4531 books match the query 'Cultural & Ethnic Studies' and 364 start with a

cover of Americans First: Chinese Americans and the Second World War

Americans First

Chinese Americans and the Second World War

K. Scott Wong

Temple University Press, 2008

In Americans First, K. Scott Wong uses archival research and oral histories to provide the first detailed account of Chinese Americans in the American military. Wong traces the history of the 14th Air Service Group, a segregated outfit of Chinese Americans sent to China in support of the American Army Air Corps and the Chinese Air Force. His ethnic history of inclusion shows how this new generation of Chinese Americans was more socially accepted, moving from the margins of society into the American mainstream during a time of pervasive racism.

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cover of Amerikanuak: Basques In The New World

Amerikanuak

Basques In The New World

William A. Douglass

University of Nevada Press, 2005

This work, by William Douglass (who helped initiate the Basque Studies Program at the University of Nevada, Reno) and Jon Bilbao (author of several Basque reference works), is the most accessible overview of the Basque diaspora in the Western Hemisphere. Amerikanuak is a pioneering study of one of the American West’s most important ethnic minorities, an engaging, comprehensive survey of Basque migration and settlement in the Americas, and an essential introduction to the history of the Basque people and their five centuries of involvement in the New World.
Research for the book took the authors through ten states of the American West, Mexico, Colombia, Peru, Chile, Argentina, Brazil, and Venezuela as they traced the exploits of Basque whalers in the medieval Atlantic, the Basque conquistadors, missionaries, colonists, and sheepherders who formed a dramatic part of the history of Spanish America. They also follow the story of the Basques back to their mysterious origins in prehistory to provide background for understanding the Basques’ character and their homeland in the Pyrenean mountains and seacoasts between France and Spain. This is a revised and updated edition of the original 1975 publication. New preface by William A. Douglass.
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cover of Amid the Fall, Dreaming of Eden: Du Bois, King, Malcolm X, and Emancipatory Composition

Amid the Fall, Dreaming of Eden

Du Bois, King, Malcolm X, and Emancipatory Composition

Bradford T. Stull

Southern Illinois University Press, 1999

Whom, or what, does composition—defined here as an intentional process of study, either oral or written—serve? Bradford T. Stull contends that composition would do well to articulate, in theory and practice, what could be called "emancipatory composition." He argues that emancipatory composition is radically theopolitical: it roots itself in the foundational theological and political language of the American experience while it subverts this language in order to emancipate the oppressed and, thereby, the oppressors.

To articulate this vision, Stull looks to those who compose from an oppressed place, finding in the works of W. E. B. Du Bois, Martin Luther King Jr., and Malcolm X radical theopolitical practices that can serve as a model for emancipatory composition. While Stull acknowledges that there are many sites of oppression, he focuses on what Du Bois has called the problem of the twentieth century: the color line, positing that the unique and foundational nature of the color line provides a fecund place in which, from which, a theory and practice of emancipatory composition might be elucidated.

By focusing on four key theopolitical tropes—The Fall, The Orient, Africa, and Eden—that inform the work of Du Bois, King, and Malcolm X, Stull discovers the ways in which these civil rights leaders root themselves in the vocabulary of the American experience in order to subvert it so that they might promote emancipation for African Americans, and thus all Americans.

In drawing on the work of Paulo Freire, Kenneth Burke, Edward Said, Christopher Miller, Ernst Bloch, and others, Stull also locates this study within the larger cultural context. By reading Du Bois, King, and Malcolm X together in a way that they have never before been read, Stull presents a new vision of composition practice to the African American studies community and a reading of African American emancipatory composition to the rhetoric and composition community, thus extending the question of emancipatory composition into new territory.

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cover of Amigas y Amantes: Sexually Nonconforming Latinas Negotiate Family

Amigas y Amantes

Sexually Nonconforming Latinas Negotiate Family

Acosta, Katie L

Rutgers University Press, 2013

2014 Choice Outstanding Academic Title​

Amigas y Amantes  (Friends and Lovers) explores the experiences of sexually nonconforming Latinas in the creation and maintenance of families. It is based on forty-two in-depth ethnographic interviews with women who identify as lesbian, bisexual, or queer (LBQ). Additionally, it draws from fourteen months of participant observation at LBQ Latina events that Katie L. Acosta conducted in 2007 and 2008 in a major northeast city. With this data, Acosta examines how LBQ Latinas manage loving relationships with the families who raised them, and with their partners, their children, and their friends.  

Acosta investigates how sexually nonconforming Latinas negotiate cultural expectations, combat compulsory heterosexuality, and reconcile tensions with their families. She offers a new way of thinking about the emotion work involved in everyday lives, which highlights the informal, sometimes invisible, labor required in preserving family ties. Acosta contends that the work LBQ Latinas take on to preserve connections with biological families, lovers, and children results in a unique way of doing family.

Paying particular attention to the negotiations that LBQ Latinas undertake in an effort to maintain familial order, Amigas y Amantes explores how they understand femininity, how they negotiate their religious faiths, how they face the unique challenges of being in interracial/interethnic relationships, and how they raise their children while integrating their families of origin.

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cover of Among the Garifuna: Family Tales and Ethnography from the Caribbean Coast

Among the Garifuna

Family Tales and Ethnography from the Caribbean Coast

Marilyn McKillop Wells

University of Alabama Press, 2015

An intimate ethnographic narrative of one indigenous family in the twentieth-century Caribbean

Among the Garifuna is the first ethnographic narrative of a Garifuna family. The Garifuna are descendants of the “Black Carib,” whom the British deposited on Roatan Island in 1797 and who settled along the Caribbean coast from Belize City to Nicaragua.

In 1980, medical anthropologist Marilyn McKillop Wells found herself embarking on an “improbable journey” when she was invited to the area to do fieldwork with the added challenge of revealing the “real” Garifuna. Upon her arrival on the island, Wells was warmly embraced by a local family, the Diegos, and set to work recording life events and indigenous perspectives on polygyny, Afro-indigenous identity, ancestor-worshiping religion, and more. The result, as represented in Among the Garifuna, is a lovingly intimate, earthy human drama.

The family narrative is organized chronologically. Part I, “The Old Ways,” consists of vignettes that introduce the family backstory with dialogue as imagined by Wells based on the family history she was told. We meet the family progenitors, Margaret and Cervantes Diego, during their courtship, experience Margaret’s pain as Cervantes takes a second wife, witness the death of Cervantes and ensuing mourning rituals, follow the return of Margaret and the children to their previous home in British Honduras, and observe the emergence of the children’s personalities.

In Part II, “Living There,” Wells continues the story when she arrives in Belize and meets the Diego children, including the major protagonist, Tas. In Tas’s household Wells learns about foods and manners and watches family squabbles and reconciliations. In these mini-stories, Wells interweaves cultural information on the Garifuna people with first-person narrative and transcription of their words, assembling these into an enthralling slice of life. Part III, “The Ancestor Party,” takes the reader through a fascinating postmortem ritual that is enacted to facilitate the journey of the spirits of the honored ancestors to the supreme supernatural.

Among the Garifuna contributes to the literary genres of narrative anthropology and feminist ethnography in the tradition of Zora Neal Hurston and other women writing culture in a personal way. Wells’s portrait of this Garifuna family will be of interest to anthropologists, Caribbeanists, Latin Americanists, students, and general readers alike.
 

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cover of Amplifying Power: The Shaping of the Jamaican Sound System

Amplifying Power

The Shaping of the Jamaican Sound System

Julian Henriques

Duke University Press, 2027

In Amplifying Power, Julian Henriques analyzes the reggae sound system as both a technical instrument and a cultural artifact central to the “Jamaican sound.” To discover how this distinctive sound is created, Henriques positions sound systems as active, creative agents within dancehall culture, listening to them not simply as playback devices but as musical instruments in their own right. Sound engineers “play” their instrument by employing phonomorphic techniques—practices like amplifying, filtering, mixing, and transducing—to shape Jamaica’s unique sonic signature, leading sound system engineering to be a potent example of the creative relationships between technological instruments and Afro-diasporic cultural practices. Henriques demonstrates that Jamaican sound systems function as tools of resistance, resilience, and community cohesion and are key to asserting Black freedom and collective futures.
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cover of Amusement, Inc.: Disneyland’s Corporate Apparatus and the Making of the Theme Park

Amusement, Inc.

Disneyland’s Corporate Apparatus and the Making of the Theme Park

Roland Betancourt

Duke University Press, 2027

In Amusement, Inc., Roland Betancourt tells the deep history of Disneyland from its conception to its construction and reveals how it set the precedents that created the modern theme park. To transform an animation studio into a theme park company, Betancourt shows that Disney took its most significant lessons not from other amusement parks of the time but from corporations like General Motors, marshaling funds to systematize the constellation of principles, practices, and structures that defined American Big Business during the 1950s and 1960s. By using these principles to construct a heroic image of the large-scale corporation, Disneyland acclimated Americans to the rhythms and values of corporate capitalism, rendering the corporation's apparatus synonymous with “the good life” in postwar America. Drawing on extensive archival research, Amusement, Inc. reframes the invention of the theme park, offering a new history of how corporate practices shaped the spaces of leisure and entertainment that have defined contemporary American culture.
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cover of Américo Paredes: Culture and Critique

Américo Paredes

Culture and Critique

By José E. Limón

University of Texas Press, 2012

Several biographies of Américo Paredes have been published over the last decade, yet they generally overlook the paradoxical nature of his life’s work. Embarking on an in-depth, critical exploration of the significant body of work produced by Paredes, José E. Limón (one of Paredes’s students and now himself one of the world’s leading scholars in Mexican American studies) puts the spotlight on Paredes as a scholar/citizen who bridged multiple arenas of Mexican American cultural life during a time of intense social change and cultural renaissance.

Serving as a counterpoint to hagiographic commentaries, Américo Paredes challenges and corrects prevailing readings by contemporary critics of Paredes’s Asian period and of such works as the novel George Washington Gómez, illuminating new facets in Paredes’s role as a folklorist and public intellectual. Limón also explores how the field of cultural studies has drifted away from folklore, or “the poetics of everyday life,” while he examines the traits of Mexican American expressive culture. He also investigates the scholarly paradigm of ethnography itself, a stimulating inquiry that enhances readings of Paredes’s best-known study, “With His Pistol in His Hand,” and other works. Underscoring Paredes’s place in folklore and Mexican American literary production, the book questions the shifting reception of Paredes throughout his academic career, ultimately providing a deep hermeneutics of widely varied work. Offering new conceptions, interpretations, and perspectives, Américo Paredes gives this pivotal literary figure and his legacy the critical analysis they deserve.

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cover of An Absent Presence: Japanese Americans in Postwar American Culture, 1945-1960

An Absent Presence

Japanese Americans in Postwar American Culture, 1945-1960

Caroline Chung Simpson

Duke University Press, 2001

There have been many studies on the forced relocation and internment of nearly 120,000 Japanese Americans during World War II. But An Absent Presence is the first to focus on how popular representations of this unparalleled episode in U.S. history affected the formation of Cold War culture. Caroline Chung Simpson shows how the portrayal of this economic and social disenfranchisement haunted—and even shaped—the expression of American race relations and national identity throughout the middle of the twentieth century.
Simpson argues that when popular journals or social theorists engaged the topic of Japanese American history or identity in the Cold War era they did so in a manner that tended to efface or diminish the complexity of their political and historical experience. As a result, the shadowy figuration of Japanese American identity often took on the semblance of an “absent presence.” Individual chapters feature such topics as the case of the alleged Tokyo Rose, the Hiroshima Maidens Project, and Japanese war brides. Drawing on issues of race, gender, and nation, Simpson connects the internment episode to broader themes of postwar American culture, including the atomic bomb, McCarthyism, the crises of racial integration, and the anxiety over middle-class gender roles.
By recapturing and reexamining these vital flashpoints in the projection of Japanese American identity, Simpson fills a critical and historical void in a number of fields including Asian American studies, American studies, and Cold War history.
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cover of An American Dilemma Revisited: Race Relations in a Changing World

An American Dilemma Revisited

Race Relations in a Changing World

Obie, Jr. Clayton

Russell Sage Foundation, 1996

"This book must be regarded as a greatly important contribution to race relations literature. It is invaluable for the manner in which authors combine the lessons of history with insightful analyses of empirical data to demonstrate patterns of change over the past fifty years in the status of African Americans... Provocative and stimulating reading." —James E. Blackwell, University of Massachusetts, Boston "Presents a wide-ranging reanalysis of the seminal work done by Gunnar Myrdal in 1944, examining virtually every issue that Myrdal noted as relevant to the American race question. In so doing, Clayton and his contributors have brought the matter up to date and shown how the American dilemma continues into the twenty-first century." —Stanford M. Lyman, Florida Atlantic University Fifty years after the publication of An American Dilemma, Gunnar Myrdal's epochal study of racism and black disadvantage, An American Dilemma Revisited again confronts the pivotal issue of race in American society and explores how the status of African Americans has changed over the past half century. African Americans have made critical strides since Myrdal's time. Yet despite significant advances, strong economic and social barriers persist, and in many ways the plight of African Americans remains as acute now as it was then. Using Myrdal as a benchmark, each essay analyzes historical developments, examines current conditions, and investigates strategies for positive change within the core arenas of modern society—political, economic, educational, and judicial. The central question posed by this volume is whether the presence of a disproportionately African American underclass has become a permanent American phenomenon. Several contributors tie the unevenness of black economic mobility to educational limitations, social isolation, and changing workplace demands. The evolution of a more suburban, service-dominated economy that places a premium on advanced academic training has severely constrained the employment prospects of many urban African Americans with limited education. An American Dilemma Revisited argues that there is hope to be found both in black educational institutions, which account for the largest proportion of advanced educational degrees among African Americans, and in the promotion of black community enterprises. An American Dilemma Revisited asks why the election of many African American leaders has failed to translate into genuine political power or effective policy support for black issues. The rise in membership in Pentecostal and Islamic denonimations suggests that many blacks, frustrated with the political detachment of more traditional churches, continue to pursue more socially concerned activism at a local level. Three essays trace social disaffection among blacks to a legacy of police and judicial discrimination. Mistrust of the police persists, particularly in cities, and black offenders continue to experience harsher treatment at all stages of the trial process. As Myrdal's book did fifty years ago, An American Dilemma Revisited offers an insightful look at the continuing effects of racial inequality and discrimination in American society and examines different means for removing the specter of racism in the United States.
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cover of An Annotated Bibliography of Chinese Painting Catalogues and Related Texts

An Annotated Bibliography of Chinese Painting Catalogues and Related Texts

Hin-cheung Lovell

University of Michigan Press, 1973

The student of Chinese painting must from time to time consult John C. Ferguson’s Li-tai chu-lu hua mu, an index to Chinese paintings recorded in Chinese catalogues. The catalogues in which the paintings are compiled are of equal interest: their compilers, the date of their compilation, their scope, their derivation, their merits and shortcomings, and so on.
An Annotated Bibliography of Chinese Painting Catalogues and Related Texts provides a way for English-language students with limited knowledge of Chinese to find basic information on the catalogues in an easily available form.
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cover of An Archive of Possibilities: Healing and Repair in Democratic Republic of Congo

An Archive of Possibilities

Healing and Repair in Democratic Republic of Congo

Rachel Marie Niehuus

Duke University Press, 2024

In An Archive of Possibilities, anthropologist and surgeon Rachel Marie Niehuus explores possibilities of healing and repair in the eastern Democratic Republic of Congo against a backdrop of 250 years of Black displacement, enslavement, death, and chronic war. Niehuus argues that in a context in which violence characterizes everyday life, Congolese have developed innovative and imaginative ways to live amid and mend from repetitive harm. Drawing on ethnographic fieldwork and the Black critical theory of Achille Mbembe, Christina Sharpe, Alexis Pauline Gumbs and others, Niehuus explores the renegotiation of relationships with land as a form of public healing, the affective experience of living in insecurity, the hospital as a site for the socialization of pain, the possibility of necropolitical healing, and the uses of prophesy to create collective futures. By considering the radical nature of cohabitating with violence, Niehuus demonstrates that Congolese practices of healing imagine and articulate alternative ways of living in a global regime of antiblackness.
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cover of An Asian American Theology of Liberation

An Asian American Theology of Liberation

Tian An Wong

Lever Press, 2023

What does liberation mean for Asians at the core of an anti-Black, settler-colonial empire? This landmark book is the first to offer an Asian American theology of liberation for the present and future global crises. The broad scope of contemporary ideas that the book engages with will be of interest to students, activists, clergy, and scholars alike. Readers interested in radical politics, political theology, and Asian American history will find this book an important addition to their bookshelves.

Providing an intersectional frame that considers the breadth and diversity of Asian American experiences alongside those of Black, Indigenous, and Latinx thinkers in the United States and across the globe, An Asian American Theology of Liberation puts Asian American theology in dialogue with theories from psychoanalysis, Afro-pessimism, Black Marxism, postcolonial studies, and queer theology. In this groundbreaking work, Wong Tian An combines archival research uncovering a much overlooked theology of liberation — born in the 1970s out of Asian Americans’ struggles for political recognition and civil rights in the United States — with powerful analyses drawing from the theological, intellectual, and political developments of the last half century.

This wide-ranging study connects urgent themes such as protest movements in Hong Kong, anti-Asian violence in the United States, and Indigenous struggles everywhere, while building on Asian theologies such as Dalit theology in India, theology of struggle in the Philippines, and Minjung theology in Korea. Drawing deeply and broadly across disciplines, the book altogether revives and renews an Asian American theology of liberation for a new generation.
 
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cover of An Autohistoria of Friendship with Gloria E. Anzaldúa: Three Soul Companions at the Crossroads

An Autohistoria of Friendship with Gloria E. Anzaldúa

Three Soul Companions at the Crossroads

David Hatfield Sparks and Randy P. Conner

University of Illinois Press, 2027

David Hatfield Sparks and Randy P. Conner blend memoir with poetry, ritual, and theory to illuminate the history of a diverse, multi-racial, and radical LGBTQ+ community in San Francisco during the 1970s and 1980s.

Beginning their story in a large Noe Valley flat, Sparks and Conner trace how a collective of artists and activists shaped a shared life across lines of race, gender, and sexuality while forging a community linked through prejudice, illness, and loss. The authors mix personal stories with history and cultural memory. They also discuss Anzaldúa’s idea of spiritual mestizaje, a practice for healing and growth that joins Indigenous, African, Latino, European, and Queer traditions. Their idea of El Mundo Zurdo imagines an inclusive world that values diversity and the power of difference to create connections among human beings.

Merging spirituality with activism, An Autohistoria of Friendship with Gloria E. Anzaldúa shares a vision of a more just and caring future.
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cover of An Enduring Legacy: The Story Of Basques In Idaho

An Enduring Legacy

The Story Of Basques In Idaho

Mark Bieter

University of Nevada Press, 2003

In this volume, brothers Mark and John Bieter chronicle three generations of Basque presence in Idaho from 1890 to the present, resulting in an engaging story that begins with a few solitary sheepherders and follows their evolution into the prominent ethnic community of today.

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cover of An Epidemic of Uncertainty: Navigating HIV and Young Adulthood in Malawi

An Epidemic of Uncertainty

Navigating HIV and Young Adulthood in Malawi

Jenny Trinitapoli

University of Chicago Press, 2023

A decade-long study of young adulthood in Malawi that demonstrates the impact of widespread HIV status uncertainty, laying bare the sociological implications of what is not known.

An Epidemic of Uncertainty advances a new framework for studying social life by emphasizing something social scientists routinely omit from their theories, models, and measures–what people know they don’t know. Taking Malawi’s ongoing AIDS epidemic as an entry point, Jenny Trinitapoli shows that despite admirable declines in new HIV infections and AIDS-related mortality, an epidemic of uncertainty persists; at any given point in time, fully half of Malawian young adults don’t know their HIV status. Reckoning with the impact of this uncertainty within the bustling trading town of Balaka, Trinitapoli argues that HIV-related uncertainty is measurable, pervasive, and impervious to biomedical solutions, with consequences that expand into multiple domains of life, including relationship stability, fertility, and health. Over the duration of a groundbreaking decade-long longitudinal study, rich survey data and poignant ethnographic vignettes vividly depict how individual lives and population patterns unfold against the backdrop of an ever-evolving epidemic. Even as HIV is transformed from a progressive, fatal disease to a chronic and manageable condition, the accompanying epidemic of uncertainty remains fundamental to understanding social life in this part of the world.

Insisting that known unknowns can and should be integrated into social-scientific models of human behavior, An Epidemic of Uncertainty treats uncertainty as an enduring aspect, a central feature, and a powerful force in everyday life.
 
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cover of An Impossible Living in a Transborder World: Culture, Confianza, and Economy of Mexican-Origin Populations

An Impossible Living in a Transborder World

Culture, Confianza, and Economy of Mexican-Origin Populations

Carlos G. Vélez-Ibáñez

University of Arizona Press, 2010

They are known as cundinas or tandas in Mexico, and for many people these local savings-and-loan operations play an indispensable role in the struggle to succeed in today’s transborder economy. With this extensively researched book, Carlos Vélez-Ibáñez updates and expands upon his major 1983 study of rotating savings and credit associations (ROSCAs), incorporating new data that reflect the explosion of Mexican-origin populations in the United States. Much more than a study of one economic phenomenon though, the book examines the way in which these practices are part of greater transnational economies and how these populations engage in—and suffer through—the twenty-first century global economy.

Central to the ROSCA is the cultural concept of mutual trust, or confianza. This is the cultural glue that holds the reciprocal relationship together. As Vélez-Ibáñez explains, confianza “shapes the expectations for relationships within broad networks of interpersonal links, in which intimacies, favors, goods, services, emotion, power, or information are exchanged.” In a border region where migration, class movement, economic changes, and institutional inaccessibility produce a great deal of uncertainty, Mexican-origin populations rely on confianza and ROSCAs to maintain a sense of security in daily life. How do transborder people adapt these common practices to meet the demands of a global economy? That is precisely what Vélez-Ibáñez investigates.

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cover of An Index to Reproductions of Paintings by Twentieth-Century Chinese Artists

An Index to Reproductions of Paintings by Twentieth-Century Chinese Artists

Ellen Johnston Laing

University of Michigan Press, 1998

In the second half of the twentieth century, studies in Chinese painting history have been greatly aided by several major lists of Chinese artists and their works. Published between 1956 and 1980, these lists were limited to Imperial China.
The current index covers the period from 1912 to around 1980. It includes the names of approximately 3,500 traditional-style artists along with lists of their works, reproduced in some 264 monographs, books, journals, and catalogs published from the 1920s to around 1980. With a few exceptions, artists working after 1949 outside continental China are excluded.
Revised Edition, 1998; first published by the Asian Studies Program, University of Oregon, 1984.
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cover of An Intractable Wound: Palestinian Media and Resistance Practices Against Fragmentation

An Intractable Wound

Palestinian Media and Resistance Practices Against Fragmentation

Meryem Kamil

Rutgers University Press, 2027

An Intractable Wound explores Palestinian resistance to colonial fragmentation that originated as territorial fracture, as proposed through the United Nations partition plan that split the land between the state of Israel and Arab territories. The resulting fragmentation of geography, sovereignty, and populations spurred multiple other schisms that manifest culturally, politically, and developmentally across the West Bank, Gaza, refugee camps, exiled and diasporic Palestinians, and Arab citizens of Israel.

An Intractable Wound considers the various tactics Palestinians deploy to combat these multiple, intersecting iterations of fracture. In particular, this text considers Palestinian media technologies and practices that manage, subvert, and overcome fragmentation. Each chapter centers projects that elaborate on these fractures and combat them, including virtual reality representations, online archives, digital mapping platforms, and video games that imagine and construct an intact Palestinian community. Together, these case studies provide a capacious reading of the Palestinian condition as structured by fragmentation, and Palestinian resistance as struggling in opposition to that geographic, sociopolitical, and cultural disillusion.

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cover of An Island Called Home: Returning to Jewish Cuba

An Island Called Home

Returning to Jewish Cuba

Ruth Behar, Photographs by Humberto Mayol

Rutgers University Press, 2007

Yiddish-speaking Jews thought Cuba was supposed to be a mere layover on the journey to the United States when they arrived in the island country in the 1920s. They even called it “Hotel Cuba.” But then the years passed, and the many Jews who came there from Turkey, Poland, and war-torn Europe stayed in Cuba. The beloved island ceased to be a hotel, and Cuba eventually became “home.” But after Fidel Castro came to power in 1959, the majority of the Jews opposed his communist regime and left in a mass exodus. Though they remade their lives in the United States, they mourned the loss of the Jewish community they had built on the island.

As a child of five, Ruth Behar was caught up in the Jewish exodus from Cuba. Growing up in the United States, she wondered about the Jews who stayed behind. Who were they and why had they stayed? What traces were left of the Jewish presence, of the cemeteries, synagogues, and Torahs? Who was taking care of this legacy? What Jewish memories had managed to survive the years of revolutionary atheism?

An Island Called Home is the story of Behar’s journey back to the island to find answers to these questions. Unlike the exotic image projected by the American media, Behar uncovers a side of Cuban Jews that is poignant and personal. Her moving vignettes of the individuals she meets are coupled with the sensitive photographs of Havana-based photographer Humberto Mayol, who traveled with her.

Together, Behar’s poetic and compassionate prose and Mayol’s shadowy and riveting photographs create an unforgettable portrait of a community that many have seen though few have understood. This book is the first to show both the vitality and the heartbreak that lie behind the project of keeping alive the flame of Jewish memory in Cuba.

Reader Guide (http://rutgerspress.rutgers.edu/pages/behar_reader_guide.aspx)

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cover of An Old Creed for the New South: Proslavery Ideology and Historiography, 1865-1918

An Old Creed for the New South

Proslavery Ideology and Historiography, 1865-1918

John David Smith, With a New Preface by the Author

Southern Illinois University Press, 1985

An Old Creed for the New South:Proslavery Ideology and Historiography, 1865–1918 details the slavery debate from the Civil War through World War I. Award-winning historian John David Smith argues that African American slavery remained a salient metaphor for how Americans interpreted contemporary race relations decades after the Civil War.

Smith draws extensively on postwar articles, books, diaries, manuscripts, newspapers, and speeches to counter the belief that debates over slavery ended with emancipation. After the Civil War, Americans in both the North and the South continued to debate slavery’s merits as a labor, legal, and educational system and as a mode of racial control. The study details how white Southerners continued to tout slavery as beneficial for both races long after Confederate defeat. During Reconstruction and after Redemption, Southerners continued to refine proslavery ideas while subjecting blacks to new legal, extralegal, and social controls.

An Old Creed for the New South links pre– and post–Civil War racial thought, showing historical continuity, and treats the Black Codes and the Jim Crow laws in new ways, connecting these important racial and legal themes to intellectual and social history. Although many blacks and some whites denounced slavery as the source of the contemporary “Negro problem,” most whites, including late nineteenth-century historians, championed a “new” proslavery argument. The study also traces how historian Ulrich B. Phillips and Progressive Era scholars looked at slavery as a golden age of American race relations and shows how a broad range of African Americans, including Booker T. Washington and W. E. B. Du Bois, responded to the proslavery argument. Such ideas, Smith posits, provided a powerful racial creed for the New South.

This examination of black slavery in the American public mind—which includes the arguments of former slaves, slaveholders, Freedmen's Bureau agents, novelists, and essayists—demonstrates that proslavery ideology dominated racial thought among white southerners, and most white northerners, in the five decades following the Civil War.

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cover of An Ordinary Landscape of Violence: Women Loving Women in Guyana

An Ordinary Landscape of Violence

Women Loving Women in Guyana

Preity R. Kumar

Rutgers University Press, 2024

An Ordinary Landscape of Violence: Women Loving Women in Guyana tells a new history of queer women in postcolonial Guyana. While the country has experienced a rise in queer activism, especially toward human rights efforts, members of the Guyanese queer community have also been victims of extreme violence. This book asks how a hetero-patriarchal state shapes queer and "women-lovin’ women’s" experiences, and how such women navigate racialized, sexualized, and homophobic violence. With a unique focus on the lives of queer women in Guyana, it reveals their manifold experiences of violence, explores regional differences, and shows their complicated understanding of what exactly constitutes “rights” and the limitations of those rights in their lives. While activism against violence is crucial, this book addresses not only the violence against women, but theorizes the intimate partner violence between women, and demonstrates the ways that violence is both racialized and sexualized. 
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cover of An Uncertain Cure: Living with Leprosy in Brazil

An Uncertain Cure

Living with Leprosy in Brazil

White, Cassandra

Rutgers University Press, 2008

In many cultures, leprosy elicits fear, stigma, and misunderstanding. Historically, people affected by leprosy were banished or isolated from the rest of society. Although the worldwide incidence of leprosy has declined markedly over the past quarter century with the advent of new multidrug therapies, developing nations are still encountering a high number of cases.

In An Uncertain Cure, Cassandra White goes deep into the shantytowns of Rio de Janeiro to give a riveting account of the contemporary leprosy experience among poor and working class Brazilians. In this ethnographic treatment of leprosy sufferers, White exposes the web of historical, socioeconomic, religious, and political forces that complicate the path to wellness and perpetuate high rates of infection. Drawing on nearly ten years of research, White shows how anthropological research can contribute to more effective treatment of chronic infectious diseases around the world.

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cover of An Unseen Unheard Minority: Asian American Students at the University of Illinois

An Unseen Unheard Minority

Asian American Students at the University of Illinois

Sharon S. Lee

Rutgers University Press, 2022

Higher education hails Asian American students as model minorities who face no educational barriers given their purported cultural values of hard work and political passivity. Described as “over-represented,” Asian Americans have been overlooked in discussions about diversity; however, racial hostility continues to affect Asian American students, and they have actively challenged their invisibility in minority student discussions. This study details the history of Asian American student activism at the University of Illinois Urbana-Champaign, as students rejected the university’s definition of minority student needs that relied on a model minority myth, measures of under-representation, and a Black-White racial model, concepts that made them an “unseen unheard minority.” This activism led to the creation on campus of one of the largest Asian American Studies programs and Asian American cultural centers in the Midwest. Their histories reveal the limitations of understanding minority student needs solely along measures of under-representation and the realities of race for Asian American college students.
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cover of Analyzing World Fiction: New Horizons in Narrative Theory

Analyzing World Fiction

New Horizons in Narrative Theory

Edited by Frederick Luis Aldama

University of Texas Press, 2011

Why are many readers drawn to stories that texture ethnic experiences and identities other than their own? How do authors such as Salman Rushdie and Maxine Hong Kingston, or filmmakers in Bollywood or Mexico City produce complex fiction that satisfies audiences worldwide? In Analyzing World Fiction, fifteen renowned luminaries use tools of narratology and insights from cognitive science and neurobiology to provide answers to these questions and more.

With essays ranging from James Phelan's "Voice, Politics, and Judgments in Their Eyes Were Watching God" and Hilary Dannenberg's "Narrating Multiculturalism in British Media: Voice and Cultural Identity in Television" to Ellen McCracken's exploration of paratextual strategies in Chicana literature, this expansive collection turns the tide on approaches to postcolonial and multicultural phenomena that tend to compress author and narrator, text and real life. Striving to celebrate the art of fiction, the voices in this anthology explore the "ingredients" that make for powerful, universally intriguing, deeply human story-weaving.

Systematically synthesizing the tools of narrative theory along with findings from the brain sciences to analyze multicultural and postcolonial film, literature, and television, the contributors pioneer new techniques for appreciating all facets of the wonder of storytelling.

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cover of Anarchism and the Black Revolution: The Definitive Edition

Anarchism and the Black Revolution

The Definitive Edition

Lorenzo Kom’boa Ervin

Pluto Press, 2021

'A powerful – even startling – book that challenges the shibboleths of 'white' anarchism'. Its analysis of police violence and the threat of fascism are as important now as they were at the end of the 1970s. Perhaps more so' -  Peter James Hudson, Black Agenda Report

Anarchism and the Black Revolution first connected Black radical thought to anarchist theory in 1979. Now amidst a rising tide of Black political organizing, this foundational classic written by a key figure of the Civil Rights movement is republished with a wealth of original material for a new generation.

Anarchist theory has long suffered from a whiteness problem. This book places its critique of both capitalism and racism firmly at the center of the text. Making a powerful case for the building of a Black revolutionary movement that rejects sexism, homophobia, militarism and racism, Lorenzo Kom’boa Ervin counters the lies and distortions about anarchism spread by its left- and right-wing opponents alike.

New material includes an interview with writer and activist William C. Anderson, as well as new essays, and a contextualizing biography of the author’s inspiring life.

[more]
cover of And Bid Him Sing: A Biography of Countée Cullen

And Bid Him Sing

A Biography of Countée Cullen

Charles Molesworth

University of Chicago Press, 2012

While competing with Langston Hughes for the title of “Poet Laureate of Harlem,” Countée Cullen (1903–46) crafted poems that became touchstones for American readers, both black and white. Inspired by classic themes and working within traditional forms, Cullen shaped his poetry to address universal questions like love, death, longing, and loss while also dealing with the issues of race and idealism that permeated the national conversation. Drawing on the poet’s unpublished correspondence with contemporaries and friends like Hughes, Claude McKay, Carl Van Vechten, Dorothy West, Charles S. Johnson and Alain Locke, and presenting a unique interpretation of his poetic gifts, And Bid Him Sing is the first full-length critical biography of this famous American writer.
 
Despite his untimely death at the age of forty-two, Cullen left behind an extensive body of work. In addition to five books of poetry, he authored two much-loved children’s books and translated Euripides’ Medea, the first translation by an African American of a Greek tragedy. In these pages, Charles Molesworth explores the many ways that race, religion, and Cullen’s sexuality informed the work of one of the unquestioned stars of the Harlem Renaissance.
 
An authoritative work of biography that brings to life one of the chief voices of his generation, And Bid Him Sing returns to us one of America’s finest lyric poets in all of his complexity and musicality.
[more]
cover of And Who Will Witness Us?: A Histofuturist Account of Black Literacies on the Rust Belt

And Who Will Witness Us?

A Histofuturist Account of Black Literacies on the Rust Belt

S. R. Toliver

University of Chicago Press, 2027

An imaginative exploration of the historical narratives that shape Black life today, showing how the past is never truly left behind, but is always alive in the present, shaping the future. 

Most people have probably never heard of New Castle, a Rust Belt city in western Pennsylvania. Education scholar S. R. Toliver describes it as “a stop on the road to elsewhere. But as a former resident, New Castle remains the endpoint of my journey, the highway exit I take, the place I go when I say I’m headed home.” Combining an autoethnography of growing up and being educated in New Castle with a remarkable study of Histofuturism, Toliver’s And Who Will Witness Us? reveals the historical erasure of Black people and their literary practices. 

First, Toliver turns to the past, presenting a multifaceted portrayal of Black life in New Castle. She draws from personal insights, archival data, and oral histories to uncover historical disinvestment and the violence of anti-Blackness and anti-Indigeneity sown into the soil and soul of a city. At the same time, she highlights how, despite systemic neglect, Black people have used their stories to author themselves into existence, creating counter histories that reflect the richness and depth of Black lives. Toliver explains how these acts of creation, in turn, shape the future, allowing Black people to resist imposed narratives and envision possibilities beyond the limits of traditional ways of thinking, knowing, and doing. 

Innovative in both form and style, And Who Will Witness Us? shares how research opens space for Black people to relearn themselves and their communities. It is a reckoning with what it means to call a place, a city, a people, home. 

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cover of And the Garden Is You: Essays on Fieldwork, Writingwork, and Readingwork

And the Garden Is You

Essays on Fieldwork, Writingwork, and Readingwork

Michael Taussig

University of Chicago Press, 2024

A new collection of essays reflecting on the centrality of writing anthropological practice from one of the discipline’s most influential thinkers.
 
Michael Taussig’s work is known for its critical insights and bold, experimental style. In the eleven essays in this new collection, Taussig reflects on the act of writing itself, demonstrating its importance for anthropological practice and calling for the discipline to keep experiential knowledge from being extinguished as fieldnotes become scholarship.
 
Setting out to show how this can be done, And the Garden Is You exemplifies a form of exploratory writing that preserves the spontaneity of notes scribbled down in haste. In these essays, the author’s reflections take us from his childhood in Sydney to trips to Afghanistan, Colombia, Finland, Italy, Turkey, and Syria. Along the way, Taussig explores themes of fabulation and provocation that are central to his life’s work, in addition to the thinkers dearest to him—Bataille, Benjamin, Burroughs, and Nietzsche, among others. This collection is vintage Taussig, bound to interest longtime readers and newcomers alike.
 
[more]
cover of Andean Entrepreneurs: Otavalo Merchants and Musicians in the Global Arena

Andean Entrepreneurs

Otavalo Merchants and Musicians in the Global Arena

By Lynn A. Meisch

University of Texas Press, 2002

Native to a high valley in the Andes of Ecuador, the Otavalos are an indigenous people whose handcrafted textiles and traditional music are now sold in countries around the globe. Known as weavers and merchants since pre-Inca times, Otavalos today live and work in over thirty countries on six continents, while hosting more than 145,000 tourists annually at their Saturday market.

In this ethnography of the globalization process, Lynn A. Meisch looks at how participation in the global economy has affected Otavalo identity and culture since the 1970s. Drawing on nearly thirty years of fieldwork, she covers many areas of Otavalo life, including the development of weaving and music as business enterprises, the increase in tourism to Otavalo, the diaspora of Otavalo merchants and musicians around the world, changing social relations at home, the growth of indigenous political power, and current debates within the Otavalo community over preserving cultural identity in the face of globalization and transnational migration. Refuting the belief that contact with the wider world inevitably destroys indigenous societies, Meisch demonstrates that Otavalos are preserving many features of their culture while adopting and adapting modern technologies and practices they find useful.

[more]
cover of Andean Lives: Gregorio Condori Mamani and Asunta Quispe Huamán

Andean Lives

Gregorio Condori Mamani and Asunta Quispe Huamán

Ricardo Valderrama Fernández and Carmen Escalante Gutiérrez, Original Editors

University of Texas Press, 1996

Gregorio Condori Mamani and Asunta Quispe Huamán were runakuna, a Quechua word that means "people" and refers to the millions of indigenous inhabitants neglected, reviled, and silenced by the dominant society in Peru and other Andean countries. For Gregorio and Asunta, however, that silence was broken when Peruvian anthropologists Ricardo Valderrama Fernández and Carmen Escalante Gutiérrez recorded their life stories. The resulting Spanish-Quechua narrative, published in the mid-1970s and since translated into many languages, has become a classic introduction to the lives and struggles of the "people" of the Andes.

Andean Lives is the first English translation of this important book. Working directly from the Quechua, Paul H. Gelles and Gabriela Martínez Escobar have produced an English version that will be easily accessible to general readers and students, while retaining the poetic intensity of the original Quechua. It brings to vivid life the words of Gregorio and Asunta, giving readers fascinating and sometimes troubling glimpses of life among Cuzco's urban poor, with reflections on rural village life, factory work, haciendas, indigenous religion, and marriage and family relationships.

[more]
cover of Animacies: Biopolitics, Racial Mattering, and Queer Affect

Animacies

Biopolitics, Racial Mattering, and Queer Affect

Mel Y. Chen

Duke University Press, 2012

In Animacies, Mel Y. Chen draws on recent debates about sexuality, race, and affect to examine how matter that is considered insensate, immobile, or deathly animates cultural lives. Toward that end, Chen investigates the blurry division between the living and the dead, or that which is beyond the human or animal. Within the field of linguistics, animacy has been described variously as a quality of agency, awareness, mobility, sentience, or liveness. Chen turns to cognitive linguistics to stress how language habitually differentiates the animate and the inanimate. Expanding this construct, Chen argues that animacy undergirds much that is pressing and indeed volatile in contemporary culture, from animal rights debates to biosecurity concerns.

Chen's book is the first to bring the concept of animacy together with queer of color scholarship, critical animal studies, and disability theory. Through analyses of dehumanizing insults, the meanings of queerness, animal protagonists in recent Asian/American art and film, the lead in toys panic in 2007, and the social lives of environmental illness, Animacies illuminates a hierarchical politics infused by race, sexuality, and ability. In this groundbreaking book, Chen rethinks the criteria governing agency and receptivity, health and toxicity, productivity and stillness—and demonstrates how attention to the affective charge of matter challenges commonsense orderings of the world.

[more]
cover of Animal Myths and Metaphors in South America

Animal Myths and Metaphors in South America

URTON

University of Utah Press, 1985

What similarities and differences do humans see between themselves and animals? Why do people commonly make metaphorical comparisons between human beings or social groups and animals, and to what degree are people’s attitudes and beliefs about animals parallel to or contingent upon their attitudes and beliefs about human beings and human society? This collection of articles considers these issues. The issues are basic in any study of "totemism," or human and animal relationships, and they have been discussed in anthropological literature since the time of Lewis Henry Morgan’s work on Iroquois social organization.

The contributors to this anthology have not limited themselves to the notion that clans and moieties are the only sources and objects of metaphorical comparisons between humans and animals. They suggest a shift in perspective that has metaphorical comparisons generated by conceived similarities and differences between animals and particular types of human beings. Some examples of this include macaw fledglings as adolescents; pumas as fully initiated men, and foxes as young married men. With this shift of emphasis, a significantly different analytic focus in the study of human-animal relations is produced.
[more]
cover of Animality and Colonial Subjecthood in Africa: The Human and Nonhuman Creatures of Nigeria

Animality and Colonial Subjecthood in Africa

The Human and Nonhuman Creatures of Nigeria

Saheed Aderinto

Ohio University Press, 2022

With this multispecies study of animals as instrumentalities of the colonial state in Nigeria, Saheed Aderinto argues that animals, like humans, were colonial subjects in Africa. Animality and Colonial Subjecthood in Africa broadens the historiography of animal studies by putting a diverse array of species (dogs, horses, livestock, and wildlife) into a single analytical framework for understanding colonialism in Nigeria and Africa as a whole. From his study of animals with unequal political, economic, social, and intellectual capabilities, Aderinto establishes that the core dichotomies of human colonial subjecthood—indispensable yet disposable, good and bad, violent but peaceful, saintly and lawless—were also embedded in the identities of Nigeria’s animal inhabitants. If class, religion, ethnicity, location, and attitude toward imperialism determined the pattern of relations between human Nigerians and the colonial government, then species, habitat, material value, threat, and biological and psychological characteristics (among other traits) shaped imperial perspectives on animal Nigerians. Conceptually sophisticated and intellectually engaging, Aderinto’s thesis challenges readers to rethink what constitutes history and to recognize that human agency and narrative are not the only makers of the past.
[more]
cover of Animated by Uncertainty: Rugby and the Performance of History in South Africa

Animated by Uncertainty

Rugby and the Performance of History in South Africa

Joshua D. Rubin

University of Michigan Press, 2021

In Animated by Uncertainty, Joshua D. Rubin analyzes South African rugby through the lens of aesthetic politics. Building on 17 months of ethnographic research with rugby coaches, players, and administrators, the author argues that rugby is a form of performance and further that the qualities that define rugby shape the political ends to which the sport can be put. In this respect, Animated by Uncertainty demonstrates that theories of sporting politics cannot afford to overlook the qualities of the sports themselves, and it provides a theoretical approach to illustrate how these qualities can be studied. The book also analyzes the ways that apartheid and colonialism inhere in South African institutions and practices.Drawing inspiration from the observation that South Africans could always abandon rugby if they chose to do so, Rubin highlights how the continuing significance of rugby as a form of performance brings traces of South Africa's apartheid and colonial past into the country's contemporary political moment.

[more]
cover of Anna May Wong: Performing the Modern

Anna May Wong

Performing the Modern

Shirley Jennifer Lim

Temple University Press, 2019

Finalist for the 2020 Organization of American Historians Mary Nickliss Prize

Pioneering Chinese American actress Anna May Wong made more than sixty films, headlined theater and vaudeville productions, and even starred in her own television show. Her work helped shape racial modernity as she embodied the dominant image of Chinese and, more generally, “Oriental” women between 1925 and 1940. 

In Anna May Wong, Shirley Jennifer Lim re-evaluates Wong’s life and work as a consummate artist by mining an historical archive of her efforts outside of Hollywood cinema. From her pan-European films and her self-made My China Film to her encounters with artists such as Josephine Baker, Carl Van Vechten, and Walter Benjamin, Lim scrutinizes Wong’s cultural production and self-fashioning. Byconsidering the salient moments of Wong’s career and cultural output, Lim’s analysis explores the deeper meanings, and positions the actress as an historical and cultural entrepreneur who rewrote categories of representation.  

Anna May Wong provides a new understanding of the actress’s career as an ingenious creative artist.

[more]
cover of Anna Murray Douglass: Biography of a Revolutionary

Anna Murray Douglass

Biography of a Revolutionary

Celeste-Marie Bernier

Duke University Press, 2026

Working with family descendants and based on thirty years of research digging through public and private archives, Celeste-Marie Bernier presents the first standalone biography of Anna Murray Douglass, wife and co-revolutionary of Frederick Douglass, honoring her history-making role as a campaigner, liberator, and freedom-fighter.

Anna Murray Douglass was born legally free in Maryland to Mary and Bambarra Murray. From working with her future husband, Frederick Douglass, to secure his self-liberation from enslavement to converting her family homes to command centers for the Underground Railroad, she dedicated her entire life to the fight for all freedoms and to supporting loved ones and strangers alike in their fight for equal, independent lives. Her deeds have long gone unsung until now.

In this first-ever standalone biography of the wife and co-revolutionary of Frederick Douglass, Celeste-Marie Bernier provides a detailed and illustrated history of Anna Murray Douglass’s leadership roles in fighting against the injustices of enslavement, racism, and white supremacy, as well as how she laid the foundation for her family to follow in her and her husband’s footsteps. After over three decades of archival research, Bernier presents a wide-ranging collection of stories, writings, letters, and photographs in a comprehensive and illuminating biography of Anna Murray Douglass’s life and work as an educator, activist, intellectual, orator, political thinker, artist, philosopher, and strategist. Ultimately, Bernier aims to combat the widespread misrepresentation that the liberation movement bearing the Douglass name was the work of one individual when it was, in reality, a family institution. Anna Murray Douglass is the first book in a ten-volume collection detailing the life and work of the entire Douglass family including their children, Rosetta, Lewis Henry, Frederick, Jr., Charles Remond and Annie Douglass, all freedom-fighters in their own right.

[more]
cover of Another Aesthetics Is Possible: Arts of Rebellion in the Fourth World War

Another Aesthetics Is Possible

Arts of Rebellion in the Fourth World War

Jennifer Ponce de León

Duke University Press, 2021

In Another Aesthetics Is Possible Jennifer Ponce de León examines the roles that art can play in the collective labor of creating and defending another social reality. Focusing on artists and art collectives in Argentina, Mexico, and the United States, Ponce de León shows how experimental practices in the visual, literary, and performing arts have been influenced by and articulated with leftist movements and popular uprisings that have repudiated neoliberal capitalism and its violence. Whether enacting solidarity with Zapatista communities through an alternate reality game or using surrealist street theater to amplify the more radical strands of Argentina's human rights movement, these artists fuse their praxis with forms of political mobilization from direct-action tactics to economic resistance. Advancing an innovative transnational and transdisciplinary framework of analysis, Ponce de León proposes a materialist understanding of art and politics that brings to the fore the power of aesthetics to both compose and make visible a world beyond capitalism.
[more]
cover of Another Arabesque: Syrian-Lebanese Ethnicity in Neoliberal Brazil

Another Arabesque

Syrian-Lebanese Ethnicity in Neoliberal Brazil

John Tofik Karam

Temple University Press, 2006

Offering a novel approach to the study of ethnicity in the neoliberal market, Another Arabesque is the first full-length book in English to focus on the estimated seven million Arabs in Brazil. With insights gained from interviews and fieldwork, John Tofik Karam examines how Brazilians of Syrian-Lebanese descent have gained greater visibility and prominence as the country has embraced its globalizing economy, particularly its relations with Arab Gulf nations. At the same time, he recounts how Syrian-Lebanese descendents have increasingly self-identified as "Arabs." Karam demonstrates how Syrian-Lebanese ethnicity in Brazil has intensified through market liberalization, government transparency, and consumer diversification. Utilizing an ethnographic approach, he employs current social and business phenomena as springboards for investigation and discussion. Uncovering how Arabness appears in places far from the Middle East, Another Arabesque makes a new and valuable contribution to the study of how identity is formed and shaped in the modern world.
[more]
cover of Another Magic Mountain: Kibong'oto Hospital and African Tuberculosis, 1920–2000

Another Magic Mountain

Kibong'oto Hospital and African Tuberculosis, 1920–2000

Christoph Gradmann

Ohio University Press, 2025

Kibong’oto Hospital, opened in 1926, is an East African tuberculosis treatment center located on the slopes of Mount Kilimanjaro. Its history is crucial to understanding tuberculosis in Tanzania and, more broadly, in Africa. With the hospital as a point of departure, Christoph Gradmann presents a history of this disease that engages with local and regional contexts rather than with international elite science and health policies.

The book addresses key questions about the African experience with tuberculosis:

  • What did it mean to do clinical science on tuberculosis in colonial and postcolonial contexts?
  • Along which trajectories did medical practice and research evolve in a place where international advances in medical science were sometimes heard of only faintly and where resources could be scarce?
  • How did a large hospital with several hundred beds dedicated to the treatment of just one condition figure in the development of national and regional health systems?
  • How did Kibong’oto Hospital, a pride of colonial health governance, transition after Tanzania gained independence?
  • How did treating and researching tuberculosis change throughout the twentieth century in an African hospital dedicated to that condition?
  • How did research at the hospital contribute to tuberculosis-control strategies on national and international levels?

The book is based on the hospital’s unique archive: its surviving library of thousands of case summaries. Since 1926, this library has documented an enormous number of patient lives, staff careers, diagnoses, treatments, clinical trials, and much more. For today’s readers, the library provides insight into a history of clinical medicine in Africa, for which very few comparable archives exist. Gradmann supplements this site-specific research with material from national and international archives, as well as interviews with former staff involved in that history. The book’s four chapters offer perspectives on colonial epidemiological research in the interwar years; on late colonial healthcare development plans and the arrival of modern drug therapies; on the role of a national tuberculosis hospital in a newly independent country; and on the history of tuberculosis control in an age of economic crisis, HIV, and emergent global health-treatment programs. Finally, Gradmann discusses what the history of a large hospital can add to today’s tuberculosis research, control policy, and historiography.

[more]
cover of Another Way Home: The Tangled Roots of Race in One Chicago Family

Another Way Home

The Tangled Roots of Race in One Chicago Family

Ronne Hartfield

University of Chicago Press, 2004

In her prologue to Another Way Home, Ronne Hartfield notes the dearth of stories about African Americans who have occupied the area of mixed race with ease and harmony for generations. Her moving family history is filled with such stories, told in beautifully crafted and unsentimental prose. Spanning most of the twentieth century, Hartfield's book celebrates the special occasion of being born and reared in a household where miscegenation was the rule rather than the exception—where being a woman of mixed race could be a fundamental source of strength, vitality, and courage.

Hartfield begins with the early life of her mother, Day Shepherd. Born to a wealthy British plantation owner and the mixed-race daughter of a former slave, Day negotiates the complicated circumstances of plantation life in the border country of Louisiana and Mississippi and, as she enters womanhood, the quadroon and octoroon societies of New Orleans. Equally a tale of the Great Migration, Another Way Home traces Day's journey to Bronzeville, the epicenter of black Chicago during the first half of the twentieth century. Here, through the eyes of Day and, ultimately, her daughter, we witness the bustling city streets and vibrant middle-class culture of this iconic black neighborhood. We also relive crucial moments in African American history as they are experienced by the author's family and others in Chicago's South Side black community, from the race riots of 1919 and the Great Depression to the murder of Emmett Till and the dawn of the civil rights movement.

Throughout her book, Hartfield portrays mixed-race Americans navigating the challenges of their lives with resilience and grace, making Another Way Home an intimate and compelling encounter with one family's response to our racially charged culture.
[more]
cover of Answered Prayers: Miracles and Milagros along the Border

Answered Prayers

Miracles and Milagros along the Border

Eileen Oktavec

University of Arizona Press, 1995

When Catholics in the Southwest ask God or a saint for help, many of them do not merely pray. They also promise or present a gift—a tiny metal object known as a milagro. A milagro, which means "miracle" in Spanish, depicts the object for which a miracle is sought, such as a crippled leg or a new house. Milagros are offered for everything people pray for, and so they can represent almost anything imaginable—arms, lungs, hearts, and eyes; men, women, and children; animals, cars, boats—even lost handbags and imprisoned men.

In Answered Prayers, the Mexicans, Mexican Americans, Tohono O'odham, and Yaquis who practice this tradition share their stories of unwavering faith and divine intervention. Anthropologist and photographer Eileen Oktavec has spent more than two decades documenting this fascinating tradition in the Arizona-Mexico borderlands. Quoting extensive interviews, she explains the beliefs of the people who perform this ancient folk ritual and the many rules guiding this practice. She also describes the many places where milagros are offered—from the elaborate Mexican baroque Mission San Xavier near Tucson, Arizona, to tiny household shrines and hospitals on both sides of the border. Oktavec also explains how milagros are made, where they are bought, and how they are used in jewelry, sculpture, and art.
[more]
cover of Anthropological Lives: An Introduction to the Profession of Anthropology

Anthropological Lives

An Introduction to the Profession of Anthropology

Virginia R Dominguez

Rutgers University Press, 2020

Anthropological Lives introduces readers to what it is like to be a professional anthropologist.  It focuses on the work anthropologists do, the passions they have, the way that being an anthropologist affects the kind of life they lead. The book draws heavily on the experiences of twenty anthropologists interviewed by Virginia R. Dominguez and Brigittine M. French, as well as on the experiences of the two coauthors. Many different kinds of anthropologists are represented, and the book makes a point of discussing their commonalities as well as their differences. Some of the anthropologists included work in the academy, some work outside the academy, and some work in institutions like museums. Included are cultural anthropologists, linguistic anthropologists, medical anthropologists, biological anthropologists, practicing anthropologists, and anthropological archaeologists. A fascinating look behind the curtain, the stories in Anthropological Lives will inform anyone who has ever wondered what you do with a degree in anthropology.

Anthropologists profiled: Leslie Aiello, Lee Baker, João Biehl, Tom Boellstorff, Jacqueline Comito, Shannon Dawdy, Virginia R. Dominguez, T.J. Ferguson, Brigittine French, Agustín Fuentes, Amy Goldenberg, Mary Gray, Sarah Green, Monica Heller, Douglas Hertzler, Ed Liebow, Mariano Perelman, Jeremy Sabloff, Carolyn Sargent, Marilyn Strathern, Nandini Sundar, Alaka Wali.
 
[more]
cover of Anthropology and the Racial Politics of Culture

Anthropology and the Racial Politics of Culture

Lee D. Baker

Duke University Press, 2010

In the late nineteenth century, if ethnologists in the United States recognized African American culture, they often perceived it as something to be overcome and left behind. At the same time, they were committed to salvaging “disappearing” Native American culture by curating objects, narrating practices, and recording languages. In Anthropology and the Racial Politics of Culture, Lee D. Baker examines theories of race and culture developed by American anthropologists during the late nineteenth century and early twentieth. He investigates the role that ethnologists played in creating a racial politics of culture in which Indians had a culture worthy of preservation and exhibition while African Americans did not.

Baker argues that the concept of culture developed by ethnologists to understand American Indian languages and customs in the nineteenth century formed the basis of the anthropological concept of race eventually used to confront “the Negro problem” in the twentieth century. As he explores the implications of anthropology’s different approaches to African Americans and Native Americans, and the field’s different but overlapping theories of race and culture, Baker delves into the careers of prominent anthropologists and ethnologists, including James Mooney Jr., Frederic W. Putnam, Daniel G. Brinton, and Franz Boas. His analysis takes into account not only scientific societies, journals, museums, and universities, but also the development of sociology in the United States, African American and Native American activists and intellectuals, philanthropy, the media, and government entities from the Bureau of Indian Affairs to the Supreme Court. In Anthropology and the Racial Politics of Culture, Baker tells how anthropology has both responded to and helped shape ideas about race and culture in the United States, and how its ideas have been appropriated (and misappropriated) to wildly different ends.

[more]
cover of Anti-Heimat Cinema: The Jewish Invention of the German Landscape

Anti-Heimat Cinema

The Jewish Invention of the German Landscape

Ofer Ashkenazi

University of Michigan Press, 2020

Anti-Heimat Cinema: The Jewish Invention of the German Landscape studies an overlooked yet fundamental element of German popular culture in the twentieth century. In tracing Jewish filmmakers’ contemplations of “Heimat”—a provincial German landscape associated with belonging and authenticity—it analyzes their distinctive contribution to the German identity discourse between 1918 and 1968. In its emphasis on rootedness and homogeneity Heimat seemed to challenge the validity and significance of Jewish emancipation. Several acculturation-seeking Jewish artists and intellectuals, however, endeavored to conceive a notion of Heimat that would rather substantiate their belonging. This book considers Jewish filmmakers’ contribution to this endeavor. It shows how they devised the landscapes of the German “Homeland” as Jews, namely, as acculturated, “outsiders within.” Through appropriation of generic Heimat imagery, the films discussed in the book integrate criticism of national chauvinism into German mainstream culture from World War One to the Cold War. Consequently, these Jewish filmmakers anticipated the anti-Heimat film of the ensuing decades, and functioned as an uncredited inspiration for the critical New German Cinema.
[more]
cover of Antiblackness

Antiblackness

Moon-Kie Jung and João H. Costa Vargas, editors

Duke University Press, 2021

Antiblackness investigates the ways in which the dehumanization of Black people has been foundational to the establishment of modernity. Drawing on Black feminism, Afropessimism, and critical race theory, the book's contributors trace forms of antiblackness across time and space, from nineteenth-century slavery to the categorization of Latinx in the 2020 census, from South Africa and Palestine to the Chickasaw homelands, from the White House to convict lease camps, prisons, and schools. Among other topics, they examine the centrality of antiblackness in the introduction of Carolina rice to colonial India, the presence of Black people and Native Americans in the public discourse of precolonial Korea, and the practices of denial that obscure antiblackness in contemporary France. Throughout, the contributors demonstrate that any analysis of white supremacy---indeed, of the world---that does not contend with antiblackness is incomplete.

Contributors. Mohan Ambikaipaker, Jodi A. Byrd, Iyko Day, Anthony Paul Farley, Crystal Marie Fleming, Sarah Haley, Tanya Katerí Hernández, Sarah Ihmoud, Joy James, Moon-Kie Jung, Jae Kyun Kim, Charles W. Mills, Dylan Rodríguez, Zach Sell, João H. Costa Vargas, Frank B. Wilderson III, Connie Wun
[more]
cover of Antiracist Futures for Games and Play

Antiracist Futures for Games and Play

TreaAndrea M. Russworm and Soraya Murray, editors

Duke University Press, 2027

The essays in Antiracist Futures for Games and Play show how games are distributive sites of power that can become creative spaces for imagining and modeling alternative futures instead of replicating the dystopian conditions of the here and now. Bringing together game designers, scholars, and industry professionals, the volume examines race, power, and decolonial approaches to games; speculative design interventions; Black resistance and innovation in game history and culture; and how game labs and small studios can be generative sites for futurity. When created and experienced as antiracist interventions, games and play may become tools for challenging oppressive systems and opening liberatory pathways. Together, the pieces in this collection serve as a resounding call to action for the industry by demonstrating how intentional worldbuilding, design principles, and speculative critical practices have the potential to model antiracist futures from which other concrete forms of equity can flow.
[more]
cover of Anyplace But Here

Anyplace But Here

Arna Bontemps & Jack Conroy

University of Missouri Press, 1997

Originally published in 1945 as They Seek a City, this classic was revised and expanded in 1966 to include chapters on Marcus Garvey, the Black Muslims, Malcolm X, and the racial disturbances in Detroit, Chicago, and Watts. Filled with stories about real men and women who sought a new life in the North, Anyplace But Here depicts the theme of hope, undercut by disappointment, and hope renewed as it details the African American's search for a home.

[more]
cover of Aníbal Quijano: Foundational Essays on the Coloniality of Power

Aníbal Quijano

Foundational Essays on the Coloniality of Power

Anibal Quijano. Edited by Walter D. Mignolo, Rita Segato, and Catherine E. Walsh

Duke University Press, 2024

The Peruvian sociologist Aníbal Quijano is widely considered to be a foundational figure of the decolonial perspective grounded in three basic concepts: coloniality, coloniality of power, and the colonial matrix of power. His decolonial theorizations of these three concepts have transformed the principles and assumptions of the very idea of knowledge, impacted the social sciences and humanities, and questioned the myth of rationality in natural sciences. The essays in this volume encompass nearly thirty years of Quijano’s work, bringing them to an English-reading audience for the first time. This volume is not simply an introduction to Quijano’s work; it achieves one of his unfulfilled goals: to write a book that contains his main hypotheses, concepts, and arguments. In this regard, the collection encourages a fuller understanding and broader implementation of the analyses and concepts that he developed over the course of his long career. Moreover, it demonstrates that the tools for reading and dismantling coloniality originated outside the academy in Latin America and the former Third World.
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cover of Apartheid Remains

Apartheid Remains

Sharad Chari

Duke University Press, 2024

In Apartheid Remains, Sharad Chari explores how people handle the remains of segregation and apartheid in South Africa as witnessed through portals in an industrial-residential landscape in the Indian Ocean city of Durban. Through long-term historical and ethnographic research, Chari portrays South Africa’s twentieth century as a palimpsest that conserves the remains of multiple pasts, including attempts by the racial state to remake territory and personhood while instead deepening spatial contradictions and struggles. When South Durban’s denizens collectively mobilized in various ways---through Black Consciousness politics and other attempts at refusing the ruinous articulation of biopolitics, sovereignty, and capital---submerged traditions of the Indian Ocean and the Black Atlantic offered them powerful resources. Of these, Chari reads Black documentary photography as particularly insightful audiovisual blues critique. At the tense interface of Marxism, feminism, and Black study, he offers a method and form of geography attentive to the spatial and embodied remains of history. Apartheid Remains looks out from South Durban to imaginations of abolition of all forms of racial capitalism and environmental suffering that define our planetary predicament.
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