaw's years as president of the National American Woman Suffrage Association, arguing that Shaw's much-belittled tenure actually marked a renaissance of both NAWSA and the suffrage movement as a whole.

Anna Howard Shaw: The Work of Woman Suffrage presents a clear and compelling portrait of a woman whose significance has too long been misinterpreted and misunderstood. 


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cover of Anna Murray Douglass: Biography of a Revolutionary

Anna Murray Douglass

Biography of a Revolutionary

Celeste-Marie Bernier

Duke University Press, 2026

Working with family descendants and based on thirty years of research digging through public and private archives, Celeste-Marie Bernier presents the first standalone biography of Anna Murray Douglass, wife and co-revolutionary of Frederick Douglass, honoring her history-making role as a campaigner, liberator, and freedom-fighter.

Anna Murray Douglass was born legally free in Maryland to Mary and Bambarra Murray. From working with her future husband, Frederick Douglass, to secure his self-liberation from enslavement to converting her family homes to command centers for the Underground Railroad, she dedicated her entire life to the fight for all freedoms and to supporting loved ones and strangers alike in their fight for equal, independent lives. Her deeds have long gone unsung until now.

In this first-ever standalone biography of the wife and co-revolutionary of Frederick Douglass, Celeste-Marie Bernier provides a detailed and illustrated history of Anna Murray Douglass’s leadership roles in fighting against the injustices of enslavement, racism, and white supremacy, as well as how she laid the foundation for her family to follow in her and her husband’s footsteps. After over three decades of archival research, Bernier presents a wide-ranging collection of stories, writings, letters, and photographs in a comprehensive and illuminating biography of Anna Murray Douglass’s life and work as an educator, activist, intellectual, orator, political thinker, artist, philosopher, and strategist. Ultimately, Bernier aims to combat the widespread misrepresentation that the liberation movement bearing the Douglass name was the work of one individual when it was, in reality, a family institution. Anna Murray Douglass is the first book in a ten-volume collection detailing the life and work of the entire Douglass family including their children, Rosetta, Lewis Henry, Frederick, Jr., Charles Remond and Annie Douglass, all freedom-fighters in their own right.

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cover of Anne Sexton: Telling the Tale

Anne Sexton

Telling the Tale

Steven E. Colburn, Editor

University of Michigan Press, 1988

Anne Sexton: Telling the Tale contains some of the best and most representative writing on the life and work of this poet. The volume spans the course of her career from the 1960 publication of To Bedlam and Park Way Back to the works that were published after her death in 1974. Of special interest to the scholar and critic are the studies focusing on the materials, themes, and techniques of Sexton's poetry, especially in relation to those of her predecessors and contemporaries.
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cover of Anne Tyler as Novelist

Anne Tyler as Novelist

Dale Salwak

University of Iowa Press, 1994

Over the past thirty years, Anne Tyler has earned a National Book Critics Circle Award, a Pulitzer Prize, and the admiration of an ever-expanding number of devoted readers. The seventeen essays that compose Anne Tyler as Novelist concentrate upon the distinctive features of Tyler's writing: her steady concern with the American family, the quietly comic touch that underlies her unobtrusive but perfectly controlled style, her prodigious gift for bringing to life a variety of eccentric characters, their fears and concerns, their longing for meaning and understanding. Consistently, Anne Tyler's work focuses on ordinary families with extraordinary troubles—therein part of the secret of her broad appeal.
Written from a variety of critical approaches and representing some of the best among today's critics, the essays in this book discuss Tyler's early years and influences, her development and beliefs, attainments, and literary reputation, stretching from her first published novel, If Morning Ever Comes, to her twelfth, Saint Maybe. From Elizabeth Evans' interviews with Tyler's mother and former teachers to John Updike's lucid assessments, Anne Tyler as Novelist is a major contribution to the growing dialogue on this most important writer. All but two essays were written especially for this volume.
This book will obviously hold great appeal for the many people who have already encountered the pleasures of Tyler's novels. Less obviously, it is also for the people who have heard of her but have not read her works; those people should be inspired to turn with particular insight to the novels of Anne Tyler. In a 1983 review of Barbara Pym's novel No Fond Return of Love, Anne Tyler said of Pym that she was “the rarest of treasures.” Certainly we may say the same of Tyler herself—and for reasons given in this fine collection of essays that pays tribute to one of America's most accomplished writers.
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cover of Annie Adams Fields: Woman of Letters

Annie Adams Fields

Woman of Letters

Rita Gollin

University of Massachusetts Press, 0

A comprehensive biography of an exemplary woman, this book tells the story of Annie Adams Fields (1834–1915), one of the leading figures in nineteenth-century Boston's cultural circles. Although often defined in terms of her famous husband, publisher James T. Fields of Ticknor & Fields, she was, as this book demonstrates, a person of significant intellectual and social accomplishments in her own right. After Fields entered her remarkable companionate marriage at age twenty, she was welcomed into friendship by such eminent writers as Emerson, Longfellow, Hawthorne, and Dickens. But it was not simply as a dutiful wife that she invited Emerson to lecture to a group of friends in the library of her home, or did literary research for Harriet Beecher Stowe, or advised her husband on submissions to the Atlantic Monthly. As Rita K. Gollin shows, Fields also pursued her own imperatives of self-fulfillment and service to others. A published poet, essayist, and novelist, she also wrote dozens of biographies of famous writers she had known. She founded innovative charities for Boston's poor and campaigned for women's issues, including the right to vote and to be admitted to medical schools. These pursuits continued after she was widowed in 1881 and began a loving partnership with Sarah Orne Jewett—a "Boston marriage" that ended only with Jewett's death in 1909. A shrewd nurturer of many women writers—Rebecca Harding Davis, Lucy Larcom, and Willa Cather among them—and the trusted friend of many illustrious men, Fields learned to move vigorously within the public sphere without violating traditional proprieties-as a woman, as an effective social reformer, and as a writer with wares to promote in the burgeoning literary marketplace. Fields emerges from this thoroughly researched and highly readable work as a woman who both absorbed and challenged the sometimes conflicting values of her time, gender, and class.
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cover of Annotated Book Lists Teen Reader: The Best from the Experts at YALSA-BK

Annotated Book Lists Teen Reader

The Best from the Experts at YALSA-BK

American Library Association, 2011

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cover of Annotations: On the Early Thought of W. E. B. Du Bois

Annotations

On the Early Thought of W. E. B. Du Bois

Nahum Dimitri Chandler

Duke University Press, 2022

In Annotations Nahum Dimitri Chandler offers a philosophical interpretation of W. E. B. Du Bois’s 1897 American Negro Academy address, “The Conservation of Races.” Chandler approaches Du Bois as a generative and original philosophical thinker-writer on the status and historical implication of matters of human difference, both the fact of and the very idea thereof. Chandler proposes both a close reading of Du Bois’s engagement of the concept of so-called race and a deep meditation on Du Bois’s conceptualization of historicity in general. He elaborates on the way Du Bois’s thought in this address can give an account of the organization of the historicity that yields the emergence of something like the African American, at once with its own internal dimensions and yet also as an originary articulation of forces and possibilities that have world historical implications. Chandler refigures Du Bois’s thought as a vital theoretical resource for rethinking our concepts of differences among humans and, so too, our understanding of modern historicity itself.
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cover of Anonymous in Their Own Names: Doris E. Fleischman, Ruth Hale, and Jane Grant

Anonymous in Their Own Names

Doris E. Fleischman, Ruth Hale, and Jane Grant

Susan Henry

Vanderbilt University Press, 2012

Anonymous in Their Own Names recounts the lives of three women who, while working as their husbands' uncredited professional partners, had a profound and enduring impact on the media in the first half of the twentieth century. With her husband, Edward L. Bernays, Doris E. Fleischman helped found and form the field of public relations. Ruth Hale helped her husband, Heywood Broun, become one of the most popular and influential newspaper columnists of the 1920s and 1930s. In 1925 Jane Grant and her husband, Harold Ross, started the New Yorker magazine.


Yet these women's achievements have been invisible to countless authors who have written about their husbands. This invisibility is especially ironic given that all three were feminists who kept their birth names when they married as a sign of their equality with their husbands, then battled the government and societal norms to retain their names. Hale and Grant so believed in this cause that in 1921 they founded the Lucy Stone League to help other women keep their names, and Grant and Fleischman revived the league in 1950. This was the same year Grant and her second husband, William Harris, founded White Flower Farm, pioneering at that time and today one of the country's most celebrated commercial nurseries.


Despite strikingly different personalities, the three women were friends and lived in overlapping, immensely stimulating New York City circles. Susan Henry explores their pivotal roles in their husbands' extraordinary success and much more, including their problematic marriages and their strategies for overcoming barriers that thwarted many of their contemporaries.
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cover of Another Aesthetics Is Possible: Arts of Rebellion in the Fourth World War

Another Aesthetics Is Possible

Arts of Rebellion in the Fourth World War

Jennifer Ponce de León

Duke University Press, 2021

In Another Aesthetics Is Possible Jennifer Ponce de León examines the roles that art can play in the collective labor of creating and defending another social reality. Focusing on artists and art collectives in Argentina, Mexico, and the United States, Ponce de León shows how experimental practices in the visual, literary, and performing arts have been influenced by and articulated with leftist movements and popular uprisings that have repudiated neoliberal capitalism and its violence. Whether enacting solidarity with Zapatista communities through an alternate reality game or using surrealist street theater to amplify the more radical strands of Argentina's human rights movement, these artists fuse their praxis with forms of political mobilization from direct-action tactics to economic resistance. Advancing an innovative transnational and transdisciplinary framework of analysis, Ponce de León proposes a materialist understanding of art and politics that brings to the fore the power of aesthetics to both compose and make visible a world beyond capitalism.
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cover of Another City upon a Hill: A New England Memoir

Another City upon a Hill

A New England Memoir

Joseph A. Conforti

Tagus Press, 2013

This gripping memoir is both a personal story and a portrait of a distinctive New England place—Fall River, Massachusetts, once the cotton cloth capital of America. Growing up, Joseph Conforti's world was defined by rolling hills, granite mills, and forests of triple-deckers. Conforti, whose mother was Portuguese and whose father was Italian, recounts how he negotiated those identities in a city where ethnic heritage mattered. Paralleling his own account, Conforti shares the story of his family, three generations of Portuguese and Italians who made their way in this once-mighty textile city.
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cover of Another Mother: Co-Parenting with the Foster Care System

Another Mother

Co-Parenting with the Foster Care System

Sarah Gerstenzang

Vanderbilt University Press, 2007

One night after midnight social workers brought a baby girl to the author's home, and her life as a foster mother began. A social worker herself, Gerstenzang discovered that raising Cecilia, despite all the personal joys, would be a complex and frustrating process of "co-parenting" with the foster care system in New York City. Foster parents are in great demand, but they are not necessarily treated well. We follow the author through the home visits, the Early Intervention evaluation, the WIC program that (with much bureaucratic hassle) provides free formula and cereal, and the mandatory parenting training sessions. She comments, "When Michael and I became foster parents, we learned how stigmatizing, demoralizing, and just plain inconvenient and time-consuming being part of the 'unentitled' population can be. With the exception of Early Intervention, we often felt that the programs were more concerned with regulating our behavior than with providing services."

Regular meetings with the birth family were also part of the process. Not only were they awkward for all concerned, but each visit involved a commute of several hours. One social worker admitted that she preferred a foster parent who didn't work because that person could more easily comply with the time-consuming regulations. Sarah and her husband Michael also agonize over complying with special regulations about hiring babysitters or traveling ("anytime we left New York State we needed to ask the agency's permission, which in turn had to get the signed consent from the birth mother").

Central to Another Mother is the issue of transracial placement. Sarah remembers, "That first day the contrast between my pale skin and Cecilia's brown skin seemed glaring. Not only did I feel that I had someone else's child, I felt that I had a child from another culture. Would I owe someone an explanation?" (Gerstenzang is recalling the 1972 opposition of the National Association of Black Social Workers.) Her account is full of anecdotes and reflections about race: acceptance and prejudice from others; the feelings of her two children about having a sibling of a different race; and culture keeping, beginning with skin and hair care.

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cover of Another Road to Justice: Antonio Orendain and the Texas Farmworkers’ Revolt

Another Road to Justice

Antonio Orendain and the Texas Farmworkers’ Revolt

Timothy Paul Bowman

University of Texas Press, 0

A new perspective on the farmworker movement that recenters Texas and activist Antonio Orendain.

Another Road to Justice chronicles an important yet overlooked chapter in US labor history: the farmworker movement in Texas. Eclipsed by the activities of the United Farm Workers in California during the 1960s through ‘80s, Texas organizers were, nonetheless, diligent radicals, deeply engaged in consciousness raising, social reform, and labor action.

In this engrossing account, Timothy Paul Bowman explores the lives and impact of Texas activists, above all Antonio Orendain—a key figure in the struggle of Mexican and Mexican American workers along the international border in the Lower Rio Grande Valley. A formerly undocumented immigrant who became the leading organizer in the region, Orendain went from Cesar Chavez’s righthand man in the UFW to one of his biggest rivals by the middle of the 1970s. Through efforts like the Starr County Strike of 1966–1967 and the 1975 melon strike, Orendain and other workers achieved significant gains. At the same time, tensions between organizers splintered the UFW, leading Orendain to form the Texas Farm Workers Union. Bowman shines light on this history and the often-overlooked activists who earnestly fought to overcome oppression, often at great personal cost.

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cover of Another Way Home: The Tangled Roots of Race in One Chicago Family

Another Way Home

The Tangled Roots of Race in One Chicago Family

Ronne Hartfield

University of Chicago Press, 2004

In her prologue to Another Way Home, Ronne Hartfield notes the dearth of stories about African Americans who have occupied the area of mixed race with ease and harmony for generations. Her moving family history is filled with such stories, told in beautifully crafted and unsentimental prose. Spanning most of the twentieth century, Hartfield's book celebrates the special occasion of being born and reared in a household where miscegenation was the rule rather than the exception—where being a woman of mixed race could be a fundamental source of strength, vitality, and courage.

Hartfield begins with the early life of her mother, Day Shepherd. Born to a wealthy British plantation owner and the mixed-race daughter of a former slave, Day negotiates the complicated circumstances of plantation life in the border country of Louisiana and Mississippi and, as she enters womanhood, the quadroon and octoroon societies of New Orleans. Equally a tale of the Great Migration, Another Way Home traces Day's journey to Bronzeville, the epicenter of black Chicago during the first half of the twentieth century. Here, through the eyes of Day and, ultimately, her daughter, we witness the bustling city streets and vibrant middle-class culture of this iconic black neighborhood. We also relive crucial moments in African American history as they are experienced by the author's family and others in Chicago's South Side black community, from the race riots of 1919 and the Great Depression to the murder of Emmett Till and the dawn of the civil rights movement.

Throughout her book, Hartfield portrays mixed-race Americans navigating the challenges of their lives with resilience and grace, making Another Way Home an intimate and compelling encounter with one family's response to our racially charged culture.
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cover of Another Year Finds Me in Texas: The Civil War Diary of Lucy Pier Stevens

Another Year Finds Me in Texas

The Civil War Diary of Lucy Pier Stevens

By Vicki Adams Tongate

University of Texas Press, 2016

Lucy Pier Stevens, a twenty-one-year-old woman from Ohio, began a visit to her aunt’s family near Bellville, Texas, on Christmas Day, 1859. Little did she know how drastically her life would change on April 4, 1861, when the outbreak of the Civil War made returning home impossible. Stranded in enemy territory for the duration of the war, how would she reconcile her Northern upbringing with the Southern sentiments surrounding her?

Lucy Stevens’s diary—one of few women’s diaries from Civil War–era Texas and the only one written by a Northerner—offers a unique perspective on daily life at the fringes of America’s bloodiest conflict. An articulate, educated, and keen observer, Stevens took note seemingly of everything—the weather, illnesses, food shortages, parties, church attendance, chores, schools, childbirth, death, the family’s slaves, and political and military news. As she confided her private thoughts to her journal, she unwittingly revealed how her love for her Texas family and the Confederate soldier boys she came to care for blurred her loyalties, even as she continued to long for her home in Ohio. Showing how the ties of heritage, kinship, friendship, and community transcended the sharpest division in US history, this rare diary and Vicki Adams Tongate’s insightful historical commentary on it provide a trove of information on women’s history, Texas history, and Civil War history.

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cover of Another's Country: Archaeological and Historical Perspectives on Cultural Interactions in the Southern Colonies

Another's Country

Archaeological and Historical Perspectives on Cultural Interactions in the Southern Colonies

Edited by J.W. Joseph and Martha Zierden

University of Alabama Press, 2001

An engaging look at the rise and fall of cultural diversity in the colonial South and its role in shaping a distinct southern identity
 
The 18th-century South was a true melting pot, bringing together colonists from England, France, Germany, Ireland, Switzerland, and other locations, in addition to African slaves—all of whom shared in the experiences of adapting to a new environment and interacting with American Indians. The shared process of immigration, adaptation, and creolization resulted in a rich and diverse historic mosaic of cultures.
 
The cultural encounters of these groups of settlers would ultimately define the meaning of life in the nineteenth-century South. The much-studied plantation society of that era and the Confederacy that sprang from it have become the enduring identities of the South. A full understanding of southern history is not possible, however, without first understanding the intermingling and interactions of the region’s eighteenth-century settlers. In the essays collected here, some of the South’s leading historical archaeologists examine various aspects of the colonial experience, attempting to understand how cultural identity was expressed, why cultural diversity was eventually replaced by a common identity, and how the various cultures intermeshed.
 
Written in accessible language, this book will be valuable to archaeologists and non-archaeologists alike. Cultural, architectural, and military historians, cultural anthropologists, geographers, genealogists, and others interested in the cultural legacy of the South will find much of value in this book.
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cover of Anson Jones: The Last President of Texas

Anson Jones

The Last President of Texas

By Herbert Gambrell

University of Texas Press, 1964

This is the story of a New Englander who came penniless to Mexican Texas in 1833 and within the next decade helped to bring his adopted country through the turbulent disorders of settlement, revolution, political experimentation, and statehood.

Within a year of his arrival, Anson Jones was successfully practicing medicine, acquiring land, and resolving to avoid politics; but then the Revolution erupted and Jones became a private in the Texas Army, doubling as surgeon at San Jacinto. Military duty done, he resumed medical practice but some acts of the First Congress so irked him that he became a member of the Second and began a political career that lasted from 1837 to 1846 during which he served successively as congressman, minister to the United States, Texas senator, secretary of state, and president of the Republic of Texas. Anson Jones took his own life on January 9, 1858.

Told with imagination and insight, Herbert Gambrell's account of the life of Anson Jones is also a colorful and concurrent biography of Texas and its people.

[more]
cover of Answering Teens' Tough Questions

Answering Teens' Tough Questions

mk Eagle

American Library Association, 2012

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cover of Ante-Bellum Alabama: Town and Country

Ante-Bellum Alabama

Town and Country

Weymouth T. Jordan

University of Alabama Press, 1986

Offers insights into important facets of Alabama’s ante-bellum history
 
Ante-Bellum Alabama: Town and Country was written to give the reader insight into important facets of Alabama’s ante-bellum history. Presented in the form of case studies from the pre-Civil War period, the book deals with a city, a town, a planter’s family, rural social life, attitudes concerning race, and Alabama’s early agricultural and industrial development.
 
Ante-bellum Alabama’s primary interest was agriculture; the chief crop was King Cotton; and most of the people were agriculturalists. Towns and cities came into existence to supply the agricultural needs of the state and to process and distribute farm commodities. Similarly, Alabama’s industrial development began with the manufacture of implements for farm use, in response to the state’s agricultural needs. Rural-agriculture influences dominated the American scene; and in this respect Alabama was typical of her region as well as of most of the United States.
 
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cover of Anthems, Sonnets, and Chants: Recovering the African American Poetry of the 1930s

Anthems, Sonnets, and Chants

Recovering the African American Poetry of the 1930s

Jon Woodson

The Ohio State University Press, 2011

In the 1930s African Americans faced three distinct historical crises that impacted the lives of African Americans directly—the Great Depression, the existential-identity crisis, and the Italo-Ethiopian War, with its threat of a race war. A sizeable body of black poetry was produced in this decade, which captured the new modes of autonomy through which black Americans resisted these social calamities. Much of it, however, including the most influential protest poems, was dismissed as “romantic” by major, leftist critics and anthologists.
 
Anthems, Sonnets, and Chants: Recovering the African American Poetry of the 1930s, by Jon Woodson, uses social philology to unveil social discourse, self fashioning, and debates in poems gathered from anthologies, magazines, newspapers, and individual collections. The first chapter examines three long poems, finding overarching jeremiadic discourse that inaugurated a militant, politically aware agent. Chapter two examines self-fashioning in the numerous sonnets that responded to the new media of radio, newsreels, movies, and photo-magazines. The third chapter shows how new subjectivities were generated by poetry addressed to the threat of race war in which the white race was exterminated.
 
The black intellectuals who dominated the interpretative discourses of the 1930s fostered exteriority, while black culture as a whole plunged into interiority. Anthems, Sonnets, and Chants delineates the struggle between these inner and outer worlds, a study made difficult by a contemporary intellectual culture which recoils from a belief in a consistent, integrated self.
 
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cover of Anthropological Intelligence: The Deployment and Neglect of American Anthropology in the Second World War

Anthropological Intelligence

The Deployment and Neglect of American Anthropology in the Second World War

David H. Price

Duke University Press, 2008

By the time the United States officially entered World War II, more than half of American anthropologists were using their professional knowledge and skills to advance the war effort. The range of their war-related work was extraordinary. They helped gather military intelligence, pinpointed possible social weaknesses in enemy nations, and contributed to the army’s regional Pocket Guide booklets. They worked for dozens of government agencies, including the Office of Strategic Services (OSS) and the Office of War Information. At a moment when social scientists are once again being asked to assist in military and intelligence work, David H. Price examines anthropologists’ little-known contributions to the Second World War.

Anthropological Intelligence is based on interviews with anthropologists as well as extensive archival research involving many Freedom of Information Act requests. Price looks at the role played by the two primary U.S. anthropological organizations, the American Anthropological Association and the Society for Applied Anthropology (which was formed in 1941), in facilitating the application of anthropological methods to the problems of war. He chronicles specific projects undertaken on behalf of government agencies, including an analysis of the social effects of postwar migration, the design and implementation of OSS counterinsurgency campaigns, and the study of Japanese social structures to help tailor American propaganda efforts. Price discusses anthropologists’ work in internment camps, their collection of intelligence in Central and South America for the FBI’s Special Intelligence Service, and their help forming foreign language programs to assist soldiers and intelligence agents. Evaluating the ethical implications of anthropological contributions to World War II, Price suggests that by the time the Cold War began, the profession had set a dangerous precedent regarding what it would be willing to do on behalf of the U.S. government.

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cover of Anthropology At the Dawn of the Cold War: The Influence of Foundations, Mccarthyism and the CIA

Anthropology At the Dawn of the Cold War

The Influence of Foundations, Mccarthyism and the CIA

Edited by Dustin M. Wax

Pluto Press, 2008

This book breaks new ground in the history of anthropology, opening up an explicit examination of anthropology in the Cold War era. With historical distance, Cold War anthropology has begun to emerge as a distinct field within the discipline. This book brings a number of different approaches to bear on the questions raised by anthropology's Cold War history.

The contributors show how anthropologists became both tools and victims of the Cold War state during the rise of the United States in the post-War period. Examining the intersection between science and power, this book is a compelling read for anthropologists, historians, sociologists, and anyone interested in the way in which colonial and neo-colonial knowledge is produced and constructed.

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cover of Anthropology and Global Counterinsurgency

Anthropology and Global Counterinsurgency

Edited by John D. Kelly, Beatrice Jauregui, Sean T. Mitchell, and Jeremy Walton

University of Chicago Press, 2010

Global events of the early twenty-first century have placed new stress on the relationship among anthropology, governance, and war. Facing prolonged insurgency, segments of the U.S. military have taken a new interest in anthropology, prompting intense ethical and scholarly debate. Inspired by these issues, the essays in Anthropology and Global Counterinsurgency consider how anthropologists can, should, and do respond to military overtures, and they articulate anthropological perspectives on global war and power relations.

This book investigates the shifting boundaries between military and civil state violence; perceptions and effects of American power around the globe; the history of counterinsurgency doctrine and practice; and debate over culture, knowledge, and conscience in counterinsurgency. These wide-ranging essays shed new light on the fraught world of Pax Americana and on the ethical and political dilemmas faced by anthropologists and military personnel alike when attempting to understand and intervene in our world.

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cover of Anthropology and Politics: Visions, Traditions, and Trends

Anthropology and Politics

Visions, Traditions, and Trends

Joan Vincent

University of Arizona Press, 1990

In considering how anthropologists have chosen to look at and write about politics, Joan Vincent contends that the anthropological study of politics is itself a historical process. Intended not only as a representation but also as a reinterpretation, her study arises from questioning accepted views and unexamined assumptions. This wide-ranging, cross-disciplinary work is a critical review of the anthropological study of politics in the English-speaking world from 1879 to the present, a counterpoint of text and context that describes for each of three eras both what anthropologists have said about politics and the national and international events that have shaped their interests and concerns. It is also an account of how intellectual, social, and political conditions influenced the discipline by conditioning both anthropological inquiry and the avenues of research supported by universities and governments. Finally, it is a study of the politics of anthropology itself, examining the survival of theses or schools of thought and the influence of certain individuals and departments.
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cover of Anthropology and Radical Humanism: Native and African American Narratives and the Myth of Race

Anthropology and Radical Humanism

Native and African American Narratives and the Myth of Race

Jack Glazier

Michigan State University Press, 2020

Paul Radin, famed ethnographer of the Winnebago, joined Fisk University in the late 1920s. During his three-year appointment, he and graduate student Andrew Polk Watson collected autobiographies and religious conversion narratives from elderly African Americans. Their texts represent the first systematic record of slavery as told by former slaves. That innovative, subject-centered research complemented like-minded scholarship by African American historians reacting against the disparaging portrayals of black people by white historians. Radin’s manuscript focusing on this research was never published. Utilizing the Fisk archives, the unpublished manuscript, and other archival and published sources, Anthropology and Radical Humanism revisits the Radin-Watson collection and allied research at Fisk. Radin regarded each narrative as the unimpeachable self-representation of a unique, thoughtful individual, precisely the perspective marking his earlier Winnebago work. As a radical humanist within Boasian anthropology, Radin was an outspoken critic of racial explanations of human affairs that pervaded not only popular thinking but also historical and sociological scholarship. His research among African Americans and Native Americans thus places him in the vanguard of the anti-racist scholarship marking American anthropology. Anthropology and Radical Humanism sets Paul Radin’s findings within the broader context of his discipline, African American culture, and his career-defining work among the Winnebago.
[more]
cover of Anti-Apocalypse: Exercises in Genealogical Criticism

Anti-Apocalypse

Exercises in Genealogical Criticism

Lee Quinby

University of Minnesota Press, 1994

Anti-Apocalypse was first published in 1994. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.

As the year 2000 looms, heralding a new millennium, apocalyptic thought abounds-and not merely among religious radicals. In politics, science, philosophy, popular culture, and feminist discourse, apprehensions of the End appear in images of cultural decline and urban chaos, forecasts of the end of history and ecological devastation, and visions of a new age of triumphant technology or a gender-free utopia. There is, Lee Quinby contends, a threatening "regime of truth" prevailing in the United States-and this regime, with its enforcement of absolute truth and morality, imperils democracy. In Anti-Apocalypse, Quinby offers a powerful critique of the millenarian rhetoric that pervades American culture. In doing so, she develops strategies for resisting its tyrannies.

Drawing on feminist and Foucauldian theory, Quinby explores the complex relationship between power, truth, ethics, and apocalypse. She exposes the ramifications of this relationship in areas as diverse as jeanswear magazine advertising, the Human Genome project, contemporary feminism and philosophy, texts by Henry Adams and Zora Neale Hurston, and radical democratic activism. By bringing together such a wide range of topics, Quinby shows how apocalypse weaves its way through a vast network of seemingly unrelated discourses and practices. Tracing the deployment of power through systems of alliance, sexuality, and technology, Quinby reveals how these power relationships produce conflicting modes of subjectivity that create possibilities for resistance. She promotes a variety of critical stances—genealogical feminism, an ethics of the flesh, and "pissed criticism"—as challenges to apocalyptic claims for absolute truth and universal morality. Far-reaching in its implications for social and cultural theory as well as for political activism, Anti-Apocalypse will engage readers across the cultural spectrum and challenge them to confront one of the most subtle and insidious orthodoxies of our day.

Lee Quinby is associate professor of English and American studies at Hobart and William Smith Colleges. She is the author of Freedom, Foucault, and the Subject of America (1991) and coeditor (with Irene Diamond) of Feminism and Foucault: Reflections on Resistance (1988).

[more]
cover of Anti-Arab Racism in the USA: Where It Comes From and What It Means For Politics Today

Anti-Arab Racism in the USA

Where It Comes From and What It Means For Politics Today

Steven Salaita

Pluto Press, 2006

"A sobering analysis of anti-Arab racism, from neo-conservative to liberal, rooted in America's settler colonial past and seeping into every corner of our lives. Steven Salaita takes the reader into the crisis of Arab-American communities in the wake of 9/11. Written with passion, this lucid account of the dangers of American imperialism paints a dark picture of the agenda of the Bush administration not only in the Arab world but also for people of color at home."
Miriam Cooke, Professor, Duke University

"An impassioned and deeply compelling look at the origins, evolution, manifestations and implications of anti-Arab racism today. ... A tour-de-force."
Lisa Suhair Majaj, co-editor, Etel Adnan: Critical Reflections on the Arab-American Writer and Artist and Intersections: Gender, Nation, and Community in Arab Women¹s Novels

"Salaita dives head-first into the heart of racism in America and uses his personal experiences to help readers understand the mechanics of racism as it applies to Arabs, Muslims and people who look Middle Eastern in the post-Sept. 11 world."
Ray Hanania, journalist and filmmaker, author of I¹m Glad I Look Like a Terrorist: Growing up Arab in America and Arabs of Chicagoland

"A highly recommended read, not only for students of Middle East history, but for the average American who wants to know how we have become so intimately and yet so bitterly entwined with the people of the Middle East. ... Salaita has thoughtfully articulated a very regretful era of unabashed racism in American history."
Ramzy Baroud, editor, Palestine Chronicle and author of Searching Jenin

Today is a difficult time to be both Arab and American. Since 9/11 there has been a lot of criticism of America¹s involvement in the middle east. Yet there has been little analysis of how America treats citizens of Arab or middle eastern origin within its own borders.

Steven Salaita explores the reality of Anti-Arab racism in America. He blends personal narrative, theory and polemics to show how this deep-rooted racism affects everything from legislation to cultural life, shining a light on the consequences of Anti-Arab racism both at home and abroad.

Uniquely, the book shows how ingrained racist attitudes can be found within the progressive movements on the political left, as well as the right. Salaita argues that, under the guise of patriotism, Anti-Arab racism fuels support for policies such as the Patriot Act.

Salaita breaks down the façade of Anti-Arab racism with an insightful analysis, arguing for the urgency of a commitment to openness and inclusion in today¹s political climate.


Steven Salaita is Assistant Professor of English at the University of Wisconsin -Whitewater. He writes frequently about Arab America and the Arab World.
[more]
cover of Anti-Catholicism in Arkansas: How Politicians, the Press, the Klan, and Religious Leaders Imagined an Enemy, 1910–1960

Anti-Catholicism in Arkansas

How Politicians, the Press, the Klan, and Religious Leaders Imagined an Enemy, 1910–1960

Kenneth C. Barnes

University of Arkansas Press, 2016

Winner, 2017 Ragsdale Award

A timely study that puts current issues—religious intolerance, immigration, the separation of church and state, race relations, and politics—in historical context.

The masthead of the Liberator, an anti-Catholic newspaper published in Magnolia, Arkansas, displayed from 1912 to 1915 an image of the Whore of Babylon. She was an immoral woman sitting on a seven-headed beast, holding a golden cup “full of her abominations,” and intended to represent the Catholic Church.

Propaganda of this type was common during a nationwide surge in antipathy to Catholicism in the early twentieth century. This hostility was especially intense in largely Protestant Arkansas, where for example a 1915 law required the inspection of convents to ensure that priests could not keep nuns as sexual slaves.

Later in the decade, anti-Catholic prejudice attached itself to the campaign against liquor, and when the United States went to war in 1917, suspicion arose against German speakers—most of whom, in Arkansas, were Roman Catholics.

In the 1920s the Ku Klux Klan portrayed Catholics as “inauthentic” Americans and claimed that the Roman church was trying to take over the country’s public schools, institutions, and the government itself. In 1928 a Methodist senator from Arkansas, Joe T. Robinson, was chosen as the running mate to balance the ticket in the presidential campaign of Al Smith, a Catholic, which brought further attention.

Although public expressions of anti-Catholicism eventually lessened, prejudice was once again visible with the 1960 presidential campaign, won by John F. Kennedy.

Anti-Catholicism in Arkansas illustrates how the dominant Protestant majority portrayed Catholics as a feared or despised “other,” a phenomenon that was particularly strong in Arkansas.
[more]
cover of Anti-Imperialist Modernism: Race and Transnational Radical Culture from the Great Depression to the Cold War

Anti-Imperialist Modernism

Race and Transnational Radical Culture from the Great Depression to the Cold War

Benjamin Balthaser

University of Michigan Press, 2015

Anti-Imperialist Modernism excavates how U.S. cross-border, multi-ethnic anti-imperialist movements at mid-century shaped what we understand as cultural modernism and the historical period of the Great Depression.  The book demonstrates how U.S. multiethnic cultural movements, located in political parties, small journals, labor unions, and struggles for racial liberation, helped construct a common sense of international solidarity that critiqued ideas of nationalism and essentialized racial identity. The book thus moves beyond accounts that have tended to view the pre-war “Popular Front” through tropes of national belonging or an abandonment of the cosmopolitanism of previous decades. Impressive archival research brings to light the ways in which a transnational vision of modernism and modernity was fashioned through anti-colonial networks of North/South solidarity.

Chapters examine farmworker photographers in California’s central valley, a Nez Perce intellectual traveling to the Soviet Union, imaginations of the Haitian Revolution, the memory of the U.S.–Mexico War, and U.S. radical writers traveling to Cuba. The last chapter examines how the Cold War foreclosed these movements within a nationalist framework, when activists and intellectuals had to suppress the transnational nature of their movements, often rewriting the cultural past to conform to a patriotic narrative of national belonging.
[more]
cover of Anti-Indianism in Modern America: A Voice from Tatekeya's Earth

Anti-Indianism in Modern America

A Voice from Tatekeya's Earth

Elizabeth Cook-Lynn

University of Illinois Press, 2000

Addressing Native American studies past, present, and future, the essays in New Indians, Old Wars tackle the discipline head-on, presenting a radical revision of the popular view of the American West in the process. Instead of luxuriating in the West's past glories or accepting the widespread historians' view of it as a shared place, Elizabeth Cook-Lynn argues that the American West should be fundamentally understood as stolen.

Cook-Lynn says that the Indian Wars of Resistance to the nineteenth- and twentieth-century colonial effort to seize native lands and resources must be given standing in the face of the ever-growing imperial narrative of America--because the terror the world is now witnessing may be the direct consequence of events which began in America's earliest dealings with the natives of this continent. Cook-Lynn's story examines the ongoing and perennial relationship of conflict between colonizers and indigenous people, and it is a story that every American must read.

Cook-Lynn understands that the story of the American West teaches the political language of land theft and tyranny. She argues that to remedy this situation, Native American studies must be considered and pursued as its own discipline, rather than as a subset of history or anthropology. She makes an impassioned claim that such a shift, not merely an institutional or theoretical change, could allow Native American studies to play an important role in defending the sovereignty of indigenous nations today.

[more]
cover of Anti-Japan: The Politics of Sentiment in Postcolonial East Asia

Anti-Japan

The Politics of Sentiment in Postcolonial East Asia

Leo T. S. Ching

Duke University Press, 2019

Although the Japanese empire rapidly dissolved following the end of World War II, the memories, mourning, and trauma of the nation's imperial exploits continue to haunt Korea, China, and Taiwan. In Anti-Japan Leo T. S. Ching traces the complex dynamics that shape persisting negative attitudes toward Japan throughout East Asia. Drawing on a mix of literature, film, testimonies, and popular culture, Ching shows how anti-Japanism stems from the failed efforts at decolonization and reconciliation, the Cold War and the ongoing U.S. military presence, and shifting geopolitical and economic conditions in the region. At the same time, pro-Japan sentiments in Taiwan reveal a Taiwanese desire to recoup that which was lost after the Japanese empire fell. Anti-Japanism, Ching contends, is less about Japan itself than it is about the real and imagined relationships between it and China, Korea, and Taiwan. Advocating for forms of healing that do not depend on state-based diplomacy, Ching suggests that reconciliation requires that Japan acknowledge and take responsibility for its imperial history.
[more]
cover of Antidiscrimination Law and Minority Employment: Recruitment Practices and Regulatory Constraints

Antidiscrimination Law and Minority Employment

Recruitment Practices and Regulatory Constraints

Farrell Bloch

University of Chicago Press, 1994

A penetrating critique of thirty years of antidiscrimination law in the United States, this book explains why equal opportunity and affirmative action policies have failed to improve black employment since the 1964 Civil Rights Act. Farrell Bloch reviews the effects of hiring policies on minority employment and analyzes recruitment practices to reveal why current United States laws fail to address some of the most important obstacles preventing minorities from getting jobs.
[more]
cover of Antirevialism in Antebellum America: A Collection of Religious Voices

Antirevialism in Antebellum America

A Collection of Religious Voices

Bratt, James D

Rutgers University Press, 2005

One of the most enduring images from the early years of American history is that of a preacher on horseback, slogging through mud and rain to bring folks in the backwoods the message of God and glory. Such religious revivals not only became the defining mark of American religion but also played a central role in the nation's developing identity, independence, and democratic principles.

But revivalism has always generated opposition, too, even in its century of glory. In Anti-Revivalism in Antebellum America, James D. Bratt offers extensive introductions to primary anti-revivalist documents. These works range from the Philadelphia Methodist John F. Watson's protests against camp meetings in 1819, to Elizabeth Cady Stanton's "Eighty Years and More," written in 1898, in which she recalls her youthful encounter with revival preaching and her rebound into political activism and religious agnosticism. Through the recovered voices of antebellum religious critics, Bratt shows how American culture was already being reshaped a generation before the Civil War and how evangelical religion stood at the center of a "culture war."

If revivals typified the era when Americans launched and defined their new nation, then objections to these revivals embodied the growing discontent at what the nation had become. An important and long overdue collection, this book urges an understanding of anti-revival literature both in the context of the era when it emerged as well as in terms of the broader dynamic of American life.

Includes selections from Orestes Brownson, Horace Bushnell, Calvin Colton, Orville Dewey, Albert Baldwin Dod, George Elley, Charles G. Finney, John Williamson Nevin, Stephen Olin, Phoebe Palmer, Daniel Alexander Payne, Ephraim Perkins, Elizabeth Cady Stanton, Joseph Smith, Harriet Beecher Stowe, La Roy Sunderland, John Fanning Watson, Ellen G. White, and Friedrich C. D. Wyneken.
[more]
cover of Antisubmarine Warrior in the Pacific: Six Subs Sunk in Twelve Days

Antisubmarine Warrior in the Pacific

Six Subs Sunk in Twelve Days

John A. Williamson

University of Alabama Press, 2005

A commanding firsthand account of the most successful antisubmarine campaign in U.S. Naval History.

The USS England was a 1200-ton, 306-foot, long-hull destroyer escort. Commissioned into service in late 1943 and dispatched to the Pacific the following February, the England and its crew, in one 12-day period in 1944, sank more submarines than any other ship in U.S. naval history: of the six targets attacked, all six were destroyed. For this distinction, legendary in the annals of antisubmarine warfare, the ship and her crew were honored with the Presidential Unit Citation.

After convoying in the Atlantic, John A. Williamson was assigned to the England—first as its executive officer, then as its commanding officer—from the time of her commissioning until she was dry-docked for battle damage repairs in the Philadelphia Naval Yard fifteen months later. Besides being a key participant in the remarkable antisubmarine actions, Williamson commanded the England in the battle of Okinawa, where she was attacked by kamikaze planes.

Williamson narrates his memoir with authority and authenticity, describes naval tactics and weaponry precisely, and provides information gleaned from translations of the orders from the Japanese high command to Submarine Squadron 7. The author details the challenges of communal life aboard ship and explains the intense loyalty that bonds crew members for life. Ultimately, Williamson offers a compelling portrait of himself, an inexperienced naval officer who, having come of age in Alabama during the Depression, rose to become the most successful World War II antisubmarine warfare officer in the Pacific.
 

[more]
cover of Antitrust Law, Second Edition

Antitrust Law, Second Edition

Richard A. Posner

University of Chicago Press, 2001

The definitive textbook of antitrust law

Antitrust Law was fundamental to redefining the field of antitrust law and it remains the definitive textbook for those teaching or learning the subject, Richard Posner's book has played a major role in transforming the field of antitrust law into a body of economically rational principles largely in accord with the ideas set forth in the first edition. Today's antitrust professionals may disagree on specific practices and rules, but most litigators, prosecutors, judges, and scholars agree that the primary goal of antitrust laws should be to promote economic welfare, and that economic theory should be used to determine how well business practices conform to that goal.

In this thoroughly revised edition, Posner explains the economic approach to new generations of lawyers and students.

"The antitrust laws are here to stay," Posner writes, "and the practical question is how to administer them better-more rationally, more accurately, more expeditiously, more efficiently." This fully revised classic will continue to be the standard work in the field.
[more]
cover of Anxious Intellects: Academic Professionals, Public Intellectuals, and Enlightenment Values

Anxious Intellects

Academic Professionals, Public Intellectuals, and Enlightenment Values

John Michael

Duke University Press, 2000

Intellectuals occupy a paradoxical position in contemporary American culture as they struggle both to maintain their critical independence and to connect to the larger society. In Anxious Intellects John Michael discusses how critics from the right and the left have conceived of the intellectual’s role in a pluralized society, weighing intellectual authority against public democracy, universal against particularistic standards, and criticism against the respect of popular movements. Michael asserts that these Enlightenment-born issues, although not “resolvable,” are the very grounds from which real intellectual work must proceed.
As part of his investigation of intellectuals’ self-conceptions and their roles in society, Michael concentrates on several well-known contemporary African American intellectuals, including Henry Louis Gates Jr. and Cornel West. To illuminate public debates over pedagogy and the role of university, he turns to the work of Todd Gitlin, Michael Bérubé, and Allan Bloom. Stanley Fish’s pragmatic tome, Doing What Comes Naturally, along with a juxtaposition of Fredric Jameson and Samuel Huntington’s work, proves fertile ground for Michael’s argument that democratic politics without intellectuals is not possible. In the second half of Anxious Intellects, Michael relies on three popular conceptions of the intellectual—as critic, scientist, and professional—to discuss the work of scholars Constance Penley, Henry Jenkins, the celebrated physicist Stephen Hawking, and others, insisting that ambivalence, anxiety, projection, identification, hybridity, and various forms of psychosocial complexity constitute the real meaning of Enlightenment intellectuality. As a new and refreshing contribution to the recently emergent culture and science wars, Michael’s take on contemporary intellectuals and their place in society will enliven and redirect these ongoing debates.
[more]
cover of Anyplace But Here

Anyplace But Here

Arna Bontemps & Jack Conroy

University of Missouri Press, 1997

Originally published in 1945 as They Seek a City, this classic was revised and expanded in 1966 to include chapters on Marcus Garvey, the Black Muslims, Malcolm X, and the racial disturbances in Detroit, Chicago, and Watts. Filled with stories about real men and women who sought a new life in the North, Anyplace But Here depicts the theme of hope, undercut by disappointment, and hope renewed as it details the African American's search for a home.

[more]
cover of Apache Gold and Yaqui Silver

Apache Gold and Yaqui Silver

By J. Frank Dobie

University of Texas Press, 1985

Buried vaults stacked with gold bars, secret caches of coins and jewels plundered from the Spaniards and the Church, exposed veins of ore with nuggets the size of turkey eggs. Guarded by the bones of dead men, the legendary treasures of the Southwest still wait for those foolhardy or desperate enough to seek them.

Death is the cure for gold fever, and the lucky few who saw the riches and lived to tell of them spent the rest of their lives searching, haunted by faulty memories, changed landscapes, and quirks of fate. It is the stories of these men and the wealth they pursued that J. Frank Dobie tells in Apache Gold and Yaqui Silver.

In this masterful collection of tales, Dobie introduces us to Pedro Loco, General Mexhuira's ghost, the German, and a colorful group of oddfellows driven to roam the hills in an eternal quest for the hidden entrance, the blazed tree, the box canyon, for fabulous wealth glimpsed, lost, and never forgotten.

Are treasures really there? Searchers still seek them. But for the reader, the treasure is here—Dobie's tales are pure gold.

[more]
cover of Apalachicola Valley Archaeology, Volume 1: Prehistory through the Middle Woodland Period

Apalachicola Valley Archaeology, Volume 1

Prehistory through the Middle Woodland Period

Nancy Marie White

University of Alabama Press, 2024

The definitive archaeological record and what is known or speculated about the ancient Apalachicola and lower Chattahoochee Valley region of northwest Florida, southeast Alabama, and southwest Georgia.

In this meticulously researched volume, Nancy Marie White provides a major holistic synthesis of the archaeological record and what is known or surmised about the peoples of the Apalachicola and lower Chattahoochee Valley region of northwest Florida, southeast Alabama, and southwest Georgia. White transforms a neglected research area into a lively saga that spans the time of the first human settlement, around 14,000 years ago, through the Middle Woodland period, ending about AD 700.

White reveals that Paleoindian habitation was more extensive than once surmised. Archaic sites were widespread, and those societies persisted when the Ice Age ended 10,000 years ago. Pottery appeared in the Late Archaic period (before 4000 BP), and Early Woodland–period burial mounds demonstrate a flowering of religious and ritual systems. Middle Woodland societies expanded this mortuary ceremony, and the complex pottery of the Swift Creek and the early Weeden Island ceramic series show an increased fascination with the ornate and unusual. Yet, basic Native American lifeways continued with gathering-fishing-hunting subsistence traditions similar to those of their ancestors.

This volume and its companion form the definitive work on the Apalachicola–lower Chattahoochee Valley region for both scholars and general readers interested in Native Americans of the Southeast.

[more]
cover of Apalachicola Valley Archaeology, Volume 2: The Late Woodland Period through Recent History

Apalachicola Valley Archaeology, Volume 2

The Late Woodland Period through Recent History

Nancy Marie White

University of Alabama Press, 0

A comprehensive synthesis tracing 1,300 years of cultural transformation in the Apalachicola–lower Chattahoochee Valley, from Late Woodland societies to the modern era.

Apalachicola Valley Archaeology: The Late Woodland Period through Recent History, Volume 2, synthesizes the archaeology and history of the Native Americans, African Americans, and Euro-Americans of the Apalachicola–lower Chattahoochee Valley region of northwest Florida, southeast Alabama, and southwest Georgia from about 1300 years ago until the present. The region extends from Columbia, Alabama, to the Gulf of Mexico. It is culturally and environmentally distinct but little known archaeologically because it crosses historic political boundaries at the frontier.

Early chapters overview the environment and archaeology. Coverage then surveys time periods, from the Late Woodland to present. Topics include settlement, archaeological findings and material culture, subsistence and seasonality, history, sociopolitical systems, and peoples.

White’s prodigious work reveals that the prehistoric Late Woodland cultures who developed maize agriculture developed into Fort Walton chiefdoms. Post-invasion and Spanish and British colonization, these peoples were replaced by consolidated groups of Native American survivors and maroons moving around the region. These multiethnic societies with blended material cultures developed new identities, living at the edges of colonial territories. Creek societies, many becoming Seminoles, fought on all sides of European and American conflicts until most Indians were forcibly removed in the 1830s. Then the region became important for cotton, cattle, and timber, which were often produced by enslaved labor and transported by steamboat. Later expansion of agriculture and silviculture, as well as turpentine, tupelo honey, and other industries, left material evidence. The usefulness of the information to modern society is noted. Copious illustrations enhance the scientific analyses and the telling of the human stories.

[more]
cover of Aphrodite's Daughters: Three Modernist Poets of the Harlem Renaissance

Aphrodite's Daughters

Three Modernist Poets of the Harlem Renaissance

Honey, Maureen

Rutgers University Press, 2016

The Harlem Renaissance was a watershed moment for racial uplift, poetic innovation, sexual liberation, and female empowerment. Aphrodite’s Daughters introduces us to three amazing women who were at the forefront of all these developments, poetic iconoclasts who pioneered new and candidly erotic forms of female self-expression.  
 
Maureen Honey paints a vivid portrait of three African American women—Angelina Weld Grimké, Gwendolyn B. Bennett, and Mae V. Cowdery—who came from very different backgrounds but converged in late 1920s Harlem to leave a major mark on the literary landscape. She examines the varied ways these poets articulated female sexual desire, ranging from Grimké’s invocation of a Sapphic goddess figure to Cowdery’s frank depiction of bisexual erotics to Bennett’s risky exploration of the borders between sexual pleasure and pain. Yet Honey also considers how they were united in their commitment to the female body as a primary source of meaning, strength, and transcendence.
 
The product of extensive archival research, Aphrodite’s Daughters draws from Grimké, Bennett, and Cowdery’s published and unpublished poetry, along with rare periodicals and biographical materials, to immerse us in the lives of these remarkable women and the world in which they lived. It thus not only shows us how their artistic contributions and cultural interventions were vital to their own era, but also demonstrates how the poetic heart of their work keeps on beating.  
 
[more]
cover of Apocalypse Man: The Death Drive and the Rhetoric of White Masculine Victimhood

Apocalypse Man

The Death Drive and the Rhetoric of White Masculine Victimhood

Casey Ryan Kelly

The Ohio State University Press, 2020

A 2021 CHOICE Outstanding Academic Title
Exemplified by President Donald J. Trump’s slogan “Make American Great Again,” white masculinity has become increasingly organized around melancholic attachments to an imagined past when white men were still atop the social hierarchy. How and why are white men increasingly identifying as victims of social, economic, and political change? Casey Ryan Kelly’s Apocalypse Man seeks to answer this question by examining textual and performative examples of white male rhetoric—as found among online misogynist and incel communities, survivalists and “doomsday preppers,” gender-motivated mass shooters, gun activists, and political demagogues. Using sources ranging from reality television and Reddit manifestos to gun culture and political rallies, Kelly ultimately argues that death, victimhood, and fatalism have come to underwrite the constitution of contemporary white masculinity.
[more]
cover of Apocalyptic Anxiety: Religion, Science, and America's Obsession with the End of the World

Apocalyptic Anxiety

Religion, Science, and America's Obsession with the End of the World

Anthony Aveni

University Press of Colorado, 2016

Apocalyptic Anxiety traces the sources of American culture’s obsession with predicting and preparing for the apocalypse. Author Anthony Aveni explores why Americans take millennial claims seriously, where and how end-of-the-world predictions emerge, how they develop within a broader historical framework, and what we can learn from doomsday predictions of the past.

The book begins with the Millerites, the nineteenth-century religious sect of Pastor William Miller, who used biblical calculations to predict October 22, 1844 as the date for the Second Advent of Christ. Aveni also examines several other religious and philosophical movements that have centered on apocalyptic themes—Christian millennialism, the New Age movement and the Age of Aquarius, and various other nineteenth- and early twentieth-century religious sects, concluding with a focus on the Maya mystery of 2012 and the contemporary prophets who connected the end of the world as we know it with the overturning of the Maya calendar.

Apocalyptic Anxiety places these seemingly never-ending stories of the world’s end in the context of American history. This fascinating exploration of the deep historical and cultural roots of America’s voracious appetite for apocalypse will appeal to students of American history and the histories of religion and science, as well as lay readers interested in American culture and doomsday prophecies.
[more]
cover of Apocryphal Lorca: Translation, Parody, Kitsch

Apocryphal Lorca

Translation, Parody, Kitsch

Jonathan Mayhew

University of Chicago Press, 2009

Federico García Lorca (1898–1936) had enormous impact on the generation of American poets who came of age during the cold war, from Robert Duncan and Allen Ginsberg to Robert Creeley and Jerome Rothenberg. In large numbers, these poets have not only translated his works, but written imitations, parodies, and pastiches—along with essays and critical reviews. Jonathan Mayhew’s Apocryphal Lorca is an exploration of the afterlife of this legendary Spanish writer in the poetic culture of the United States.

            The book examines how Lorca in English translation has become a specifically American poet, adapted to American cultural and ideological desiderata—one that bears little resemblance to the original corpus, or even to Lorca’s Spanish legacy. As Mayhew assesses Lorca’s considerable influence on the American literary scene of the latter half of the twentieth century, he uncovers fundamental truths about contemporary poetry, the uses and abuses of translation, and Lorca himself.

[more]
cover of Apostles of Change: Latino Radical Politics, Church Occupations, and the Fight to Save the Barrio

Apostles of Change

Latino Radical Politics, Church Occupations, and the Fight to Save the Barrio

By Felipe Hinojosa

University of Texas Press, 2021

2021 Finalist Raul Yzaguirre Best Political/Current Affairs Book, International Latino Book Awards

Winner of the Texas Association of Chicanos in Higher Education Inaugural Book Award

Unraveling the intertwined histories of Latino radicalism and religion in urban America, this book examines how Latino activists transformed churches into staging grounds for protest against urban renewal and displacement.

In the late 1960s, the American city found itself in steep decline. An urban crisis fueled by federal policy wreaked destruction and displacement on poor and working-class families. The urban drama included religious institutions, themselves undergoing fundamental change, that debated whether to stay in the city or move to the suburbs. Against the backdrop of the Black and Brown Power movements, which challenged economic inequality and white supremacy, young Latino radicals began occupying churches and disrupting services to compel church communities to join their protests against urban renewal, poverty, police brutality, and racism.

Apostles of Change tells the story of these occupations and establishes their context within the urban crisis; relates the tensions they created; and articulates the activists' bold, new vision for the church and the world. Through case studies from Chicago, Los Angeles, New York City, and Houston, Felipe Hinojosa reveals how Latino freedom movements frequently crossed boundaries between faith and politics and argues that understanding the history of these radical politics is essential to understanding the dynamic changes in Latino religious groups from the late 1960s to the early 1980s.

[more]
cover of Apostles of Equality: The Birneys, the Republicans, and the Civil War

Apostles of Equality

The Birneys, the Republicans, and the Civil War

D. Laurence Rogers

Michigan State University Press, 2011

The first biographical account of the life of James Gillespie Birney in more than fifty years, this fabulously insightful history illuminates and elevates an all-but-forgotten figure whose political career contributed mightily to the American political fabric. Birney was a southern-born politician at the heart of the antislavery movement, with two southern-born sons who were major generals involved in key Union Army activities, including the leadership of the black troops. The interaction of the Birneys with historical figures (Abraham Lincoln, Harriet Beecher Stowe, and Henry Clay) highlights the significance of the family’s activities in politics and war. D. Laurence Rogers offers a unique historiography of the abolition movement, the Civil War, and Reconstruction through the experiences of one family navigating momentous developments from the founding of the Republic until the late 19th century.

[more]
cover of Apostolic Religious Life in America Today: A Response to the Crisis

Apostolic Religious Life in America Today

A Response to the Crisis

Richard Gribble

Catholic University of America Press, 2011

Divided into two parts, this volume first presents an analysis of the problem and secondly a solution to place apostolic religious life on a positive trajectory in the 21st century.
[more]
cover of Appalachia North: A Memoir

Appalachia North

A Memoir

Matthew Ferrence

West Virginia University Press, 2018

Appalachia North is the first book-length treatment of the cultural position of northern Appalachia—roughly the portion of the official Appalachian Regional Commission zone that lies above the Mason-Dixon line. For Matthew Ferrence this region fits into a tight space of not-quite: not quite “regular” America and yet not quite Appalachia.

Ferrence’s sense of geographic ambiguity is compounded when he learns that his birthplace in western Pennsylvania is technically not a mountain but, instead, a dissected plateau shaped by the slow, deep cuts of erosion. That discovery is followed by the diagnosis of a brain tumor, setting Ferrence on a journey that is part memoir, part exploration of geology and place. Appalachia North is an investigation of how the labels of Appalachia have been drawn and written, and also a reckoning with how a body always in recovery can, like a region viewed always as a site of extraction, find new territories of growth.

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